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Many accounts of Abraham Lincoln come to us via flawed human memory, personal agendas, unreliable sources, or dramatic license. Jonathan W. White, Lainey Hostetler, and Alanna Griffin have compiled a much-needed collection of trustworthy materials to help readers and experts alike create a more accurate image of the sixteenth president. By drawing on materials from eyewitnesses, the editors provide quotes from firsthand, contemporaneous accounts of Lincoln from letters, diaries, and news reports written within hours or, at most, days of the event. Diverse sources from a cross-section of nineteenth-century American society reflect his willingness to mix with the public and capture the humility, authenticity, and complexity that still define Lincoln today.

Deeply researched and accessible, A Portrait of Abraham Lincoln is a valuable collection for anyone interested in a towering historical figure.

Populist singer, Mid-Roader, editor, publisher, wife, mother of eleven, Luna Kellie was a well-informed, fervent member of the Farmers' Alliance movement in the latter part of the nineteenth century. Radicalized by railroad monopolies, corrupt government, recurring drought, heavy mortgages, and a desperate combination of rising costs and falling returns, prairie farmers were turning their energy toward raising "less corn and more hell."

In this vivid memoir, Laxalt recalls his service during WWII as a code officer in the Belgian Congo. In this remote jungle outpost, a secret war was being fought for control of the world’s future. Deep in the Congo lay a mine that produced a little-known substance called uranium, and for reasons no one then understood, the Allies and the Germans were struggling ferociously to control this mine and its ore. The cloth edition is a limited numbered, signed edition.

Based on decades of research, A Privilege of Intellect is D. A. Drennen’s portrait of the English cardinal John Henry Newman (1801–90), whose conversion to the Roman Catholic Church in 1845 significantly boosted the presence of the Catholic Church in England and caused many Anglicans to follow his example. Newman—who will be beatified this fall—devoted his life both to the Church and to the university, demonstrating that religious faith and intellectual pursuits could exist in harmony. Drennen’s biography combines theology with psychology and philosophy and will appeal to anyone interested in the history of the Church of England and the Roman Catholic Church.

A Professor at the End of Time tells one professor’s story in the context of the rapid reconfiguration of higher education going on now, and analyzes what the job included before the supernova of technological innovation, the general influx of less-well-prepared students, and the diminution of state and federal support wrought wholesale changes on the profession.
 

A Promise at Sobibór is the story of Fiszel Bialowitz, a teenaged Polish Jew who escaped the Nazi gas chambers. Between April 1942 and October 1943, about 250,000 Jews from European countries and the Soviet Union were sent to the Nazi death camp at Sobibór in occupied Poland. Sobibór was not a transit camp or work camp: its sole purpose was efficient mass murder. On October 14, 1943, approximately half of the 650 or so prisoners still alive at Sobibór undertook a daring and precisely planned revolt, killing SS officers and fleeing through minefields and machine-gun fire into the surrounding forests, farms, and towns. Only about forty-two of them, including Fiszel, are known to have survived to the end of the war.
    Philip (Fiszel) Bialowitz, now an American citizen, tells his eyewitness story here in the real-time perspective of his own boyhood, from his childhood before the war and his internment in the brutal Izbica ghetto to his harrowing six months at Sobibór—including his involvement in the revolt and desperate mass escape—and his rescue by courageous Polish farmers. He also recounts the challenges of life following the war as a teenaged displaced person, and his eventual efforts as a witness to the truth of the Holocaust.
    In 1943 the heroic leaders of the revolt at Sobibór, Sasha Perchersky and Leon Feldhendler, implored fellow prisoners to promise that anyone who survived would tell the story of Sobibór: not just of the horrific atrocities committed there, but of the courage and humanity of those who fought back. Bialowitz has kept that promise.

Best Books for General Audiences, selected by the American Association for School Libraries

Best Books for High Schools, selected by the American Association for School Libraries

Best Books for Special Interests, selected by the Public Library Association

David Pryor’s career of public service is unparalleled in Arkansas history: he has been elected state representative, congressman, governor, and, alongside Dale Bumpers, U.S. senator (1979–1997). Through it all, Pryor’s curiosity, compassion, and concern for ordinary Americans draw the reader from one colorful vignette to another.

Chilean writer Gabriela Mistral (1889-1957), the first Latin American to win theNobel Prize for Literature, was a poetic idol for generations of Latin Americans who viewed her as Womanhood incarnate, the national schoolteacher-mother. How this distinctly masculine woman who never gave birth came to occupy this role, and what Mistral’s image, poetry, and life have to say about the relations-and realities-of race, gender, and sexual politics in her time, are the questions Licia Fiol-Matta pursues in this book, recreating the story of a woman whose misrepresentation is at least as intriguing, and as instructive, as her fame.

A Queer Mother for the Nation weaves a nuanced understanding of how Mistral cooperated with authority and fashioned herself as the figure of Motherhood in collaboration with the state. Drawing on Mistral’s little-known political and social essays, her correspondence and photographs, Fiol-Matta reconstructs Mistral’s relationship to state politics. Her work questions the notion of queer bodies as outlaws, and insists on the many ways in which queer subjects have participated in and sustained the normative discourses they seem to rebel against

I will introduce myself with a few facts. I was born and raised in Snowflake, a Mormon town in northern Arizona. I have lived most of my adult life in the cities of the American West. Although I consider myself a religious person, I know very little about God. At first I intended this book to be about wilderness, but as I wrote it, it became an autobiography with many themes. Among these themes are wilderness, my vexed and vexing relationship with Mormonism, my moral and emotional qualities, and my family.' So begins the autobiography of educator and author Levi S. Peterson.

Peterson has won a wide readership for his novels and short stories, his prize-winning biography of historian Juanita Brooks, and the essays that have appeared with regularity in western and Mormon literary and historical journals. In his autobiography, Peterson describes growing up on the Mormon frontier of rural Arizona, his growing skepticism with his Mormon faith, his teaching career at Weber State University, and his struggle to understand and master personal crises of confidence that kept him in therapy for almost two decades. Of particular interest to readers familiar with Peterson’s fiction are the many pages devoted to the creative process.

Winner of the Mormon History Association Turner-Bergera Best Biography Award. 

Many children growing up in the Soviet Union before World War II knew the meaning of deprivation and dread. But for the son of an “enemy of the people,” those apprehensions were especially compounded.

When the secret police came for his father in 1938, ten-year-old Anatole Konstantin saw his family plunged into a morass of fear. His memoir of growing up in Stalinist Russia re-creates in vivid detail the daily trials of people trapped in this regime before and during the repressive years of World War II—and the equally horrific struggles of refugees after that conflict.

Evicted from their home, their property confiscated, and eventually forced to leave their town, Anatole’s family experienced the fate of millions of Soviet citizens whose loved ones fell victim to Stalin’s purges. His mother, Raya, resorted to digging peat, stacking bricks, and even bootlegging to support herself and her two children. How she managed to hold her family together in a rapidly deteriorating society—and how young Anatole survived the horrors of marginalization and war—form a story more compelling than any novel.

Looking back on those years from adulthood, Konstantin reflects on both his formal education under harsh conditions and his growing awareness of the contradictions between propaganda and reality. He tells of life in the small Ukrainian town of Khmelnik just before World War II and of how some of its citizens collaborated with the German occupation, lending new insight into the fate of Ukrainian Jews and Nazi corruption of local officials. And in recounting his experiences as a refugee, he offers a new look at everyday life in early postwar Poland and Germany, as well as one of the few firsthand accounts of life in postwar Displaced Persons camps.

A Red Boyhood takes readers inside Stalinist Russia to experience the grim realities of repression—both under a Soviet regime and German occupation. A moving story of desperate people in desperate times, it brings to life the harsh realities of the twentieth century for young and old readers alike.

One of the few publicly known communists in the South, Junius Scales organized textile workers, fought segregation, and was the only American to be imprisoned under the membership clause of the Smith Act during the McCarthy years. This compact collective memoir, built on three interconnected oral histories and including a historical essay by Gail O'Brien, covers Scales's organizing activities and work against racism in the South, his progressive disillusionment with Party bureaucracy and dogmatic rigidity, his persecution and imprisonment, as well as his family's radicalism and response to FBI hounding and blacklisting.
 

Through the distinct perspectives of Junius, his wife Gladys, and his daughter Barbara, this book deepens and personalizes the story of American radicalism. Conversational, intimate, and exceptionally accessible, A Red Family offers a unique look at the American communist experience from the inside out.
 

In 1949, renowned journalist A. J. Liebling came to Reno to obtain a divorce, which required that he establish residency in Nevada for a period of six weeks. Liebling stayed at a guest ranch on the shores of Pyramid Lake. While there, his reporter’s curiosity was engaged by a bitter dispute raging between the Paiutes and non-Indian squatters who were claiming the most agriculturally productive lands of the reservation and the waters feeding the lake that was the economic and spiritual heart of the Paiutes’ ancient culture.

Liebling recorded the litigation over the fate of the Pyramid Lake Reservation lands in a series of articles published in The New Yorker in 1955. Reprinted here in their entirety, the essays discuss the affair in detail, following it from the shores of the lake to the halls of Congress, and introducing readers to the colorful world of 1950s Nevada. This is a valuable record of one of Nevada’s most enduring and significant debates over the uses of the land and the precious water that nourishes it. Introduction by Elmer R. Rusco.

This is the story of a Holocaust rescuer, Pierre Toureille, a French Protestant pastor whose efforts resulted in the rescue of hundreds of refugees, most of them Jewish. Inspired by his Huguenot heritage, Pastor Toureille participated in international Protestant church efforts to combat Nazism during the 1930s and headed a major refugee aid organization in Vichy France during World War II. After the war, Pastor Toureille was honored by the Jewish organization Yad Vashem as one of the "Righteous Among the Nations."
    In telling Toureille’s story, Tela Zasloff also depicts the wide-ranging network of Protestant pastors and lay people in southern French villages who participated in an aggressive rescue effort. She delves into their motivations, including their heritage as members of a religious minority. Toureille’s rescue work under the Vichy regime, partly official and then increasingly clandestine as the war progrressed. was a crucial part of the French non-violent "spiritual resistance" against Nazism.

From its first magnificent sentence, "In our family, there was no clear line between religion and fly fishing", to the last, "I am haunted by waters", A River Runs Through It is an American classic.

Based on Norman Maclean's childhood experiences, the title novella has established itself as one of the most moving stories of our time; it captivates readers with vivid descriptions of life along Montana's Big Blackfoot River and its near magical blend of fly fishing with the troubling affections of the heart.

The paperback edition is now available with an evocative new cover by acclaimed Montana painter Russell Chatham.

"A masterpiece. . . . This is more than stunning fiction: It is a lyric record of a time and a life, shining with Maclean's special gift for calling the reader's attention to arts of all kinds—the arts that work in nature, in personality, in social intercourse, in fly-fishing."—Kenneth M. Pierce, Village Voice

Norman Maclean (1902-90), woodsman, scholar, teacher, and storyteller, grew up in the Western Rocky Mountains of Montana and worked for many years in logging camps and for the United States Forestry Service before beginning his academic career. He retired from the University of Chicago in 1973.

 

From its first magnificent sentence, “In our family, there was no clear line between religion and fly fishing,” to the last, “I am haunted by waters,” A River Runs through It is an American classic.

Based on Norman Maclean's childhood experiences, A River Runs through It has established itself as one of the most moving stories of our time; it captivates readers with vivid descriptions of life along Montana's Big Blackfoot River and its near magical blend of fly fishing with the troubling affections of the heart.

This handsome edition is designed and illustrated by Barry Moser. There are thirteen two-color wood engravings.
 

Viewing our past through the eyes of maturity can reveal insights that our younger selves could not see. Lessons that eluded us become apparent. Encounters that once felt like misfortunes now become understood as valued parts of who we are. We realize what we’ve learned and what we have to teach. And we’re encouraged to chart a future that is rich with purpose. 

In A Round of Golf with My Father, William Damon introduces us to the “life review.” This is a process of looking with clarity and curiosity at the paths we’ve traveled, examining our pasts in a frank yet positive manner, and using what we’ve learned to write purposeful next chapters for our lives.

For Damon, that process began by uncovering the mysterious life of his father, whom he never met and never gave much thought to. What he discovered surprised him so greatly that he was moved to reassess the events of his own life, including the choices he made, the relationships he forged, and the career he pursued.

Early in his life, Damon was led to believe that his father had been killed in World War II. But the man survived and went on to live a second life abroad. He married a French ballerina, started a new family, and forged a significant Foreign Service career. He also was an excellent golfer, a bittersweet revelation for Damon, who wishes that his father had been around to teach him the game. 

We follow Damon as he struggles to make sense of his father’s contradictions and how his father, even though living a world apart, influenced Damon’s own development in crucial ways. In his life review, Damon uses what he learned about his father to enhance his own newly emerging self-knowledge. 

Readers of this book may come away inspired to conduct informal life reviews for themselves. By uncovering and assembling the often overlooked puzzle pieces of their pasts, readers can seek present-day contentment and look with growing optimism to the years ahead.

 

In the 1960s, Jewish music in America began to evolve. Traditional liturgical tunes developed into a blend of secular and sacred sound that became known in the 1980s as “American Nusach.” Chief among these developments was the growth of feminist Jewish songwriting. In this lively study, Sarah M. Ross brings together scholarship on Jewish liturgy, U.S. history, and musical ethnology to describe the multiple roots and development of feminist Jewish music in the last quarter of the twentieth century. Focusing on the work of prolific songwriters such as Debbie Friedman, Rabbi Geela Rayzel Raphael, Rabbi Hanna Tiferet Siegel, and Linda Hirschhorn, this volume illuminates the biographies and oeuvres of innovators in the field, and shows how this new musical form arose from the rich contexts of feminism, identity politics, folk music, and Judaism. In addition to providing deep content analysis of individual songs, Ross examines the feminist Jewish music scene across the United States, the reception of this music, challenges to disseminating the music beyond informal settings, and the state of Jewish music publishing. Rounding out the picture of the transformation of Jewish music, the volume contains appendixes of songs and songwriters a selection of musical transcriptions of feminist Jewish songs, and a comprehensive discography. This book will interest scholars and students in the fields of American Jewish history, women’s studies, feminism, ethnomusicology, and contemporary popular and folk music.

The sound of nineteenth-century women, once thought lost to us, is alive because ordinary women like Emily Hawley Gillespie gave voice to their thoughts in diaries. This condensed version of the 2,500-page journals of Emily Gillespie, faithfully written from 1858 to 1888, is a detailed account of rural Iowa life. More than this, it contains the reflections of a woman who dreamed of being a painter and writer and instead became a wife and a mother, a woman whose radical convictions were recorded in her diary, while publicly she conformed to the prescribed life of a Victorian pioneer woman. Through Emily's journals, readers are offered immediate and unmodified contact with settlers in Iowa one hundred years ago. A wealth of facts are included—what produce she harvested and preserved from her garden, how her husband tended his fields and what he raised, the challenges and rewards of family life.

Judy Lensink's skillful analysis shows the larger patterns in Emily Gillespie's life and provides keys that unlock the diary's secrets. Emily's life is revealed as a youth full of promise fading into middle and declining years of lost dreams and eventual tragedy, which caused her to write, "I have written many things in my journal, but the worst is a secret to be burried when I shall cease to be."

Forrest Shreve (1878-1950) was an internationally known plant ecologist who spent most of his career at the Carnegie Institution's Desert Laboratory in Tucson, Arizona. Shreve's contributions to the study of plant ecology laid the groundwork for modern studies and several of his works came to be regarded as classics by ecologists worldwide. This first full-length study of Shreve's life and work demonstrates that he was more than a desert ecologist. His early work in Maryland and Jamaica gave him a breadth of expertise matched by few of his ecological contemporaries, and his studies of desert plant demography, the physiological ecology of rain-forest plants, and vegetational gradients on southwestern mountain ranges anticipated by decades recent trends in ecology.

Tracing Shreve's development from student to scientist, Bowers evokes the rigors and delights of fieldwork in the first half of this century and shows how Shreve's sense of place informed his scientific thought—making him, in his own words, "not an exile from some better place, but a man at home in an environment to which his life can be adjusted without physical or intellectual loss."

A digestible and comprehensive tour of the fascinating history of one of England’s most famous towns.

A Short History of Cambridge provides a narrative of the city and university, from the Middle Ages to the present day. Going beyond the world-renowned research attractions of Cambridge University, this revised paperback edition explores the vast cultural output of the town, from art and literature to theater and comedy. Richard Tames sheds light on the very origins of academia in the area, the intricate lives of the students and scholars who studied there, and how this community interacted with the townsfolk over the past eight hundred years.

Cambridge offers the splendor of King's College Chapel and the beauty of “the Backs” as well as outstanding collections of fans and fritillaries, sculpture and stained glass, and medieval coins and oriental manuscripts. Attractions include the world-class Fitzwilliam Museum and Botanic Gardens, quirky Kettle’s Yard, and museums devoted to archaeology, anthropology, zoology, earth sciences, polar research, and the history of science, plus Britain's oldest bookshop. Enter the world of “Bumps and Bedders” and learn why May Week is in June. This joyful history of the town to which more than eight million visitors flock every year will delight both readers familiar with the cobbles of Cambridge and those who have seen no further than the stained-glass windows of King’s College Chapel.

Zilphia Horton was a pioneer of cultural organizing, an activist and musician who taught people how to use the arts as a tool for social change, and a catalyst for anthems of empowerment such as “We Shall Overcome” and “We Shall Not Be Moved.” Her contributions to the Highlander Folk School, a pivotal center of the labor and civil rights movements in the mid-twentieth century, and her work creating the songbook of the labor movement influenced countless figures, from Woody Guthrie to Eleanor Roosevelt to Rosa Parks. Despite her outsized impact, Horton’s story is little known. A Singing Army introduces this overlooked figure to the world.

Drawing on extensive archival and oral history research, as well as numerous interviews with Horton's family and friends, Kim Ruehl chronicles her life from her childhood in Arkansas coal country, through her formative travels and friendship with radical Presbyterian minister Claude C. Williams, and into her instrumental work in desegregation and fostering the music of the civil rights era. Revealing these experiences—as well as her unconventional marriage and controversial death by poisoning—A Singing Army tells the story of an all-but-forgotten woman who inspired thousands of working-class people to stand up and sing for freedom and equality.

Among the great figures of Progressive Era reform, Edith and Grace Abbott are perhaps the least sung. Peers, companions, and coworkers of legendary figures such as Jane Addams and Sophonisba Breckinridge, the Abbott sisters were nearly omnipresent in turn-of-the-century struggles to improve the lives of the poor and the working-class people who fed the industrial engines and crowded into diverse city neighborhoods. Grace’s innovative role as a leading champion for the rights of children, immigrants, and women earned her a key place in the history of the social justice movement. As her friend and colleague Eleanor Roosevelt wrote, Grace was “one of the great women of our day . . . a definite strength which we could count on for use in battle.”

A Sister’s Memories is the inspiring story of Grace Abbott (1878–1939), as told by her sister and social justice comrade, Edith Abbott (1876–1957). Edith recalls in vivid detail the Nebraska childhood, impressive achievements, and struggles of her sister who, as head of the Immigrants’ Protective League and the U.S. Children’s Bureau, championed children’s rights from the slums of Chicago to the villages of Appalachia. Grace’s crusade can perhaps be best summed up in her well-known credo: “Justice for all children is the high ideal in a democracy.” Her efforts saved the lives of thousands of children and immigrants and improved those of millions more. These trailblazing social service works led the way to the creation of the Social Security Act and UNICEF and caused the press to nickname her “The Mother of America’s 43 Million Children.” She was the first woman in American history to be nominated to the presidential cabinet and the first person to represent the United States at a committee of the League of Nations.

Edited by Abbott scholar John Sorensen, A Sister’s Memories is destined to become a classic. It shapes the diverse writings of Edith Abbott into a cohesive narrative for the first time and fills in the gaps of our understanding of Progressive Era reforms. Readers of all backgrounds will find themselves engrossed by this history of the unstoppable, pioneer feminist Abbott sisters.

The work of poet Georg Trakl, a leading Austrian-German expressionist, has been praised by many, including his contemporaries Rainer Maria Rilke and Else Lasker-Schüler, as well as his patron Ludwig Wittgenstein. Wittgenstein famously wrote that while he did not truly understand Trakl’s poems, they had the tone of a “truly ingenious person,” which pleased him.

A Skeleton Plays Violin comprises the final volume in a trilogy of works by Trakl published by Seagull Books. This selection gathers Trakl’s early, middle, and late work, none of it published in book form during his lifetime. The work here ranges widely, from his haunting prose pieces to his darkly beautiful poems documenting the first bloody weeks of World War I on the Eastern Front.  

Book Three of Our Trakl—the series that began with Trakl’s first book Poems and his posthumously published Sebastian Dreaming—also includes translations of unpublished poems and significant variants. Interpolated throughout this comprehensive and chronological selection is a biographical essay that provides more information about Trakl’s gifted and troubled life, especially as it relates to his poetry, as well as the necessary context of his relationship with his favorite sibling, his sister Grete, whose role as a muse to her brother is still highly controversial. Trakl’s life was mysterious and fascinating, a fact reflected in his work. A Skeleton Plays Violin should not be missed.
 

“I was taught from the start not to be silent.”

For years, renowned activist and scholar Ilana Hammerman has given the world remarkable translations of Kafka. With A Small Door Set in Concrete, she turns to the actual surreal existence that is life in the West Bank after decades of occupation.

After losing her husband and her sister, Hammerman set out to travel to the end of the world. She began her trip with the hope that it would reveal the right path to take in life. But she soon realized that finding answers was less important than experiencing the freedom to move from place to place without restriction. Hammerman returned to the West Bank with a renewed joie de vivre and a resolution: she would become a regular visitor to the men, women, and children who were on the other side of the wall, unable to move or act freely. She would listen to their dreams and fight to bring some justice into their lives.

A Small Door Set in Concrete is a moving picture of lives filled with destruction and frustration but also infusions of joy. Whether joining Palestinian laborers lining up behind checkpoints hours before the crack of dawn in the hope of crossing into Israel for a day’s work, accompanying a family to military court for their loved one’s hearing, or smuggling Palestinian children across borders for a day at the beach, Hammerman fearlessly ventures into territories where few Israelis dare set foot and challenges her readers not to avert their eyes in the face of injustice.

Hammerman neither preaches nor politicks. Instead, she engages in a much more personal, everyday kind of activism. Hammerman is adept at revealing the absurdities of a land where people are stripped of their humanity. And she is equally skilled at illuminating the humanity of those caught in this political web. To those who have become simply statistics or targets to those in Israel and around the world, she gives names, faces, dreams, desires.
This is not a book that allows us to sit passively. It is a slap in the face, a necessary splash of cold water that will reawaken the humanity inside all of us.

When high jumper Alice Coachman won the high jump title at the 1941 national championships with "a spectacular leap," African American women had been participating in competitive sport for close to twenty-five years. Yet it would be another twenty years before they would experience something akin to the national fame and recognition that African American men had known since the 1930s, the days of Joe Louis and Jesse Owens. From the 1920s, when black women athletes were confined to competing within the black community, through the heady days of the late twentieth century when they ruled the world of women's track and field, African American women found sport opened the door to a better life. However, they also discovered that success meant challenging perceptions that many Americans--both black and white--held of them. Through the stories of six athletes--Coachman, Ora Washington, Althea Gibson, Wilma Rudloph, Wyomia Tyus, and Jackie Joyner-Kersee--Jennifer H. Lansbury deftly follows the emergence of black women athletes from the African American community; their confrontations with contemporary attitudes of race, class, and gender; and their encounters with the civil rights movement. Uncovering the various strategies the athletes use to beat back stereotypes, Lansbury explores the fullness of African American women's relationship with sport in the twentieth century.

In 1955, Maxine Kumin submitted a poem to the Saturday Evening Post. “Lines on a Half-Painted House” made it into the magazine—but not before Kumin was asked to produce, via her husband’s employer, verification that the poem was her original work.

Kumin, who went on to win the Pulitzer Prize for poetry, was part of a groundbreaking generation of women writers who came of age during the midcentury feminist movement. By challenging the status quo and ultimately finding success for themselves, they paved the way for future generations of writers. In A Story Larger than My Own, Janet Burroway brings together Kumin, Julia Alvarez, Jane Smiley, Erica Jong, and fifteen other accomplished women of this generation to reflect on their writing lives.

The essays and poems featured in this collection illustrate that even writers who achieve critical and commercial success experience a familiar pattern of highs and lows over the course of their careers. Along with success comes the pressure to sustain it, as well as a constant search for subject matter, all too frequent crises of confidence, the challenges of a changing publishing scene, and the difficulty of combining writing with the ordinary stuff of life—family, marriage, jobs. The contributors, all now over the age of sixty, also confront the effects of aging, with its paradoxical duality of new limitations and newfound freedom.

Taken together, these stories offer advice from experience to writers at all stages of their careers and serve as a collective memoir of a truly remarkable generation of women.

The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers—told in many notes—in four books—and an Epilogue. This is a memoir of Midwestern life and culture from the author of Winesburg, Ohio.

"The voice of the soliloquist . . . amplifies the drama of A Story Teller's Story, as does the persistent theme of escape, from an America of fact and factories, marketing and manufacturing, to the borderless Ohios of imagination and creation."
—From the introduction by Thomas Lynch

Princess Sophie Frederika Mathilde of Wurttemberg (1818-1877) married William, Prince of Orange (and her first cousin) in 1839. Sophie (as she was known) was alert, well-educated, and ambitious, far the intellectual superior of her husband; as the great-granddaughter of Catherine the Great of Russia, she may have aspired to play an important role in guiding the affairs of the House of Orange. This was not to be. After the birth of two sons, her relations with her husband cooled, and with a few important exceptions she became isolated from the other members of the family at the Hague. Partly to overcome the resulting personal and intellectual isolation she turned to an extensive correspondence with heads of state, royal relatives, aristocratic acquaintances, political leaders, and intellectual figures. Family difficulties continued and even increased after William ascended the throne in 1849.
Sophie met her friend and confidant Marina Dora Spading, Lady Malt, when the latter was at the Hague with her diplomat husband in 1842. A lifelong friendship ensued, although they saw each other only infrequently thereafter. Sophie’s letters to Lady Malt are an extraordinary combination of comments on her personal situation and shrewd analyses of the European political arena. This selection of her surviving correspondence is opinionated, frank, and perceptive, and her letters are a unique commentary on the affairs of the Europe of the mid-nineteenth century.

With this book, Jacques Barzun pays what he describes as an "intellectual debt" to William James—psychologist, philosopher, and, for Barzun, guide and mentor. Commenting on James's life, thought, and legacy, Barzun leaves us with a wise and civilized distillation of the great thinker's work.

Born in the Year of the Fire Tiger, Ann Wee moved to Singapore in 1950 to marry into a Singaporean Chinese family, entering into a new world of cultural expectations and domestic rituals. She went on to become a pioneer in Singapore’s fledging social welfare department and is often described as the founding mother of social work in Singapore. In A Tiger Remembers, she draws on her decades of experience getting to know the many shapes and forms of the Singapore family and witnessing how they transformed since the ’50s.
 
Wee’s talent is for remembering and paying homage to the things history books often deem insignificant—things that can contain some of the most illuminating details about the day to day inner workings of families from many backgrounds, such as terms of endearment; the emotional nuance in social relations; questions of hygiene; the stories of convicts; tales of ghost wives and changeling babies; anecdotes from rural clan settlements and migrant dormitories; and the migration of families from squatter settlements into public housing. Affectionately observed and wittily narrated, with a deep appreciation of how far Singapore has come, this book brings to life generations of social change through a focus on the institution of the family.