5159 books match the query 'Biography' and 297 start with b

cover of Bear Wrangler: Memoirs of an Alaska Pioneer Biologist

Bear Wrangler

Memoirs of an Alaska Pioneer Biologist

Will Troyer

University of Alaska Press, 2008

 Beginning in 1951, Will Troyer embarked on a thirty-year career with the U.S. Department of the Interior that included positions such as fish and game warden and manager of the Kodiak Island brown bear preserve. Troyer’s engaging prose affirms his passionate connection to the natural world, as he describes experiences such as being in the midst of a herd of 40,000 caribou. Bear Wrangler is an absorbing tale of one man’s experience as an authentic pioneer in the last vestiges of American wilderness.
 
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cover of Bearing Witness: Memories of Arkansas Slavery

Bearing Witness

Memories of Arkansas Slavery

George E. Lankford

University of Arkansas Press, 2006

The first edition of Bearing Witness brought together for the first time 176 slave narratives from the state of Arkansas. Now, this new edition adds ten previously undiscovered accounts. No one knew the truths of slavery better than the slaves themselves, but no one consulted them until the 1930s. Then, recognizing that this generation of unique witnesses would soon be lost to history, the Works Progress Administration's Federal Writers' Project acted to interview as many former slaves as possible. In a continuation of the project's interest in the life histories of ordinary people, writers interviewed over two thousand former slaves, more than a third of them in Arkansas. These oral histories were first published in the 1970s in a thirty-nine-volume series organized by state, and they transformed America's understanding of slavery. They have offered crucial evidence on a variety of other topics as well: the Civil War, Reconstruction, agricultural practices, everyday life, and oral history itself. But some former Arkansas slaves were interviewed in Texas, Oklahoma, and other states, so their narratives were published in those other collections. And more than half of the testimonies in the Arkansas volume were interviews with people who had moved to Arkansas after freedom. Folklorist George Lankford combed all of the state collections for the testimonies properly belonging to Arkansas and deleted from this state's collection the testimony of later migrants
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cover of Beautiful Mystery: Living in a Wordless World

Beautiful Mystery

Living in a Wordless World

Danilyn Rutherford

Duke University Press, 2025

When Danilyn Rutherford and her husband Craig noticed that their six-month-old daughter Millie wasn’t making eye contact, they took her to their pediatrician. And an optometrist. Then a neurologist. Later, to a team of physical and occupational therapists. None of the doctors could give Millie a diagnosis, but it was clear that her brain was not developing at the rate it should. At an age when some children take their first steps, Millie had the cognitive ability and motor skills of a three-month-old. Three years later, Craig died suddenly of a heart attack and Danilyn found herself on the precipice of her anthropology career as a widow and single mother, still trying to solve the puzzle posed by Millie’s inaccessible mind.

Now in her twenties, Millie has never been able to express herself verbally, but she has a thriving social environment rooted in the people around her and in things her companions and family can see, hear, smell, and feel. Life in Millie’s world is far richer than might be immediately evident to those who think and communicate in conventional ways.

Beautiful Mystery explores what it means to be a person in the spaces between what we can and cannot say, and how we can fight to care for those we love when they don’t have the language to fight for themselves. Through her unique lens as a mother and an anthropologist, Rutherford tells the story of arriving in Millie’s world, what she found there, and how Millie showed her that words aren’t always what makes us human. Enlightening and deeply felt, Beautiful Mystery proves that you don’t have to understand someone to love them—a lesson that, if we all learned it, might allow us to live together in a fractured world.
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cover of Beautiful Work: A Meditation on Pain

Beautiful Work

A Meditation on Pain

Sharon Cameron

Duke University Press, 2000

The stories one tells about pain are profound ones. Nothing is more legible than these stories. But something is left out of them. If there were no stories, there might be a moment of innocence. A moment before the burden of the stories and their perceived causes and consequences. For Anna, the narrator of Beautiful Work, there were moments when it was not accurate to say in relation to pain "because of this‚" or "leading to that." They were lucid moments. And so she began to hunger for storylessness.
In order to understand the nature of pain, Anna undertakes a meditation practice. We tend to think of pain as self-absorbing and exclusively our own ("my pain," "I am in pain"). In distinction, Sharon Cameron’s Anna comes to explore pain as common property, and as the basis for a radically reconceived selfhood. Resisting the limitations of memoir, Beautiful Work speaks from experience and simultaneously releases it from the closed shell of personal ownership. Outside of the not quite inevitable stories we tell about it, experience is less protected, less compromised, and more vivid than could be supposed.
Beautiful Work brings to bear the same interest in consciousness and intersubjectivity that characterizes Cameron’s other work.
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cover of Because I'd Hate to Just Disappear: My Cancer, My Self, Our Story

Because I'd Hate to Just Disappear

My Cancer, My Self, Our Story

Don Hardy

University of Nevada Press, 2018

“Illness, in the larger sense of mortality,” Don Hardy writes, “is an inescapable shared trait among all living creatures, and we humans know about it, whether or not we want to talk about it.”

Because I’d Hate to Just Disappear is a portrait of a husband and wife, Don and Heather Hardy, thrown into the physical and emotional machinery of Don being diagnosed with leukemia and going through chemotherapy and treatment over a period of close to two years.

In this thoughtful and exquisite account, Don and Heather narrate Don’s struggle in real-time. Disarmingly honest, they recount each intimate stage of a couple living through cancer together, the mental and physical struggles, the humor and visceral emotion to reveal how two very different personalities shape—and are shaped by—the experience of cancer and its treatment. Through these moments emerge a constant flow of human kindness and discovery that lifts them each day.
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cover of Because the Light Will Not Forgive Me: Essays from a Poet

Because the Light Will Not Forgive Me

Essays from a Poet

Shaun T, Griffin

University of Nevada Press, 2019

“Think of a man walking in the desert,” writes Griffin, “looking for the path to its summit, looking for the observatory that may, at last, shed light on what’s below.”

In this luminous and moving book of essays, award-winning author Shaun Griffin weaves together a poetic meditation on living meaningfully in this world. Anchored in the American West but reaching well beyond, he recounts his discoveries as a poet and devoted reader of poetry, a teacher of the disadvantaged, a friend of poets and artists, and a responsible member of the human family.

Always grounded in place, be it Nevada, South Africa, North Dakota, Spain, Zimbabwe, or Mexico, Griffin confronts the world with an openness that allows him to learn and grow from the people he meets. This is a meditation on how all of us can confront our own influences to achieve wholeness in our lives. Along with Griffin, readers will reflect on how they might respond to a homeless man walking through central Nevada, viewing the open desert as Thoreau might have viewed Walden, seeing the US-Mexico border as a region of lost identity, reconciling how poets who live west of the Hudson River find anonymity to be their laurel, and experiencing how writing poetry in prison becomes lifesaving.

Whether poets or places in the West or beyond, experiences with other cultures, or an acute awareness that poetry is the refuge of redress—all have influenced Griffin’s writing and thinking as a poet and activist in the Great Basin. The mindfulness of Because the Light Will Not Forgive Me demonstrates that even though the light does not forgive, it still reveals.
 
 
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cover of Becoming Anna

Becoming Anna

Anna J. Michener

University of Chicago Press, 1998

Becoming Anna is the poignant memoir of the first sixteen years in the life of Anna Michener, a young woman who fought a painful battle against her abusive family. Labeled "crazy girl" for much of her childhood, Anna suffered physical and emotional damage at the hands of the adults who were supposed to love and protect her. Committed to various mental institutions by her family, at sixteen Anna was finally able to escape her chaotic home life and enter a foster home. As an effort toward recovery and self-affirmation as well as a powerful plea on behalf of other abused children, Anna wrote this memoir while the experience was fresh and the emotions were still raw and unhealed. Her story is a powerful tale of survival.

"A teen's raw, in-your-face chronicle of events almost as they were happening. As such, it's unforgettable. . . . Michener's story gives voice to the thousands of children and adolescents trapped in 'the system,' biding their time until their 18th birthdays. A candid and unstinting tell-all."—Kirkus Reviews

"Extraordinary. . . . Michener's expressive writing does justice to a topic that is clearly very disturbing to her personally and communicates a profoundly important message on behalf of all abused and neglected children."—Booklist

"An important book, painful to read, but essential if other children in similar situations are to be saved."—Library Journal

"An innocent child's account of 16 years in hell and of the terrible wrongs inflicted on children who are without rights or caring advocates."—Choice

"[Michener] emerges as a compelling and courageous advocate for children and their welfare—she's a young writer with an extraordinary voice."Feminist Bookstore News

"Quite simply one of the best, most compelling, well-written autobiographies published in years. . . . Remember the name. We have not heard the last of Anna Michener."—Myree Whitfield, Melbourne Herald-Sun, cover story

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cover of Becoming Belafonte: Black Artist, Public Radical

Becoming Belafonte

Black Artist, Public Radical

By Judith E. Smith

University of Texas Press, 2014

A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II—from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael—Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power.

In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive study of this multitalented artist. She sets Belafonte’s compelling story within a history of American race relations, black theater and film history, McCarthy-era hysteria, and the challenges of introducing multifaceted black culture in a moment of expanding media possibilities and constrained political expression. Smith traces Belafonte’s roots in the radical politics of the 1940s, his careful negotiation of the complex challenges of the Cold War 1950s, and his full flowering as a civil rights advocate and internationally acclaimed performer in the 1960s. In Smith’s account, Belafonte emerges as a relentless activist, a questing intellectual, and a tireless organizer. From his first national successes as a singer of Calypso-inflected songs to the dedication he brought to producing challenging material on television and film regardless of its commercial potential, Belafonte stands as a singular figure in American cultural history—a performer who never shied away from the dangerous crossroads where art and politics meet.

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cover of Becoming Historians

Becoming Historians

Edited by James M. Banner, Jr. and John R. Gillis

University of Chicago Press, 2009

In this unique collection, the memoirs of eleven historians provide a fascinating portrait of a formative generation of scholars. Born around the time of World War II, these influential historians came of age just before the upheavals of the 1960s and ’70s and helped to transform both their discipline and the broader world of American higher education. The self-inventions they thoughtfully chronicle led, in many cases, to the invention of new fields—including women’s and gender history, social history, and public history—that cleared paths in the academy and made the study of the past more capacious and broadly relevant. In these stories—skillfully compiled and introduced by James Banner and John Gillis—aspiring historians will find inspiration and guidance, experienced scholars will see reflections of their own dilemmas and struggles, and all readers will discover a rare account of how today’s seasoned historians embarked on their intellectual journeys.

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cover of Becoming Julia de Burgos: The Making of a Puerto Rican Icon

Becoming Julia de Burgos

The Making of a Puerto Rican Icon

Vanessa Perez Rosario

University of Illinois Press, 2014

While it is rare for a poet to become a cultural icon, Julia de Burgos has evoked feelings of bonding and identification in Puerto Ricans and Latinos in the United States for over half a century.
 
In the first book-length study written in English, Vanessa Pérez-Rosario examines poet and political activist Julia de Burgos's development as a writer, her experience of migration, and her legacy in New York City, the poet's home after 1940. Pérez-Rosario situates Julia de Burgos as part of a transitional generation that helps to bridge the historical divide between Puerto Rican nationalist writers of the 1930s and the Nuyorican writers of the 1970s. Becoming Julia de Burgos departs from the prevailing emphasis on the poet and intellectual as a nationalist writer to focus on her contributions to New York Latino/a literary and visual culture. It moves beyond the standard tragedy-centered narratives of de Burgos's life to place her within a nuanced historical understanding of Puerto Rico's peoples and culture to consider more carefully the complex history of the island and the diaspora. Pérez-Rosario unravels the cultural and political dynamics at work when contemporary Latina/o writers and artists in New York revise, reinvent, and riff off of Julia de Burgos as they imagine new possibilities for themselves and their communities.
 
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cover of Becoming Laura Ingalls Wilder: The Woman behind the Legend

Becoming Laura Ingalls Wilder

The Woman behind the Legend

John E. Miller

University of Missouri Press, 2005

Although generations of readers of the Little House books are familiar with Laura Ingalls Wilder’s early life up through her first years of marriage to Almanzo Wilder, few know about her adult years. Going beyond previous studies, Becoming Laura Ingalls Wilder focuses upon Wilder’s years in Missouri from 1894 to 1957. Utilizing her unpublished autobiography, letters, newspaper stories, and other documentary evidence, John E. Miller fills the gaps in Wilder’s autobiographical novels and describes her sixty-three years of living in Mansfield, Missouri. As a result, the process of personal development that culminated in Wilder’s writing of the novels that secured her reputation as one of America’s most popular children’s authors becomes evident.
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cover of Becoming Ray Bradbury

Becoming Ray Bradbury

Jonathan R. Eller

University of Illinois Press, 2013

Becoming Ray Bradbury chronicles the making of an iconic American writer by exploring Ray Bradbury's childhood and early years of his long life in fiction, film, television, radio, and theater. Jonathan R. Eller measures the impact of the authors, artists, illustrators, and filmmakers who stimulated Bradbury's imagination throughout his first three decades. Unprecedented access to Bradbury's personal papers and other private collections provides insight into his emerging talent through his unpublished correspondence, his rare but often insightful notes on writing, and his interactions with those who mentored him during those early years.

Beginning with his childhood in Waukegan, Illinois, and Los Angeles, this biography follows Bradbury's development from avid reader to maturing author, making a living writing for the genre pulps and mainstream magazines. Eller illuminates the sources of Bradbury's growing interest in the human mind, the human condition, and the ambiguities of life and death--themes that became increasingly apparent in his early fiction. Bradbury's correspondence documents his frustrating encounters with the major trade publishing houses and his earliest unpublished reflections on the nature of authorship. Eller traces the sources of Bradbury's very conscious decisions, following the sudden success of The Martian Chronicles and The Illustrated Man, to voice controversial political statements in his fiction. Eller also elucidates the complex creative motivations that yielded Fahrenheit 451.

Becoming Ray Bradbury reveals Bradbury's emotional world as it matured through his explorations of cinema and art, his interactions with agents and editors, his reading discoveries, and the invaluable reading suggestions of older writers. These largely unexplored elements of his life pave the way to a deeper understanding of his more public achievements, providing a biography of the mind, the story of Bradbury's self-education and the emerging sense of authorship at the heart of his boundless creativity.

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cover of Becoming What One Is

Becoming What One Is

Austin Warren

University of Michigan Press, 1995

The late Austin Warren was one of the most distinguished literary scholars of the twentieth century, well known as a biographer, literary critic, and teacher. He retired from the University of Michigan English Department in 1968 after twenty years on the faculty. Warren's memoir ends at age forty, because, as he explains in the preface, the most interesting part of anyone's life is the formative years.

He begins with his childhood in Massachusetts and education at Wesleyan, Harvard, and Princeton, and ends with reflections on the problems of integrating his profession, teaching, with his vocation, writing. The journey in between is extraordinary, a re-creation of the scholar's search for identity, religion, wisdom, and a new vision of the role of a teacher.

Warren "forged his soul when others weren't looking," writes Russell Fraser in his foreword to the book. He grew up on a lonely New England farm, went to a school where he learned to hate even Shakespeare, and entered college without enthusiasm. But the history of his education, as is often the case, was one first of rescue by inspiring mentors, then of outgrowing those mentors, and finally of forging a vision of his own. By the 1930s he had shaken up classrooms by abandoning formal lectures and become an inspiration in his own right.

A singular personality who never stopped searching for meaningful spirituality and a wider intellectual world, Austin Warren was among the most important scholars of the twentieth century. His memoirs of "becoming" are an elegant and absorbing chronicle.

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cover of Becoming Willa Cather: Creation and Career

Becoming Willa Cather

Creation and Career

Daryl W. Palmer

University of Nevada Press, 2019

From the girl in Red Cloud who oversaw the construction of a miniature town called Sandy Point in her backyard, to the New Woman on a bicycle, celebrating art and castigating political abuse in Lincoln newspapers, to the aspiring novelist in New York City, committed to creation and career, Daryl W. Palmer’s groundbreaking literary biography offers a provocative new look at Willa Cather’s evolution as a writer.

Willa Cather has long been admired for O Pioneers! (1913), Song of the Lark (1915), and My Ántonia (1918)—the “prairie novels” about the lives of early Nebraska pioneers that launched her career. Thanks in part to these masterpieces, she is often viewed as a representative of pioneer life on the Great Plains, a controversial innovator in American modernism, and a compelling figure in the literary history of LGBTQ America. A century later, scholars acknowledge Cather’s place in the canon of American literature and continue to explore her relationship with the West.

Drawing on original archival research and paying unprecedented attention to Cather’s early short stories, Palmer demonstrates that the relationship with Nebraska in the years leading up to O Pioneers! is more dynamic than critics and scholars thought. Readers will encounter a sur­prisingly bold young author whose youth in Nebraska served as a kind of laboratory for her future writing career. Becoming Willa Cather changes the way we think about Cather, a brilliant and ambitious author who embraced experimentation in life and art, intent on reimagining the American West.
 
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cover of Becoming a Poet: Elizabeth Bishop with Marianne Moore and Robert Lowell

Becoming a Poet

Elizabeth Bishop with Marianne Moore and Robert Lowell

David Kalstone

University of Michigan Press, 2001

Becoming a Poet traces the evolution of Elizabeth Bishop's poetic career through her friendships with other poets, notably Marianne Moore and Robert Lowell. Published in 1989 following critic David Kalstone's death, with the help of a number of his friends and colleagues, it was greeted with uniformly enthusiastic praise. Hailed at that time as "one of the most sensitive appreciations of Elizabeth Bishop's genius ever composed" and "a first-rate piece of criticism" and "a masterpiece of understanding about friendship and about poetry," it has been largely unavailable in recent years.
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cover of Becoming a Visible Man: Second Edition

Becoming a Visible Man

Second Edition

Jamison Green

Vanderbilt University Press, 2020

At least two generations of transgender, nonbinary, and gender-nonconforming people have emerged since Becoming a Visible Man was first published in 2004, but the book remains a beloved resource for trans people and their allies.

Since the first edition's publication, author Jamison Green's writings and advocacy among business and governmental organizations around the world have led to major changes in the fields of law, medicine, and social policy, and his (mostly invisible) work has had significant effects on trans people globally. This new edition captures the changes of the last two decades, while also imparting a message of self-acceptance and health.

With profoundly personal and eminently practical threads, Green clarifies transgender experience for transgender people and their families, friends, and coworkers. Medical and mental health care providers, educators, business leaders, and advocates seeking information about transgender concerns can all gain from Green's integrative approach to the topic. This book candidly addresses emotional relationships that are affected by a transition, and brings refined integrity to the struggle to self-define, whether one undergoes a transition or chooses not to.

Emphasizing the lives of transgender men—who are often overlooked—he elucidates the experience of masculinity in a way that is self-assured and inclusive of feminist values. Green's inspirational wisdom has informed and empowered thousands of readers. There is still no other book like Becoming a Visible Man in the transgender canon.
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cover of Beep: Inside the Unseen World of Baseball for the Blind

Beep

Inside the Unseen World of Baseball for the Blind

David Wanczyk

Ohio University Press, 2018

In Beep, David Wanczyk illuminates the sport of blind baseball to show us a remarkable version of America’s pastime. With balls tricked out to squeal three times per second, and with bases that buzz, this game of baseball for the blind is both innovative and intense. And when the best beep baseball team in America, the Austin Blackhawks, takes on its international rival, Taiwan Homerun, no one’s thinking about disability. What we find are athletes playing their hearts out for a championship.

Wanczyk follows teams around the world and even joins them on the field to produce a riveting inside narrative about the game and its players. Can Ethan Johnston, kidnapped and intentionally blinded as a child in Ethiopia, find a new home in beep baseball, and a spot on the all-star team? Will Taiwan’s rookie MVP Ching-kai Chen—whose superhuman feats on the field have left some veterans suspicious—keep up his incredible play? And can Austin’s Lupe Perez harness his competitive fire and lead his team to a long-awaited victory in the beep baseball world series?

Beep is the first book about blind baseball.

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cover of Beethoven for a Later Age: Living with the String Quartets

Beethoven for a Later Age

Living with the String Quartets

Edward Dusinberre

University of Chicago Press, 2016

Beethoven’s sixteen string quartets are some of the most extraordinary and challenging pieces of music ever written. Originally composed and performed between 1798 and 1826, they have inspired artists of all kinds—not only musicians—and have been subject to endless reinterpretation. But what is it like to personally take up the challenge of these compositions, not only as a musician, but as a member of a quartet, where each player has ideas about style and expression? To answer this question, Edward Dusinberre, first violinist of the renowned Takács Quartet, offers a rare peek inside the workings of his ensemble, while providing an insightful history of the compositions and their performance.

Founded in Hungary in 1975 and now based in Boulder, Colorado, the Takács is one of the world’s preeminent string quartets, and performances of Beethoven have been at the center of their work together for over forty years. Using the history of both the Takács Quartet and the Beethoven quartets as a foundation, Beethoven for a Later Age provides a backstage look at the daily life of a quartet, showing the necessary creative tension between individual and group and how four people can at the same time forge a lasting artistic connection and enjoy making music together over decades. The key, Dusinberre reveals, to a quartet crafting its own sound is in balancing continuity with change and experimentation—a theme that lies at the heart of Beethoven’s remarkable compositions. In an accessible style, suitable for novices and chamber music enthusiasts alike, Dusinberre illuminates the variety and contradictions of Beethoven's quartets, which were composed against the turbulent backdrop of the Napoleonic Wars and their aftermath, and he brings the technical aspects of the music to life.

Beethoven for a Later Age vividly shows that creative engagement with Beethoven’s radical and brilliant quartets continues to be as stimulating now as it was for its first performers and audiences. Musicians and music lovers will be intrigued by Dusinberre’s exploration of the close collaboration at the heart of any great performance.
 
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cover of Before Brown: Heman Marion Sweatt, Thurgood Marshall, and the Long Road to Justice

Before Brown

Heman Marion Sweatt, Thurgood Marshall, and the Long Road to Justice

By Gary M. Lavergne

University of Texas Press, 2010

Winner, Coral Horton Tullis Memorial Prize for Best Book on Texas History, Texas State Historical Association, 2010
Carr P. Collins Award, Texas Institute of Letters, 2011

On February 26, 1946, an African American from Houston applied for admission to the University of Texas School of Law. Although he met all of the school's academic qualifications, Heman Marion Sweatt was denied admission because he was black. He challenged the university's decision in court, and the resulting case, Sweatt v. Painter, went to the U.S. Supreme Court, which ruled in Sweatt's favor. The Sweatt case paved the way for the landmark Brown v. Board of Education of Topeka rulings that finally opened the doors to higher education for all African Americans and desegregated public education in the United States.

In this engrossing, well-researched book, Gary M. Lavergne tells the fascinating story of Heman Sweatt's struggle for justice and how it became a milestone for the civil rights movement. He reveals that Sweatt was a central player in a master plan conceived by the National Association for the Advancement of Colored People (NAACP) for ending racial segregation in the United States. Lavergne masterfully describes how the NAACP used the Sweatt case to practically invalidate the "separate but equal" doctrine that had undergirded segregated education for decades. He also shows how the Sweatt case advanced the career of Thurgood Marshall, whose advocacy of Sweatt taught him valuable lessons that he used to win the Brown v. Board of Education case in 1954 and ultimately led to his becoming the first black Associate Justice of the Supreme Court.

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cover of Before Fidel: The Cuba I Remember

Before Fidel

The Cuba I Remember

By Francisco José Moreno

University of Texas Press, 2007

Before Fidel Castro seized power, Cuba was an ebullient and chaotic society in a permanent state of turmoil, combining a raucous tropical nature with the evils of arbitrary and corrupt government. Yet this fascinating period in Cuban history has been largely forgotten or misrepresented, even though it set the stage for Castro's dramatic takeover in 1959. To reclaim the Cuba that he knew—and add color and detail to the historical record—distinguished political scientist Francisco José Moreno here offers his recollections of the Cuba in which he came of age personally and politically.

Moreno takes us into the little-known world of privileged, upper-middle-class, white Cubans of the 1930s through the 1950s. His vivid depictions of life in the family and on the streets capture the distinctive rhythms of Cuban society and the dynamics between parents and children, men and women, and people of different races and classes. The heart of the book describes Moreno's political awakening, which culminated during his student years at the University of Havana. Moreno gives a detailed, insider's account of the anti-Batista movement, including the Ortodoxos and the Triple A. He recaptures the idealism and naiveté of the movement, as well as its ultimate ineffectiveness as it fell before the juggernaut of the Castro Revolution. His own disillusionment and wrenching decision to leave Cuba rather than accept a commission in Castro's army poignantly closes the book.

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cover of Before Lawrence v. Texas: The Making of a Queer Social Movement

Before Lawrence v. Texas

The Making of a Queer Social Movement

Wesley G. Phelps

University of Texas Press, 2022

2024 Coral Horton Tullis Memorial Prize, Texas State Historical Association
2024 Award of Merit, The Philosophical Society of Texas Nonfiction Book Prize

The grassroots queer activism and legal challenges that led to a landmark Supreme Court decision in favor of gay and lesbian equality.

In 2003 the US Supreme Court overturned anti-sodomy laws across the country, ruling in Lawrence v. Texas that the Constitution protects private consensual sex between adults. To some, the decision seemed to come like lightning from above, altering the landscape of America’s sexual politics all at once. In actuality, many years of work and organizing led up to the legal case, and the landmark ruling might never have happened were it not for the passionate struggle of Texans who rejected their state’s discriminatory laws.

Before Lawrence v. Texas tells the story of the long, troubled, and ultimately hopeful road to constitutional change. Wesley G. Phelps describes the achievements, setbacks, and unlikely alliances along the way. Over the course of decades, and at great risk to themselves, gay and lesbian Texans and their supporters launched political campaigns and legal challenges, laying the groundwork for Lawrence. Phelps shares the personal experiences of the people and couples who contributed to the legal strategy that ultimately overturned the state’s discriminatory law. Even when their individual court cases were unsuccessful, justice seekers and activists collectively influenced public opinion by insisting that their voices be heard. Nine Supreme Court justices ruled, but it was grassroots politics that vindicated the ideal of equality under the law.

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cover of Before Pictures

Before Pictures

Douglas Crimp

University of Chicago Press, 2016

Douglas Crimp is the rare art critic whose work profoundly influenced a generation of artists. He is best known for his work with the “Pictures Generation”—the very name of which Crimp coined to define the work of artists like Robert Longo and Cindy Sherman who appropriated images from mass culture to carry out a subversive critique. But while his influence is widely recognized, we know little about Crimp’s own formative experiences before “Pictures.”

Before Pictures tells the story of Crimp’s life as a young gay man and art critic in New York City during the late 1960s through the turbulent 1970s. Crimp participated in all of what made the city so stimulating in that vibrant decade. The details of his professional and personal life are interwoven with this the particularly rich history of New York City at that time, producing a vivid portrait of both the critic and his adopted city. The book begins with his escape from his hometown in Idaho, and we quickly find Crimp writing criticism for ArtNews while working at the Guggenheim—where, as a young curatorial assistant, he was one of the few to see Daniel Buren’s Peinture-Sculpture before it was removed amid cries of institutional censorship. We also travel to the Chelsea Hotel (where Crimp helped the down-on-his-luck couturier Charles James organize his papers) through to his days as a cinephile and balletomane to the founding of the art journal October, where he remained a central figure for many years. As he was developing his reputation as a critic, he was also partaking of the New York night life, from drugs and late nights alongside the Warhol crowd at the Max’s Kansas City to discos, roller-skating, and casual sex with famous (and not-so-famous) men. As AIDS began to ravage the closely linked art and gay communities, Crimp eventually turned his attention to activism dedicated to rethinking AIDS.

Part biography and part cultural history, Before Pictures is a courageous account of an exceptional period in both Crimp’s life and the life of New York City. At the same time, it offers a deeply personal and engaging point of entry into important issues in contemporary art.
 
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cover of Before Porn Was Legal: The Erotica Empire of Beate Uhse

Before Porn Was Legal

The Erotica Empire of Beate Uhse

Elizabeth Heineman

University of Chicago Press, 2011

Struggling to survive in post­–World War II Germany, Beate Uhse (1919–2001)—a former Luftwaffe pilot, war widow, and young mother—turned to selling goods on the black market. A self-penned guide to the rhythm method found eager buyers and started Uhse on her path to becoming the world’s largest erotica entrepreneur. Battling restrictive legislation, powerful churches, and conservative social mores, she built a mail-order business in the 1950s that sold condoms, sex aids, self-help books, and more. The following decades brought the world’s first erotica shop, the legalization of pornography, the expansion of her business into eastern Germany, and web-based commerce.

Uhse was only one of many erotica entrepreneurs who played a role in the social and sexual revolution accompanying Germany’s transition from Nazism to liberal democracy. Tracing the activities of entrepreneurs, customers, government officials, and citizen-activists, Before Porn Was Legal brings to light the profound social, legal, and cultural changes that attended the growth of the erotica sector. Heineman’s innovative readings of governmental and industry records, oral histories, and the erotica industry’s products uncover the roots of today’s sexual marketplace and reveal the indelible ways in which sexual expression and consumption have become intertwined.

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cover of Before They Could Vote: American Women's Autobiographical Writing, 1819–1919

Before They Could Vote

American Women's Autobiographical Writing, 1819–1919

Edited by Sidonie A. Smith and Julia Watson

University of Wisconsin Press, 2006

The life narratives in this collection are by ethnically diverse women of energy and ambition—some well known, some forgotten over generations—who confronted barriers of gender, class, race, and sexual difference as they pursued or adapted to adventurous new lives in a rapidly changing America. The engaging selections—from captivity narratives to letters, manifestos, criminal confessions, and childhood sketches—span a hundred years in which women increasingly asserted themselves publicly. Some rose to positions of prominence as writers, activists, and artists; some sought education or wrote to support themselves and their families; some transgressed social norms in search of new possibilities. Each woman's story is strikingly individual, yet the brief narratives in this anthology collectively chart bold new visions of women's agency.

"This rich new anthology sets in motion an inter-textual conversation of remarkable vitality that will change the ways we understand gender, class, ethnicity, culture, and nation in nineteenth-century America."—Susanna Egan, author of Mirror-Talk

[more]
cover of Before the Fire Dogs Steal the Sun: An Elegy

Before the Fire Dogs Steal the Sun

An Elegy

Crystal Mun-hye Baik

Duke University Press, 2026

In Before the Fire Dogs Steal the Sun, Crystal Mun-hye Baik offers an intimate cultural history of war, illness, banishment, and estrangement through the experiential lens of her family. Beginning with her father's death and mother's psychiatric hold in 2022, Baik situates her parents’ lives within the enmeshed narratives of Japanese colonialism, war, and transoceanic migration, examining Korean diasporic grief as a felt form of thinking and writing, rather than an object of study. In doing so, she reckons with diasporic genealogies of precarity that have configured the everyday lives of her parents and ancestral communities. Blending different genres from narrative prose to visual essay, epistles to ancestral mourning rites, Before the Fire Dogs Steal the Sun is a meditation on the personal and ethical entanglements scholars must confront when they are implicated in the histories of violence they study.
[more]
cover of Before the Manifesto: The Life Writings of Mary Lois Walker Morris

Before the Manifesto

The Life Writings of Mary Lois Walker Morris

Melissa Lambert Milewski

Utah State University Press, 2007

Mary Lois Walker Morris was a Mormon woman who challenged both American ideas about marriage and the U.S. legal system. Before the Manifesto provides a glimpse into her world as the polygamous wife of a prominent Salt Lake City businessman, during a time of great transition in Utah. This account of her life as a convert, milliner, active community member, mother, and wife begins in England, where her family joined the Mormon church, details her journey across the plains, and describes life in Utah in the 1880s. Her experiences were unusual as, following her first husband's deathbed request, she married his brother, as a plural wife, in the Old Testament tradition of levirate marriage.

Mary Morris's memoir frames her 1879 to 1887 diary with both reflections on earlier years and passages that parallel entries in the day book, giving readers a better understanding of how she retrospectively saw her life. The thoroughly annotated diary offers the daily experience of a woman who kept a largely self-sufficient household, had a wide social network, ran her own business, wrote poetry, and was intellectually curious. The years of "the Raid" (federal prosecution of polygamists) led Mary and Elias Morris to hide their marriage on "the underground," and her to perjury in court during Elias's trial for unlawful cohabitation. The book ends with Mary Lois's arrival at the Salt Lake Depot after three years in exile in Mexico with a polygamist colony.
[more]
cover of Before the Storm: A Year in the Pribilof Islands, 1941-1942

Before the Storm

A Year in the Pribilof Islands, 1941-1942

Fredericka Martin

University of Alaska Press, 2010

From June of 1941 through the following summer, Fredericka Martin lived with her husband, Dr. Samuel Berenberg, on remote St. Paul Island in Alaska. During that time, Martin delved into the complex history of the Unangan people, and Before the Storm draws from her personal accounts of that year and her research to present a fascinating portrait of a time and a people facing radical change. A government-ordered evacuation of all Aleuts from the island in the face of World War II, which Martin recounts in her journal, proved but the first step in a long struggle by native peoples to gain independence, and, as editor Raymond L. Hudson explains, Martin came to play a significant role in the effort.

[more]
cover of Begin Again: A Biography of John Cage

Begin Again

A Biography of John Cage

Kenneth Silverman

Northwestern University Press, 2012

A man of extraordinary and seemingly limitless talents—musician, inventor, composer, poet, and even amateur mycologist—John Cage became a central figure of the avant-garde early in his life and remained at that pinnacle until his death in 1992 at the age of eighty. Award-winning biographer Kenneth Silverman gives us the first comprehensive life of this remarkable artist. Silverman begins with Cage’s childhood in interwar Los Angeles and his stay in Paris from 1930 to 1931, where immersion in the burgeoning new musical and artistic movements triggered an explosion of his creativity. Cage continued his studies in the United States with the seminal modern composer Arnold Schoenberg, and he soon began the experiments with sound and percussion instruments that would develop into his signature work with prepared piano, radio static, random noise, and silence. Cage’s unorthodox methods still influence artists in a wide range of genres and media. Silverman concurrently follows Cage’s rich personal life, from his early marriage to his lifelong personal and professional partnership with choreographer Merce Cunningham, as well as his friendships over the years with other composers, artists, philosophers, and writers. 
 

Drawing on interviews with Cage’s contemporaries and friends and on the enormous archive of his letters and writings, and including photographs, facsimiles of musical scores, and Web links to illustrative sections of his compositions, Silverman gives us a biography of major significance: a revelatory portrait of one of the most important cultural figures of the twentieth century.

[more]
cover of Beginner's Luck: Dispatches from the Klamath Mountains

Beginner's Luck

Dispatches from the Klamath Mountains

Malcolm Terence

Oregon State University Press, 2018

In the late 1960s, Malcolm Terence left his job as a reporter for the Los Angeles Times to look for adventure and may have found more than he bargained for. The era had triggered unprecedented social and political changes in America, tectonic shifts that challenged war and the social order that oppressed people along lines of class, gender, and race. One branch was a back-to-the-land movement, and Terence, who had just traveled for a year managing a rock band, strayed into Black Bear Ranch, a commune just starting in a remote corner of the Klamath Mountains near the California-Oregon border.

Black Bear Ranch still exists, but many of its early residents eventually returned to urban civilization. A few, Terence among them, stayed on in neighboring river towns. Some tried logging, others gold mining, and some tried growing marijuana, all with mixed success. The local mining and timber communities had a checkered opinion of their new hippie neighbors, as did the Native tribes, but it was the kind of place where people helped each other out, even if they didn’t always agree.

When wildfires grew large, Terence and other veterans of the commune joined the fire crews run by the US Forest Service. In between, the Black Bear expats built homesteads, planted gardens, delivered babies, and raised their children. They gradually overcame the skepticism of the locals and joined them in political battles against the use of herbicides in the forest and the Forest Service’s campaign to close all the mining claims. As in the best of organizing efforts, the organizers learned as much as they led.

Beginner’s Luck will appeal to anyone who experienced life on a commune in the 1960s–1970s or who wants to learn about this chapter in modern American history. Terence offers insight into environmental activism and the long history of conflict between resource exploitation and Native American rights without lecturing or pontificating. With wit, humor, and humility, his anecdotal essays chronicle a time and place where disparate people came together to form an unlikely community.

[more]
cover of Behind the Big House: Reconciling Slavery, Race, and Heritage in the U.S. South

Behind the Big House

Reconciling Slavery, Race, and Heritage in the U.S. South

Jodi Skipper

University of Iowa Press, 2022

2022 Anthropology of Tourism Interest Group Nelson Graburn Prize, winner

When residents and tourists visit sites of slavery, whose stories are told? All too often the lives of slaveowners are centered, obscuring the lives of enslaved people. Behind the Big House gives readers a candid, behind-the-scenes look at what it really takes to interpret the difficult history of slavery in the U.S. South. The book explores Jodi Skipper’s eight-year collaboration with the Behind the Big House program, a community-based model used at local historic sites to address slavery in the collective narrative of U.S. history and culture.

In laying out her experiences through an autoethnographic approach, Skipper seeks to help other activist scholars of color negotiate the nuances of place, the academic public sphere, and its ambiguous systems of reward, recognition, and evaluation.
 
[more]
cover of Behind the Scenes: Covering the JFK Assassination

Behind the Scenes

Covering the JFK Assassination

Darwin Payne

University of North Texas Press, 2023

[more]
cover of Being Miss America: Behind the Rhinestone Curtain

Being Miss America

Behind the Rhinestone Curtain

By Kate Shindle

University of Texas Press, 2014

For nearly a hundred years, young women have competed for the title of Miss America—although what it means to wear the crown and be our “ideal” has changed dramatically over time. The Miss America Pageant began as a bathing beauty contest in 1920s Atlantic City, New Jersey, sponsored by businessmen trying to extend the tourist season beyond Labor Day. In the post–World War II years, the pageant evolved into a national coronation of an idealized “girl next door,” as pretty and decorous as she was rarely likely to speak her mind on issues of substance. Since the cultural upheavals of the 1960s, the pageant has struggled to find a balance between beauty and brains as it tries to remain relevant to women who aspire to become leaders in the community, not hot babes in swimsuits.

In Being Miss America, Kate Shindle interweaves an engrossing, witty memoir of her year as Miss America 1998 with a fascinating and insightful history of the pageant. She explores what it means to take on the mantle of America’s “ideal,” especially considering the evolution of the American female identity since the pageant’s inception. Shindle profiles winners and organization leaders and recounts important moments in the pageant’s story, with a special focus on Miss America’s iconoclasts, including Bess Myerson (1945), the only Jewish Miss America; Yolande Betbeze (1951), who crusaded against the pageant’s pinup image; and Kaye Lani Rae Rafko (1987), a working-class woman from Michigan who wanted to merge her famous title with her work as an oncology nurse. Shindle’s own account of her work as an AIDS activist—and finding ways to circumvent the “gown and crown” stereotypes of Miss America in order to talk honestly with high school students about safer sex—illuminates both the challenges and the opportunities that keep young women competing to become Miss America.

[more]
cover of Being Rita Hayworth: Labor, Identity, and Hollywood Stardom

Being Rita Hayworth

Labor, Identity, and Hollywood Stardom

McLean, Adrienne L

Rutgers University Press, 2004

Who was Rita Hayworth? Born Margarita Carmen Cansino, she spent her life subjected to others' definitions of her, no matter how hard she worked to claim her own identity. Although there have been many "revelations" about her life and career, Adrienne McLean's book is the first to show that such disclosures were part of a constructed image from the outset.

McLean explores Hayworth's participation in the creation of her star persona, particularly through her work as a dancer-a subject ignored by most film scholars. The passive love goddess, as it turns out, had a unique appeal to other women who, like her, found it extraordinarily difficult to negotiate the competing demands of family, domesticity, and professional work outside the home. Being Rita Hayworth also considers the ways in which the actress has been treated by film scholarship over the years to accomplish its own goals, sometimes at her expense. Several of Hayworth's best-known star vehicles-among them Gilda (1946), Down to Earth (1947), The Lady from Shanghai (1948), and Affair in Trinidad (1952)- are discussed in depth.

[more]
cover of Being Somebody and Black Besides: An Untold Memoir of Midcentury Black Life

Being Somebody and Black Besides

An Untold Memoir of Midcentury Black Life

George B. Nesbitt

University of Chicago Press, 2021

An immersive multigenerational memoir that recounts the hopes, injustices, and triumphs of a Black family fighting for access to the American dream in the twentieth century.

The late Chicagoan George Nesbitt could perhaps best be described as an ordinary man with an extraordinary gift for storytelling. In his newly uncovered memoir—written fifty years ago, yet never published—he chronicles in vivid and captivating detail the story of how his upwardly mobile Midwestern Black family lived through the tumultuous twentieth century.
 
Spanning three generations, Nesbitt’s tale starts in 1906 with the Great Migration and ends with the Freedom Struggle in the 1960s. He describes his parents’ journey out of the South, his struggle against racist military authorities in World War II, the promise and peril of Cold War America, the educational and professional accomplishments he strove for and achieved, the lost faith in integration, and, despite every hardship, the unwavering commitment by three generations of Black Americans to fight for a better world. Through all of it—with his sharp insights, nuance, and often humor—we see a family striving to lift themselves up in a country that is working to hold them down.
 
Nesbitt’s memoir includes two insightful forewords: one by John Gibbs St. Clair Drake (1911–90), a pioneer in the study of African American life, the other a contemporary rumination by noted Black studies scholar Imani Perry. A rare first-person, long-form narrative about Black life in the twentieth century, Being Somebody and Black Besides is a remarkable literary-historical time capsule that will delight modern readers.
[more]
cover of Belle and Bob La Follette: Partners in Politics

Belle and Bob La Follette

Partners in Politics

Bob Kann

Wisconsin Historical Society Press, 2008

The most famous couple in Wisconsin politics, "Fighting Bob" La Follette and his wife, Belle Case La Follette, come to life in the pages of the newest addition to the Badger Biographies series for young readers. In an accessible format that includes historic images, a glossary of terms, and sidebars explaining political concepts, students learn about Progressive politics and reform in the early 20th century through the experiences of this pioneering couple.

The father of "Progressive politics," Bob La Follette was famous for digging in his heels when it came to reforming government corruption. He also gained a reputation for fiery speeches on the campaign trail and on the Senate floor. Belle La Follette was political in her own right. The first woman to graduate from the University of Wisconsin's Law School, she was an advocate for world peace and an agitator for the women's vote. She was also Bob's most trusted political advisor. Together, the couple raised a family and fought for the changes they believed would make the world a better place.

[more]
cover of Belo: From Newspapers to New Media

Belo

From Newspapers to New Media

By Judith Garrett Segura

University of Texas Press, 2008

Founded in Galveston in 1842 with the launch of the Daily News, the Belo Corporation entered the twenty-first century as a powerhouse conglomerate, owning four daily newspapers (including the Dallas Morning News), twenty-six television and cable stations, and over thirty interactive Web sites. The first comprehensive work to bring to life this remarkable success story, Belo blends biography with a history of corporate strategies.

Drawing on company archives and private papers of key figures, including A. H. Belo and G. B. Dealey, former company archivist Judith Garrett Segura brings to life important chapters in the cultural life of Texas, from Galveston's days as the largest and most vibrant town in the Republic of Texas, through the wars that followed statehood, periods of economic hardship, and the effects of sweeping social change. Turning points in the company's history, such as the sale of its Galveston paper when company revenues were dramatically affected by candid reporting of Ku Klux Klan activities in the 1920s, highlight crucial elements of the press's role in the life of a community. Segura also charts technological advances, from the telegraph and the typographers' union to the dawn of the Information Age. Finally, she includes the most complete portrait of the Dallas Times Herald Company to date, documenting the rise and fall of Belo's chief rival.

This is a story of frontier survival and futuristic thinking, marketing genius and historic reporting, nurtured by a family of mavericks.

[more]
cover of Beloved Land: An Oral History of Mexican Americans in Southern Arizona

Beloved Land

An Oral History of Mexican Americans in Southern Arizona

Collected and Edited by Patricia Preciado Martin, with Photographs by José Galvez

University of Arizona Press, 2004

Doña Ramona Benítez Franco was born in 1902 on her parents' Arizona ranch and celebrated her hundredth birthday with family and friends in 2002, still living in her family's century-old adobe house. Doña Ramona witnessed many changes in the intervening years, but her memories of the land and customs she knew as a child are indelible.

For Doña Ramona as well as for countless generations of Mexican Americans, memories of rural life recall la querida tierra, the beloved land. Through good times and bad, the land provided sustenance. Today, many of those homesteads and ranches have succumbed to bulldozers that have brought housing projects and strip malls in their wake.

Now a writer and a photographer who have long been intimately involved with Arizona's Hispanic community have preserved the voices and images of men and women who are descendants of pioneer ranching and farming families in southern Arizona. Ranging from Tucson to the San Rafael Valley and points in between, this book documents the contributions of Mexican American families whose history and culture are intertwined with the lifestyle of the contemporary Southwest. These were hardy, self-reliant pioneers who settled in what were then remote areas. Their stories tell of love affairs with the land and a way of life that is rapidly disappearing.

Through oral histories and a captivating array of historic and contemporary photos, Beloved Land records a vibrant and resourceful way of life that has contributed so much to the region. Individuals like Doña Ramona tell stories about rural life, farming, ranching, and vaquero culture that enrich our knowledge of settlement, culinary practices, religious traditions, arts, and education of Hispanic settlers of Arizona. They talk frankly about how the land changed hands—not always by legal means—and tell how they feel about modern society and the disappearance of the rural lifestyle.

"Our ranch homes and fields, our chapels and corrals may have been bulldozed by progress or renovated into spas and guest ranches that never whisper our ancestors' names," writes Patricia Preciado Martin. "The story of our beautiful and resilient heritage will never be silenced . . . as long as we always remember to run our fingers through the nourishing and nurturing soil of our history." Beloved Land works that soil as it revitalizes that history for the generations to come.
[more]
cover of Ben Thompson: Portrait of a Gunfighter

Ben Thompson

Portrait of a Gunfighter

Thomas C. Bicknell

University of North Texas Press, 2018

[more]
cover of Beneath Missouri Skies: Pat Metheny in Kansas City, 1964-1972

Beneath Missouri Skies

Pat Metheny in Kansas City, 1964-1972

Carolyn Glenn Brewer

University of North Texas Press, 2021

[more]
cover of Benjamin Franklin and His Gods

Benjamin Franklin and His Gods

Kerry S. Walters

University of Illinois Press, 1999

      Against the religious backdrop of pre- and postcolonial America stands
        the towering figure--and mind--of Benjamin Franklin. A Renaissance man
        in a Revolutionary time, Franklin had interests and knowledge not only
        in religion but in literature, philosophy, politics, publishing, history,
        and scientific inquiry, among many other disciplines.
      Kerry S. Walters examines Franklin's search for the Divine using a similar,
        multifaceted approach--and in so doing has created the first extended
        treatment of Franklin's religious thought in thirty years. Walters brings
        the same intellectual range and depth to the understanding of Franklin's
        beliefs that Franklin brought to his own quest. What emerges from this
        pilgrimage into the soul of one of America's greatest figures is a very
        human Benjamin Franklin who grew with the accumulation of knowledge to
        arrive at a "theistic perspectivism," which provided him with
        a philosophical explanation for the diversity of religious faiths--and
        a justification for the liberty of conscience he advocated throughout
        his life.
      Benjamin Franklin and His Gods is an original and beautifully
        challenging spiritual and intellectual biography. Destined to be a classic.
 
[more]
cover of Benjamin Shambaugh and the Intellectual Foundations of Public Hisory

Benjamin Shambaugh and the Intellectual Foundations of Public Hisory

Rebecca Conard

University of Iowa Press, 2001

"This is an important book that uses the long and distinguished historical career of Benjamin Shambaugh to place public or 'applied' history into a much-needed historical context. . . . Conard's narrative and analysis provide new insights into continuing debates about the proper role of federal and state governments in collecting and writing history. . . . an important contribution to American historiography in the twentieth century."--Barbara Franco, executive director, the Historical Society of Washington, D.C. "In Benjamin Shambaugh and the Intellectual Foundations of Public History, Rebecca Conard has written a useful and intriguing book. . . . The historical profession and the people of Iowa are indebted to Rebecca Conard for this book, which explores the impressive career of Benjamin Shambaugh and sheds new light on the fundamentals of the public history movement."--Annals of Iowa ". . . an unexpectedly engaging and useful examination and analysis of the ideologies, arguments, and politics surrounding the rise of history as a professional and academic discipline from the mid-nineteenth to the mid-twentieth centuries, especially as they were often rancorously expressed in disputes between the East and Midwest, state and national perspectives, and academic and professional practice."--The Journal of American History "Conard has provided the history profession with a layered narrative of its development and fragmentation or redevelopment over time, and has explored the meanings of its own histories."--Janelle Warren-Findley, The American Historical Review "Conard's biography is well written and interesting, and her strategies for engaging in dialog with a variety of texts produce a fresh method for defining and assessing public history."--The Journal of Heritage Stewardship Although his name is little known today outside Iowa, during the early part of the twentieth century Benjamin Shambaugh (1871 - 1940) was a key figure in the historical profession. Using his distinguished career as a lens, Conard's seminal work is the first book to consider public history as an integral part of the intellectual development of the historical profession as a whole in the United States. Conard draws upon an unpublished, mid-1940s biography by research historian Jacob Swisher to trace the forces that shaped Shambaugh's early years, his administration of the State Historical Society of Iowa, his development of applied history and commonwealth history in the 1910s and 1920s, and the transformations in his thinking and career during the 1930s. Framing this intriguingly interwoven narrative are chapters that contextualize Shambaugh's professional development within the development of the historical profession as a whole in the late nineteenth and early twentieth centuries and assess his career within the post-World War II emergence of the modern public history movement. Shambaugh's career speaks to those who believe in the power of history to engage and inspire local audiences as well as those who believe that historians should apply their knowledge and methods outside the academy in pursuit of the greater public good. Rebecca Conard, associate professor of history and codirector of the Public History Program at Middle Tennessee State University, is also the author of Places of Quiet Beauty: Parks, Preserves, and Environmentalism (Iowa, 1997), which won the Benjamin Shambaugh Award. "Rebecca Conard provides an elegant discussion of a complex topic: the emergence of public history in the twentieth century. . . . a sophisticated addition to public history historiography."--The Public Historian
[more]
cover of Berlin for Jews: A Twenty-First-Century Companion

Berlin for Jews

A Twenty-First-Century Companion

Leonard Barkan

University of Chicago Press, 2016

What is it like to travel to Berlin today, particularly as a Jew, and bring with you the baggage of history? And what happens when an American Jew, raised by a secular family, falls in love with Berlin not in spite of his being a Jew but because of it?  The answer is Berlin for Jews. Part history and part travel companion, Leonard Barkan’s personal love letter to the city shows how its long Jewish heritage, despite the atrocities of the Nazi era, has left an inspiring imprint on the vibrant metropolis of today. 

Barkan, voraciously curious and witty, offers a self-deprecating guide to the history of Jewish life in Berlin, revealing how, beginning in the early nineteenth century, Jews became prominent in the arts, the sciences, and the city’s public life. With him, we tour the ivy-covered confines of the Schönhauser Allee cemetery, where many distinguished Jewish Berliners have been buried, and we stroll through Bayerisches Viertel, an elegant neighborhood created by a Jewish developer and that came to be called Berlin’s “Jewish Switzerland.”  We travel back to the early nineteenth century to the salon of Rahel Varnhagen, a Jewish society doyenne, who frequently hosted famous artists, writers, politicians, and the occasional royal. Barkan also introduces us to James Simon, a turn-of-the-century philanthropist and art collector, and we explore the life of Walter Benjamin, who wrote a memoir of his childhood in Berlin as a member of the assimilated Jewish upper-middle class.  Throughout, Barkan muses about his own Jewishness, while celebrating the rich Jewish culture on view in today’s Berlin. 

A winning, idiosyncratic travel companion, Berlin for Jews offers a way to engage with German history, to acknowledge the unspeakable while extolling the indelible influence of Jewish culture.
 
[more]
cover of Berlioz and His Century: An Introduction to the Age of Romanticism

Berlioz and His Century

An Introduction to the Age of Romanticism

Jacques Barzun

University of Chicago Press, 1982

In this abridgment of his monumental study, Berlioz and the Romantic Century, Jacques Barzun recounts the events and extraordinary achievements of the great composer's life against the background of the romantic era. As the author eloquently demonstrates, Berloiz was an archetype whose destiny was the story of an age, the incarnation of an artistic style and a historical spirit. "In order to understand the nineteenth century, it is essential to understand Berlioz," notes W. H. Auden, "and in order to understand Berlioz, it is essential to read Professor Barzun."
[more]
cover of Bernard Daly's Promise: The Enduring Legacy of a Place-based Scholarship

Bernard Daly's Promise

The Enduring Legacy of a Place-based Scholarship

Sam Stern

Oregon State University Press, 2022

Published in cooperation with the Dr. Daly Project Association

Bernard Daly escaped the Irish Famine and with his family emigrated to America, where he became the town doctor in Lakeview, Oregon, and then a state legislator, Oregon Agricultural College regent, county judge, rancher, and banker. When he died in 1920, his estate, valued at about a million dollars, established a college scholarship for the youth of Lake County, ensuring that most of them could attend college.

It’s hard to imagine a place more distant from higher education than Lake County in south central Oregon, a county about the size of New Jersey with a population under eight thousand. When the Bernard Daly scholarship was first awarded in 1922, less than two percent of America’s youth went to college, and the percentage was even lower in Lake County.

Today, Lake County students are much more likely to go to college, graduate in four years without debt, go on to graduate school, have successful careers, and contribute to the larger community—all because of a scholarship established a hundred years ago by an immigrant who sought a better life, not only for himself but also for others.

Drawing on more than a hundred personal interviews, an extensive web-based survey, and archival materials, Bernard Daly’s Promise offers unique insights into the benefits of higher education and how it might best be supported—questions that we are struggling with today.
[more]
cover of Bernie Whitebear: An Urban Indian's Quest for Justice

Bernie Whitebear

An Urban Indian's Quest for Justice

Lawney L. Reyes

University of Arizona Press, 2006

When American Indians left reservations in the 1950s, enticed by the federal government’s relocation program, many were drawn to cities like Tacoma and Seattle. But in these new homes they found unemployment and discrimination, and they were no better off. Sin Aikst Indian Bernie Whitebear was an urban activist in the Pacific Northwest during the last decades of the twentieth century, a man dedicated to improving the lives of Indians and other ethnic groups by working for change and justice. He unified Northwest tribes to fight for the return of their land and was the first to accomplish this in the United States. But far from a fearsome agitator, Bernie was a persuasive figure who won the praise and admiration of an entire community. Bernie began organizing powwows in the 1960s with an eye toward greater authenticity; and by making a name in the Seattle area as an entertainment promoter, he soon became a successful networker and master of diplomacy, enabling him to win over those who had long ignored the problems of urban Indians. Soft-spoken but outspoken, Bernie successfully negotiated with officials at all levels of government on behalf of Indians and other minorities, crossing into political territory normally off-limits to his people.

Bernie Whitebear’s story takes readers from an impoverished youth—including a rare account of life on the Colville Reservation during the 1930s—to the “Red Power” movement as it traces Bernie’s emergence as an activist influenced by contemporaries such as Bob Satiacum, Vine DeLoria, and Joe Delacruz. By choosing this course, Bernie was clearly making a break with his past, but with an eye toward a better future, whether staging the successful protest at Fort Lawton or acting on behalf of Native fishing rights in Puget Sound. When he died in July 2000, Bernie Whitebear had left an inestimable legacy, accomplishing things that no other Indian seemed able to do. His biography is an inspiring story for readers at many levels, an account of how one American Indian overcame hardships and obstacles to make a difference in the lives of his people—and an entire community.
[more]
cover of Bernini: His Life and His Rome

Bernini

His Life and His Rome

Franco Mormando

University of Chicago Press, 2011

A dazzling, accessible biography of one of the great geniuses of the Renaissance: sculptor, architect, and painter Bernini

Sculptor, architect, painter, playwright, and scenographer, Gian Lorenzo Bernini (1598–1680) was the last of the great universal artistic geniuses of early modern Italy, placed by both contemporaries and posterity in the same exalted company as Leonardo, Raphael, and Michelangelo. And his artistic vision remains palpably present today, through the countless statues, fountains, and buildings that transformed Rome into the Baroque theater that continues to enthrall tourists today.
 
It is perhaps not surprising that this artist who defined the Baroque should have a personal life that itself was, well, baroque. As Franco Mormando’s dazzling biography reveals, Bernini was a man driven by many passions, possessed of an explosive temper and a hearty sex drive, and he lived a life as dramatic as any of his creations. Drawing on archival sources, letters, diaries, and—with a suitable skepticism—a hagiographic account written by Bernini’s son (who portrays his father as a paragon of virtue and piety), Mormando leads us through Bernini’s many feuds and love affairs, scandals and sins. He sets Bernini’s raucous life against a vivid backdrop of Baroque Rome, bustling and wealthy, and peopled by churchmen and bureaucrats, popes and politicians, schemes and secrets.
 
The result is a seductively readable biography, stuffed with stories and teeming with life—as wild and unforgettable as Bernini’s art. No one who has been bewitched by the Baroque should miss it.
[more]
cover of Beside the Troubled Waters: A Black Doctor Remembers Life, Medicine, and Civil Rights in an Alabama Town

Beside the Troubled Waters

A Black Doctor Remembers Life, Medicine, and Civil Rights in an Alabama Town

Sonnie Wellington Hereford III and Jack D. Ellis

University of Alabama Press, 2011

A memoir by an African American physician in Alabama whose story in many ways typifies the lives and careers of black doctors in the south during the segregationist era

Beside the Troubled Waters is a memoir by an African American physician in Alabama whose story in many ways typifies the lives and careers of black doctors in the south during the segregationist era while also illustrating the diversity of the black experience in the medical profession. Based on interviews conducted with Hereford over ten years, the account includes his childhood and youth as the son of a black sharecropper and Primitive Baptist minister in Madison County, Alabama, during the Depression; his education at Huntsville’s all-black CouncillSchool and medical training at MeharryMedicalCollege in Nashville; his medical practice in Huntsville’s black community beginning in 1956; his efforts to overcome the racism he met in the white medical community; his participation in the civil rights movement in Huntsville; and his later problems with the Medicaid program and state medical authorities, which eventually led to the loss of his license.

Hereford’s memoir stands out because of its medical and civil rights themes, and also because of its compelling account of the professional ruin Hereford encountered after 37 years of practice, as the end of segregation and the federal role in medical care placed black doctors in competition with white ones for the first time.
[more]
cover of Best Actress: The History of Oscar®-Winning Women

Best Actress

The History of Oscar®-Winning Women

Stephen Tapert

Rutgers University Press, 2020

Ingrid Bergman. Audrey Hepburn. Elizabeth Taylor. Jane Fonda. Meryl Streep. The list of women who have won the coveted and legendary Academy Award for Best Actress is long and varied. Through this illustrious roster we can trace the history of women in Hollywood, from the rise of Mary Pickford in the early 20th century to the #MeToo and Time’s Up movements of today, which have galvanized women across the world to speak out for equal pay, respect, power, and opportunity.
 
This lavishly illustrated coffee table book offers a vital examination of the first 75 women to have won the Best Actress Oscar over the span of 90 years. From inaugural recipient Janet Gaynor to Frances McDormand’s 2018 acceptance speech that assertively brought women to the forefront, Best Actress: The History of Oscar®-Winning Women serves to promote a new appreciation for the cinematic roles these women won for, as well as the real-life roles many of them played – and still play – in advancing women’s rights and equality. Stories range from Bette Davis’ groundbreaking battle against the studio system; to the cutting-edge wardrobes of Katharine Hepburn, Diane Keaton and Cher; to the historical significance of Halle Berry’s victory; to the awareness raised around sexual violence by the performances of Jodie Foster, Brie Larson, and others.
 
Showcasing a dazzling collection of 200 photographs, many of which have never before been seen or published, Best Actress honors the legacies of these revered and extraordinary women while scrutinizing the roadblocks that they continue to overcome.
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cover of Best of Times, Worst of Times: Memoirs of a Political Education

Best of Times, Worst of Times

Memoirs of a Political Education

Walter Laqueur

Brandeis University Press, 2009

Walter Laqueur has been writing and teaching for over six decades, primarily in the fields of twentieth century history and politics, always as a shrewd and thoughtful generalist in an age of specialization. In this engaging memoir, Laqueur focuses on the political and historical events that shaped his thinking and that have inspired his intellectual work throughout his life. He discusses living and attending school under Nazism; Marxism, the Soviet Union, and the part he played in Cold War politics; and the image his generation had of Zionism, Israel, and the Middle East. Laqueur shares his views on beltway politics and think tanks, and concludes with a look at guerrilla warfare and terrorism, and the future of Europe.
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