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Offering the first comprehensive training in the visual arts grounded in abstraction, the Bauhaus was the site of a dazzling range of influential experiments in painting, architecture, photography, industrial design, and even artistic education itself. Three-quarters of a century later, the “look” of the new remains indebted to the Bauhaus and its equation of technology with modernism. Central to discussions of the relationships between art, industrialization, and politics in the twentieth century, much of the school’s later impact was derived in part from its status as one of the foremost cultural symbols of Germany’s first democracy and its public reputation as a “cathedral of socialism.”

In this book, editor Kathleen James-Chakraborty and seven other scholars analyze the accomplishments and dispel the myths of the Bauhaus, placing it firmly in a historical context from before the formation of the Weimar Republic through Nazi ascendancy and World War II into the cold war. Together, they investigate its professors’ and students’ interactions with mass culture; establish the complexity of its relationship with Wilhelmine, Nazi, and postwar German politics; and challenge the claim that its architects greatly influenced American architecture in the 1930s.

Their most explosive conclusions address the degree to which some aspects of Bauhaus design continued to flourish during the Third Reich before becoming one of the cold war’s most enduring emblems of artistic freedom. In doing so, Bauhaus Culture calls into question the degree to which this influential school should continue to symbolize an uncomplicated relationship between art, modern technology, and progressive politics.

Contributors: Greg Castillo, Juliet Koss, Rose-Carol Washton Long, John V. Maciuika, Wallis Miller, Winifried Nerdinger, Frederic J. Schwartz.

Kathleen James-Chakraborty is associate professor of architecture at the University of California, Berkeley, and author of German Architecture for a Mass Audience and Erich Mendelsohn and the Architecture of German Modernism.

Germany today boasts the fastest growing population of Jews in Europe. The streets of Berlin abound with signs of a revival of Jewish culture, ranging from bagel shops to the sight of worshipers leaving synagogue on Saturday. With the new energy infused by Jewish immigration from Russia and changes in immigration and naturalization laws in general, Jeffrey M. Peck argues that we must now begin considering how Jews live in Germany rather than merely asking why they would choose to do so.

In Being Jewish in the New Germany, Peck explores the diversity of contemporary Jewish life and the complex struggles within the community-and among Germans in general-over history, responsibility, culture, and identity. He provides a glimpse of an emerging, if conflicted, multicultural country and examines how the development of the European Community, globalization, and the post-9/11 political climate play out in this context. With sensitive, yet critical, insight into the nation's political and social life, chapters explore issues such as the shifting ethnic/national makeup of the population, changes in political leadership, and the renaissance of Jewish art and literature. Peck also explores new forms of anti-Semitism and relations between Jews and Turks-the country's other prominent minority population.

In this surprising description of the rebirth of a community, Peck argues that there is, indeed, a vibrant and significant future for Jews in Germany. Written in clear and compelling language, this book will be of interest to the general public and scholars alike.

 

Why do totalitarian propaganda such as those created in Nazi Germany and the former German Democratic Republic initially succeed, and why do they ultimately fail? Outside observers often make two serious mistakes when they interpret the propaganda of this time. First, they assume the propaganda worked largely because they were supported by a police state, that people cheered Hitler and Honecker because they feared the consequences of not doing so. Second, they assume that propaganda really succeeded in persuading most of the citizenry that the Nuremberg rallies were a reflection of how most Germans thought, or that most East Germans were convinced Marxist-Leninists. Subsequently, World War II Allies feared that rooting out Nazism would be a very difficult task. No leading scholar or politician in the West expected East Germany to collapse nearly as rapidly as it did. Effective propaganda depends on a full range of persuasive methods, from the gentlest suggestion to overt violence, which the dictatorships of the twentieth century understood well. 
     In many ways, modern totalitarian movements present worldviews that are religious in nature. Nazism and Marxism-Leninism presented themselves as explanations for all of life—culture, morality, science, history, and recreation. They provided people with reasons for accepting the status quo. Bending Spines examines the full range of persuasive techniques used by Nazi Germany and the German Democratic Republic, and concludes that both systems failed in part because they expected more of their propaganda than it was able to deliver. 
 

The Cold War is back in the news. So is history, in the sense of past geopolitical confrontations that for a span of a few decades were thought to be largely decoupled from present-day political developments. Of course, such reflexive reactions lack nuance and, until the Russian invasion of Ukraine in February 2022, tended to refer more to tensions between the United States and China. We should neither see Russia’s aggressive war in Ukraine immediately as part of a new cold war—though it could certainly become one of its foundation pieces—nor define history simply in terms of warfare and conflict. Yet such history has great appeal in efforts to understand the dizzying and depressing events of recent years. For example, correspondents and commentators have likened the delivery of weapons systems, protective gear, and humanitarian aid to a beleaguered Ukraine to the Berlin Airlift of 1948–49. But relying on history as a guide may mislead as much as enlighten. No city symbolizes the Cold War quite as Berlin does. When we think of the Cold War and of Berlin, we tend to emphasize the crises—the 1948–49 blockade and airlift, perhaps the 1953 East German workers’ uprising, surely the 1958­–61 crisis, during which the Berlin Wall was built—and the climactic ending of the Cold War in Europe when the wall came down. Berlin may conjure up iconic moments and tropes, from a statement attributed to Nikita Khrushchev in 1963 that Berlin was “the testicles of the West,” to John F. Kennedy’s insistence that all free men had to be invested in the defense of Berlin, to Ronald Reagan’s exhortation to Mikhail Gorbachev to “tear down this wall.” For American presidents (or presidential hopefuls), Berlin and the Brandenburg Gate have remained powerful images, even in the twenty-first century. A presence in Berlin signals strong leadership in the West, even though the proximate reasons why the West, as a political construct, emerged in the first place may be gone. In that sense, Berlin also stands for overcoming the past: first, West Berlin as the counterpoint not only to eastern communism but also to defeated fascism, and second, the new Berlin as the capital of a unified Germany and as a symbol that the West has won.

What is it like to travel to Berlin today, particularly as a Jew, and bring with you the baggage of history? And what happens when an American Jew, raised by a secular family, falls in love with Berlin not in spite of his being a Jew but because of it?  The answer is Berlin for Jews. Part history and part travel companion, Leonard Barkan’s personal love letter to the city shows how its long Jewish heritage, despite the atrocities of the Nazi era, has left an inspiring imprint on the vibrant metropolis of today. 

Barkan, voraciously curious and witty, offers a self-deprecating guide to the history of Jewish life in Berlin, revealing how, beginning in the early nineteenth century, Jews became prominent in the arts, the sciences, and the city’s public life. With him, we tour the ivy-covered confines of the Schönhauser Allee cemetery, where many distinguished Jewish Berliners have been buried, and we stroll through Bayerisches Viertel, an elegant neighborhood created by a Jewish developer and that came to be called Berlin’s “Jewish Switzerland.”  We travel back to the early nineteenth century to the salon of Rahel Varnhagen, a Jewish society doyenne, who frequently hosted famous artists, writers, politicians, and the occasional royal. Barkan also introduces us to James Simon, a turn-of-the-century philanthropist and art collector, and we explore the life of Walter Benjamin, who wrote a memoir of his childhood in Berlin as a member of the assimilated Jewish upper-middle class.  Throughout, Barkan muses about his own Jewishness, while celebrating the rich Jewish culture on view in today’s Berlin. 

A winning, idiosyncratic travel companion, Berlin for Jews offers a way to engage with German history, to acknowledge the unspeakable while extolling the indelible influence of Jewish culture.
 

 Between Home and Homeland is a fascinating account of young German Jews who immigrated to Palestine during the 1930s in the Youth Aliya movement.

As Hitler consolidated power, Jews and their allies in Germany began efforts to leave the country. Among them was the organization, Youth Aliyah. Based on abundant archival sources and a thorough use of secondary literature, Brian Amkraut details the story of the organization from its origins through its alliances and antagonisms with other Jewish organizations, and the challenges that vexed its efforts from every side, perhaps the greatest being sheer human naiveté ("surely things will get better").

Amkraut also discusses the identity dilemma for Jews who grew up feeling German, and then had to alter their self-image in the face of growing discrimination. He highlights the internal disagreements of Jewish agencies who wrestled with myriad problems. The author explores how German Jews were ideologically heterogeneous, and details how different groups coped with increasing antagonism in a variety of ways.

To this day, Youth Aliyah is considered by Israelis as a major contributor to the foundation of a Jewish presence leading to the modern state of Israel. Between Home and Homeland is an essential account of an important episode in the history of the Holocaust and the founding of the Isreali state.

"Though its primary focus is on the immediate postwar, Between National Socialism and Soviet Communism will surely illuminate the contemporary crisis around citizenship and definitions of Germanness in the context of European Union and globalization."
---Geoff Eley, University of Michigan 
  
 In May of 1945, there were more than eight million "displaced persons" (or DPs) in Germany---recently liberated foreign workers, concentration camp prisoners, and prisoners of war from all of Nazi-occupied Europe, as well as eastern Europeans who had fled west before the advancing Red Army. Although most of them quickly returned home, it soon became clear that large numbers of eastern European DPs could or would not do so. In the aftermath of National Socialism, Germany thus ironically became a temporary home for a large population of "foreigners." Focusing on Bavaria, in the heart of the American occupation zone, Between National Socialism and Soviet Communism examines the cultural and political worlds that four groups of displaced persons---Polish, Ukrainian, Russian, and Jewish---created in Germany during the late 1940s and early 1950s. The volume investigates the development of refugee communities and how divergent interpretations of National Socialism and Soviet Communism defined these displaced groups.

Combining German and eastern European history, Anna Holian draws on a rich array of sources in cultural and political history and engages the broader literature on displacement in the fields of anthropology, sociology, political theory, and cultural studies. Her book will interest students and scholars of German, eastern European, and Jewish history; migration and refugees; and human rights.

Between Resistance and Martyrdom is the first comprehensive historical study of the persecution of Jehovah’s Witnesses during the Holocaust era. Refusing to perform military service under Germany’s Third Reich due to their fundamental belief in nonviolence, Jehovah’s Witnesses caught the attention of the highest authorities in the justice system, the police, and the SS.
            Although persecuted and banned from practicing their beliefs by the Nazi regime in 1933, the Jehovah’s Witnesses’ unified resistance has been largely forgotten. Basing his work on a wide range of sources, including documents and archives previously unconsidered as well as critical analyses of Jehovah’s Witness literature and survivor interviews, Detlef Garbe chronicles the Nazi’s relentless persecution of this religious group before and during World War II.
    The English translation of this important work features a series of original photographs not published in the German edition. These striking images bring a sense of individual humanity to this story and help readers comprehend the reality of the events documented. Between Resistance and Martyrdom is an indispensable work that will introduce an English-speaking audience to this important but lesser-known part of Holocaust history.

In 1920, at the age of thirteen, Irmgard Gebensleben first traveled from Germany to The Netherlands on a "war-children transport." She would later marry a Dutch man and live and raise her family there while keeping close to her German family and friends through the frequent exchange of letters. Yet during this period geography was not all that separated them. Increasing divergence in political opinions and eventual war between their countries meant letters contained not only family news but personal perspectives on the individual, local, and national choices that would result in the most destructive war in history. 

This important collection, first assembled by Irmgard Gebensleben's daughter Hedda Kalshoven, gives voice to ordinary Germans in the Weimar Republic and the Third Reich and in the occupied Netherlands. The correspondence between Irmgard, her friends, and four generations of her family delve into their most intimate and candid thoughts and feelings about the rise of National Socialism. The responses to the German invasion and occupation of the Netherlands expose the deeply divided loyalties of the family and reveal their attempts to bridge them. Of particular value to historians, the letters evoke the writers' beliefs and their understanding of the events happening around them.

This first English translation of Ik denk zoveel aan jullie:  Een briefwisseling tussen Nederland en Duitsland 1920-1949, has been edited, abridged, and annotated by Peter Fritzsche with the assent and collaboration of Hedda Kalshoven. After the book's original publication the diary of Irmgard's brother and loyal Wehrmacht soldier, Eberhard, was discovered and edited by Hedda Kalshoven. Fritzsche has drawn on this important additional source in his preface.

Beyond Berlin breaks new ground in the ongoing effort to understand how memorials, buildings, and other spaces have figured in Germany's confrontation with its Nazi past. The contributors challenge reigning views of Germany's postwar memory work by examining how specific urban centers apart from the nation's capital have wrestled with their respective Nazi legacies. A wide range of West and East German cities is profiled in the volume: prominent metropolises like Hamburg, dynamic regional centers like Dresden, gritty industrial cities like Wolfsburg, and idyllic rural towns like Quedlinburg. In employing historical, art historical, anthropological, and geographical methodologies to examine these and other important urban centers, the volume's case studies shed new light upon the complex ways in which the confrontation with the Nazi past has directly shaped the German urban landscape since the end of the Second World War.

"Beyond Berlin is one of the most fascinating, deeply probing collections ever published on Germany's ongoing confrontation with its Nazi past. Its editors, Gavriel Rosenfeld and Paul Jaskot, have taken the exploration of Germany's urban memorial landscape to its highest level yet."
---James E. Young, Professor and Chair, Department of Judaic and Near Eastern Studies, University of Massachusetts Amherst, and author of The Texture of Memory and At Memory's Edge

"This is a top-notch collection of essays that positions itself in the populated field of memory studies by bringing together original contributions representing the best of new scholarship on architecture, urban design, monuments, and memory in East and West Germany. Taken together, the essays remind readers that the Nazi past is always present when German architects, urban planners, and politicians make decisions to tear down, rebuild, restore, and memorialize."
---S. Jonathan Wiesen, Department of History, Southern Illinois University, Carbondale

Although the Breslau arts scene was one of the most vibrant in all of Weimar-era Germany, it has largely disappeared from memory. Studies of the influence of Weimar culture on modernism have focused almost exclusively on Berlin and the Dessau Bauhaus, yet the advances that occurred in Breslau affected nearly every intellectual field, forming the basis for aesthetic modernism internationally and having an enduring impact on visual art and architecture. Breslau boasted a thriving modern arts scene and one of the premier German arts academies of the day until the Nazis began their assault on so-called degenerate art. This book charts the cultural production of Breslau-based artists, architects, art collectors, urban designers, and arts educators who operated in the margins of Weimar-era cultural debates. Rather than accepting the radical position of the German avant-garde or the reactionary position of German conservatives, many Breslauers sought a middle ground.

This richly illustrated volume is the first book in English to address this history, constituting an invaluable addition to the literature on the Weimar period. Its readership includes scholars of German history, art, architecture, urban design, planning, collecting, and exhibition history; of the avant-garde, and of the development of arts academies and arts pedagogy.

Winner of the 2022 Lord Aberdare Literary Prize from the British Society of Sports History

During the Cold War, political tensions associated with the division of Germany came to influence the world of competitive sport. In the 1950s, West Germany and its NATO allies refused to recognize the communist East German state and barred its national teams from sporting competitions. The construction of the Berlin Wall in 1961 further exacerbated these pressures, with East German teams denied travel to several world championships. These tensions would only intensify in the run-up to the 1968 Olympics.

In Bidding for the 1968 Olympic Games, Heather L. Dichter considers how NATO and its member states used sport as a diplomatic arena during the height of the Cold War, and how international sport responded to political interference. Drawing on archival materials from NATO, foreign ministries, domestic and international sport functionaries, and newspapers, Dichter examines controversies surrounding the 1968 Summer and Winter Olympic Games, particularly the bidding process between countries to host the events. As she demonstrates, during the Cold War sport and politics became so intertwined that they had the power to fundamentally transform each other.

Honorable Mention for the DAAD/GSA Book Prize for the Best Book in Germanistik or Cultural Studies

Biological Modernism identifies an intellectual current in the Weimar Republic that drew on biology, organicism, vitalism, and other discourses associated with living nature in order to redefine the human being for a modern, technological age. Contrary to the assumption that any turn toward the organic indicated a reactionary flight from modernity or a longing for wholeness, Carl Gelderloos shows that biology and other discourses of living nature offered a nuanced way of theorizing modernity rather than fleeing from it. Organic life, instead of representing a stabilizing sense of wholeness, by the 1920s had become a scientific, philosophical, and disciplinary problem. In their work, figures such as Alfred Döblin, Ernst Jünger, Helmuth Plessner, and August Sander interrogated the relationships between technology, nature, and the human and radically reconsidered the relationship between the disciplines as well as the  epistemological and political consequences for defining the human being. Biological Modernism will be of interest to scholars of German literature and culture, literary modernism, photography, philosophical anthropology, twentieth-century intellectual history, the politics of culture, and the history of science.

Morphology—the study of form—is often regarded as a failed science that made only limited contributions to our understanding of the living world. Challenging this view, Lynn Nyhart argues that morphology was integral to the life sciences of the nineteenth century. Biology Takes Form traces the development of morphological research in German universities and illuminates significant institutional and intellectual changes in nineteenth-century German biology.

Although there were neither professors of morphology nor a morphologists' society, morphologists achieved influence by "colonizing" niches in a variety of disciplines. Scientists in anatomy, zoology, natural history, and physiology considered their work morphological, and the term encompassed research that today might be classified as embryology, systematics, functional morphology, comparative physiology, ecology, behavior, evolutionary theory, or histology. Nyhart draws on research notes, correspondence, and other archival material to examine how these scientists responded to new ideas and to the work of colleagues. She examines the intertwined histories of morphology and the broader biological enterprise, demonstrating that the study of form was central to investigations of such issues as the relationships between an animal's structure and function, between an organism and its environment, and between living species and their ancestors.

Otto von Bismarck (1815–98) has gone down in history as the Iron Chancellor, a reactionary and militarist whose 1871 unification of Germany set Europe down the path of disaster to World War I. But as Volker Ullrich shows in this new edition of his accessible biography, the real Bismarck was far more complicated than the stereotype.

A leading historian of nineteenth- and twentieth-century history, Ullrich demonstrates that the “Founder of the Reich” was in fact an opponent of liberal German nationalism. After the wars of 1866 and 1870, Bismarck spent the rest of his career working to preserve peace in Europe and protect the empire he had created. Despite his reputation as an enemy of socialism, he introduced comprehensive health and unemployment insurance for German workers. Far from being a “man of iron and blood,” Bismarck was in fact a complex statesman who was concerned with maintaining stability and harmony far beyond Germany’s newly unified borders.

Comprehensive and balanced, Bismarck shows us the post-reunification value of looking anew at this monumental figure’s role in European history.

Over the past decade, immigration and globalization have significantly altered Europe’s cultural and ethnic landscape, foregrounding questions of national belonging. In Blood and Culture, Cynthia Miller-Idriss provides a rich ethnographic analysis of how patterns of national identity are constructed and transformed across generations. Drawing on research she conducted at German vocational schools between 1999 and 2004, Miller-Idriss examines how the working-class students and their middle-class, college-educated teachers wrestle with their different views about citizenship and national pride. The cultural and demographic trends in Germany are broadly indicative of those underway throughout Europe, yet the country’s role in the Second World War and the Holocaust makes national identity, and particularly national pride, a difficult issue for Germans. Because the vocational-school teachers are mostly members of a generation that came of age in the 1960s and 1970s and hold their parents’ generation responsible for National Socialism, many see national pride as symptomatic of fascist thinking. Their students, on the other hand, want to take pride in being German.

Miller-Idriss describes a new understanding of national belonging emerging among young Germans—one in which cultural assimilation takes precedence over blood or ethnic heritage. Moreover, she argues that teachers’ well-intentioned, state-sanctioned efforts to counter nationalist pride often create a backlash, making radical right-wing groups more appealing to their students. Miller-Idriss argues that the state’s efforts to shape national identity are always tempered and potentially transformed as each generation reacts to the official conception of what the nation “ought” to be.

Bluestocking Feminism and British-German Cultural Transfer, 1750–1837 examines the processes of cultural transfer between Britain and Germany during the Personal Union, the period from 1714 to 1837 when the kings of England were simultaneously Electors of Hanover. While scholars have generally focused on the political and diplomatic implications of the Personal Union, Alessa Johns offers a new perspective by tracing sociocultural repercussions and investigating how, in the period of the American and French Revolutions, Britain and Germany generated distinct discourses of liberty even though they were nonrevolutionary countries. British and German reformists—feminists in particular—used the period’s expanded pathways of cultural transfer to generate new discourses as well as to articulate new views of what personal freedom, national character, and international interaction might be. Johns traces four pivotal moments of cultural exchange: the expansion of the book trade, the rage for translation, the effect of revolution on intra-European travel and travel writing, and the impact of transatlantic journeys on visions of reform. Johns reveals the way in which what she terms “bluestocking transnationalism” spawned discourses of liberty and attempts at sociocultural reform during this period of enormous economic development, revolution, and war.

Bodies and Ruins explores changing German memories of World War II as it analyzes the construction of narratives in the postwar period including the depiction of the bombing of individual German cities. The book offers a corrective notion rising in the late 1990s notion that discussions of the Allied bombing were long overdue, because Germans who had endured the bombings had largely been condemned to silence after 1945. David Crew shows that far from being marginalized in postwar historical consciousness, the bombing war was in fact a central strand of German memory and identity. Local narratives of the bombing war, including photographic books, had already established themselves as important “vectors of memory” in the late 1940s and early 1950s. The bombing war had allowed Germans to see themselves as victims at a time when the Allied liberation of the concentration camps and the Nuremberg trials presented Germans to the world as perpetrators or at least as accomplices. The bombing war continued to serve this function even as Germans became more and more willing directly to confront the genocide of European Jews—which by the 1960s was beginning to be referred to as the Holocaust.

Bodies and Ruins examines a range of local publications that carried photographic images of German cities destroyed in the air war, images that soon entered the visual memory of World War II. Despite its obvious importance, historians have paid very little attention to the visual representation of the bombing war. This book follows the search for what were considered to be the “right” stories and the “right” pictures of the bombing war in local publications and picture books from 1945 to the present, and is intended for historians as well as general readers interested in World War II, the Allied bombing of German cities, the Holocaust, the history of memory and photographic/visual history.

Through unparalleled historical detective work, noted scholars Walter Laqueur and Richard Breitman reveal the inspiring tale of Eduard Schulte, the Breslau business leader who risked his life to gather information about such Nazi activities as the revised date of the German attack on Poland and the Nazi plan for mass extermination of European Jews. First published in 1986, Breaking the Silence is reissued with both a new foreword and afterword by the authors.

"East Berlin, 1973: an 18-year-old Jew discovers that his father's friends are holding prisoner a former Nazi concentration camp guard in the family cottage. The three older men have handcuffed the ex-Nazi to the bed and are interrogating and torturing him in an attempt to get him to admit to his war crimes. . . . Becker keenly shows the tension between members of the Holocaust generation and their children, who are unable to understand the complexity of that nightmarish era of human history."—Booklist

"[A] chilly, disquieting novel about historical slippage; about the seemingly inevitable decline of horror into a vague and generic recollection. The East German writer has devised something between story and allegory to evoke the cold generational millennium that separates a father, with his concentration-camp memories, from a son, adrift in a society with no memories whatsoever."—Richard Eder, Los Angeles Times Book Review

"Mr. Becker, writing simply and clearly in an unstrained narrative, speaks with the voice of knowledge, and we do well to listen to him."—Eva Figes, New York Times Book Review

Jurek Becker (1937-1998) is the author of Jacob the Liar, Sleepless Days, The Boxer, and Amanda Herzlos.

Brothers and Strangers traces the history of German Jewish attitudes, policies, and stereotypical images toward Eastern European Jews, demonstrating the ways in which the historic rupture between Eastern and Western Jewry developed as a function of modernism and its imperatives. By the 1880s, most German Jews had inherited and used such negative images to symbolize rejection of their own ghetto past and to emphasize the contrast between modern “enlightened” Jewry and its “half-Asian” counterpart. Moreover, stereotypes of the ghetto and the Eastern Jew figured prominently in the growth and disposition of German anti-Semitism. Not everyone shared these negative preconceptions, however, and over the years a competing post-liberal image emerged of the Ostjude as cultural hero. Brothers and Strangers examines the genesis, development, and consequences of these changing forces in their often complex cultural, political, and intellectual contexts.