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C.L.R. James (1901–1989) made important contributions in a host of fields—literature, criticism, cultural studies, political theory, history, and philosophy. One of the most astute minds of this century, he served as mentor for two generations of international intellectuals. He contributed enormously to their understanding of the colonial question, the Negro question, the Russian question, the role of dialectics in proletarian struggle, and the theory and practice of Marxism in the Americas. In addition to The Black Jacobins, his incisive account of the Haitian revolution of the 1790s, and Notes on Dialectics, James published a range of other books, including a classic work on the game of cricket and a study of Herman Melville.

This collection of essays offers a variety of fresh perspectives on James's life and writings. Included are reminiscences of those who knew James well and critical essays by eminent scholars. The book is the first to offer a full treatment of James's many contributions to twentieth-century intellectual life.

Explores the history of value as a concept, one that we regularly use but tend to take for granted as the monetary expression of market mechanisms. 

Calculating Worth, a collection of essays edited by historians Joanna Cohen and Laura F. Edwards, reshapes our concept of what “value” meant in the past. Collectively, the essays reorient conventional narratives and reveal multiple methods of determining value, some traditional, some new, but all based in human agency. Calculating Worth brings together scholars of legal history, Native American history, women’s history, material culture, the history of slavery, and African American history, with topics that range widely over the nineteenth century, across North America and beyond. 

Through studying subjects as varied as personal property, land, enslaved people, and intangibles such as prayer, reputation, and suffering, this portrait of value is diverse, humanistic, and far more capacious than what typically fits within the bounds of the concept of capitalism. Rather, value turns out to be a question of power—and how it is used.

Winner of the 2024 ACLA Harry Levin Prize • Honorable Mention MLA Katherine Singer Kovacs Prize 

A bold comparative study illustrating the creative potential of translations that embrace mutuality and resist assimilation

Cannibal translators digest, recombine, transform, and trouble their source materials. Isabel C. Gómez makes the case for this model of literary production by excavating a network of translation projects in Latin America that includes canonical writers of the twentieth century, such as Haroldo and Augusto de Campos, Rosario Castellanos, Clarice Lispector, José Emilio Pacheco, Octavio Paz, and Ángel Rama. Building on the avant-garde reclaiming of cannibalism as an Indigenous practice meant to honorably incorporate the other into the self, these authors took up Brazilian theories of translation in Spanish to fashion a distinctly Latin American literary exchange, one that rejected normative and Anglocentric approaches to translation and developed collaborative techniques to bring about a new understanding of world literature. 

By shedding new light on the political and aesthetic pathways of translation movements beyond the Global North, Gómez offers an alternative conception of the theoretical and ethical challenges posed by this artistic practice. Cannibal Translation: Literary Reciprocity in Contemporary Latin America mobilizes a capacious archive of personal letters, publishers’ records, newspapers, and new media to illuminate inventive strategies of collectivity and process, such as untranslation, transcreation, intersectional autobiographical translation, and transpeaking. The book invites readers to find fresh meaning in other translational histories and question the practices that mediate literary circulation.

The story of a bold political experiment in nineteenth-century France to establish power through finance. 

Amid the rise of industrial capitalism and revolutionary upheaval, French reformers asserted that finance should be reimagined as an instrument of economic and social transformation rather than left to the logic of private profit and speculation. In the 1850s, under Napoleon III’s authoritarian regime, this vision took institutional form as the Bonapartist state strategically deployed finance, broadened market participation, and sponsored new banks with the promise of directing investment toward infrastructure and industry. Yet this effort to harness and mobilize capital ran into a problem: The financial markets refused to be tamed. 
 
Drawing on rich archival sources—from police surveillance and courtroom transcripts to investment manuals and petitions for incorporation—Capital Untamed reveals how the financial markets became an instrument of political power, frustrated state ambitions, and ultimately escaped attempts at mastery. In this striking debut, historian Charlotte Robertson shows how the French state and its citizens navigated a turbulent era of European capitalism animated by debates over the social purpose of financial capital. Ultimately, politicians’ efforts to establish legitimacy by reorganizing finance—and their confrontations with the limits of that project—set the stage for a form of modern discontent with the financial system that survives to this day.

Reorienting critical theory and literary criticism to consider how the present contains seeds of a future beyond capitalism

Critical theorists have long held to the axiom that it is easier to imagine the end of the world than the end of capitalism. Greg Forter starts this wide-ranging study of contemporary literature by suggesting that this position is increasingly hard to maintain. In the wake of the 2008 financial crisis, the global rise of the New Right, and the mass disruptions and despair wrought by COVID-19, the story that capital had built about itself has begun to reveal cracks in its foundations. Capitalism has not succeeded in fully flattening or homogenizing time. Developing in combined and uneven fashion, it has retained the residues of pasts that suggest other futures are possible. Forter assembles a corpus of novels that theorize this insight. He names these fictions speculative realism to highlight how they map the closures of our present while opening that present onto other, more speculative orders of time. In the face of ongoing, overlapping crises, Forter posits, these fictions locate flickering intimations of a utopian somewhen; they illuminate a present charged with precipitates of a transfigured but now imaginable future.

Les Bodnar is a respected orthopedic surgeon and former physician for the Notre Dame football team. His memoir, however, is from an era long before that fame, when he was 12 and 13, and a part of his father’s carnival. The romance of carnival life, of escaping the 9-5 doldrums and somehow recapturing yourself, is there, but so too the hard work and trials, the difficulty of putting on a show day after day and week after week for people who both love the show and are apprehensive of the people who put it on. 
     The year is 1928, and the Boom is booming in our great cities, but life in the small towns in the Indiana, Illinois, and Wisconsin remains tenuous. Bodnar writes about putting the show together, handling the sometimes-unpredictable people who perform and run the games, holding on to the core that made the carnival that expectant joy for kids everywhere and of all ages. It’s a world filled with shills and cons, freak shows (some of them real) and rides galore, trust given to unlikely characters and the security of family, above all family, despite all the absences and hardships. 
 In the background the coming end of the Boom whispers, and soon the country will plunge into what will be called in America “the Great Depression.” It is not the innocence experienced before the Great War. Childhood had witnessed something too unspeakable and horrific to write about then; it demanded poetry. We hunkered down within our own, and did our best to forget, and only occasionally, as when Bodnar witnessed a Ku Klux Klan rally, did the ugliness that can be the world intrude on our sensibilities, and the reader finds himself or herself sharing this street-smart innocence of a never-to-return era.
     Complete with period photographs, a lexicon, a bibliography, and a look at the way carnivals operate to this day, Carnie will inform, charm, and perhaps edify.
 

The rise of celebrity stage actresses in the long eighteenth century created a class of women who worked in the public sphere while facing considerable scrutiny about their offstage lives. Such powerful celebrity women used the cultural and affective significance of their reproductive bodies to leverage audience support and interest to advance their careers, and eighteenth-century London patent theatres even capitalized on their pregnancies. Carrying All Before Her uses the reproductive histories of six celebrity women (Susanna Mountfort Verbruggen, Anne Oldfield, Susannah Cibber, George Anne Bellamy, Sarah Siddons, and Dorothy Jordan) to demonstrate that pregnancy affected celebrity identity, impacted audience reception and interpretation of performance, changed company repertory and altered company hierarchy, influenced the development and performance of new plays, and had substantial economic consequences for both women and the companies for which they worked. Deepening the fields of celebrity, theatre, and women's studies, as well as social and medical histories, Phillips reveals an untapped history whose relevance and impact persists today.

A masterful study by a preeminent scholar that situates Cather as a visionary practitioner of literary modernism

Willa Cather is often pegged as a regionalist, a feminine and domestic writer, or a social realist. In Cather Among the Moderns, Janis P. Stout firmly situates Cather as a visionary practitioner of literary modernism, something other scholars have hinted at but rarely affirmed. Stout presents Cather on a large, dramatic stage among a sizable cast of characters and against a brightly lit social and historical backdrop, invoking numerous figures and instances from the broad movement in the arts and culture that we call modernism. 

Early on, Stout addresses the matter of gender. The term “cross-dresser” has often been applied to Cather, but Stout sees Cather’s identity as fractured or ambiguous, a reading that links her firmly to early twentieth-century modernity. Later chapters take up topics of significance both to Cather and to twentieth-century American modernists, including shifting gender roles, World War I’s devastation of social and artistic norms, and strains in racial relations. She explores Cather’s links to a small group of modernists who, after the war, embraced life in New Mexico, a destination of choice for many artists, and which led to two of Cather’s most fully realized modernist novels, The Professor’s House and Death Comes for the Archbishop.

The last chapter addresses Cather’s place within modernism. Stout first places her in relation to Ezra Pound and T. S. Eliot with their shared ties to tradition even while making, sometimes startling, innovations in literary form, then showing parallels with William Faulkner with respect to economic disparity and social injustice.

A New Edition of One of the Great Military Treatises of the Nineteenth Century
First published in 1853, Cavalry: Its History and Tactics had a major impact on military theorists and officers for decades—it was reprinted as a manual during the American Civil War—and its influence on European cavalry performance can be traced into World War I. It is an intelligent work which discusses the history and development of cavalry over the ages, advocates a program of reform for Britain’s horsed troops, and covers many aspects of equipment, training, drill, organization, formation, and battlefield tactics. The author, an experienced and gifted cavalryman, first served in the Austrian army, then joined the British army’s 15th Hussars in 1839, fought in India, and became the regimental riding master. Captain Nolan’s 1852 tour of European armies, wide reading in many languages, and service in Europe and India makes Cavalry an extraordinary statement on mid-nineteenth-century theory and practice.

As historian Jon Coulston explains in his introduction, Nolan was writing at the cusp of technological change, drawing upon the experiences of the Napoleonic Wars, continental suppression of the 1848 Revolutions, and Britain’s wars in India, but with an eye to firepower developments on the eve of the Crimean War. In 1854, at the Battle of Balaklava, Nolan rode with the written order which unleashed the Charge of the Light Brigade, an action in which he lost his life. Presented here as the first modern reprint, complete with a new introduction and further reading, Nolan’s Cavalry remains a hallmark of military history.

What happens when the liberty of ancient nobility collides with the revolutionary ideals of equality? This groundbreaking study explores how the American, French, Haitian, and Greek Revolutions redefined freedom—and how French Romantic figure Chateaubriand grappled with that transformation. Tracing his travels across England, North America, and the Mediterranean, this book uncovers Chateaubriand’s seductive visions of “paradises lost,” which were taken up, challenged, and reimagined by Anglophone and Hispanic writers.

From Charlotte Brontë to Harriet Beecher Stowe, from Byron to Bolaño authors found in Chateaubriand a conflicted but powerful voice at the crossroads of liberty, race, religion, and empire. This is the first comprehensive study to situate Chateaubriand within the histories of colonialism and global revolution, revealing a literary legacy that remains startlingly relevant in today’s struggles over equality.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

An exploration of the elaborate relationship between farmers, aerial sprayers, agriculturalists, crop pests, chemicals, and the environment.

The controversies in the 1960s and 1970s that swirled around indiscriminate use of agricultural chemicals—their long-term ecological harm versus food production benefits—were sparked and clarified by biologist Rachel Carson’s Silent Spring (1962). This seminal publication challenged long-held assumptions concerning the industrial might of American agriculture while sounding an alarm for the damaging persistence of pesticides, especially chlorinated hydrocarbons such as DDT, in the larger environment.

In Chemical Lands: Pesticides, Aerial Spraying, and Health in North America’s Grasslands since 1945 David D. Vail shows, however, that a distinctly regional view of agricultural health evolved. His analysis reveals a particularly strong ethic in the North American grasslands where practitioners sought to understand and deploy insecticides and herbicides by designing local scientific experiments, engineering more precise aircraft sprayers, developing more narrowly specific chemicals, and planting targeted test crops. Their efforts to link the science of toxicology with environmental health reveal how the practitioners of pesticides evaluated potential hazards in the agricultural landscape while recognizing the production benefits of controlled spraying. 

Chemical Lands adds to a growing list of books on toxins in the American landscape. This study provides a unique Grasslands perspective of the Ag pilots, weed scientists, and farmers who struggled to navigate novel technologies for spray planes and in the development of new herbicides/insecticides while striving to manage and mitigate threats to human health and the environment.

Observers and historians continue to marvel at the diversity and complexity of the Ottoman Empire. This book explores the significant and multifaceted role that Orthodox Christian networks played in the sultan’s realm from the 17th century until WWI. These multi-ethnic, multi-lingual, and multi-confessional formations contributed fundamentally to the political, economic, social, and cultural development of the Empire as well as to its gradual disintegration.

Bringing together scholars from most Balkan countries, Christian Networks in the Ottoman Empire describes the variety of Orthodox Christian networks under Ottoman rule. The examples examined include commercial relations, intellectual networks, educational systems, religious dynamics, consular activities, and revolutionary movements, and involve Muslims and Christians, Romanians and Serbs, Bulgarians and Greeks, Albanians and Turks. The contributions show that the Christian populations and their elites were an integral part of Ottoman society.

The geographical spread of the formal and informal networks enriches our understanding of the terms ‘center’ and ‘periphery.’ They were either centered within the official Ottoman borders and extended their activities to other states and empires, or vice versa, located elsewhere, but also active in the Ottoman Empire. A common feature of these formations is their constant fluctuation, which enables a dynamic understanding of Ottoman history.

Andrea Ringer examines the industry-wide circus world--the collection of shows that traveled by rail, wagon, steamboat, and car--and the traditional and nontraditional laborers who created it. Performers and their onstage labor played an integral part in the popularity of the circus. But behind the scenes, other laborers performed the endless menial tasks that kept the show on the road. Circus operators regulated employee behavior both inside and outside the tent even as the employees themselves blurred the line between leisure and labor until, in all parts of the show, the workers could not escape their work.

Illuminating and vivid, Circus World delves into the gender, class, and even species concerns within an extinct way of life.