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527 books match the query 'Feminism & Feminist Theory' and 24 start with d

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D-Passage

Trinh T. Minh-ha

Duke University Press, 2013

D-Passage is a unique book by the world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha. Taking as grounding forces her feature film Night Passage and installation L'Autre marche (The Other Walk), both co-created with Jean-Paul Bourdier, she discusses the impact of new technology on cinema culture and explores its effects on creative practice. Less a medium than a "way," the digital is here featured in its mobile, transformative passages. Trinh's reflections shed light on several of her major themes: temporality; transitions; transcultural encounters; ways of seeing and knowing; and the implications of the media used, the artistic practices engaged in, and the representations created. In D-Passage, form and structure, rhythm and movement, and language and imagery are inseparable. The book integrates essays, artistic statements, in-depth conversations, the script of Night Passage, movie stills, photos, and sketches.

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Dancing the Politics of Pleasure at the New Orleans Second Line

Rachel Carrico

University of Illinois Press, 2024

On many Sundays, Black New Orleanians dance through city streets in Second Lines. These processions invite would-be spectators to join in, grooving to an ambulatory brass band for several hours. Though an increasingly popular attraction for tourists, parading provides the second liners themselves with a potent public expression of Black resistance.

Rachel Carrico examines the parading bodies in motion as a form of negotiating and understanding power. Seeing pleasure as a bodily experience, Carrico reveals how second liners’ moves link joy and liberation, self and communal identities, play and dissent, and reclamations of place. As she shows, dancers’ choices allow them to access the pleasure of reclaiming self and city through motion and rhythm while expanding a sense of the possible in the present and for the future.

In-depth and empathetic, Dancing the Politics of Pleasure at the New Orleans Second Line blends analysis with a chorus of Black voices to reveal an indelible facet of Black culture in the Crescent City.

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Daring To Be Bad

Radical Feminism in America 1967-1975

Alice Echols

University of Minnesota Press, 1989

Combines intellectual and social history with collective biography to present the first historical study of the radical feminist movement in America. "A fine introduction to the bold, contentious, complicated women who categorically refused to be good little girls, and thereby changed the way our culture defines male-female relations." --Voice Literary Supplement "Daring to Be Bad offers the kind of critical attention that contemporary feminism has lacked." --The Nation "Far beyond mere nostalgic value, the enduring worth of Echols' book is as a resource, not only for the future women's studies courses, but for all who want to understand contemporary feminism. The book supplies essential background that explains the splits which persist in the feminist movement today. Cheers to Daring to Be Bad." --New Directions for Women "Daring to Be Bad is a welcome addition to feminist bookshelves. It breaks new ground, making creative use of extensive interviews and early feminist publications to recreate the environment that elicited and shaped radical feminism." --Sojourner "Daring to Be Bad is like a long consciousness-raising session: It prods, validates, and witnesses. Echols offers an oral history that is also an homage. We're given the benefit of a clear and honest eye cast over two decades' span of women working on that most influential social struggle toward liberation." --Village Voice "Daring to Be Bad is a valuable book that grapples with the diversity inherent within the women's movement while maintaining a critical stance throughout." --American Journal of Sociology "This fine and sympathetic interpretation of the origin and evolution of radical feminism will give students of women's history a glimpse of the passion of those hours and help explain why a new order did not emerge from them." American Historical Review "As the first major scholarly work on the history of the U.S. feminist movement, Daring to Be Bad makes an important contribution to the history of the politics of contemporary American feminism, providing a richly detailed history of that wing of the women's movement . . . ." --The Annals of the American Academy "Echols gives a rich, detailed history of radical feminism's heyday from 1967 to 1971 and offers the type of critical interpretation of the women's liberation movement that contemporary feminism has lacked." --Socialist Review "Daring to Be Bad is path-breakingbased on abundant and painstaking interviewing, as well as the tracking down and assembling of the ephemera of short-lived committees, cells, and association. Echols's writing is lucid, detailed, and extremely responsible." --American Quarterly Named an Outstanding Book on Intolerance in the U. S. by the Gustavus Myers Center

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Dark Continents

Psychoanalysis and Colonialism

Ranjana Khanna

Duke University Press, 2003

Sigmund Freud infamously referred to women's sexuality as a “dark continent” for psychoanalysis, drawing on colonial explorer Henry Morton Stanley’s use of the same phrase to refer to Africa. While the problematic universalism of psychoanalysis led theorists to reject its relevance for postcolonial critique, Ranjana Khanna boldly shows how
bringing psychoanalysis, colonialism, and women together can become the starting point of a postcolonial feminist theory. Psychoanalysis brings to light, Khanna argues, how nation-statehood for the former colonies of Europe institutes the violence of European imperialist history. Far from rejecting psychoanalysis, Dark Continents reveals its importance as a reading practice that makes visible the psychical strife of colonial and
postcolonial modernity. Assessing the merits of various models of nationalism, psychoanalysis, and colonialism, it refashions colonial melancholy as a transnational feminist ethics.

Khanna traces the colonial backgrounds of psychoanalysis from its beginnings in the late nineteenth century up to the present. Illuminating Freud’s debt to the languages of archaeology and anthropology throughout his career, Khanna describes how Freud altered his theories of the ego as his own political status shifted from Habsburg loyalist to Nazi victim. Dark Continents explores how psychoanalytic theory was taken up in Europe and its colonies in the period of decolonization following World War II, focusing on its use by a range of writers including Jean-Paul Sartre, Simone de Beauvoir, Octave Mannoni, Aimé and Suzanne Césaire, René Ménil, Frantz Fanon, Albert Memmi, Wulf Sachs, and Ellen Hellman. Given the multiple gendered and colonial contexts of many of these writings, Khanna argues for the necessity of a postcolonial, feminist critique of
decolonization and postcoloniality.

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Dark Designs and Visual Culture

Michele Wallace

Duke University Press, 2004

Michele Wallace burst into public consciousness with the 1979 publication of Black Macho and the Myth of the Superwoman, a pioneering critique of the misogyny of the Black Power movement and the effects of racism and sexism on black women. Since then, Wallace has produced an extraordinary body of journalism and criticism engaging with popular culture and gender and racial politics. This collection brings together more than fifty of the articles she has written over the past fifteen years. Included alongside many of her best-known pieces are previously unpublished essays as well as interviews conducted with Wallace about her work. Dark Designs and Visual Culture charts the development of a singular, pathbreaking black feminist consciousness.

Beginning with a new introduction in which Wallace reflects on her life and career, this volume includes other autobiographical essays; articles focused on popular culture, the arts, and literary theory; and explorations of issues in black visual culture. Wallace discusses growing up in Harlem; how she dealt with the media attention and criticism she received for Black Macho and the Myth of the Superwoman, which was published when she was just twenty-seven years old; and her relationship with her family, especially her mother, the well-known artist Faith Ringgold. The many articles devoted to black visual culture range from the historical tragedy of the Hottentot Venus, an African woman displayed as a curiosity in nineteenth-century Europe, to films that sexualize the black body—such as Watermelon Woman, Gone with the Wind, and Paris Is Burning. Whether writing about the Anita Hill–Clarence Thomas hearings, rap music, the Million Man March, Toshi Reagon, multiculturalism, Marlon Riggs, or a nativity play in Bedford Stuyvesant, Wallace is a bold, incisive critic. Dark Designs and Visual Culture brings the scope of her career and thought into sharp focus.

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Daughters of Decadence

Women Writers of the Fin de Siecle

Showalter, Elaine

Rutgers University Press, 1993

At the turn of the century, short stories by -- and often about -- "New Women" flooded the pages English and American magazines such as the Atlantic Monthly, Harpers, and the Yellow Book. This daring new fiction, often innovative in form and courageous in its candid representations of female sexuality, marital discontent, and feminist protest, shocked Victorian critics, who denounced the authors as "literary degenerates" or "erotomaniacs." This collection brings together twenty of the most original and important stories from this period. The writers included in this highly readable volume are Kate Chopin, Victoria Cross, George Egerton, Julia Constance Fletcher, Charlotte Perkins Gilman, Sarah Grand, Vernon Lee, Ada Leverson, Charlotte Mew, Olive Schreiner, Edith Wharton, Constance Fenimore Woolson, and Mabel E. Wotton. As Elaine Showalter shows in her introduction, the short fiction of the Fin-de-Siecle is the missing link between the Golden Age of Victorian women writers and the new era of feminist modernism.

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Decentering Epistemologies and Challenging Privilege

Critical Care Ethics Perspectives

Sophie Bourgault

Rutgers University Press, 2024

Care ethics first emerged as an attempt to decenter ethics; feminist scholars like Carol Gilligan argued that women’s moral experiences were not reflected in the dominant, masculinist approaches to ethics, which were centered on a rational, disembodied, atomistic moral subject. Care ethics challenged this model by positing ethics as relational, contextualized, embodied, and realized through practices rather than principles. Over the past decades, many care ethics scholars have sought to further this project by considering care politically and epistemologically, in relation to various intersecting hierarchies of power and knowledge.

This book advances this project by discussing the ways care ethics contributes to the decentering of dominant epistemologies and to the challenging of privilege and by considering how to decenter care ethics itself via an encounter with non-Western philosophical traditions and alternative epistemologies. Written by scholars from different countries, disciplines, and intellectual traditions, the volume offers original care ethics contributions on epistemic injustice, privileged irresponsibility, ecofeminism, settler colonialism, social movements such as BLM, and various racialized and gendered inequities tied to care work.

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Declamation on the Nobility and Preeminence of the Female Sex

Henricus Cornelius Agrippa

University of Chicago Press, 1996

Originally published in 1529, the Declamation on the Preeminence and Nobility of the Female Sex argues that women are more than equal to men in all things that really matter, including the public spheres from which they had long been excluded.

Rather than directly refuting prevailing wisdom, Agrippa uses women's superiority as a rhetorical device and overturns the misogynistic interpretations of the female body in Greek medicine, in the Bible, in Roman and canon law, in theology and moral philosophy, and in politics. He raised the question of why women were excluded and provided answers based not on sex but on social conditioning, education, and the prejudices of their more powerful oppressors. His declamation, disseminated through the printing press, illustrated the power of that new medium, soon to be used to generate a larger reformation of religion.

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Decolonial Feminist Genealogies and Futures

Edited by Annie Isabel Fukushima and K. Melchor Quick Hall

University of Illinois Press, 2025

From the COVID-19 pandemic to the war in Gaza, recent events have demonstrated the implacability of settler colonialism and its racist underpinnings. Annie Isabel Fukushima and K. Melchor Quick Hall edit a visionary collection focused on radical struggles against these forces. The editors organize the essays in four thematic sections: subversive labor; spatialities and temporalities; resistance; and genealogies and feminist futures. Inspired by outside catalysts like sharing circles and poetry, the contributors challenge the boundaries of time and space that we imagine as constraints on labor and resistance. Their methodological approaches include participation observation, pláticas, critical participatory action research, spatial analysis, interviews, testimonio, grounded theory, and historical analysis. Interdisciplinary and diverse, Decolonial Feminist Genealogies and Futures draws on a unique history of thought and action to map a new generation of practices. Contributors: Esther O. Ajayi-Lowo, Ana Carolina Antunes, Xamuel Bañales, Azza Basarudin, Tina Beyene, Linda Carty, Elisa Contreras, Janice Cindy Gaudet, Lynn Hampton, Amanda Jurno, Eun-Jin Keish Kim, Shireen Keyl, Leece Lee-Oliver, Monique Lemos, Xochitl E. López Andrade, Tricia McGuire-Adams, Sylvia Mendoza Aviña, Akanksha Misra, Cueponcaxochitl D. Moreno Sandoval, Bruno Moreschi, Rachel Afi Quinn, K. Melchor Quick Hall, Angel Sutjipto, Miriam G. Valdovinos, and Lydia Zakel

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Deconstruction, Feminist Theology, and the Problem of Difference

Subverting the Race/Gender Divide

Ellen T. Armour

University of Chicago Press, 1999

The term "feminism" conjures up the promise of resistance to the various forms of oppression women face. But feminism's ability to fulfill this promise has been undermined by its failure to deal adequately with the difference that race makes for gender. In this book, Ellen T. Armour forges an alliance between deconstruction and feminist theology and theory by demonstrating deconstruction's usefulness in addressing feminism's trouble with race.

Armour shows how the writings of Jacques Derrida and Luce Irigaray can be used to uncover feminism's white presumptions so that race and gender can be thought of differently. In clear, concise terms she explores the possibilities and limitations for feminist theology of Derrida's conception of "woman" and Irigaray's "multiple woman," as well as Derrida's thinking on race and Irigaray's work on religion. Armour then points a way beyond the race/gender divide with the help of African-American theorists such as bell hooks, Hortense Spillers, and Patricia Hill Collins.

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Demonic Grounds

Black Women and the Cartographies of Struggle (20th Anniversary Edition)

Katherine McKittrick

University of Minnesota Press, 2026

The field-defining text for black geographies—now with a new foreword and afterword

The initial publication of Demonic Grounds in 2006 marked a watershed for the field of geography: revealing how human geographies are a result of racialized connections and black placemaking practices, this book opened the discipline to feminist, interdisciplinary, and black perspectives. Katherine McKittrick traces the geographies of black women across the diaspora, arguing that the spaces they inhabit are marked by legacies of violence and slavery while also being sites of unacknowledged political power. Making a forceful claim, she identifies rich opportunities within black geographies for social and cultural change and rebellion. With a new foreword by Simone Browne and comments from Sylvia Wynter on the original edition as an afterword, this twentieth-anniversary edition celebrates Demonic Grounds and its ongoing influence on twenty-first century geography.

Retail e-book files for this title are screen-reader friendly.

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Derrida's Gift, Volume 16

Elizabeth Weed and Ellen Rooney, eds.

Duke University Press, 0

In this special issue of differences, leading feminist theorists acknowledge Derrida’s contribution to feminist theory, discuss the crucial place of difference in both Derridian deconstruction and feminist theory, and reflect on the ethical, professional, and epistemological implications of Derrida’s thought for the discipline of women’s studies.

In bringing together major feminist critics whose work has been touched by the writings of Derrida, this issue both pays tribute to and reflects upon Derrida’s ideas. Among the essayists included, Jane Gallop considers Derrida’s writings on Levinas; Judith Butler reads Derrida’s final interview in Le Monde in 2004; Elizabeth Grosz signals Derrida as a rare philosopher for whom sexual difference was crucial; Gayatri Chakravorty Spivak explores the figure of the mother’s child in Derrida, focusing on the critique of reproductive heteronormativity and the question of agency in feminism; and Joan Wallach Scott argues for the importance of critique in the academy. The issue also includes an edited transcription of a vibrant discussion between feminist theorists and Derrida called “Women in the Beehive: A Seminar with Jacques Derrida,” which took place at Brown University’s Pembroke Center for Teaching and Research on Women in 1984.

Contributors. Fran Bartkowski, Anne-Emmanuelle Berger, Susan Bernstein, Judith Butler, Pheng Cheah, Drucilla Cornell, Jane Gallop, Elizabeth Grosz, Peggy Kamuf, Christie McDonald, Joan Wallach Scott, Gayatri Chakravorty Spivak

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Deviations

A Gayle Rubin Reader

Gayle S. Rubin

Duke University Press, 2012

Deviations is the definitive collection of writing by Gayle S. Rubin, a pioneering theorist and activist in feminist, lesbian and gay, queer, and sexuality studies since the 1970s. Rubin first rose to prominence in 1975 with the publication of “The Traffic in Women,” an essay that had a galvanizing effect on feminist thinking and theory. In another landmark piece, “Thinking Sex,” she examined how certain sexual behaviors are constructed as moral or natural, and others as unnatural. That essay became one of queer theory’s foundational texts. Along with such canonical work, Deviations features less well-known but equally insightful writing on subjects such as lesbian history, the feminist sex wars, the politics of sadomasochism, crusades against prostitution and pornography, and the historical development of sexual knowledge. In the introduction, Rubin traces her intellectual trajectory and discusses the development and reception of some of her most influential essays. Like the book it opens, the introduction highlights the major lines of inquiry pursued for nearly forty years by a singularly important theorist of sex, gender, and culture.

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Diary of a Philosophy Student

Volume 3, 1926-30

Simone de Beauvoir. Translation by Barbara Klaw. Edited by Barbara Klaw, Sylvie Le Bon de Beauvoir, and Margaret A. Simons with Marybeth Timmermann. Foreword by Sylvie Le Bon de Beauvoir

University of Illinois Press, 2024

Written between the age of eighteen and twenty-one, the entries in the third volume of Diary of a Philosophy Student take readers into Simone de Beauvoir’s thoughts while illuminating the people and ideas swirling around her. The pages offer rare insights into Beauvoir’s intellectual development; her early experiences with love, desire, and freedom; and relationships with friends like Élisabeth “Zaza” Lacoin, and Maurice Merleau-Ponty. It also presents Beauvoir’s shocking account of Jean-Paul Sartre’s sexual assault of her during their first sexual encounter--a revelation certain to transform views of her life and philosophy.

In addition, the editors include a wealth of important supplementary material. Barbara Klaw provides a detailed consideration of the Diary’s role in the development of Beauvoir’s writing style by exploring her use of metanarrative and other literary techniques, part of a process of literary creation that saw Beauvoir use the notebooks to cultivate her talent. Margaret A. Simons’s essay places the assault by Sartre within an appraisal of Beauvoir’s complicated legacy for #MeToo while suggesting readers engage with the diary through the lens of trauma.

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Digital Girlhoods

Katherine A. Phelps

Temple University Press, 2025

Tween girls in America today are growing up on social media, posting selfies and sharing “stories.” In Digital Girlhoods, Katherine Phelps emphasizes tween girls’ agency on social media vis-à-vis identity formation, content creation, and community building. When a tween girl posts a video on YouTube asking the world, “Am I pretty or ugly?”, she is also asking, “Who am I?” This content makes visible the pitfalls and potentials of these tweens creating their own digital narratives—and it asks us to take them seriously.

Featuring in-depth interviews with a cross section of tween girls, Phelps allows them to give meanings to their relationships with social media and their peers in their own words. As tween girls embody and negotiate the many contradictions of American girlhoods through social media participation (for example, the “Pretty or Ugly” YouTube trend), Phelps asks, how are tween girls living and experiencing girlhoods in the digital age?

The processes of experiencing and enacting tweenhood and girlhood online are explicitly gendered. Digital Girlhoods thoughtfully considers what tween girlhoods look and feel like in America today.

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Disarming Manhood

Roots of Ethical Resistance

David A.J. Richards

Ohio University Press, 2005

Masculine codes of honor and dominance often are expressed in acts of violence, including war and terrorism. In Disarming Manhood: Roots of Ethical Resistance, David A.J. Richards examines the lives of five famous men—great leaders and crusaders—who actively resisted violence and presented their causes with more humane alternatives.Richards argues that Winston Churchill, William Lloyd Garrison, Mohandas Gandhi, Martin Luther King, and Leo Tolstoy shared a psychology whose nonviolent roots were deeply influenced by a loving, maternalistic ethos deeply influenced by the teachings of Jesus of Nazareth. Drawing upon psychology, history, political theory, and literature, Richards threads a connection between these leaders and the maternal figures who profoundly shaped their responses to conflict. Their lives and work underscore how the outlook of maternal care givers and women enables some men to resist the violent responses characteristic of traditional manhood. The voice of nonviolent masculinity has empowered important democratic movements of ethical transformation, including civil disobedience in South Africa, India, and the United States. Disarming Manhood demonstrates that as Churchill, Garrison, Gandhi, King, and Tolstoy carried out their various missions they were galvanized by teachings whose ethical foundations rejected unjust violence and favored peaceful alternatives. Accessibly written and free of jargon, Disarming Manhood's exploration of human nature and maternal bonds will interest a wide audience as it furthers the understanding of human nature itself and contributes to the fields of developmental psychology and feminist scholarship.

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Disciplining Feminism

From Social Activism to Academic Discourse

Ellen Messer-Davidow

Duke University Press, 2002

How was academic feminism formed by the very institutions it originally set out to transform? This is the question Ellen Messer-Davidow seeks to answer in Disciplining Feminism. Launched thirty years ago as a bold venture to cut across disciplines and bridge the gap between scholarly knowledge and social activism, feminism in the academy, the author argues, is now entrenched in its institutional structures and separated from national political struggle.
Working within a firm theoretical framework and drawing on years of both personal involvement and fieldwork in and outside of academe, Messer-Davidow traces the metamorphosis of a once insurgent project in three steps. After illustrating how early feminists meshed their activism with institutional processes to gain footholds on campuses and in disciplinary associations, she turns to the relay between institutionalization and intellectualization, examining the way feminist studies coalesced into an academic field beginning in the mid-1970s. Without denying the successes of this feminist passage into the established system of higher learning, Messer-Davidow nonetheless insists that the process of institutionalization itself necessarily alters all new entrants—no matter how radical. Her final chapters look to the future of feminism in an increasingly conservative environment and to the possibilities for social change in general.
Disciplining Feminism’s interdisciplinary scope and cross-sector analysis will attract a broad range of readers interested in women’s studies, American higher education, and the dynamics of social transformation.

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Disrupting Colonial Pedagogies

Theories and Transgressions

Edited by Jillian Ford and Nathalia Jaramillo

University of Illinois Press, 2023

The impact of conquest and colonialism on identity and the construction of knowledge

Jillian Ford and Nathalia E. Jaramillo edit a collection of writings by women that examine womanist worldviews in philosophy, theory, curriculum, public health, and education. Drawing on thinkers like bell hooks and Cynthia Dillard, the essayists challenge the colonizing hegemonies that raise and sustain patriarchal and male-centered systems of teaching and learning. Part One examines how womanist theorizing and creative activity offer a space to study the impact of conquest and colonization on the Black female body and spirit. In Part Two, the contributors look at ways of using text, philosophy, and research methodologies to challenge colonizing and colonial definitions of womanhood, enlightenment, and well-being. The essays in Part Three undo the colonial pedagogical project and share the insights they have gained by freeing themselves from its chokehold.

Powerful and interdisciplinary, Disrupting Colonial Pedagogies challenges colonialism and its influence on education to advance freer and more just forms of knowledge making.

Contributors: Silvia García Aguilár, Khalilah Ali, Angela Malone Cartwright, Adriana Diego, LeConté Dill, Sameena Eidoo, Genevieve Flores-Haro, Jillian Ford, Leena Her, Nathalia E. Jaramillo, Patricia Krueger-Henney, Claudia Lozáno, Liliana Manriquez, Alberta Salazár, León Salazár, and Lorri Santamaría

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Disruptive Acts

The New Woman in Fin-de-Siecle France

Mary Louise Roberts

University of Chicago Press, 2002

In fin-de-siècle France, politics were in an uproar, and gender roles blurred as never before. Into this maelstrom stepped the "new women," a group of primarily urban, middle-class French women who became the objects of intense public scrutiny. Some remained single, some entered nontraditional marriages, and some took up the professions of medicine and law, journalism and teaching. All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home.

Mary Louise Roberts examines a constellation of famous new women active in journalism and the theater, including Marguerite Durand, founder of the women's newspaper La Fronde; the journalists Séverine and Gyp; and the actress Sarah Bernhardt. Roberts demonstrates how the tolerance for playacting in both these arenas allowed new women to stage acts that profoundly disrupted accepted gender roles. The existence of La Fronde itself was such an act, because it demonstrated that women could write just as well about the same subjects as men—even about the volatile Dreyfus Affair. When female reporters for La Fronde put on disguises to get a scoop or wrote under a pseudonym, and when actresses played men on stage, they demonstrated that gender identities were not fixed or natural, but inherently unstable. Thanks to the adventures of new women like these, conventional domestic femininity was exposed as a choice, not a destiny.

Lively, sophisticated, and persuasive, Disruptive Acts will be a major work not just for historians, but also for scholars of cultural studies, gender studies, and the theater.

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Dissenting Through Dance

Folk Dance, Gender, and Political Protest in Turkey

Sevi Bayraktar

University of Michigan Press, 2026

Dissenting Through Dance examines how femme activists in contemporary Turkey deploy folk dance as a powerful tool of political resistance and collective solidarity. Drawing on extensive ethnographic fieldwork, choreographic analysis, and archival research, the book examines how traditional dances, particularly those rooted in marginalized cultures such as Kurdish, Roma, Alevi, Laz, and Hemşin communities, are reimagined to contest misogyny, cultural erasure, and oppressive gender politics. Sevi Bayraktar brings to life the stories of feminist, LGBTQ+, and grassroots activists occupying public spaces with dance as a form of protest when conventional forms of assembly are suppressed or criminalized in Turkey.

Working outward from these femmes’ stories, protests, and dances, Bayraktar argues that by reconfiguring Turkey’s folk-dance heritage for their contemporary political aims, dissenting femmes rechoreograph national space in opposition to the state as a way to reclaim the public sphere for pluralist democracy and to subvert hegemonic discourses about Turkish national identity, neoliberal economic development, and female and ethnic bodies. By moving together, activists subvert patriarchal norms, embody new visions of community, and create moments of hope, joy, and resistance even under conditions of surveillance and fear.

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Dissident Friendships

Feminism, Imperialism, and Transnational Solidarity

Edited by Elora Halim Chowdhury and Liz Philipose

University of Illinois Press, 2016

Often perceived as unbridgeable, the boundaries that divide humanity from itself--whether national, gender, racial, political, or imperial--are rearticulated through friendship. Elora Halim Chowdhury and Liz Philipose edit a collection of essays that express the different ways women forge hospitality in deference to or defiance of the structures meant to keep them apart. Emerging out of postcolonial theory, the works discuss instances when the authors have negotiated friendship's complicated, conflicted, and contradictory terrain; offer fresh perspectives on feminists' invested, reluctant, and selective uses of the nation; reflect on how the arts contribute to conversations about feminism, dissent, resistance, and solidarity; and unpack the details of transnational dissident friendships. Contributors: Lori E. Amy, Azza Basarudin, Himika Bhattacharya, Kabita Chakma, Elora Halim Chowdhury, Laurie R. Cohen, Esha Niyogi De, Eglantina Gjermeni, Glen Hill, Alka Kurian, Meredith Madden, Angie Mejia, Chandra T. Mohanty, A. Wendy Nastasi, Nicole Nguyen, Liz Philipose, Anya Stanger, Shreerekha Subramanian, and Yuanfang Dai.

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Double Crossover

Gender, Media, and Politics in Global Basketball

Courtney M. Cox

University of Illinois Press, 2025

As they compete in leagues around the world, elite women’s basketball players continually adjust to new cultures, rules, and contracts.

Courtney M. Cox follows athletes, coaches, journalists, and advocates of women’s basketball as they pursue careers within the sport. Despite all attempts to contain them or prevent forward momentum, they circumvent expectations and open new possibilities within and outside of the game. Throughout the book, Cox explores the intersection of race and gender against the backdrop of the WNBA, NCAA, and other leagues within the United States and around the world. Blending interviews and participant observation with content analysis, she charts how athletes and advocates of women’s hoops illuminate new forms of navigating the global sports-media complex.

Timely and original, Double Crossover takes readers into the lived world of women’s basketball to shed light on the struggles, triumphs, and contributions of today’s players and those around them.

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Dressed for Freedom

The Fashionable Politics of American Feminism

Einav Rabinovitch-Fox

University of Illinois Press, 2021

Often condemned as a form of oppression, fashion could and did allow women to express modern gender identities and promote feminist ideas. Einav Rabinovitch-Fox examines how clothes empowered women, and particularly women barred from positions of influence due to race or class. Moving from 1890s shirtwaists through the miniskirts and unisex styles of the 1970s, Rabinovitch-Fox shows how the rise of mass media culture made fashion a vehicle for women to assert claims over their bodies, femininity, and social roles. She also highlights how trends in women’s sartorial practices expressed ideas of independence and equality. As women employed new clothing styles, they expanded feminist activism beyond formal organizations and movements and reclaimed fashion as a realm of pleasure, power, and feminist consciousness.

A fascinating account of clothing as an everyday feminist practice, Dressed for Freedom brings fashion into discussions of American feminism during the long twentieth century.

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