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Unearths the religious and cultural roots of a powerful political machine that empowered some everyday Chicagoans but ruled all of the city for decades.

In politics, clout is essential. Too often, it determines whether insider access is granted or denied, favors are given or withheld, and payoffs are made or received. But Chicago clout, as we know it today, is even more potent than that—it’s the absolute currency of a social, cultural, and political order that is self-reinforcing and self-dealing. Or, at least, it was.
 
In Clout City, award-winning historian Dominic A. Pacyga reveals how cultural, ethnic, and religious forces created this distinctive system—and ultimately led to its collapse. Tracing clout’s origins in the Irish Catholic–dominated working-class neighborhood of Bridgeport, shaped by De La Salle Institute and home to the legendary Daley family, Pacyga shows how communal ties can be a force for good and also the deepest wellspring of corruption. He maps Chicago’s unique politics to its remarkable history, from the Great Fire of 1871 through its rise and decline as an industrial center to its emergence as a global city in the early twenty-first century. With deep research and firsthand experience from a lifetime in the city, Pacyga argues that Chicago’s politics is understood best as a mixture of cultural and religious influences and more worldly pursuits, exploring how both Jewish and Catholic communalism played central roles in the creation and sustenance of the Chicago machine.
 
Chicago’s politics today aren’t as defined by its distinctive brand of clout. But they are shaped by clout’s decline and the ghost of the machine. Pacyga’s tour of the city’s multilayered past is an indispensable guide to its present and future.

This is an auto-narrated audiobook version of this book.

Unearths the religious and cultural roots of a powerful political machine that empowered some everyday Chicagoans but ruled all of the city for decades.

In politics, clout is essential. Too often, it determines whether insider access is granted or denied, favors are given or withheld, and payoffs are made or received. But Chicago clout, as we know it today, is even more potent than that—it’s the absolute currency of a social, cultural, and political order that is self-reinforcing and self-dealing. Or, at least, it was.
 
In Clout City, award-winning historian Dominic A. Pacyga reveals how cultural, ethnic, and religious forces created this distinctive system—and ultimately led to its collapse. Tracing clout’s origins in the Irish Catholic–dominated working-class neighborhood of Bridgeport, shaped by De La Salle Institute and home to the legendary Daley family, Pacyga shows how communal ties can be a force for good and also the deepest wellspring of corruption. He maps Chicago’s unique politics to its remarkable history, from the Great Fire of 1871 through its rise and decline as an industrial center to its emergence as a global city in the early twenty-first century. With deep research and firsthand experience from a lifetime in the city, Pacyga argues that Chicago’s politics is understood best as a mixture of cultural and religious influences and more worldly pursuits, exploring how both Jewish and Catholic communalism played central roles in the creation and sustenance of the Chicago machine.
 
Chicago’s politics today aren’t as defined by its distinctive brand of clout. But they are shaped by clout’s decline and the ghost of the machine. Pacyga’s tour of the city’s multilayered past is an indispensable guide to its present and future.

Around 11,000 years ago, a Paleoindian culture known to us as "Clovis" occupied much of North America. Considered to be among the continent's earliest human inhabitants, the Clovis peoples were probably nomadic hunters and gatherers whose remaining traces include camp sites and caches of goods stored for utilitarian or ritual purposes.

This book offers the first comprehensive study of a little-known aspect of Clovis culture—stone blade technology. Michael Collins introduces the topic with a close look at the nature of blades and the techniques of their manufacture, followed by a discussion of the full spectrum of Clovis lithic technology and how blade production relates to the production of other stone tools. He then provides a full report of the discovery and examination of fourteen blades found in 1988 in the Keven Davis Cache in Navarro County, Texas.

Collins also presents a comparative study of known and presumed Clovis blades from many sites, discusses the Clovis peoples' caching practices, and considers what lithic technology and caching behavior can add to our knowledge of Clovis lifeways. These findings will be important reading for both specialists and amateurs who are piecing together the puzzle of the peopling of the Americas, since the manufacture of blades is a trait that Clovis peoples shared with the Upper Paleolithic peoples in Europe and northern Asia.

This book is about the Americanization of Yugoslav culture and everyday life during the nineteen-sixties. After falling out with the Eastern bloc, Tito turned to the United States for support and inspiration. In the political sphere the distance between the two countries was carefully maintained, yet in the realms of culture and consumption the Yugoslav regime was definitely much more receptive to the American model. For Titoist Yugoslavia this tactic turned out to be beneficial, stabilising the regime internally and providing an image of openness in foreign policy.

Coca-Cola Socialism addresses the link between cultural diplomacy, culture, consumer society and politics. Its main argument is that both culture and everyday life modelled on the American way were a major source of legitimacy for the Yugoslav Communist Party, and a powerful weapon for both USA and Yugoslavia in the Cold War battle for hearts and minds.

Radina Vučetić explores how the Party used American culture in order to promote its own values and what life in this socialist and capitalist hybrid system looked like for ordinary people who lived in a country with communist ideology in a capitalist wrapping. Her book offers a careful reevaluation of the limits of appropriating the American dream and questions both an uncritical celebration of Yugoslavia’s openness and an exaggerated depiction of its authoritarianism.

This book explores Inca use of knotted cords to transmit information and the problem of interpreting artifacts from distant cultures.

A decolonial study of the toys that were produced and collected in Latin America during the Cold War. 

Cold War Toys examines playthings manufactured, promoted, and commercialized in Argentina, Chile, and Uruguay during the second half of the twentieth century. Establishing connections and conversations with toys produced in earlier periods, including nineteenth-century dollhouses and building blocks created in the 1920s by Joaquín Torres-García, it goes on to analyze, among other items, construction sets made in 1970s Chile during Salvador Allende’s Popular Unity government, scale-model household appliances distributed by the Eva Perón Foundation, and more recent figurines such as the Latin American versions of G.I. Joe and Latin Barbie dolls.

The book approaches toys as “dispositifs”—cultural formations that condense the discourses, institutions, architectural forms, scientific statements, and philosophical propositions of Latin America’s Cold War. Drawing on a rich compendium of objects, many inspired by European or US brands, it shows how South American toys incorporated local characters, designs, messages, and materials through a process of creative adaptation, thereby acquiring new identities. These and other original artifacts are examined variously as commodities from a once-flourishing industry, works of art, originators of cultural myths, and training tools for Cold War childhoods. They are also seen as undervalued expressions of children’s material culture, imbued with the collective memory of a turbulent and contested era.

Nicholas J. Schlosser draws on broadcast transcripts, internal memoranda, listener letters, and surveys by the U.S. Information Agency to profile RIAS. Its mission: to undermine the German Democratic Republic with propaganda that, ironically, gained in potency by obeying the rules of objective journalism. Throughout, Schlosser examines the friction inherent in such a contradictory project and propaganda's role in shaping political culture. He also portrays how RIAS's primarily German staff influenced its outlook and how the organization both competed against its rivals in the GDR and pushed communist officials to alter their methods in order to keep listeners.

From the occupation of Berlin through the airlift to the construction of the Berlin Wall, Cold War on the Airwaves offers an absorbing view of how public diplomacy played out at a flashpoint of East-West tension.

Collaborative Archaeology brings together a diverse group of scholars and tribal cultural resource professionals to showcase how Indigenous knowledge is transforming archaeological practice. Edited by Chris Loendorf, this volume features twelve case studies that highlight the power of partnership between Native American communities and archaeologists. These collaborations not only enrich our understanding of the past but also affirm Indigenous cultural continuity. From the establishment of Tribal Historic Preservation Offices to tribally led research initiatives, the book illustrates how Native voices are reshaping the field.
 
This timely collection bridges disciplinary divides between archaeology, history, and traditional knowledge, challenging outdated narratives that separate “prehistory” from living Indigenous communities. Contributors demonstrate how ethical, community-based research can lead to more accurate and respectful interpretations of the past. Collaborative Archaeology is essential reading for scholars, students, and practitioners committed to scientific understanding and cultural preservation.

Contributors
Nicole Armstrong-Best
Skylar Begay
Jennifer Bess
Hannah F. Chavez
Robert B. Ciaccio
Shannon Cowell
William H. Doelle
Karl A. Hoerig
Anabel Galindo
Barnaby V. Lewis
Chris Loendorf
Brian Medchill
Linda Morgan
Laurene G. Montero
Stephen E.  Nash
Eloise Pedro
Glen E. Rice
Teresa Rodrigues
Hoski Schaafsma
Thomas E. Sheridan
Katrina Soke
Lindsey Vogel-Teeter
Anastasia Walhovd
Reylynne Williams
M. Kyle Woodson
Aaron M. Wright

In recent years research into creative labour and cultural work has usually addressed the politics of production in these fields, but the sociotechnical and aesthetic dimensions of collaborative creative work have been somewhat overlooked.

This book aims to address this gap. Through case studies that range from TV showrunning to independent publishing, from the film industry to social media platforms such as Tumblr and Wattpad, this collection develops a critical understanding of the integral role collaboration plays in contemporary media and culture. It draws attention to diverse kinds of creative collaboration afforded via the intermediation of digital platforms and networked publics. It considers how these are incorporated into emergent market paradigms and investigates the complicated forms of subjectivity that develop as a consequence. But it also acknowledges historical continuities, not least in terms of the continued exploitation of ‘support personnel’ and of resulting artistic conflicts but also of alternative models that resist the precarious nature of contemporary cultural work.

Finally, this volume attempts to situate creative collaboration in broader social and economic contexts, where the experience and outcomes of such work have proved more problematic than the rich potential of their promise would lead us to expect.

The Editors: James Graham is Senior Lecturer in the Faculty of Arts and Creative Industries, Middlesex University, London. Alessandro Gandini is Lecturer in Digital Media Management and Innovation in the Department of Digital Humanities, Kings College, London.

The definitive survey of collards, an iconic southern food.

Food is essential to southern culture, and collard greens play a central role in the South’s culinary traditions. A feast to the famished, a reward to the strong, and a comfort to the weary, collards have long been held dear in the food-loving southern heart. In Collards: A Southern Tradition from Seed to Table, Edward H. Davis and John T. Morgan provide this emblematic and beloved vegetable the full-length survey its fascinating and complex history merits.

The book begins with collards’ obscure origins. Like a good detective story, the search for collards’ home country leads the authors both to Europe and West Africa, where they unravel a tale as surprising and complex as that of southern people themselves. Crossing back over the Atlantic, the authors traverse miles of American back roads, from Arkansas to Florida and from Virginia to Louisiana. They vividly recount visits to homes, gardens, grocers, farms, and restaurants where the many varieties of collards are honored, from the familiar green collards to the yellow cabbage collard and rare purple cultivars.

In uncovering the secrets of growing collards, the authors locate prize-winning patches of the plant, interview “seed savers,” and provide useful tips for kitchen gardeners. They also describe how collards made the leap from kitchen garden staple to highly valued commercial crop.

Collards captures the tastes, smells, and prize-winning recipes from the South’s premier collards festivals. They find collards at the homes of farmers, jazz musicians, governors, and steel workers. Kin to cabbage and broccoli but superior to both in nutritional value, collard greens transcend human divisions of black and white, rich and poor, sophisticated and rustic, and urban and rural.

Food trends may come and go, but collards are a tradition that southerners return to again and again. Richly illustrated in color, Collards demonstrates the abiding centrality of this green leafy vegetable to the foodways of the American South. In it, readers will rediscover an old friend.