1441 books match the query 'Great Britain' and 116 start with a

cover of Archives of Empire: Volume 2. The Scramble for Africa

Archives of Empire

Volume 2. The Scramble for Africa

Barbara Harlow and Mia Carter, eds.

Duke University Press, 2004

A rich collection of primary materials, the multivolume Archives of Empire provides a documentary history of nineteenth-century British imperialism from the Indian subcontinent to the Suez Canal to southernmost Africa. Barbara Harlow and Mia Carter have carefully selected a diverse range of texts that track the debates over imperialism in the ranks of the military, the corridors of political power, the lobbies of missionary organizations, the halls of royal geographic and ethnographic societies, the boardrooms of trading companies, the editorial offices of major newspapers, and far-flung parts of the empire itself. Focusing on a particular region and historical period, each volume in Archives of Empire is organized into sections preceded by brief introductions. Documents including mercantile company charters, parliamentary records, explorers’ accounts, and political cartoons are complemented by timelines, maps, and bibligraphies. Unique resources for teachers and students, these volumes reveal the complexities of nineteenth-century colonialism and emphasize its enduring relevance to the “global markets” of the twenty-first century.

While focusing on the expansion of the British Empire, The Scramble for Africa illuminates the intense nineteenth-century contest among European nations over Africa’s land, people, and resources. Highlighting the 1885 Berlin Conference in which Britain, France, Germany, Portugal, and Italy partitioned Africa among themselves, this collection follows British conflicts with other nations over different regions as well as its eventual challenge to Leopold of Belgium’s rule of the Congo. The reports, speeches, treatises, proclamations, letters, and cartoons assembled here include works by Henry M. Stanley, David Livingstone, Joseph Conrad, G. W. F. Hegel, Winston Churchill, Charles Darwin, and Arthur Conan Doyle. A number of pieces highlight the proliferation of companies chartered to pursue Africa’s gold, diamonds, and oil—particularly Cecil J. Rhodes’s British South Africa Company and Frederick Lugard’s Royal Niger Company. Other documents describe debacles on the continent—such as the defeat of General Gordon in Khartoum and the Anglo-Boer War—and the criticism of imperial maneuvers by proto-human rights activists including George Washington Williams, Mark Twain, Olive Schreiner, and E.D. Morel.

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cover of Archives of Empire: Volume I. From The East India Company to the Suez Canal

Archives of Empire

Volume I. From The East India Company to the Suez Canal

Barbara Harlow and Mia Carter, eds.

Duke University Press, 2003

A rich collection of primary materials, the multivolume Archives of Empire provides a documentary history of nineteenth-century British imperialism from the Indian subcontinent to the Suez Canal to southernmost Africa. Barbara Harlow and Mia Carter have carefully selected a diverse range of texts that track the debates over imperialism in the ranks of the military, the corridors of political power, the lobbies of missionary organizations, the halls of royal geographic and ethnographic societies, the boardrooms of trading companies, the editorial offices of major newspapers, and far-flung parts of the empire itself. Focusing on a particular region and historical period, each volume in Archives of Empire is organized into sections preceded by brief introductions. Documents including mercantile company charters, parliamentary records, explorers’ accounts, and political cartoons are complemented by timelines, maps, and bibligraphies. Unique resources for teachers and students, these books reveal the complexities of nineteenth-century colonialism and emphasize its enduring relevance to the “global markets” of the twenty-first century.

Tracing the beginnings of the British colonial enterprise in South Asia and the Middle East, From the Company to the Canal brings together key texts from the era of the privately owned British East India Company through the crises that led to the company’s takeover by the Crown in 1858. It ends with the momentous opening of the Suez Canal in 1869. Government proclamations, military reports, and newspaper articles are included here alongside pieces by Rudyard Kipling, Charles Dickens, John Stuart Mill, Karl Marx, Benjamin Disraeli, and many others. A number of documents chronicle arguments between mercantilists and free trade advocates over the competing interests of the nation and the East India Company. Others provide accounts of imperial crises—including the trial of Warren Hastings, the Indian Rebellion (Sepoy Mutiny), and the Arabi Uprising—that highlight the human, political, and economic costs of imperial domination and control.

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cover of Arranging Marriage: Conjugal Agency in the South Asian Diaspora

Arranging Marriage

Conjugal Agency in the South Asian Diaspora

Marian Aguiar

University of Minnesota Press, 2018

The first critical analysis of contemporary arranged marriage among South Asians in a global context

Arranged marriage is an institution of global fascination—an object of curiosity, revulsion, outrage, and even envy. Marian Aguiar provides the first sustained analysis of arranged marriage as a transnational cultural phenomenon, revealing how its meaning has been continuously reinvented within the South Asian diaspora of Britain, the United States, and Canada. Aguiar identifies and analyzes representations of arranged marriage in an interdisciplinary set of texts—from literary fiction and Bollywood films, to digital and print media, to contemporary law and policy on forced marriage.

Aguiar interprets depictions of South Asian arranged marriage to show we are in a moment of conjugal globalization, identifying how narratives about arranged marriage bear upon questions of consent, agency, state power, and national belonging. Aguiar argues that these discourses illuminate deep divisions in the processes of globalization constructed on a fault line between individualist and collectivist agency and in the process, critiques neoliberal celebrations of “culture as choice” that attempt to bridge that separation. Aguiar advocates situating arranged marriage discourses within their social and material contexts so as to see past reductive notions of culture and grasp the global forces mediating increasingly polarized visions of agency.

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cover of Art & Outrage: Provocation, Controversy and the Visual Arts

Art & Outrage

Provocation, Controversy and the Visual Arts

John A. Walker

Pluto Press, 1998

When art hits the headlines, it is usually because it has caused offence or is perceived by the media to have shock-value. Over the last fifty years many artists have been censored, vilified, accused of blasphemy and obscenity, threatened with violence, prosecuted and even imprisoned. Their work has been trashed by the media and physically attacked by the public.

In Art & Outrage, John A. Walker covers the period from the late 1940s to the 1990s to provide the first detailed survey of the most prominent cases of art that has scandalised. The work of some of Britain’s leading, and less well known, painters and sculptors of the postwar period is considered, such as Richard Hamilton, Bryan Organ, Rachel Whiteread, Reg Butler, Damien Hirst, Jamie Wagg, Barry Flanagan and Antony Gormley. Included are works made famous by the media, such as Carl Andre’s Tate Gallery installation of 120 bricks, Rick Gibson’s foetus earrings, Anthony-Noel Kelly’s cast body-parts sculptures and Marcus Harvey’s portrait of Myra Hindley. Walker describes how each incident emerged, considers the arguments for and against, and examines how each was concluded. While broadly sympathetic to radical contemporary art, Walker has some residual sympathy for the layperson’s bafflement and antagonism. This is a scholarly yet accessible study of the interface between art, society and mass media which offers an alternative history of postwar British art and attitudes.

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cover of Art of Darkness: A Poetics of Gothic

Art of Darkness

A Poetics of Gothic

Anne Williams

University of Chicago Press, 1995

Art of Darkness is an ambitious attempt to describe the principles governing Gothic literature. Ranging across five centuries of fiction, drama, and verse—including tales as diverse as Horace Walpole's The Castle of Otranto, Shelley's Frankenstein, Coleridge's The Rime of the Ancient Mariner, and Freud's The Mysteries of Enlightenment—Anne Williams proposes three new premises: that Gothic is "poetic," not novelistic, in nature; that there are two parallel Gothic traditions, Male and Female; and that the Gothic and the Romantic represent a single literary tradition.

Building on the psychoanalytic and feminist theory of Julia Kristeva, Williams argues that Gothic conventions such as the haunted castle and the family curse signify the fall of the patriarchal family; Gothic is therefore "poetic" in Kristeva's sense because it reveals those "others" most often identified with the female. Williams identifies distinct Male and Female Gothic traditions: In the Male plot, the protagonist faces a cruel, violent, and supernatural world, without hope of salvation. The Female plot, by contrast, asserts the power of the mind to comprehend a world which, though mysterious, is ultimately sensible. By showing how Coleridge and Keats used both Male and Female Gothic, Williams challenges accepted notions about gender and authorship among the Romantics. Lucidly and gracefully written, Art of Darkness alters our understanding of the Gothic tradition, of Romanticism, and of the relations between gender and genre in literary history.
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cover of Art of the Islands: Celtic, Pictish, Anglo-Saxon and Viking Visual Culture, c. 450-1050

Art of the Islands

Celtic, Pictish, Anglo-Saxon and Viking Visual Culture, c. 450-1050

Michelle P. Brown

Bodleian Library Publishing, 2015

The Celtic, Pictish, Anglo-Saxon, and Viking peoples who inhabited the British Isles and Ireland from late prehistory to the Normal Conquest left behind a rich visual heritage that continues to be felt today. The traditions of each of these peoples has been studied separately, but rarely has the historical interaction of these cultures been adequately considered.
           
Michelle P. Brown remedies this oversight, presenting an extensively illustrated art historical overview of this formative period in the region’s history. Describing the interactions between the region’s inhabitants, she also explores the formation of national and regional identities. Brown ranges across works as diverse as the Book of Kells, the Tara Brooch, the Aberlemno Stone, the Lindisfarne Gospels, the Alfred Jewel, and the Benedictional of St. Ethelwold, showing how their complex imagery can be best interpreted. She also considers the impact of the art of this period upon the history of art in general, exploring how it has influenced many movements since, from the Carolingian Renaissance and the Romanesque style to the nineteenth-century Arts and Crafts movement.
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cover of Arthur Schnitzler in Great Britain: An Examination of Power and Translation

Arthur Schnitzler in Great Britain

An Examination of Power and Translation

Nicole Robertson

University of London Press, 2022

An examination of Austrian writer Arthur Schnitzler’s reception in Great Britain.
 
The “amoral voice” of fin-de-siècle Vienna, Arthur Schnitzler (1862–1931) was one of the major figures of European modernist literature. Throughout his lifetime and after his death, his writing enjoyed substantial domestic and international success, yet the arrival of his dramatic works in Great Britain was plagued by false starts, short runs, and inconsistencies. Only with Tom Stoppard’s adaptations of Das weite Land and Liebelei, as Undiscovered Country and Dalliance respectively, were Schnitzler’s plays finally produced at the National Theatre.

This fascinating book studies the history of Schnitzler’s reception in Great Britain to unearth evidence of power in transcultural and translingual migrations. Surveying the field from the end of the nineteenth century to the present day, Nicole Robertson’s analysis of published translations, critical reviews, correspondence, and unpublished drafts provides expansive insight into the process of translating from page to stage. This book presents exhaustive and detailed scholarship on a fascinating, if far from smooth, journey, raising fundamental questions about the nature of authorship.
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cover of Arts of Dying: Literature and Finitude in Medieval England

Arts of Dying

Literature and Finitude in Medieval England

D. Vance Smith

University of Chicago Press, 2020

People in the Middle Ages had chantry chapels, mortuary rolls, the daily observance of the Office of the Dead, and even purgatory—but they were still unable to talk about death. Their inability wasn’t due to religion, but philosophy: saying someone is dead is nonsense, as the person no longer is. The one thing that can talk about something that is not, as D. Vance Smith shows in this innovative, provocative book, is literature.

Covering the emergence of English literature from the Old English to the late medieval periods, Arts of Dying argues that the problem of how to designate death produced a long tradition of literature about dying, which continues in the work of Heidegger, Blanchot, and Gillian Rose. Philosophy’s attempt to designate death’s impossibility is part of a literature that imagines a relationship with death, a literature that intensively and self-reflexively supposes that its very terms might solve the problem of the termination of life. A lyrical and elegiac exploration that combines medieval work on the philosophy of language with contemporary theorizing on death and dying, Arts of Dying is an important contribution to medieval studies, literary criticism, phenomenology, and continental philosophy.
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cover of Asians in Britain: 400 Years of History

Asians in Britain

400 Years of History

Rozina Visram

Pluto Press, 2002

This is a comprehensive history of Asians from the Indian subcontinent in Britain. Spanning four centuries, it tells the history of the Indian community in Britain from the servants, ayahs and sailors of the seventeenth century, to the students, princes, soldiers, professionals and entrepreneurs of the 19th and 20th centuries. 

Rozina Visram examines the nature and pattern of Asian migration; official attitudes to Asian settlement; the reactions and perceptions of the British people; the responses of the Asians themselves and their social, cultural and political lives in Britain. 

This imaginative and detailed investigation asks what it would have been like for Asians to live in Britain, in the heart of an imperial metropolis, and documents the anti-colonial struggle by Asians and their allies in the UK. It is an invaluable contribution to our understanding of the origins of the many different communities that make up contemporary Britain.
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cover of Asquith

Asquith

Stephen Bates

Haus Publishing, 2006

Asquith's administration laid the foundation of Britain's welfare state, but he was plunged into a major power struggle with the House of Lords. The budget of 1909 was vetoed by the hereditary upper chamber, and in 1910 Asquith called and won two elections on this constitutional issue. The Lords eventually passed the 1911 Parliament Act, ending their veto of financial legislation. Asquith was Prime Minister on the outbreak of World War I, but his government fell in 1916 as a result of the 'Shells Scandal'.
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cover of Association and Enlightenment: Scottish Clubs and Societies, 1700-1830

Association and Enlightenment

Scottish Clubs and Societies, 1700-1830

Mark C. Wallace

Bucknell University Press, 2021

Social clubs as they existed in eighteenth- and early nineteenth-century Scotland were varied: they could be convivial, sporting, or scholarly, or they could be a significant and dynamic social force, committed to improvement and national regeneration as well as to sociability. The essays in this volume examine the complex history of clubs and societies in Scotland from 1700 to 1830. Contributors address attitudes toward associations, their meeting places and rituals, their links with the growth of the professions and with literary culture, and the ways in which they were structured by both class and gender. By widening the context in which clubs and societies are set, the collection offers a new framework for understanding them, bringing together the inheritance of the Scottish past, the unique and cohesive polite culture of the Scottish Enlightenment, and the broader context of associational patterns common to Britain, Ireland, and beyond.
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cover of Atlantic Celts: Ancient People Of Modern Invention

Atlantic Celts

Ancient People Of Modern Invention

Simon James

University of Wisconsin Press, 1999

The Celtic peoples hold a fundamental place in the British national conscious-ness. In this book Simon James surveys ancient and modern ideas of the Celts and challenges them in the light of revolutionary new thinking on the Iron Age peoples of Britain. Examining how ethnic and national identities are constructed, he presents an alternative history of the British Isles, proposing that the idea of insular Celtic identity is really a product of the rise of nationalism in the eighteenth century. He considers whether the “Celticness” of the British Isles is a romantic, even politically dangerous, falsification of history, with implications for the debate on self-government for the Celtic regions of the United Kingdom.

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cover of Atlantic Isles: Travel and Identity in the British and Irish West, 1880–1940

Atlantic Isles

Travel and Identity in the British and Irish West, 1880–1940

Gareth Roddy

University of London Press, 2025

From remote islands to sunken lands, Gareth Roddy traces how travel writing and tourism shaped the cultural and political imagination of the British and Irish West between 1880 and 1940.

The west has long gripped the imagination. In Atlantic Isles, Gareth Roddy examines the cultural and political prominence of the "westward gaze," which flourished in late-nineteenth century Britain and Ireland. From Cornish cliffs and Welsh mountains to Hebridean islands and the Connemara highlands, the west was an imagined geography that transcended the national territories of these isles. In the west, geologists uncovered ancient layers of rock, ethnologists described older racial "types," philologists looked for the survival of Celtic languages, and antiquarians and archaeologists marveled at megalithic monuments at the Atlantic coastline.

This book draws on wide-ranging contemporary sources, including works of geology, philology, ethnology, history, geography, archaeology, folklore, literature, sociology, and an extensive collection of travel writing that popularized western landscapes among readers and tourists who explored the increasingly accessible west by road, rail, and steamer. Atlantic Isles reveals that western landscapes were especially powerful spaces of modern enchantment, where stories of sunken lands and mythical islands produced a sense of mystery and wonder in a supposedly disenchanted world. The significance of western landscapes for national identities is well known, but this book demonstrates that the west was also central to debates about Britishness and to the bold attempt to construct a narrative of multinational union that claimed deep historical roots at a time when the subject of Home Rule periodically dominated political debate.
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cover of Attlee

Attlee

David Howell

Haus Publishing, 2006

Former British Prime Minister best known for the creation of the National Health Service.
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cover of Austin Harrison and the English Review

Austin Harrison and the English Review

Martha S. Vogeler

University of Missouri Press, 2008

Political and literary journalist Austin Harrison became editor of the English Review in 1910. While holding that chair, he expanded the publication’s literary scope by publishing articles on such issues as women’s suffrage, parliamentary reform, the German threat, and Irish home rule. But although he edited the Review far longer than did its celebrated founder, Ford Madox Ford, history has long confined him to the shadows of not only his predecessor but also his father, the English Positivist Frederic Harrison.
 
 
            This first scholarly assessment of Harrison’s tenure at the English Review from 1910 to 1923 shows him courting controversy, establishing reputations, winning and losing authors, and pushing the limits of the publishable as he made his “Great Adult Review” the most consistently intelligent and challenging monthly of its day. Martha Vogeler offers a compelling personal and family narrative and a new perspective on British literary culture and political journalism in the years just before, during, and after the First World War.
 
 
            Vogeler provides a revealing account of Harrison the editor—his writings and opinions, his public life and relations—as she also traces the complex relationship between a son and his famous father. Balancing a scholar’s attention to detail and a fine writer’s eye for style, she relates Harrison’s improbable friendships with the notorious Frank Harris and the outrageous Aleister Crowley. And she has mined Harrison’s correspondence to lend insight into the careers of such writers as Ford Madox Ford, D. H. Lawrence, H. G. Wells, Joseph Conrad, John Masefield, Bernard Shaw, Arnold Bennett, and Marie Stopes. Other figures such as George Gissing, Bertrand Russell, Lord Northcliffe, and important Irish revolutionaries appear in new contexts.
 
 
            Ranging widely across literature, foreign relations, national politics, the women’s movement, censorship, and sexuality, Vogeler captures the themes of Harrison’s era. She describes his transformation from Germanophobe before and during World War I to an outspoken critic of the punitive measures against Germany in the Treaty of Versailles. She explores the ambiguities in his engagement with modernist aesthetics and in his attempt to escape the shadow of his father while benefiting from his family’s wealth and connections. Vogeler’s assessment of Harrison’s books further sharpens our understanding of his ideas about Germany, women, education, and Victorian family life—notably his underappreciated tribute/rebuke to his father, Frederic Harrison: Thoughts and Memories.
 
 
            This account of Austin Harrison’s career allows us to observe a journalist making his way in a highly competitive world and opens up a new window on Britain in the era of the Great War.
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cover of Autobiography: Narrative of Transformation

Autobiography

Narrative of Transformation

Carolyn A. Barros

University of Michigan Press, 1997

In Autobiography: Narrative of Transformation, Carolyn Barros creates a primer for the study of autobiography, a genre many consider highly problematic. She sees autobiography as a "narrative of transformation"--a text that presents the "before" and "after" of an individual's life. Focusing on autobiography as narrative, of something that "happened to me," Barros highlights the various metamorphoses that are emplotted, bounded, and framed by the author's language and demonstrates that change is the operative metaphor in autobiographical discourse. The study focuses primarily on autobiographies from the rich Victorian period. Thomas Carlyle's Sartor Resartus, as it self-consciously fictionalized the composition of Diogenes Teufelsdröckh's life narrative, provides a striking analog and paradigm for introducing the study and its methodological approach. Barros's major chapters on John Henry Cardinal Newman, John Stuart Mill, Charles Darwin, and Margaret Oliphant detail four very different types of autobiographical transformation -- religious, philosophical, scientific, and literary -- and in Barros's judgment establish benchmarks for considering autobiographies from antiquity to the present. A final chapter discusses autobiography's significance to an individual writer's corpus, to a particular culture, and finally to a history of "narratives of transformation."
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