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Scarlet macaws are native to tropical forests ranging from the Gulf Coast and southern regions of Mexico to Bolivia, but they are present at numerous archaeological sites in the U.S. Southwest and Mexican Northwest. Although these birds have been noted and marveled at through the decades, new syntheses of early excavations, new analytical methods, and new approaches to understanding the past now allow us to explore the significance and distribution of scarlet macaws to a degree that was previously impossible.

Birds of the Sun explores the many aspects of macaws, especially scarlet macaws, that have made them important to Native peoples living in this region for thousands of years. Leading experts discuss the significance of these birds, including perspectives from a Zuni author, a cultural anthropologist specializing in historic Pueblo societies, and archaeologists who have studied pre-Hispanic societies in Mesoamerica and the U.S. Southwest and Mexican Northwest. Chapters examine the highly variable distribution and frequency of macaws in the past, their presence on rock art and kiva murals, the human experience of living with and transporting macaws, macaw biology and life history, and what skeletal remains suggest about the health of macaws in the past. Experts provide an extensive, region-by-region analysis, from early to late periods, of what we know about the presence, health, and depositional contexts of macaws and parrots, with specific case studies from the Hohokam, Chaco, Mimbres, Mogollon Highlands, Northern Sinagua, and Casas Grandes regions, where these birds are most abundant.

The expertise offered in this stunning new volume, which includes eight full color pages, will lay the groundwork for future research for years to come.

Contributors

Katelyn J. Bishop
Patricia L. Crown
Samantha Fladd
Randee Fladeboe
Patricia A. Gilman
Thomas K. Harper
Michelle Hegmon
Douglas J. Kennett
Patrick D. Lyons
Charmion R. McKusick
Ben A. Nelson
Stephen Plog
José Luis Punzo Díaz
Polly Schaafsma
Christopher W. Schwartz
Octavius Seowtewa
Christine R. Szuter
Kelley L. M. Taylor
Michael E. Whalen
Peter M. Whiteley

"I love the native race with a tender love, and so I have observed its customs closely, enchanted by their simplicity, and, as well, the abjection into which this race is plunged by small-town despots, who, while their names may change, never fail to live up to the epithet of tyrants. They are no other than, in general, the priests, governors, caciques, and mayors." So wrote Clorinda Matto de Turner in Aves sin nido, the first major Spanish American novel to protest the plight of native peoples.

First published in 1889, Birds without a Nest drew fiery protests for its unsparing expose of small town officials, judicial authorities, and priests who oppressed the native peoples of Peru. Matto de Turner was excommunicated by the Catholic Church and burned in effigy. Yet her novel was strongly influential; indeed, Peruvian President Andres Avelino Caceres credited it with stimulating him to pursue needed reforms.

In 1904, the novel was published in a bowdlerized English translation with a modified ending. This edition restores the original ending and the translator's omissions. It will be important reading for all students of the indigenous cultures of South America.

Step into Birkenau, Marco Nahon’s unflinching memoir of survival in Auschwitz, where a Greek doctor bears witness to brutality, loss, and endurance—preserving forgotten voices and compelling readers to confront history through one unforgettable, human testimony

Birkenau is a searing firsthand Holocaust memoir by Greek physician Marco Nahon, recounting his deportation to Auschwitz-Birkenau and survival of one of history’s most lethal extermination camps. Writing soon after liberation, Nahon offers a deeply personal chronicle of Nazi persecution. He recounts the occupation of Greece, the ghettoization of Greek Jews, their transport to German death camps, and the daily horrors of camp life. He documents the dehumanization and destruction of Greek Jews while preserving the memory of those who perished. 

Nahon presents his story episodically, guiding readers through his arrest, transport, forced labor, and survival. He illuminates the historical context of the Holocaust with vivid stories from daily life in the death camps. Rounding out the work are maps, appendices, and Bowman’s introduction, which provides background on Greek Jewry—whose complex story is little known—and describes the progress of the Nazi occupation of Greece and the Balkans.

Nahon, an MD trained in Beirut who lost much of his family, writes with restrained objectivity that heightens the emotional force of his account, while the translation and editorial framing make this early memoir accessible to modern readers. 

This book will resonate with scholars of the Holocaust, students of World War II, and general readers seeking an authentic survivor voice. It is especially valuable for those interested in lesser-known aspects of the genocide, such as the fate of Greek Jewish communities. Both an indispensable historical document and a powerful act of remembrance, it speaks urgently to anyone committed to understanding—and never forgetting—the human realities of genocide.

Tells the story of how the Episcopal Church gained influence over Alabama’s cultural, political, and economic arenas despite being a denominational minority in the state

The consensus of southern historians is that, since the Second Great Awakening, evangelicalism has dominated the South. This is certainly true when one considers the extent to which southern culture is dominated by evangelical rhetoric and ideas. However, in Alabama one non-evangelical group has played a significant role in shaping the state’s history. J. Barry Vaughn explains that, although the Episcopal Church has always been a small fraction (around 1 percent) of Alabama’s population, an inordinately high proportion, close to 10 percent, of Alabama’s significant leaders have belonged to this denomination. Many of these leaders came to the Episcopal Church from other denominations because they were attracted to the church’s wide degree of doctrinal latitude and laissez-faire attitude toward human frailty.

Vaughn argues that the church was able to attract many of the state’s governors, congressmen, and legislators by positioning itself as the church of conservative political elites in the state--the planters before the Civil War, the “Bourbons” after the Civil War, and the “Big Mules” during industrialization. He begins this narrative by explaining how Anglicanism came to Alabama and then highlights how Episcopal bishops and congregation members alike took active roles in key historic movements including the Civil War, Reconstruction, and the Civil Rights Movement. Bishops, Bourbons, and Big Mules closes with Vaughn’s own predictions about the fate of the Episcopal Church in twenty-first-century Alabama.

Koskoff examines the history, cultural significance, and musical structures of contemporary gamelan angklung cremation music through the lens of three intertwined stories: existing scholarship on this music, written mostly by Western composers and scholars; the views of those performing and experiencing the music who regard it as dharma--ritual obligation, a basic concept in Balinese Hinduism; and the music itself, with a musical analysis focusing on changes in rasa--feeling, flavor and musical flow.

A journey inside a tradition, Bittersweet Sounds of Passage reveals the overlooked music of an important ritual in Balinese village life.

Centering Black grief in the aftermath of Lincoln’s assassination

On April 14, 1865, John Wilkes Booth carried out the first presidential assassination in United States history. The euphoria resulting from General Lee’s surrender evaporated at the news of Abraham Lincoln’s murder. The nation—excepting many white Southerners—found itself consumed with grief, and no group mourned Lincoln more deeply than people of color. African Americans did not speak with a monolithic voice on social or political issues, but even Lincoln’s Black contemporaries who may not have approved of him while he was alive mourned his death, understanding its implications for their future.

Beginning with the assassination itself and chronicling Lincoln’s three-week-long national funeral, historian Leonne M. Hudson captures the profound sadness of Black Americans as they mourned the crafter of the Emancipation Proclamation and the man they thought of as their earthly Moses, father, friend, and benefactor. Hudson continues the narrative by detailing the postwar efforts of African Americans to gain citizenship and voting rights.

Black Americans in Mourning includes the tributes of prominent figures such as Frederick Douglass, Martin R. Delany, and Elizabeth Keckley, who raised their voices to honor Lincoln, as well as formal expressions of grief by institutions and organizations such as the United States Colored Troops. In a triumph of research, Hudson also features the voices of lesser-known Black people who mourned Lincoln across the country, showing that the outpouring of individual and collective grief helped set the stage for his enduring glorification.

Blacks have lived and worked in Maine as early as the seventeenth century, but historically have constituted less than one percent of Maine's population. Probably for this reason, books on Blacks in New England have largely ignored the experience of African American Mainers. Black Bangor is the first major published study of a Black community in Maine.

This tightly woven case study examines the African American community in Bangor during its heyday, 1880–1950, the period that saw an unprecedented migration of Blacks to that city. Blacks migrated to Bangor not just from other New England states, but from the Caribbean and Canadian Maritime Provinces as well, creating a heterogeneous community with roots in two hemispheres. Constituting an “ultraminority” in Bangor (according to the census, Blacks never numbered more than 300 souls during this period), this diverse community nonetheless came together to establish an impressive range of institutions, including local chapters of the NAACP and Odd Fellows, as well as of Mothers and Junior Mothers Clubs. Concentrated in an area known as the Parker Street neighborhood, Black women in Bangor became domestics and cooks, caterers and beauticians, clerks and stenographers. Men worked as loggers, teamsters, porters, chefs, and barbers; a few owned businesses. 

Organized thematically, with sections on migration, labor, daily life, and community, Black Bangor's topics include not just migration patterns, work, and religious and cultural organizations, but also African American homes, furniture, clothing, and foodways. Elgersman Lee also examines race relations and depictions of Blacks in the local media, and draws comparisons between the experiences of Bangor's African American population and those of Blacks in other New England cities. 

This fascinating and exhaustive study will appeal to anyone from Maine, as well as those interested in African American history and the rich texture of the region's cultural life.

Under a provision in the Brazilian constitution, rural black communities identified as the modern descendants of quilombos—runaway slave communities—are promised land rights as a form of reparations for the historic exclusion of blacks from land ownership. The quilombo provision has been hailed as a success for black rights; however, rights for quilombolas are highly controversial and, in many cases, have led to violent land conflicts. Although thousands of rural black communities have been legally recognized, only a handful have received the rights they were promised. Conflict over quilombola rights is widespread and carries important consequences for race relations and political representations of blackness in twenty-first century Brazil.

Drawing on a year of field research in a quilombola community, Elizabeth Farfán-Santos explores how quilombo recognition has significantly affected the everyday lives of those who experience the often-complicated political process. Questions of identity, race, and entitlement play out against a community’s struggle to prove its historical authenticity—and to gain the land and rights they need to survive. This work not only demonstrates the lived experience of a new, particular form of blackness in Brazil, but also shows how blackness is being mobilized and reimagined to gain social rights and political recognition. Black Bodies, Black Rights thus represents an important contribution to the rapidly growing interdisciplinary field of Afro-Latino studies.

Exploring the forces that keep black people vulnerable even amid economically privileged lives

At a moment in U.S. history with repeated reminders of the vulnerability of African Americans to state and extralegal violence, Black Bourgeois is the first book to consider the contradiction of privileged, presumably protected black bodies that nonetheless remain racially vulnerable. Examining disruptions around race and class status in literary texts, Candice M. Jenkins reminds us that the conflicted relation of the black subject to privilege is not, solely, a recent phenomenon.

Focusing on works by Toni Morrison, Spike Lee, Danzy Senna, Rebecca Walker, Reginald McKnight, Percival Everett, Colson Whitehead, and Michael Thomas, Jenkins shows that the seemingly abrupt discursive shift from post–Civil Rights to Black Lives Matter, from an emphasis on privilege and progress to an emphasis on vulnerability and precariousness, suggests a pendulum swing between two interrelated positions still in tension. By analyzing how these narratives stage the fraught interaction between the black and the bourgeois, Jenkins offers renewed attention to class as a framework for the study of black life—a necessary shift in an age of rapidly increasing income inequality and societal stratification.

Black Bourgeois thus challenges the assumed link between blackness and poverty that has become so ingrained in the United States, reminding us that privileged subjects, too, are “classed.” This book offers, finally, a rigorous and nuanced grasp of how African Americans live within complex, intersecting identities.

2023 Ralph J. Gleason Music Book Award, Rock & Roll Hall of Fame
2024 Woody Guthrie Book Award, International Association for the Study of Popular Music-US Branch (IASPM-US)
2023 Certificate of Merit, ARSC Awards for Excellence in Historical Recorded Sound Research, Association for Recorded Sound Collections​
2023 The Judy Tsou Critical Race Studies Award, American Musicological Society

How Black musicians have changed the country music landscape and brought light to Black creativity and innovation.

After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work—the first book on Black country music by a Black writer—Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre.

Informed by queer theory and Black feminist scholarship, Royster’s book elucidates the roots of the current moment found in records like Tina Turner’s first solo album, Tina Turns the Country On! She reckons with Black “bros” Charley Pride and Darius Rucker, then chases ghosts into the future with Valerie June. Indeed, it is the imagination of Royster and her artists that make this music so exciting for a genre that has long been obsessed with the past. The futures conjured by June and others can be melancholy, and are not free of racism, but by centering Black folk Royster begins to understand what her daughter hears in the banjo music of Our Native Daughters and the trap beat of Lil Nas X’s “Old Town Road.” A Black person claiming country music may still feel a bit like a queer person coming out, but, collectively, Black artists and fans are changing what country music looks and sounds like—and who gets to love it.