"Phelps takes female adolescence—a liminal phase between childhood and adulthood—seriously. While she acknowledges very real concerns with negative body image, self-doubt, mental health, bullying, and privacy, she...does not place undue blame on social media for issues and anxieties.... Well-researched and clearly written, Digital Girlhoods offers a fresh perspective on tweens and social media and will be of interest to those who study media and communication, gender, and youth."—The Journal of American Culture
"Phelps skillfully weaves her analysis…. Digital Girlhoods may especially appeal to those interested in critical analyses of both feminism and femininity…. [T]he book’s context is rich and important because it affords access to popular culture analysis."—Affilia: Feminist Inquiry in Social Work
"Reinforcing the views of her tween girl research subjects, Phelps takes on a nuanced view that positions social media as neither utopian nor the source of societal ills.... She expertly considers the way that each participant’s intersecting identities impact their unique experiences navigating the internet, treating each participant and video subject as a unique individual shaped by race, class, body size, and gender."—Gender & Society
“Digital Girlhoods is a lucid and persuasive study and impressive account based on interviews and textual analysis. It comprises a detailed investigation of tween girls navigating early adolescence through many digital platforms and seeking out modes of self-realization where they both succumb to dominant culture’s gendered expectations and simultaneously challenge the frames of judgment. Despite the recent waves of feminism, what we see is the iterative power of social media to recast and confirm contemporary feminine subjectivities.”—Angela McRobbie, Professor Emeritus at Goldsmiths College, University of London, and author of Feminism, Young Women and Cultural Studies: Birmingham Essays from 1975 Onwards
“Digital Girlhoods puts tween girls’ voices front and center to understand how they navigate the tensions, contradictions, and complexities involved in their careful, cautious, and strategic content creation on social media. Phelps offers an insightful exploration of how tweens ‘do girlhood’ online amidst the pushes and pulls of empowerment and disempowerment. Through a fascinating examination of the ‘am I pretty or ugly?’ trend and listening to tweens, she reveals that, despite adult concerns and the realities of online bullying and ‘drama,’ social media provides a hugely valuable space for girls to feel visible, connected, and supported. This is a must-read in the field of digital girlhood studies.”—Melanie Kennedy, Lecturer in Media and Communication at the University of Leicester, and author of Tweenhood: Femininity and Celebrity in Tween Popular Culture