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Abraham Lincoln drew upon history in his political career and particularly when crafting the rhetorical masterpieces that still resonate in the present day. Jesse Derber explores how Lincoln’s views of the limits of human understanding drove a belief in--and untiring pursuit of--historical truth.

Lincoln embraced the traditional ideas that good history made good statesmanship and that an understanding of the past informed decision-making in the present. Seeing history as a source of wisdom, Lincoln strove for accuracy through a combination of research, reasoning ability, emotional maturity, and a willingness to admit his mistakes and challenge his biases. His philosophy flowed from an idea that authentic history could enlighten people about human nature. Though he revered precedents, Lincoln understood the past could be imperfect, and that progress through change was an ineffable part of building a better nation.

Perceptive and revealing, Abraham Lincoln, Statesman Historian looks at how the Lincoln practiced history and applied its lessons to politics and leadership.

A summer job turns serious when a young woman takes the reins on a remote farm—and learns far more than how to herd sheep

In May 1972, Liese Greensfelder arrived in the small Norwegian town of Øystese to startling news: Johannes, the farmer who hired her for the summer, had just been hospitalized after a stroke. Could she please watch over his place for a month or so, until he got back on his feet? Twenty years old and with no farming experience, Liese was dropped off the next day at a centuries-old mountain farm at the end of a dirt road high above the magnificent Hardanger Fjord—with 115 sheep, two cows, one calf, a draft horse, and a Norwegian herding dog to care for.

Armed with a command of Danish that enabled rudimentary communication, Liese began learning from neighbors who spoke an ancient Norwegian dialect—how to feed the animals, milk by hand, and supervise her first lambing. The farm was run in the old way: horses and wagons instead of tractors, haymaking in the rain, and hikes into the mountains to check on the sheep that ranged free over those wild peaks all summer. And, she was quick to discover, the farm was on the brink of ruin, for Johannes was a heartless man who had abused his animals and neglected his buildings and equipment for decades.

Although her employer had alienated his neighbors, they immediately welcomed the American newcomer and offered her help. As “a month or so” stretched to a year and Liese struggled for the survival of the farm, she joined this tight-knit enclave of farmers, learning their stories and history, adopting their dialect, and growing intimately familiar with the grass-based farming practices that had sustained them for generations.

From moments of levity, such as sampling a neighbor’s fruit wines, Christmas parties, and skiing; to soul-battering challenges, including the directive to kill a fox, sending sheep to slaughter, rotten silage, and vicious weather; to the yearnings of a young woman awash in a sea of masculinity, Accidental Shepherd is a candid account of Liese’s year in a remote farmhouse. Confronted with dangers and obstacles for which she was utterly unprepared, she tells a story of remarkable resilience and records the fascinating but rapidly vanishing traditions of the community that took her in.

A summer job turns serious when a young woman takes the reins on a remote farm—and learns far more than how to herd sheep

In May 1972, Liese Greensfelder arrived in the small Norwegian town of Øystese to startling news: Johannes, the farmer who hired her for the summer, had just been hospitalized after a stroke. Could she please watch over his place for a month or so, until he got back on his feet? Twenty years old and with no farming experience, Liese was dropped off the next day at a centuries-old mountain farm at the end of a dirt road high above the magnificent Hardanger Fjord—with 115 sheep, two cows, one calf, a draft horse, and a Norwegian herding dog to care for.

Armed with a command of Danish that enabled rudimentary communication, Liese began learning from neighbors who spoke an ancient Norwegian dialect—how to feed the animals, milk by hand, and supervise her first lambing. The farm was run in the old way: horses and wagons instead of tractors, haymaking in the rain, and hikes into the mountains to check on the sheep that ranged free over those wild peaks all summer. And, she was quick to discover, the farm was on the brink of ruin, for Johannes was a heartless man who had abused his animals and neglected his buildings and equipment for decades.

Although her employer had alienated his neighbors, they immediately welcomed the American newcomer and offered her help. As “a month or so” stretched to a year and Liese struggled for the survival of the farm, she joined this tight-knit enclave of farmers, learning their stories and history, adopting their dialect, and growing intimately familiar with the grass-based farming practices that had sustained them for generations.

From moments of levity, such as sampling a neighbor’s fruit wines, Christmas parties, and skiing; to soul-battering challenges, including the directive to kill a fox, sending sheep to slaughter, rotten silage, and vicious weather; to the yearnings of a young woman awash in a sea of masculinity, Accidental Shepherd is a candid account of Liese’s year in a remote farmhouse. Confronted with dangers and obstacles for which she was utterly unprepared, she tells a story of remarkable resilience and records the fascinating but rapidly vanishing traditions of the community that took her in.

This collection brings together the experiences and voices of anthropologists whose engaged work with im/migrant communities pushes the boundaries of ethnography toward a feminist, care-based, decolonial mode of ethnographic engagement called “accompaniment.”

Accompaniment as anthropological research and praxis troubles the boundaries of researcher-participant, scholar-activist, and academic-community to explicitly address issues of power, inequality, and the broader social purpose of the work. More than two dozen contributors show how accompaniment is not merely a mode of knowledge production but an ethical commitment that calls researchers to action in solidarity with those whose lives we seek to understand. The volume stands as a collective conversation about possibilities for caring and decolonial forms of ethnographic engagement with im/migrant communities.

This volume is ideal for scholars, students, immigrant activists, instructors, and those interested in social justice work.

Contributors
Carolina Alonso Bejarano
Anna Aziza Grewe
Alaska Burdette
Whitney L. Duncan
Carlos Escalante Villagran
Christina M. Getrich
Tobin Hansen
Lauren Heidbrink
Dan Heiman
Josiah Heyman
Sarah Horton
Nolan Kline
Alana M. W. LeBrón
Lupe López
William D. Lopez
Aida López Huinil
Mirian A. Mijangos García
Nicole L. Novak
Mariela Nuñez-Janes
Ana Ortez-Rivera
Juan Edwin Pacay Mendoza
Salvador Brandon Pacay Mendoza
María Engracia Robles Robles
Delmis Umanzor
Erika Vargas Reyes
Kristin E. Yarris

The autobiography of the influential American poet

This intimate and provocative autobiography, first published in 1936, reveals the innermost thoughts of a great American poet. Edgar Lee Masters was a transitional figure in American literature with one foot planted in the nineteenth century and the other firmly placed on the path of what we now think of as the modern period.

Masters expounds on his own development as a poet and as a human being; he shares his views on American culture, politics, and the literary criticism of the times. Masters's friends and acquaintances discussed here include some of the most prominent writers and politicians of his age. And he reflects on his life events that shaped, haunted, and inspired his writings of the classic Spoon River Anthology.

Adolf Dehn (1895–1968), American painter in multimedia and acclaimed master lithographer, left his Minnesota hometown after formal training at the Minneapolis Art Institute to study at the Art Students League in New York. He toured Europe in the early 1920s, quickly acclimating to the continental lifestyle and adeptly depicting its nuances and idiosyncrasies with prolific lithographs and sketches. His critical and satirical renderings of the political movements, social conventions, and governmental policies in post-World War I Europe during "Le Crazy Years" gave the Midwestern artist ample material for his growing body of work.

Sailing back to the United States in 1929, Dehn survived the Great Depression with commercial artwork and contributions to popular magazines such as The New Yorker, Vogue, and Vanity Fair. His clever drawings that reflected the Jazz Age's culture and fashionable society made him a favorite of Frank Crowninshield, Vanity Fair's renowned editor.

During this time, while Dehn captured the heyday of Manhattan's burlesque theaters, lively Harlem nightclubs, impressive skyline, and busy harbor, he was continuously drawn to Central Park—his predilection for the city's magnificent green space was a sustaining source of inspiration and subject matter. Adolf Dehn: Midcentury Manhattan candidly examines the life and work of this exceptional, adventurous, and intrepid artist as he moved skillfully and capably between lithography, ink-wash drawings, gouache, casein painting, and watercolors. Combining numerous vintage photographs with newly discovered, Manhattan-inspired prints and drawings from the collections of, among others, the Whitney Museum of American Art, MoMA, and The Metropolitan Mesuem of Art, Adolf Dehn: Midcentury Manhattan traces how Dehn's art reflected the spirit, pulse, and uniquely American tonalities of The City of Dreams.

Growing up beside the Chisholm Trail, captivated by the songs of passing cowboys and his bosom friend, an African American farmhand, John A. Lomax developed a passion for American folk songs that ultimately made him one of the foremost authorities on this fundamental aspect of Americana. Across many decades and throughout the country, Lomax and his informants created over five thousand recordings of America’s musical heritage, including ballads, blues, children’s songs, fiddle tunes, field hollers, lullabies, play-party songs, religious dramas, spirituals, and work songs. He acted as honorary curator of the Archive of American Folk Song at the Library of Congress, directed the Slave Narrative Project of the WPA, and cofounded the Texas Folklore Society. Lomax’s books include Cowboy Songs and Other Frontier Ballads, American Ballads and Folk Songs, Negro Folk Songs as Sung by Leadbelly, and Our Singing Country, the last three coauthored with his son Alan Lomax.

Adventures of a Ballad Hunter is a memoir of Lomax’s eventful life. It recalls his early years and the fruitful decades he spent on the road collecting folk songs, on his own and later with son Alan and second wife Ruby Terrill Lomax. Vibrant, amusing, often haunting stories of the people he met and recorded are the gems of this book, which also gives lyrics for dozens of songs. Adventures of a Ballad Hunter illuminates vital traditions in American popular culture and the labor that has gone into their preservation.

Over a forty-year career, Chicagoan Tom Burrell changed the face of advertising and revolutionized the industry’s approach to African Americans as human beings and consumers. Jason P. Chambers offers a biography of the groundbreaking creator and entrepreneur that explores Burrell’s role in building brands like McDonald’s and Coca-Cola within a deeply felt vision of folding positive images of Black people into mainstream American life. While detailing Burrell’s successes, Chambers tells a parallel story of what Burrell tried to do that sheds light on the motivations of advertising creators who viewed their work as being about more than just selling. Chambers also highlights how Burrell used his entrepreneurial gifts to build an agency that opened the door for Black artists, copywriters, directors, and other professionals to earn livings, build careers, and become leaders within the industry.

Compelling and multidimensional, Advertising Revolutionary combines archival research and interviews with Burrell and his colleagues to provide a long overdue portrait of an advertising industry legend and his times.

An influential thinker’s fascinating reflections and meditations on reacclimating to his native Senegal as a young academic after years of study abroad
 

The call to morning prayer. A group run at daybreak along the Corniche in Dakar. A young woman shedding tears on a beach as her friends take a boat to Europe. In African Meditations, paths to enlightenment collide with tales of loss and ruminations, musical gatherings, and the everyday sights and sounds of life in West Africa as a young philosopher and creative writer seeks to establish himself as a teacher upon his return to Senegal, his homeland, after years of study abroad. 

A unique contemporary portrait of an influential, multicultural thinker on a spiritual quest across continents—reflecting on his multiple literary influences along with French, African Francophone, and Senegalese tribal cultural roots in a homeland with a predominantly Muslim culture—African Meditations is a seamless blend of autobiography, journal entries, and fiction; aphorisms and brief narrative sketches; humor and Zen reflections. 

Taking us from Saint-Louis to Dakar, Felwine Sarr encounters the rhythms of everyday life as well as its disruptions such as teachers’ strikes and power outages while traversing a semi-surrealistic landscape. As he reacclimates to his native country after a life in France, we get candid glimpses, both vibrant and hopeful, sublime and mundane, into his Zen journey to resecure a foothold in his roots and to navigate academia, even while gleaning something of the good life, of joy, amid the struggles of life in Senegal. 

An intensely moving and revelatory memoir of enduring and emerging from exceptional grief

To grieve after a profound loss is perfectly natural and healthy. To be debilitated by grief for more than a decade, as Andrea Gilats was, is something else. In her candid, deeply moving, and ultimately helpful memoir of breaking free of death’s relentless grip on her life, Gilats tells her story of living with prolonged, or “complicated,” grief and offers insight, hope, and guidance to others who suffer as she did. 

Thomas Dayton, Andrea Gilats’s husband of twenty years, died at 52 after a five-month battle with cancer. In After Effects Gilats describes the desolation that followed and the slow and torturous twenty-year journey that brought her back to life. In the two years immediately following his death, Gilats wrote Tom daily letters, desperately trying to maintain the twenty-year conversation of their marriage. Excerpts from these letters reveal the depth of her despair but also the glimmer of an awakening as they also trace a different, more typical course of the grief experienced by one of Gilats's colleagues, also widowed. Gilats’s struggle to rescue herself takes her through the temptation of suicide, the threat of deadly illness, the overwhelming challenges of work, and the rigor of learning and eventually teaching yoga, to a moment of reckoning and, finally, reconciliation to a life without her beloved partner. Her story is informed by the lessons she learned about complicated grief as a disorder that, while intensely personal, can be defined, grappled with, and overcome.

Though complicated grief affects as many as one in seven of those stricken by the loss of a close loved one, it is little known outside professional circles. After Effects points toward a path of recuperation and provides solace along the way—a service and a comfort that is all the more timely and necessary in our pandemic-ravaged world of loss and isolation.

Looking back at a lifetime of rich experience from Wisconsin’s driftless hills

We all dream of finding the place we can be most ourselves, the landscape that seems to have been crafted just for us. The poet Paul Zimmer has found his: a farm in the driftless hills of southwestern Wisconsin, a region of rolling land and crooked rivers, "driftless" because here the great glaciers of the Patrician ice sheet split widely, leaving behind a heart-shaped area untouched by crushing ice. After the Fire is the story of Zimmer’s journey from his boyhood in the factory town of Canton, Ohio, and his days as a soldier during atomic tests in the Nevada desert, to his many years in the book business as a writer and publisher, and the rural tranquillity of his present life.

A firsthand account of African American childhood, freedom, and resilience in Reconstruction-era Florida.

T. Thomas Fortune was a leading African American publisher, editor, and journalist of the late nineteenth and early twentieth centuries, who was born a slave in antebellum Florida, lived through emancipation, and rose to become a literary lion of his generation. In T. Thomas Fortune's “After War Times,” Daniel R. Weinfeld brings together a series of twenty-three autobiographical articles Fortune wrote about his formative childhood during Reconstruction and subsequent move to Washington, DC.

By 1890, Fortune had founded a predecessor organization to the National Association for the Advancement of Colored People, known as the National Afro-American League, but his voice found its most powerful expression and influence in poetry, prose, and journalism. It was as a journalist that Fortune stirred national controversy by issuing a passionate appeal to African American southerners: “I propose to start a crusade,” he proclaimed in June 1900, “to have the negroes of the South leave that section and to come north or go elsewhere. It is useless to remain in the South and cry Peace! Peace! When there is no peace.” The movement he helped propel became known as “the Great Migration.”

By focusing on Thomas’s ruminations about his disillusion with post–Civil War Florida, Weinfeld highlights the sources of Fortune’s deep disenchantment with the South, which intensified when the Reconstruction order gave way to Jim Crow–era racial discrimination and violence. Decades after he left the South, Fortune’s vivid memories of incidents and personalities in his past informed his political opinions and writings. Scholars and readers interested in Southern history in the aftermath of the Civil War, especially the experiences of African Americans, will find much of interest in this vital collection of primary writings.
 

Beyond Moby-Dick: Reinterpreting Melville's later works through language, embodiment, and literary transformation.

The study focuses on Melville’s vision of the purpose and function of language from Moby-Dick through Billy Budd with a special emphasis on how language—in function and form—follows and depends on the function and form of the body, how Melville’s attitude toward words echoes his attitude toward fish. Davis begins by locating and describing the fundamental dialectic formulated in Moby-Dick in the characters of Ahab and Ishmael. This dialectic produces two visions of bodily reality and two corresponding visions of language: Ahab’s, in which language is both weapon and substitute body, and Ishmael’s, in which language is an extension of the body—a medium of explanation, conversation, and play. These two forms of language provide a key to understanding the difficult relationships and formal changes in Melville’s writings after Moby-Dick.

By following each work’s attitude toward the dialectic, we can see the contours of the later career more clearly and so begin a movement away from weakly contextualized readings of individual novels and short stories to a more complete consideration of Melville’s career. Since the rediscovery of Herman Melville in the early decades of this century, criticism has been limited to the prose in general and to a few major works in particular.

Those who have given significant attention to the short fiction and poetry have done so frequently out of context, that is, in multi-author works devoted exclusively to these genres. The result has been a criticism with large gaps, most especially for works from Melville’s later career. The relative lack of interest in the poetry has left us with little understanding of how Melville’s later voices developed, of how the novels evolved into tales, the tales into poetry, and the poetry back into prose. In short, the development of Melville’s art during the final three decades of his life remains a subject of which we have been afforded only glimpses, rarely a continuous attention. After the Whale provides a new, more comprehensive understanding of Melville’s growth as a writer.
 

A poetic journey through the past of the Roman Empress Agrippina looks toward the future
 
Agrippina the Younger follows one woman’s study of another, separated by thousands of miles and two millennia but bound by a shared sense of powerlessness. Agrippina was a daughter in a golden political family, destined for greatness—but she hungered for more power than women were allowed. Exhausted by the misogyny of the present, Diana Arterian reaches into the past to try to understand the patriarchal systems of today. In lyric verse and prose poems, she traces Agrippina’s rise, interrogating a life studded with intrigue, sex, murder, and manipulation. Arterian eagerly pursues Agrippina through texts, ruins, and films, exhuming the hidden details of the ancient noblewoman’s life. These poems consider the valences of patriarchy, power, and the archive to try to answer the question: How do we recover a woman erased by history? 

A visually rich survey of two hundred years of Alabama fine arts and artists

Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama’s culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous.

Published to coincide with the state’s bicentennial, Alabama Creates:  200 Years of Art and Artists features ninety-four of Alabama’s most accomplished, noteworthy, and influential practitioners of the fine arts from 1819 to the present. The book highlights a broad spectrum of artists who worked in the state, from its early days to its current and contemporary scene, exhibiting the full scope and breadth of Alabama art.

This retrospective volume features biographical sketches and representative examples of each artist’s most masterful works.  Alabamians like Gay Burke, William Christenberry, Roger Brown, Thornton Dial, Frank Fleming, the Gee’s Bend Quilters, Lonnie Holley, Dale Kennington, Charlie Lucas, Kerry James Marshall, David Parrish, and Bill Traylor are compared and considered with other nationally significant artists.

Alabama Creates is divided into four historical periods, each spanning roughly fifty years and introduced by editor Elliot A. Knight. Knight contextualizes each era with information about the development of Alabama art museums and institutions and the evolution of college and university art departments. The book also contains an overview of the state’s artistic heritage by Gail C. Andrews, director emerita of the Birmingham Museum of Art. Alabama Creates conveys in a sweeping and captivating way the depth of talent, the range of creativity, and the lasting contributions these artists have made to Alabama’s extraordinarily rich visual and artistic heritage.