Results by title

Following the events of September 11, 2001, American Muslims found themselves under unprecedented scrutiny. Muslim communities in the United States suffered from negative representations of their religion, but they also experienced increased interest in aspects of their faith and cultures. They seized the opportunity to shape the intellectual contribution of American Muslims to contemporary Muslim thought as never before. Muslim women in particular—often assumed to be silenced, oppressed members of their own communities—challenged stereotypes through their writing, seeking to express what it means to be a Muslim woman in America and carrying out intra-Muslim debates about gender roles and women’s participation in society. Hammer looks at the work of significant female American Muslim writers, scholars, and activists, using their writings as a lens for a larger discussion of Muslim intellectual production in America and beyond.

Centered on the controversial women-led Friday prayer in March 2005, Hammer uses this event and its aftermath to address themes of faith, community, and public opinion. Tracing the writings of American Muslim women since 1990, the author covers an extensive list of authors, including Amina Wadud, Leila Ahmed, Asma Barlas, Riffat Hassan, Mohja Kahf, Azizah al-Hibri, Asra Normani, and Asma Gull Hasan. Hammer deftly examines each author’s writings, demonstrating that the debates that concern American Muslim women are at the heart of modern Muslim debates worldwide. While gender is the catalyst for Hammer’s study, her examination of these women’s intellectual output touches on themes central to contemporary Islam: authority, tradition, Islamic law, justice, and authenticity.

A collection of intimate writings first published by Literary Hub in the Letters From Minnesota series that recounts the lived community experience of facing—and resisting—ICE violence during Operation Metro Surge

The history of America is a history of occupations. But what happens when an imperial nation, defined by endless expansion, runs out of frontier? It turns inward. It occupies itself.

American Occupation is an urgent compilation of reflections and accounts that emerged during the shocking, months-long ICE operation in Minnesota. In December 2025, the Department of Homeland Security launched Operation Metro Surge, and thousands of ICE and border patrol agents in paramilitary costumes descended on the Twin Cities. Their brutal, unconstitutional campaign resulted in the terrorization and disappearance of countless US citizens and immigrants, the murders of legal observers Renee Good and Alex Pretti, and the mobilization of vast, intricate mutual aid networks, massive protests, and staggering acts of courage during one of the coldest Minnesota winters in a decade.

Two days after Alex Pretti was killed on January 24, 2026, Literary Hub published the first of forty-four Letters From Minnesota, an online rapid response series that invited novelists, journalists, poets, and memoirists to document their experiences under occupation. An immigrant mother makes a plan with her young children in case she’s detained by ICE. A Powderhorn Park resident witnesses the traumatic abduction of two neighbors at a bus stop. A professor chronicles the relentless federal violence throughout her family’s journey from Mexico to California to Minnesota, among other harrowing stories and accounts.

With twelve new contributions, American Occupation offers a mosaic of deeply personal and defiant testimonies detailing the creative solidarity and resolve of Minnesotans confronting fascist cruelty. Contextualized in the history of the US government’s abuse of power against its own civilians, American Occupation reveals the grim reality of yet another American administration in thrall to its own mythologies—and the long arc of resistance and compassion of ordinary people.

Contributors: Angela Ajayi, Anonymous, Charles Baxter, Victoria Blanco, Jennifer Eli Bowen, Katherine Packert Burke, Zeke Caligiuri, David Aiona Chang, Dana Chiueh, Heid E. Erdrich, Nick Estes, Nimo Farah, V. V. Ganeshananthan, Shannon Gibney, Dobby Gibson, Sarah Green, Molly Beth Griffin, Dara Moskowitz Grumdahl, Marian Hassan, Hedgiee, Laurie Hertzel, Carolyn Holbrook, Siri Hustvedt, Đenise Hạnh Huỳnh, Andrea Jenkins, Michael Kleber-Diggs, Ed Bok Lee, Josina Manu Maltzman, Will McGrath, Jim Moore, David Mura, Nia Navarro, Sahra Noor, Kara Olson, Peter Pearson, Angela Pelster, Bao Phi, Kaia Preus, Susan Raffo, Marcie Rendon, Kate Romero and Gustavo Romero, Sean Sherman, Sun Yung Shin, Gabriela Spears-Rico, Michael Torres, Kawai Strong Washburn, Sana Wazwaz, chaun webster, Diane Wilson, A. E. Wynter, Kao Kalia Yang, Ahmed Ismail Yusuf, Michelle Zamanian.

Retail e-book files for this title are screen-reader friendly.

Surveying the American fascination with the Far East since the mid-eighteenth century, this book explains why the Orient had a fundamentally different meaning in the United States than in Europe or Great Britain. David Weir argues that unlike their European counterparts, Americans did not treat the East simply as a site of imperialist adventure; on the contrary, colonial subjugation was an experience that early Americans shared with the peoples of China and India. 

In eighteenth-century America, the East was, paradoxically, a means of reinforcing the enlightenment values of the West: Franklin, Jefferson, and other American writers found in Confucius a complement to their own political and philosophical beliefs. In the nineteenth century, with the shift from an agrarian to an industrial economy, the Hindu Orient emerged as a mystical alternative to American reality. During this period, Emerson, Thoreau, and other Transcendentalists viewed the “Oriental” not as an exotic other but as an image of what Americans could be, if stripped of all the commercialism and materialism that set them apart from their ideal. A similar sense of Oriental otherness informed the aesthetic discoveries of the early twentieth century, as Pound, Eliot, and other poets found in Chinese and Japanese literature an artistic purity and intensity absent from Western tradition. For all of these figures the Orient became a complex fantasy that allowed them to overcome something objectionable, either in themselves or in the culture of which they were a part, in order to attain some freer, more genuine form of philosophical, religious, or artistic expression.

In the early and mid-twentieth century, Chinese migrants evaded draconian anti-immigrant laws by entering the US under false papers that identified them as the sons of people who had returned to China to marry. Wayne Hung Wong tells the story of his life after emigrating to Wichita, Kansas, as a thirteen-year-old paper son. After working in his father’s restaurant as a teen, Wong served in an all-Chinese Air Force unit stationed in China during World War II. His account traces the impact of race and segregation on his service experience and follows his postwar life from finding a wife in Taishan through his involvement in the government’s amnesty program for Chinese immigrants and career in real estate. Throughout, Wong describes the realities of life as part of a small Chinese American community in a midwestern town.

Vivid and rich with poignant insights, American Paper Son explores twentieth-century Asian American history through one person’s experiences.

Designed as a broad introductory survey, and written by experts in the field, this book examines the rise of American music over the past hundred years — the period in which that music came into its own and achieved unprecedented popularity. Beginning with a look at music as a business, eleven essays explore a variety of popular musical genres, including Tin Pan Alley, blues, jazz, country, gospel, rhythm and blues, rock and roll, folk, rap, and Mexican American corridos. Reading these essays, we come to see that the forms created by one group often appeal to, and are in turn influenced by, other groups—across lines of race, ethnicity, class, gender, region, and age. The chapters speak to one another, arguing for the primacy of such concepts as minstrelsy, urbanization, hybridity, and crossover as the most powerful tools for understanding American popular music. Moving beyond outdated music-industry categories and misleading genre labels, while acknowledging the complexities of the market, the book recovers and reinforces the essential blackness of much popular music—even a presumably white form like country and western. In addition to Rachel Rubin and Jeffrey Melnick, contributors include Reebee Garofalo, Geoffrey Jacques, Kip Lornell, Mark Anthony Neal, Millie Rahn, David Sanjek, James Smethurst, Elijah Wald, and Gail Hilson Woldu.

The gold epaulettes that George Washington wore into battle. A Union soldier’s bloody shirt in the wake of the Civil War. A crushed wristwatch after the 9/11 attacks. The bullet-riddled door of the Pulse nightclub. Volatile and shape-shifting, relics have long played a role in memorializing the American past, acting as physical reminders of hard-won battles, mass tragedies, and political triumphs.

American studies has changed drastically over the past few decades, as a new wave of scholars—armed with groundbreaking ideas and more extensive methods of research—flocked to the relatively young field. This focus on scholarship, though necessary to the advancement of the discipline, has left pedagogy largely ignored. In American Studies in Dialogue, Matthias Oppermann consciously resists the traditional academic split between scholarship and classroom practice. His study calls for a radical reconstruction of American studies grounded in an understanding of cultural analysis and critique as genuinely dialogic processes of research and pedagogy. Drawing on case studies ranging from courses in early American civilization to recent multimedia projects, American Studies in Dialogue will be required reading for American studies scholars and teachers.