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During the last third of the twentieth century, white supremacists moved, both literally and in the collective imagination, from midnight rides through Mississippi to broadband-wired cabins in Montana. But while rural Montana may be on the geographical fringe of the country, white supremacist groups were not pushed there, and they are far from "fringe elements" of society, as many Americans would like to believe. Evelyn Schlatter's startling analysis describes how many of the new white supremacist groups in the West have co-opted the region's mythology and environment based on longstanding beliefs about American character and Manifest Destiny to shape an organic, home-grown movement.

Dissatisfied with the urbanized, culturally progressive coasts, disenfranchised by affirmative action and immigration, white supremacists have found new hope in the old ideal of the West as a land of opportunity waiting to be settled by self-reliant traditional families. Some even envision the region as a potential white homeland. Groups such as Aryan Nations, The Order, and Posse Comitatus use controversial issues such as affirmative action, anti-Semitism, immigration, and religion to create sympathy for their extremist views among mainstream whites—while offering a "solution" in the popular conception of the West as a place of freedom, opportunity, and escape from modern society. Aryan Cowboys exposes the exclusionist message of this "American" ideal, while documenting its dangerous appeal.

Nunzio Pernicone and Fraser M. Ottanelli dig into the transnational experiences and the historical, social, cultural, and political conditions behind the phenomenon of anarchist violence in Italy. Looking at political assassinations in the 1890s, they illuminate the public effort to equate anarchy's goals with violent overthrow. Throughout, Pernicone and Ottanelli combine a cutting-edge synthesis of the intellectual origins, milieu, and nature of Italian anarchist violence with vivid portraits of its major players and their still-misunderstood movement.

A bold challenge to conventional thinking, Assassins against the Old Order demolishes a century of myths surrounding anarchist violence and its practitioners.

An essential collection of Dwight Macdonald’s prophetic essays on politics, art, and violence in twentieth-century America.

What does extreme violence do to human values? Does the concept of collective guilt make sense in assessing responsibility for genocide? Has modern mechanized society forever destroyed the possibility of peaceful resistance through art and civil disobedience? Atrocities of the Mind presents anew Dwight Macdonald, one of America’s foremost literary journalists and political activists, grappling with the hard questions of his time—and ours.  
 
In this collection, Macdonald writes about major events—the Holocaust, the atomic bombing of Hiroshima, Gandhi’s assassination, the Vietnam War, and social phenomena such as mass shootings, campus protests, and police brutality—with clear-sighted and buoyant prose. He writes incisively about the cinema of Alfred Hitchcock and Roman Polanski, praises Dorothy Day’s pacifism, and reports circulating an antiwar petition in the White House Rose Garden. And not without effect: his essay “Our Invisible Poor” is said to have spurred the Johnson administration’s War on Poverty. 
 
Norman Mailer memorably called Macdonald “a man with whom one might seldom agree but could never disrespect because he always told the truth as he saw the truth—a man therefore of the most incorruptible integrity.” In our America, reeling from political violence, Macdonald’s truth-telling reminds us how we got here and who we might still become.

This monograph provides an analysis of the economic performance and living standard in Czechoslovakia and its successor states, Hungary, and Poland since 1945. The novelty of the book lies in its broad comparative perspective: it places East Central Europe in a wider European framework that underlines the themes of regional disparities and European commonalities. Going beyond the traditional growth paradigm, the author systematically studies the historical patterns of consumption, leisure, and quality of life—aspects that Tomka argues can best be considered in relation to one other. By adopting this “triple approach,” he undertakes a truly interdisciplinary research drawing from history, economics, sociology, and demography.

As a result of Tomka’s three-pillar comparative analysis, the book makes a major contribution to the debates on the dynamics of economic growth in communist and postcommunist East Central Europe, on the socialist consumer culture along with its transformation after 1990, and on how the accounts on East Central Europe can be integrated into the emerging field of historical quality of life research.