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Cairo is a 1,400-year-old metropolis whose streets are inscribed with sagas, a place where the pressures of life test people's equanimity to the very limit. Virtually surrounded by desert, sixteen million Cairenes cling to the Nile and each other, proximities that color and shape lives. Packed with incident and anecdote Cairo: City of Sand describes the city's given circumstances and people's attitudes of response. Apart from a brisk historical overview, this book focuses on the present moment of one of the world's most illustrious and irreducible cities.

Cairo steps inside the interactions between Cairenes, examining the roles of family, tradition and bureaucracy in everyday life. The book explores Cairo's relationship with its "others", from the French and British occupations to modern influences like tourism and consumerism. Cairo also discusses characteristic styles of communication, and linguistic mêmes, including slang, grandiloquence, curses and jokes.

Cairo exists by virtue of these interactions, synergies of necessity, creativity and the presence or absence of power. Cairo: City of Sand reveals a peerless balancing act, and transmits the city's overriding message: the breadth of the human capacity for loss, astonishment and delight.

Since the 1980s, Los Angeles has become the most racially and economically divided city in the United States. In the poorest parts of South Central Los Angeles, buildings in disrepair—the legacy of racial unrest. Moving beyond stereotypes of South Central's predominantly African American residents, João H. Costa Vargas recounts his almost two years living in the district. Personal, critical, and disquieting, Catching Hell in the City of Angels examines the ways in which economic and social changes in the twentieth century have affected the black community, and powerfully conveys the experiences that bind and divide its people.

Through compelling stories of South Central, including his own experience as an immigrant of color, Vargas presents portraits of four groups. He talks daily with women living in a low-income Watts apartment building; works with activists in a community organization against police brutality; interacts with former gang members trying to maintain a 1992 truce between the Bloods and the Crips; and listens to amateur jazz musicians who perform in a gentrified section of the neighborhood. In each case he describes the worldviews and the definitions of “blackness” these people use to cope with oppression. Vargas finds, in turn, that blackness is a form of racial solidarity, a vehicle for the renewal of African American culture, and a political expression of revolutionary black nationalism.

Vargas reveals that the social fault lines in South Central reflect both contemporary disparities and long-term struggles. In doing so, he shows both the racialized power that makes “blackness” a prized term of identity and the terrible price that African Americans have paid for this emphasis. Ultimately, Catching Hell in the City of Angels tells the story of urban America through the lives of individuals from diverse, overlapping, and vibrant communities.

João H. Costa Vargas is assistant professor in the Center for African and African American Studies and the department of anthropology at the University of Texas, Austin.

Robin D. G. Kelley is the William B. Ransford Professor of Cultural and Historical Studies at Columbia University. He is the author of numerous books, including Yo Mama's Disfunktional: Fighting the Culture Wars in Urban America.

During the late nineteenth century, Chicago's population grew at an astonishing rate, with an estimated growth of 900,000 people between 1860 and 1890. Drawn to the opportunities generated by an expansive economy, hinterland migrants from the rural Midwest flocked to the city, their visions of prosperity creating a thriving modern urban culture. The hopes of these newcomers are the subject of Timothy B. Spears's book Chicago Dreaming—the story of Chicago's growth and the transplanted Midwesterners who so decisively shaped the young city's identity.

Through innovative readings of Theodore Dreiser, Willa Cather, and Richard Wright, Spears argues that the migratory perspective was crucial to the rise of Chicago's emerging literary culture. In following the paths of several well-known migrants, including Jane Addams, cartoonist John T. McCutcheon, and businessman John Glessner, Spears also shows how the view from the hinterland permeated urban culture and informed the development of key Chicago institutions. Further exploring the notion of dreaming, he brings to light the internal desires that lured Midwestern migrants to the city as well as the nostalgia that led them to dream of the homes they left behind.

With this fascinating new take on the rise of Chicago, Chicago Dreaming blurs the line between country and city to reveal the provincial character of modern urban culture.

What do you do if your alley is strewn with garbage after the sanitation truck comes through? Or if you’re tired of the rowdy teenagers next door keeping you up all night? Is there a vacant lot on your block accumulating weeds, needles, and litter? For a century, Chicagoans have joined block clubs to address problems like these that make daily life in the city a nuisance. When neighbors work together in block clubs, playgrounds get built, local crime is monitored, streets are cleaned up, and every summer is marked by the festivities of day-long block parties.
            In Chicago’s Block Clubs, Amanda I. Seligman uncovers the history of the block club in Chicago—from its origins in the Urban League in the early 1900s through to the Chicago Police Department’s twenty-first-century community policing program. Recognizing that many neighborhood problems are too big for one resident to handle—but too small for the city to keep up with—city residents have for more than a century created clubs to establish and maintain their neighborhood’s particular social dynamics, quality of life, and appearance. Omnipresent yet evanescent, block clubs are sometimes the major outlets for community organizing in the city—especially in neighborhoods otherwise lacking in political strength and clout. Drawing on the stories of hundreds of these groups from across the city, Seligman vividly illustrates what neighbors can—and cannot—accomplish when they work together.

The geography of Chicago is central to its history and to its success as the nation’s now third largest metropolitan area. The first geography of the Windy City in more than fifty years, Chicago: A Geography of the City and Its Region is a topical and chronological analysis of the area that both considers the city’s historical geography and anticipates its future trends.

Renowned geographer John C. Hudson leaves no aspect unexplored in this ambitious and peerless book. Beginning with an overview of metropolitan Chicago, Hudson describes how the city has served as a model to social scientists and examines its unique neighborhoods and communities from the perspectives of Chicagoans themselves. A thorough description of the physical geography of the region introduces a series of studies in historical geography that consider the origins of the city and its early development through to its present state, paying particular attention to race, ethnicity, and suburbanization, as well as commuting patterns, neighborhood change, and patterns of income distribution. Chicago concludes with a comparison of the balanced geography that prevailed in the early twentieth century with the skewed pattern of sectoral imbalances that exists today.

Supplemented with more than one hundred maps that illustrate the evolution of Chicago over time and sixty-four black-and-white and color photographs that capture iconic images of the city’s landscapes and its people, Chicago beautifully synthesizes the city’s social and economic strata with geographical features to provide an authoritative guide to modern Chicagoland.

Ernest Hemingway once said of Nelson Algren's writing that "you should not read it if you cannot take a punch." The prose poem, Chicago: City on the Make, filled with language that swings and jabs and stuns, lives up to those words. This 50th anniversary edition is newly annotated with explanations for everything from slang to Chicagoans, famous and obscure, to what the Black Sox scandal was and why it mattered. More accessible than ever, this is, as Studs Terkel says, "the best book about Chicago."

"This short, crisp, fighting creed is both a social document and a love poem, a script in which a lover explains his city's recurring ruthlessness and latent power; in which an artist recognizes that these are portents not of death, but of life."—New York Herald Tribune

Nelson Algren (1909-1981) won the National Book Award in 1950 for The Man with the Golden Arm. His other works include Walk on the Wild Side, The Neon Wilderness, and Conversations with Nelson Algren, the last available from the University of Chicago Press. David Schmittgens teaches English at St. Ignatius College Prep in Chicago, Illinois. Bill Savage is a lecturer at Northwestern University and coeditor of the 50th Anniversary Critical Edition of The Man with the Golden Arm.

“Once you’ve become a part of this particular patch, you’ll never love another. Like loving a woman with a broken nose, you may well find lovelier lovelies. But never a lovely so real.”

Ernest Hemingway once said of Nelson Algren’s writing that “you should not read it if you cannot take a punch.” The prose poem, Chicago: City on the Make, filled with language that swings and jabs and stuns, lives up to those words. In this sixtieth anniversary edition, Algren presents 120 years of Chicago history through the lens of its “nobodies nobody knows”: the tramps, hustlers, aging bar fighters, freed death-row inmates, and anonymous working stiffs who prowl its streets.

Upon its original publication in 1951, Algren’s Chicago: City on the Make was scorned by the Chicago Chamber of Commerce and local journalists for its gritty portrayal of the city and its people, one that boldly defied City Hall’s business and tourism initiatives. Yet the book captures the essential dilemma of Chicago: the dynamic tension between the city’s breathtaking beauty and its utter brutality, its boundless human energy and its stifling greed and violence.

The sixtieth anniversary edition features historic Chicago photos and annotations on everything from defunct slang to Chicagoans, famous and obscure, to what the Black Sox scandal was and why it mattered. More accessible than ever, this is, as Studs Terkel says, “the best book about Chicago.”

Formed by images of crowded city streets and towering skyscrapers, our understanding of nineteenth-century Chicago completely neglects the fact that the city itself was only the center of a web of neighborhoods, farm communities, and industrial towns—many connected to the city by the railroad. Farmers used trains to transport produce into the city daily; businessmen rode the rails home to their commuter suburbs; and families took vacations mere miles outside the Loop.

Historian and coeditor of the acclaimed Encyclopedia of Chicago, Ann Durkin Keating resurrects for us here the bustling network that defined greater Chicagoland. Taking a new approach to the history of the city, Keating shifts the focus to the landscapes and built environments of the metropolitan region. Organized by four categories of settlements-farm centers, industrial towns, commuter suburbs, and recreational and institutional centers-that framed the city, Chicagoland offers the collective history of 230 neighborhoods and communities, the people who built them, and the structures they left behind that still stand today.

Keating reanimates nineteenth-century Chicagoland with more than a hundred photographs and maps; we find here the taverns, depots, and way stations that were the hubs of the region's vibrant, mobile life. Keating also includes an appendix of driving tours so readers can see this history for themselves. Chicagoland takes us into the buildings and sites that are still part of our landscape and repopulates them with the stories and characters behind their creation. The result is a wide-angle historical view of Chicago, an entirely new way to understand the region.

Church and State in the City provides the first comprehensive analysis of the city’s long debate about the public interest. Historian William Issel explores the complex ways that the San Francisco Catholic Church—and its lay men and women—developed relationships with the local businesses, unions, other community groups, and city government to shape debates about how to define and implement the common good. Issel’s deeply researched narrative also sheds new light on the city’s socialists, including Communist Party activists—the most important transnational challengers of both capitalism and Catholicism during the twentieth century.

Moreover, Church and State in the City is revisionist in challenging the notion that the history of urban politics and policy can best be understood as the unfolding of a progressive, secular modernization of urban political culture. Issel shows how tussles over the public interest in San Francisco were both distinctive to the city and shaped by its American character.

In the series Urban Life, Landscape, and Policy, edited by Zane L. Miller, David Stradling, and Larry Bennett

Marc Stein's City of Sisterly and Brotherly Loves is refreshing for at least two reasons: it centers on a city that is not generally associated with a vibrant gay and lesbian culture, and it shows that a community was forming long before the Stonewall rebellion. In this lively and well received book, Marc Stein brings to life the neighborhood bars and clubs where people gathered and the political issues that rallied the community. He reminds us that Philadelphians were leaders in the national gay and lesbian movement and, in doing so, suggests that New York and San Francisco have for too long obscured the contributions of other cities to gay culture.

For the first time in history, more than half the people of the world live in cities. Comprehending the impact of this widespread urbanization requires an awareness of the complex relationships between cities and natural ecosystems. This innovative book moves beyond the anti-urban lamentations that often dominate today's academic discourse to examine the evolution of cities and to illuminate the roles that humans play in shaping their environments, both natural and constructed. Christopher G. Boone and Ali Modarres argue that understanding the multiple forces of urbanization requires a holistic approach to the interactions of social, cultural, economic, political, and environmental factors. Without casting judgments, City and Environment seeks to engage readers in an exploration of cities from a truly global perspective. Throughout, it illuminates the social-ecological systems of cities not as an academic exercise—although informing academic audiences is one of its goals—but ultimately to help transform cities into livable and ecologically sustainable environments.

Stephen L. Elkin deftly combines the empirical and normative strands of political science to make a powerfully original statement about what cities are, can, and should be. Rejecting the idea that two goals of city politics—equality and efficiency—are opposed to one another, Elkin argues that a commercial republic could achieve both. He then takes the unusual step of addressing how the political institutions of the city can help to form the kind of citizenry such a republic needs.

The present workings of American urban political institutions are, Elkin maintains, characterized by a close relationship between politicians and businessmen, a relationship that promotes neither political equality nor effective social problem-solving. Elkin pays particular attention to the issue of land-use in his analysis of these failures of popular control in traditional city politics. Urban political institutions, however, are not just instruments for the dispensing of valued outcomes or devices for social problem-solving—they help to form the citizenry. Our present institutions largely define citizens as interest group adversaries and do little to encourage them to focus on the commercial public interest of the city. Elkin concludes by proposing new institutional arrangements that would be better able to harness the self-interested behavior of individuals for the common good of a commercial republic.

Tracing a central theme of Plato's Republic, G. R. F. Ferrari reconsiders in this study the nature and purpose of the comparison between the structure of society and that of the individual soul. In four chapters, Ferrari examines the personalities and social status of the brothers Glaucon and Adeimantus, Plato's notion of justice, coherence in Plato's description of the decline of states, and the tyrant and the philosopher king—a pair who, in their different ways, break with the terms of the city-soul analogy.

In addition to acknowledging familiar themes in the interpretation of the Republic—the sincerity of its utopianism, the justice of the philosopher's return to the Cave—Ferrari provocatively engages secondary literature by Leo Strauss, Bernard Williams, and Jonathan Lear. With admirable clarity and insight, Ferrari conveys the relation between the city and the soul and the choice between tyranny and philosophy. City and Soul in Plato's Republic will be of value to students of classics, philosophy, and political theory alike.

During Denver's wild ride from frontier mining town to twentieth-century metropolis, the city's saloons, like those of many other western frontier towns, played a vital role in the development of the city. Now with a new preface, Tom Noel's classic study, The City and the Saloon, is a liquid history of how Denver's bars both shaped and reflected the Mile High City's birth and adolescence.

Fairmount Park is the municipal park system of Philadelphia, Pennsylvania. It consists of more than one hundred parks, squares, and green spaces totaling about 11,000 acres, and is one of the largest landscaped urban park systems in the world. In City in a Park, James McClelland and Lynn Miller provide an affectionate and comprehensive history of this 200-year-old network of parks.

Originated in the nineteenth century as a civic effort to provide a clean water supply to Philadelphia, Fairmount Park also furnished public pleasure grounds for boat races and hiking, among other activities. Millions travel to the city to view its eighteenth-century villas, attend boat races on the Schuylkill River, hike the Wissahickon Creek, visit the Philadelphia Zoo, hear concerts in summer, stroll the city’s historic squares and the Benjamin Franklin Parkway, and enjoy its enormous collection of public art. Green initiatives flower today; Philadelphia lives amidst its parks. 

Filled with nearly 150 gorgeous full-color photographs, City in a Park chronicles the continuing efforts to create what founder William Penn desired: a “greene countrie town.”

In this vivid portrait of life in Chicago in the fifty years after the Civil War, Margaret Garb traces the history of the American celebration of home ownership. As the nation moved from an agrarian to an industrialized urban society, the competing visions of capitalists, reformers, and immigrants turned the urban landscape into a testing ground for American values. Neither a natural progression nor an inevitable outcome, the ideal of home ownership emerged from the struggles of industrializing cities. Garb skillfully narrates these struggles, showing how the American infatuation with home ownership left the nation's cities sharply divided along class and racial lines.

Based on research of real estate markets, housing and health reform, and ordinary homeowners—African American and white, affluent and working class—City of American Dreams provides a richly detailed picture of life in one of America's great urban centers. Garb shows that the pursuit of a single-family house set on a tidy yard, commonly seen as the very essence of the American dream, resulted from clashes of interests and decades of struggle.

Although the title of this sensitive collection refers to Vilnius, the capital of Lithuania, City of Ash serves as a universal geography of the contemporary soul in an urban context. Through his poetry, Eugenijus Alisanka searches for personal and historical meaning within the framework of time, recognizing both the demands of the self and the impossibility of avoiding what came before, whether human or cultural.

As if convinced that all divination of the future is somehow a re-visioning of the past, Kwame Dawes reminds us of the clairvoyance of haunting. The lyric poems in City of Bones: A Testament constitute a restless jeremiad for our times, and Dawes’s inimitable voice peoples this collection with multitudes of souls urgently and forcefully singing, shouting, groaning, and dreaming about the African diasporic present and future.

As the twentieth collection in the poet’s hallmarked career, City of Bones reaches a pinnacle, adding another chapter to the grand narrative of invention and discovery cradled in the art of empathy that has defined his prodigious body of work. Dawes’s formal mastery is matched only by the precision of his insights into what is at stake in our lives today. These poems are shot through with music from the drum to reggae to the blues to jazz to gospel, proving that Dawes is the ambassador of words and worlds.

What role should universities have in revitalizing rust-belt motor cities left to decay by economic and political transformation? In City of Broken Dreams, author Leslie J Bank addresses this question through a detailed case study of East London, a city in South Africa’s Eastern Cape. Here, as in American motor cities like Detroit and Flint, the car’s cultural power and association with the endless possibilities of modernity lie at the heart of the refusal to seek alternative development paths leading away from racially inscribed automotive capitalism. Rooting the university in a history of industrialisation, placemaking and city-building, this book examines contemporary debates about the role that urban universities should have in building economies, creating jobs and reshaping the politics and identities of their communities. In South Africa as in many other nations, institutions of higher education represent potentially powerful cultural and socioeconomic agents, but the 2015 #FeesMustFall student protests against rising tuition costs highlighted the limits of their power. Firmly grounded in the particulars of East London, this thoughtful study illuminates questions common to rust-belt cities and universities around the world.

Below the middle class managers and professionals yet above the skilled blue-collar workers, sales and office workers occupied an intermediate position in urban America's social structure as the nation industrialized. Jerome P. Bjelopera traces the shifting occupational structures and work choices that facilitated the emergence of a white-collar workforce. His fascinating portrait reveals the lives led by Philadelphia's male and female clerks, both inside and outside the workplace, as they formed their own clubs, affirmed their "whiteness," and challenged sexual norms. 

A vivid look at an overlooked but recognizable workforce, City of Clerks reveals how the notion of "white collar" shifted over half a century.

From tabloid exposes of child prostitution to the grisly tales of Jack the Ripper, narratives of sexual danger pulsated through Victorian London. Expertly blending social history and cultural criticism, Judith Walkowitz shows how these narratives reveal the complex dramas of power, politics, and sexuality that were being played out in late nineteenth-century Britain, and how they influenced the language of politics, journalism, and fiction.

Victorian London was a world where long-standing traditions of class and gender were challenged by a range of public spectacles, mass media scandals, new commercial spaces, and a proliferation of new sexual categories and identities. In the midst of this changing culture, women of many classes challenged the traditional privileges of elite males and
asserted their presence in the public domain.

An important catalyst in this conflict, argues Walkowitz, was W. T. Stead's widely read 1885 article about child prostitution. Capitalizing on the uproar caused by the piece and the volatile political climate of the time, women spoke of sexual danger, articulating their own grievances against men, inserting themselves into the public discussion of sex to an unprecedented extent, and gaining new entree to public spaces and journalistic practices. The ultimate manifestation of class anxiety and gender antagonism came in 1888 with the tabloid tales of Jack the Ripper. In between, there were quotidien stories of sexual possibility and urban adventure, and Walkowitz examines them all, showing how women were not simply figures in the imaginary landscape of male spectators, but also central actors in the stories of metropolotin life that reverberated in courtrooms, learned journals, drawing rooms, street corners, and in the letters columns of the daily press.

A model of cultural history, this ambitious book will stimulate and enlighten readers across a broad range of interests.

When Lee Siegel went to India to do research for a book on Sanskrit horror literature, a friend in New Delhi told him about an itinerant teller of ghost and vampire tales, a man with clusters of amulets around his neck and a silk top hat with peacock plumes on his head. Siegel set out in search of the old man—called Brahm Kathuwala—to hear his stories and to learn about his uncommon life.

But what started out as a study of other people's stories became a compelling story itself. City of Dreadful Night is an astonishing work of fiction, a tangle of tales that transports the reader from the Medieval India of magicians, witches, and vampires, through the British India of Brahm Kathuwala's childhood, into the chaos and political terror of contemporary India. Vividly recreating Indian literary and oral traditions, Siegel weaves a web of possession, reincarnation, and magical transformation unlike any found in the Western tradition. Flesh-eating demons, Rajiv Gandhi's assassin, even Bram Stoker and Dracula populate the serpentine narrative, which intermingles stories about the characters with the terrifying tales they tell.

Siegel pursues Brahm Kathuwala from the ghastly lights of the cremation ground at Banaras through villages all over north India. Brahm's life story is revealed through countless tales along the way. We learn that he was raised, and abandoned, by two mothers—one the destitute floor sweeper who bore him; the other her employer, a wealthy Irish woman who read and reread to him the story of Dracula. We hear of his marriage to the daughter of a cremation ground attendant, his battles against her demonic possession, and their painful parting. We come to understand the daily life and motivations of this "horror professional," who uses terrifying tales to ward off the evil he himself fears.

This unorthodox book is more than a story; it blends scholarship, fantasy, travelogue, and autobiography—fusing and overlapping historical accounts and newscasts, literary texts and films, dreams and nocturnal tales. Siegel uses imagination to explore the relation of real terror to horror fiction and to contemplate the ways fear and disgust become thrilling elements in stories of the macabre.

This book is the product of Siegel's deep knowledge of both Indian and Western literary and philosophical traditions. It is also an attempt to come to grips with the omnipresence of political and religious terror in contemporary India. Shocking, original, beautifully written, City of Dreadful Night offers readers a captivating immersion in the wonder and terror of India, past and present.

City of Extremes is a powerful critique of urban development in greater Johannesburg since the end of apartheid in 1994. Martin J. Murray describes how a loose alliance of city builders—including real estate developers, large-scale property owners, municipal officials, and security specialists—has sought to remake Johannesburg in the upbeat image of a world-class city. By creating new sites of sequestered luxury catering to the comfort, safety, and security of affluent urban residents, they have produced a new spatial dynamic of social exclusion, effectively barricading the mostly black urban poor from full participation in the mainstream of urban life. This partitioning of the cityscape is enabled by an urban planning environment of limited regulation or intervention into the prerogatives of real estate capital.

Combining insights from urban studies, cultural geography, and urban sociology with extensive research in South Africa, Murray reflects on the implications of Johannesburg’s dual character as a city of fortified enclaves that proudly displays the ostentatious symbols of global integration and the celebrated “enterprise culture” of neoliberal design, and as the “miasmal city” composed of residual, peripheral, and stigmatized zones characterized by signs of a new kind of marginality. He suggests that the “global cities” paradigm is inadequate to understanding the historical specificity of cities in the Global South, including the colonial mining town turned postcolonial megacity of Johannesburg.

Founded in 1957, the Southern California suburb prophetically named City of Industry today represents, in the words of Victor Valle, "The gritty crossroads of the global trade revolution that is transforming Southern California factories into warehouses, and adjacent working class communities into economic and environmental sacrifice zones choking on cheap goods and carcinogenic diesel exhaust."City of Industry is a stunning exposé on the construction of corporate capitalist spaces.

Valle investigated an untapped archive of Industry's built landscape, media coverage, and public records, including sealed FBI reports, to uncover a cascading series of scandals. A kaleidoscopic view of the corruption that resulted when local land owners, media barons, and railroads converged to build the city, this suspenseful narrative explores how new governmental technologies and engineering feats propelled the rationality of privatization using their property-owning servants as tools.

Valle's tale of corporate greed begins with the city's founder James M. Stafford and ends with present day corporate heir, Edward Roski Jr., the nation's biggest industrial developerùco-owner of the L.A. Staples Arena and possible future owner of California's next NFL franchise. Not to be forgotten in Valle's captivating story are Latino working class communities living within Los Angeles's distribution corridors, who suffer wealth disparities and exposure to air pollution as a result of diesel-burning trucks, trains, and container ships that bring global trade to their very doorsteps. They are among the many victims of City of Industry.

City of Life, City of Death: Memories of Riga is Max Michelson's stirring and haunting personal account of the Soviet and German occupations of Latvia and of the Holocaust.

Michelson had a serene boyhood in an upper middle-class Jewish family in Riga, Latvia--at least until 1940, when the fifteen-year old Michelson witnessed the annexation of Latvia by the Soviet Union. Private properties were nationalized, and Stalin's terror spread to Soviet Latvia. Soon after, Michelson's family was torn apart by the 1941 Nazi invasion of the Soviet Union. He quickly lost his entire family, while witnessing the unspeakable brutalities of war and genocide.

Michelson's memoir is an ode to his lost family; it is the speech of their muted voices and a thank you for their love. Although badly scarred by his experiences, like many other survivors he was able to rebuild his life and gain a new sense of what it means to be alive.

His experiences will be of interest to scholars of both the Holocaust and Eastern European history, as well as the general reader.

East Boston has long been known as an Italian neighborhood and Southie as an Irish one, while nearby North Quincy has seen in recent decades an influx of Chinese Americans and immigrants. Such urban spaces in America can become intimately intertwined with ethnic identities (Little Italy, Greektown, Chinatown, Little Havana). Yet local residents often readily acknowledge an underlying diversity—both historically and as a result of more recent changes—that complicates such stereotypes.
            Digging into the ever-shifting terrain of American ethnicity and urban spaces, Anthony Bak Buccitelli investigates folk practices, social memory, and local histories in three Boston-area neighborhoods. He looks at the ways locals represent their neighborhoods and themselves via events, symbols, stories, and landmarks, from the shamrock to the Chinese flag, whether the St. Patrick’s Day parade in Southie or the Columbus Day parade in East Boston, from urban graffiti and websites to the Dorchester Heights Monument. City of Neighborhoods exposes the processes of selection and emphasis that produce, sustain, challenge, and change understandings of urban spaces as ethnic places.

Honorable mention, Wayland Hand Prize for Folklore and History, American Folklore Society

Beloved as the city of light, Paris in the nineteenth century sparked the acclaim of poets and the odium of the bourgeois with its distinctive sounds. Street vendors bellowed songs known as the Cris de Paris that had been associated with their trades since the Middle Ages; musicians itinerant and otherwise played for change; and flâneurs-writers, fascinated with the city's underside, listened and recorded much about what they heard.
 
Aimée Boutin tours the sonic space that orchestrated the different, often conflicting sound cultures that defined the street ambience of Paris. Mining accounts that range from guidebooks to verse, Boutin braids literary, cultural, and social history to reconstruct a lost auditory environment. Throughout, impressions of street noise shape writers' sense of place and perception of modern social relations. As Boutin shows, the din of the Cris contrasted economic abundance with the disparities of the capital, old and new traditions, and the vibrancy of street commerce with an increasing bourgeois demand for quiet. In time, peddlers who provided the soundtrack for Paris's narrow streets yielded to modernity, with its taciturn shopkeepers and wide-open boulevards, and the fading songs of the Cris became a dirge for the passing of old ways.

In this pathbreaking history, Marc Stein takes an in-depth look at Philadelphia from the 1940s to the 1970s. What he finds is a city of vibrant gay and lesbian households, neighborhoods, commercial establishments, public cultures, and political groups. In doing so, Stein shatters the myth that lesbian and gay history began with the 1969 Stonewall riots in New York City and challenges the notion that only New York and San Francisco featured major lesbian and gay communities in the pre-Stonewall era.

Stein takes us on a tour through Philadelphia's bars, restaurants, bookstores, bathhouses, movie theaters, parks, and parades where lesbian and gay cultures thrived.

We learn about the scientific experts, religious leaders, public officials, and journalists who attacked and ignored same-sex sexualities. And we read about the courageous people who fought back with strategies of everyday resistance and organized political activism.

Stein argues against the idea that a conspiracy of silence surrounded gays and lesbians in the 1940s and 1950s. He shows that same-sex sexualities were regularly discussed in controversies concerning the tennis player Big Bill Tilden, the Walt Whitman Bridge, sex murders and crimes, and police raids. Philadelphians became national leaders in the gay and lesbian movement. They conducted sit-ins at Dewey's restaurant, organized pickets at Independence Hall, edited the movement's most widely circulated publications the Ladder and Drum, and pursued court cases all the way to the U.S. Supreme Court.

Beautifully crafted and exceptionally well-written, Stein's book not only provides a new starting place for thinking about lesbian and gay history but also challenges readers to rethink twentieth-century urban history.

In City of Suspects Pablo Piccato explores the multiple dimensions of crime in early-twentieth-century Mexico City. Basing his research on previously untapped judicial sources, prisoners’ letters, criminological studies, quantitative data, newspapers, and political archives, Piccato examines the paradoxes of repressive policies toward crime, the impact of social rebellion on patterns of common crime, and the role of urban communities in dealing with transgression on the margins of the judical system.
By investigating postrevolutionary examples of corruption and organized crime, Piccato shines light on the historical foundations of a social problem that remains the main concern of Mexico City today. Emphasizing the social construction of crime and the way it was interpreted within the moral economy of the urban poor, he describes the capital city during the early twentieth century as a contested territory in which a growing population of urban poor had to negotiate the use of public spaces with more powerful citizens and the police. Probing official discourse on deviance, Piccato reveals how the nineteenth-century rise of positivist criminology—which asserted that criminals could be readily distinguished from the normal population based on psychological and physical traits—was used to lend scientific legitimacy to class stratifications and to criminalize working-class culture. Furthermore, he argues, the authorities’ emphasis on punishment, isolation, and stigmatization effectively created cadres of professional criminals, reshaping crime into a more dangerous problem for all inhabitants of the capital.
This unique investigation into crime in Mexico City will interest Latin Americanists, sociologists, and historians of twentieth-century Mexican history.

A genre-defying debut that distills memoir, cultural criticism, and poetic inquiry into a kaleidoscopic meditation on motherhood, memory, art, and transformation.

Composed in a postpartum blur and finessed as Lesley Jenike settled into established motherhood, the essays in City of Toys careen from exteriority to interiority, from high to low culture, and from the manufactured to the natural world, all on a quest to understand creativity, mothering, and how art drives and shapes us. With madcap acuity, Jenike casts her eye on cultural flash points from Harambe the gorilla to Steven Spielberg and Ada Lovelace to Yayoi Kusama. At times she doubles back to her own experience as a young performer, and at others hurtles into her children’s possible futures, when AI starts to dream, imagination is commodified, and the polar bear drowns. All the while she wonders what we owe our children and what we believe (rightly or wrongly) our children owe us. Fascinated by creativity and peopled by dolls, automatons, robots, ghosts, puppets, and historical figures, this exuberant and devastating debut asks, What world are we building, and what are we tearing down?

Before the Civil War, a new idea of womanhood took shape in America in general and in the Northeast in particular. Women of the propertied classes assumed the mantle of moral guardians of their families and the nation. Laboring women, by contrast, continued to suffer from the oppressions of sex and class. In fact, their very existence troubled their more prosperous sisters, for the impoverished female worker violated dearly held genteel precepts of 'woman's nature' and 'woman's place.'
 
City of Women delves into the misfortunes that New York City's laboring women suffered and the problems that resulted. Looking at how and why a community of women workers came into existence, Christine Stansell analyzes the social conflicts surrounding laboring women and they social pressure these conflicts brought to bear on others. The result is a fascinating journey into economic relations and cultural forms that influenced working women's lives—one that reveals at last the female city concealed within America's first great metropolis.
 

Chicago has served as touchstone and muse to generations of writers and artists defined by their relationship to the city’s history, lore, inhabitants, landmarks, joys and sorrows, pride and shame. The poetic conversations inspired by Chicago have long been a vital part of America’s literary landscape, from Carl Sandburg and Gwendolyn Brooks to experimental writers and today’s slam poets. The one hundred contributors to this vibrant collection take their materials and their inspirations from the city itself in a way that continues this energetic dialogue.

The cultural, ethnic, and aesthetic diversity in this gathering of poems springs from a variety of viewpoints, styles, and voices as multifaceted and energetic as the city itself. Cristin O’Keefe Aptowicz: “I want to eat / in a city smart enough to know that if you / are going to have that heart attack, you might / as well have the pleasure of knowing // you’ve really earned it”; Renny Golden: “In the heat of May 1937, my grandfather / sits in the spring grass of an industrial park / with hundreds of striking steelworkers”; Joey Nicoletti: “The wind pulls a muscle / as fans yell the vine off the outfield wall, / mustard-stained shirts, hot dog smiles, and all.”

The combined energies of these poems reveal the mystery and beauty that is Second City, the City by the Lake, New Gotham, Paris on the Prairie, the Windy City, the Heart of America, and Sandburg’s iconic City of the Big Shoulders.

The Theban necropolis lies in strange contrast to the bustle of Luxor on the opposite bank of the Nile. Over 450 tombs spanning more than a thousand years, some fully excavated and recorded, others tantalisingly described by travellers but now lost, form a maze-like network of passages and caves. The decoration of many of the tombs, particularly those of the Eighteenth dynasty, provides some outstanding examples of ancient Egyptian painting and relief work and reveals fascinating details about the lives and beliefs of their owners. Some of the tombs were re-used and display contrasting styles of workmanship, while many were colonised in more recent centuries by peoples with scant respect for the tombs of their ancestors: many well-paintings are blackened and burnt beyond redemption.

The author traces the history of the site discussing the more important tombs in some detail, and sheds new light on the symbolism used in painting to help the deceased in the Afterlife. She also surveys the role of the treasure hunters and travellers of the eighteenth and early nineteenth-centuries and the pioneer epigraphers who followed them and paved the way for the archeological investigation and research that continues today.

City of the Soul critically examines how an international cast of visitors fashioned Rome’s image, visual and literary, in the century between 1770 and 1870—from the era of the Grand Tour to the onset of mass tourism. The Eternal City emerges not only as an intensely physical place but also as a romantic idea onto which artists and writers projected their own imaginations and longings. The book will appeal to a wide audience of readers interested in the history of art, architecture, and photography, the Romantic poets, and other writers from Byron to Henry James. It will also attract the interest of historians of urbanism, landscape, and Italy. Nonspecialists and armchair travelers will enjoy the diverse literary and artistic responses to Rome.