5550 books match the query 'Biography & Autobiography' and 288 start with c
Donald G. Godfrey
University of Illinois Press, 2014
This is the first biography of the important but long-forgotten American inventor Charles Francis Jenkins (1867-1934). Historian Donald G. Godfrey documents the life of Jenkins from his childhood in Indiana and early life in the West to his work as a prolific inventor whose productivity was cut short by an early death. Jenkins was an inventor who made a difference.
As one of America's greatest independent inventors, Jenkins's passion was to meet the needs of his day and the future. In 1895 he produced the first film projector able to show a motion picture on a large screen, coincidentally igniting the first film boycott among his Quaker viewers when the film he screened showed a woman's ankle. Jenkins produced the first American television pictures in 1923, and developed the only fully operating broadcast television station in Washington, D.C. transmitting to ham operators from coast to coast as well as programming for his local audience.
Godfrey's biography raises the profile of C. Francis Jenkins from his former place in the footnotes to his rightful position as a true pioneer of today's film and television. Along the way, it provides a window into the earliest days of both motion pictures and television as well as the now-vanished world of the independent inventor.
By John de la Mothe
University of Texas Press, 1992
The condition of modernity springs from that tension between science and the humanities that had its roots in the Enlightenment but reached its full flowering with the rise of twentieth-century technology. It manifests itself most notably in the crisis of individuality that is generated by the nexus of science, literature, and politics, one that challenges each of us to find a way of balancing our personal identities between our public and private selves in an otherwise estranging world. This challenge, which can only be expressed as "the struggle of modernity," perhaps finds no better expression than in C. P. Snow. In his career as novelist, scientist, and civil servant, C. P. Snow (1905-1980) attempted to bridge the disparate worlds of modern science and the humanities.
While Snow is often regarded as a late-Victorian liberal who has little to say about the modernist period in which he lived and wrote, de la Mothe challenges this judgment, reassessing Snow's place in twentieth-century thought. He argues that Snow's life and writings—most notably his Strangers and Brothers sequence of novels and his provocative thesis in The Two Cultures and the Scientific Revolution—reflect a persistent struggle with the nature of modernity. They manifest Snow's belief that science and technology were at the center of modern life.
Howard Dick and Stephen Kentwell
Hong Kong University Press, 2026
A business biography of C. Y. Tung, founder of the Orient Overseas Container Line and philanthropist.
Shanghai-born and later Hong Kong–resident shipowner Tung Chao-Yung (1912–1982) is remembered worldwide as a champion for Chinese shipping, founding the companies Chinese Maritime Transport and Island Navigation, and pioneering container shipping for Asia in Orient Overseas Container Line/OOCL. Despite coming from a humble background, by the time of his death he controlled a huge fleet of passenger liners, bulk carriers, tankers, and container ships, while also being diversified into port terminals, dockyards, banks, and prime real estate. This business biography sets out his pathway from a junior executive in the early 1930s to one of the world’s leading private shipowners. The authors argue that Tung achieved his desire to develop Chinese ocean shipping through his ability to learn, innovate, network, and devise strategies through decades of rapid technical and organizational change. He also earned respect for his generous philanthropy. After his death, sons Tung Chee-Hwa and Tung Chee-Chen were able to navigate a financial crisis, restructure the group in the face of intensifying competition in the 1980s, and grow through the challenges and opportunities of globalization and advancement in supply chain management and technology within the industry in the 1990s through 2010s. OOCL became one of the most competitive liner companies in the industry until divestment in 2017. Eight decades since their establishment, privately owned Island Navigation and, now independently, Chinese Maritime Transport continue to trade globally in dry-bulk and tanker markets. C. Y. Tung (1912–1982) and the Rise of Modern Chinese Shipping concludes with an overview of the emergence of the state-owned PRC fleet and brief histories of other multi-generational family companies.
Jonna McKone
Rutgers University Press, 2021
Harry Golden
University of Illinois Press, 1988

Fred Halliday
University of London Press, 2011
Katie Eberhart
University of Alaska Press, 2020
Maria Wyke
University of Chicago Press, 2008
Barney Josephson with Terry Trilling-Josephson. Foreword by Dan Morgenstern.
University of Illinois Press, 2009
Set against the drama of the Great Depression, the conflict of American race relations, and the inquisitions of the House Un-American Activities Committee, Cafe Society tells the personal history of Barney Josephson, proprietor of the legendary interracial New York City night clubs Cafe Society Downtown and Cafe Society Uptown and their successor, The Cookery. Famously known as "the wrong place for the Right people," Cafe Society featured the cream of jazz and blues performers--among whom were Billie Holiday, boogie-woogie pianists, Big Joe Turner, Lester Young, Buck Clayton, Big Sid Catlett, and Mary Lou Williams--as well as comedy stars Imogene Coca, Zero Mostel, and Jack Gilford, and also gospel and folk singers. A trailblazer in many ways, Josephson welcomed black and white artists alike to perform for mixed audiences in a venue whose walls were festooned with artistic and satiric murals lampooning what was then called "high society."
Featuring scores of photographs that illustrate the vibrant cast of characters in Josephson's life, this exceptional book speaks richly about Cafe Society's revolutionary innovations and creativity, inspired by the vision of one remarkable man.
Gary L. Stuart; Foreword by Michael Daly Hawkins
University of Arizona Press, 2018
James N. Giglio
University of Missouri Press, 2011
Harry Conroy
Haus Publishing, 2006
Margot Ford McMillen & Heather Roberson
University of Missouri Press, 2002
Dora Apel
Rutgers University Press, 2021
Edited by Zita Arocha
University of Texas Press, 2026
Fourteen writers reflect on the complexities of Mexican American identity in hyphenated America.
At a time when memoir has become an increasingly popular form of self-expression, fourteen writers from diverse backgrounds engaged with one another in a series of writing workshops sponsored by the Center for Mexican American Studies at UT Austin to reflect on their life journeys. They wrestle with issues that shaped them in provocative, evocative, and sometimes humorous short essays. The writers include a lawyer, a civil rights activist, actors, journalists, and professors who write of belonging, national and sexual identity, coping with illness and loss, career challenges, and life-altering events familiar to us all. The contributors write poignantly about losing a parent at an early age; growing up in segregated communities; bravely confronting serious health problems; living in a household with a mentally disturbed family member; the complexity of being “American” as well as “Mexican”; and the professional challenges facing all hyphenated Americans, many of whom are often the first person of color in their workplaces.
Fred Lanzing
Ohio University Press, 2017
“Children see and hear what is there; adults see and hear what they are expected to and mainly remember what they think they ought to remember,” David Lowenthal wrote in The Past Is a Foreign Country. It is on this fraught foundation that Fred Lanzing builds this memoir of his childhood in a Japanese internment camp for Dutch colonialists in the East Indies during the World War II.
When published in the Netherlands in 2007, the book triggered controversy, if not vitriol, for Lanzing’s assertion that his time in the camp was not the compendium of horrors commonly associated with the Dutch internment experience. Despite the angry reception, Lanzing’s account corresponds more closely with the scant historical record than do most camp memoirs. In this way, Lanzing’s work is a substantial addition to ongoing discussions of the politics of memory and the powerful—if contentious—contributions that subjective accounts make to historiography and to the legacies of the past.
Lanzing relates an aspect of the war in the Pacific seldom discussed outside the Netherlands and, by focusing on the experiences of ordinary people, expands our understanding of World War II in general. His compact, beautifully detailed account will be accessible to undergraduate students and a general readership and, together with the introduction by William H. Frederick, is a significant contribution to literature on World War II, the Dutch colonial experience, the history of childhood, and Southeast Asian history.
Thomas M. Carsey
University of Michigan Press, 2001

Roy Hattersley
Haus Publishing, 2006
Stephen Eric Bronner
University of Chicago Press, 2009
Decades after his death, Albert Camus (1913–1960) is still regarded as one of the most influential and fascinating intellectuals of the twentieth century. This biography by Stephen Eric Bronner explores the connections between his literary work, his philosophical writings, and his politics.
Camus illuminates his impoverished childhood, his existential concerns, his activities in the antifascist resistance, and the controversies in which he was engaged. Beautifully written and incisively argued, this study offers new insights—and above all—highlights the contemporary relevance of an extraordinary man.
“A model of a kind of intelligent writing that should be in greater supply. Bronner manages judiciously to combine an appreciation for the strengths of Camus and nonrancorous criticism of his weaknesses. . . . As a personal and opinionated book, it invites the reader into an engaging and informative dialogue.”—American Political Science Review
“This concise, lively, and remarkably evenhanded treatment of the life and work of Albert Camus weaves together biography, philosophical analysis, and political commentary.”—Science & Society
Nancy McCabe
University of Missouri Press, 2020
Edited by Susan Martha Kahn
Brandeis University Press, 2022
Tyra A. Olstad
Oregon State University Press, 2021
Neil Harris
University of Chicago Press, 2013
By Nancy Baker Jones and Ruthe Winegarten
University of Texas Press, 2000
Along with bar rooms and bordellos, there has hardly been a more male-focused institution in Texas history than the Texas Legislature. Yet the eighty-six women who have served there have made a mark on the institution through the legislation they have passed, much of which addresses their concerns as citizens who have been inadequately represented by male lawmakers.
This first complete record of the women of the Texas Legislature places such well-known figures as Kay Bailey Hutchison, Sissy Farenthold, Barbara Jordan, Irma Rangel, Eddie Bernice Johnson, Susan Combs, and Judith Zaffirini in the context of their times and among the women and men with whom they served. Drawing on years of primary research and interviews, Nancy Baker Jones and Ruthe Winegarten offer concise biographies and profiles of all eighty-six women who have served or currently hold office in the Texas Legislature.
The biographies describe the women lawmakers' lives, campaign strategies, and legislative successes and defeats. Four introductory essays provide historical and cultural context for the biographies, which are arranged chronologically to give a sense of the passage of time, of relationships among and between women, and of the issues of their eras.
William Cobb
University of Alabama Press, 2015
Captain Billy’s Troopers is a frank, literary memoir about William Cobb’s life as a southern writer—his struggles with addiction and illness, his career as a teacher and novelist, and his hard‑won return to creative life.
In this audacious memoir, William Cobb reveals the tumultuous creative life of a distinguished practitioner of southern and Alabama storytelling. As poignant and inspiring as his own fiction, Captain Billy’s Troopers traces Cobb’s early life, education, and struggles with alcohol and the debilitating condition normal pressure hydrocephalus (NPH).
Like a curving river, the broad sweep of Cobb’s turbulent life includes both startling cataracts and desultory eddies, leading sometimes into shadows or opening into unexpected sunlight. With unsentimental clarity, Cobb recounts coming of age in his native Demopolis in the churning middle years of the twentieth century. It’s there he has his first tantalizing tastes of alcohol and begins to drink habitually. Readers then travel with Cobb to Livingston University (now the University of West Alabama) and then on to Vanderbilt University. Along the way, readers relish his first experiences of love and success as a writer, leading to a career as a professor of writing at Alabama College (now the University of Montevallo) in 1963.
From there Cobb’s struggles with alcohol and depression lead to elongated years of tumbling creative output and the collapse of his marriage. The summer of 1984 found Cobb in rehab, the first step in his path to recovery. His unflinching memoir narrates both the milestones and telling details of his intense therapy and years in Alcoholics Anonymous (AA). In the sober thirty years since, Cobb has published a string of critically praised novels and a prize-winning collection of short stories. The capstone of his comeback was winning the Harper Lee Award in 2007 for distinguished fiction writing.
In 2000, shortly after retiring, Cobb developed NPH, which upset his sense of balance and triggered dementia symptoms and other maladies. Nine years later in 2009, brain surgery brought Cobb a dramatic recovery, which began the third act in his writing career. Vital, honest, and entertaining, Captain Billy’s Troopers captures the life of an Alabama original.
By Ernest J. Lovell
University of Texas Press, 1962
Here is the first biography of Thomas Medwin—literary adventurer, rascal, scholar, confidence man, successful fortune hunter, and bemused speculator on a grand scale in old Italian oil paintings. Poet, novelist, translator of Aeschylus, cousin and boyhood friend of the poet Shelley, he was a man of fiery temper, fierce hatreds, and enduring loves.
Although an intimate friend of Lord Byron, he was so dangerous (or disreputable) that his Lordship warned Teresa Guiccioli, his last mistress, not to be alone in Medwin's company. Later, Medwin introduced Byron's daughter to her future husband, Lord Lovelace, and so determined the poet's line of descent.
Friend of Washington Irving, gentleman of the old school, neglected Boswell of the nineteenth century, Medwin reported the conversations of Byron, Shelley, Trelawny, Hazlitt, Canova the sculptor, and others. His life and adventures light up little-known aspects of the nineteenth-century literary, military, social, and publishing world—in England, India, Italy, France, Switzerland, and Germany.
Medwin served as midwife to the words of a dead man—Lord Byron—who returned to laugh and sneer at the living from the Captain's pages. The Conversations of Lord Byron thus became the most controversial book of the day, going through a dozen editions, in six countries, and being translated into French, German, and Italian. It aroused the wrath, indignation, or enthusiastic interest of such individuals as Goethe, Lady Byron, Lady Caroline Lamb, the Countess Teresa Guiccioli, John Cam Hobhouse (later Lord Broughton), Sir Walter Scott, John Murray, and Washington Irving. Medwin, whose long and adventurous life extended from the rise and flowering of the Romantic Period to the mid-Victorian Age (which he regarded as a dreary decline from the great heights of his youth), was an influence of the first magnitude in determining the early public image of Byron and the reputation of Shelley.
This often amusing story, as engrossing as a novel, is drawn from all the available accounts, including many important sources never before published. In effect a new contribution to the biographical study of Byron and Shelley, it clarifies Medwin's relations not only with these two poets but also with many other important and interesting figures of the day.
Mary Jo Ignoffo
University of Missouri Press, 2010
Mary Jo Ignoffo
University of Missouri Press, 2022
Anthony Collings
University of Missouri Press, 2010
Anthony Collings found himself in his share of difficult situations in his thirty-four years as a newsman. Like being captured by AK-47–toting Syrians in Lebanon in 1981 while looking for missiles that threatened a new outbreak of hostilities with Israel, or being “detained” by the KGB in Moscow in 1967 during his first foreign posting for the Associated Press filing stories about Soviet dissidents.
Philippe Roy-Lysencourt
Catholic University of America Press, 2021
Richard A. Posner
University of Chicago Press, 1993
Sandra Pouchet Paquet
University of Wisconsin Press, 2002
Despite the range and abundance of autobiographical writing from the Anglophone Caribbean, this book is the first to explore this literature fully. It covers works from the colonial era up to present-day AIDS memoirs and assesses the links between more familiar works by George Lamming, C. L. R. James, Derek Walcott, V. S. Naipaul, and Jamaica Kincaid and less frequently cited works by the Hart sisters, Mary Prince, Mary Seacole, Claude McKay, Yseult Bridges, Jean Rhys, Anna Mahase, and Kamau Brathwaite.
Sandra Pouchet Paquet charts the intersection of multiple, contradictory viewpoints of the colonial and postcolonial Caribbean, differing concepts of community and levels of social integration, and a persistent pattern of both resistance and accommodation within island states that were largely shaped by British colonial practice from the mid-seventeenth through the mid-twentieth century. The texts examined here reflect the entire range of autobiographical practice, including the slave narrative and testimonial, written and oral narratives, spiritual autobiographies, fiction, serial autobiography, verse, diaries and journals, elegy, and parody.
Leonard N. Moore
University of Illinois Press, 2002

Gay Wilson Allen
University of Minnesota Press, 1972
Carl Sandburg - American Writers 97 was first published in 1972. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Amy C. Beal
University of Illinois Press, 2011
This is the first comprehensive treatment of the remarkable music and influence of Carla Bley, a highly innovative American jazz composer, pianist, organist, band leader, and activist. With fastidious attention to Bley's diverse compositions over the last fifty years spanning critical moments in jazz and experimental music history, Amy C. Beal tenders a long-overdue representation of a major figure in American music.
Best known for her jazz opera "Escalator over the Hill," her role in the Free Jazz movement of the 1960s, and her collaborations with artists such as Jack Bruce, Don Cherry, Robert Wyatt, and Pink Floyd drummer Nick Mason, Bley has successfully maneuvered the field of jazz from highly accessible, tradition-based contexts to commercially unviable, avant-garde works. Beal details the staggering variety in Bley's work as well as her use of parody, quotations, and contradictions, examining the vocabulary Bley has developed throughout her career and highlighting the compositional and cultural significance of her experimentalism.
Beal also points to Bley's professional and managerial work as a pioneer in the development of artist-owned record labels, the cofounder and manager of WATT Records, and the cofounder of New Music Distribution Service. Showing her to be not just an artist but an activist who has maintained musical independence and professional control amid the profit-driven, corporation-dominated world of commercial jazz, Beal's straightforward discussion of Bley's life and career will stimulate deeper examinations of her work.
By John W. F. Dulles
University of Texas Press, 1991
Playwright, journalist, and spectacularly successful governor, Carlos Lacerda was Brazil's foremost orator in the 20th century and its most controversial politician. He might have become president in the 1960s had not the military taken over. In the words of eminent historian José Honório Rodrigues, "No one person influenced the Brazilian historical process as much as Carlos Lacerda from 1945 to 1968."
In this volume, the first of a two-volume biography, Professor Dulles paints a portrait of a rebellious youth, who had the willfulness of his prominent father and who crusaded for Communism before becoming its most outspoken foe. Recalling Lacerda's rallying cry, "Brazil must be shaken up," Dulles traces the career of the journalist whose unsparing attacks on the men in power led authorities to imprison him and employ thugs who pummeled him physically. The story covers events in which Lacerda helped alter Brazil, such as the redemocratization in 1945 and his revelation of scandals in high places in the early 1950s. An unsuccessful attempt by government men to murder him in 1954 led to the suicide of President Getulio Vargas in 1954.
Lacerda's spirited oratory helped him become Brazil's most popular congressman, but it scared the rulers of Brazil and they prohibited the broadcast of his speeches after he returned from exile in 1956. Their effort to deprive him of his mandate stirred the entire nation and culminated in one of the most dramatic sessions ever held in the Chamber of Deputies.
Dulles, who knew Lacerda well and had access to his papers, sheds light on Lacerda the man, ardent in courtship and in all his undertakings, intellectually restless, and scornful of routine and mediocrity. Lacerda had a vitriolic pen that made bitter enemies, but, as disclosed in these pages, his courage and incorruptibility attracted an enthusiastic following, evident in the landslide election victories that brought him seats on Rio de Janeiro's city council and in the federal Congress.
By John W. F. Dulles
University of Texas Press, 1991
From reviews of Volume I:
"Brazilian Crusader is no doubt the best biography yet produced on Lacerda and the second volume . . . is certainly worth waiting for."
—Luso-Brazilian Review
Journalist and spectacularly successful governor, Carlos Lacerda was Brazil's foremost orator in the 20th century and its most controversial politician. He might have become president in the 1960s had not the military taken over.
In the first volume, John F. W. Dulles paints a portrait of a rebellious youth, who had the willfulness of his prominent father and who crusaded for Communism before becoming its most outspoken foe. Recalling Lacerda's rallying cry, "Brazil must be shaken up," Dulles traces the career of the journalist whose unsparing attacks on the men in power led authorities to imprison him and employ thugs who pummeled him physically. Lacerda's spirited oratory helped him become Brazil's most popular congressman, but it scared the rulers of Brazil, who prohibited the broadcast of his speeches after he returned from exile in 1956. Their effort to deprive him of his mandate stirred the entire nation and culminated in one of the most dramatic sessions ever held in the Chamber of Deputies.
In the second and final volume, Dulles explores the political and private life of Lacerda from 1960, when he became governor of Brazil's Guanabara state, until his death in 1977. Dulles focuses particularly on the years 1960 to 1968, in which Lacerda played a central role in some of the most drastic political changes that Brazil has experienced in this century.
Lacerda's story ranges from the headlines constantly generated by his political attacks and journalistic sensationalism to private moments of personal tragedy. In telling his story, Dulles draws on hundreds of interviews, as well as extensive research in press archives, Lacerda's public papers, and the private collections of Lacerda's family and associates. This material paints a compelling portrait of an honest administrator who alienated top figures in politics, the press, and the military.
Susan Shillinglaw
University of Nevada Press, 2024

Frederick P.W. McDowell
University of Minnesota Press, 1966
Caroline Gordon - American Writers 59 was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Julia Pferdehirt
Wisconsin Historical Society Press, 2008
Chelsea Phillips
University of Delaware Press, 2022
The rise of celebrity stage actresses in the long eighteenth century created a class of women who worked in the public sphere while facing considerable scrutiny about their offstage lives. Such powerful celebrity women used the cultural and affective significance of their reproductive bodies to leverage audience support and interest to advance their careers, and eighteenth-century London patent theatres even capitalized on their pregnancies. Carrying All Before Her uses the reproductive histories of six celebrity women (Susanna Mountfort Verbruggen, Anne Oldfield, Susannah Cibber, George Anne Bellamy, Sarah Siddons, and Dorothy Jordan) to demonstrate that pregnancy affected celebrity identity, impacted audience reception and interpretation of performance, changed company repertory and altered company hierarchy, influenced the development and performance of new plays, and had substantial economic consequences for both women and the companies for which they worked. Deepening the fields of celebrity, theatre, and women's studies, as well as social and medical histories, Phillips reveals an untapped history whose relevance and impact persists today.
Zsuzsanna Korösi
Central European University Press, 2003
W. Robert Beckman
Westholme Publishing, 2025
An Escaped Slave who Fought for the Union and Whose Wartime Heroism was Finally Recognized with the Nation's Highest Honor for Military Valor
In 1862, Andrew “Andy” Jackson Smith, son of a white landowner and enslaved woman, escaped to Union troops operating in Kentucky, made his way to the North, and volunteered for the 55th Massachusetts, one of the newly formed African American regiments. The regiment was deployed to South Carolina, and during a desperate assault on a Confederate battery, the color bearer was killed. Before the flag was lost, Smith quickly retrieved it and under heavy fire held the colors steady while the decimated regiment withdrew. The regiment’s commanding officer promoted Smith to color sergeant and wrote him a commendation for both saving the regimental flag and bravery under fire. Honorably discharged, Smith returned to Kentucky, where over the course of the next forty years he invested in land. In the early twentieth century, Burt G. Wilder, medical officer of the 55th, contacted Smith about his experiences for a book he was writing. During their correspondence, Wilder realized Smith was eligible for the nation’s highest award. In 1916, Wilder applied to the army, but his request for Smith’s medal was denied due to the “absence of records.” At Smith’s death in 1932, his daughter Caruth received a box of his papers revealing the extent of her father’s heroism. Her nephew took up the cause and through long and painstaking research located the lost records. With the help of historians, local politicians, and others, Andrew Jackson Smith received his long overdue Medal of Honor in 2001.
In Carrying the Colors: The Life and Legacy of Medal of Honor Recipient Andrew Jackson Smith, the riveting journey from slavery to a White House ceremony is revealed, with the indomitable spirit of Smith—slave, soldier, landowner, father—mirrored by the dogged pursuit of his grandson and his allies in the quest to discover the truth about an American who dedicated his life to the service of his community and country.

Lawrence Graver
University of Minnesota Press, 1969
Carson McCullers was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Leslie Diane Myrick and Gary Scharnhorst
University of Alabama Press, 2023
Translated and with an Introduction by Armine Kotin Mortimer
University of Illinois Press, 2016
Angus Mitchell
Haus Publishing, 2026
Jerry Apps
Wisconsin Historical Society Press, 2008
Donald Tunnicliff Rice
West Virginia University Press, 2016
Helena Feder
University of Alabama Press, 2026
One woman, a tiny farm, unruly chickens, and the challenge of putting down roots in a rapidly changing world
Cat Woman in Dog Country is Helena Feder's witty, perceptive account of life on a tiny North Carolina farm. Part memoir, part nature writing, and part literary how-not-to guide to growing and raising things, it chronicles her attempts to cultivate a small plot while marveling at the symbiotic wonders of figs and wasps, navigating chicken politics, and learning to laugh at her own mistakes.
A transplanted Yankee by way of California, Feder often feels like exactly what the title suggests: a cat woman in dog country. Conspicuous in a place where men still largely own and work the land, she finds herself at once welcomed, bewildered, and fascinated by the culture around her. Along the way, she discovers that teaching Walden requires a very different skill set from growing her own beans and that country life comes with its share of challenges, from failed crops to an alarming abundance of rats and copperheads.
Charming, laugh-out-loud funny, and deeply thoughtful, Cat Woman in Dog Country reflects making a home in an era of climate change, forever chemicals, and environmental uncertainty. It is a book for anyone who ponders the personal, social, and planetary meaning of home.