Results by title

486 books match the query 'LGBTQ+' and 35 start with c

cover of C. P. Cavafy: The Economics of Metonymy

C. P. Cavafy

The Economics of Metonymy

Panagiotis Roilos

University of Illinois Press, 2009

Konstantinos P. Kavafis--known to the English-reading world as C. P. Cavafy--has been internationally recognized as an important poet and attracted the admiration of eminent literary figures such as E. M. Forster, F. T. Marinetti, W. H. Auden, George Seferis, and James Merrill. Cavafy's idiosyncratic poetry remains one of the most influential and perplexing voices of European modernism.

Focusing on Cavafy's intriguing work, this book navigates new territories in critical theory and offers an interdisciplinary study of the construction of (homo)erotic desire in poetry in terms of metonymic discourse and anti-economic libidinal modalities. Panagiotis Roilos shows that problematizations of art production, market economy, and trafficability of erôs in diverse late-nineteenth and early twentieth-century European sociocultural and political contexts were re-articulated in Cavafy's poetry in new subversive ways that promoted an "unorthodox" discursive and libidinal anti-economy of jouissance.

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cover of Call Me by Your Name: Perspectives on the Film

Call Me by Your Name

Perspectives on the Film

Edited by Edward Lamberti and Michael Williams

Intellect Books, 2026

This edited collection explores how Luca Guadagnino’s film Call Me by Your Name speaks powerfully to questions of contemporary sexual identity and romance.

Adapted by James Ivory from André Aciman’s novel and directed by Luca Guadagnino, the film Call Me by Your Name has been passionately received among audiences and critics ever since its 2017 release. A love story between seventeen-year-old Elio (Timothée Chalamet) and graduate student Oliver (Armie Hammer) set in 1983 “somewhere in northern Italy,” Call Me by Your Name presents a gay relationship in a romantic idyll seemingly untroubled by outside pressures, prejudices, or tragedy.

While this means it offers audiences welcome opportunities to swoon in front of an LGBTQ+ romance that equals classic heterosexual romances onscreen, its relevance or political significance today may not be immediately apparent. This edited collection points out the ways in which the film is abundantly infused with narrative, thematic, and stylistic elements that can be interpreted as speaking powerfully to contemporary audiences on questions of sexual identity. How does this love story explore wider tensions that exist between the specific and the general, between the open and the hidden, and between the past and the present? The contributors to this collection provide stimulating and contemplative responses to this question.

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cover of Called Back

Called Back

Rosa Lane

Tupelo Press, 2024

Rosa Lane brings a necessary, gender-fluid, feminist perspective to the Emily Dickinson table of debate.

In bold tribute with a title utilizing the last two words Emily Dickinson wrote, Rosa Lane’s Called Back converses with one of our greatest poets in theatrical monologue—decoding secrets amid the blatant. Evoked by epigraphs selected from Dickinson’s work, Lane’s poems, through her I-speaker, reveal the extraordinary to be found in the ordinary and speak to the struggle of sexual orientation, otherness, and the challenges of living in a Calvinistic socioreligious world of oughts and noughts as evidenced in Dickinson’s poems. From sapphic eroticism and subsequent pangs of nonbelonging to tacking next life as a welcome reprieve, poems in Called Back create a de novo dot-connecting lyrical narrative.
 
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cover of Canto hondo / Deep Song

Canto hondo / Deep Song

Francisco X. Alarcón

University of Arizona Press, 2015

Canto hondo / Deep Song honors the Andalusian deep lyric, or canto hondo, poetry of famed Spanish writer Federico García Lorca through rich and expressive poems. Francisco X. Alarcón deftly places Spanish and English side-by-side in this bilingual collection that is a modern meditation on love, self, loss, and universal truths.

In this new collection, Alarcón creates poetry with roots in Gypsy songs clapped out in the distinctively short rhythms of flamenco music. Each page lifts the heart and stirs the soul by delving deep into the struggle for self and sexual identity.

Canto hondo / Deep Song includes 106 poems divided into four sections that articulate struggle, otherness, and the meaning of the poetic landscape. Like Lorca, Alarcón seeks out the fault lines where the lyric and the political bleed productively and proactively into one another.

An important voice in Chicano and GLBT poetry, Alarcón writes with a complex, emotionally powerful style that is accessible to students and all lovers of poetry and poetic traditions.
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cover of Chamorrita Song

Chamorrita Song

Danielle P. Williams

University of Arizona Press, 2026

For poet and spoken-word artist Danielle P. Williams, Kantan Chamorrita is more than just the ancient craft of Chamorro folk song. It is also a return and a homecoming. This impromptu style of communal call-and response performance art forms the spokes for Williams’s debut collection. 
 
Rooted in oral tradition, Chamorrita Song pays homage to Black and Chamorro cultures, honoring the artistic expressions that these communities have created to reconcile lifetimes of imposed trauma. Bearing witness to these many narratives, Williams intertwines spoken word poetry and gospel music with Chamorro storytelling, weaving together the nuanced histories of queer, Black, and Indigenous existence and literature.

Here Williams reveals capacious contemporary forms that speak to the future as well as to the past and that further ground lineages in homelands, finding strength and beauty in collective pain and triumph. These poems transform and spread the messages of those long silenced. They act as song and prayer.
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cover of Chapal Rani, the Last Queen of Bengal: The Life and Times of a Female Impersonator

Chapal Rani, the Last Queen of Bengal

The Life and Times of a Female Impersonator

Sandip Roy

Seagull Books, 2025

Blending biography with evocative vignettes, Chapal Rani traces the career of Bengali stage actor Chapal Bhaduri and his struggle for artistic identity in a changing world.

As the last great female impersonator of Bengali theater, Chapal Bhaduri—known as Chapal Rani—once held audiences spellbound in the jatra tradition, where men became goddesses and heroines. But when women finally took their place on stage, Chapal found himself exiled from the world he had ruled. In this groundbreaking biography, Sandip Roy captures the rise and fall of a performer whose art was inseparable from his identity.

Told in Chapal’s own voice and interwoven with evocative fictional vignettes, Chapal Rani, the Last Queen of Bengal brings to life Kolkata’s golden age of theater and the resilience of a man who refused to disappear. Through decades of research and deeply personal interviews, Roy crafts a moving portrait of gender and belonging.
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cover of Chaucer's (Anti-)Eroticisms and the Queer Middle Ages

Chaucer's (Anti-)Eroticisms and the Queer Middle Ages

Tison Pugh

The Ohio State University Press, 2014

Using queer theory to untangle all types of nonnormative sexual identities, Tison Pugh uses Chaucer’s work to expose the ongoing tension in the Middle Ages between an erotic culture that glorified love as an ennobling passion and an anti-erotic religious and philosophical tradition that denigrated love and (perhaps especially) its enactments. Chaucer’s (Anti-)Eroticisms and the Queer Middle Ages considers the many ways in which anti-eroticisms complicate the conventional image of Chaucer. With chapters addressing such topics as mutual masochism, homosocial brotherhood, necrotic erotics, queer families, and the eroticisms of Chaucer’s God, Chaucer’s (Anti-)Eroticisms will forever change the way readers see the Canterbury Tales and Chaucer’s other masterpieces.
 
For Chaucer, erotic pursuits establish the thrust and tenor of many of his narratives, as they also expose the frustrations inherent in pursuing desires frowned upon by the religious foundations of Western medieval culture. One cannot love freely within an ideological framework that polices sexuality and privileges the anti-erotic Christian ideals of virginity and chastity, yet loving queerly creates escapes from social structures inimical to amour and its expressions in the medieval period. Thus Chaucer is not just England’s foundational love poet, he is also England’s foundational queer poet.
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cover of Chocolate and Other Writings on Male Homoeroticism

Chocolate and Other Writings on Male Homoeroticism

Pandey Bechan Sharma

Duke University Press, 2009

This volume makes available for the first time in English the work of a significant Indian nationalist author, Pandey Bechan Sharma, better known in India as “Ugra,” meaning “extreme.” His book Chocolate, a 1927 collection of eight stories, was the first work of Hindi fiction to focus on male same-sex relations, and its publication sparked India’s first public debates about homosexuality. Many prominent figures, including Gandhi, weighed in on the debates, which lasted into the 1950s. This edition, translated and with an introduction by Ruth Vanita, includes the full text of Chocolate along with an excerpt from Ugra’s novel Letters of Some Beautiful Ones (also published in 1927). In her introduction, Vanita situates Ugra and his writings in relation to Indian nationalist struggles and Hindi literary movements and feuds, and she analyzes the controversies that surrounded Chocolate. Those outraged by its titillating portrayal of homosexuality labeled the collection obscene. On the other side, although no one explicitly defended homosexuality in public, some justified Ugra’s work by arguing that it was the artist’s job to educate through provocation.

The stories depict male homoeroticism in quotidian situations: a man brings a lover to his disapproving friend’s house; a good-looking young man becomes the object of desire at his school. The love never ends well, but the depictions are not always unsympathetic. Although Ugra claimed that the stories were aimed at suppressing homosexuality by exposing it, Vanita highlights the ambivalence of his characterizations. Cosmopolitan, educated, and hedonistic, the Hindu and Muslim men he portrayed quote Hindi and Urdu poetry to express their love, and they justify same-sex desire by drawing on literature, philosophy, and world history. Vanita’s introduction includes anecdotal evidence that Chocolate was enthusiastically received by India’s homosexual communities.

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cover of Cinnamon

Cinnamon

Samar Yazbek

Haus Publishing, 2012

In the dark of night, Hanan al-Hashimi awakens from a nightmare, confused and shaken. Roaming the house in search of some reassurance, she is drawn towards the streak of light under her husband's bedroom door. Little does she know that the beckoning glow will turn her life on its head...
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cover of Circle Jerk and This American Wife: the internet theater of Fake Friends

Circle Jerk and This American Wife

the internet theater of Fake Friends

Michael Breslin, Patrick Foley, Rory Pelsue, Cat Rodríguez, and Ariel Sibert, edited by Michael Breslin and Ariel Sibert

Northwestern University Press, 2026

Two plays along with process essays on the cacophonous world of pop culture, politics, and personal testimony that we call the internet


In March 2020, the New York theater company Fake Friends was pushed off the stage and into the land of the internet. This book marks the first publication of two of their deliciously absurd and toxically serious internet plays, Circle Jerk (the first-ever work in digital theater to be shortlisted for the Pulitzer Prize in Drama) and This American Wife. Circle Jerk tells the social media–infused tale of gay white supremacists creating an AI-influencer to dominate the global discourse, and This American Wife spins a surrealist web of queer devotion to the stars and performance strategies of reality television; both plays are unapologetically theatrical and digitally native, born out of the exigencies of the pandemic. This collection features an electrifying visual archive as well as individual essays from each company member reflecting on the practical and interpersonal processes of bringing these award-winning plays to life in our ever-more online, political, and personal world.
 

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cover of Circulating Queerness: Before the Gay and Lesbian Novel

Circulating Queerness

Before the Gay and Lesbian Novel

Natasha Hurley

University of Minnesota Press, 2018

A new history of the queer novel shows its role in constructing gay and lesbian lives

The gay and lesbian novel has long been a distinct literary genre with its own awards, shelving categories, bookstore spaces, and book reviews. But very little has been said about the remarkable history of its emergence in American literature, particularly the ways in which the novel about homosexuality did not just reflect but actively produced queer life.

Drawing on Mikhail Bakhtin’s insight that the history of society is connected to the history of language, author Natasha Hurley charts the messy, complex movement by which the queer novel produced the very frames that made it legible as a distinct literature and central to the imagination of queer worlds. Her vision of the queer novel's development revolves around the bold argument that literary circulation is the key ingredient that has made the gay and lesbian novel and its queer forebears available to its audiences.

Challenging the narrative that the gay and lesbian novel came into view in response to the emergence of homosexuality as a concept, Hurley posits a much longer history of this novelistic genre. In so doing, she revises our understanding of the history of sexuality, as well as of the processes of producing new concepts and the evolution of new categories of language.

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cover of Cisgender: Disorienting a Category

Cisgender

Disorienting a Category

Perry Zurn

Duke University Press, 2026

In Cisgender, Perry Zurn turns an incisive yet playful eye toward the “norm” against which transgender gets defined. A cisgender person is informally understood as someone who doctors called male or female at birth, became a boy or girl, and finally lived as a man or woman—without fuss. It’s this “without fuss” that anchors the cis/trans binary as it has come to be understood and belies the complex relationship all people have with gender. How did this category arise? And what else might it do? Cisgender is the first book to trace the story of how cis entered contemporary gender lexicons. Utilizing unplumbed archives and fresh interviews, Zurn offers a critical history of the term from the 1990s to the present, deftly defamiliarizing and reimagining cis at the same time. This unique examination of cisgender is a must-read for all readers invested in trans life and the futures of gender.
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cover of City of Clans

City of Clans

Geoff Peck

University of Iowa Press, 2025

Set on the eve of the 2009 G20 Summit protests, City of Clans follows Jeremy Starcevic, a community college student struggling with his identity and sexuality. By day, Jeremy works for a party goods distributor in the heart of the city and attends classes. By night, he drinks to excess and self-sabotages at the urging of friends. As the son of a professional baseball player, Jeremy grew up playing sports and molding himself into a certain type of guy—a type embodied in Jeremy’s best friend and roommate, the hypermasculine Scott Melloy. But when Scott commits an unthinkable act, Jeremy is forced to acknowledge that the friend he idolized is a sexual predator, and his carefully constructed sense of self crumbles.

Jeremy begins a journey of healing and self-reflection that carries him back to his family and his one true friend, Katrina Kovacs, a photography major who opens his eyes to societal issues he’s always ignored. A story of redemption, City of Clans captures the resiliency of the human spirit and explores hidden truths of masculinity, sexuality, and self.
 
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cover of Classics Beyond the Pleasure Principle

Classics Beyond the Pleasure Principle

Edited by Paul Allen Miller and Mario Telò

The Ohio State University Press, 2026

Classics Beyond the Pleasure Principle explores the concept of the Freudian death drive to interrogate both the ancient past and the present, highlighting how destruction and its remnants resist erasure and shape historical memory. Using Gaza’s rubble as a metaphor for the indestructibility of violence’s material traces, the text connects ancient Greco-Roman culture—from Homer and Sophocles to Ovid and Seneca—with modern figures and events, from Elena Ferrante to the war in Israel and Palestine. The volume engages psychoanalytic theory, queer theory, and feminism to challenge the boundaries of classical studies, arguing that only by confronting the discipline’s entanglement with the pleasure principle and its repressions can classics contribute to understanding the crises of the present and imagining a future distinct from the past.

Contributors:
Karen Bassi, Martin Devecka, Micaela Janan, Hagi Kenaan, Vered Lev Kenaan, Sara Lindheim, Paul Allen Miller, Helen Morales, Jay Oliver, Victoria Rimell, Mario Telò
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cover of Coconut Milk

Coconut Milk

Dan Taulapapa McMullin

University of Arizona Press, 2013

Coconut Milk is a fresh, new poetry collection that is a sensual homage to place, people, love, and lust. The first collection by Samoan writer and painter Dan Taulapapa McMullin, the poems evoke both intimate conversations and provocative monologues that allow him to explore the complexities of being a queer Samoan in the United States.  

McMullin seamlessly flows between exposing the ironies of Tiki kitsch–inspired cultural appropriation and intimate snapshots of Samoan people and place. In doing so, he disrupts popular notions of a beautiful Polynesia available for the taking, and carves out new avenues of meaning for Pacific Islanders of Oceania. Throughout the collection, McMullin illustrates various manifestations of geopolitical, cultural, linguistic, and sexual colonialism. His work illuminates the ongoing resistance to colonialism and the remarkable resilience of Pacific Islanders and queer-identified peoples.

McMullin’s Fa’a Fafine identity—the ability to walk between and embody both the masculine and feminine—creates a grounded and dynamic voice throughout the collection. It also fosters a creative dialogue between Fa’a Fafine people and trans-Indigenous movements. Through a uniquely Samoan practice of storytelling, McMullin contributes to the growing and vibrant body of queer Indigenous literature.
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cover of Collective Chaos: A Roller Derby Team Memoir

Collective Chaos

A Roller Derby Team Memoir

Samantha Tucker

Ohio University Press, 2023

A view into the continuing evolution of the niche-yet-global sport through the historical lens of Ohio Roller Derby, one of the founding leagues of the Women’s Flat Track Derby Association Part sports autobiography, part cultural critique, this book offers the collective experience of a tenacious group of nontraditional athletes who play, officiate, plan, schedule, market, and manage the business of a (mostly) women’s amateur sports team. This modern sport, with its alternative, punk rock culture, is often a place for those who’ve struggled within the mainstream. But even as the sport is often home for historically marginalized groups, such as the LGBTQ+ community, roller derby organizations and participants often mirror and experience the same inequities as those in the world surrounding them. In a full-contact, theatrical sport that some consider revolutionary, the authors show that gaining truly radical self-knowledge is an ongoing, difficult process that requires love, teamwork, discipline, critical consideration of one’s local and global societies, and—above all else—one’s place and action within them.
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cover of Comfort Measures Only: New and Selected Poems, 1994–2016

Comfort Measures Only

New and Selected Poems, 1994–2016

Rafael Campo

Duke University Press, 2018

In Comfort Measures Only, Rafael Campo bears witness to the unspeakable beauty bound up with human suffering. Gathered from his over twenty-year career as a poet-physician, these eighty-nine poems—thirty-one of which have never been previously published in a collection—pull back the curtain in the ER, laying bare our pain and joining us all in spellbinding moments of pathos. The poet, who is also truly a healer, revives language itself—its sounds channeled through our hearts and lungs, its rhythms amplified through the stethoscope—to make meaning of our bewilderment when our bodies so eloquently and yet wordlessly fail us. Campo’s transcendent poems, in all their modernity amidst the bleep of heart monitors and the wail of ambulance sirens, remind us of what the ancients understood: that poetry sustains us, and whether we live or die, through what we can imagine and create in our shared voices we may yet achieve immortality.
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cover of Coming Out Republican: A History of the Gay Right

Coming Out Republican

A History of the Gay Right

Neil J. Young

University of Chicago Press, 2024

A revelatory and comprehensive history of the gay Right from incisive political commentator Neil J. Young.
​
One of the most maligned, misunderstood, and even mocked constituencies in American politics, gay Republicans regularly face condemnation from both the LGBTQ+ community and their own political party. Yet they’ve been active and influential for decades. Gay conservatives were instrumental, for example, in ending “Don’t Ask, Don’t Tell” and securing the legalization of same-sex marriage—but they also helped lay the groundwork for the rise of Donald Trump.

In Coming Out Republican, political historian and commentator Neil J. Young provides the first comprehensive history of the gay Right. From the 1950s up to the present day, Young excavates the multifarious origins, motivations, and evolutions of LGBTQ+ people who found their way to the institutions and networks of modern conservatism. Many on the gay Right have championed conservative values—like free markets, a strong national defense, and individual liberty—and believed that the Republican Party therefore offered LGBTQ+ people the best pathway to freedom. Meanwhile, that same party has actively and repeatedly demonized them. With his precise and provocative voice, Young details the complicated dynamics of being in—and yet never fully accepted into—the Republican Party.

Coming Out Republican provides striking insight into who LGBTQ+ conservatives are, what they want, and why many of them continue to align with a party whose rank and file largely seem to hate them. As the Republican Party renews its assaults on LGBTQ+ rights, understanding the significant history of the gay Right has never been more critical.
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cover of Coming Out of My Skin

Coming Out of My Skin

Jean-Baptiste Phou

Seagull Books, 2023

A compelling memoir that focuses on the intersectionality of race and sexuality experienced by a gay Asian man living in a white world.
 
Born to Chinese-Cambodian parents in France, Jean-Baptiste Phou has pursued a diverse artistic career since 2008. Through his public views and artistic works, he has focused mainly on the experiences of Asians in France. Up until now, he’s always been careful not to raise issues of sexuality—in particular, his homosexuality.
 
In this searing memoir, Phou faces his fears and shame to examine the role his ethnic origin has played in the construction of his sexual identity and his romantic relationships in a predominantly white environment. An astute observer of the various ways in which his body has been perceived, Phou explores how these perceptions have shaped his relationship with himself and others. How does a marginalized person develop emotionally and build, reclaim, and express their sexuality? Drawing on various works of history, sociology, gender studies, literature, and popular culture, Phou sensitively examines various strategies developed in response to this question.
 
Being gay in a largely straight world is difficult but being Asian within this sexual minority can be a doubly oppressive experience. Coming Out of My Skin deftly tackles this challenge and aspires for a reconciliation that can empower people of sexual and racial minorities to joyfully inhabit their bodies.
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cover of Companion Grasses

Companion Grasses

Brian Teare

Omnidawn, 2013

What does it mean to dwell in a place? These adventurous poems go on foot in search of answers. Walking the cities, coasts, forests and mountains of Northern California and New England, they immerse themselves in the specifics of bioregion and microclimate, and take special note of the cycle of death and rebirth that plays out dramatically in California’s chaparral and grasslands. Inspired by Transcendentalism, Companion Grasses sees the sacred in the workings of the material world, but its indebtedness to the ecological tradition of California poets like Gary Snyder and Brenda Hillman means that it also unearths such evidence in the sensual materiality of words themselves. Both ecologically rich landscapes and highly rhythmic inscapes, these poems set seasonal and human dramas side-by-side, wresting an original, signature music from the meeting of site and sight. In pursuing an aesthetics situated in place, they compose an ethics of what it means to be a human companion to the natural world: “What we love, how we care for it,/is where we live.”
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cover of Company

Company

Sam Ross

Four Way Books, 2019

Ross’s poems are at once earthy and delicate and view their subjects through a perceptive, picaresque lens.
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cover of Confessions of a Presidential Speechwriter

Confessions of a Presidential Speechwriter

Craig R. Smith

Michigan State University Press, 2014

An avid high school debater and enthusiastic student body president, Craig Smith seemed destined for a life in public service from an early age. As a sought-after speechwriter, Smith had a front-row seat at some of the most important events of the twentieth century, meeting with Robert Kennedy and Richard Nixon, advising Governor Ronald Reagan, writing for President Ford, serving as a campaign manager for a major U.S. senator’s reelection campaign, and writing speeches for a contender for the Republican nomination for president. Life in the volatile world of politics wasn’t always easy, however, and as a closeted gay man, Smith struggled to reconcile his private and professional lives. In this revealing memoir, Smith sheds light on what it takes to make it as a speechwriter in a field where the only constant is change. While bouncing in and out of the academic world, Smith transitions from consultantships with George H. W. Bush and the Republican caucus of the U.S. Senate to a position with Chrysler CEO Lee Iacocca. When Smith returns to Washington, D.C., as president and founder of the Freedom of Expression Foundation, he becomes a leading player on First Amendment issues in the nation’s capital. Returning at long last to academia, Smith finds happiness coming out of the closet and reaping the benefits of a dedicated and highly successful career.
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cover of Confessions of the Letter Closet: Epistolary Fiction and Queer Desire in Modern Spain

Confessions of the Letter Closet

Epistolary Fiction and Queer Desire in Modern Spain

Patrick Paul Garlinger

University of Minnesota Press, 2005

By the beginning of the twentieth century, epistolary novels in Spain increasingly grappled with homoerotic and homosexual desire, treating it as a secret communicated through private letters from one reader to another. Patrick Paul Garlinger reveals how this confidential model persists in these fictions of letter writing from the early twentieth century to the present, framing expressions of queer desire in confessional terms: secrecy, guilt, morality, and shame.Confessions of the Letter Closet draws on queer theory and psychoanalysis, archival research on letter writing as a social practice and on the advent of the postal system in Spain, and historical insights into the impact of Spanish laws regarding the inviolability of correspondence on epistolary fiction. Garlinger examines how the epistolary novel represents - and is implicated in - the homophobia and psychic ambivalence around sexuality and identity with which Spanish gays and lesbians struggle, despite significant legal advances and increased social tolerance.Addressing both male and female desire and drawing links to epistolary traditions outside of Spain, Confessions of the Letter Closet goes beyond the specifics of Spanish literature to contribute more broadly to queer theory, the study of epistolary fiction, and an understanding of autobiography and confessional discourse.
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cover of Conserving Walt Whitman's Fame: Selections from Horace Traubel's Conservator, 1890-1919

Conserving Walt Whitman's Fame

Selections from Horace Traubel's Conservator, 1890-1919

Schmidgall, Gary

University of Iowa Press, 2006

It is now difficult to imagine that, in the years before Whitman's death in 1892, there was real doubt in the minds of Whitman and his literary circle whether Leaves of Grass would achieve lasting fame. Much of the critical commentary in the first decade after his burial in Camden was as negative as that in Boston's Christian Register, which spoke of Whitman as someone who “succeeded in writing a mass of trash without form, rhythm, or vitality.”That the balance finally tipped toward admiration, culminating in Whitman's acceptance into the literary canon, was due substantially to the unflagging labor of Horace Traubel, famous for his nine volumes of Whitman conversations but less well known for his provocative monthly journal of socialist politics and avant-garde culture, the Conservator.Conserving Walt Whitman's Fame offers a generous selection from the enormous trove of Whitman-related materials that Traubel included in the 352 issues of the Conservator. Among the revelatory, perceptive, and often entertaining items presented here are the most illuminating of the Conservator's more than 150 topical essays on Whitman and memoirs by many of his friends and literary cohorts that shed new light on the poet, his work, and his critical reception. Also important is the richer understanding these pages afford of Horace Traubel's own sophisticated, deeply humane, and feisty views of America.
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cover of Contingent Figure: Chronic Pain and Queer Embodiment

Contingent Figure

Chronic Pain and Queer Embodiment

Michael D. Snediker

University of Minnesota Press, 2021

A masterful synthesis of literary readings and poetic reflections, making profound contributions to our understanding of chronic pain

At the intersection of queer theory and disability studies, acclaimed theorist Michael D. Snediker locates something unexpected: chronic pain. Starting from this paradigm-shifting insight, Snediker elaborates a bracing examination of the phenomenological peculiarity of disability, articulating a complex idiom of figuration as the lived substance of pain’s quotidian. This lexicon helps us differently inhabit both the theoretical and phenomenal dimensions of chronic pain and suffering by illuminating where these modes are least distinguishable. 

Suffused with fastidious close readings, and girded by a remarkably complex understanding of phenomenal experience, Contingent Figure resides in the overlap between literary theory and lyric experiment. Snediker grounds his exploration of disability and chronic pain in dazzling close readings of Herman Melville, Emily Dickinson, Henry James, and many others. Its juxtaposition of these readings with candid autobiographical accounts makes Contingent Figure an exemplary instance of literary theory as a practice of lyric attention.

Thoroughly rigorous and anything but predictable, this stirring inquiry leaves the reader with a rich critical vocabulary indebted to the likes of Maurice Blanchot, Gilles Deleuze, D. O. Winnicott, and Eve Kosofsky Sedgwick. A master class in close reading’s inseparability from the urgency of lived experience, this book is essential for students and scholars of disability studies, queer theory, formalism, aesthetics, and the radical challenge of Emersonian poetics across the long American nineteenth century.

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cover of Country Songs for Alice

Country Songs for Alice

Emma Binder

Tupelo Press, 2024

An examination of obsession, gender, love, and loss in contemporary rural America.

In Country Songs for Alice, a nonbinary, queer narrator passes through the crucible of love, romance, and heartbreak against the backdrop of rural America—a landscape which offers luminous belonging, even as the hazards of homophobia, loneliness, and isolation loom large. Part roadtrip, part mixtape, these poems are explorations of love, music, romance, pageantry, loneliness, and belonging in the rural places and small towns that seem to preclude queer culture. Country Songs for Alice not only tells the story of a relationship and its dissolution but reclaims country western imagery and aesthetics for a queer audience, dousing the narrator’s experience in the language of cowboys, horses, rodeos, trucks, and desert skies.
 
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cover of Courtly and Queer: Deconstruction, Desire, and Medieval French Literature

Courtly and Queer

Deconstruction, Desire, and Medieval French Literature

Charlie Samuelson

The Ohio State University Press, 2022

In Courtly and Queer, Charlie Samuelson casts queerness in medieval French texts about courtly love in a new light by bringing together for the first time two exemplary genres: high medieval verse romance, associated with the towering figure of Chrétien de Troyes, and late medieval dits, primarily associated with Guillaume de Machaut. In close readings informed by deconstruction and queer theory, Samuelson argues that the genres’ juxtaposition opens up radical new perspectives on the deviant poetics and gender and sexual politics of both. Contrary to a critical tradition that locates the queer Middle Ages at the margins of these courtly genres, Courtly and Queer emphasizes an unflagging queerness that is inseparable from poetic indeterminacy and that inhabits the core of a literary tradition usually assumed to be conservative and patriarchal. Ultimately, Courtly and Queer contends that one facet of texts commonly referred to as their “courtliness”—namely, their literary sophistication—powerfully overlaps with modern conceptions of queerness.
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cover of Creature: The Life and Loves of May Swenson

Creature

The Life and Loves of May Swenson

Carter, Stephen

Signature Books, 2026

In the summer of 1936, twenty-three-year-old May Swenson boarded a bus heading east out of her Mormon hometown of Logan, Utah. Her destination was New York City, where she had a single goal: become a poet. Creature tells the story of how this small-town woman fought to achieve her dreams in the Depression-era big city, keeping a roof over her head and honing her craft as she pursued romantic relationships with both men and women. After decades of struggle, Swenson became one of mid-century America’s most beloved and prolific poets.

What is it that makes her poetry so extraordinary? How did she see and reveal the world? How did she teach the art of poetry? And how does her work interact with her Mormon roots? Readers will learn the answers to these questions and more in this artfully written biography.

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cover of Creature: The Life and Loves of May Swenson

Creature

The Life and Loves of May Swenson

Carter, Stephen

Signature Books, 2026

In the summer of 1936, twenty-three-year-old May Swenson boarded a bus heading east out of her Mormon hometown of Logan, Utah. Her destination was New York City, where she had a single goal: become a poet. Creature tells the story of how this small-town woman fought to achieve her dreams in the Depression-era big city, keeping a roof over her head and honing her craft as she pursued romantic relationships with both men and women. After decades of struggle, Swenson became one of mid-century America’s most beloved and prolific poets.

What is it that makes her poetry so extraordinary? How did she see and reveal the world? How did she teach the art of poetry? And how does her work interact with her Mormon roots? Readers will learn the answers to these questions and more in this artfully written biography.

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cover of Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean

Creolized Sexualities

Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean

Alison Donnell

Rutgers University Press, 2022

Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean draws attention to a wide, and surprising, range of writings that craft inclusive and pluralizing representations of sexual possibilities within the Caribbean imagination. Reading across an eclectic range of writings from V.S. Naipaul to Marlon James, Shani Mootoo to Junot Diaz, Andrew Salkey to Thomas Glave, Curdella Forbes to Colin Robinson, this bold work of literary criticism brings into view fictional worlds where Caribbeanness and queerness correspond and reconcile. Through inspired close readings Donnell gathers evidence and argument for the Caribbean as an exemplary creolized ecology of fluid possibilities that can illuminate the prospect of a non-heteronormalizing future. Indeed, Creolized Sexualities hows how writers have long rendered sexual plasticity, indeterminacy, and pluralism as an integral part of Caribbeanness and as one of the most compelling if unacknowledged ways of resisting the disciplining regimes of colonial and neocolonial power.
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cover of Critical Fandom: Representations of Race, Gender, and Sexuality in Fan Fiction

Critical Fandom

Representations of Race, Gender, and Sexuality in Fan Fiction

Cara Marta Messina

University of Iowa Press, 2026

Critical Fandom positions fan authors as rhetoricians and fan fiction as an action. Every fan author navigates—implicitly or explicitly—the politics of their fandom, the media they love, their lived experiences, digital technologies, reader expectations, and a larger culture. To better understand critical fans, Cara Marta Messina analyzes Archive of Our Own tagging practices, fan fictions, and interviews from four different fandoms.

Fans of The Legend of Korra celebrate queer relationships while understanding representation is just the first step in the face of systemic homophobia. Game of Thrones fan authors challenge racism and heteronormativity in both the community and the show. In online forums for Black Panther, fans make space for sapphic romances and explore the humanity of Erik Killmonger, ultimately contending with harmful stereotypes of radical Black men. And the Our Flag Means Death fandom demonstrates how a show can flourish when it centers queerness, especially for trans fans. Even in these moments of joy, there’s conflict. Critical Fandom seeks to answer what comes next.

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cover of Criticism Without Authority: Gene Swenson's and Jill Johnston’s Queer Practices

Criticism Without Authority

Gene Swenson's and Jill Johnston’s Queer Practices

Jennifer Sichel

University of Chicago Press, 2025

A reframing of the history of 1960s New York avant-garde art centered on the queer, genre-bending criticism of Gene Swenson and Jill Johnston.
 
In the early 1960s, Gene Swenson and Jill Johnston began to imagine art criticism as something unruly and expansive, rejecting modernist appeals to purity and coherence that had overtaken the field. These critics were deeply enmeshed in New York’s avant-garde art scene, and both were explicitly and unapologetically queer. First working independently of one another, then later in dialogue, Swenson and Johnston demanded criticism become life-sustaining, subverting protocols and distorting its form beyond recognition. They utilized criticism as a means of navigating queer existence and reclaimed terms like lesbian, homosexual, mad, and psychotic as their own.
 
Jennifer Sichel follows the intertwined paths of Swenson and Johnston, providing a history of queer practices that were central to the development of avant-garde art but have been largely overlooked. Criticism Without Authority makes their work visible not just as criticism, but as its own form of art. As Sichel shows, Swenson's and Johnston’s practices, bucking categories and disciplinary formations, resist historical streamlining and stand as a key for unlocking the queerness of postwar art history.
 
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cover of Crossings: Creative Ecologies of Cruising

Crossings

Creative Ecologies of Cruising

João Florêncio

Rutgers University Press, 2025

It’s difficult to pinpoint the origins of cruising. While the term was used by men seeking casual encounters with other men in the parks and streets of New York City as early as the 1920s, historical records show the practice is much older. Cruising has existed for as long as anyone outside the dominant sex and gender systems has sought sexual encounters outside of sanctioned norms. This book offers a serious exploration of queer sex and sex cultures, exploring cruising as a mode of thinking with the body and communicating through sexuality. 
 
A creative dialogue between a queer artist and a queer academic reminiscing about and thinking with their cruising experiences, Crossings takes queer sex practices and cultures seriously as ways of knowing and world-making. The result is an erotic hybrid form hovering between scholarship and avant-garde experimentation, between critical manifesto and sex memoir. Here, the voices of each author, merged together in one, invite the reader to inhabit the erotic spacetime between self and other, the familiar and the strange, desire and pleasure, climax and release. That is, the spaces and temporalities of cruising itself.
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cover of Cruising with Robert Louis Stevenson: Travel, Narrative, and the Colonial Body

Cruising with Robert Louis Stevenson

Travel, Narrative, and the Colonial Body

Oliver S. Buckton

Ohio University Press, 2007

Cruising with Robert Louis Stevenson: Travel, Narrative, and the Colonial Body is the first book-length study about the influence of travel on Robert Louis Stevenson’s writings, both fiction and nonfiction. Within the contexts of late-Victorian imperialism and ethnographic discourse, the book offers original close readings of individual works by Stevenson while bringing new theoretical insights to bear on the relationship between travel, authorship, and gender identity in the Victorian fin de siècle. Oliver S. Buckton develops “cruising” as a critical term, linking Stevenson’s leisurely mode of travel with the striking narrative motifs of disruption and fragmentation that characterize his writings. Buckton traces the development of Stevenson’s career from his early travel books to show how Stevenson’s major works of fiction, such as Treasure Island, Kidnapped, and The Ebb-Tide, draw on innovative techniques and materials Stevenson acquired in the course of his global travels. Exploring Stevenson’s pivotal role in the revival of “romance” in the late nineteenth century, Cruising with Robert Louis Stevenson highlights Stevenson’s treatment of the human body as part of his resistance to realism, arguing that the energies and desires released by travel are often routed through disturbingly resistant or darkly comic corporeal figures. Buckton gives extensive attention to Stevenson’s writing about the South Seas, arguing that his groundbreaking critiques of European colonialism are formed in awareness of the fragility and desirability of Polynesian bodies and island landscapes. Cruising with Robert Louis Stevenson will be indispensable to all admirers of Stevenson as well as of great interest to readers of travel writing, Victorian ethnography, gender studies, and literary criticism.
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cover of Cutlish

Cutlish

Rajiv Mohabir

Four Way Books, 2021

In Cutlish, a title referencing the rural recasting of the cutlass or machete, Rajiv Mohabir creates a form migrated from Caribbean chutney music in order to verse the precarity of a queer Indo-Caribbean speaker in the newest context of the United States. By joining the disparate threads of his fading, often derided, multilingual Guyanese Creole and Guyanese Bhojpuri linguistic inheritances, Mohabir mingles the ghosts that haunt from the cane fields his ancestors worked with the canonical colonial education of his elders, creating a new syncretic American poetry — pushing through the “post” of postcolonial, the “poet” in the poetic.
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