3388 books match the query 'Fiction' and 293 start with a

cover of Appointed: An American Novel

Appointed

An American Novel

William H. Anderson

West Virginia University Press, 2019

Appointed is a recently recovered novel written by William Anderson and Walter Stowers, two of the editors of the Detroit Plaindealer, a long-running and well-regarded African American newspaper of the late nineteenth century. Drawing heavily on nineteenth-century print culture, the authors tell the story of John Saunders, a college-educated black man living and working in Detroit. Through a bizarre set of circumstances, Saunders befriends his white employer’s son, Seth Stanley, and the two men form a lasting, cross-racial bond that leads them to travel together to the American South. On their journey, John shows Seth the harsh realities of American racism and instructs him in how he might take responsibility for alleviating the effects of racism in his own home and in the white world broadly. 

As a coauthored novel of frustrated ambition, cross-racial friendship, and the tragedy of lynching, Appointed represents a unique contribution to African American literary history. This is the first scholarly edition of Appointed, and it includes a collection of writings from the Plaindealer, the authors’ short story “A Strange Freak of Fate,” and an introduction that locates Appointed and its authors within the journalistic and literary currents of the United States in the late nineteenth century.

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Arab Americans in Michigan

Rosina J. Hassoun

Michigan State University Press, 2003

The state of Michigan hosts one of the largest and most diverse Arab American populations in the United States. As the third largest ethnic population in the state, Arab Americans are an economically important and politically influential group. It also reflects the diversity of national origins, religions, education levels, socioeconomic levels, and degrees of acculturation. Despite their considerable presence, Arab Americans have always been a misunderstood ethnic population in Michigan, even before September 11, 2001 imposed a cloud of suspicion, fear, and uncertainty over their ethnic enclaves and the larger community. In Arab Americans in Michigan Rosina J. Hassoun outlines the origins, culture, religions, and values of a people whose influence has often exceeded their visibility in the state.

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Aram's Notebook

Maria Àngels Anglada

Swan Isle Press, 2024

A mother and son’s fictional journey to escape the Armenian Genocide and start anew. 

Like any other fifteen-year-old boy, Aram might never have written the events of his still young life, except that he found himself suddenly plunged into exile, fleeing certain death. In 1915, the Ottoman authorities undertook the wholesale extermination of the Armenian people; hundreds of thousands of men, women, and children like Aram suffered one of the twentieth century’s most savage persecutions. Inspired by the plight of the murdered modernist poet Daniel Varoujan (1884–1915), this novel follows Aram and his widowed mother on their flight toward a new life on—and under—the sea. From recollections of his father’s meditations on Homer to a life-changing apprenticeship as a coral fisherman off the coasts of Cataluña and Marseille, Aram’s tale dives into a future that might help redeem a harrowing past. Aram's Notebook examines the Armenian Genocide through a narrative in which poets and poetry loom large. Aram’s tale evokes a struggle not simply for physical survival, but for saving memory from the clutches of destruction. Evocatively translated from the original Catalan by Ara Merjian.
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cover of Aransas: A Novel

Aransas

A Novel

By Stephen Harrigan

University of Texas Press, 2014

A critically acclaimed debut novel first published in 1980, Aransas recounts a young man’s attempt to find his place in the world as he navigates the moral dilemma of training an “exquisitely conscious being” to perform in a seaside dolphin circus.
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cover of Arc and the Sediment: a Novel

Arc and the Sediment

a Novel

Christine Allen-Yazzie

Utah State University Press, 2007

Gretta Bitsilly, a gin-steeped mother of two and self-proclaimed expert at standing just outside the margins of ethnicity and peering in, has been all but eclipsed by the world that eludes her—as a wife, as a writer, as a skeptic in "the other land of Zion," Utah. Gretta has set off to Fort Defiance, Arizona, where she hopes to convince her Navajo husband, who has escaped not from his family but from alcoholism, to come home. Over a sputtering two-steps-forward, one-step-back desert journey, Gretta is diverted by chance, by seizures, an inconstant memory, and the disjointed character of her irresolute quest. She is fueled by a volatile mix of rage and curiosity and is rendered careless by ambivalence toward her marriage—she knows a welcome mat will not be waiting for her, "that white girl" who can't seem to get anything right. On route Gretta fi nds herself lost in the landscape, in strange company, or in her own convolution of language and inner space. With a dictionary and a laptop she attempts to write herself into a better existence—a hopeful existence—and to connect points of intellectual, physical, even spiritual reference.

This tale, though dark and difficult, is infused with tart, twisted humor. Confused, disheveled, self-deprecating, and self-destructive, Gretta is also sharp and funny. Here, first-time novelist Christine Allen-Yazzie breaks apart her own narrative arc but with gritty reality seals it near-shut again, if in rearrangement, drawing us into Gretta's wrestling match with herself, her husband, her addiction, and the road.

The Arc and the Sediment received an honorable mention from the James Jones First Novel Competition, and it won the Utah Arts Council Annual Writing Competiton Publishing Prize.
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Arcadio

William Goyen

Northwestern University Press, 1994

Completed while he was dying, William Goyen's Arcadio is one of the most affecting and imaginative farewells to life ever written. Arcadio is a half man, half woman raised in a whorehouse and for years the veteran exhibitionist in an itinerant circus sideshow. After he escapes he searches for his lost family, and during the journey tells the fantastic story of his life.
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cover of Archyology: The Long Lost Tales of Archy and Mehitabel

Archyology

The Long Lost Tales of Archy and Mehitabel

Don Marquis

University Press of New England, 2009

America’s beloved archy and mehitabel finally return in these entrancing uncollected stories.
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cover of Are You Sure About That?: Discerning Fact from Fiction

Are You Sure About That?

Discerning Fact from Fiction

Karen A. Cerulo

Rutgers University Press, 2027

Phone in hand, TV on, we wake up and fall asleep to endless information. There’s no escape—we are drowning in a sea of breaking news, notifications, and popular beliefs and claims. Every day, we encounter hundreds of posts and podcasts on politics, celebrities, or current events. People share links to “expert” recommendations on Instagram or Reddit. YouTube and TikTok bring us those who want to instruct us on the realities of the world or pass on longstanding conventional wisdom, all in the hopes of influencing our decisions and actions. 

The information overload of the constant news and information cycle is exhausting and extremely frustrating. You may ask: Just what or whom should we believe? Are You Sure About That? Discerning Fact from Fiction helps readers navigate the perilous informational terrain of contemporary life. We provide a game plan of strategies and guidance for easily and reliably assessing the accuracy of any claim, helping readers to cut through the noise and adjust what they know. 

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cover of Aristotle Detective: An Aristotle Detective Novel

Aristotle Detective

An Aristotle Detective Novel

Margaret Doody

University of Chicago Press, 2014

Murder and mayhem may seem like unreasonable company for Aristotle, one of the founding minds of Western philosophy. But in the skilled hands of Margaret Doody, the pairing could not be more logical. With her Aristotle Detective novels, Margaret Doody brings a Holmesian hero to the bloodied streets of ancient Greece, trading the pipe and deerstalker of Sherlock for the woolen chiton and sandals of Aristotle. Replete with suspense, historical detail, and humor, and complemented by an ever-growing cast of characters and vivid descriptions of the ancient world, Doody’s mysteries are as much lively takes on the figures and forms of the classics as they are classic whodunits in their own right.

In Aristotle Detective, we first meet Stephanos—naive Watson to Aristotle’s learned Holmes—a young landed Athenian and student of Aristotle. With the aid of his cunning, olive-loving teacher, Stephanos must clear his exiled cousin of murder and save his family’s honor in a tense public trial. Will Stephanos survive to cinch the case?
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cover of Aristotle and Poetic Justice: An Aristotle Detective Novel

Aristotle and Poetic Justice

An Aristotle Detective Novel

Margaret Doody

University of Chicago Press, 2014

Murder and mayhem may seem like unreasonable company for Aristotle, one of the founding minds of Western philosophy. But in the skilled hands of Margaret Doody, the pairing could not be more logical. With her Aristotle Detective novels, Margaret Doody brings a Holmesian hero to the bloodied streets of ancient Greece, trading the pipe and deerstalker of Sherlock for the woolen chiton and sandals of Aristotle. Replete with suspense, historical detail, and humor, and complemented by an ever-growing cast of characters and vivid descriptions of the ancient world, Doody’s mysteries are as much lively takes on the figures and forms of the classics as they are classic whodunits in their own right.

Stephanos and his teacher return in Aristotle and Poetic Justice, when a party given by wealthy Athenian silver miners leads to kidnapping, a ghost, a road trip to Delphi, and, of course, murder. More historical fiction than a detective novel, this sequel runs the gamut of Athenian social customs, myth, politics, and economics—from the trials of virgin love to the dangers of silver lust.

 
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cover of Aristotle and the Secrets of Life: An Aristotle Detective Novel

Aristotle and the Secrets of Life

An Aristotle Detective Novel

Margaret Doody

University of Chicago Press, 2014

Murder and mayhem may seem like unreasonable company for Aristotle, one of the founding minds of Western philosophy. But in the skilled hands of Margaret Doody, the pairing could not be more logical. With her Aristotle Detective novels, Margaret Doody brings a Holmesian hero to the bloodied streets of ancient Greece, trading the pipe and deerstalker of Sherlock for the woolen chiton and sandals of Aristotle. Replete with suspense, historical detail, and humor, and complemented by an ever-growing cast of characters and vivid descriptions of the ancient world, Doody’s mysteries are as much lively takes on the figures and forms of the classics as they are classic whodunits in their own right.

With Aristotle and the Secrets of Life, tensions between the Athenians and the Makedonians—followers of another of Aristotle’s former students, Alexander the Great—draw our heroes across the Aegean Sea. Even as Aristotle and Stephanos escape from pirates, uncover conspiracy, and face the horrors of war, Aristotle finds time to discuss his studies of the natural world in this gripping tale of their quest into darkness.   
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cover of Arkansas, Arkansas Volume 1: Writers and Writings from the Delta to the Ozarks, 1541-1969

Arkansas, Arkansas Volume 1

Writers and Writings from the Delta to the Ozarks, 1541-1969

John C. Guilds

University of Arkansas Press, 1999

From the expeditions of de Soto in the sixteenth century to the celebrated work of such contemporary writers as Maya Angelou, Ellen Gilchrist, and Miller Williams, Arkansas has enjoyed a rich history of letters. These two volumes gather the best work from Arkansas's rich literary history celebrating the variety of its voices and the national treasure those voices have become.
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cover of Arrogant Beggar

Arrogant Beggar

Anzia Yezierska

Duke University Press, 1996

The target of intense critical comment when it was first published in 1927, Arrogant Beggar’s scathing attack on charity-run boardinghouses remains one of Anzia Yezierska’s most devastating works of social criticism. The novel follows the fortunes of its young Jewish narrator, Adele Lindner, as she leaves the impoverished conditions of New York’s Lower East Side and tries to rise in the world. Portraying Adele’s experiences at the Hellman Home for Working Girls, the first half of the novel exposes the “sickening farce” of institutionalized charity while portraying the class tensions that divided affluent German American Jews from more recently arrived Russian American Jews.
The second half of the novel takes Adele back to her ghetto origins as she explores an alternative model of philanthropy by opening a restaurant that combines the communitarian ideals of Old World shtetl tradition with the contingencies of New World capitalism. Within the context of this radical message, Yezierska revisits the themes that have made her work famous, confronting complex questions of ethnic identity, assimilation, and female self-realization.
Katherine Stubbs’s introduction provides a comprehensive and compelling historical, social, and literary context for this extraordinary novel and discusses the critical reaction to its publication in light of Yezierska’s biography and the once much-publicized and mythologized version of her life story. Unavailable for over sixty years, Arrogant Beggar will be enjoyed by general readers of fiction and be of crucial importance for feminist critics, students of ethnic literature. It will also prove an exciting and richly rewarding text for students and scholars of Jewish studies, immigrant literature, women’s writing, American history, and working-class fiction.
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cover of Arson

Arson

Laura Freudenthaler

Seagull Books, 2025

Set against the backdrop of escalating environmental collapse, this novel is a timely exploration of the terrifying consequences of climate change—particularly wildfires.

A feverish and unsettling meditation on climate collapse, Arson is told through the fragmented perspectives of two individuals struggling to make sense of a world consumed by fire. An unnamed narrator, a writer plagued by anxiety and writer’s block, watches as the planet, her relationships, and even her ability to dream are ravaged by environmental disaster. Meanwhile, an insomniac scientist, obsessed with tracking wildfires, clings to data as his last grip on control, meticulously recording every flame that devours the forests.

Their narratives unfold in a disorienting rhythm—one slipping between lyrical introspection and panic, the other drowning in statistics and methodical observation. As fires rage across the planet, both search for meaning and survival: the narrator wanders the charred countryside in search of life amid destruction, while the scientist compulsively documents landscapes that should never be burning. Echoing Ingeborg Bachmann’s famous words, “With my burned hand I write about the nature of fire,” Laura Freudenthaler crafts a haunting, kaleidoscopic portrait of a world on the brink. Arson is not just a novel about climate change—it is an urgent, dreamlike reckoning with our fascination and horror at the beauty and devastation wrought by fire.
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cover of Art Is Everything: A Novel

Art Is Everything

A Novel

Yxta Maya Murray

Northwestern University Press, 2021

In her funny, idiosyncratic, and propulsive new novel, Art Is Everything, Yxta Maya Murray offers us a portrait of a Chicana artist as a woman on the margins. L.A. native Amanda Ruiz is a successful performance artist who is madly in love with her girlfriend, a wealthy and pragmatic actuary named Xōchitl. Everything seems under control: Amanda’s grumpy father is living peacefully in Koreatown; Amanda is about to enjoy a residency at the Guggenheim Museum in New York and, once she gets her NEA, she’s going to film a groundbreaking autocritical documentary in Mexico.

But then everything starts to fall apart when Xōchitl’s biological clock begins beeping, Amanda’s father dies, and she endures a sexual assault. What happens to an artist when her emotional support vanishes along with her feelings of safety and her finances? Written as a series of web posts, Instagram essays, Snapchat freakouts, rejected Yelp reviews, Facebook screeds, and SmugMug streams-of-consciousness that merge volcanic confession with eagle-eyed art criticism, Art Is Everything shows us the painful but joyous development of a mid-career artist whose world implodes just as she has a breakthrough.

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cover of Artaud the Mômo

Artaud the Mômo

Antonin Artaud

Diaphanes, 2020

Artaud the Mômo is Antonin Artaud’s most extraordinary poetic work from the brief final phase of his life, from his return to Paris in 1946 after nine years of incarceration in French psychiatric institutions to his death in 1948. This work is an unprecedented anatomical excavation carried through in vocal language, envisioning new gestural futures for the human body in its splintered fragments. With black humor, Artaud also illuminates his own status as the scorned, Marseille-born child-fool, the “mômo” (a self-naming that fascinated Jacques Derrida in his writings on this work). Artaud moves between extreme irreligious obscenity and delicate evocations of his immediate corporeal perception and his sense of solitude. The book’s five-part sequence ends with Artaud’s caustic denunciation of psychiatric institutions and of the very concept of madness itself.

This edition is translated by Clayton Eshleman, the acclaimed foremost translator of Artaud’s work. This will be the first edition since the original 1947 publication to present the work in the spatial format Artaud intended. It also incorporates eight original drawings by Artaud—showing reconfigured bodies as weapons of resistance and assault—which he selected for that edition, after having initially attempted to persuade Pablo Picasso to collaborate with him. Additional critical material draws on Artaud’s previously unknown manuscript letters written between 1946 and 1948 to the book’s publisher, Pierre Bordas, which give unique insights into the work from its origins to its publication.
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cover of Arthouse: A Novel

Arthouse

A Novel

Jeffrey DeShell

University of Alabama Press, 2011

An audacious transformation in prose of fourteen Modernist films

From film to film, Jeffrey DeShell follows a forty-something failed film studies academic—The Professor. While The Professor is reinvented with each new chapter (or film), what remains is DeShell’s inventive deconstruction and representation of modern cinema. At times borrowing imagery, plot, or character elements, and at times rendering lighting, rhythm, costuming, or shot sequences into fictional language, The Professor’s journey sends him from the Southwestern town of Pueblo, Colorado, into the role of rescuer as he aids an attempted-rape victim, and finally to Italy. Ultimately though, The Professor is left alone, struggling to reconcile the real world with his life in cinema.
 
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cover of Arthurian Intertextualities: Misreading and Rereading Malory's Morte Darthur and the Alliterative and Stanzaic Mortes

Arthurian Intertextualities

Misreading and Rereading Malory's Morte Darthur and the Alliterative and Stanzaic Mortes

Fiona Tolhurst and K. S. Whetter

University of Michigan Press, 2025

Readers encountering the Middle English Arthurian tradition are confronted by three texts with confusingly similar titles: an anonymous poem in alliterative verse called Morte Arthure, an anonymous poem in eight-line stanzas entitled Le Morte Arthur, and Sir Thomas Malory’s influential prose Arthuriad, LeMorte Darthur [sic]. To add to the confusion, Malory made use of both English poems to augment his French sources in composing his Morte Darthur, so specialists often speak of two or more of these English Mortes in the same breath. Yet each Morte poem deserves to be studied on its own merits. 

Arthurian Intertextualities offers new readings of Malory’s Morte as well as the two English poems that most influenced him. Tolhurst and Whetter situate Malory’s Arthur story in the context of fourteenth- and fifteenth-century England. Combining these contexts with intertextual analysis of scenes and characters from Le Morte Darthur and both sources, the authors illustrate the full extent of Malory’s debt to these two English poems while making a stronger case for Malory’s artistry—and the stanzaic-poet’s artistry—than previous scholarship has acknowledged. These new readings demand a reassessment of Arthurian women, kingship, and warfare and heroism, including reconsidering the alliterative-poet’s attitude to war and to Arthur as conqueror. The authors also offer a spirited defense of Malory’s Guenevere, who remains frequently maligned by scholars, and argue for Palomydes’s acceptance by his Round Table Fellowship. Arthurian Intertextualities will appeal to readers who are interested in the book that serves as the source for most of the Arthuriana (whether novels, plays, works of art, or films) in today’s world: Le Morte Darthur.
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Articles of Faith

Elizabeth Oness

University of Iowa Press, 2000

In her award-winning collection, Elizabeth Oness travels a vast emotional terrain, from the loss of innocence to sexual betrayal to the helplessness of parents before their children. In “Momentum, ” a woman carries the burden of a dead friend's secret for years until she finally decides to reveal it, only to discover that other, darker secrets still lie in wait. “Rufus” follows the quandary of a young man who is forced to choose between the affection of his girlfriend and his compassion for a homeless man who has taken up residence in his car.

Articles of Faith is a collection of stories about silence and the complications that arise when a silence is kept too long or suddenly broken. As one narrator relates, “I knew that life was full of these things which matter so enormously and make us what we are—but remain unsaid because to voice them does not make them go away, and instead shakes everything around us apart. ”

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Artificial Respiration

Ricardo Piglia

Duke University Press, 1994

Acclaimed as one of the most important Latin American novels in recent decades, Artificial Respiration is a stunning introduction for English readers to the fiction of Ricardo Piglia. Published in Argentina in 1981, it was written at a time when thousands of Argentine citizens "disappeared" during the government’s attempt to create an authoritarian state. In part a reflection on one of the most repressive and tragic times in Argentine history, this is one of those rare works of fiction in which multiple philosophical, political, and narrative dimensions are all powerfully and equally matched.
As a prize winning detective novel, Artificial Respiration reaches through many levels of mystery to explore the forces that have been at play in Argentina throughout its violent history. The narrator, a writer named Renzi, begins to look for an uncle who has vanished, a man he knows only through a web of contradictory family stories and an exchange of letters. Through these letters he learns about his uncle’s research into the life of Enrique Ossario, secretary to the 19th-century Argentine dictator Rosas and spy for the dictator’s enemy. As Renzi’s search leads further into his uncle’s work and to conversations with his literary and chess-playing friends, the reader is led by Piglia to consider the nature of Argentine identity, its literature and history, and its relation, for example, to Europe, exile, and democracy. Finally, and made most vividly appreciable by the retelling of a story in which Kafka meets Hitler, it is the encounter between literature and history that is explored.
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As If Fire Could Hide Us

Melanie Rae Thon

University of Alabama Press, 2023

Three lives. One song. A fire that reveals what cannot be hidden.

As If Fire Could Hide Us explores the expansiveness of consciousness and compassion through and beyond the human body.

A twelve-year-old girl slips out a basement window, steals a bike, and sets off on a perilous adventure. Injured and slowly bleeding out, Orelia enters a vast, spectacularly animate environment where she senses the limits of self disintegrating, her being entangled with the forest.

A prison guard and member of the strap down team witnesses a painfully prolonged execution and is delivered to a heart-cracking sense of identification with the ones he’s killed. Every grieving mother is his own. Any man might be himself, his closest friend, his brother.

An organ donor’s body is restored and resurrected through the bodies of multitudes. Spiritually and physically, one human being becomes many. Everything in the cosmos is intertwined and interchangeable. Embracing this awareness may bring fear or euphoria—desolation, peace, despair, rapture.
 

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As If She Had a Say

Stories

Jennifer Fliss

Northwestern University Press, 2023

A new story collection from Jennifer Fliss, author of The Predatory Animal Ball
 
Who has a right to tell us how to experience our grief? How to perform—or not perform—the roles society prescribes to us based on our various points of identity?
 
As If She Had a Say, the second story collection from Jennifer Fliss, uses an absurdist lens to showcase characters—predominantly women—plumbing their resources as they navigate misogyny, abuse, and grief. In these stories, a woman melts in the face of her husband’s cruelty; a seven-tablespoons-long woman lives inside a refrigerator and engages in an affair with the man of the house; a balloon-animal artist attends a funeral to discover he was invited as more than entertainment; and a man loses all his nouns.
 
Fans of Karen Russell and Carmen Maria Machado will appreciate how As If She Had a Say’s inventive narratives expose inequities by taking us on imaginative romps through domesticity and patriarchal expectations. Each story functions as a magnifying glass through which we might examine our own lives and see ourselves more clearly.
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cover of As If a Bird Flew By Me: A Novel

As If a Bird Flew By Me

A Novel

Sara Greenslit

University of Alabama Press, 2011

Two women, separated by time and place, yoked by heritage and history

“The world is full of continuous conversations: Now is surrounded by Past, and both are encircled by Forever.” So states an unnamed narrator in As if a Bird Flew by Me.
 
Celia lives in the contemporary Midwest. Ann is an accused witch, executed during the Salem witch trials. Two women separated by time and place yet yoked by heritage and history. Set in three time periods, stories within stories unfold, and Greenslit’s language seamlessly weaves Celia’s modern life with the historical record of Ann’s demise alongside dazzling renderings of animal life. Greenslit’s hybrid of fiction and nonfiction occupies that rarest of airs: it is a book that illuminates, line by line and page by page, how it should be read.
 
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cover of As She Was Discovering Tigony

As She Was Discovering Tigony

Olympe Bhêly-Quenum

Michigan State University Press, 2016

Dorcas Keurléonan-Moricet is a brilliant white geophysicist posted on assignment in Africa. She falls in love with a young African man, Ségué n’Di, and enters into an extramarital affair with him. In her professional work, she discovers deposits of minerals of inestimable worth. Reading the current age of globalization and neoliberalism as one in which the riches of Africa are again being cynically exploited by multinational companies—including her own—Keurléonan-Moricet’s views and her life gradually change. As the popular resistance against the dictatorial regime in power grows, she comes to play a key role in the unfolding political drama.
 
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cover of Ascension to Death

Ascension to Death

Mahmoud Azzam

Haus Publishing, 2009

Ascension to Death is the first work of acclaimed Syrian writer Mamdouh Azzam to be published in English. Set against the backdrop of a conservative Druze region of southern Syria, this is the tragic story of the orphan Salma, who falls in love with a boy from her village but is then forced into an arranged marriage.

The controller of Salma’s fate is her tyrannical uncle, who, as her guardian and a powerful community leader with governmental ties, is all too pleased to unload the burden of his brother’s daughter onto the first man to propose. As Salma desperately tries to escape the marriage, the novel follows her attempt to flee with her lover. But after her family colludes with the authorities against her, Salma finds herself trapped in a nightmarish ordeal of imprisonment, torture, and abandonment.

One of the most beloved Syrian novels of our time, Ascension to Death is a dark, inventive, and unflinchingly honest look at both the best and the worst to be found in human nature and our modern world.
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cover of Ascension: A Novel

Ascension

A Novel

Steve Tomasula

University of Alabama Press, 2022

A visually stunning narrative of three eras in humankind’s vexed relationship with nature.

Ascension is a novel about the end of nature, or rather, the end of three “natures”: the time just before Darwin changed the natural world; the 1980s, just as the digital and genetic revolutions begin to replace “nature” with “environment”; and today, a time when we have the ability to manipulate nature at both the scale of the planet and at the genome. The narrative follows three different biologists on the brink of each of these cultural extinctions to explore how nature occupies our imaginations and how our imaginations bring the natural world, and our place in it, into existence.

Ascension is a story of how we continually remake the world and are in turn remade by the new nature we’ve created. It is the story of humans yearning to understand their families, themselves, and the world they live in as it comes to a close, leaving them to anticipate what will follow. Rich in visual depictions of the natural world—from nineteenth century engraving and paintings to twentieth century photography and twenty-first century databases—Ascension uses the materials of three eras to drive home our inability to escape nature, and the ways our fates are irrevocably bound together even as our actions usher in an end-time.
 

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cover of Ashes and Diamonds

Ashes and Diamonds

Jerzy Andrzejewski

Northwestern University Press, 1997

Originally published in Poland in 1948, and acclaimed as one of the finest postwar Polish novels, Ashes and Diamonds takes place in the spring of 1945, as the nation is in the throes of its transformation to People' Poland. Communists, socialists, and nationalists; thieves and black marketeers; servants and fading aristocrats; veteran terrorists and bands of murderous children bewitched by the lure of crime and adventure—all of these converge on a provincial town's chief hotel, a microcosm of an uprooted world.
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cover of Ashes of Izalco

Ashes of Izalco

Claribel Alegría and Darwin J. Flakoll

Northwestern University Press, 1995

Written in two voices, Ashes of Izalco is a collaborative novel by Claribel Alegría and Darwin Flakoll, a love story set against the events of 1932, when thirty thousand Indians and peasants were massacred in Izalco, El Salvador. Ashes of Izalco brings together a Salvadoran woman and an American man who struggle over issues of love, loyalty, and sociopolitical injustice.
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cover of Ask Your Dad

Ask Your Dad

Jan Balabán

Karolinum Press, 2026

The final novel of acclaimed Czech fiction writer Jan Balabán.

Ask Your Dad centers on what Christian tradition calls “the last things.” Three siblings struggle to come to terms with the death of their father, the doctor Jan Nedoma, while also confronting a posthumous accusation made by his best friend, who accuses Nedoma of having collaborated with communist authorities. The bitter irony at the heart of the novel is that it is no longer possible for the siblings to ask their father what really happened. Questions of meaning, moral integrity, and the consequences of human actions permeate the meditative novel and are rendered with a harrowing directness. Poignantly, the novel was published posthumously.

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cover of Ask the Parrot: A Parker Novel

Ask the Parrot

A Parker Novel

Richard Stark

University of Chicago Press, 2017

Parker is on the run, on his own, and stripped of suppies and support in this action-packed entry in the classic hard-boiled crime series

Richard Stark's Parker novels are the hardest of hard-boiled, classic crime novels where the heists are huge, the body counts are high, and the bad guys usually win. 

The Parker novels have been a huge influence on countless writers and filmmakers, including Quentin Tarantino, George Pelecanos, Colson Whitehead, Lucy Sante, and many more. Their stripped-down language and hard-as-nails amorality create an unforgettable world where the next score could be the big one, but your next mistake could also be your last. There's nothing else like them.

In Ask the Parrot, Parker’s back on the run, dodging dogs, cops, and even a helicopter. His escape brings him to rural Massachusetts, where he meets a small-town recluse who Forced to work with a small-town recluse nursing a grudge against the racetrack that fired him. Even on the run, Parker manages to get up to no good. It'll be a deadly day at the races.
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cover of Asphodel

Asphodel

(Hilda Doolittle) H.D.

Duke University Press, 1992

"DESTROY," H.D. had pencilled across the title page of this autobiographical novel. Although the manuscript survived, it has remained unpublished since its completion in the 1920s. Regarded by many as one of the major poets of the modernist period, H.D. created in Asphodel a remarkable and readable experimental prose text, which in its manipulation of technique and voice can stand with the works of Joyce, Woolf, and Stein; in its frank exploration of lesbian desire, pregnancy and motherhood, artistic independence for women, and female experience during wartime, H.D.'s novel stands alone.
A sequel to the author's HERmione, Asphodel takes the reader into the bohemian drawing rooms of pre-World War I London and Paris, a milieu populated by such thinly disguised versions of Ezra Pound, Richard Aldington, May Sinclair, Brigit Patmore, and Margaret Cravens; on the other side of what H.D. calls "the chasm," the novel documents the war's devastating effect on the men and women who considered themselves guardians of beauty. Against this riven backdrop, Asphodel plays out the story of Hermione Gart, a young American newly arrived in Europe and testing for the first time the limits of her sexual and artistic identities. Following Hermione through the frustrations of a literary world dominated by men, the failures of an attempted lesbian relationship and a marriage riddled with infidelity, the birth of an illegitimate child, and, finally, happiness with a female companion, Asphodel describes with moving lyricism and striking candor the emergence of a young and gifted woman from her self-exile.
Editor Robert Spoo's introduction carefully places Asphodel in the context of H.D.'s life and work. In an appendix featuring capsule biographies of the real figures behind the novel's fictional characters, Spoo provides keys to this roman à clef.
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cover of Assault on Paradise

Assault on Paradise

Tatiana Lobo

Northwestern University Press, 1998

Assault on Paradise vividly depicts the Conquistadores and the Church invading Central America, impoverishing one world to enrich another. In a fast-paced, bawdy, swashbuckling adventure in Central America of the early 1700s, Costa Rican novelist Tatiana Lobo lays bare the dark legacy of the Conquistadores and the Church. Through the central picaresque story of Pedro Albaran, Lobo dramatizes the intrigues of politicians and the Inquisition and the bloody battles between the native people and the invaders, while simultaneously presenting a reverent poetic recreation of indigenous cosmogony and mystical values which the natives seek to use to drive out the invaders.
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cover of Assault with a Deadly Lie: A Nick Hoffman Novel of Suspense

Assault with a Deadly Lie

A Nick Hoffman Novel of Suspense

Lev Raphael

University of Wisconsin Press, 2014

Successful professor Nick Hoffman finds his secure, happy, college-town life changed forever after a nightmarish encounter with police. But even when that horrible night is over, life doesn't return to normal. Someone is clearly out to destroy him. Nick and his partner Stefan Borowski face an escalating series of threats that lead to a brutal and stunning confrontation.
            A novel of suspense set in the academic world, Assault with a Deadly Lie probes the disturbing psychological impact of slander, harassment, stalking, police brutality, and the loss of personal safety. What will Nick do when his world threatens to collapse? How can he reestablish order in a suddenly chaotic life?
            Assault with a Deadly Lie, the eighth installment of Lev Raphael's Nick Hoffman Mysteries, propels the series to a new level of danger and intrigue as Nick and Stefan are catapulted out of their tranquil existence by shocking accusations.

Finalist, Midwest Book Award for Mystery/Thriller Fiction, Midwest Independent Publishers Association

“A riveting great read for mystery/suspense fans, author Lev Raphael once again documents his impressive gifts as a storyteller, holding the reader’s rapt attention from beginning to end with unexpected plot twists and surprise twists.”—Jack Mason, Midwest Book Review
 
“Raphael portrays with frightening power the wrenching experience of victimization by the corporatized, PR-prioritized groves of academia, where both men teach, and by local authorities militarized into SWAT teams practicing police brutality. . . . The compelling core of this unusual novel is Raphael’s depiction of the agonizing reality of victims’ shame, in which someone ‘feels doubly exposed talking about the violation’ and so says nothing.”—Booklist
 
“Professor Nick Hoffman learns that even tenure can’t guarantee real security.”—Kirkus Reviews
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cover of At Lady Molly's: Book 4 of A Dance to the Music of Time

At Lady Molly's

Book 4 of A Dance to the Music of Time

Anthony Powell

University of Chicago Press, 1995

Anthony Powell’s universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London. Now, for the first time in decades, readers in the United States can read the books of Dance as they were originally published—as twelve individual novels—but with a twenty-first-century twist: they’re available only as e-books.

As the fourth book, At Lady Molly’s (1957), opens, the heady pleasures of the 1920s have begun to give way to the austerity and worries of the 1930s. Even so, the whirl of London life continues: friends commit to causes and to spouses, confess adulteries, and fall victim to dissipation and disillusion. As Nick moves ever more comfortably in the worlds of art, culture, and society, Powell’s palette broadens: old friends make appearances, but new ones take places on the stage as well—including Isobel Tolland, whom Nick knows at first sight he’s destined to marry.

"Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."--Chicago Tribune

"
A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."--Elizabeth Janeway, New York Times

"One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."--Naomi Bliven, New Yorker

“The most brilliant and penetrating novelist we have.”--Kingsley Amis

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cover of At the Moon's Inn

At the Moon's Inn

Andrew Lytle

University of Alabama Press, 2009

A fascinating tale that brings to life the history of Spanish efforts to establish a controlling presence in the New World during the first half of the 16th century
 
At the Moon’s Inn, first published in 1941, provides a fictional account of De Soto’s famous Spanish expedition to La Florida and through the southeastern United States between 1539 and 1543. The novel begins in Spain in 1538, where De Soto and his chief lieutenants, veterans of the campaigns in South America, pledge themselves to a new enterprise to explore and exploit La Florida. The narrative follows them on their voyage to Cuba, where they rest and obtain additional supplies, then set sail for the area now known as Tampa Bay. Lytle’s brilliant historical novel takes the readers with the conquistadores through the hot, humid land, where despite their advantage in military technology they found they must rely on the Indians for food. The author explores the cultural confrontation that seriously weakened the Indians, while the Spaniards’ dreams of gold gradually turned to hopes of survival in the hostile environment.
 
Drawing his facts from the 1939 United States De Soto Commission Report and from the surviving historical chronicles of the expedition, Lytle weaves a fascinating tale that brings to life the history of Spanish efforts to establish a controlling presence in the New World during the first half of the 16th century.
 
In his introduction, Douglas Jones places At the Moon’s Inn within the context of the documentary record, as well as within the framework of its distinguished author’s career.
 
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At the Palaces of Knossos

Nikos Kazantzakis

Ohio University Press, 2025

A captivating retelling—newly translated—of the rise and fall of the Minoan civilization interwoven with some of ancient Greece’s most enduring myths

At the Palaces of Knossos is a vivid reimagining of ancient Crete, blending history and mythology into an epic tale of heroism, love, and destiny. Set against the grandeur of the Minoan court, the novel brings to life the legendary stories of Theseus, the Minotaur, Ariadne, Daedalus, and Icarus.

The story follows Theseus, the prince of Athens, who arrives in Crete as part of the annual tribute of young Athenians sent to feed the monstrous Minotaur. Determined to end this brutal cycle, he infiltrates the labyrinthine palace of Knossos, where he crosses paths with Princess Ariadne. Struggling between loyalty to her people and her love for the courageous stranger, Ariadne risks everything to help Theseus in his quest.

Through the eyes of palace attendants, acrobats, and the inventor Daedalus and his son Icarus, Kazantzakis transports readers into the splendor of Minoan culture—its sacred rituals, breathtaking bull-leaping ceremonies, and vibrant city life. But as Theseus prepares to face his destiny, a tragic chain of events unfolds, leading to heartbreak, betrayal, and the downfall of a once-mighty civilization.

Rich with philosophical depth and lyrical prose, At the Palaces of Knossos is more than a mythological retelling—it is a meditation on power, freedom, and the eternal struggle between fate and human will. Perfect for fans of historical fiction and Greek mythology, this novel offers a compelling journey into one of the ancient world’s most fascinating eras.

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At the Village

Józef Lobodowski

Central European University Press, 2026

At the Village is the second volume of Polish poet and novelist Józef Lobodowski’s Ukrainian Trilogy, written between 1955 and 1960. The most lyrical and evocative installment of the cycle, it offers the fullest and most sympathetic portrait of Cossack life in all of modern Slavic literature. Lobodowski immerses the reader in the world of a fiercely independent people whose destiny has long been shaped by the competing gravitational pulls of the Russian Empire and the old Polish-Lithuanian Commonwealth.
The book’s protagonist, Stas, finds himself the guest of the Cossack Jakov Antonovich, a scholar as well as a military leader and an agricultural potentate. His time at Antonovich’s stanitsa provides him with an incomparable education in the history of the old Polish Commonwealth of nations, which at its height encompassed Poland, Ukraine, Belarus, Lithuania, Latvia and Estonia. It is a lesson all the more engaging to the reader in that it is presented from a perspective that is neither Polish nor Russian, but Cossack. Through Lobodowski’s interweaving of historical reflection with sumptuous descriptions of agricultural life on the well-ordered stanitsa, At the Village is sometimes compared to the Polish national epic, Adam Mickiewicz’s Pan Tadeusz (1834), upon which Lobodowski is said to have consciously modelled the novel.
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Atta Boy

Cally Fiedorek

University of Iowa Press, 2024

PEN/Hemingway Award for Debut Novel 2025, Longlist
A Vulture Best Book of 2024

In December 2018, we meet Rudy Coyle, a bar owner’s son from Flushing, Queens, in the throes of a major quarter-life crisis. Cut out of the family business, he gets a Hail Mary job as a night doorman in a storied Park Avenue apartment building, where he comes under the wing of the family in 4E, the Cohens.

Jacob “Jake” Cohen, the fast-talking patriarch, is one of a generation of financiers who made hundreds of millions of dollars in the cutthroat taxi medallion industry in the early 2000s, largely by preying on the hopes and dreams of impoverished immigrant drivers. As Jake tries to stop the bleed from the debt crisis now plaguing his company, clawing back his assets from an increasingly dangerous coterie of Russian American associates, Rudy gets promoted from doorman to errand boy to bodyguard to something like Jake’s right-hand man.

By turns a gripping portrait of corruption and a tender family dramedy, Atta Boy combines the urban cool of Richard Price with the glossy, uptown charm of Taffy Brodesser-Akner. Here is a novel richly attuned to its time and place, but with something for everyone—high-wire prose and a story wedding ripped from the headlines, social realism with the warmth, angst, and humor of its indelible voices.
 
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cover of Aucassin and Nicolette: A Facing-Page Edition and Translation

Aucassin and Nicolette

A Facing-Page Edition and Translation

Robert S. Sturges

Michigan State University Press, 2015

A comic masterpiece of medieval French literature, Aucassin and Nicolette is categorized by its anonymous author as a “chantefable,” or “song-story,” and is the only known work of this kind. This edition includes the thirteenth-century French text and a modern English translation on facing pages. An introduction outlines the text’s background, genre, literary relations, historical contexts, major themes, and relevance to a contemporary audience. Its alternating sections of verse and prose recount a story of love between the aristocratic but distinctly unheroic young lord Aucassin and his beloved Nicolette. Despite familial disapproval, class and ethnic differences, imprisonment, and geographical separation, Nicolette’s single-minded pursuit of Aucassin raises interesting questions about gender roles and their depiction in the Middle Ages. The issue of identity is also addressed, as the identity of Nicolette shifts in terms of class, religion, and ethnicity: born a Muslim princess, she becomes both a slave and a Christian convert, and is eventually recaptured by her Saracen family, much to her displeasure. With its daring escapes, its descriptions of travel to exotic lands, its separations, and its happy reunions, Aucassin and Nicolette is both a classic romantic comedy and an entertaining parody of the romance genre.
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August

Christa Wolf

Seagull Books, 2019

Christa Wolf was arguably the best-known and most influential writer in the former East Germany. Having grown up during the Nazi regime, she and her family were forced to flee their home like many others, nearly starving to death in the process. Her earliest novels were controversial because they contained veiled criticisms of the Communist regime which landed her on government watch lists. Her past continued to permeate her work and her life, as she said, “You can only fight sorrow when you look it in the eye.”

August is Christa Wolf’s last piece of fiction, written in a single sitting as an anniversary gift to her husband. In it, she revisits her stay at a tuberculosis hospital in the winter of 1946, a real life event that was the inspiration for the closing scenes of her 1976 novel Patterns of Childhood. This time, however, her fictional perspective is very different. The story unfolds through the eyes of August, a young patient who has lost both his parents to the war. He adores an older girl, Lilo, a rebellious teenager who controls the wards. Sixty years later, August reflects on his life and the things that she taught him.

Written in taut, affectionate prose, August offers a new entry into Christa Wolf’s work and, incidentally, her first and only male protagonist. More than a literary artifact, this new novel is a perfectly constructed story of a quiet life well lived. For both August and Christa Wolf, the past never dies.
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Aunt Rachel's Fur

Raymond Federman

University of Alabama Press, 2001

Spirals into a temporal abyss as the author rummages in old memories tattooed with cabbages, plump breasts, and the Final Solution
 
In Aunt Rachel’s Fur, Raymond Federman—French by birth, American by adoption, Jew by memory—plays with the language of his childhood to construct a story from digressions. Federman’s narrative spirals into a temporal abyss as he rummages in old memories tattooed with cabbages, plump breasts, and the Final Solution. His book swirls with the narrative innovations that mark him as a leading experimental surfictioneer.
 
Aunt Rachel’s Fur is a novel about its own telling, an intimate meeting between voice and reader, in which flesh and blood are reduced to fiction, and fiction, by its telling, becomes fact. Reymond Namredef, a French expatriate, has returned to France after a disastrous decade in America, with 365 boxes of pasta and the hope of publishing his novel about a novelist. In a cafe in Paris, he meets a "professional listener," and, through a series of conversations, offers a loose account of his life that shows little respect for chronology. His story is woven of fragments, branching out over a lifetime and capturing the alchemy of fiction and memory.
 
Faced with the chaos of the twentieth century, Federman finds humanity in the absurd. Like novelists Mark Amerika and Ronald Sukenick, he skewers literary convention and pushes the boundary of postmodernism. Aunt Rachel’s Fur is both a tribute to his love of the word—the story as it is told—and a further exploration of our understanding of fiction.
 
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cover of Aunty Lily: and other delightfully perverse stories

Aunty Lily

and other delightfully perverse stories

Jennifer Munro

Parkhurst Brothers, Inc., 2016

 Munro’s stories were born five decades ago in a small English village where children were seen and not heard, fathers were wacky, neighbors were snoopy, and maiden aunts were beautifully crafted artifices. Her original stories, dolloped with characters reminiscent of those from her childhood, telling of domestic shenanigans and outings gone revealingly awry are written with meticulous timing. Rich in details about the frailty and strength of the human spirit, her stories resonate with the truth of what is means to be human.

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Avala Is Falling

Biljana Jovanovic

Central European University Press, 2020

In Avala Is Falling, Jovanović’s breakout success in 1978, a young woman challenges the expectations that teachers, parents, bus drivers, and doctors have for her. The “Avala” of the title refers to a mountain south of Belgrade which is home to some of Serbia’s most important nationalist monuments and shrines; it is also the site of the main mental hospital for the region, and its “falling” is the unexpected fulfillment of a prophecy from a traditional Serbian folk song. Jovanović’s use of stream of consciousness in her characters’ thinking and speaking, as well as of intertextuality in description and plot advancement heralded the arrival of an innovative new writer who was determined to break with the of traditional concerns of earlier women writers.

This book is now recognized as much more than “jeans prose,” although the fame the book achieved under that characterization eventually pushed it to cult status. Jovanović is now considered a major avant-garde writer, whose stylistic innovations were as challenging as her women-centered themes.

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