1787 books match the query 'Literary Collections' and 87 start with c

cover of Comedy: American Style: Jessie Redmon Fauset

Comedy

American Style: Jessie Redmon Fauset

Sherrard-Johnson, Cherene

Rutgers University Press, 2009

Comedy: American Style, Jessie Redmon Fauset's fourth and final novel, recounts the tragic tale of a family's destructionùthe story of a mother who denies her clan its heritage. Originally published in 1933, this intense narrative stands the test of time and continues to raise compelling, disturbing, and still contemporary themes of color prejudice and racial self-hatred. Several of today's bestselling novelists echo subject matter first visited in Fauset's commanding work, which overflows with rich, vivid, and complex characters who explore questions of color, passing, and black identity.

Cherene Sherrard-Johnson's introduction places this literary classic in both the new modernist and transatlantic contexts and will be embraced by those interested in earlytwentieth-century women writers, novels about passing, the Harlem Renaissance, the black/white divide, and diaspora studies. Selected essays and poems penned by Fauset are also included, among them "Yarrow Revisited" and "Oriflamme," which help highlight the full canon of her extraordinary contribution to literature and provide contextual background to the novel.

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cover of Coming After: Essays on Poetry

Coming After

Essays on Poetry

Alice Notley

University of Michigan Press, 2005

Coming After gathers critical pieces by acclaimed poet Alice Notley, author of Mysteries of Small Houses and Disobedience.

Notley explores the work of second-generation New York School poets and their allies: Ted Berrigan, Anne Waldman, Joanne Kyger, Ron Padgett, Lorenzo Thomas, and others. These essays and reviews are among the first to deal with a generation of poets notorious for their refusal to criticize and theorize, assuming the stance that "only the poems matter." The essays are characterized by Notley's strong, compelling voice, which transfixes the reader even in the midst of professional detail. Coming After revives the possibility of the readable book of criticism.
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cover of Coming of Age in New Jersey: College and American Culture

Coming of Age in New Jersey

College and American Culture

Moffatt, Michael

Rutgers University Press, 1989

"With Kinseyesque diligence [Moffatt] catalogues the sexual habits and fantasies of his students. . . . His book vibrates with quirky authenticity." --New York Times Book Review "Useful for understanding the student experience . . . throughout the United States. . . . Beautifully written, carefully researched . . . a classic."--John Thelin, Educational Studies "Michael Moffatt is a multitalented, multidisciplinary scholar . . . who writes without a trace of gobbledygook. He deserves a wide following." --Rupert Wilkinson, Journal of American Studies "One of the most thoughtfully crafted case studies of undergraduate culture . . . ever written . . . a book every professor should read." --Paul J. Baker, Academe Coming of Age is about college as students really know it and--often--love it. To write this remarkable account, Michael Moffatt did what anthropologists usually do in more distant cultures: he lived among the natives. His findings are sometimes disturbing, potentially controversial, but somehow very believable. Coming of Age is a vivid slice of life of what Moffatt saw and heard in the dorms of a typical state university, Rutgers, in the 1980s. It is full of student voices: naive and worldy-wise, vulgar and polite, cynical, humorous, and sometimes even idealistic. But it is also about American culture more generally: individualism, friendship, community, bureaucracy, diversity, race, sex, gender, intellect, work, and play. As an example of an ethnography written about an anthropologist's own culture, this book is an uncommon one. As a new and revealing perspective on the much-studied American college student, it is unique.
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cover of Commentary on Thucydides, Book 3

Commentary on Thucydides, Book 3

Rachel Bruzzone

University of Michigan Press, 2025

Thucydides’ History of the Peloponnesian War is one of the most significant historical and political texts of Ancient Greece, enjoying a broad appeal among the educated general public since at least 1628. The past decade has seen the historian garner significant attention even in the popular press, as scholars and politicians alike have sought to employ the History to analyze current international relations. Despite this popularity, the complexity of Thucydides’ Greek has left the original language surprisingly challenging. 

Commentary on Thucydides, Book 3 remedies this situation by offering detailed linguistic explanations and grammatical clarifications designed to appeal both to seasoned Classicists and to a broader group of non-specialist readers who may still be developing their Greek language skills. Starting with 428 BCE, Book 3 covers a critical period of the Peloponnesian War in which the conflict began to manifest its extraordinary violence and scale. The book contains influential and controversial discussions, including Thucydides’ own analysis of the nature of war and the ways that it teaches “lessons of violence” to individuals and states. Book 3 also features the famous Mytilenean Debate, an argument premised on the thesis that all international relations are, or should be, fundamentally amoral. Educated readers have always looked to Thucydides in turbulent times, and this commentary will open up his text to a wider audience.
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cover of Compulsory Happiness

Compulsory Happiness

Norman Manea

Northwestern University Press, 1994

In cool, precise prose, and with an unerring sense of the absurd, Norman Manea's four novellas create a picture of everyday life in a grotesque police state, expressing terror and hope, fear and solidarity, the humorous triviality of the ordinary, and the painful search for an ideal.
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cover of Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art

Conceptualisms

The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art

Edited by Steve Tomasula

University of Alabama Press, 2022

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators

A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.

Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.

Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.

The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.
 

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cover of Concordance to the Letters of Emily Dickinson

Concordance to the Letters of Emily Dickinson

Cynthia MacKenzie

University Press of Colorado, 2000

This valuable resource for Dickinson scholars is based on the Thomas H. Johnson three-volume edition of the letters (published in 1958 and 1965) as well as the 1998 one-volume paperback edition. The primary importance of the concordance pertains to the poetic quality of the letters themselves. As editor of both the poems and the letters, T.H. Johnson recognizes this link when he writes: "the letters both in style and rhythm begin to take on qualities that are so nearly the quality of her poems as on occasion to leave the reader in doubt where the letter leaves off and the poem begins."

 The similarities between the letters and the poems makes the typical concordance search for the poet's thematically significant words and biographical references particularly relevant. Tracing Dickinson's thoughts through her correspondence complements the ideas within her poetry and thus provides a more comprehensive insight into the poet's personal and artistic development. The concordance will facilitate an understanding of words or concepts that may be obscure in the poetry by itself. Research into Dickinson's problematic style, characterized by gaps, disjunctions, and ellipses, will be greatly enhanced.

 By listing Dickinson's words together with their contexts and frequencies, the concordance provides the scholar with the ability to answer confidently questions of a statistical or stylistic nature. Finally, one of the most important functions of this concordance is to provide scholar, student, and general reader alike with endless opportunities to make exciting and unexpected discoveries by way of browsing.

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cover of Conditions Handsome and Unhandsome: The Constitution of Emersonian Perfectionism:  The Carus Lectures, 1988

Conditions Handsome and Unhandsome

The Constitution of Emersonian Perfectionism: The Carus Lectures, 1988

Stanley Cavell

University of Chicago Press, 1991

In these three lectures, Cavell situates Emerson at an intersection of three crossroads: a place where both philosophy and literature pass; where the two traditions of English and German philosophy shun one another; where the cultures of America and Europe unsettle one another.

"Cavell's 'readings' of Wittgenstein and Heidegger and Emerson and other thinkers surely deepen our understanding of them, but they do much more: they offer a vision of what life can be and what culture can mean. . . . These profound lectures are a wonderful place to make [Cavell's] acquaintance."—Hilary Putnam
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cover of Confessions of a Prosaic Dreamer: Charles Lamb's Art of Autobiography

Confessions of a Prosaic Dreamer

Charles Lamb's Art of Autobiography

Gerald Monsman

Duke University Press, 1984

More than Charles Lamb himself could ever know, the creation of Elia as his personal artistic voice was his way to endure the memories of September 22, 1796, a day of primal horror when his sister Mary in a fit of insanity killed their mother and destroyed the Lamb family. Throughout the rest of his life Lamb was faced with those memories , with deep-seated personal and career disillusionments. Yet through Elia he confronted his inner self to forge the essays that may be considered among the most brilliant and inimitable works in English letters.

Gerald Monsman in this study abandons the customary chronological approach to Lamb's life in favor of a more incisive, open-ended discussion of the Elia essays. By a close textual examination of Lamb's language, he relates the essayist's use of symbol and autobiographical concerns. Monsman contends and demonstrates that "as sharply and as pertinently as any artistic voice, Elia, the most celebrated persona in the nineteenth century, focuses the problems inherent in the modern literary imagination." Elia's "textual identity is a function of the author's actual life, of losses and imperfections artistically utilized and harmonized, employed against themselves to produce the rehabilitating symbol."

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cover of Confronting AIDS through Literature: The Responsibilities of Representation

Confronting AIDS through Literature

The Responsibilities of Representation

Edited by Judith Laurence Pastore

University of Illinois Press, 1993

This anthology offers readers an array of viewpoints on the use of literature to confront AIDS as a social, literary, and medical phenomenon. A substantial annotated bibliography allows readers to pursue other fictional, biographical, poetic, and dramatic works on AIDS, ss well as criticism and analysis of AIDS writing.
 
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cover of Constance Ring

Constance Ring

Amalie Skram

Northwestern University Press, 2002

Initially rejected by the author's scandalized publisher, Constance Ring is now considered a classic of Scandinavian-and world-literature, a passionate condemnation of marriage and moral hypocrisy that has drawn comparisons to Madame Bovary and The Awakening. The story of a naive young woman who sets out to divorce her loving but adulterous husband, Constance Ring is an intimate portrayal of a vibrant woman's refusal to yield to the forces that constrict women's lives in a society that offers them few choices.
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cover of Contar historias: Escritura creativa en el aula

Contar historias

Escritura creativa en el aula

Gabriela Polit Dueñas, Editora

University of Texas Press, 2023

A collection of essays and stories written in Spanish by students for students.

Contar Historias: Escritura creativa en el aula es una colección de ensayos e historias de no ficción escritas por estudiantes de grado y pregrado que tomaron cursos y/o asistieron a talleres de escritura impartidos el Departamento de Español y Portugués en la Universidad de Texas en Austin. El libro es una muestra del trabajo creativo de estudiantes que hablan español en casa pero que nunca escribieron un texto creativo en esta lengua; estudiantes para quienes el español es su segunda, tercera e incluso cuarta lengua, y estudiantes para quienes es su lengua materna. La diversidad de voces y la amplia raigambre cultural, lingüística y geográfica de la que emergen se juntan en este volumen que refleja la multiplicidad de maneras en que el español apela a las nuevas generaciones de estudiantes, no solo en UT sino en todo el país.

Contar historias: Escritura creativa en el aula (Telling Stories: Creative Writing in the Classroom) is a remarkable collection of topical essays and poignant stories written by undergraduate and graduate students who took courses and/or writing workshops offered by the Spanish Creative Writing Initiative in the Department of Spanish and Portuguese at the University of Texas at Austin. The book showcases an abundance of amazingly creative work and includes heritage speakers who have never before written a creative work in Spanish; students for whom Spanish is a second, third, and even fourth language; and native speakers. The diversity of voices from an array of cultural, linguistic, and geographical backgrounds collected in this volume reflects the multiplicity of ways in which Spanish appeals to students, not just at UT, but everywhere.

The stories include—but are not limited to—intimate tales of attending college; personal testimonials on the effects of climate change, experiences navigating the US health system, and accounts of many beautiful memories from childhood. They reveal the moving and diverse ways of communicating in Spanish and are themselves potent arguments for the importance of using creativity, working collaboratively, and telling stories in the classroom.

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cover of Contemporary Afro-Brazilian Short Fiction

Contemporary Afro-Brazilian Short Fiction

Edited by Ana Cláudia Suriani da Silva, Julio Ludemir, and Maria Aparecida Andrade Salgueiro

University College London, 2024

A unique collection of Afro-Brazilian literature from both rising and well-known authors.

Besides Africa, Brazil is the largest Afro-descendant country, however, literature produced by Black Brazilians is predominantly unknown in Brazil and abroad. Contemporary Afro-Brazilian Short Fiction emerges from a collaborative translation project, bringing Afro-Brazilian literature to a global audience demanding Afro-diasporic literature, as well as decolonial practices and content. This unique bilingual compilation of twenty-one short stories includes both established and emerging Afro-Brazilian voices, fostering cross-cultural understanding and affirming the legitimacy of Black Portuguese, pretoguês, as a literary language. The editors each provide introductions that contextualize the works, while also engaging in theoretical debates, shedding light on the role of literary translation in language teaching and the impact of the Literary Festival of the Peripheries in forming a new generation of Black Brazilian writers.
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cover of Contemporary Literature and the State: A special issue of Contemporary Literature 49:4 (Winter 2008)

Contemporary Literature and the State

A special issue of Contemporary Literature 49:4 (Winter 2008)

Matthew Hart

University of Wisconsin Press, 2009

Contemporary Literature and the State challenges the critical opposition between the monolithic state and the individual artist. The volume collects essays on writers as different as Samuel Beckett and Ngozi Adichie and covers historical and geographical contexts from Yorkshire to Singapore, San Francisco to Cape Town. Featuring new and established critical voices, Contemporary Literature and the State is an important new contribution to debates about the politics of literature, coming at a time when state power appears both more arbitrary and more necessary than ever.
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cover of Contemporary Short Stories from Central America

Contemporary Short Stories from Central America

Edited by Enrique Jaramillo Levi and Leland H. Chambers

University of Texas Press, 1993

This volume collects some of the best short fiction from the six Spanish-speaking countries of Central America—Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama. Selected from stories written between 1963 and 1988, it is a broad representation of active Central American writers.

Many of the stories are quite sophisticated and utilize elements of the absurd or techniques of magical realism. Some stories deal with war—the unending struggle against dictators and military power that engrosses Central Americans. Others explore the realm of the writer's imagination. Some of the writers included are Augusto Monterroso (Guatemala), Carmen Naranjo and Samuel Rovinski (Costa Rica), Rosa María Britton and Jaime García Saucedo (Panama), and Alfonso Quijada Urías (El Salvador).

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cover of Convent Paradise

Convent Paradise

Arcangela Tarabotti

Iter Press, 2020

The radical Venetian writer Arcangela Tarabotti (1604–1652), compelled against her will to become a nun, is well known for her scathing attacks on patriarchal institutions for forcing women into convents. Convent Paradise (1643), Tarabotti’s first published work, instead invites the reader into the cloister to experience not only the trials of enclosure, but also its spiritual joys. In stark contrast to her other works, Convent Paradise aims to celebrate the religious culture that colored every aspect of Tarabotti’s experience as a seventeenth-century Venetian and a nun. At the same time, this nuanced exploration of monastic life conveys a markedly feminist spirituality. Tarabotti’s meditative portrait of the convent enriches our understanding of her own life and writing, while also providing a window into a spiritual destiny shared by thousands of early modern women.

The Other Voice in Early Modern Europe - The Toronto Series volume 73
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cover of Conversations with Ilan Stavans

Conversations with Ilan Stavans

Ilan Stavans

University of Arizona Press, 2005

For almost twenty years, Ilan Stavans—described by the Washington Post as "Latin America’s liveliest and boldest critic and most innovative cultural enthusiast"—has interviewed path-breaking intellectuals and artists in a wide range of media. As host of the critically acclaimed PBS series La Plaza, he interviews guests on pressing issues that affect the Western Hemisphere today, asking hard-hitting questions on immigration, religion, bilingualism, race, and democracy. This book collects for the first time in one volume Stavans’s most provocative and enlightening interviews with Hispanics from both sides of the Rio Grande.

Spontaneous and surprising, these conversations reflect Latino life in the United States in all its facets. Among the more than two dozen selections, Edward James Olmos talks about Hispanics in Hollywood; John Leguizamo describes how he shapes a stage show; author Richard Rodriguez reflects on his gang background; Esmeralda Santiago takes on the Puerto Rican stereotype; and Piri Thomas shares thoughts on the writing of Down These Mean Streets. "A conversation is a tango," writes Stavans, "for it takes two to dance it." Conversations with Ilan Stavans invites readers to catch the rhythm and enjoy these unique meetings of minds.
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cover of Conversations, Volume 1

Conversations, Volume 1

Jorge Luis Borges and Osvaldo Ferrari

Seagull Books, 2014

Buddhism, love, Henry James, and the tango are just a few of the topics Jorge Luis Borges, Argentina’s master writer, and extraordinary conversationalist, discusses in the first volume of the remarkable new series, Conversations. The eighty-four-year-old blind man’s wit is unending and results in lively and insightful discussions that configure a loose autobiography of a subtle, teasing mind. Borges’s favorite concepts, such as time and dreaming, are touched upon, but these dialogues are not a true memoir, they are unrestricted conversations about life at present. 

The Argentine short-story writer, essayist, poet and translator, contributed immensely to twentieth-century literature, and more specifically to the genres of magical realism and fantasy. As he progressively lost his sight—he became completely blind by the age of fifty-five—the darkness behind his eyelids held enchanting imagery that translated into rich symbolism in his work.  The inner workings of his curious mind are seen vividly in his conversations with Ferrari, and there’s not a subject on which he doesn’t cast surprising new light. As in his tale “The Other,” where two Borgeses meet up on a bench beside the River Charles, this is a dialogue between a young poet and the elder teller of tales where all experience floats in a miracle that defies linear time.
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cover of Coordinates: Placing Science Fiction and Fantasy

Coordinates

Placing Science Fiction and Fantasy

George E Slusser

Southern Illinois University Press, 1983

These thirteen original essays were written specifically for the Third J. Lloyd Eaton Conference on Science Fiction and Fantasy Literature, held February 21–22, 1981, at the University of California, Riverside.

Leslie Fiedler sets the tone of this volume by fixing a basic set of coordinates—that of “elitist” and “popular” standards.

Those replying to his charge are: Eric S. Rabkin, Professor of English at the Univer­sity of Michigan and author of The Fantasticin Literature, “The Descent of Fantasy”; Gerald Prince, Professor of French at the University of Pennsylvania, “How New is New?”; Mark Rose, Professor of English at the University of California at Santa Barbara, author of Alien Encounters, “Jules Verne: Journey to the Cen­ter of Science Fiction”; Joseph Lenz, who teaches English Literature at the University of Michigan, “Manifest Destiny: Science Fic­tion Epic and Classical Forms”; Michelle Massé, of the English Department at the George Mason University, “‘All you have to do is know what you want’: Individual Ex­pectations in Triton”;Gary K. Wolfe, who teaches English at Roosevelt University, au­thor of The Known and the Unknown, “Autoplastic and Alloplastic Adaptations in Science Fiction: ‘Waldo’ and ‘Desertion’”; Robert Hunt, an editor with Glencoe Press, “Sci­ence Fiction for the Age of Inflation: Reading Atlas Shrugged in the 1980s”; George R. Guffey, Professor of English at UCLA, “Fahr­enheit 451and the ‘Cubby-Hole Editors’ of Ballantine Books”; H. Bruce Franklin, Pro­fessor of English and American Literature at Rutgers University at Newark, “America as Science Fiction: 1939”; Sandra M. Gilbert, Professor of English at the University of Cal­ifornia at Davis, and coauthor with Susan Gubar of Madwoman in the Attic, “Rider Hag­gard’s Heart of Darkness”; the aforemen­tioned Susan Gubar, Professor of English at Indiana University, “She in Her/and: Femi­nism as Fantasy”; and George R. Slusser, Cu­rator of the Eaton Collection, “Death and the Mirror: Existential Fantasy.”

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cover of Correspondence

Correspondence

Paul Celan and Ingeborg Bachmann

Seagull Books, 2019

Paul Celan (1920–70) is one of the best-known German poets of the Holocaust; many of his poems, admired for their spare, precise diction, deal directly with its stark themes. Austrian writer Ingeborg Bachmann (1926–73) is recognized as one of post–World War II German literature’s most important novelists, poets, and playwrights. It seems only appropriate that these two contemporaries and masters of language were at one time lovers, and they shared a lengthy, artful, and passionate correspondence.

            Collected here for the first time in English are their letters written between 1948 and 1961. Their correspondence forms a moving testimony of the discourse of love in the age after Auschwitz, with all the symptomatic disturbances and crises caused by their  conflicting backgrounds and their hard-to-reconcile designs for living—as a woman, as a man, as writers. In addition to the almost 200 letters, the volume includes an important exchange between Bachmann and Gisèle Celan-Lestrange, who married Celan in 1951, as well as the letters between Paul Celan and Swiss writer Max Frisch.

“Scarcely more breathlessly and desperately can two lovers ever have struggled for words. Little known among German literary historians, the relationship between these two poets amounts to one of the most dramatic and momentous occurrences in German literature.”—FAZ, on the German edition

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cover of Correspondence of Jeremy Bentham Volume 5: January 1794 to December 1797

Correspondence of Jeremy Bentham Volume 5

January 1794 to December 1797

Jeremy Bentham, edited by Alexander Taylor Milne, and series edited by J.H. Burns

University College London, 2017

The first five volumes of the Correspondence of Jeremy Bentham contain more than 1,300 letters written to and from Bentham over fifty years, beginning in 1752 at the age of three and ending in 1797 with correspondence concerning his attempts to set up a national plan for the provision of poor relief. The letters in Volume 1 (1752-1776) document his difficult relationship with his father—Bentham lost five infant siblings and his mother—and his increasing attachment to his surviving brother, Samuel. We also see an early glimpse of Bentham’s education, as he committed himself to philosophy and legal reform. The exchanges in Volume 2 (1777-1780) cover a major event: a trip by Samuel to Russia. This volume also reveals Bentham working intensively on the development of a code of penal law, enhancing his reputation as a legal thinker. Volume 3 (1781-1788) shows that despite developing a host of original ideas, Bentham actually published little during this time. Nevertheless, this volume also reveals how the foundations were being laid for the rise of Benthamite utilitarianism. The letters in Volume 4 (1788-1793) coincide with the publication of An Introduction to the Principles of Morals and Legislation, which had little impact at the time. In 1791 he published The Panopticon: or, The Inspection-House, which he proposed the building of a circular penitentiary house. Bentham’s letters unfold against the backdrop of the French Revolution and show that his initial sympathy for France began to turn into hostility. Bentham’s life during the years in Volume 5 (1794-1797) was dominated by the panopticon, both as a prison and as an indigent workhouse. The letters in this volume document in great detail Bentham’s attempt to build a panopticon prison in London, and the opposition he faced from local aristocratic landowners. 
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cover of Correspondence of Jeremy Bentham, Volume 13: July 1828 to June 1832

Correspondence of Jeremy Bentham, Volume 13

July 1828 to June 1832

Edited by Philip Schofield, Tim Causer, and Chris Riley

University College London, 2024

A comprehensive collection of letters exchanged by Bentham with notable figures worldwide from 1828 until his death in 1832.

The Correspondence of Jeremy Bentham, Volume 13 contains authoritative and fully annotated texts of all known and publishable letters sent both to and from Bentham between 1st July 1828 and his death on 6th June 1832. In addition to 474 letters, the volume contains three memorandums concerning Bentham’s health shortly before his death, his last will and testament, and extracts from both the autobiography and the manuscript diaries of Bentham’s nephew George. Among the letters that have already been published, most are drawn from the edition of The Works of Jeremy Bentham, prepared under the superintendence of Bentham’s literary executor John Bowring. A small number of letters have been reproduced from newspapers and periodicals.

This volume publishes, for the first time, the entire extant correspondence between Bentham and Daniel O’Connell, the Irish Liberator. Other new acquaintances include the barrister and law reformer, Charles Sinclair Cullen, and the Real Property Commissioner, John Tyrrell. Throughout the period, Bentham maintained regular contact with old friends and connections, but he also engaged in sporadic correspondence with such leading figures in government as the Duke of Wellington, Robert Peel, and Henry Brougham. Further afield, Bentham corresponded, amongst others, with the Marquis de La Fayette in France, Edward Livingston in the United States of America, and José Del Valle in Guatemala.
 
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cover of Correspondence of Jeremy Bentham, Volume 1: 1752 to 1776

Correspondence of Jeremy Bentham, Volume 1

1752 to 1776

Jeremy Bentham, edited by Timothy L. S. Sprigge, and series edited by J.H. Burns

University College London, 2017

The first five volumes of the Correspondence of Jeremy Bentham contain more than 1,300 letters written to and from Bentham over fifty years, beginning in 1752 at the age of three and ending in 1797 with correspondence concerning his attempts to set up a national plan for the provision of poor relief. The letters in Volume 1 (1752-1776) document his difficult relationship with his father—Bentham lost five infant siblings and his mother—and his increasing attachment to his surviving brother, Samuel. We also see an early glimpse of Bentham’s education, as he committed himself to philosophy and legal reform. The exchanges in Volume 2 (1777-1780) cover a major event: a trip by Samuel to Russia. This volume also reveals Bentham working intensively on the development of a code of penal law, enhancing his reputation as a legal thinker. Volume 3 (1781-1788) shows that despite developing a host of original ideas, Bentham actually published little during this time. Nevertheless, this volume also reveals how the foundations were being laid for the rise of Benthamite utilitarianism. The letters in Volume 4 (1788-1793) coincide with the publication of An Introduction to the Principles of Morals and Legislation, which had little impact at the time. In 1791 he published The Panopticon: or, The Inspection-House, which he proposed the building of a circular penitentiary house. Bentham’s letters unfold against the backdrop of the French Revolution and show that his initial sympathy for France began to turn into hostility. Bentham’s life during the years in Volume 5 (1794-1797) was dominated by the panopticon, both as a prison and as an indigent workhouse. The letters in this volume document in great detail Bentham’s attempt to build a panopticon prison in London, and the opposition he faced from local aristocratic landowners. 
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cover of Correspondence of Jeremy Bentham, Volume 2: 1777 to 1780

Correspondence of Jeremy Bentham, Volume 2

1777 to 1780

Jeremy Bentham, edited by Timothy L. S. Sprigge, and series edited by J.H. Burns

University College London, 2017

The first five volumes of the Correspondence of Jeremy Bentham contain more than 1,300 letters written to and from Bentham over fifty years, beginning in 1752 at the age of three and ending in 1797 with correspondence concerning his attempts to set up a national plan for the provision of poor relief. The letters in Volume 1 (1752-1776) document his difficult relationship with his father—Bentham lost five infant siblings and his mother—and his increasing attachment to his surviving brother, Samuel. We also see an early glimpse of Bentham’s education, as he committed himself to philosophy and legal reform. The exchanges in Volume 2 (1777-1780) cover a major event: a trip by Samuel to Russia. This volume also reveals Bentham working intensively on the development of a code of penal law, enhancing his reputation as a legal thinker. Volume 3 (1781-1788) shows that despite developing a host of original ideas, Bentham actually published little during this time. Nevertheless, this volume also reveals how the foundations were being laid for the rise of Benthamite utilitarianism. The letters in Volume 4 (1788-1793) coincide with the publication of An Introduction to the Principles of Morals and Legislation, which had little impact at the time. In 1791 he published The Panopticon: or, The Inspection-House, which he proposed the building of a circular penitentiary house. Bentham’s letters unfold against the backdrop of the French Revolution and show that his initial sympathy for France began to turn into hostility. Bentham’s life during the years in Volume 5 (1794-1797) was dominated by the panopticon, both as a prison and as an indigent workhouse. The letters in this volume document in great detail Bentham’s attempt to build a panopticon prison in London, and the opposition he faced from local aristocratic landowners. 
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cover of Correspondence of Jeremy Bentham, Volume 3: January 1781 to October 1788

Correspondence of Jeremy Bentham, Volume 3

January 1781 to October 1788

Jeremy Bentham, edited by Ian R. Christie, and series edited by J.H. Burns

University College London, 2017

The first five volumes of the Correspondence of Jeremy Bentham contain more than 1,300 letters written to and from Bentham over fifty years, beginning in 1752 at the age of three and ending in 1797 with correspondence concerning his attempts to set up a national plan for the provision of poor relief. The letters in Volume 1 (1752-1776) document his difficult relationship with his father—Bentham lost five infant siblings and his mother—and his increasing attachment to his surviving brother, Samuel. We also see an early glimpse of Bentham’s education, as he committed himself to philosophy and legal reform. The exchanges in Volume 2 (1777-1780) cover a major event: a trip by Samuel to Russia. This volume also reveals Bentham working intensively on the development of a code of penal law, enhancing his reputation as a legal thinker. Volume 3 (1781-1788) shows that despite developing a host of original ideas, Bentham actually published little during this time. Nevertheless, this volume also reveals how the foundations were being laid for the rise of Benthamite utilitarianism. The letters in Volume 4 (1788-1793) coincide with the publication of An Introduction to the Principles of Morals and Legislation, which had little impact at the time. In 1791 he published The Panopticon: or, The Inspection-House, which he proposed the building of a circular penitentiary house. Bentham’s letters unfold against the backdrop of the French Revolution and show that his initial sympathy for France began to turn into hostility. Bentham’s life during the years in Volume 5 (1794-1797) was dominated by the panopticon, both as a prison and as an indigent workhouse. The letters in this volume document in great detail Bentham’s attempt to build a panopticon prison in London, and the opposition he faced from local aristocratic landowners. 
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cover of Correspondence of Jeremy Bentham, Volume 4: October 1788 to December 1793

Correspondence of Jeremy Bentham, Volume 4

October 1788 to December 1793

Jeremy Bentham, edited by Alexander Taylor Milne, and general editor John R. Dinwiddy

University College London, 2017

The first five volumes of the Correspondence of Jeremy Bentham contain more than 1,300 letters written to and from Bentham over fifty years, beginning in 1752 at the age of three and ending in 1797 with correspondence concerning his attempts to set up a national plan for the provision of poor relief. The letters in Volume 1 (1752-1776) document his difficult relationship with his father—Bentham lost five infant siblings and his mother—and his increasing attachment to his surviving brother, Samuel. We also see an early glimpse of Bentham’s education, as he committed himself to philosophy and legal reform. The exchanges in Volume 2 (1777-1780) cover a major event: a trip by Samuel to Russia. This volume also reveals Bentham working intensively on the development of a code of penal law, enhancing his reputation as a legal thinker. Volume 3 (1781-1788) shows that despite developing a host of original ideas, Bentham actually published little during this time. Nevertheless, this volume also reveals how the foundations were being laid for the rise of Benthamite utilitarianism. The letters in Volume 4 (1788-1793) coincide with the publication of An Introduction to the Principles of Morals and Legislation, which had little impact at the time. In 1791 he published The Panopticon: or, The Inspection-House, in which he proposed the building of a circular penitentiary house. Bentham’s letters unfold against the backdrop of the French Revolution and show that his initial sympathy for France began to turn into hostility. Bentham’s life during the years in Volume 5 (1794-1797) was dominated by the panopticon, both as a prison and as an indigent workhouse. The letters in this volume document in great detail Bentham’s attempt to build a panopticon prison in London, and the opposition he faced from local aristocratic landowners. 
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cover of Coyotes and Culture: Essays from Old Malibu

Coyotes and Culture

Essays from Old Malibu

Claire McEachern

University of Nevada Press, 2025

What do coyotes have to do with culture?

This unique collection of essays offers a gripping exploration of the precarious beauty and peril of California’s iconic coastline. Through essays blending personal narrative, cultural analysis, and history, author Claire McEachern takes us behind the scenes of surf and celebrities to paint a vivid portrait of life on the edge —both literally and metaphorically. From the rugged Santa Monica Mountains to the shimmering Pacific, this work captures the paradoxes of Old Malibu: a place of luxury and risk, natural splendor and ecological vulnerability.

As an East Coast academic married to a fifth-generation Californian cowboy, McEachern brings a wry yet tender lens to the modern American story, delving into what happens to love and community in a land of both devastating wildfires and extravagant wildflowers. Her reflections weave together questions of beauty, resilience, and humanity’s uneasy relationship with nature, creating an unforgettable narrative of place and survival. Readers drawn to the drama of human stories set against larger cultural and environmental forces will find this book both thought-provoking and deeply moving.
 
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cover of Creature Needs: Writers Respond to the Science of Animal Conservation

Creature Needs

Writers Respond to the Science of Animal Conservation

Christopher Kondrich

University of Minnesota Press, 2024

A kaleidoscopic literary exploration of extinction and conservation, inspired by the latest scientific research

Creature Needs is a polyvocal call to arms about animal extinction and habitat loss that harnesses the power of literature and scientific research to move us, and stir our hearts and minds, toward action and change. A collection of new literary works by prominent writers paired with excerpts from recent scientific articles that inspired and informed them, this innovative anthology engages the collaborative, cross-disciplinary spirit and energy that is necessary to address the impact of humans on all other animals on our planet.

Divided into six sections representing the basic needs for survival—air, food, water, shelter, room to move, and each other—the stories and poems in Creature Needs vividly portray how these essential conditions are under assault through climate change, habitat loss, plastic and industrial pollution, and human intervention in natural landscapes. As the dominant species on Earth, humans not only control access to survival resources but we also overconsume and harm them. Rather than surrender to despair, the writers here believe that we have the power, if we choose, to change course and protect these resources.

A collaboration with the nonprofit organization Creature Conserve, Creature Needs is a path-setting fusion of literary art and scientific research that deepens our understanding of the interdependence between life and habitat, illuminating the stark choices we face to conserve resources and ensure that the basic needs of all species are met.

Contributors: Kazim Ali, Mary-Kim Arnold, Ramona Ausubel, David Baker, Charles Baxter, Aimee Bender, Kimberly Blaeser, Oni Buchanan, Tina Cane, Ching-In Chen, Mónica de la Torre, Tongo Eisen-Martin, Thalia Field, Ben Goldfarb, Annie Hartnett, Sean Hill, Hester Kaplan, Donika Kelly, Robin McLean, Miranda Mellis, Rajiv Mohabir, Kyoko Mori, David Naimon, Craig Santos Perez, Beth Piatote, Rena Priest, Alberto Ríos, Eléna Rivera, Sofia Samatar, Sharma Shields, Eleni Sikelianos, Maggie Smith, Juliana Spahr, Tim Sutton, Jodie Noel Vinson, Asiya Wadud, Claire Wahmanholm, Marco Wilkinson, Jane Wong.

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cover of Crete and James: Personal Letters of Lucretia and James Garfield

Crete and James

Personal Letters of Lucretia and James Garfield

John Shaw

Michigan State University Press, 1994

Crete and James is a collection of letters exchanged by James A. Garfield and Lucretia Randolph Garfield during the mid-nineteenth century. Of the 1,200 or so letters written, the 300 included this work chronicle their courtship and marriage, and also discuss the Civil War, political affairs, and the details of daily life during the years 1853-1881. In them, we watch Crete grow from a shy girl into a self-confident woman who guides her husband in social and political matters. Through James’s flamboyant yet scholarly style, and Lucretia’s detailed, perceptive insights, we come to know them as though they were our close friends. Through their correspondence, the reader also meets the many people involved in their lives. Crete and James will be of great interest to those studying women’s history.

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cover of Crime Uncovered: Detective

Crime Uncovered

Detective

Edited by Barry Forshaw

Intellect Books, 2015

For most of the twentieth century, the private eye dominated crime fiction and film, a lone figure fighting for justice, often in opposition to the official representatives of law and order. More recently, however, the police have begun to take center stage—as exemplified by the runaway success of TV police procedurals like Law and Order. In Crime Uncovered: Detective, Barry Forshaw offers an exploration of some of the most influential and popular fictional police detectives in the history of the genre.

Taking readers into the worlds of such beloved authors as P. D. James, Henning Mankell, Jo Nesbø, Ian Rankin, and Håkan Nesser, this book zeroes in on the characteristics that define the iconic characters they created, discussing how they relate to their national and social settings, questions of class, and to the criminals they relentlessly pursue. Showing how the role of the authority figure has changed—and how each of these writers creates characters who work both within and against the strictures of official investigations—the book shows how creators cleverly subvert expectations of both police procedure and the crime genre itself.

Written by a leading expert in the field and drawn from interviews with the featured authors, Crime Uncovered: Detectivewill thrill the countless fans of Inspector Rebus, Harry Hole, Adam Dalgliesh, and the other enduring police detectives who define the genre.
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cover of Crip Authority: Disability and the Art of Consolation  in the Renaissance

Crip Authority

Disability and the Art of Consolation in the Renaissance

Elizabeth B. Bearden

University of Michigan Press, 2025

Crip Authority explores how Renaissance writers and artists with disabilities drew on consolatory literature to enhance their authority and create a sense of disability community across the centuries. Elizabeth B. Bearden considers how Renaissance writers and artists understood their lived experiences of disability by drawing on the ancient genre of consolation, which aims to comfort people for a variety of hardships, including mental and physical disability. Renaissance writers used the art of consolation to resignify the mental and physical disabilities that their society frequently scorned into an expression of their military, spiritual, political, and most importantly for this study, writerly authority. Bearden names this kind of defiant authorial self-representation crip authority, thereby transgressively cripping our society’s ableist notions of who has the ability and authority to write.  

Disabled authors include Francesco Petrarca, Teresa de Cartagena, Giovani Paolo Lomazzo, Miguel de Cervantes Saavedra, Robert Burton, and John Milton. They all explore their experiences of disability, but their work has rarely or never been considered from a disability studies perspective. Bearden thus brings today’s models of disability studies and crip theory together with early modern articulations of disability based on ancient and Renaissance models of military, political, biblical, and literary authority. In sum, Crip Authority makes a significant contribution to the growing field of early modern disability studies and invites us to rethink the extent of crip history and the endurance of disability gain.
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cover of Critical Essays

Critical Essays

Roland Barthes

Northwestern University Press, 1972

The essays in this volume were written during the years that its author's first four books were published in France. They chart the course of Barthe's criticism from the vocabularies of existentialism and Marxism (reflections on the social situation of literature and writer's responsibility before History) to a psychoanalysis of substances (after Bachelard) and a psychoanalytical anthropology (which evidently brought Barthes to his present terms of understanding with Levi-Strauss and Lacan).
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cover of Critical Passions: Selected Essays

Critical Passions

Selected Essays

Jean Franco

Duke University Press, 1999

Jean Franco’s work as a pathbreaking theorist, cultural critic, and scholar has helped to define Latin American studies over the last three decades. In the process, Franco has played a crucial role in developing cultural studies in both the English- and Spanish-speaking worlds. Critical Passions is the first volume to gather a wide-ranging selection of Franco’s influential essays.
A key participant in the major debates in Latin American studies—beginning with the “boom” period of the 1960s and continuing through debates on ideology and discourse, Marxism, mass culture, and postmodernism—Franco is recognized for her feminist critique of Latin American writing. While her principal books are all readily available, Franco’s several dozen articles are dispersed in a variety of periodicals in Latin America, Europe, and the United States. Although many of these essays are considered pioneering and classic, they have never before been collected in a single work. In this volume, Mary Louise Pratt and Kathleen Newman have organized the essays into four interrelated sections: feminism and the critique of authoritarianism, mass and popular culture, Latin American literature from the “boom” onward, and the cultural history of Mexico. As a group, these writings demonstrate Franco’s ability to reflect on and judge with equal seriousness all spheres of expression, whether subway graffiti, a fashion manual, or an avant-garde haiku. A bona fide fan of popular and mass media, Franco never allows her critiques to dissolve into the puritanical or reductive; instead, she finds ways to present and debate complex theoretical questions in direct and accessible language.
This volume will draw an extensive readership in Latin American, cultural, and women’s studies.
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cover of Crossing the River: Short Fiction by Nguyen Huy Thiep

Crossing the River

Short Fiction by Nguyen Huy Thiep

Nguyen Huy Thiep

Northwestern University Press, 2002

Crossing the River presents a wide range of Nguyen Huy Thiep's short fiction, both realistic stories in contemporary settings and retellings of folk myths that serve as contemporary parables. When Thiep's stories first appeared in the 1980s, they set off a chain of debate, not only within intellectual and political circles, but also within the society at large. Typically, the struggles of his characters were about survival, not survival in the context of war or revolution, but survival in the context of the emotional and psychological strength it takes to live within the harsh confines of post-war Vietnamese society. Thiep captured the emotional quality of Vietnamese life in a way no other author had done, and his importance can be recognized today by his enormous influence on younger writers.

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cover of Crossing with the Virgin: Stories from the Migrant Trail

Crossing with the Virgin

Stories from the Migrant Trail

Kathryn Ferguson, Norma A. Price, and Ted Parks

University of Arizona Press, 2010

Over the past ten years, more than 4,000 people have died while crossing the Arizona desert to find jobs, join families, or start new lives. Other migrants tell of the corpses they pass—bodies that are never recovered or counted.

Crossing With the Virgin collects stories heard from migrants about these treacherous treks—firsthand accounts told to volunteers for the Samaritans, a humanitarian group that seeks to prevent such unnecessary deaths by providing these travelers with medical aid, water, and food. Other books have dealt with border crossing; this is the first to share stories of immigrant suffering at its worst told by migrants encountered on desert trails.

The Samaritans write about their encounters to show what takes place on a daily basis along the border: confrontations with Border Patrol agents at checkpoints reminiscent of wartime; children who die in their parents’ desperate bid to reunite families; migrants terrorized by bandits; and hovering ghost-like above nearly every crossing, the ever-present threat of death.

These thirty-nine stories are about the migrants, but they also tell how each individual author became involved with this work. As such, they offer not only a window into the migrants’ plight but also a look at the challenges faced by volunteers in sometimes compromising situations—and at their own humanizing process.

Crossing With the Virgin raises important questions about underlying assumptions and basic operations of border enforcement, helping readers see past political positions to view migrants as human beings. It will touch your heart as surely as it reassures you that there are people who still care about their fellow man.
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cover of Cruel Destiny and The White Negress: Two Novels by Cléante Desgraves Valcin

Cruel Destiny and The White Negress

Two Novels by Cléante Desgraves Valcin

Adam Nemmers

Rutgers University Press, 2024

Cléante Desgraves Valcin (1891-1956) was a poet, writer, and feminist—most prominently Haiti’s first published female novelist, who employed her sentimental fiction to explore matters of race, gender, nationalism, and sovereignty. A contemporary of Harlem Renaissance writers such as Nella Larsen and Zora Neale Hurston, Valcin emerged as an influential writer and political figure among the Black Atlantic diaspora.  Now, for the first time, her two acclaimed novels are available in English translation. 
 
Cruel Destiny (1929) tells the tragic love story of Armand and Adeline, drawn together by a magnetic attraction, yet kept apart by a dark family secret. Depicting the heavy expectations placed upon women in Haiti’s elite society, it also explores the troubled and twisted relationships between the Haitians and their former colonial masters, the French. 
 
In The White Negress (1934), a Frenchwoman moves to Haiti and is torn between two very different men, a Black Haitian lawyer, and a white American carpetbagger. Putting a fresh spin on the tired tragic mulatta trope, Valcin reveals the racial prejudices, class tensions, and anti-colonial resentments of an island under American occupation. 
 
Together, these two novels expand our understanding of Caribbean literature, as well as the political struggles and artistic triumphs of Black women in the Americas. 

 
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cover of Curiouser and Curiouser: Essays

Curiouser and Curiouser

Essays

Nicholas Delbanco

The Ohio State University Press, 2017

A miscellany of sorts, preeminent author and critic Nicholas Delbanco’s Curiouser and Curiouser attests to a lifelong interest in music and the visual arts as well as both “mere” and “sheer” literature. With essays ranging from the restoration of his father-in-law’s famed Stradivarius cello—known throughout the world as “The Countess of Stanlein”—to a reimagining of H. A. and Margaret Rey’s lives and the creation of their most beloved character, Curious George, Delbanco examines what it means to live and love with the arts.
 
 
Whether exploring the history of personal viewing in the business of museum-going, musing on the process of rewriting one’s earliest published work, or looking back on the twists and turns of a life that spans the greater part of the twentieth century and into the twenty-first, Delbanco’s Curiouser and Curiouser invites adventurous readers to follow him down the rabbit hole as he reflects on life as a student, an observer, a writer, a lover, a father, a teacher, and most importantly, a participant in the everyday experiences of human life.
 
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