1107 books match the query 'Memoirs' and 53 start with b

cover of Back Home: Journeys through Mobile

Back Home

Journeys through Mobile

Roy Hoffman

University of Alabama Press, 2007

After twenty years in New York City, a prize-winning writer takes a "long look back" at his hometown of Mobile, Alabama.

In Back Home: Journeys through Mobile, Roy Hoffman tells stories—through essays, feature articles, and memoir—of one of the South's oldest and most colorful port cities. Many of the pieces here grew out of Hoffman's work as Writer-in-Residence for his hometown newspaper, the Mobile Register, a position he took after working in New York City for twenty years as a journalist, fiction writer, book critic, teacher, and speech writer. Other pieces were first published in the New York Times, Southern Living, Preservation, and other publications. Together, this collection comprises a long, second look at the Mobile of Hoffman's childhood and the city it has since become.

Like a photo album, Back Home presents close-up portraits of everyday places and ordinary people. There are meditations on downtown Mobile, where Hoffman's grandparents arrived as immigrants a century ago; the waterfront where longshoremen labor and shrimpers work their nets; the back roads leading to obscure but intriguing destinations. Hoffman records local people telling their own tales of race relations, sports, agriculture, and Mardi Gras celebrations. Fishermen, baseball players, bakers, authors, political figures--a strikingly diverse population walks across the stage of Back Home.

Throughout, Hoffman is concerned with stories and their enduring nature. As he writes, "When buildings are leveled, when land is developed, when money is spent, when our loved ones pass on, when we take our places a little farther back every year on the historical time-line, what we have still are stories."

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cover of Back to Bizkaia: A Basque-American Memoir

Back to Bizkaia

A Basque-American Memoir

Vince J. Juaristi

University of Nevada Press, 2011

Nevada sheep rancher Joe Juaristi spoke for years about making a trip back to the Spanish Basque Country that he left sixty years earlier, but each time the subject came up the discussion evolved into a family debate about the scope and members of the journey. Finally Joe's son, Vince, secretly resolved to organize the trip that his father wanted and needed--the two of them, traveling alone, making a quiet reunion with Joe's twin sister, who suffers from Alzheimer's, visiting other aging siblings and friends, and recounting the places that formed Joe's memories of his youth.

Back to Bizkaia is part travel book, part memoir of two men exploring their mutual roots and their unique father-son bond. The narrative intertwines an engaging account of the contemporary Basque Country with Joe's experiences as an immigrant making his way in a new country and Vince's memories of growing up in a close Basque-American community in the American West. This is a book about Basques and their American families, but on another level it is every immigrant's story of return to a beloved homeland.

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cover of Bamboo Son: A Hmong Refugee’s Search for Identity and the American Dream

Bamboo Son

A Hmong Refugee’s Search for Identity and the American Dream

Pao Lor

Wisconsin Historical Society Press, 2026

Pao Lor’s stirring journey of self-discovery and belonging in his new home—America.

“In Hmong, the word bamboo or ntsuag has two meanings. It refers to the bamboo plant, which has many significant cultural and practical uses in Hmong life. The word also means orphan. Therefore, bamboo son, in Hmong, means tub ntsuag or orphan son. To survive and succeed as a Hmong orphan, like bamboo, one must be resilient and adaptable, bend without breaking, and stand tall against enormous odds.”

In this follow-up to his acclaimed memoir, Modern Jungles, Pao Lor picks up his story as a young Hmong immigrant building a new life in a new home and shares the narrative of his ensuing journey into adulthood. Lor emerged from war and tragedies in the jungles of Laos and refugee camps of Thailand in the 1970s to pursue a vision of the American dream in Green Bay, Wisconsin, in the 1980s. The distance between his humble beginnings and that dream life was littered with challenges as well as possibilities.

Lor’s transformation from an insecure but determined high school student to a husband, father, teacher, administrator, and author is marked by triumph and defeat, trauma and joy, and always hope and optimism. As he navigates school, first loves, family relationships, and a career, Lor must contend with language barriers, discrimination, and his own inner demons stemming from feelings of inferiority. Threads of his identity—Hmong, American, and Wisconsinite—intersect and occasionally come into conflict.

Lor’s search for belonging comes full circle when he travels to Laos and Thailand with his wife, Maya, in 2022. Seeing his birthplace for the first time in forty-five years, he revisits the isolated mountain villages where he spent his early childhood; the places where his parents and sister died as the family fled the region in the violent aftermath of the Vietnam War; and the two refugee camps where Pao and his siblings lived before being relocated to the United States when he was seven. As he reexamines these memories and reconciles his past, Lor finds peace and the freedom to move forward with his soul renewed.

Lor’s story is an uplifting journey of resilience, adaptation, love, and forgiveness, inspiring readers to reflect on the meaning and accessibility of the American dream.
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cover of Barn Quilts and the American Quilt Trail Movement

Barn Quilts and the American Quilt Trail Movement

Suzi Parron

Ohio University Press, 2012

The story of the American Quilt Trail, featuring the colorful patterns of quilt squares painted large on barns throughout North America, is the story of one of the fastest-growing grassroots public arts movements in the United States and Canada. In Barn Quilts and the American Quilt Trail Movement Suzi Parron takes us to twenty-five states as well as Canada to visit the people and places that have put this movement on America’s tourist and folk art map.

Through dozens of interviews with barn quilt artists, committee members, and barn owners, Parron documents a journey that began in 2001 with the founder of the movement, Donna Sue Groves. Groves’s desire to honor her mother with a quilt square painted on their barn became a group effort that eventually grew into a county-wide project. Today, quilt squares form a long imaginary clothesline, appearing on more than three thousand barns scattered along one hundred and twenty driving trails.

With more than eighty full-color photographs, Parron documents here a movement that combines rural economic development with an American folk art phenomenon.

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cover of Barriers and Belonging: Personal Narratives of Disability

Barriers and Belonging

Personal Narratives of Disability

Michelle Jarman

Temple University Press, 2017

What is the direct impact that disability studies has on the lives of disabled people today? The editors and contributors to this essential anthology, Barriers and Belonging, provide thirty-seven personal narratives thatexplore what it means to be disabled and why the field of disability studies matters. 

The editors frame the volume by introducing foundational themes of disability studies. They provide a context of how institutions—including the family, schools, government, and disability peer organizations—shape and transform ideas about disability. They explore how disability informs personal identity, interpersonal and community relationships, and political commitments. In addition, there are heartfelt reflections on living with mobility disabilities, blindness, deafness, pain, autism, psychological disabilities, and other issues. Other essays articulate activist and pride orientations toward disability, demonstrating the importance of reframing traditional narratives of sorrow and medicalization. 

The critical, self-reflective essays in Barriers and Belonging provide unique insights into the range and complexity of disability experience.

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cover of Bay Boy: Stories of a Childhood in Point Clear, Alabama

Bay Boy

Stories of a Childhood in Point Clear, Alabama

Watt Key, Illustrations by Murray Key

University of Alabama Press, 2019

A charming, humorous, and colorful coming-of-age memoir

Bay Boy is a collection of essays by award-winning young adult author Watt Key, chronicling his boyhood in Point Clear, Alabama. During his childhood, Point Clear was not the tony enclave of today with  its spas, art galleries, and multimillion dollar waterfront properties.  Rather, it was a sleepy resort community, practically deserted in the winter, with a considerable population of working-class residents.
As Key notes in his introduction, “Life in Point Clear is really about being  outside. . . . I have never found a place so perfectly suited to exercise  a young boy’s imagination.” Key and his brother filled their days  collecting driftwood to make forts, scooting around the bay in a sturdy  Stauter boat, and making art and writing stories when it rained.

In a tone that is simple and direct, punctuated by truly hilarious  moments. Key writes about Gulf Coast traditions including Mardi Gras, shrimping, fishing, dove hunting, jubilees, camping out, and bracing for hurricanes. These stories are full of colorful characters— Nasty Bill Dickson, a curmudgeonly tow-truck driver; I’llNeeda, a middle-aged homeless woman encamped in a shack across the road; and the Ghost of Zundel’s Wharf, “the restless soul of a long-dead construction worker.” The stories are illustrated by charming and evocative artwork by the author’s brother Murray Key.
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cover of Be Not Afraid: A Southern Journey Through Law, Liberty, and Civil Rights

Be Not Afraid

A Southern Journey Through Law, Liberty, and Civil Rights

Jack Drake

University of Alabama Press, 2026

A civil rights attorney’s unflinching memoir about the fight against segregation and systemic racism through landmark legal battles in Alabama

Be Not Afraid: A Southern Journey Through Law, Liberty, and Civil Rights is a timely and unflinching memoir from civil rights attorney Jack Drake, who has spent decades on the front lines of Alabama’s legal battles for racial justice. Raised in a segregated community in Gardendale, Alabama, Drake came of age during the civil rights movement and became a pivotal figure in cases that reshaped the state’s legal and moral landscape.

Drake helped reform Alabama’s grossly inadequate mental health system and supported voting rights efforts throughout Alabama. His career underscores the crucial role private attorneys and grassroots advocates played in enforcing civil rights laws long after their passage.

Through vivid recollections of courtroom battles, civil rights alliances, and personal transformation, Be Not Afraid offers an intimate view into the persistence and courage required to challenge systemic injustice. At a time when debates over equity and democracy remain pressing, Drake’s story is both a powerful reflection on the past and a call to action for the present. It speaks to the enduring importance of legal advocacy and community solidarity in the fight for a more just society, making it essential reading for those engaged in civil rights history, law, or social change.

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cover of Bear Wrangler: Memoirs of an Alaska Pioneer Biologist

Bear Wrangler

Memoirs of an Alaska Pioneer Biologist

Will Troyer

University of Alaska Press, 2008

 Beginning in 1951, Will Troyer embarked on a thirty-year career with the U.S. Department of the Interior that included positions such as fish and game warden and manager of the Kodiak Island brown bear preserve. Troyer’s engaging prose affirms his passionate connection to the natural world, as he describes experiences such as being in the midst of a herd of 40,000 caribou. Bear Wrangler is an absorbing tale of one man’s experience as an authentic pioneer in the last vestiges of American wilderness.
 
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cover of Beautiful Mystery: Living in a Wordless World

Beautiful Mystery

Living in a Wordless World

Danilyn Rutherford

Duke University Press, 2025

When Danilyn Rutherford and her husband Craig noticed that their six-month-old daughter Millie wasn’t making eye contact, they took her to their pediatrician. And an optometrist. Then a neurologist. Later, to a team of physical and occupational therapists. None of the doctors could give Millie a diagnosis, but it was clear that her brain was not developing at the rate it should. At an age when some children take their first steps, Millie had the cognitive ability and motor skills of a three-month-old. Three years later, Craig died suddenly of a heart attack and Danilyn found herself on the precipice of her anthropology career as a widow and single mother, still trying to solve the puzzle posed by Millie’s inaccessible mind.

Now in her twenties, Millie has never been able to express herself verbally, but she has a thriving social environment rooted in the people around her and in things her companions and family can see, hear, smell, and feel. Life in Millie’s world is far richer than might be immediately evident to those who think and communicate in conventional ways.

Beautiful Mystery explores what it means to be a person in the spaces between what we can and cannot say, and how we can fight to care for those we love when they don’t have the language to fight for themselves. Through her unique lens as a mother and an anthropologist, Rutherford tells the story of arriving in Millie’s world, what she found there, and how Millie showed her that words aren’t always what makes us human. Enlightening and deeply felt, Beautiful Mystery proves that you don’t have to understand someone to love them—a lesson that, if we all learned it, might allow us to live together in a fractured world.
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cover of Because I'd Hate to Just Disappear: My Cancer, My Self, Our Story

Because I'd Hate to Just Disappear

My Cancer, My Self, Our Story

Don Hardy

University of Nevada Press, 2018

“Illness, in the larger sense of mortality,” Don Hardy writes, “is an inescapable shared trait among all living creatures, and we humans know about it, whether or not we want to talk about it.”

Because I’d Hate to Just Disappear is a portrait of a husband and wife, Don and Heather Hardy, thrown into the physical and emotional machinery of Don being diagnosed with leukemia and going through chemotherapy and treatment over a period of close to two years.

In this thoughtful and exquisite account, Don and Heather narrate Don’s struggle in real-time. Disarmingly honest, they recount each intimate stage of a couple living through cancer together, the mental and physical struggles, the humor and visceral emotion to reveal how two very different personalities shape—and are shaped by—the experience of cancer and its treatment. Through these moments emerge a constant flow of human kindness and discovery that lifts them each day.
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cover of Because We Must: A Memoir

Because We Must

A Memoir

Tracy Youngblom

University of Massachusetts Press, 2025

A breathtaking memoir navigating caregiving, motherhood, and letting go after a tragic accident

On March 16th, 2015, Tracy Youngblom was rushing to finish last-minute preparations for a class she would teach the next day when there was an unexpected knock at her door. Grudgingly, she answered it to find a uniformed officer standing on her front porch. Youngblom realized then that her youngest son Elias should have been arriving home from a trip to Fargo where he was visiting friends at North Dakota State University. The officer told her that Elias had been in an accident and was in the hospital.  Later, she learned that his car had been struck nearly head on by a drunk driver going 70 miles per hour. Denial and shock took over as she made the long drive from their home in Coon Rapids, Minnesota. When she saw Elias in the ICU—swollen beyond recognition, covered in stitches, with a myriad of tubes attached to him—the full gravity of the situation descended.

On the day of the crash, Elias had been driving back to Coon Rapids to celebrate National Ice Cream Day with friends. An avid lover of music, he’d been working as a conductor while wrapping up his degree, moving toward his dream of becoming a marching band director. After the accident, Elias begins his long journey of recovery, which is set back when doctors announce that his optic nerves are dead. Despite it all, Elias never wavers, approaching each challenge with resilience, grace, and humor.

Alongside Elias, Youngblom faces her own challenges, staying by his side in the ICU for weeks, coordinating with other family members and friends, and never flagging in her care of her severely injured son, yet all the while coping with her own emotions, fears, and trauma. She struggles to support Elias, heal her self, and let him go on with his life. In this riveting memoir, Youngblom traverses her family’s lives before and after the accident, capturing the complications of grief, recovery, and the strength it takes to move forward—because we must.

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cover of Because the Light Will Not Forgive Me: Essays from a Poet

Because the Light Will Not Forgive Me

Essays from a Poet

Shaun T, Griffin

University of Nevada Press, 2019

“Think of a man walking in the desert,” writes Griffin, “looking for the path to its summit, looking for the observatory that may, at last, shed light on what’s below.”

In this luminous and moving book of essays, award-winning author Shaun Griffin weaves together a poetic meditation on living meaningfully in this world. Anchored in the American West but reaching well beyond, he recounts his discoveries as a poet and devoted reader of poetry, a teacher of the disadvantaged, a friend of poets and artists, and a responsible member of the human family.

Always grounded in place, be it Nevada, South Africa, North Dakota, Spain, Zimbabwe, or Mexico, Griffin confronts the world with an openness that allows him to learn and grow from the people he meets. This is a meditation on how all of us can confront our own influences to achieve wholeness in our lives. Along with Griffin, readers will reflect on how they might respond to a homeless man walking through central Nevada, viewing the open desert as Thoreau might have viewed Walden, seeing the US-Mexico border as a region of lost identity, reconciling how poets who live west of the Hudson River find anonymity to be their laurel, and experiencing how writing poetry in prison becomes lifesaving.

Whether poets or places in the West or beyond, experiences with other cultures, or an acute awareness that poetry is the refuge of redress—all have influenced Griffin’s writing and thinking as a poet and activist in the Great Basin. The mindfulness of Because the Light Will Not Forgive Me demonstrates that even though the light does not forgive, it still reveals.
 
 
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cover of Before the Manifesto: The Life Writings of Mary Lois Walker Morris

Before the Manifesto

The Life Writings of Mary Lois Walker Morris

Melissa Lambert Milewski

Utah State University Press, 2007

Mary Lois Walker Morris was a Mormon woman who challenged both American ideas about marriage and the U.S. legal system. Before the Manifesto provides a glimpse into her world as the polygamous wife of a prominent Salt Lake City businessman, during a time of great transition in Utah. This account of her life as a convert, milliner, active community member, mother, and wife begins in England, where her family joined the Mormon church, details her journey across the plains, and describes life in Utah in the 1880s. Her experiences were unusual as, following her first husband's deathbed request, she married his brother, as a plural wife, in the Old Testament tradition of levirate marriage.

Mary Morris's memoir frames her 1879 to 1887 diary with both reflections on earlier years and passages that parallel entries in the day book, giving readers a better understanding of how she retrospectively saw her life. The thoroughly annotated diary offers the daily experience of a woman who kept a largely self-sufficient household, had a wide social network, ran her own business, wrote poetry, and was intellectually curious. The years of "the Raid" (federal prosecution of polygamists) led Mary and Elias Morris to hide their marriage on "the underground," and her to perjury in court during Elias's trial for unlawful cohabitation. The book ends with Mary Lois's arrival at the Salt Lake Depot after three years in exile in Mexico with a polygamist colony.
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cover of Beginner's Luck: Dispatches from the Klamath Mountains

Beginner's Luck

Dispatches from the Klamath Mountains

Malcolm Terence

Oregon State University Press, 2018

In the late 1960s, Malcolm Terence left his job as a reporter for the Los Angeles Times to look for adventure and may have found more than he bargained for. The era had triggered unprecedented social and political changes in America, tectonic shifts that challenged war and the social order that oppressed people along lines of class, gender, and race. One branch was a back-to-the-land movement, and Terence, who had just traveled for a year managing a rock band, strayed into Black Bear Ranch, a commune just starting in a remote corner of the Klamath Mountains near the California-Oregon border.

Black Bear Ranch still exists, but many of its early residents eventually returned to urban civilization. A few, Terence among them, stayed on in neighboring river towns. Some tried logging, others gold mining, and some tried growing marijuana, all with mixed success. The local mining and timber communities had a checkered opinion of their new hippie neighbors, as did the Native tribes, but it was the kind of place where people helped each other out, even if they didn’t always agree.

When wildfires grew large, Terence and other veterans of the commune joined the fire crews run by the US Forest Service. In between, the Black Bear expats built homesteads, planted gardens, delivered babies, and raised their children. They gradually overcame the skepticism of the locals and joined them in political battles against the use of herbicides in the forest and the Forest Service’s campaign to close all the mining claims. As in the best of organizing efforts, the organizers learned as much as they led.

Beginner’s Luck will appeal to anyone who experienced life on a commune in the 1960s–1970s or who wants to learn about this chapter in modern American history. Terence offers insight into environmental activism and the long history of conflict between resource exploitation and Native American rights without lecturing or pontificating. With wit, humor, and humility, his anecdotal essays chronicle a time and place where disparate people came together to form an unlikely community.

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cover of Being Somebody and Black Besides: An Untold Memoir of Midcentury Black Life

Being Somebody and Black Besides

An Untold Memoir of Midcentury Black Life

George B. Nesbitt

University of Chicago Press, 2021

An immersive multigenerational memoir that recounts the hopes, injustices, and triumphs of a Black family fighting for access to the American dream in the twentieth century.

The late Chicagoan George Nesbitt could perhaps best be described as an ordinary man with an extraordinary gift for storytelling. In his newly uncovered memoir—written fifty years ago, yet never published—he chronicles in vivid and captivating detail the story of how his upwardly mobile Midwestern Black family lived through the tumultuous twentieth century.
 
Spanning three generations, Nesbitt’s tale starts in 1906 with the Great Migration and ends with the Freedom Struggle in the 1960s. He describes his parents’ journey out of the South, his struggle against racist military authorities in World War II, the promise and peril of Cold War America, the educational and professional accomplishments he strove for and achieved, the lost faith in integration, and, despite every hardship, the unwavering commitment by three generations of Black Americans to fight for a better world. Through all of it—with his sharp insights, nuance, and often humor—we see a family striving to lift themselves up in a country that is working to hold them down.
 
Nesbitt’s memoir includes two insightful forewords: one by John Gibbs St. Clair Drake (1911–90), a pioneer in the study of African American life, the other a contemporary rumination by noted Black studies scholar Imani Perry. A rare first-person, long-form narrative about Black life in the twentieth century, Being Somebody and Black Besides is a remarkable literary-historical time capsule that will delight modern readers.
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cover of Best of Times, Worst of Times: Memoirs of a Political Education

Best of Times, Worst of Times

Memoirs of a Political Education

Walter Laqueur

Brandeis University Press, 2009

Walter Laqueur has been writing and teaching for over six decades, primarily in the fields of twentieth century history and politics, always as a shrewd and thoughtful generalist in an age of specialization. In this engaging memoir, Laqueur focuses on the political and historical events that shaped his thinking and that have inspired his intellectual work throughout his life. He discusses living and attending school under Nazism; Marxism, the Soviet Union, and the part he played in Cold War politics; and the image his generation had of Zionism, Israel, and the Middle East. Laqueur shares his views on beltway politics and think tanks, and concludes with a look at guerrilla warfare and terrorism, and the future of Europe.
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cover of Between Grass And Sky: Where I Live And Work

Between Grass And Sky

Where I Live And Work

Linda M. Hasselstrom

University of Nevada Press, 2005

An important collection of personal essays from one of the most widely published American environmental writers addresses the effects of ranching on the environment. Acclaimed nature writer Linda M. Hasselstrom sees herself as a rancher who writes—a definition that shapes the tone and content of her writing. Now owner of the South Dakota cattle ranch where she grew up, Hasselstrom lives in intimate contact with the natural world. "Nature is to me both home and office. Nature is my boss, manager of the branch office—or ranch office—where I toil to convert native grass into meat. . . . If I want to keep my job as well as my home, I pay attention not only to Nature's orders, but to her moods and whims." She writes knowingly of the rancher's toil and of the intelligence and dignity of the wild and domesticated creatures that share the prairie grassland she calls home. As one who knows and loves the land, Hasselstrom appreciates the concerns of environmental activists and understands that responsible ranchers can play a role in nurturing a healthy rural ecosystem. Rich in detail, humor, and pathos, these essays offer wry commentary on the scope of human folly and the even greater human potential for community and empathy. "Only people who live in the country," she writes, "could form a relationship with nature so intimate that they feel concern for one lonely duck. People who live in cities . . . only glimpse nature from high windows or speeding vehicles. Even wilderness lovers who probe deeply are only passing through. We who live on the land truly live within the land, each of our lives only one among the other inhabitants of the place." These are essays to read with wonder and delight, to relish and ponder. Available in hardcover and paperback.

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cover of Between Jaffa and Tel Aviv, 1870–1930: A Memoir

Between Jaffa and Tel Aviv, 1870–1930

A Memoir

Yosef Eliyahu Chelouche

Brandeis University Press, 2025

The literary memoir of a founder of Tel Aviv, now available for the first time in an annotated English translation.
 
Born in Jaffa in 1870, Yosef Eliyahu Chelouche grew up within a notable Sephardi family in the local Jewish community. He went on to become a prominent entrepreneur; a founder of Tel Aviv; and a fierce critic of the Ashkenazi Zionist leadership, Arab nationalism, and British colonial sectarianism; before emerging, in the last decade of his life, as an anguished public figure struggling to repair Arab-Jewish relations.
 
His memoir paints an intimate portrait of life in Palestine at the turn of the twentieth century, told from the perspective of a Middle Eastern Jew deeply embedded in local society. By centering on the world and experiences of a native Jew who was an eyewitness to and participant in the unfolding conflict in Palestine, this book shows how the course of Zionist politics and Jewish-Arab relations in pre-state Palestine might have taken alternative pathways. A comprehensive introduction sets the scene in late nineteenth- and early twentieth-century Jaffa and thoughtful annotations contextualize Chelouche’s story within the modern history of Palestine and Israel. Between Jaffa and Tel Aviv, 1870–1930 tells the fascinating story of a civic leader—and offers a complex view of the various cultural, social, and political forces that forged multilayered Jewish identities in the Middle East. The book includes a family tree and is illustrated with photographs of the family and scenes of Jaffa and early Tel Aviv.
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cover of Between Two Worlds: My Life as a Child of Deaf Adults

Between Two Worlds

My Life as a Child of Deaf Adults

David Sorensen

Gallaudet University Press, 2019

In his memoir, David Sorensen explores his identity as a coda, or a child of Deaf adults. He describes his experiences with the roles often placed on codas at a young age, such as interpreter, confidant, and decision-maker. His story reveals a person seeking acceptance and belonging while straddling the Deaf and hearing worlds, and shows how he found reconciliation within himself and with both worlds.

       Sorensen relays the dynamics of his family life; he had a strained relationship with his father, who was an active leader and role model in the Deaf community and the Mormon Church, yet struggled to bond with his own son. Sorensen rebelled as a youth and left home as a teenager, completely detaching from the Deaf community. After struggling to establish himself as an independent adult, he discovered that he wanted to return to the Deaf world and use his ASL fluency and cultural understanding as a mental health therapist and community advocate. Now he considers himself an ambassador between the Deaf and hearing worlds, as well as between the older and younger generations of Deaf people. Between Two Worlds: My Life as a Child of Deaf Adults shares the unique experiences of a coda and passes on the rich cultural past shared by the American Deaf community.
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cover of Between What Was and What Is: Essays

Between What Was and What Is

Essays

Adriana Páramo

University of Massachusetts Press, 2027

A collection that explores the space between personal loss and collective crisis

The essays in Between What Was and What Is address timely questions of power, identity, history, and resilience. Ranging from intimate personal reflection to global crisis, Adriana Páramo examines the contradictions and tensions that define how we live—and how we make sense of what we’ve lived through.

Grounded in the present moment, Páramo engages directly with current events: the death of Pope Francis and the debates about reform his passing has reopened, and the ongoing devastation of the war in Ukraine. She grapples with the lasting weight of colonial, familial, and national trauma, and with the experience of returning to a homeland that no longer matches memory. These essays enter a broader conversation about the liberation of brown and Latina women—voices frequently pushed to the margins of predominantly white feminist spaces. She asks what drives people to persist in the face of systemic inequality. An encounter with a Kumari Devi in Nepal becomes an occasion to examine faith, ritual, and the assumptions we bring to spiritual experience. Throughout, Páramo moves between the everyday and the sacred to interrogate how culture and identity are lived and inherited.

From personal reflections on age, feminism, and rebuilding after failure to larger examinations of race and systemic oppression, Between What Was and What Is asks readers to engage seriously with difficult realities. It takes stock of what we inherit, what we survive, and what we carry forward.

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cover of Beware of Limbo Dancers: A Correspondent’s Adventures with the New York Times

Beware of Limbo Dancers

A Correspondent’s Adventures with the New York Times

Roy Reed

University of Arkansas Press, 2012

This witty, wide-ranging memoir from Roy Reed--a native Arkansan who became a reporter for the New York Times--begins with tales of the writer's formative years growing up in Arkansas and the start of his career at the legendary Arkansas Gazette. Reed joined the New York Times in 1965 and was quickly thrust into the chaos of the Selma, Alabama, protest movement and the historical interracial march to Montgomery. His story then moves from days of racial violence to the political combat of Washington. Reed covered the Johnson White House and the early days of the Nixon administration as it wrestled with the competing demands of black voters and southern resistance to a new world. The memoir concludes with engaging postings from New Orleans and London and other travels of a reporter always on the lookout for new people, old ways, good company, and fresh outrages.
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cover of Beyond Market Value: A Memoir of Book Collecting and the World of Venture Capital

Beyond Market Value

A Memoir of Book Collecting and the World of Venture Capital

By Annette Campbell-White

University of Texas Press, 2019

Beyond Market Value chronicles Annette Campbell-White’s remarkable life, from a childhood spent in remote mining camps throughout the British Commonwealth, where books created an imaginary home; to her early adulthood in London, where she first discovered a vocation as a book collector; to Silicon Valley, where she built a pioneering career as a formidable venture capitalist. She recalls the impulsive purchase of the first book in her collection, T. S. Eliot’s A Song for Simeon, and her pursuit of rare editions of all one hundred titles listed in Cyril Connolly’s The Modern Movement. Campbell-White’s collecting and career peaked in 2005, when she acquired the last of the Connolly titles and was first named to Forbes’ Midas List, the annual ranking of the most successful dealmakers in venture capital.

In 2007, out of concern for their preservation, Campbell-White rashly sold the Connolly titles she had spent more than twenty years assembling, leading to a new appreciation of what remained of her collection and, going forward, a broader focus on collecting modernist letters, manuscripts, and ephemera. Beyond Market Value is both a loving tribute to literary collecting and a telling account of the challenges of being a woman in the male-dominated world of finance.

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cover of Beyond the Whiteness of Whiteness: Memoir of a White Mother of Black Sons

Beyond the Whiteness of Whiteness

Memoir of a White Mother of Black Sons

Jane Lazarre

Duke University Press, 1996

"I am Black," Jane Lazarre's son tells her. "I have a Jewish mother, but I am not 'biracial.' That term is meaningless to me." In this moving memoir, Jane Lazarre, the white Jewish mother of now adult Black sons, offers a powerful meditation on motherhood and racism in America as she tells the story of how she came to understand the experiences of her African American husband, their growing sons, and their extended family. Recounting her education, as a wife, mother, and scholar-teacher, into the realities of African American life, Lazarre shows how although racism and white privilege lie at the heart of American history and culture, any of us can comprehend the experience of another through empathy and learning.
 
This Twentieth Anniversary Edition features a new preface, in which Lazarre's elegy for Mother Emanuel AME in Charleston, South Carolina, Michael Brown, Eric Garner, and so many others, reminds us of the continued resonance of race in American life. As #BlackLivesMatter gains momentum, Beyond the Whiteness of Whiteness is more urgent and essential than ever.
 
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cover of Big Wonderful: Notes from Wyoming

Big Wonderful

Notes from Wyoming

Kevin Holdsworth

University Press of Colorado, 2006

In this unconventional memoir, Kevin Holdsworth vividly portrays life in remote, unpredictable country and ruminates on the guts - or foolishness - it takes to put down roots and raise a family in a merciless environment.

Growing up in Utah, Holdsworth couldn't wait to move away. Once ensconced on the East Coast, however, he found himself writing westerns and dreaming of the mountains he'd skied and climbed. Fed up with city life, he moved to a small Wyoming town.

In Big Wonderful, he writes of a mountaineering companion's death, the difficult birth of his son, and his father's terminal illness - encounters with mortality that sharpened his ideas about risk, care, and commitment. He puts a new spin on mountaineering literature, telling wild tales from his reunion with the mountains but also relating the surprising willpower it took to turn back from risks he would have taken before he became a father. He found he needed courage to protect and engage deeply with his family, his community, and the wild places he loves.

Holdsworth's essays and poems are rich with anecdotes, characters, and vivid images. Readers will feel as if they themselves watched a bear destroy an entire expedition's food, walked with his great-great-grandmother along the icy Mormon Trail, and tried to plant a garden in Wyoming's infamous wind.

Readers who love the outdoors will enjoy this funny and touching take on settling down and adventuring in the West's most isolated country.
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cover of BitterSweet: The Memoir of a Chinese Indonesian Family in the Twentieth Century

BitterSweet

The Memoir of a Chinese Indonesian Family in the Twentieth Century

Stuart Pearson

National University of Singapore Press, 2013

Behind the statistics of migration are the life stories of millions of migrants and their descendants. The movement of people out of China is one of the largest movements of humanity in modern times and large numbers of Chinese emigrated to the colony of
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cover of Black Avatar: and Other Essays

Black Avatar

and Other Essays

Amit Majmudar

Acre Books, 2023

The first nonfiction collection by internationally acclaimed writer and translator Amit Majmudar, Black Avatar combines elements of memoir, biography, history, and literary criticism.

The eight pieces in this deeply engaging volume reflect author Amit Majmudar’s comprehensive studies of American, European, and Indian traditions, as well as his experiences in both suburban Ohio and the western Indian state of Gujarat. The volume begins with the title piece, a fifteen-part examination of “How Colorism Came to India.” Tracing the evolution of India’s bias in favor of light skin, Majmudar reflects on the effects of colonialism, drawing upon sources ranging from early Sanskrit texts to contemporary film and television.

Other essays illuminate subjects both timely and timeless. “The Ramayana and the Birth of Poetry” discusses how suffering is portrayed in art and literature (“The spectrum of suffering: slapstick on one end, scripture on the other, with fiction and poetry . . . in the vastness between them”), while in “Five Famous Asian War Photographs”—a 2018 Best American Essays selection—Majmudar analyzes why these iconic images of atrocity have such emotional resonance. In “Nature/Worship,” another multi-part piece, the author turns his attention to climate change, linking notions of environmentalism to his ancestral tradition of finding divinity within the natural world, connections that form the basis of religious belief.

Perhaps the greatest achievement of these wide-ranging essays is the prose itself—learned yet lively, erudite yet accessible—nimbly revealing the workings of a wonderfully original mind.
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cover of Black Paper: Writing in a Dark Time

Black Paper

Writing in a Dark Time

Teju Cole

University of Chicago Press, 2021

A profound book of essays from a celebrated master of the form.

“Darkness is not empty,” writes Teju Cole in Black Paper, a book that meditates on what it means to sustain our humanity—and witness the humanity of others—in a time of darkness. One of the most celebrated essayists of his generation, Cole here plays variations on the essay form, modeling ways to attend to experience—not just to take in but to think critically about what we sense and what we don’t.

Wide-ranging but thematically unified, the essays address ethical questions about what it means to be human and what it means to bear witness, recognizing how our individual present is informed by a collective past. Cole’s writings in Black Paper approach the fractured moment of our history through a constellation of interrelated concerns: confrontation with unsettling art, elegies both public and private, the defense of writing in a time of political upheaval, the role of the color black in the visual arts, the use of shadow in photography, and the links between literature and activism. Throughout, Cole gives us intriguing new ways of thinking about blackness and its numerous connotations. As he describes the carbon-copy process in his epilogue: “Writing on the top white sheet would transfer the carbon from the black paper onto the bottom white sheet. Black transported the meaning.”
 
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cover of Black Woman in Green: Gloria Brown and the Unmarked Trail to Forest Service Leadership

Black Woman in Green

Gloria Brown and the Unmarked Trail to Forest Service Leadership

Gloria D. Brown

Oregon State University Press, 2020

From an unlikely beginning as an agency transcriptionist in her hometown of Washington, DC, Gloria Brown became the first African American woman to attain the rank of forest supervisor at the US Forest Service. As a young widow with three children, she transferred to Missoula, Montana, and embarked on a remarkable journey, ultimately leading the Siuslaw National Forest in Oregon and later the Los Padres in California. The story of Brown’s career unfolds against the backdrop of a changing government agency and a changing society.

As scholars awaken to the racist history of public land management and the ways that people of color have been excluded from contemporary notions of nature and wilderness, Brown’s story provides valuable insight into the roles that African Americans have carved out in the outdoors generally and in the field of environmental policy and public lands management specifically. Drawing on her powerful communication and listening skills, her sense of humor, and her willingness to believe in the basic goodness of humanity, Brown conducted civil rights trainings and shattered glass ceilings, all while raising her children alone.

Written in an engaging and accessible style with historian Donna Sinclair, Brown’s story provides a fascinating case study for public administration and contributes to a deeper understanding of the environmental and civil rights movements of the twentieth century, particularly the role that racial discrimination has played in national forests, parks, and other wilderness spaces. It also highlights issues of representation in the federal government, women’s history, the history of the American West, and literature associated with African American experiences in predominately white societies.

 
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cover of Bleeder: A Memoir

Bleeder

A Memoir

Shelby Smoak

Michigan State University Press, 2013

I am Caucasian, five foot eleven, have sandy brown hair, blue eyes, and am a tender slip of bone. And I am at the hospital.
A coming-of-age memoir for modern times, Bleeder is the incredibly compelling tale of author Shelby Smoak. A hemophiliac, Smoak discovered he had been infected with HIV during a blood transfusion at the start of his college career. This devastating and destabilizing news led Smoak to see his world from an entirely new perspective, one in which life-threatening illness was perpetually just around the corner. Set in the 1990s along the North Carolina coast, Bleeder traces Smoak’s quest for love in a world that feels increasingly dangerous, and despite a future that feels increasingly uncertain. From the bedroom to the operating room, and from one hospital to the next, Smoak seeks out hope and better health. Winner of a PEN American Center award for writers living with HIV, Smoak, whose work has appeared in numerous journals and magazines, constructs this unforgettable story of life and love against insurmountable difficulties in breathtaking, tightly drawn prose.
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cover of Blonde Indian: An Alaska Native Memoir

Blonde Indian

An Alaska Native Memoir

Ernestine Hayes

University of Arizona Press, 2006

In the spring, the bear returns to the forest, the glacier returns to its source, and the salmon returns to the fresh water where it was spawned. Drawing on the special relationship that the Native people of southeastern Alaska have always had with nature, Blonde Indian is a story about returning.

Told in eloquent layers that blend Native stories and metaphor with social and spiritual journeys, this enchanting memoir traces the author’s life from her difficult childhood growing up in the Tlingit community, through her adulthood, during which she lived for some time in Seattle and San Francisco, and eventually to her return home. Neither fully Native American nor Euro-American, Hayes encounters a unique sense of alienation from both her Native community and the dominant culture. We witness her struggles alongside other Tlingit men and women—many of whom never left their Native community but wrestle with their own challenges, including unemployment, prejudice, alcoholism, and poverty.

The author’s personal journey, the symbolic stories of contemporary Natives, and the tales and legends that have circulated among the Tlingit people for centuries are all woven together, making Blonde Indian much more than the story of one woman’s life. Filled with anecdotes, descriptions, and histories that are unique to the Tlingit community, this book is a document of cultural heritage, a tribute to the Alaskan landscape, and a moving testament to how going back—in nature and in life—allows movement forward.
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cover of Blood Ties: A Story of Falconry and Fatherhood

Blood Ties

A Story of Falconry and Fatherhood

Ben Crane

University of Chicago Press, 2020

Raised in rural England before the rise of the internet, Ben Crane grew up in the company of wild things, with hawks and other birds of prey alive in his mind—and woods and fields—as symbols of a kind of self-possessed, solitary power. He spent time with them, knew them, and loved them. But as Crane grew into adulthood, situations that may seem to many of us natural, or even comforting, were challenging: he found it difficult to be around other people and to read social cues, sometimes retreating in fear or lashing out in misunderstanding. Eventually, he was diagnosed as being on the autism spectrum. When Crane became a father, these challenges became unbearable, and he fled to isolation. Hawks brought him back.
 
In this artful and moving memoir, we follow Crane on his remarkable journey of flight and return. Traveling from the United Kingdom to Pakistan, we learn first about the history and practice of falconry, a beautiful and brutal partnership between humans and birds that has persisted for thousands of years. And as Crane’s personal story unfolds, we come to understand how he found solace and insight through his relationships with these animals. “I saw that my feelings toward nature, and birds of prey in particular, ran in parallel with my feelings for my son,” Crane writes. “I worked out that they were, in fact, two sides of the same coin—the deep love of one could, with gentle observation, inform and unlock the deep love for the other. . . . Perhaps this then is the central theme of my story.”

Many of us rely upon animal companions to provide a sense of joy, compassion, and empathy. But as Blood Ties teaches us, our relationships with the creatures among us can also transform us, illuminating what it means both to be human and to be part of the greater wild—what it means to be alive.
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cover of Bloodlines: Odyssey of a Native Daughter

Bloodlines

Odyssey of a Native Daughter

Janet Campbell Hale

University of Arizona Press, 1998

These autobiographical essays by a member of the Coeur d'Alene tribe interweave personal experiences with striking portraits of relatives, both living and dead, to form a rich tapestry of history, storytelling, and remembrance. Hale's is a story of intense and resonant beauty. Breathtaking in its range and authority, Bloodlines is an important addition to the literature of women of color.
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cover of Bloom: A Transgender Memoir

Bloom

A Transgender Memoir

Shane A. McCammon

University of Utah Press, 2027

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cover of Body Story

Body Story

Julia K. De Pree

Ohio University Press, 2004

Something other than a memoir of a life well lived, Body Story conveys Julia K. De Pree's troubling journey from adolescence to adulthood and from anorexia to health.

For De Pree, between being a girl and being a woman, there was starvation. Body Story is her intimate account of girlhood, virginity, anorexia, and motherhood. De Pree's prose is spare and unguarded, revealing in vivid flashbacks and poignant vignettes the sources of her inner pain.

In high school, the five-foot-ten De Pree weighed as little as 114 pounds. She was too weak to raise her arms above her head. “In a paradoxical way, I starved my body in order to understand my life,” she writes. “I had to place my body in suspension before I could move physically into sexuality. Starving allowed me to create an interim space between innocence and experience.”

De Pree renders the starkness of anorexia along with the process of recovery, relapse, and, ultimately, redemption. She also tells the story of the physical landscape, from her origins in the Midwest to the American South, Paris, and the vast New Mexican desert, as well as the psychic landscape of her body as it encounters the joys and challenges of maturation, childbirth, and motherhood.

De Pree offers readers a new way of understanding women¿s bodily experience, as she writes about the mystery and the meaning of her illness. As many as eight million Americans suffer from eating disorders. Body Story, unlike clinical reports or news accounts, illuminates the complexity of anorexia as the narrative moves toward a subjective and deeply personal truth.

This evocative and often radiant vision is a unique window into womanhood and selfhood in middle-class, contemporary America.
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cover of Bond: The Nature of Us

Bond

The Nature of Us

Jill Sission Quinn

University of Iowa Press, 2027

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cover of Bonelight: Ruin And Grace In The New Southwest

Bonelight

Ruin And Grace In The New Southwest

Mary Sojourner

University of Nevada Press, 2004

When upstate New Yorker Mary Sojourner reluctantly agreed to visit the Grand Canyon of Arizona, she little suspected that she was about to lose her heart to the beauty of the Southwest, or that she would shortly find a passion for the land, and a cause in protecting it. She has since gained notoriety as an environmental writer and as a grass-roots activist protesting the heedless development of the Southwest's increasingly precious and embattled open spaces. The essays collected here reflect Sojourner's journey from greenhorn to old-timer, from tourist to committed defender of the land and the human communities that share it. She writes of exploring the deserts, forests, mountains, and river rapids of the Southwest, and of her love for this austere and ravishing landscape; of family, friends, and lovers; of the ways that development is destroying the Southwest's fragile beauty; and of the greed and spiritual emptiness that motivate much of this development. There is humor here, and adventure, and the intensity of a writer who confronts the world around her with bold candor and a lover's tender gaze.
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cover of Booker T. Washington Papers Volume 1: The Autobiographical Writings

Booker T. Washington Papers Volume 1

The Autobiographical Writings

Booker T. Washington

University of Illinois Press, 1972

Here is the first of fifteen volumes in a project C. Vann Woodward called "the single most important research enterprise now under way in the field of American black history."

Volume 1 contains Washington's Up from Slavery, one of the most widely read American autobiographies, in addition to The Story of My Life and Work, and six other autobiographical writings. Together, the selections provide readers with a first step toward understanding Washington and his immense impact. These writings reveal the moral values he absorbed from his mid-nineteenth-century experiences and teachers. As importantly, they present him to the world as he wished to be seen: as the black version of the American success hero and an exemplar of the Puritan work ethic that he believed to be the secret of his success. These works, along with so much of Washington's writing, served as a model for many black Americans striving to overcome poverty and prejudice.

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cover of Border Junkies: Addiction and Survival on the Streets of Juárez and El Paso

Border Junkies

Addiction and Survival on the Streets of Juárez and El Paso

By Scott Comar

University of Texas Press, 2011

The drug war that has turned Juárez, Mexico, into a killing field that has claimed more than 7,000 lives since 2008 captures headlines almost daily. But few accounts go all the way down to the streets to investigate the lives of individual drug users. One of those users, Scott Comar, survived years of heroin addiction and failed attempts at detox and finally cleaned up in 2003. Now a graduate student at the University of Texas at El Paso in the history department's borderlands doctoral program, Comar has written Border Junkies, a searingly honest account of his spiraling descent into heroin addiction, surrender, change, and recovery on the U.S.-Mexico border.

Border Junkies is the first book ever written about the lifestyle of active addiction on the streets of Juárez. Comar vividly describes living between the disparate Mexican and American cultures and among the fellow junkies, drug dealers, hookers, coyote smugglers, thieves, and killers who were his friends and neighbors in addiction—and the social workers, missionaries, shelter workers, and doctors who tried to help him escape. With the perspective of his anthropological training, he shows how homelessness, poverty, and addiction all fuel the use of narcotics and the rise in their consumption on the streets of Juárez and contribute to the societal decay of this Mexican urban landscape. Comar also offers significant insights into the U.S.-Mexico borderland's underground and peripheral economy and the ways in which the region's inhabitants adapt to the local economic terrain.

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cover of Borderman: Memoirs of Federico José María Ronstadt

Borderman

Memoirs of Federico José María Ronstadt

Edited by Edward F. Ronstadt; Forewords by Bernard L. Fontana and Ernesto Portillo, Jr.

University of Arizona Press, 2003

Born in Sonora in 1868 to a Mexican mother and a German father, Federico Ronstadt was the quintessential borderman. He came to Arizona Territory as a young man to learn a trade and eventually became an American citizen; but with many relatives on both sides of the border, Federico was equally at home in Mexico and in his adopted country.

Writing proudly of his Mexican and American heritages, Ronstadt offers readers an extraordinary portrait of the Arizona-Mexico borderlands during the late nineteenth century. His memoirs provide a richness of detail and insight unmatched by traditional histories, relating such scenarios as the hardships of Yaqui hardrock miners working under primitive conditions, the travails of pearl divers in the Gulf of California, and the insurrection of Francisco Serna in 1875 Sonora. They also depict the simple activities of childhood, with its schooling and musical training, its games and mischief. Ronstadt relates his apprenticeship to a wagon- and carriage-maker in Tucson, recalling labor relations in the shop, the establishment of his own business, and the joys and anguish of his personal life. He tells of how he drew on talents nurtured in childhood to become a musician and bandleader, playing weekly concerts with Club Filarmónica Tucsonense for nine years—musical talents that were eventually passed on to his children, his grandchildren (including Linda), and great-grandchildren.

Through Ronstadt's memories, we are better able to understand the sense of independence and self-reliance found today among many lifelong residents of Sonora and Baja California—people isolated from major supply sources and centers of power—and to appreciate a different view of Tucson's past. Enhanced by 22 historical photos, Borderman is a treasure trove of historical source material that will enlighten all readers interested in borderlands history.
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cover of Borges in Sicily: Journey with a Blind Guide

Borges in Sicily

Journey with a Blind Guide

Alejandro Luque

Haus Publishing, 2017

When Alejandro Luque receives a book of photographs taken in Sicily by the Argentinian writer, essayist, and poet Luis Borges, he decides to trace the writer’s journey, setting off with a group of friends on his own Sicilian odyssey. Meticulously identifying the location of each photograph, Luque uses Borges’s pictures to imagine the range of emotions that the renowned writer felt as he experienced the same views. As his hunt for the locations of the original photographs unfolds, Luque chronicles the ways in which he begins to fall in love with both the island itself and with his friend, Ro.

This winding journey features literati both past and present, indigenous and foreign. These characters live alongside Luque’s own comments and observations in a narrative that is rich in historical and personal detail. The writer who inspired this great journey, Borges himself, becomes a character in this narrative that is infused with extracts and reflections from his essays and poetry. Borges in Sicily acts as a travel diary, a guide to the most fascinating places in Sicily, a recounting of Borges’s journey around the island, and a deeply poetic story of Luque’s own adventures. The book also includes twenty-three photographs from the renowned Magnum photographer Ferdinando Scianna, and it won the 1st Premio International del Libros de Viajes.
 
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cover of Born in the Delta: Reflections on the Making of a Southern White Sensibility

Born in the Delta

Reflections on the Making of a Southern White Sensibility

Margaret Bolsterli

University of Arkansas Press, 2000

In this gracefully written memoir, Margaret Jones Bolsterli recounts her experiences as a lively, observant girl coming of age on an Arkansas cotton farm during the 1930s and 1940s. The Mississippi River's broad, flat floodplain provides the setting for her vivid strokes of memory and history each portraying key elements of the "southern sensibility." Bolsterli's themes include the southerner's strong sense of place, the penchant for stories rather than true dialog, a caste system based on formality and race, the underlying current of violence, and the repressive function of evangelical religion. She also examines manners, the patriarchal family structure, the "southern belle" concept, and the persistence of the memory of the Civil War. A fascinating chapter on food indicates how African and European customs are melded in southern cuisine to include chicken, pork, "cracklin' bread," gravy and biscuits, field peas, turnip greens, butter beans, devil's food cake, and dill pickles. Comparable to Shirley Abbott's Womenfolks, Born in the Delta is a valuable resource for those interested in southern history and culture, as well as readers who just enjoy a good story, well-told.
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cover of Borscht Belt Bungalows: Memoirs Of Catskill Summers

Borscht Belt Bungalows

Memoirs Of Catskill Summers

Irwin Richman

Temple University Press, 2003

Every year between 1920 and 1970, almost one million of New York City's Jewish population summered in the Catskills. Hundreds of thousands still do. While much has been written about grand hotels like Grossinger's and the Concord, little has appeared about the more modest bungalow colonies and kuchaleins ("cook for yourself" places) where more than 80 percent of Catskill visitors stayed.

These were not glamorous places, and middle-class Jews today remember the colonies with either aversion or fondness. Irwin Richman's narrative, anecdotes, and photos recapture everything from the traffic jams leaving the city to the strategies for sneaking into the casinos of the big hotels. He brings to life the attitudes of the renters and the owners, the differences between the social activities and swimming pools advertised and what people actually received. He reminisces about the changing fashion of the guests and owners—everything that made summers memorable.

The author remembers his boyhood: what it was like to spend summers outside the city, swimming in the Neversink, "noodling around," and helping with the bungalow operation, while Grandpa charged the tenants and acted as president of Congregation B'nai Israel of Woodbourne, N.Y. He also traces the changes in the Catskills, including the influx of Hasidic families. Richman talks about what it's like to go back and to see the ghosts of resorts along the roads he once traveled.
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cover of Bread: A Memoir of Hunger

Bread

A Memoir of Hunger

Lisa Knopp

University of Missouri Press, 2025

When she was 54, Lisa Knopp’s weight dropped to a number on the scale that she hadn’t seen since seventh grade. The severe food restricting that left her thin and sick when she was 15 and 25 had returned. This time, she was determined to understand the causes of her malady and how she could heal from a condition that is caused by a tangle of genetic, biological, familial, psychological, cultural, and spiritual factors. This compelling memoir, at once a food and illness narrative, explores the forces that cause eating disorders and disordered eating, including the link between those conditions in women, middle-aged and older, and the fear of aging and ageism.

Winner of the 2017 Nebraska Book Award for Memoir

2017 Choice Outstanding Academic Title

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cover of Breaking the Barnyard Barrier: A Woman Veterinarian Paves the Way

Breaking the Barnyard Barrier

A Woman Veterinarian Paves the Way

Linda Rhodes

University of Nevada Press, 2026

In the late 1970s the golden valley between Utah’s Wasatch Mountains was home to some of the best dairies in the country. That was also where Linda Rhodes, a newly minted large animal veterinarian, had to prove that a woman could do what the Mormon dairymen were sure was a man’s job. She was often scared that they were right. Throughout her experience, she tackled a menagerie of challenging medical and surgical cases that forced her to be fearless. Every bovine life she saved helped her confidence grow, but each failure left her feeling defeated—as did the mounting tensions between pursuing a demanding career and saving a crumbling marriage.

In Breaking the Barnyard Barrier, Linda Rhodes tells the story of how a woman, through grit and tears, made her way in a man’s world and blazed a path that prevailed against career stereotypes.
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cover of Brewtown Tales: More Stories from Milwaukee and Beyond

Brewtown Tales

More Stories from Milwaukee and Beyond

John Gurda

Wisconsin Historical Society Press, 2022

John Gurda’s South Side Milwaukee family loved potluck dinners. “From the Jell-O salads at the start of the line through the hot dishes in the middle and on to the pumpkin bars at the end, the food was always hearty, abundant, and certifiably homemade,” he writes. Drawing from Gurda’s long-running Sunday Milwaukee Journal Sentinel column, Brewtown Tales was prepared in the spirit of those fondly remembered meals. The main dish is Milwaukee history, served in a multitude of ways. You will find in these pages the biography of a bridge, a requiem for a union, tales of two shipwrecks, a frank take on segregation, and memories of the summer of ’68, among many other things. There are also side dishes that convey the distinctive flavors of Wisconsin and a few more exotic places, from Vilas County to Vietnam. Brewtown Tales will satisfy your hunger, introduce you to new and unexpected tastes, and whet your appetite for more homemade history.
 
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cover of Brief Interviews with the Romantic Past

Brief Interviews with the Romantic Past

Kathryn Nuernberger

The Ohio State University Press, 2017

Could Marie Antoinette’s wigs get any higher? Could the anonymous women riding in hot air balloons alone with gentlemen be any more scandalous? Does an Ozark holler hold the mouth to a lost cave with the longest, thickest vein of gold in North America? Brief Interviews with the Romantic Past is a collection of rumors, secrets, tall tales, and lies that begins at the court of Louis XV and ends in the foothills of the Ozark Mountains.
With all the astonishments of history and the intimacy of memoir, Kathryn Nuernberger’s collection juxtaposes peripheral figures from the French Revolution—the assassin, the executioner, the mistress, the spy, the son of a slave, the transgender swordfighter—with the oral histories of poachers, prophets, well witches, and ghosts of the Ozarks a century later. In essays that are equal parts historical and personal, Nuernberger brings the marvelous strangeness of the past into our present moment with wry wit and insight. Nuernberger has an eye for salvaging overlooked snapshots of human decency and moments of moral courage—the memories of which we might just want to save for later. 
 
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cover of Bring Down the Little Birds: On Mothering, Art, Work, and Everything Else

Bring Down the Little Birds

On Mothering, Art, Work, and Everything Else

Carmen Giménez Smith

University of Arizona Press, 2010

How does a contemporary woman with a career as a poet, professor, and editor experience motherhood with one small child, another soon to be born, and her own mother suddenly diagnosed with a brain tumor and Alzheimer’s? The dichotomy between life as a mother and life as an artist and professional is a major theme in modern literature because often the two seem irreconcilable. In Bring Down the Little Birds, Carmen Giménez Smith faces this seeming irreconcilability head-on, offering a powerful and necessary lyric memoir to shed light on the difficulties—and joys—of being a mother juggling work, art, raising children, pregnancy, and being a daughter to an ailing mother, and, perhaps most important, offering a rigorous and intensely imaginative contemplation on the concept of motherhood as such.

Writing in fragmented yet coherent sections, the author shares with us her interior monologue, affording the reader a uniquely honest, insightful, and deeply personal glimpse into a woman’s first and second journeys into motherhood. Giménez Smith begins Bring Down the Little Birds by detailing the relationship with her own mother, from whom her own concept of motherhood originated, a conception the author continually reevaluates and questions over the course of the book.

Combining fragments of thought, daydreams, entries from notebooks both real and imaginary, and real-life experiences, Giménez Smith interrogates everything involved in becoming and being a mother for both the first and second times. She wonders what her children will one day know about her own “secret life,” meditates on the physical effects of pregnancy, and questions the myths about, nostalgia for, and glorification of motherhood.

While Giménez Smith incorporates universal experiences of motherhood that other authors have detailed throughout literature, what separates her book from these many others is that her reflections are captured in a style that establishes an intimacy and immediacy between author and reader through which we come to know the secret life of a mother and are made to question our own conception of what motherhood really means.
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cover of Broken Butterfly: My Daughter's Struggle with Brain Injury

Broken Butterfly

My Daughter's Struggle with Brain Injury

Karin Finell

University of Missouri Press, 2012

“It all began with the bite of a mosquito. Yes, with a bite of this pesky, but seemingly so innocuous little insect that had been sucking her blood. Not just one, but hundreds had punctured her arms and legs with red marks which later swelled to small welts. Who would ever have thought that our family's life would become derailed, that its tightly woven fabric would eventually fray and break—all from the bite of a mosquito?”

In November of 1970, the Finell family’s lives were changed forever by a family vacation to Acapulco. Seven-year-old Stephanie fell ill soon after their return to the United States, but her mother, Karin, thinking it was an intestinal disorder, kept her home from school for a few days. She was completely unprepared when Stephanie went into violent convulsions on a Friday morning. Following a series of tests at the hospital, doctors concluded she had contracted viral equine encephalitis while in Mexico.
After a string of massive seizures—one leading to cardiac arrest—Stephanie fell into a six-week coma. When she awoke, her world had changed from predictable and comforting to one where the ground was shaking. Due to the swelling of her brain from encephalitis, she suffered serious brain damage. Doctors saw little hope of recovery for Stephanie and encouraged her parents to place her in an institution, but they refused.
In Broken Butterfly, Karin Finell recounts the struggles faced by both her and her daughter, as well as the small victories won over the ensuing years. Little was known about brain injuries during that time, and Karin was forced to improvise, relying on her instincts, to treat Stephanie. Despite the toll on the family—alcoholism, divorce, and estrangement—Karin never gave up hope for Stephanie’s recovery. By chance, Karin heard of the Marianne Frostig Center of Educational Therapy, where Dr. Frostig herself took over the “reprogramming” of Stephanie’s brain. This, in time, led her to regain her speech and some motor skills.
Unfortunately, Stephanie’s intermittent seizures hung like the proverbial “Sword of Damocles” over their lives. And while Stephanie grew into a lovely young woman, her lack of judgment resulting from her injury led her into situations of great danger that required Karin to rescue her.
Karin’s love for her daughter guided her to allow Stephanie to fill her life with as many positive experiences as possible. Stephanie learned and matured through travel and exposure to music and plays,acquiring a knowledge she could not learn from books.
Stephanie wished above all to teach other brain injured individuals to never look down on themselves but to live their lives to the fullest. Through Stephanie’s story, her mother has found a way to share that optimism and her lessons with the world.
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cover of Brothers: A Memoir of Love, Loss, and Race

Brothers

A Memoir of Love, Loss, and Race

Nico Slate

Temple University Press, 2023

Brothers is Nico Slate’s poignant memoir about Peter Slate, aka XL, a Black rapper and screenwriter whose life was tragically cut short. Nico and Peter shared the same White American mother but had different fathers. Nico’s was White; Peter’s was Black. Growing up in California in the 1980s and 1990s, Nico often forgot about their racial differences until one night in March 1994 when Peter was attacked by a White man in a nightclub in Los Angeles.

Nico began writing Brothers with the hope that investigating the attack would bring him closer to Peter. He could not understand that night, however, without grappling with the many ways race had long separated him from his brother.

This is a memoir of loss—the loss of a life and the loss at the heart of our racial divide—but it is also a memoir of love. The love between Nico and Peter permeates every page of Brothers. This achingly beautiful memoir presents one family’s resilience on the fault lines of race in contemporary America.

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