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Alternative Maternities: Bodies, Death, and Argentine Citizenship Since 1820 interrogates the intimate and symbolic relationship between maternity and nationhood in Argentina through the lens of post-mortem maternal bodies. This interdisciplinary study brings together literary analysis, archival research, visual culture, and political history to examine how cultural productions deploy the image of the dead mother to define — and challenge — the boundaries of Argentine citizenship, especially for women, trans/travesti individuals, and those of Indigenous heritage. It focuses on the 200-year period between independence in 1820, when Argentine identity began to be defined, until the legalization of abortion at the end of 2020, which codified the right to non-maternity.

By tracing hagiographic and sacrificial depictions of figures like La Difunta Correa and Eva Perón across poetry, literature, visual art, and contemporary protest culture, the book reveals how narratives of Republican Motherhood continue to structure political and social belonging. Ultimately, this work shows how contemporary artists and authors are reconfiguring these maternal myths to queer, expand, and decolonize national identity.

Writing about changes in the notion of womanhood, Denise Riley examines, in the manner of Foucault, shifting historical constructions of the category of “women” in relation to other categories central to concepts of personhood: the soul, the mind, the body, nature, the social. 

Feminist movements, Riley argues, have had no choice but to play out this indeterminacy of women. This is made plain in their oscillations, since the 1790s, between concepts of equality and of difference. To fully recognize the ambiguity of the category of “women” is, she contends, a necessary condition for an effective feminist political philosophy.

The Roman Catholic church played a dominant role in colonial Brazil, so that women’s lives in the colony were shaped and constrained by the Church’s ideals for pure women, as well as by parallel concepts in the Iberian honor code for women. Records left by Jesuit missionaries, Roman Catholic church officials, and Portuguese Inquisitors make clear that women’s daily lives and their opportunities for marriage, education, and religious practice were sharply circumscribed throughout the colonial period. Yet these same documents also provide evocative glimpses of the religious beliefs and practices that were especially cherished or independently developed by women for their own use, constituting a separate world for wives, mothers, concubines, nuns, and witches.

Drawing on extensive original research in primary manuscript and printed sources from Brazilian libraries and archives, as well as secondary Brazilian historical works, Carole Myscofski proposes to write Brazilian women back into history, to understand how they lived their lives within the society created by the Portuguese imperial government and Luso-Catholic ecclesiastical institutions. Myscofski offers detailed explorations of the Catholic colonial views of the ideal woman, the patterns in women’s education, the religious views on marriage and sexuality, the history of women’s convents and retreat houses, and the development of magical practices among women in that era. One of the few wide-ranging histories of women in colonial Latin America, this book makes a crucial contribution to our knowledge of the early modern Atlantic World.

The definitive biography Amelia Gayle Gorgas, one of the most influential people in the history of the University of Alabama

Amelia Gayle Gorgas: A Biography is a richly documented and deeply compelling portrait of one of Alabama’s most influential nineteenth‑century women. Drawing on the unparalleled depth of the Gayle‑Gorgas Collection—letters, journals, family papers, and contemporary accounts—this biography argues that Amelia’s life offers enduring insight into the resilience, intellect, and quiet leadership that shaped Southern society before, during, and after the Civil War. 

Far more than the daughter of a governor, wife of Confederate ordnance chief Josiah Gorgas, or mother of famed physician William Crawford Gorgas, Amelia emerges here as a figure of remarkable adaptability and personal strength. The book traces her journey from a lively Greensboro childhood through the upheavals of war‑torn Richmond, the hardships of Reconstruction‑era Alabama, and her transformative service as librarian at The University of Alabama. Its chapters illuminate the themes that define her legacy: intellectual curiosity without formal schooling, deft management of family and community crises, a gift for nurturing students and soldiers alike, and an ability to thrive in environments as varied as Maine, Charleston, Sewanee, and Tuscaloosa. 

Vivid storytelling blends seamlessly with meticulous scholarship, giving readers both an intimate family narrative and a sweeping social history of the nineteenth‑century South. This biography will appeal especially to readers of Southern history, women’s history, university and library heritage, Civil War studies, and anyone drawn to strong, quietly trailblazing figures whose lives illuminate broader cultural change. Amelia’s story endures because it speaks to the universal work of holding families, institutions, and communities together in times of profound upheaval.

An incisive memoir of Rachel M. Brownstein’s seemingly quintessential Jewish mother, a resilient and courageous immigrant in New York.

When she arrived alone in New York in 1924, eighteen-year-old Reisel Thaler resembled the other Yiddish-speaking immigrants from Eastern Europe who accompanied her. Yet she already had an American passport tucked in her scant luggage. Reisel had drawn her first breath on the Lower East Side of Manhattan in 1905, then was taken back to Galicia (in what is now Poland) by her father before she turned two. She was, as she would boast to the end of her days, “American born.” 

The distinguished biographer and critic Rachel M. Brownstein began writing about her mother Reisel during the Trump years, dwelling on the tales she told about her life and the questions they raised about nationalism, immigration, and storytelling. For most of the twentieth century, Brownstein’s mother gracefully balanced her identities as an American and a Jew. Her values, her language, and her sense of timing inform the imagination of the daughter who recalls her in her own old age. The memorializing daughter interrupts, interprets, and glosses, sifting through alternate versions of the same stories using scenes, songs, and books from their time together.
 
But the central character of this book is Reisel, who eventually becomes Grandma Rose—always watching and judging, singing, baking, and bustling. Living life as the heroine of her own story, she reminds us how to laugh despite tragedy, find our courage, and be our most unapologetically authentic selves.

A portrait of Black life in the Great Plains, written by a key figure in the Chicago Renaissance and decades-long editor of Ebony.

Era Bell Thompson grew up on the plains of North Dakota, where she and her family were some of the only Black people amid an overwhelmingly white population. American Daughter, originally published in 1946, recounts her childhood in the rural West, her college years in Iowa, and the social and racial revelations she experienced upon arriving in Chicago, where she first encountered a large Black community.

Her memories defy contemporary assumptions. She was a popular high school student, even if she was forced to disarm ignorant questions from her peers. She describes her father’s work for the governor, her family’s interactions with diverse Midwestern immigrant communities, the natural beauty of the landscape, and the collaborative spirit necessary to survive the harsh weather conditions in North Dakota. As an adult in Chicago, she discovered lifestyles and attitudes that were entirely unfamiliar after her childhood in predominantly white spaces. While Thompson endured discrimination in rural and urban settings alike, she relied on her trademark humor to defuse tensions and bridge differences. Her memoir similarly radiates optimism, curiosity, and wit.

Long out of print, this new edition includes a foreword by the Chicago-based journalist Natalie Y. Moore, who not only contextualizes the memoir for contemporary readers but also explores Thompson’s life after American Daughter, including her trailblazing career as an editor for Ebony magazine.

On April 22, 2015, the sorority sisters at Ohio’s Muskingum University’s Delta house encountered a horrific scene: pools of blood and gore in the first-floor bathroom. No one knew exactly what had happened, but the sisters suspected it had something to do with Emile Weaver. Studious, athletic, and well-liked, Emile had recently started wearing bulky sweatsuits and hiding her midsection, as if she was covering up a sudden weight gain. Could Emile be pregnant?
 
Emboldened by fear, the sorority sisters investigated. In the driveway next to the kitchen door, they found Emile’s newborn baby girl dead inside a garbage bag. Emile’s crime seemed senseless and left her family and friends with an aching question: what happened?
 
American Infanticide situates Emile's tragic act in a long intellectual, social, and legal history, uncovering disturbing missing chapters in our national history that undercut myths that have shaped public reactions to so-called monster moms and dumpster babies since the colonial era. Ultimately, the book uncovers how bias and inconsistency dictate how women accused of infant homicide are perceived and punished and sheds new light on how and why our legal responses to infanticide are so deeply misguided.

Black women and a far-reaching strategy for activism and action

Founded in 1914 by Amy Ashwood and Marcus Garvey, the Universal Negro Improvement Association and African Communities League (commonly called the UNIA) grew into one of the largest social justice organizations of the twentieth century. Natanya Duncan’s collective biography explores women’s role in building the UNIA and how Ashwood’s strategy of efficient womanhood equipped them to confront political and social issues--even when it meant defying gender norms. Efficient womanhood took a three-tiered approach that asked UNIA women to seek equitable partners, take on roles as mentors, and connect resources and people to their communities and Black people at large. Strong believers in the necessity of their presence and voices, UNIA women developed leadership skills within and beyond the organization and used these skills in service to their communities.

Enlightening and in-depth, An Efficient Womanhood tells the story of the women who shaped a framework for leadership and engagement that remains a blueprint for activists today.

Discover the three generations of Dousman women who breathed life into a grand Gilded Age estate. 

On the banks of the upper Mississippi River at Prairie du Chien, Wisconsin, stands Villa Louis, the majestic Italianate-style mansion and estate built by the prosperous Dousman family in 1871. An Elegant Edifice tells the stories of the women of the Dousman residence. Jane, who outlived her husband by fourteen years, oversaw the estate and maintained the family’s presence in Prairie du Chien. Jane’s daughter-in-law, Nina, managed the property and assumed the role of head of the family following her husband’s death, ensuring stability for her children during times of tragedy. Finally, Nina’s daughters Violet and Virginia helped to restore the family home in the 1930s, secure its future as a historic site, and record the Dousmans’ history for posterity.

An Elegant Edifice illustrates the broad strokes of American expansionism through the backgrounds and activities of these influential women, complete with marriages and separations, births and deaths, business disputes, lawsuits, and reconciliations. With stories of St. Louis and St. Paul society, the stylish shops of New York City, and the prominence of Prairie du Chien in the nineteenth century, this book reveals the leisure activities and extravagant lifestyle afforded to the family by their wealth—Tiffany jewelry and housewares, William Morris wallpaper and fabrics, Jaccard silver, and a fine art collection to rival the public museums of the era.

Thanks to the women’s fortitude and shared conviction in the importance of family, Villa Louis has been preserved and restored to its 1890s splendor and is today considered one of the most authentically restored Italianate villas in the United States. While previous histories have focused on the Dousman patriarchs, public historian Mary Elise Antoine offers a new perspective on the Dousman family history by bringing into focus Jane, Nina, Violet, and Virginia. These women’s lives—historically less well-documented than the lives of their husbands, fathers, and sons—contributed greatly to the preservation of Villa Louis and to our understanding of an important chapter in American history.

A niece of Jane Austen and a novelist herself, Catherine Hubback was fifty-two years old when she left England for America. She travelled to California on the Transcontinental Railroad and settled in Oakland, on the eastern shore of San Francisco Bay. Her son Edward shared her household and commuted by ferryboat to a wheat brokerage in the City.

In letters to her eldest son John and his wife Mary in Liverpool, Catherine conveys her delight – and her exasperation – at her new environment. She portrays her neighbours with a novelist's wry wit and brings her English sensibility to bear on gardening with unfamiliar plants and maintaining a proper wardrobe in a dry climate. She writes vividly of her adventures as she moves about a landscape recognizable to present-day residents, at a time when boats rather than bridges spanned the bay, and hot springs were the main attraction in the Napa Valley. In an atmosphere of financial unrest, she writes freely of her anxieties, while supplementing Edward's declining income by making lace and teaching the craft to other women. She recalls her 'prosperous days' in England, but finds pleasure in small things and assuredly takes her place in a society marked by great disparities in wealth.

In addition to transcriptions of the letters, this highly readable edition offers pertinent information on many of the people and places mentioned, explanatory notes, and striking illustrations. The introduction places the letters in context and tells the story of Catherine Hubback, whose life evolved in ways unprecedented in the Austen family.

Beginning in Vietnam shortly after the end of the American war and ending sometime in the 21st century, this 8th volume of Curbstone's Voices from Vietnam Series follows the life of Nguyen Thi My Tiep, a woman writer and a revolutionary, whose girlhood is spent as a guerrilla fighter, and whose post-war life becomes a search for personal liberation and individual love. Tiep's struggles are seamlessly connected to the changes her country is going through, as Da Ngan's daring and controversial novel draws us into the life of a woman who insists on leading a meaningful and honest life—as a citizen, as a daughter, as a mother, as a writer, and as a lover who pursues her own sexuality.

 

Many women throughout the world face the challenge of confronting an unexpected or an unwanted pregnancy, yet these experiences are often shrouded in silence. An Open Secret draws on personal interviews and medical records to uncover the history of women’s experiences with unwanted pregnancy and abortion in the South American country of Bolivia. This Andean nation is home to a diverse population of indigenous and mixed-race individuals who practice a range of medical traditions. Centering on the cities of La Paz and El Alto, the book explores how women decided whether to continue or terminate their pregnancies and the medical practices to which women recurred in their search for reproductive health care between the early 1950s and 2010. It demonstrates that, far from constituting private events with little impact on the public sphere, women’s intimate experiences with pregnancy contributed to changing policies and services in reproductive health in Bolivia.

The opening of free trade agreements in the 1980s caused major economic changes in Mexico and the United States. These economic activities spawned dramatic social changes in Mexican society. One young Mexican woman, Anay Palomeque de Carrillo, rode the tumultuous wave of these economic activities from her rural home in tropical southern Mexico to the factories in the harsh desert lands of Ciudad Juárez during the early years of the city’s notorious violence.

During her years as an education professor at the University of Texas at El Paso, author Elaine Hampton researched Mexican education in border factory (maquiladora) communities. On one trip across the border into Ciudad Juárez, she met Anay, who became her guide in uncovering the complexities of a factory laborer’s experiences in these turbulent times.

Hampton here provides an exploration of education in an era of dramatic social and economic upheaval in rural and urban Mexico. This critical ethnographic case study presents Anay’s experiences in a series of narrative essays addressing the economic, social, and political context of her world. This young Mexican woman leads us through Ciudad Juárez in its most violent years, into women’s experiences in the factories, around family and religious commitments as well as personal illness, and on to her achievement of an education through perseverance and creativity.

Animal Advocacy and Englishwomen, 1780-1900 focuses on women writers and their struggle to protect animals from abuse in the transition from preindustrial to Victorian society. Looking critically at the work of Sarah Trimmer, Susanna Watts, Elizabeth Heyrick, Anna Sewell, and Frances Power Cobb, Moira Ferguson explores the links between Britain's evolving self-definition and the debate over the humane treatment of animals. Ferguson contends that animal-advocacy writing during this period provided a means for women to register their moral outrage over national problems extending far beyond those of animal abuse, effectively allowing them to achieve a public voice as citizens. The writers in question represent multiple genres, time frames, and political approaches. Taken together, their productive lives span more than a century. They are ideologically divided on animal protection, and their political identities range from conservative Anglican Tories to radical reformers. Through their plural discourses on animal advocacy, these women actively participated in an ongoing humanitarian struggle that forged a connection between Englishness and kindness to animals, intensifying as industry and empire advanced, and effectively linked gender with national identity and self-definition. Their concerns resonate in a global as well as a national context; cruelty to animals emerges as a metaphor for imperial predation. In this sense, the writings constitute a gendered response to an evolving colonial discourse about others. Moira Ferguson is James E. Ryan Professor of English and Women's Literature, University of Nebraska. Her books include Subject to Others: Colonial Slavery, 1670-1834; Colonialism and Gender: Relations from Mary Wollstonecraft to Jamaica Kincaid; East Caribbean Connections; and The History of Mary Prince, A West Indian Slave, Related by Herself.

Journalist, historian, anthropologist, art critic, and creative writer, Anita Brenner was one of Mexico's most discerning interpreters. Born to a Jewish immigrant family in Mexico a few years before the Revolution of 1910, she matured into an independent liberal who defended Mexico, workers, and all those who were treated unfairly, whatever their origin or nationality.

In this book, her daughter, Susannah Glusker, traces Brenner's intellectual growth and achievements from the 1920s through the 1940s. Drawing on Brenner's unpublished journals and autobiographical novel, as well as on her published writing, Glusker describes the origin and impact of Brenner's three major books, Idols Behind Altars,Your Mexican Holiday, and The Wind That Swept Mexico.

Along the way, Glusker traces Brenner's support of many liberal causes, including her championship of Mexico as a haven for Jewish immigrants in the early 1920s. This intellectual biography brings to light a complex, fascinating woman who bridged many worlds—the United States and Mexico, art and politics, professional work and family life.

Learn about the life of Anna Atkins, the pioneering photographer who combined art and science to create the first photographically illustrated book.

Step into the world of Anna Atkins (1799–1871), perhaps the world’s first female photographer and a pioneer of the medium. She lived an existence full of heartache and triumph, from her mother’s death when Atkins was an infant to her publication of multiple photographic books as an adult. After the passing of her mother, Atkins was raised primarily by her father and grandfather, who placed an emphasis on both her emotional and intellectual growth. As a result, she spent her life surrounded by some of the brightest minds of Victorian England during the Industrial Revolution.

Despite societal gender norms of the time, which typically limited women to a life within the home, Atkins gained the respect of the scientific community with her ambitious multivolume album Photographs of British Algae: Cyanotype Impressions, now recognized as the world’s first photographically illustrated book. Her cyanotypes, in addition to their scientific accuracy, lent artistic beauty to her publications, setting the stage for new uses of this experimental technology. In an era replete with state-of-the-art inventions and innovative ideas, Atkins pushed photography forward in its earliest days with courage, creativity, and brilliance.

Ages thirteen and up.

Please note that this title is sold and distributed in North America by ABRAMS, New York.

Anonymous in Their Own Names recounts the lives of three women who, while working as their husbands' uncredited professional partners, had a profound and enduring impact on the media in the first half of the twentieth century. With her husband, Edward L. Bernays, Doris E. Fleischman helped found and form the field of public relations. Ruth Hale helped her husband, Heywood Broun, become one of the most popular and influential newspaper columnists of the 1920s and 1930s. In 1925 Jane Grant and her husband, Harold Ross, started the New Yorker magazine.


Yet these women's achievements have been invisible to countless authors who have written about their husbands. This invisibility is especially ironic given that all three were feminists who kept their birth names when they married as a sign of their equality with their husbands, then battled the government and societal norms to retain their names. Hale and Grant so believed in this cause that in 1921 they founded the Lucy Stone League to help other women keep their names, and Grant and Fleischman revived the league in 1950. This was the same year Grant and her second husband, William Harris, founded White Flower Farm, pioneering at that time and today one of the country's most celebrated commercial nurseries.


Despite strikingly different personalities, the three women were friends and lived in overlapping, immensely stimulating New York City circles. Susan Henry explores their pivotal roles in their husbands' extraordinary success and much more, including their problematic marriages and their strategies for overcoming barriers that thwarted many of their contemporaries.

When she walks away from the Mormon church and a twenty-five-year marriage, Elissa Minor abandons the only life she’s ever known to embrace her identity as a queer woman. In this intimate memoir, she explores shame, desire, beauty, and acceptance. Minor realizes that her desire isn’t the problem but the solution. Finding solace outside of the church in the wilderness that surrounds her, she eventually begins to understand what it really means to be pure and worthy.

On the rugged terrain of the northern Oregon coast, Minor discovers passion and harmony in the grip of nature and in the arms of a lover who will become her wife. In the salty sea air, she learns that her own queerness—though less-charted territory—is like her love of backwoods hiking and that to accept her sexuality, she must take full pleasure in the wild that encompasses her. Poignant and powerful, Another Eve re-examines past truths and celebrates honoring oneself and living authentically. For Minor, the end of her transformation is only the beginning.

Lucy Pier Stevens, a twenty-one-year-old woman from Ohio, began a visit to her aunt’s family near Bellville, Texas, on Christmas Day, 1859. Little did she know how drastically her life would change on April 4, 1861, when the outbreak of the Civil War made returning home impossible. Stranded in enemy territory for the duration of the war, how would she reconcile her Northern upbringing with the Southern sentiments surrounding her?

Lucy Stevens’s diary—one of few women’s diaries from Civil War–era Texas and the only one written by a Northerner—offers a unique perspective on daily life at the fringes of America’s bloodiest conflict. An articulate, educated, and keen observer, Stevens took note seemingly of everything—the weather, illnesses, food shortages, parties, church attendance, chores, schools, childbirth, death, the family’s slaves, and political and military news. As she confided her private thoughts to her journal, she unwittingly revealed how her love for her Texas family and the Confederate soldier boys she came to care for blurred her loyalties, even as she continued to long for her home in Ohio. Showing how the ties of heritage, kinship, friendship, and community transcended the sharpest division in US history, this rare diary and Vicki Adams Tongate’s insightful historical commentary on it provide a trove of information on women’s history, Texas history, and Civil War history.

Anthropology at the Front Lines of Gender-Based Violence is a broad and accessible volume, with a truly global approach to understanding the lives of front-line workers in women's shelters, anti-violence organizations, and outreach groups. Often written from a first-person perspective, these essays examine government workers, volunteers, and nongovernmental organization employees to present a vital picture of practical approaches to combating gender-based violence.

Arcangela Tarabotti (1604–1652), Venetian nun and polemicist, was known for her protest against forced monachization and her advocacy for the education of women and their participation in public life. She responded to Francesco Buoninsegni’s Against the Vanities of Women (1638) with the Antisatire (1644), a defense of women’s fashions and a denunciation of men, but also a strong condemnation of men’s treatment of women and of the subordination of women in society. Both Buoninsegni and Tarabotti write with the exaggeration and absurd arguments typical of Menippean satire; they flaunt their knowledge of ancient and contemporary literature in a prose interspersed with poetry and replete with the astonishing Baroque conceits that delighted their contemporaries.

The Other Voice in Early Modern Women: The Toronto Series volume 70

Southwest Books of the Year Pick

In Arizona Friend Trips, Lisa Schnebly Heidinger and Julie Morrison invite readers to explore the state’s most cherished places through a blend of poetry, prose, and photography. From the iconic landmarks to hidden gems, each chapter of this captivating travelogue provides a rich tapestry of historical insight, personal anecdotes, and emotional reflections, painting a vivid portrait of Arizona’s diverse landscapes and vibrant culture. Be part of this unique journey as Lisa and Julie embark on an unforgettable adventure, filled with laughter, nostalgia, and a deep appreciation for the beauty of the Grand Canyon State.
 
Arizona Friend Trips is a celebration of friendship, discovery, and the enduring spirit of exploration. As Lisa and Julie share their favorite trips and formative experiences, readers are treated to an intimate glimpse into their lives, making this book a joyous and uplifting read for travelers and armchair explorers alike. Whether you're planning your own Arizona adventure or simply yearning to wander from the comfort of home, Arizona Friend Trips promises to inspire, delight, and leave you longing for the open road.

Set against the backdrop of escalating environmental collapse, this novel is a timely exploration of the terrifying consequences of climate change—particularly wildfires.

A feverish and unsettling meditation on climate collapse, Arson is told through the fragmented perspectives of two individuals struggling to make sense of a world consumed by fire. An unnamed narrator, a writer plagued by anxiety and writer’s block, watches as the planet, her relationships, and even her ability to dream are ravaged by environmental disaster. Meanwhile, an insomniac scientist, obsessed with tracking wildfires, clings to data as his last grip on control, meticulously recording every flame that devours the forests.

Their narratives unfold in a disorienting rhythm—one slipping between lyrical introspection and panic, the other drowning in statistics and methodical observation. As fires rage across the planet, both search for meaning and survival: the narrator wanders the charred countryside in search of life amid destruction, while the scientist compulsively documents landscapes that should never be burning. Echoing Ingeborg Bachmann’s famous words, “With my burned hand I write about the nature of fire,” Laura Freudenthaler crafts a haunting, kaleidoscopic portrait of a world on the brink. Arson is not just a novel about climate change—it is an urgent, dreamlike reckoning with our fascination and horror at the beauty and devastation wrought by fire.

Art can be a powerful avenue of resistance to oppressive governments. During the dictatorship of Augusto Pinochet in Chile, some of the country’s least powerful citizens—impoverished women living in Santiago’s shantytowns—spotlighted the government’s failings and use of violence by creating and selling arpilleras, appliquéd pictures in cloth that portrayed the unemployment, poverty, and repression that they endured, their work to make ends meet, and their varied forms of protest. Smuggled out of Chile by human rights organizations, the arpilleras raised international awareness of the Pinochet regime’s abuses while providing income for the arpillera makers and creating a network of solidarity between the people of Chile and sympathizers throughout the world.

Using the Chilean arpilleras as a case study, this book explores how dissident art can be produced under dictatorship, when freedom of expression is absent and repression rife, and the consequences of its production for the resistance and for the artists. Taking a sociological approach based on interviews, participant observation, archival research, and analysis of a visual database, Jacqueline Adams examines the emergence of the arpilleras and then traces their journey from the workshops and homes in which they were made, to the human rights organizations that exported them, and on to sellers and buyers abroad, as well as in Chile. She then presents the perspectives of the arpillera makers and human rights organization staff, who discuss how the arpilleras strengthened the resistance and empowered the women who made them.