Results by title

744 books match the query 'Culture' and 32 start with b

cover of Bad Marxism: Capitalism and Cultural Studies

Bad Marxism

Capitalism and Cultural Studies

John Hutnyk

Pluto Press, 2004

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cover of Balzac's Omelette: A Delicious Tour of French Food and Culture with Honore de Balzac

Balzac's Omelette

A Delicious Tour of French Food and Culture with Honore de Balzac

Ankha Muhlstein

Haus Publishing, 2012

‘Tell me where you eat. what you eat, and at what time you eat, and I will tell you who you are.’ This is the motto of Anka Muhlstein’s erudite and witty book about the ways food and the art of the table feature in Honoré de Balzac’s writing.
It is not a coincidence that Balzac was the first in French literature to tackle this appetizing topic. Before the French Revolution, a traveller in France was apt to find local food scarce, tasteless and of dubious appearance. Restaurants did not even exist! Just as the art of the table became a centrepiece of French mores, Balzac used it as a connecting thread in his novels, showing how food can evoke character, atmosphere, class and social pretensions. Full of insights, Balzac’s Omelette invites you to taste anew French literature and cuisine.
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cover of Barbaric Intercourse: Caricature and the Culture of Conduct, 1841-1936

Barbaric Intercourse

Caricature and the Culture of Conduct, 1841-1936

Martha Banta

University of Chicago Press, 2003

Barbaric Intercourse tells the story of a century of social upheaval and the satiric attacks it inspired in leading periodicals in both England and America. Martha Banta explores the politics of caricature and cartoon from 1841 to 1936, devoting special attention to the original Life magazine. For Banta, Life embodied all the strengths and weaknesses of the Progressive Era, whose policies of reform sought to cope with the frenetic urbanization of New York, the racist laws of the Jim Crow South, and the rise of jingoism in the United States. Barbaric Intercourse shows how Life's take on these trends and events resulted in satires both cruel and enlightened.

Banta also deals extensively with London's Punch, a sharp critic of American nationalism, and draws from images and writings in magazines as diverse as Puck,The Crisis,Harper's Weekly, and The International Socialist Review. Orchestrating a wealth of material, including reproductions of rarely seen political cartoons, she offers a richly layered account of the cultural struggles of the age, from contests over immigration and the role of the New Negro in American society, to debates over Wall Street greed, women's suffrage, and the moral consequences of Western expansionism.
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cover of Basel in the Age of Burckhardt: A Study in Unseasonable Ideas

Basel in the Age of Burckhardt

A Study in Unseasonable Ideas

Lionel Gossman

University of Chicago Press, 2000

This remarkable history tells the story of the independent city-republic of Basel in the nineteenth century, and of four major thinkers who shaped its intellectual history: the historian Jacob Burckhardt, the philologist and anthropologist Johann Jacob Bachofen, the theologian Franz Overbeck, and the philosopher Friedrich Nietzsche.

"Remarkable and exceptionally readable . . . There is wit, wisdom and an immense erudition on every page."—Jonathan Steinberg, Times Literary Supplement

"Gossman's book, a product of many years of active contemplation, is a tour de force. It is at once an intellectual history, a cultural history of Basel and Europe, and an important contribution to the study of nineteenth-century historiography. Written with a grace and elegance that many aspire to, few seldom achieve, this is model scholarship."—John R. Hinde, American Historical Review
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cover of Bearing the Bad News: Contemporary American Literature and Culture

Bearing the Bad News

Contemporary American Literature and Culture

Sanford Pinsker

University of Iowa Press, 1990

For a number of years Sanford Pinsker has been one of our most incisive and spirited observers of contemporary American literature. His books have been widely and enthusiastically reviewed and his essays have appeared regularly in such intellectual quarterlies as the Georgia Review, the Virginia Quarterly Review, and the Gettysburg Review.
Now Pinsker focuses on the current American world of letters in this volume of essays to explore what literary culture in America was and what it too often has become, the ways in which cultural politics shapes our sense of contemporary values, and how the resources of American humor and the work of our best writers can help us maintain our equilibrium in “what can only be described as a bad cultural patch.”
The eleven essays in this insightful volume take on such subjects as the decline and fall of "formative reading"; the difficulties of identifying themes that unify American literature; the cultural value of such humorists as Robert Benchley, Lenny Bruce, and Woody Allen; versions of cultural politics—from the rise of the neoconservatives to the steady course held by social critics such as Irving Howe; and the place of the college novel in American literature. Pinsker concludes with some sobering thoughts about the current state of American intellectuals.
Ultimately, Bearing the Bad News reaffirms certain principles that have come under powerful attack during the last few decades—for example, that literature is a human and humanistic enterprise, one which speaks both to individual moral value and to our larger cultural health. It reflects Pinsker's commitment to the clarity and significance of the literary essay and his belief that what we read, and what we say about what we read, matters deeply.
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cover of Becoming Frum: How Newcomers Learn the Language and Culture of Orthodox Judaism

Becoming Frum

How Newcomers Learn the Language and Culture of Orthodox Judaism

Sarah Bunin Benor

Rutgers University Press, 2012

Winner, 2013 Sami Rohr Choice Award for Jewish Literature

When non-Orthodox Jews become frum (religious), they encounter much more than dietary laws and Sabbath prohibitions. They find themselves in the midst of a whole new culture, involving matchmakers, homemade gefilte fish, and Yiddish-influenced grammar. Becoming Frum explains how these newcomers learn Orthodox language and culture through their interactions with community veterans and other newcomers. Some take on as much as they can as quickly as they can, going beyond the norms of those raised in the community. Others maintain aspects of their pre-Orthodox selves, yielding unique combinations, like Matisyahu’s reggae music or Hebrew words and sing-song intonation used with American slang, as in “mamish (really) keepin’ it real.”

Sarah Bunin Benor brings insight into the phenomenon of adopting a new identity based on ethnographic and sociolinguistic research among men and women in an American Orthodox community. Her analysis is applicable to other situations of adult language socialization, such as students learning medical jargon or Canadians moving to Australia. Becoming Frum offers a scholarly and accessible look at the linguistic and cultural process of “becoming.”

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cover of Becoming a Nazi Town: Culture and Politics in Göttingen between the World Wars

Becoming a Nazi Town

Culture and Politics in Göttingen between the World Wars

David Imhoof

University of Michigan Press, 2013

Becoming a Nazi Townreveals the ways in which ordinary Germans changed their cultural lives and their politics from the mid-1920s to the mid-1930s. Casting the origins of Nazism in a new light, David Imhoof charts the process by which Weimar and Nazi culture flowed into each other. He analyzes this dramatic transition by looking closely at three examples of everyday cultural life in the mid-sized German city of Göttingen: sharpshooting, an opera festival, and cinema.

Imhoof draws on individual and community experiences over a series of interwar periods to highlight and connect shifts in culture, politics, and everyday life. He demonstrates how Nazi leaders crafted cultural policies based in part on homegrown cultural practices of the 1920s and argues that overdrawn distinctions between “Weimar” and “Nazi” culture did not always conform to most Germans’ daily lives. Further, Imhoof presents experiences in Göttingen as a reflection of the common reality of many German towns beyond the capital city of Berlin.

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cover of Being after Rousseau: Philosophy and Culture in Question

Being after Rousseau

Philosophy and Culture in Question

Richard L. Velkley

University of Chicago Press, 2002

In Being after Rousseau, Richard L. Velkley presents Jean-Jacques Rousseau as the founder of a modern European tradition of reflection on the relation of philosophy to culture—a reflection that calls both into question. Tracing this tradition from Rousseau to Immanuel Kant, Friedrich Schelling, and Martin Heidegger, Velkley shows late modern philosophy as a series of ultimately unsuccessful attempts to resolve the dichotomies between nature and society, culture and civilization, and philosophy and society that Rousseau brought to the fore.

The Rousseauian tradition begins, for Velkley, with Rousseau's criticism of modern political philosophy. Although the German Idealists such as Schelling accepted much of Rousseau's critique, they believed, unlike Rousseau, that human wholeness could be attained at the level of society and history. Heidegger and Nietzsche questioned this claim, but followed both Rousseau and the Idealists in their vision of the philosopher-poet striving to recover an original wholeness that the history of reason has distorted.
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cover of Bengal in Global Concept History: Culturalism in the Age of Capital

Bengal in Global Concept History

Culturalism in the Age of Capital

Andrew Sartori

University of Chicago Press, 2008

Today people all over the globe invoke the concept of culture to make sense of their world, their social interactions, and themselves. But how did the culture concept become so ubiquitous? In this ambitious study, Andrew Sartori closely examines the history of political and intellectual life in nineteenth- and twentieth-century Bengal to show how the concept can take on a life of its own in different contexts.
            Sartori weaves the narrative of Bengal’s embrace of culturalism into a worldwide history of the concept, from its origins in eighteenth-century Germany, through its adoption in England in the early 1800s, to its appearance in distinct local guises across the non-Western world. The impetus for the concept’s dissemination was capitalism, Sartori argues, as its spread across the globe initiated the need to celebrate the local and the communal. Therefore, Sartori concludes, the use of the culture concept in non-Western sites was driven not by slavish imitation of colonizing powers, but by the same problems that repeatedly followed the advance of modern capitalism. This remarkable interdisciplinary study will be of significant interest to historians and anthropologists, as well as scholars of South Asia and colonialism.
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cover of Berlin: Culture and Metropolis

Berlin

Culture and Metropolis

Charles Haxthausen

University of Minnesota Press, 1991

Berlin: Culture and Metropolis was first published in 1991.Berlin’s recent history is uniquely representative of the major upheavals of the modern era. The city has been a capital under imperialist, democratic, fascist, and communist regimes; it has been devastated by war and has witnessed two revolutions. These changes often have come rapidly, drastically, and unexpectedly.Berlin: Culture and Metropolis includes essays on literature, poetry, film, cabaret, and the visual arts that illustrate how the relationship between the city and its inhabitants has been repeatedly renegotiated with each generation. Scholars in art history, film studies, literature, history, and sociology cover the period from the turn of the century to the present, writing on such topics as twentieth century cabaret, the celebration of the city’s 750th anniversary, and the cultural contributions of Ernst Ludwig Kirchner, George Grosz, Alfred Döblin, Siegfried Kracauer, and Christa Wolf. These essays reveal the often uneasy relationships between twentieth-century Berlin and the culture these changes have produced.
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cover of Between Resistance and Revolution: Cultural Politics and Social Protest

Between Resistance and Revolution

Cultural Politics and Social Protest

Fox, Richard G.

Rutgers University Press, 1997

Peasants in India hugging trees to protest logging, Brazilian feminists marching to impeach a president, Okinawan television comedians joke-starting ethnic activity. All are instances of social protest that exist in the charged territory between the cataclysmic upheaval of revolutionary war and the everyday acts of private resistance. Yet these movements "in between" resistance and revolution have remained invisible to scholars of politics, culture, and society. Leading scholars in anthropology, political science, history, sociology, and ethnomusicology examine dissent and direct action in Australia, Brazil, Germany, Colombia, India, Korea, Peru, and the United States and demonstrate the importance of looking beyond these poles of protest to the midways of mobilization.

The contributors are Nancy Abelmann, Sonia Alvarez, Arturo Escobar, Richard Fox, Faye Ginsburg, Ramachandra Guha, Ingrid Monson, Yoshinobu Ota, Orin Starn, and Nathan Stoltzfus.

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cover of Beyond Lift Every Voice and Sing: The Culture of Uplift, Identity, and Politics in Black Musical Theater

Beyond Lift Every Voice and Sing

The Culture of Uplift, Identity, and Politics in Black Musical Theater

Paula Marie Seniors

The Ohio State University Press, 2009

Paula Marie Seniors’s Beyond Lift Every Voice and Sing is an engaging and well-researched book that explores the realities of African American life and history as refracted through the musical theater productions of one of the most prolific black song-writing teams of the early twentieth century. James Weldon Johnson, J. Rosamond Johnson, and Bob Cole combined conservative and progressive ideas in a complex and historically specific strategy for overcoming racism and its effects. In Shoo Fly Regiment (1906–1908) and The Red Moon (1908–1910), theater, uplift, and politics collided as the team tried to communicate a politics of uplift, racial pride, gender equality, and interethnic coalitions. The overarching question of this study is how roles and representations in black musical theater both reflected and challenged the dominant social order. While some scholars dismiss the team as conformists, Seniors’s contention is that they used the very tools of hegemony to make progressive political statements and to create a distinctly black theater informed by black politics, history, and culture. These men were writers, musicians, actors, and vaudevillians who strove to change the perception of African Americans on stage from one of minstrelsy buffoonery to one of dignity and professionalism.
 
 
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cover of Beyond Nature and Culture

Beyond Nature and Culture

Philippe Descola

University of Chicago Press, 2013

Philippe Descola has become one of the most important anthropologists working today, and Beyond Nature and Culture has been a major influence in European intellectual life since its French publication in 2005. Here, finally, it is brought to English-language readers. At its heart is a question central to both anthropology and philosophy: what is the relationship between nature and culture?

Culture—as a collective human making, of art, language, and so forth—is often seen as essentially different from nature, which is portrayed as a collective of the nonhuman world, of plants, animals, geology, and natural forces. Descola shows this essential difference to be, however, not only a specifically Western notion, but also a very recent one. Drawing on ethnographic examples from around the world and theoretical understandings from cognitive science, structural analysis, and phenomenology, he formulates a sophisticated new framework, the “four ontologies”— animism, totemism, naturalism, and analogism—to account for all the ways we relate ourselves to nature. By thinking beyond nature and culture as a simple dichotomy, Descola offers nothing short of a fundamental reformulation by which anthropologists and philosophers can see the world afresh.
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cover of Beyond Words: Discourse and Critical Agency in Africa

Beyond Words

Discourse and Critical Agency in Africa

Andrew Apter

University of Chicago Press, 2007

Even within anthropology, a discipline that strives to overcome misrepresentations of peoples and cultures, colonialist depictions of the so-called Dark Continent run deep. The grand narratives, tribal tropes, distorted images, and “natural” histories that forged the foundations of discourse about Africa remain firmly entrenched. In Beyond Words, Andrew Apter explores how anthropology can come to terms with the “colonial library” and begin to develop an ethnographic practice that transcends the politics of Africa’s imperial past.

The way out of the colonial library, Apter argues, is by listening to critical discourses in Africa that reframe the social and political contexts in which they are embedded. Apter develops a model of critical agency, focusing on a variety of language genres in Africa situated in rituals that transform sociopolitical relations by self-consciously deploying the power of language itself. To break the cycle of Western illusions in discursive constructions of Africa, he shows, we must listen to African voices in ways that are culturally and locally informed. In doing so, Apter brings forth what promises to be a powerful and influential theory in contemporary anthropology.

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cover of Black Arts West: Culture and Struggle in Postwar Los Angeles

Black Arts West

Culture and Struggle in Postwar Los Angeles

Daniel Widener

Duke University Press, 2010

From postwar efforts to end discrimination in the motion-picture industry, recording studios, and musicians’ unions, through the development of community-based arts organizations, to the creation of searing films critiquing conditions in the black working class neighborhoods of a city touting its multiculturalism—Black Arts West documents the social and political significance of African American arts activity in Los Angeles between the Second World War and the riots of 1992. Focusing on the lives and work of black writers, visual artists, musicians, and filmmakers, Daniel Widener tells how black cultural politics changed over time, and how altered political realities generated new forms of artistic and cultural expression. His narrative is filled with figures invested in the politics of black art and culture in postwar Los Angeles, including not only African American artists but also black nationalists, affluent liberal whites, elected officials, and federal bureaucrats.

Along with the politicization of black culture, Widener explores the rise of a distinctive regional Black Arts Movement. Originating in the efforts of wartime cultural activists, the movement was rooted in the black working class and characterized by struggles for artistic autonomy and improved living and working conditions for local black artists. As new ideas concerning art, racial identity, and the institutional position of African American artists emerged, dozens of new collectives appeared, from the Watts Writers Workshop, to the Inner City Cultural Center, to the New Art Jazz Ensemble. Spread across generations of artists, the Black Arts Movement in Southern California was more than the artistic affiliate of the local civil-rights or black-power efforts: it was a social movement itself. Illuminating the fundamental connections between expressive culture and political struggle, Black Arts West is a major contribution to the histories of Los Angeles, black radicalism, and avant-garde art.

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cover of Black Bostonians and the Politics of Culture, 1920-1940

Black Bostonians and the Politics of Culture, 1920-1940

Lorraine Elena Roses

University of Massachusetts Press, 2017

In the 1920s and 1930s Boston became a rich and distinctive site of African American artistic production, unfolding at the same time as the Harlem Renaissance and encompassing literature, theater, music, and visual art. Owing to the ephemeral nature of much of this work, many of the era's primary sources have been lost.

In this book, Lorraine Elena Roses employs archival sources and personal interviews to recover this artistic output, examining the work of celebrated figures such as Dorothy West, Helene Johnson, Meta Warrick Fuller, and Allan Rohan Crite, as well as lesser-known artists including Eugene Gordon, Ralf Coleman, Gertrude “Toki” Schalk, and Alvira Hazzard. Black Bostonians and the Politics of Culture, 1920–1940 demonstrates how this creative community militated against the color line not solely through powerful acts of civil disobedience but also by way of a strong repertoire of artistic projects.

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cover of Black Designers in Chicago: Culture and Community in the Twentieth Century

Black Designers in Chicago

Culture and Community in the Twentieth Century

Edited by Chris Dingwall, David Hartt, and Daniel Schulman

University of Chicago Press, 2026

A richly illustrated book focused on Black designers, how they shaped the history of modern design, and how their designs in turn influenced modern Black life.
 
In twentieth-century Chicago, generations of Black artisans, craftspeople, art educators, clothing makers, commercial illustrators, sign painters, furniture makers, beauticians, graphic designers, art directors, and screen printers made and remade the city into an energetic center for modern design. Ambitious, enterprising, and resolutely modern, these Black designers were workers and intellectuals, activists and entrepreneurs. They created works for commercial and everyday use and helped to build community institutions such as the South Side Community Art Center and businesses like the Johnson Publishing Company. Their works ranged from branding and housewares for major corporations to pamphlets and posters made in the name of civil rights and Black Power. Together, they made Black Chicago into a dynamic design scene, working against racism in their professions while embracing the possibilities of design as a medium of social change.
 
This book is the first to chronicle their collective history while also celebrating their influence on design as well as African American culture more broadly. Based on extensive archival research and building on a major 2018 exhibition, Black Designers in Chicago presents essays by experts in African American history and design. The book features illustrations of a stunning variety of works—from graphic design to screenprints to textiles and household wares—placing African Americans at the center of modern design history, while highlighting the role of design in the cultural history of Black Chicago.
 
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cover of Black Sexual Economies: Race and Sex in a Culture of Capital

Black Sexual Economies

Race and Sex in a Culture of Capital

Edited by Adrienne D. Davis and the BSE Collective

University of Illinois Press, 2019

A daring collaboration among scholars, Black Sexual Economies challenges thinking that sees black sexualities as a threat to normative ideas about sexuality, the family, and the nation. The essays highlight alternative and deviant gender and sexual identities, performances, and communities, and spotlights the sexual labor, sexual economy, and sexual agency to black social life. Throughout, the writers reveal the lives, everyday negotiations, and cultural or aesthetic interventions of black gender and sexual minorities while analyzing the systems and beliefs that structure the possibilities that exist for all black sexualities. They also confront the mechanisms of domination and subordination attached to the political and socioeconomic forces, cultural productions, and academic work that interact with the energies at the nexus of sexuality and race. Contributors: Marlon M. Bailey, Lia T. Bascomb, Felice Blake, Darius Bost, Ariane Cruz, Adrienne D. Davis, Pierre Dominguez, David B. Green Jr., Jillian Hernandez, Cheryl D. Hicks, Xavier Livermon, Jeffrey McCune, Mireille Miller-Young, Angelique Nixon, Shana L. Redmond, Matt Richardson, L. H. Stallings, Anya M. Wallace, and Erica Lorraine Williams
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cover of Black Writing, Culture, and the State in Latin America

Black Writing, Culture, and the State in Latin America

Jerome C. Branche

Vanderbilt University Press, 2015

Imagine the tension that existed between the emerging nations and governments throughout the Latin American world and the cultural life of former enslaved Africans and their descendants. A world of cultural production, in the form of literature, poetry, art, music, and eventually film, would often simultaneously contravene or cooperate with the newly established order of Latin American nations negotiating independence and a new political and cultural balance. In Black Writing, Culture, and the State in Latin America, Jerome Branche presents the reader with the complex landscape of art and literature among Afro-Hispanic and Latin artists. Branche and his contributors describe individuals such as Juan Francisco Manzano, who wrote an autobiography on the slave experience in Cuba during the nineteenth century. The reader finds a thriving Afro-Hispanic theatrical presence throughout Latin America and even across the Atlantic. The role of black women in poetry and literature comes to the forefront in the Caribbean, presenting a powerful reminder of the diversity that defines the region.


All too often, the disciplines of film studies, literary criticism, and art history ignore the opportunity to collaborate in a dialogue. Branche and his contributors present a unified approach, however, suggesting that cultural production should not be viewed narrowly, especially when studying the achievements of the Afro-Latin world.

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cover of Blackland Prairies of the Gulf Coastal Plain: Nature, Culture, and Sustainability

Blackland Prairies of the Gulf Coastal Plain

Nature, Culture, and Sustainability

Edited by Evan Peacock and Timothy Schauwecker

University of Alabama Press, 2003

Underscores the relevance of archaeological research in understanding long-term cultural change

Taking a holistic approach, this compilation gathers ecological, historical, and archaeological research written on the distinctive region of the Southeast called the Gulf coast blackland prairie. Ranging from the last glacial period to the present day, the case studies provide a broad picture of how the area has changed through time and been modified by humans, first with nomadic bands of Indians trailing the grazing animals and then by Euro-American settlers who farmed the rich agricultural area. Contemporary impacts include industrialization, aquaculture, population growth, land reclamation, and wildlife management.

It is believed that the Black Belt and the Great Plains were contiguous in the past and shared the same prairie vegetation, insects, and large fauna, such as bison. Swaths and patches of limestone-based soils still weave a biological corridor through what is now Alabama, Mississippi, Arkansas, Louisiana, and Texas. In analyzing this distinct grassland ecosystem, the essays compare both the mega and minute flora and fauna sustained by the land in the past and present; reveal what foods were harvested by early inhabitants, their gathering techniques, and diet changes over the 10,000-year period of native occupancy; survey the documents of early explorers for descriptions of the landform, its use, and the lives of inhabitants at the time of contact; and look at contemporary efforts to halt abuse and reverse damage to this unique and shrinking biome.

This book demonstrates that the blackland prairie has always been an important refuge for a teeming array of biological species, including humans. It will have wide scholarly appeal as well as general interest and will be welcomed by archaeologists, biologists, botanists, ecologists, historians, librarians, politicians, land managers, and national, state, and local administrators.

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cover of Blood Talk: American Race Melodrama and the Culture of the Occult

Blood Talk

American Race Melodrama and the Culture of the Occult

Susan Gillman

University of Chicago Press, 2003

The United States has seldom known a period of greater social and cultural volatility, especially in terms of race relations, than the years from the end of Reconstruction to the First World War. In this highly original study, Susan Gillman explores the rise during this period of a remarkable genre—the race melodrama—and the way in which it converged with literary trends, popular history, fringe movements, and mainstream interest in supernatural phenomena.

Blood Talk shows how race melodrama emerged from abolitionist works such as Uncle Tom's Cabin and surprisingly manifested itself in a set of more aesthetically and politically varied works, such as historical romances, sentimental novels, the travel literature of Mark Twain, the regional fiction of Kate Chopin and George Washington Cable, and the work of W. E. B. Du Bois. Gillman then uses the race melodrama to show how racial discourses in the United States have been entangled with occultist phenomena, from the rituals of the Ku Klux Klan and the concept of messianic second-sight to the production of conspiracy theories and studies of dreams and trances.

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cover of Blood and Culture: Youth, Right-Wing Extremism, and National Belonging in Contemporary Germany

Blood and Culture

Youth, Right-Wing Extremism, and National Belonging in Contemporary Germany

Cynthia Miller-Idriss

Duke University Press, 2009

Over the past decade, immigration and globalization have significantly altered Europe’s cultural and ethnic landscape, foregrounding questions of national belonging. In Blood and Culture, Cynthia Miller-Idriss provides a rich ethnographic analysis of how patterns of national identity are constructed and transformed across generations. Drawing on research she conducted at German vocational schools between 1999 and 2004, Miller-Idriss examines how the working-class students and their middle-class, college-educated teachers wrestle with their different views about citizenship and national pride. The cultural and demographic trends in Germany are broadly indicative of those underway throughout Europe, yet the country’s role in the Second World War and the Holocaust makes national identity, and particularly national pride, a difficult issue for Germans. Because the vocational-school teachers are mostly members of a generation that came of age in the 1960s and 1970s and hold their parents’ generation responsible for National Socialism, many see national pride as symptomatic of fascist thinking. Their students, on the other hand, want to take pride in being German.

Miller-Idriss describes a new understanding of national belonging emerging among young Germans—one in which cultural assimilation takes precedence over blood or ethnic heritage. Moreover, she argues that teachers’ well-intentioned, state-sanctioned efforts to counter nationalist pride often create a backlash, making radical right-wing groups more appealing to their students. Miller-Idriss argues that the state’s efforts to shape national identity are always tempered and potentially transformed as each generation reacts to the official conception of what the nation “ought” to be.

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cover of Blood, Ink, and Culture: Miseries and Splendors of the Post-Mexican Condition

Blood, Ink, and Culture

Miseries and Splendors of the Post-Mexican Condition

Roger Bartra

Duke University Press, 2002

Pens and swords, words and blows: for Roger Bartra, the culture of ink and the culture of blood offer two contrasting approaches to the political transformations of our time. In this compilation of essays, Bartra thinks through these transformations by tracing the complex interplay between popular culture, nationalist ideology, civil society, and the state in contemporary Mexico.

Written with verve over a period of twenty years, these essays—most translated into English here for the first time—suggest why Bartra has become one of Latin America’s leading public intellectuals. The essays cover a broad range of topics, from the canonical forms of Mexican culture to the meaning of postnational identity in a globalizing age, from the repercussions of the 1994 Zapatista uprising to the 2000 election of Vicente Fox and the end of the PRI’s seven-decade rule. Across this range of topics, Bartra imparts astute insights into a critical period of transition in Mexican history, stressing throughout the importance of democracy, the complexity of identity, and the vibrancy of the Left. In Blood, Ink, and Culture, he provides a stimulating inside look at political and intellectual life in the southern reaches of North America.

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cover of Bodies at War: Genealogies of Militarism in Chicana Literature and Culture

Bodies at War

Genealogies of Militarism in Chicana Literature and Culture

Belinda Linn Rincón

University of Arizona Press, 2017

In the wake of U.S. military intervention abroad and collapsing domestic economies, scholars have turned their attention to neoliberalism and militarization, two ideological and material projects that are often treated as coincident, though not interdependent. Bodies at War examines neoliberal militarism, a term that signifies the complex ways in which neoliberalism and militarism interanimate each other as they naturalize dis/empowering notions of masculinity and femininity, alter democratic practices, and circumscribe the meaning of citizenship and national belonging.

Bodies at War examines the rise of neoliberal militarism from the early 1970s to the present and its transformation of political, economic, and social relations. It charts neoliberal militarism’s impact on democratic practices, economic policies, notions of citizenship, race relations, and gender norms by focusing on how these changes affect the Chicana/o community and, more specifically, on how it shapes and is shaped by Chicana bodies. The book raises important questions about the cultural legacies of war and the gendering of violence—topics that reach across multiple disciplinary fields of inquiry, including cultural and media studies. It draws attention to the relationship between war and society, to neoliberal militarism’s destructive social impact, and to the future of Latina soldiering. Through Chicana art, activism, and writing, Rincón offers a visionary foundation for an antiwar feminist politic.
 
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cover of Bodies in Crisis: Culture, Violence, and Women's Resistance in Neoliberal Argentina

Bodies in Crisis

Culture, Violence, and Women's Resistance in Neoliberal Argentina

Sutton, Barbara

Rutgers University Press, 2010

Born and raised in Argentina and still maintaining significant ties to the area, Barbara Sutton examines the complex, and often hidden, bodily worlds of diverse women in that country during a period of profound social upheaval. Based primarily on women's experiential narratives and set against the backdrop of a severe economic crisis and intensified social movement activism post-2001, Bodies in Crisis illuminates how multiple forms of injustice converge in and are contested through women's bodies. Sutton reveals the bodily scars of neoliberal globalization; women's negotiation of cultural norms of femininity and beauty; experiences with clandestine, illegal, and unsafe abortions; exposure to and resistance against interpersonal and structural violence; and the role of bodies as tools and vehicles of political action.

Through the lens of women's body consciousness in a Global South country, and drawing on multifaceted stories and a politically embedded approach, Bodies in Crisis suggests that social policy, economic systems, cultural ideologies, and political resistance are ultimately fleshly matters.
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cover of Bodies of Resistance: New Phenomenologies of Politics, Agency, and Culture

Bodies of Resistance

New Phenomenologies of Politics, Agency, and Culture

Laura Doyle

Northwestern University Press, 2001

This startling volume explores the traumas and possibilities of embodiment as it is lived in a political world. Unveiling the influence of phenomenology, particularly that of Maurice Merleau-Ponty, on contemporary thought. Bodies of Resistance cuts across the disciplines of philosophy, political theory, literature, and cultural studies to explore anew how we are at once produced by yet resistant to cultural norms.
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cover of Body of Power, Spirit of Resistance: The Culture and History of a South African People

Body of Power, Spirit of Resistance

The Culture and History of a South African People

Jean Comaroff

University of Chicago Press, 1985

In this sophisticated study of power and resistance, Jean Comaroff analyzes the changing predicament of the Barolong boo Ratshidi, a people on the margins of the South African state. Like others on the fringes of the modern world system, the Tshidi struggle to construct a viable order of signs and practices through which they act upon the forces that engulf them. Their dissenting Churches of Zion have provided an effective medium for reconstructing a sense of history and identity, one that protests the terms of colonial and post-colonial society and culture.
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cover of Borderland on the Isthmus: Race, Culture, and the Struggle for the Canal Zone

Borderland on the Isthmus

Race, Culture, and the Struggle for the Canal Zone

Michael E. Donoghue

Duke University Press, 2014

The construction, maintenance, and defense of the Panama Canal brought Panamanians, U.S. soldiers and civilians, West Indians, Asians, and Latin Americans into close, even intimate, contact. In this lively and provocative social history, Michael E. Donoghue positions the Panama Canal Zone as an imperial borderland where U.S. power, culture, and ideology were projected and contested. Highlighting race as both an overt and underlying force that shaped life in and beyond the Zone, Donoghue details how local traditions and colonial policies interacted and frequently clashed. Panamanians responded to U.S. occupation with proclamations, protests, and everyday forms of resistance and acquiescence. Although U.S. "Zonians" and military personnel stigmatized Panamanians as racial inferiors, they also sought them out for service labor, contraband, sexual pleasure, and marriage. The Canal Zone, he concludes, reproduced classic colonial hierarchies of race, national identity, and gender, establishing a model for other U.S. bases and imperial outposts around the globe.
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cover of Borrowed Power: Essays on Cultural Appropriation

Borrowed Power

Essays on Cultural Appropriation

Edited by Bruce Ziff

Rutgers University Press, 1997

This book was a really informative and insightful collection of essays over cultural appropriation in our society today, mostly focusing on America's appropriation and use of Native American culture specifically more or less. The topics in this book covers a lot of ground from arts, land, and artifacts to ideas, knowledge, and symbols. The book doesn't try and point fingers blaming anyone rather then stating facts of the matter over the gray area of cultural appropriation. Overall a really nice read.
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cover of Boston Mass-Mediated: Urban Space and Culture in the Digital Age

Boston Mass-Mediated

Urban Space and Culture in the Digital Age

Stanley Corkin

University of Massachusetts Press, 2024

In the mid-nineteenth century, Boston fashioned itself as a global hub. By the early 1970s, it was barely a dot on the national picture. It had gained a reputation as a decaying city rife with crime and dysfunctional politics, as well as decidedly retrograde race relations, prominently exemplified by white resistance to school integration. Despite this historical ebb in its national and international presence, it still possessed the infrastructure—superb educational institutions such as Harvard and MIT, world-class sports teams like the Celtics and Red Sox, powerful media outlets like The Boston Globe, and extensive shipping capacity—required to eventually thrive in an age of global trade and mass communication.

In Boston Mass-Mediated, Stanley Corkin explores the power of mass media to define a place. He examines the tensions between the emergent and prosperous city of the late twentieth and early twenty-first centuries and its representation in a range of media genres such as news journalism, professional sports broadcasting, and popular films like Mystic River and The Departed. This mass media, with its ever-increasing digital reach, has emphasized a city restricted by tropes suggestive of an earlier Boston—racism, white ethnic crime, Catholicism, and a pre-modern insularity—even as it becomes increasingly international and multicultural. These tropes mediate our understanding and experience of the city. Using Boston as a case study, Corkin contends that our contemporary sense of place occurs through a media saturated world, a world created by the explosion of digital technology that is steeped in preconceptions.

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cover of Boxed In: The Culture of TV

Boxed In

The Culture of TV

Mark Crispin Miller

Northwestern University Press, 1988

Informed, controversial, ranging from a melancholy study of rock and roll's descent into show business to a hilarious look at the spectacle that is the Jerry Lewis Telethon, these twenty essays offer an unusual and (ironically) entertaining study of American media by one of its foremost critics.
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cover of Bringing It All Back Home: Essays on Cultural Studies

Bringing It All Back Home

Essays on Cultural Studies

Lawrence Grossberg

Duke University Press, 1997

As one of the founding figures of cultural studies, Lawrence Grossberg was an early participant in the Birmingham Centre for Contemporary Cultural Studies’ project, one which sought to develop a critical practice adequate to the complexities of contemporary culture. The essays in Bringing It All Back Home bring a sense of history, depth, and contestation to the current success of cultural studies while charting Grossberg’s intellectual and theoretical developments from his time at Birmingham to the present day. Written over a twenty-year period, these essays—which helped introduce British cultural studies to the United States—reflect Grossberg’s ongoing effort to find a way of theorizing politics and politicizing theory.

The essays collected here recognize both the specificity of cultural studies, by locating it in a range of alternative critical perspectives and practices, and its breadth, by mapping the extent of its diversity. By discussing American scholars’ initial reception of cultural studies, its relation to communication studies, and its origins in leftist politics, Grossberg grounds the development of cultural studies in the United States in specific historical and theoretical context. His criticism of "easy" identification of cultural studies with the theories, models, and issues of communications and his challenge to some of cultural studies’ current directions and preoccupations indicates what may lie ahead for this dynamic field of study. Bringing together the Gramscian tradition of British cultural studies with the antimodernist philosophical positions of Foucault, Deleuze, and Guattari, Grossberg articulates an original and important vision of the role of the political intellectual in the contemporary world and offers an essential overview of the emerging field of cultural studies by one of its leading practitioners and theorists.

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