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One of the few autobiographies to have survived from the Middle Ages, this life history of one of the most influential rulers of the fourteenth century, Charles IV of Bohemia, covers his life from birth until his election as King of Germany in 1346.

Charles IV describes his childhood, spent mainly in the court of French kings, his juvenile years, his marriage and his first steps into the international political scene during the early part of the fourteenth century.

A unique addition to this volume is the first ever English translation of the Legend of Saint Wenceslas, written by Charles IV of Luxemburg.

A critical history of the recurring idea that technology will free us from work and bring about a truly democratic society.

In popular thought, ancient Athens endures as a place ahead of its time—the birthplace of democracy, a cultural center, and a model toward which modern societies should strive. In Automated Athens, Michele Kennerly examines the many and frequent appeals to this nostalgic vision of the ancient city-state throughout the early age of computerized automation. In the mid-twentieth century, people hoped that automation would free us from mindless, dehumanizing work so that we could attend to creative and communal pursuits. Proponents appealed to ancient Athens, saying automated systems and machines would stand in for the craftsmen, enslaved people, and subordinated women who performed the undesirable work that enabled that city-state’s flourishing. Automated Athens scrutinizes this appeal as it moves chronologically into present debates about the promise of automation and AI. For Kennerly, our inability to settle debates about where accelerating automation may take us, especially politically, reveals a deeper cultural indecisiveness about how to live well and live well together.

In the twenty-first century, we are continually confronted with the existential side of technology—the relationships between identity and the mechanizations that have become extensions of the self. Focusing on one of humanity’s most ubiquitous machines, Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art combines critical theory and new media theory to form the first philosophical analysis of the car within works of conceptual art. These works are broadly defined to encompass a wide range of creative expressions, particularly in car-based conceptual art by both older, established artists and younger, emerging artists, including Ed Ruscha, Martha Rosler, Richard Prince, Sylvie Fleury, Yael Bartana, Jeremy Deller, and Jonathan Schipper.

At its core, the book offers an alternative formation of conceptual art understood according to technology, the body moving through space, and what art historian, curator, and artist Jack Burnham calls “relations.” This thought-provoking study illuminates the ways in which the automobile becomes a naturalized extension of the human body, incarnating new forms of “car art” and spurring a technological reframing of conceptual art. Steeped in a sophisticated take on the image and semiotics of the car, the chapters probe the politics of materialism as well as high/low debates about taste, culture, and art. The result is a highly innovative approach to contemporary intersections of art and technology.

Supported with ample iconographic, ethnohistoric, etymological, and scientific evidence, Aztec Science is a groundbreaking endeavor introducing a new and radical approach to the study of Aztec art. It demonstrates that the Indigenous peoples of ancient Mesoamerica recorded scientific information about plants in their material culture. The detailed analysis of plant imagery in Aztec art, including in manuscripts such as the Codex Borgia, reveals that the cultural importance of maize and other plants was closely linked to scientific concepts that were well known in central Mexico centuries before they were subsequently “discovered” in Europe.

For the Nahua, Helen Burgos-Ellis argues, maize’s significance went far beyond economic value and religious importance. In Nahua art, references to maize, grass, and Quetzalcoatl reflect historic and scientifically relevant information. These images and glyphs, when studied against the ethnohistoric and scientific record of central Mexicans’ vast knowledge of plants, indicate that the Nahua understood key concepts about the maize plant, including its genetic origin from a common grass, pollination process, life cycle, and sexual reproduction. Consequently, the cultural significance of maize for the Nahuas was deeply intertwined with scientific understanding.

Aztec Science is a radical departure from bulk of the scholarship on the Codex Borgia, which has primarily been understood to contain calendrical and ritual information rather than botanical content, and is of significant interest to Pre-Columbianists and students and scholars of ethnohistory, Indigenous history and culture, traditional ecological knowledge, art history, and the history of science and botany.