5550 books match the query 'Biography & Autobiography' and 296 start with b

cover of Black Eagle: General Daniel "Chappie" James Jr.

Black Eagle

General Daniel "Chappie" James Jr.

James R. Mcgovern

University of Alabama Press, 2002

The success story of a much-decorated fighter pilot who overcame poverty and racism to become America's first African-American four-star general.

Born in Pensacola, Florida, the youngest of seventeen children in a relatively poor family, "Chappie" James (1920-1978) rose to attain the rank of four-star general-the highest rank of the peacetime American military. His parents had early on imbued him with personal and national pride and a singular drive that motivated him his whole life.

At Tuskegee Institute, James enrolled in the Army Air Corps unit formed to train black pilots. After combat service in World War II, James became the leader of a fighter group in the Korean War, during which he developed innovative tactics for providing close air support for advancing ground forces. He served with distinction in Vietnam and then became a public affairs officer in the Department of Defense. Between 1970 and 1974, James served as the Pentagon's chief spokesman to youth and civic organizations.

General James's importance transcends his unprecedented achievements as an African American in the military and his role as a spokesman for the patriotic community. He was an early and important proponent of black self-improvement through education, training, and the tireless pursuit of excellence. He became the very embodiment of the American dream.

First published in 1985 in hardcover, this reissue of Black Eagle in paperback makes the inspiring story of a notable Tuskegee airman available again.
 

[more]
cover of Black Eye: Escaping a Marriage, Writing a Life

Black Eye

Escaping a Marriage, Writing a Life

Judith Strasser

University of Wisconsin Press, 2004

    Seventeen years after she married, Judith Strasser escaped her emotionally and physically abusive husband and sought a better way to live. In the process, Strasser rediscovered what she had suppressed through that long span of time: exceptional strength and a passion for writing.
    Black Eye includes excerpts from a journal Strasser kept from 1985 to1986, the year she made the decision to leave her marriage, and present-day commentary on the journal passages and her family history. Strasser works like a detective investigating her own life, drawing clarity and power from journal passages, dreams, and memories that originally emerged from confusion and despair. With language that is both insightful and poetic, she reveals the psychological and social circumstances that led a "strong" woman, an intelligent and politically active feminist, to become an emotionally dependent, abused wife.
    Not coincidentally, the same year that Strasser finally found the courage to leave her husband, she also reclaimed her creative voice. Newly empowered and energized by this enormous life change, Strasser began writing again after twenty-five silent years dominated by her mother’s illness and death, her own cancer, and her painful, fearful marriage. Black Eye is one of the fruits of this creative reawakening. Strasser’s writing is refreshingly honest and instantly engrossing. Not shy of wretchedness or beauty, Strasser’s story is bitterly personal, ultimately triumphant, and inspiring to all who deal with the adversity that is part of human life.
[more]
cover of Black Fox: A Life of Emilie Demant Hatt, Artist and Ethnographer

Black Fox

A Life of Emilie Demant Hatt, Artist and Ethnographer

Barbara Sjoholm

University of Wisconsin Press, 2017

In 1904 a young Danish woman met a Sami wolf hunter on a train in Sweden. This chance encounter transformed the lives of artist Emilie Demant and the hunter, Johan Turi. In 1907–8 Demant went to live with Sami families in their tents and on migrations, later writing a lively account of her experiences. She collaborated with Turi on his book about his people. On her own and later with her husband Gudmund Hatt, she roamed on foot through Sami regions as an ethnographer and folklorist. As an artist, she created many striking paintings with Sami motifs. Her exceptional life and relationships come alive in this first English-language biography.

In recounting Demant Hatt's fascinating life, Barbara Sjoholm investigates the boundaries and influences between ethnographers and sources, the nature of authorship and visual representation, and the state of anthropology, racial biology, and politics in Scandinavia during the first half of the twentieth century.
[more]
cover of Black Hawk: An Autobiography

Black Hawk

An Autobiography

Black Hawk

University of Illinois Press, 1955

A classic of Native American literature and US history, the autobiography of the Sauk warrior Black Hawk (Ma-Ka-Tai-Me-She-Kia-Kiak in the Sauk language) offers an eyewitness account of the conflict between Indigenous peoples and white colonists on the Illinois frontier. But it also provides one of the most vivid Native descriptions of Indigenous life and beliefs before and during colonization of the Mississippi Valley. The University of Illinois Press edition is the definitive 1833 text edited by Donald Jackson.

A foundational document, Black Hawk: An Autobiography is both an unsparing record of America's genocide against Native American peoples and the moving self-portrait of an extraordinary man.

[more]
cover of Black Jack: John A. Logan and Southern Illinois in the Civil War Era

Black Jack

John A. Logan and Southern Illinois in the Civil War Era

James Pickett Jones. Foreword by John Y. Simon

Southern Illinois University Press, 1995

John A. Logan, called "Black Jack" by the men he led in Civil War battles from the Henry-Donelson campaign to Vicksburg, Chattanooga, and on to Atlanta, was one of the Union Army’s most colorful generals.

James Pickett Jones places Logan in his southern Illinois surroundings as he examines the role of the political soldier in the Civil War. When Logan altered his stance on national issues, so did the southern part of the state. Although secession, civil strife, Copperheadism, and the new attitudes created by the war contributed to this change of position in southern Illinois, Logan’s role as political and military leader was important in the region’s swing to strong support of the war against the Confederacy, to the policies of Lincoln, and eventually, to the Republican party.

[more]
cover of Black Minded: The Political Philosophy of Malcolm X

Black Minded

The Political Philosophy of Malcolm X

Michael E. Sawyer

Pluto Press, 2020

Known as 'the angriest black man in America', Malcolm X was one of the most famous activists to ever live. Going beyond biography, Black Minded examines Malcolm X's philosophical system, restoring his thinking to the pantheon of Black Radical Thought.

Michael Sawyer argues that the foundational concepts of Malcolm X's political philosophy - economic and social justice, strident opposition to white supremacy and Black internationalism - are often obscured by an emphasis on biography. The text demonstrates the way in which Malcolm X's philosophy lies at the intersection of the thought of W.E.B. Du Bois and Frantz Fanon and is an integral part of the revolutionary politics formed to alleviate the plight of people of African descent globally.

Exploring themes of ontology, the body, geographic space and revolution, Black Minded provides a much-needed appraisal of Malcolm X's political philosophy.
[more]
cover of Black Moses: The Story of Marcus Garvey and the Universal Negro Improvement Association

Black Moses

The Story of Marcus Garvey and the Universal Negro Improvement Association

E. David Cronon; Foreward by John Hope Franklin

University of Wisconsin Press, 1960

In the early twentieth century, Marcus Garvey sowed the seeds of a new black pride and determination. Attacked by the black intelligentsia and ridiculed by the white press, this Jamaican immigrant astonished all with his black nationalist rhetoric.  In just four years, he built the Universal Negro Improvement Association (UNIA), the largest and most powerful all-black organization the nation had ever seen.  With hundreds of branches, throughout the United States, the UNIA represented Garvey’s greatest accomplishment and, ironically, the source of his public disgrace.  Black Moses brings this controversial figure to life and recovers the significance of his life and work.

“Those who are interested in the revolutionary aspects of the twentieth century in America should not miss Cronon’s book. It makes exciting reading.”—The Nation

“A very readable, factual, and well-documented biography of Marcus Garvey.”—The Crisis, NAACP

“In a short, swiftly moving, penetrating biography, Mr. Cronon has made the first real attempt to narrate the Garvey story. From the Jamaican's traumatic race experiences on the West Indian island to dizzy success and inglorious failure on the mainland, the major outlines are here etched with sympathy, understanding, and insight.”—Mississippi Valley Historical Review (Now the Journal of American History).

“Good reading for all serious history students.”—Jet

“A vivid, detailed, and sound portrait of a man and his dreams.”—Political Science Quarterly

[more]
cover of Black Paper: Writing in a Dark Time

Black Paper

Writing in a Dark Time

Teju Cole

University of Chicago Press, 2021

A profound book of essays from a celebrated master of the form.

“Darkness is not empty,” writes Teju Cole in Black Paper, a book that meditates on what it means to sustain our humanity—and witness the humanity of others—in a time of darkness. One of the most celebrated essayists of his generation, Cole here plays variations on the essay form, modeling ways to attend to experience—not just to take in but to think critically about what we sense and what we don’t.

Wide-ranging but thematically unified, the essays address ethical questions about what it means to be human and what it means to bear witness, recognizing how our individual present is informed by a collective past. Cole’s writings in Black Paper approach the fractured moment of our history through a constellation of interrelated concerns: confrontation with unsettling art, elegies both public and private, the defense of writing in a time of political upheaval, the role of the color black in the visual arts, the use of shadow in photography, and the links between literature and activism. Throughout, Cole gives us intriguing new ways of thinking about blackness and its numerous connotations. As he describes the carbon-copy process in his epilogue: “Writing on the top white sheet would transfer the carbon from the black paper onto the bottom white sheet. Black transported the meaning.”
 
[more]
cover of Black Pearls: Blues Queens of the 1920s

Black Pearls

Blues Queens of the 1920s

Daphne Duval Harrison

Rutgers University Press, 1990

Throughout the 1920s, in tents, theaters, dance halls and cabarets, and on "race" records, black American women captivated large audiences with their singing of the blues. University of Maryland professor Harrison examines the subjects and texts of their songs, the toll these performers paid for their right to be heard, and what they did to transform a folk tradition into a popular art. She describes the singing and lifestyles of Sippie Wallace, Victoria Spivey, Edith Wilson and Alberta Hunter to illustrate how they introduced a new model of the black woman: assertive and sexy, gutsy yet tender, bereft but not downtrodden, exploited but not resentful, independent yet vulnerable. The author shows that their choice of performing style, inflection, emphasis and improvisation provided a perspective and expressiveness that profoundly affected later American popular music. -- Publishers Weekly

Blues music spawned legendary performers whose influence has been felt in many musical forms here and around the world. Until now the important role of the great women blues singers has largely gone unexplored. This book tells of the cultural and social impact of the blues during the 1920s when the genre was dominated by women, both on stage and on record. Harrison (Afro-American Studies Department, University of Maryland) writes with authority, focusing particularly on Sippie Wallace, Edith Wilson, Victoria Spivey, and Alberta Hunter as she analyzes the music and the collective black experience out of which it grew. A significant book, particularly for collections of music history, black studies, and women's studies. -- Library Journal
[more]
cover of Black Revolutionary: William Patterson and the Globalization of the African American Freedom Struggle

Black Revolutionary

William Patterson and the Globalization of the African American Freedom Struggle

Gerald Horne

University of Illinois Press, 2013

A leading African American Communist, lawyer William L. Patterson (1891–1980) was instrumental in laying the groundwork for the defeat of Jim Crowby virtue of his leadership of the Scottsboro campaign in the 1930s. In this watershed biography, historian Gerald Horne shows how Patterson helped to advance African American equality by fostering and leveraging international support for the movement. Horne highlights key moments in Patterson's global activism: his early education in the Soviet Union, his involvement with the Scottsboro trials and other high-profile civil rights cases of the 1930s to 1950s, his 1951 "We Charge Genocide" petition to the United Nations, and his later work with prisons and the Black Panther Party.
 
Through Patterson's story, Horne examines how the Cold War affected the freedom movement, with civil rights leadership sometimes disavowing African American leftists in exchange for concessions from the U.S. government. He also probes the complex and often contradictory relationship between the Communist Party and the African American community, including the impact of the FBI's infiltration of the Communist Party. Drawing from government and FBI documents, newspapers, periodicals, archival and manuscript collections, and personal papers, Horne documents Patterson's effectiveness at carrying the freedom struggle into the global arena and provides a fresh perspective on twentieth-century struggles for racial justice.
[more]
cover of Black Texas Women: 150 Years of Trial and Triumph

Black Texas Women

150 Years of Trial and Triumph

By Ruthe Winegarten, Janet G. Humphrey & Frieda Werden, consulting editors

University of Texas Press, 1994

Women of all colors have shaped families, communities, institutions, and societies throughout history, but only in recent decades have their contributions been widely recognized, described, and celebrated. This book presents the first comprehensive history of black Texas women, a previously neglected group whose 150 years of continued struggle and some successes against the oppression of racism and sexism deserve to be better known and understood.

Beginning with slave and free women of color during the Texas colonial period and concluding with contemporary women who serve in the Texas legislature and the United States Congress, Ruthe Winegarten organizes her history both chronologically and topically. Her narrative sparkles with the life stories of individual women and their contributions to the work force, education, religion, the club movement, community building, politics, civil rights, and culture. The product of extensive archival and oral research and illustrated with over 200 photographs, this groundbreaking work will be equally appealing to general readers and to scholars of women's history, black history, American studies, and Texas history.

[more]
cover of Black Woman in Green: Gloria Brown and the Unmarked Trail to Forest Service Leadership

Black Woman in Green

Gloria Brown and the Unmarked Trail to Forest Service Leadership

Gloria D. Brown

Oregon State University Press, 2020

From an unlikely beginning as an agency transcriptionist in her hometown of Washington, DC, Gloria Brown became the first African American woman to attain the rank of forest supervisor at the US Forest Service. As a young widow with three children, she transferred to Missoula, Montana, and embarked on a remarkable journey, ultimately leading the Siuslaw National Forest in Oregon and later the Los Padres in California. The story of Brown’s career unfolds against the backdrop of a changing government agency and a changing society.

As scholars awaken to the racist history of public land management and the ways that people of color have been excluded from contemporary notions of nature and wilderness, Brown’s story provides valuable insight into the roles that African Americans have carved out in the outdoors generally and in the field of environmental policy and public lands management specifically. Drawing on her powerful communication and listening skills, her sense of humor, and her willingness to believe in the basic goodness of humanity, Brown conducted civil rights trainings and shattered glass ceilings, all while raising her children alone.

Written in an engaging and accessible style with historian Donna Sinclair, Brown’s story provides a fascinating case study for public administration and contributes to a deeper understanding of the environmental and civil rights movements of the twentieth century, particularly the role that racial discrimination has played in national forests, parks, and other wilderness spaces. It also highlights issues of representation in the federal government, women’s history, the history of the American West, and literature associated with African American experiences in predominately white societies.

 
[more]
cover of Black Women Directors

Black Women Directors

Christina N. Baker

Rutgers University Press, 2022

Black women have long recognized the power of film for storytelling. For far too long, however, the cultural and historical narratives about film have not accounted for the contributions of Black women directors. This book remedies this omission by highlighting the trajectory of the culturally significant work of Black women directors in the United States, from the under-examined pioneers of the silent era, to the documentarians who sought to highlight the voices and struggles of Black women, and the contemporary Black women directors in Hollywood.  Applying a Black feminist perspective, this book examines the ways that Black women filmmakers have made a way for themselves and their work by resisting the dominant cultural expectations for Black women and for the medium of film, as a whole.
 

[more]
cover of Black in Selma: The Uncommon Life of J. L. Chestnut Jr.

Black in Selma

The Uncommon Life of J. L. Chestnut Jr.

J. L. Chestnut

University of Alabama Press, 2007

One man’s fight for justice. One town’s reckoning with history.

Born in Selma in 1930, J. L. Chestnut left home to study law at Howard University in Washington, DC. Returning to Selma, Chestnut was the town’s first and only African American attorney in the late 1950s. As the turbulent struggle for civil rights spread across the South, Chestnut became an active and ardent promoter of social and legal equality in his hometown. A key player on the local and state fronts, Chestnut accrued deep insights into the racial tensions in his community and deftly opened paths toward a more equitable future.

Though intimately involved in many events that took place in Selma, Chestnut was nevertheless often identified in history books simply as “a local attorney.” Black in Selma reveals his powerful yet little-known story.

In the 2014 film Selma, director Ava DuVernay takes audiences to the climactic confrontation between civil rights advocates and the state’s security forces of March 1965. Readers looking for a deeper understanding of the events that preceded that epic moment, as well as how racial integration unfolded in Selma in the decades that followed, will find Chestnut’s story and memories both a vital primary source and an inspiration.

[more]
cover of Black, Jewish, and Interracial: It’s Not the Color of Your Skin, but the Race of Your Kin, and Other Myths of Identity

Black, Jewish, and Interracial

It’s Not the Color of Your Skin, but the Race of Your Kin, and Other Myths of Identity

Katya Gibel Azoulay

Duke University Press, 1997

How do adult children of interracial parents—where one parent is Jewish and one is Black—think about personal identity? This question is at the heart of Katya Gibel Azoulay’s Black, Jewish, and Interracial. Motivated by her own experience as the child of a Jewish mother and Jamaican father, Gibel Azoulay blends historical, theoretical, and personal perspectives to explore the possibilities and meanings that arise when Black and Jewish identities merge. As she asks what it means to be Black, Jewish, and interracial, Gibel Azoulay challenges deeply ingrained assumptions about identity and moves toward a consideration of complementary racial identities.
Beginning with an examination of the concept of identity as it figures in philosophical and political thought, Gibel Azoulay moves on to consider and compare the politics and traditions of the Black and Jewish experience in America. Her inquiry draws together such diverse subjects as Plessy v. Ferguson, the Leo Frank case, "passing," intermarriage, civil rights, and anti-Semitism. The paradoxical presence of being both Black and Jewish, she argues, leads questions of identity, identity politics, and diversity in a new direction as it challenges distinct notions of whiteness and blackness. Rising above familiar notions of identity crisis and cultural confrontation, she offers new insights into the discourse of race and multiculturalism as she suggests that identity can be a more encompassing concept than is usually thought. Gibel Azoulay adds her own personal history and interviews with eight other Black and Jewish individuals to reveal various ways in which interracial identities are being lived, experienced, and understood in contemporary America.
[more]
cover of Blackbird's Song: Andrew J. Blackbird and the Odawa People

Blackbird's Song

Andrew J. Blackbird and the Odawa People

Theodore J. Karamanski

Michigan State University Press, 2012

For much of U.S. history, the story of native people has been written by historians and anthropologists relying on the often biased accounts of European-American observers. Though we have become well acquainted with war chiefs like Pontiac and Crazy Horse, it has been at the expense of better knowing civic-minded intellectuals like Andrew J. Blackbird, who sought in 1887 to give a voice to his people through his landmark book History of the Ottawa and Chippewa People. Blackbird chronicled the numerous ways in which these Great Lakes people fought to retain their land and culture, first with military resistance and later by claiming the tools of citizenship. This stirring account reflects on the lived experience of the Odawa people and the work of one of their greatest advocates.

[more]
cover of Blair

Blair

Mick Temple

Haus Publishing, 2006

Biography of the last British Prime Minister of the 20th Century.
[more]
cover of Bleeder: A Memoir

Bleeder

A Memoir

Shelby Smoak

Michigan State University Press, 2013

I am Caucasian, five foot eleven, have sandy brown hair, blue eyes, and am a tender slip of bone. And I am at the hospital.
A coming-of-age memoir for modern times, Bleeder is the incredibly compelling tale of author Shelby Smoak. A hemophiliac, Smoak discovered he had been infected with HIV during a blood transfusion at the start of his college career. This devastating and destabilizing news led Smoak to see his world from an entirely new perspective, one in which life-threatening illness was perpetually just around the corner. Set in the 1990s along the North Carolina coast, Bleeder traces Smoak’s quest for love in a world that feels increasingly dangerous, and despite a future that feels increasingly uncertain. From the bedroom to the operating room, and from one hospital to the next, Smoak seeks out hope and better health. Winner of a PEN American Center award for writers living with HIV, Smoak, whose work has appeared in numerous journals and magazines, constructs this unforgettable story of life and love against insurmountable difficulties in breathtaking, tightly drawn prose.
[more]
cover of Blessed Are the Peacemakers: Small Histories during World War II, Letter Writing, and Family History Methodology

Blessed Are the Peacemakers

Small Histories during World War II, Letter Writing, and Family History Methodology

Suzanne Kesler Rumsey

University of Alabama Press, 2021

Where family letters become history, and ordinary lives reveal the untold story of World War II.

In the summer of 2013, Suzanne Kesler Rumsey discovered hundreds of letters exchanged between her late grandparents, Miriam and Benjamin Kesler. The letters, written between 1941 and 1946, were filled with typical wartime sentiments: love and longing, anguish at being apart, uncertainty about the war and the country’s future, and attempts at humor to keep their spirits up. What is unusual about their story is that Ben Kesler was not writing from a theater of war. Instead, Ben, a member of the Dunkard Brethren Church, was a conscientious objector. He, along with about 12,000 other men, opted to join the Civilian Public Service (CPS) and contribute to “work of national importance” at one of the 218 CPS camps around the country.

In Blessed Are the Peacemakers: Small Histories during World War II, Letter Writing, and Family History Methodology, Rumsey has mined not only her grandparents’ letters but also archival research on CPS camps and historical data from several Mennonite and Brethren archives to recapture the narrative of Ben’s service at two different camps and of Miriam’s struggle to support herself and her husband financially at the young age of seventeen. Ben and Miriam’s life during the war was extraordinarily ordinary, spanning six years of unrecognized and humble work for their country. Ben was not compensated for his work in the camps, and Miriam stayed home and worked as a day laborer, as a live-in maid, as a farmhand, and in the family butcher shop in order to earn enough money to support them both. Small histories like that of her grandparents, Rumsey argues, provide a unique perspective on significant political and historical moments.

Blessed Are the Peacemakers also explores the rhetorical functions of letter writing as well as the methodology of family history writing. Ben and Miriam’s letters provide an apt backdrop to examine the genre, a relatively understudied mode of literacy. Rumsey situates the young couple’s correspondence within ars dictaminis, the art of letter writing, granting new insights into the genre and how personal accounts shape our understanding of historical events.
 

[more]
cover of Blind Rage: Letters to Helen Keller

Blind Rage

Letters to Helen Keller

Georgina Kleege

Gallaudet University Press, 2006

As a young blind girl, Georgina Kleege repeatedly heard the refrain, “Why can’t you be more like Helen Keller?” Kleege’s resentment culminates in her book Blind Rage: Letters to Helen Keller, an ingenious examination of the life of this renowned international figure using 21st-century sensibilities. Kleege’s absorption with Keller originated as an angry response to the ideal of a secular saint, which no real blind or deaf person could ever emulate. However, her investigation into the genuine person revealed that a much more complex set of characters and circumstances shaped Keller’s life.

Blind Rage employs an adroit form of creative nonfiction to review the critical junctures in Keller’s life. The simple facts about Helen Keller are well-known: how Anne Sullivan taught her deaf-blind pupil to communicate and learn; her impressive career as a Radcliffe graduate and author; her countless public appearances in various venues, from cinema to vaudeville, to campaigns for the American Foundation for the Blind. But Kleege delves below the surface to question the perfection of this image. Through the device of her letters, she challenges Keller to reveal her actual emotions, the real nature of her long relationship with Sullivan, with Sullivan’s husband, and her brief engagement to Peter Fagan. Kleege’s imaginative dramatization, distinguished by her depiction of Keller’s command of abstract sensations, gradually shifts in perspective from anger to admiration. Blind Rage criticizes the Helen Keller myth for prolonging an unrealistic model for blind people, yet it appreciates the individual who found a practical way to live despite the restrictions of her myth.

[more]
cover of Blind Spot

Blind Spot

Myriam Tadessé

Seagull Books, 2021

Set in the entertainment world in France, this searing memoir explores the realities of being a mixed or biracial French citizen.

In Blind Spot, Myriam Tadessé exposes the difficulty, even the impossibility, for France to truly understand and celebrate the lived realities of mixed or biracial French citizens. What the French word métis—which translates to “half-breed” or “mixed-race”—hides is how central the notion of race actually is in a society that claims to repudiate it. The French film and theater world, in which Tadessé has made her career, appears unable to confront the individuality of the performers. They are required to correspond to categories—often based on race—that don’t allow for biracial identities. This classification not only contradicts France’s asserted ideals but also views as anomalies those who defy ethno-racial assumptions.
 
Drawing on her personal experiences as a biracial Ethiopian-French woman and her family history, Tadessé explores the realities of life for mixed-race individuals in France through her searing and honest memoir.
 
[more]
cover of Blonde Indian: An Alaska Native Memoir

Blonde Indian

An Alaska Native Memoir

Ernestine Hayes

University of Arizona Press, 2006

In the spring, the bear returns to the forest, the glacier returns to its source, and the salmon returns to the fresh water where it was spawned. Drawing on the special relationship that the Native people of southeastern Alaska have always had with nature, Blonde Indian is a story about returning.

Told in eloquent layers that blend Native stories and metaphor with social and spiritual journeys, this enchanting memoir traces the author’s life from her difficult childhood growing up in the Tlingit community, through her adulthood, during which she lived for some time in Seattle and San Francisco, and eventually to her return home. Neither fully Native American nor Euro-American, Hayes encounters a unique sense of alienation from both her Native community and the dominant culture. We witness her struggles alongside other Tlingit men and women—many of whom never left their Native community but wrestle with their own challenges, including unemployment, prejudice, alcoholism, and poverty.

The author’s personal journey, the symbolic stories of contemporary Natives, and the tales and legends that have circulated among the Tlingit people for centuries are all woven together, making Blonde Indian much more than the story of one woman’s life. Filled with anecdotes, descriptions, and histories that are unique to the Tlingit community, this book is a document of cultural heritage, a tribute to the Alaskan landscape, and a moving testament to how going back—in nature and in life—allows movement forward.
[more]
cover of Blood Loss: A Love Story of AIDS, Activism, and Art

Blood Loss

A Love Story of AIDS, Activism, and Art

Keiko Lane

Duke University Press, 2024

In 1991, sixteen-year-old activist Keiko Lane joined the Los Angeles chapters of Queer Nation and ACT UP. Their members protested legislation aimed at dismantling rights for LGBTQ people, people living with HIV, and immigrants while fighting for needle-exchange programs, reproductive justice, safer-sex education, hospice funding, and the right to die with dignity. At the same time, the activists were a queer chosen family of friends and lovers who took care of one another in sickness and in health. Sometimes they helped each other die. By the time Lane turned twenty-two, most had died of AIDS. In her evocative memoir, Lane weaves together love stories and afterlives of queer resistance and survival against the landscape of the Rodney King Rebellion, the movement for queer rights, and the censorship of queer artists and sexualities. Lane interrogates the social construction of power against and in queer communities of color and the recovery of sexual agency in the midst and aftermath of violence. Luminous and powerfully moving, Blood Loss explores survival after those we love have died.
[more]
cover of Blood Ties: A Story of Falconry and Fatherhood

Blood Ties

A Story of Falconry and Fatherhood

Ben Crane

University of Chicago Press, 2020

Raised in rural England before the rise of the internet, Ben Crane grew up in the company of wild things, with hawks and other birds of prey alive in his mind—and woods and fields—as symbols of a kind of self-possessed, solitary power. He spent time with them, knew them, and loved them. But as Crane grew into adulthood, situations that may seem to many of us natural, or even comforting, were challenging: he found it difficult to be around other people and to read social cues, sometimes retreating in fear or lashing out in misunderstanding. Eventually, he was diagnosed as being on the autism spectrum. When Crane became a father, these challenges became unbearable, and he fled to isolation. Hawks brought him back.
 
In this artful and moving memoir, we follow Crane on his remarkable journey of flight and return. Traveling from the United Kingdom to Pakistan, we learn first about the history and practice of falconry, a beautiful and brutal partnership between humans and birds that has persisted for thousands of years. And as Crane’s personal story unfolds, we come to understand how he found solace and insight through his relationships with these animals. “I saw that my feelings toward nature, and birds of prey in particular, ran in parallel with my feelings for my son,” Crane writes. “I worked out that they were, in fact, two sides of the same coin—the deep love of one could, with gentle observation, inform and unlock the deep love for the other. . . . Perhaps this then is the central theme of my story.”

Many of us rely upon animal companions to provide a sense of joy, compassion, and empathy. But as Blood Ties teaches us, our relationships with the creatures among us can also transform us, illuminating what it means both to be human and to be part of the greater wild—what it means to be alive.
[more]
cover of Bloodlines: Odyssey of a Native Daughter

Bloodlines

Odyssey of a Native Daughter

Janet Campbell Hale

University of Arizona Press, 1998

These autobiographical essays by a member of the Coeur d'Alene tribe interweave personal experiences with striking portraits of relatives, both living and dead, to form a rich tapestry of history, storytelling, and remembrance. Hale's is a story of intense and resonant beauty. Breathtaking in its range and authority, Bloodlines is an important addition to the literature of women of color.
[more]
cover of Bloom: A Transgender Memoir

Bloom

A Transgender Memoir

Shane A. McCammon

University of Utah Press, 2027

[more]
cover of Blue Daughter of the Red Sea: A Memoir

Blue Daughter of the Red Sea

A Memoir

Meti Birabiro

University of Wisconsin Press, 2004

    Born into a life of constant financial, physical, and moral threat, Meti Birabiro takes refuge in literature and the fantastic. Blue Daughter of the Red Sea is Birabiro’s poetic account of the harsh reality of her young life spread across three continents. Her voice is a fresh mélange of child and adult perspectives, at once brutally honest and wise beyond her years. Through her journey from Ethiopia to Italy and finally to the United States, we encounter Birabiro’s relatives, friends, and enemies—relationships so intense that these people become her vampires, devils, angels, and saints. These characterizations always lead her back to the truth, helping her to decipher what is fair and good, to understand what she must cherish and what she must rage against.

[more]
cover of Blue Guitar Highway

Blue Guitar Highway

Paul Metsa

University of Minnesota Press, 2011

This is a musician’s tale: the story of a boy growing up on the Iron Range, playing his guitar at family gatherings, coming of age in the psychedelic seventies, and honing his craft as a pro in Minneapolis, ground zero of American popular music in the mid-eighties. “There is a drop of blood behind every note I play and every word I write,” Paul Metsa says. And it’s easy to believe, as he conducts us on a musical journey across time and country, navigating switchbacks, detours, dead ends, and providing us the occasional glimpse of the promised land on the blue guitar highway.

His account captures the thrill of the Twin Cities when acts like the Replacements, Husker Dü, and Prince were remaking pop music. It takes us right onto the stages he shared with stars like Billy Bragg, Pete Seeger, and Bruce Springsteen. And it gives us a close-up, dizzying view of the roller-coaster ride that is the professional musician’s life, played out against the polarizing politics and intimate history of the past few decades of American culture. Written with a songwriter’s sense of detail and ear for poetry, Paul Metsa’s book conveys all the sweet absurdity, dry humor, and passion for the language of music that has made his story sing.

[more]
cover of Blue Jenkins: Working for Workers

Blue Jenkins

Working for Workers

Julia Pferdehirt

Wisconsin Historical Society Press, 2011

When William "Blue" Jenkins was only six months old, he moved with his parents from a Mississippi sharecropper’s farm to the industrial city of Racine, Wisconsin with dreams of a new life. As an African-American in the pre–civil rights era, Blue came face to face with racism: the Ku Klux Klan hung a black figure in effigy from a tree in the Jenkins family’s yard. Growing up, Blue knew where blacks could shop, eat, and get a job in Racine—and where they couldn’t. The injustices that confronted Blue in his young life would drive his desire to make positive changes to his community and workplace in adulthood.
 
This addition to the Badger Biographies series shares Blue Jenkins’s story as it acquaints young readers with African-American and labor history. Following an all-star career as a high school football player, Blue became involved in unions through his work at Belle City Malleable. As World War II raged on, he participated in the home-front battle against discrimination in work, housing, and economic opportunity. When Blue became president of the union at Belle City, he organized blood drives and fought for safety regulations. He also helped to integrate labor union offices. In 1962, he became president of the U.A.W. National Foundry in the Midwest, and found himself in charge of 50,000 foundry union members.
[more]
cover of Blue Song: St. Louis in the Life and Work of Tennessee Williams

Blue Song

St. Louis in the Life and Work of Tennessee Williams

Henry I. Schvey

University of Missouri Press, 2022

In 2011, the centennial of Tennessee Williams’s birth, events were held around the world honoring America’s greatest playwright. There were festivals, conferences, and exhibitions held in places closely associated with Williams’s life and career—New Orleans held major celebrations, as did New York, Key West, and Provincetown. But absolutely nothing was done to celebrate Williams’s life and extraordinary literary and theatrical career in the place that he lived in longest, and called home longer than any other—St. Louis, Missouri.

The question of this paradox lies at the heart of this book, an attempt not so much to correct the record about Williams’s well-chronicled dislike of the city, but rather to reveal how the city was absolutely indispensable to his formation and development both as a person and artist. Unlike the prevailing scholarly narrative that suggests that Williams discovered himself artistically and sexually in the deep South and New Orleans, Blue Song reveals that Williams remained emotionally tethered to St. Louis for a host of reasons for the rest of his life.
[more]
cover of Blue-State Republican: How Larry Hogan Won Where Republicans Lose and Lessons for a Future GOP

Blue-State Republican

How Larry Hogan Won Where Republicans Lose and Lessons for a Future GOP

Mileah K. Kromer

Temple University Press, 2023

Larry Hogan is one of the most popular political figures in the United States today. The two-term Republican governor of Maryland first won his seat after upsetting a favorite of the Democratic political establishment, and then overcame the Trump-driven wave in the heartland of the #resistance to win a second term in 2018. 

Blue-State Republican is the remarkable story of how his carefully messaged, pragmatic approach to governance helped build a coalition of moderate and conservative Democrats, independents, women, college-educated and Black voters and maintained his GOP base during a time of polarization and negative partisanship. Mileah Kromer takes readers inside Maryland politics to illustrate exactly how Hogan won where Republicans lose and consider whether the un-Trump Republican offers any lessons for how the GOP can win the center-right voters who continue to make up a majority of the country.

Kromer conducts interviews with key political leaders and insiders, including Hogan himself, to explain the mechanics of his political success. She also provides a cogent analysis of public opinion polls and focus groups, ultimately showing why the success of a blue-state Republican matters outside of his home state, especially as Hogan considers a 2024 Presidential run.

[more]
cover of Bluegrass Ambassadors: The McLain Family Band in Appalachia and the World

Bluegrass Ambassadors

The McLain Family Band in Appalachia and the World

Paul O. Jenkins

West Virginia University Press, 2020

Bluegrass Ambassadors is the first book-length study of the McLain Family Band, which has spread the gospel of bluegrass for more than fifty years. Rooted in bluegrass but also collaborating with classical composers and performing folk, jazz, gospel, and even marches, the band traveled to sixty-two foreign countries in the 1970s under the auspices of the State Department. The band’s verve and joyful approach to its art perfectly suited its ambassadorial role. After retiring as full-time performers, most members of the group became educators, with patriarch Raymond K. McLain’s work at Berea College playing a particularly important role in bringing bluegrass to the higher education curriculum.

Interpreting the band’s diverse repertoire as both a source of its popularity and a reason for its exclusion from the bluegrass pantheon, Paul Jenkins advances subtle arguments about genre, criticism, and audience. Bluegrass Ambassadors analyzes the McLains’ compositions, recordings, and performances, and features a complete discography.
[more]
cover of Bluegrass Bluesman: A Memoir

Bluegrass Bluesman

A Memoir

Josh Graves; Edited by Fred Bartenstein; Foreword by Neil Rosenberg

University of Illinois Press, 2012

A pivotal member of the hugely successful bluegrass band Flatt and Scruggs and the Foggy Mountain Boys, Dobro pioneer Josh Graves (1927-2006) was a living link between bluegrass music and the blues. In Bluegrass Bluesman, this influential performer shares the story of his lifelong career in music.
 
In lively anecdotes, Graves describes his upbringing in East Tennessee and the climate in which bluegrass music emerged during the 1940s. Deeply influenced by the blues, he adapted Earl Scruggs's revolutionary banjo style to the Dobro resonator slide guitar and gave the Foggy Mountain Boys their distinctive sound. Graves' accounts of daily life on the road through the 1950s and 1960s reveal the band's dedication to musical excellence, Scruggs' leadership, and an often grueling life on the road. He also comments on his later career when he played in Lester Flatt's Nashville Grass and the Earl Scruggs Revue and collaborated with the likes of Boz Scaggs, Charlie McCoy, Kenny Baker, Eddie Adcock, Jesse McReynolds, Marty Stuart, Jerry Douglas, Alison Krauss, and his three musical sons. A colorful storyteller, Graves brings to life the world of an American troubadour and the mountain culture that he never left behind.
 
Born in Tellico Plains, Tennessee, Josh Graves (1927-2006) is universally acknowledged as the father of the bluegrass Dobro. In 1997 he was inducted into the Bluegrass Hall of Fame.
[more]
cover of Bluegrass Generation: A Memoir

Bluegrass Generation

A Memoir

Neil V Rosenberg

University of Illinois Press, 2018

Neil V. Rosenberg met the legendary Bill Monroe at the Brown County Jamboree. Rosenberg's subsequent experiences in Bean Blossom put his feet on the intertwined musical and scholarly paths that made him a preeminent scholar of bluegrass music.

Rosenberg's memoir shines a light on the changing bluegrass scene of the early 1960s. Already a fan and aspiring musician, his appetite for banjo music quickly put him on the Jamboree stage. Rosenberg eventually played with Monroe and spent four months managing the Jamboree. Those heights gave him an eyewitness view of nothing less than bluegrass's emergence from the shadow of country music into its own distinct art form. As the likes of Bill Keith and Del McCoury played, Rosenberg watched Monroe begin to share a personal link to the music that tied audiences to its history and his life--and helped turn him into bluegrass's foundational figure.

An intimate look at a transformative time, Bluegrass Generation tells the inside story of how an American musical tradition came to be.

[more]
cover of Blues All Day Long: The Jimmy Rogers Story

Blues All Day Long

The Jimmy Rogers Story

Wayne Everett Goins, foreword by Kim Wilson

University of Illinois Press, 2014

A member of Muddy Waters' legendary late 1940s-1950s band, Jimmy Rogers pioneered a blues guitar style that made him one of the most revered sidemen of all time. Rogers also had a significant if star-crossed career as a singer and solo artist for Chess Records, releasing the classic singles "That's All Right" and "Walking By Myself."
 
In Blues All Day Long, Wayne Everett Goins mines seventy-five hours of interviews with Rogers' family, collaborators, and peers to follow a life spent in the blues. Goins' account takes Rogers from recording Chess classics and barnstorming across the South to a late-in-life renaissance that included new music, entry into the Blues Hall of Fame, and high profile tours with Eric Clapton and the Rolling Stones. Informed and definitive, Blues All Day Long fills a gap in twentieth century music history with the story of one of the blues' eminent figures and one of the genre's seminal bands.
[more]
cover of Blues Before Sunrise 2: Interviews from the Chicago Scene

Blues Before Sunrise 2

Interviews from the Chicago Scene

Steve Cushing

University of Illinois Press, 2019

In this new collection of interviews, Steve Cushing once again invites readers into the vaults of Blues Before Sunrise, his acclaimed nationally syndicated public radio show. Icons from Memphis Minnie to the Gay Sisters stand alongside figures like schoolteacher Flossie Franklin, who helped Leroy Carr pen some of his most famous tunes; saxman Abb Locke and his buddy Two-Gun Pete, a Chicago cop notorious for killing people in the line of duty; and Scotty "The Dancing Tailor" Piper, a font of knowledge on the black entertainment scene of his day. Cushing also devotes a section to religious artists, including the world-famous choir Wings Over Jordan and their travails touring and performing in the era of segregation. Another section focuses on the jazz-influenced Bronzeville scene that gave rise to Marl Young, Andrew Tibbs, and many others while a handful of Cushing's early brushes with the likes of Little Brother Montgomery, Sippi Wallace, and Blind John Davis round out the volume.Diverse and entertaining, Blues Before Sunrise 2 adds a chorus of new voices to the fascinating history of Chicago blues.
[more]
cover of Blues Before Sunrise 3: Guitar Slingers and Backbeaters

Blues Before Sunrise 3

Guitar Slingers and Backbeaters

Steve Cushing. Introduction by Wayne Everett Goins

University of Illinois Press, 2025

Steve Cushing’s third volume of interviews from Blues Before Sunrise puts fans face-to-face with music legends and industry figures. The volume kicks off with a roundtable featuring drumming all-stars Earl Phillips, S.P. Leary, Odie Payne, Clifton James, and Fred Below discussing their lives and craft. Cushing segues to one-on-one interviews with Howlin’ Wolf sideman Phillips; Leary, a fellow Wolf alum and player with Sonny Boy Williamson II; Payne, known for his kick drum technique; longtime Muddy Waters drummer Willie “Big Eyes” Smith; next-generation standard bearer and session mainstay Casey Jones; and King Records house drummer Phillip Paul.

Interviews with guitarists include talks with Honeyboy Edwards, whose friendships with innumerable Chicago blues legends (and Robert Johnson) predated the Great Migration; jazz player turned bluesman Guitar Shorty; and figures like Texas native Roy Gaines, Johnny Heartsman of Oakland, and Memphis-born Floyd Murphy. A final section offers interviews with vocalists, record label founders, and other figures. Music scholar Wayne Everett Goins provides an introduction on blues history, blues style, and the careers of the featured artists.

Interviews: Joel Dorn, Honeyboy Edwards, Slim Gaillard, Roy Gaines, Johnny Heartsman, Franz Jackson, Casey Jones, S.P. Leary, Floyd Murphy, Jimmy “T-99” Nelson, Johnny Parth, Phillip Paul, Odie Payne, Earl Phillips, Art Sheridan, Guitar Shorty, Willie “Big Eyes” Smith, and Norvel Taborn

[more]
cover of Blues Empress in Black Chattanooga: Bessie Smith and the Emerging Urban South

Blues Empress in Black Chattanooga

Bessie Smith and the Emerging Urban South

Michelle R. Scott

University of Illinois Press, 2007

As one of the first African American vocalists to be recorded, Bessie Smith is a prominent figure in American popular culture and African American history. Michelle R. Scott uses Smith's life as a lens to investigate broad issues in history, including industrialization, Southern rural to urban migration, black community development in the post-emancipation era, and black working-class gender conventions.

Arguing that the rise of blues culture and the success of female blues artists like Bessie Smith are connected to the rapid migration and industrialization in the late nineteenth and early twentieth centuries, Scott focuses her analysis on Chattanooga, Tennessee, the large industrial and transportation center where Smith was born. This study explores how the expansion of the Southern railroads and the development of iron foundries, steel mills, and sawmills created vast employment opportunities in the postbellum era. Chronicling the growth and development of the African American Chattanooga community, Scott examines the Smith family's migration to Chattanooga and the popular music of black Chattanooga during the first decade of the twentieth century, and culminates by delving into Smith's early years on the vaudeville circuit.

[more]
cover of Blues Legacy: Tradition and Innovation in Chicago

Blues Legacy

Tradition and Innovation in Chicago

David Whiteis

University of Illinois Press, 2019

Chicago blues musicians parlayed a genius for innovation and emotional honesty into a music revered around the world. As the blues evolves, it continues to provide a soundtrack to, and a dynamic commentary on, the African American experience: the legacy of slavery; historic promises and betrayals; opportunity and disenfranchisement; the ongoing struggle for freedom. Through it all, the blues remains steeped in survivorship and triumph, a music that dares to stare down life in all its injustice and iniquity and still laugh--and dance--in its face.

David Whiteis delves into how the current and upcoming Chicago blues generations carry on this legacy. Drawing on in-person interviews, Whiteis places the artists within the ongoing social and cultural reality their work reflects and helps create. Beginning with James Cotton, Eddie Shaw, and other bequeathers, he moves through an all-star council of elders like Otis Rush and Buddy Guy and on to inheritors and today's heirs apparent like Ronnie Baker Brooks, Shemekia Copeland, and Nellie "Tiger" Travis.

Insightful and wide-ranging, Blues Legacy reveals a constantly adapting art form that, whatever the challenges, maintains its links to a rich musical past.

[more]
cover of Blues of a Lifetime: Autobiography of Cornell Woolrich

Blues of a Lifetime

Autobiography of Cornell Woolrich

Edited by Mark T. Bassett

University of Wisconsin Press, 1991

Blues of a Lifetime is essential reading for people interested in suspense novelist Cornell Woolrich, author of Rear Window. Woolrich’s autobiography includes accounts of his working methods, his family and home, memories of childhood, college experience, and his philosophy of life.
[more]
cover of Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton

Blutopia

Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton

Graham Lock

Duke University Press, 2000

In Blutopia Graham Lock studies the music and thought of three pioneering twentieth-century musicians: Sun Ra, Duke Ellington, and Anthony Braxton. Providing an alternative to previous analyses of their work, Lock shows how these distinctive artists were each influenced by a common musical and spiritual heritage and participated in self-conscious efforts to create a utopian vision of the future.
A century after Ellington’s birth, Lock reassesses his use of music as a form of black history and compares the different approaches of Ra, a band leader who focused on the future and cosmology, and Braxton, a contemporary composer whose work creates its own elaborate mythology. Arguing that the majority of writing on black music and musicians has—even if inadvertently—incorporated racial stereotypes, he explains how each artist reacted to criticism and sought to break free of categorical confines. Drawing on social history, musicology, biography, cultural theory, and, most of all, statements by the musicians themselves, Lock writes of their influential work.
Blutopia will be a welcome contribution to the literature on twentieth-century African American music and creativity. It will interest students of jazz, American music, African American studies, American culture, and cultural studies.
[more]
cover of Bob Bullock: God Bless Texas

Bob Bullock

God Bless Texas

By Dave McNeely and Jim Henderson

University of Texas Press, 2008

Renowned for his fierce devotion to the people of Texas—as well as his equally fierce rages and unpredictable temper—Bob Bullock was the most powerful political figure in Texas at the end of the twentieth century. First elected to the Texas House of Representatives in 1956, Bullock held several key statewide posts before capturing the lieutenant governor's office in 1990. Though nominally the state's number two official, Bullock in fact became Texas's top power broker, wielding tremendous influence over the legislative agenda and state budget through the 1990s while also mentoring and supporting a future president—George W. Bush.

In this lively, yet thoroughly researched biography, award-winning journalists Dave McNeely and Jim Henderson craft a well-rounded portrait of Bob Bullock, underscoring both his political adroitness and his personal demons. They trace Bullock's rise through state government as Assistant Attorney General, Secretary of State, State Comptroller, and Lieutenant Governor, showing how he increased the power of every office he held. The authors spotlight Bullock's substantial achievements, which included hiring an unprecedented number of women and minorities, instituting a performance review to increase the efficiency of state agencies, restructuring the public school funding system, and creating the state's first water conservation and management plan.

[more]
cover of Bob Kleberg and the King Ranch: A Worldwide Sea of Grass

Bob Kleberg and the King Ranch

A Worldwide Sea of Grass

By John Cypher

University of Texas Press, 1996

Ranching on the vast scale that Texas is famous for actually happened at King Ranch, a sea of grass that ultimately spread its pastures to countries around the globe under the fifty-year leadership of Bob Kleberg. This absorbing biography, written by Kleberg's top assistant of many years, captures both the life of the man and the spirit of the kingdom he ruled, offering a rare, insider's view of life on a fabled Texas ranch.

John Cypher spent forty years (1948-1988) on King Ranch. In these pages, he melds highlights of Kleberg's life with memories of his own experiences as the "right hand" who implemented many of Kleberg's grand designs. In a lively story laced with fascinating anecdotes he both recounts his worldwide travels with Kleberg as the ranch expanded its holdings to Latin America, Cuba, Australia, the Philippines, Europe, and Africa, and describes timeless, traditional tasks such as roundup at the home ranch in Kingsville.

Kleberg's accomplishments as the founder of the Santa Gertrudis cattle breed and a breeder of Thoroughbred racing horses receive full attention, as does his fabled lifestyle, which included friendships not merely with the rich and famous but also with Queen Elizabeth the Queen Mother, who shared his love of horse racing. For everyone interested in ranching and one of its most famous practitioners, this book will be essential reading.

[more]
cover of Bobby Braddock: A Life on Nashville’s Music Row

Bobby Braddock

A Life on Nashville’s Music Row

Bobby Braddock

Vanderbilt University Press, 2015

If you know country music, you know Bobby Braddock. Even if you don't know his name, you know the man's work. "He Stopped Loving Her Today." "D-I-V-O-R-C-E." "Golden Ring." "Time Marches On." "I Wanna Talk About Me." "People Are Crazy." These songs and numerous other chart-topping hits sprang from the mind of Bobby Braddock. A working songwriter and musician, Braddock has prowled the streets of Nashville's legendary Music Row since the mid-1960s, plying his trade and selling his songs. These decades of writing songs for legendary singers like George Jones, Tammy Wynette, and Toby Keith are recounted in Bobby Braddock: A Life on Nashville's Music Row, providing the reader with a stunning look at the beating heart of Nashville country music that cannot be matched.

If you're looking for insight into Nashville, the life of music in this town, and the story of a force of nature on the Row to this day, Bobby Braddock will take you there.
[more]
cover of Boccaccio: A Biography

Boccaccio

A Biography

Marco Santagata

University of Chicago Press, 2025

A comprehensive biography of the celebrated author of the Decameron, a medieval masterpiece written in early Italian.
                                              
Boccaccio (1313–75) stands with Dante and Petrarch as one of the “Three Crowns” of Italian letters, a trio of writers who shaped the history of humanism, literature, and poetry. In this book, Dante’s award-winning biographer, Marco Santagata, takes up the moving life and legacy of Boccaccio—whose unflinching story of a pandemic-era community (the Decameron) created new possibilities for vernacular Italian prose.

This landmark biography sheds new light on Boccaccio’s life—his family, friends, and foes, his aspirations, fears, and frustrations—and it shows how he was affected by transformations in Italian society. It also charts the influences that shaped Boccaccio’s understanding of literature: what kinds of stories it could tell and what kinds of characters it could depict; and, perhaps most importantly, what role art could play in a changing world. An insightful portrait of one of literature’s most important figures, this book promises to be the definitive biography of Boccaccio for many years to come.
[more]
cover of Body Story

Body Story

Julia K. De Pree

Ohio University Press, 2004

Something other than a memoir of a life well lived, Body Story conveys Julia K. De Pree's troubling journey from adolescence to adulthood and from anorexia to health.

For De Pree, between being a girl and being a woman, there was starvation. Body Story is her intimate account of girlhood, virginity, anorexia, and motherhood. De Pree's prose is spare and unguarded, revealing in vivid flashbacks and poignant vignettes the sources of her inner pain.

In high school, the five-foot-ten De Pree weighed as little as 114 pounds. She was too weak to raise her arms above her head. “In a paradoxical way, I starved my body in order to understand my life,” she writes. “I had to place my body in suspension before I could move physically into sexuality. Starving allowed me to create an interim space between innocence and experience.”

De Pree renders the starkness of anorexia along with the process of recovery, relapse, and, ultimately, redemption. She also tells the story of the physical landscape, from her origins in the Midwest to the American South, Paris, and the vast New Mexican desert, as well as the psychic landscape of her body as it encounters the joys and challenges of maturation, childbirth, and motherhood.

De Pree offers readers a new way of understanding women¿s bodily experience, as she writes about the mystery and the meaning of her illness. As many as eight million Americans suffer from eating disorders. Body Story, unlike clinical reports or news accounts, illuminates the complexity of anorexia as the narrative moves toward a subjective and deeply personal truth.

This evocative and often radiant vision is a unique window into womanhood and selfhood in middle-class, contemporary America.
[more]
cover of Body, Remember: A Memoir

Body, Remember

A Memoir

Kenny Fries

University of Wisconsin Press, 2003

In this poetic, introspective memoir, Kenny Fries illustrates his intersecting identities as gay, Jewish, and disabled. While learning about the history of his body through medical records and his physical scars, Fries discovers just how deeply the memories and psychic scars run. As he reflects on his relationships with his family, his compassionate doctor, the brother who resented his disability, and the men who taught him to love, he confronts the challenges of his life. Body, Remember is a story about connection, a redemptive and passionate testimony to one man’s search for the sources of identity and difference.

[more]
cover of Bolívar and the War of Independence: Memorias del General Daniel Florencio O’Leary, Narración

Bolívar and the War of Independence

Memorias del General Daniel Florencio O’Leary, Narración

By Daniel Florencio O'Leary

University of Texas Press, 1970

The overthrow of Spanish rule and the birth of new republican governments in northern South America at the beginning of the nineteenth century were in large part the work of one man—Simón Bolívar. Bolívar was not only the soldier who built a patriot army from a small band of exiles and led them victoriously across Venezuela and down the spine of the Andes as far as Potosí; he was also the statesman who framed the new republics that sprang to life after the defeat of the Spanish and who called the Congress of Panama in hopes of making real his dream of uniting all the South American republics in a single confederation. He was truly the Liberator.

 The Narración, or narrative, of the Memorias of Daniel Florencio O’Leary has long been recognized by Spanish American scholars as one of the most important historical sources for a major part of Bolívar’s life. O’Leary took an active part in the wars for independence, first as a young officer, recruited in the British Isles to aid the patriot cause, and later as Bolívar’s chief aide, often entrusted with diplomatic missions. His firsthand knowledge of the stirring events of the period, his access to relevant documents, and his close association with the major figures in the struggle, as well as his friendship with Bolívar, made O’Leary a particularly valuable chronicler and biographer. Bolívar himself, shortly before his death, requested that O’Leary write the story of his life.

 O’Leary’s meticulous attention to military and diplomatic maneuvers and his keen, sometimes acrid, comments on both men and events give the reader not only a vivid portrait of Bolívar—the man and his achievements—but also a remarkable insight into O’Leary’s own position as an autocratic-minded participant in the wars for independence. Although O’Leary’s devotion to, and admiration for, his Chief make for an occasionally partisan view, his stark account of the hardships and disappointments that Bolívar and his armies overcame against almost impossible odds does much to balance the narrative.

 In his abridged translation, Robert McNerney has omitted the Apéndice, documents that O’Leary, had he lived, undoubtedly would have used as the source for completing his account of Bolívar’s life. Numerous letters and documents scattered through the original text also have been omitted, leaving a highly readable narrative.

[more]
cover of Bonar Law

Bonar Law

Andrew Taylor

Haus Publishing, 2006

Part of the Prime Ministers Series, Law was a Conservative who opposed Home rule for Ireland
[more]
cover of Bond: The Nature of Us

Bond

The Nature of Us

Jill Sission Quinn

University of Iowa Press, 2027

[more]