Results by title

914 books match the query 'Medieval' and 22 start with d

Sort by

Daily Life in Portugal in the Late Middle Ages

A.H. de Oliviera Marques; Translated by S.S. Wyatt

University of Wisconsin Press, 1971

Past studies of medieval Portugal have focused on such specific themes as political or administrative history and voyages of discovery. Oliveira Marques, however, has captured the vast spectrum of Portuguese daily life from the twelfth through the fifteenth centuries The whole of medieval society is depicted, both on a national scale and, more important, society as it affected the individual in his everyday activities. Oliveira Marques gives us an engaging and original social history which examines customary meals, dress, homes, work, spiritual life, even ideas about courtship and love. Medieval Portuguese culture and education, amusements and funeral customs are all a part of this portrait.

[more]

Dante and the Limits of the Law

Justin Steinberg

University of Chicago Press, 2013

In Dante and the Limits of the Law, Justin Steinberg offers the first comprehensive study of the legal structure essential to Dante’s Divine Comedy. Steinberg reveals how Dante imagines an afterlife dominated by sophisticated laws, hierarchical jurisdictions, and rationalized punishments and rewards. He makes the compelling case that Dante deliberately exploits this highly structured legal system to explore the phenomenon of exceptions to it, crucially introducing Dante to current debates about literature’s relation to law, exceptionality, and sovereignty.

Examining how Dante probes the limits of the law in this juridical otherworld, Steinberg argues that exceptions were vital to the medieval legal order and that Dante’s otherworld represents an ideal “system of exception.” In the real world, Dante saw this system as increasingly threatened by the dual crises of church and empire: the abuses and overreaching of the popes and the absence of an effective Holy Roman Emperor. Steinberg shows that Dante’s imagination of the afterlife seeks to address this gap between the universal validity of Roman law and the lack of a sovereign power to enforce it. Exploring the institutional role of disgrace, the entwined phenomena of judicial discretion and artistic freedom, medieval ideas about privilege and immunity, and the place of judgment in the poem, this cogently argued book brings to life Dante’s sense of justice.

[more]

Dante in Deutschland

An Itinerary of Romantic Myth

Daniel DiMassa

Bucknell University Press, 2022

Around the turn of the nineteenth century, no task seemed more urgent to German Romantics than the creation of a new mythology. It would unite modern poets and grant them common ground, and bring philosophers and the Volk closer together. But what would a new mythology look like? Only one model sufficed, according to Friedrich Schlegel: Dante’s Divine Comedy. Through reading and juxtaposing canonical and obscure texts, Dante in Deutschland shows how Dante’s work shaped the development of German Romanticism; it argues, all the while, that the weight of Dante’s influence induced a Romantic preoccupation with authority: Who was authorized to create a mythology? This question—traced across texts by Schelling, Novalis, and Goethe—begets a Neo-Romantic fixation with Dantean authority in the mythic ventures of Gerhart Hauptmann, Rudolf Borchardt, and Stefan George. Only in Thomas Mann’s novels, DiMassa asserts, is the Romantics’ Dantean project ultimately demythologized.

[more]

Dante's Aesthetics of Being

Warren Ginsberg

University of Michigan Press, 1999

"I am one who, when love inspires me, takes note . . ." --Dante
Despite the absence of tracts about beauty and art, aesthetic issues did command the attention of people in the Middle Ages. Whenever poets or philosophers turned their thoughts to the order of the heavens, whenever they delighted in music or art, they contemplated how the pleasure they took in the artistry of the universe was related to the God who created it. For Dante, aesthetics was the discourse of being and could not be narrowly defined. The aesthetic became the domain in which he considered not only form and proportion, but questions of love, identity, and perfection of the self.
Warren Ginsberg expertly guides us through Dante's work. He distinguishes between early texts such as the Vita Nuova, in which the aesthetic offers only a form of knowledge between sensation and reason, and the Comedy, in which the aesthetic is transformed into a language of existence. Among other subjects, Dante's Aesthetics of Being treats poeticism, literary history, language theory, the relation of philosophy to poetry, and of course, aesthetics. Its readers will include not only experts in Dante and medievalists in general, but literary critics of all periods. Indeed, anyone interested in poetic theory, the philosophy of beauty, or interdisciplinary studies will profit from reading Ginsberg's thoughtful offering.
Warren Ginsberg is Professor of English, University at Albany, State University of New York. He is author of The Cast of Character: The Representation of Personality in Ancient and Medieval Literature and editor of two Middle English poems, Wynnere and Wastoure and The Parlement of the Thre Ages.

[more]

Dante's Epistle to Cangrande

Robert Hollander

University of Michigan Press, 1994

Dante's epistle to Can Grande de la Scala seemingly provides keys to the Divine Comedy; hence it has posed awkward problems for many students of the poet. On one hand, those who discount "authorial intention" are confronted with Dante's own reading of his poem, an apparently explicit statement of his intentions. On the other, the epistle offers information on how to interpret the poem's allegorical elements, which are at odds with modern sensibilities.

In Dante's Epistle to Cangrande Robert Hollander commandingly marshals new evidence to demonstrate that the epistle should be considered authentically Dantean. He further provides enlightening discussion of the nature of tragedy and comedy in the Divine Comedy. The author draws authoritatively on the extensive array of medieval and modern commentaries stored in electronic form by the Dartmouth Dante Project, of which he is the director.

Dante's Epistle to Cangrande makes a signal contribution to Dante studies. Naturally of interest to students of Dante's work, it will also be important reading for those concerned with literary critical questions such as authorial intent, programmatic statements, and allegorical interpretations of literature.

[more]

Dante's Interpretive Journey

William Franke

University of Chicago Press, 1996

Critically engaging the thought of Heidegger, Gadamer, and others, William Franke contributes both to the criticism of Dante's Divine Comedy and to the theory of interpretation.

Reading the poem through the lens of hermeneutical theory, Franke focuses particularly on Dante's address to the reader as the site of a disclosure of truth. The event of the poem for its reader becomes potentially an experience of truth both human and divine. While contemporary criticism has concentrated on the historical character of Dante's poem, often insisting on it as undermining the poem's claims to transcendence, Franke argues that precisely the poem's historicity forms the ground for its mediation of a religious revelation. Dante's dramatization, on an epic scale, of the act of interpretation itself participates in the self-manifestation of the Word in poetic form.

Dante's Interpretive Journey is an indispensable addition to the field of Dante studies and offers rich insights for philosophy and theology as well.

[more]

Danteworlds

A Reader's Guide to the Inferno

Guy P. Raffa

University of Chicago Press, 2007

One of the greatest works of world literature, Dante Alighieri’s The Divine Comedy has, despite its enormous popularity and importance, often stymied readers with its multitudinous characters, references, and themes. But until now, students of the Inferno have lacked a suitable resource to guide their reading.

Welcome to Danteworlds, the first substantial guide to the Inferno in English. Guy P. Raffa takes readers on a geographic journey through Dante’s underworld circle by circle—from the Dark Wood down to the ninth circle of Hell—in much the same way Dante and Virgil proceed in their infernal descent. Each chapter—or “region”—of the book begins with a summary of the action, followed by detailed entries, significant verses, and useful study questions. The entries, based on a close examination of the poet’s biblical, classical, and medieval sources, help locate the characters and creatures Dante encounters and assist in decoding the poem’s vast array of references to religion, philosophy, history, politics, and other works of literature.

Written by an established Dante scholar and tested in the fire of extensive classroom experience, Danteworlds will be heralded by readers at all levels of expertise, from students and general readers to teachers and scholars.

[more]

Dante’s Volume from Alpha to Omega

Edited by Christiana Purdy Moudarres and Carol Chiodo

Arizona Center for Medieval and Renaissance Studies, 2020

Dante’s Volume from Alpha to Omega brings together essays written by internationally recognized scholars to explore the poet’s encyclopedic impulse in light of our own frenzied information age. This comprehensive collection of essays, coedited by Carol Chiodo and Christiana Purdy Moudarres, examines how Dante’s spiritual quest is powered by an encyclopedic one, which has for more than seven centuries drawn a readership as diverse as the knowledge his work contains. The essays investigate both the intellectual and spiritual pleasures that Dante’s Commedia affords, underscoring how, through the sheer breadth of its knowledge, the poem demands collective and collaborative inquiry. Rather than isolating the poetic or theological strands of the Commedia, the book acts as a bridge across disciplines, braiding together the well-worn strands of poetry and theology with those of philosophy, the sciences, and the arts. The wide range of entries within Dante’s poetic summa yield multiple opportunities to reflect on their points of intersection, and the urgency of the convergence of the poem’s aesthetic, intellectual, and affective aims.

[more]

Death and Life in the Tenth Century

Eleanor Shipley Duckett

University of Michigan Press, 1989

A vivid portrait of political and cultural life in the 10th century

[more]

Death and the Pearl Maiden

Plague, Poetry, England

David K. Coley

The Ohio State University Press, 2019

The plague first arrived in the English port of Weymouth in the summer of 1348. Two years later, half of Britain was dead, but the Black Death was just beginning. In the decades to come, England would suffer recurring outbreaks, social and cultural upheaval, and violent demographic shifts. The pandemic was, by any measure, a massive cultural trauma; however, within the vernacular English literature of the fourteenth century, the response to the disease appears muted, particularly compared to contemporaneous descriptions emerging from mainland Europe.
Death and the Pearl Maiden: Plague, Poetry, England asks why one of the singular historical traumas of the later Middle Ages appears to be evoked so fleetingly in fourteenth-century Middle English poetry, a body of work as daring and socially engaged as any in English literary history. By focusing on under-recognized pestilential discourses in Pearl, Cleanness, Patience, and Sir Gawain and the Green Knight—the four poems uniquely preserved British Library MS Cotton Nero A.x —this study resists the idea that the Black Death had only a slight impact on medieval English literature, and it strives to account for the understated shape of England’s literary response to the plague and our contemporary understandings of it.

[more]

Death by Drama and Other Medieval Urban Legends

Jody Enders

University of Chicago Press, 2002

Part of every legend is true. Or so argues Jody Enders in this fascinating look at early French drama and the way it compels us to consider where the stage ends and where real life begins. This ambitious and bracing study explores fourteen tales of the theater that are at turns dark and dangerous, sexy and scandalous, humorous and frightening—stories that are nurtured by the confusion between truth and fiction, and imitation and enactment, until it becomes impossible to tell whether life is imitating art, or art is imitating life.

Was a convicted criminal executed on stage during a beheading scene? Was an unfortunate actor driven insane while playing a madman? Did a theatrical enactment of a crucifixion result in a real one? Did an androgynous young man seduce a priest when portraying a female saint? Enders answers these and other questions while presenting a treasure trove of tales that have long seemed true but are actually medieval urban legends. On topics ranging through politics, religion, marriage, class, and law, these tales, Enders argues, do the cultural work of all urban legends: they disclose the hopes, fears, and anxieties of their tellers. Each one represents a medieval meditation created or dramatized by the theater with its power to blur the line between fiction and reality, engaging anyone who watches, performs, or is represented by it. Each one also raises pressing questions about the medieval and modern world on the eve of the Reformation, when Europe had never engaged more anxiously and fervently in the great debate about what was real, what was pretend, and what was pretense.

Written with elegance and flair, and meticulously researched, Death by Drama and Other Medieval Urban Legends will interest scholars of medieval and Renaissance literature, history, theater, performance studies, and anyone curious about urban legends.

[more]

Death in Babylon

Alexander the Great and Iberian Empire in the Muslim Orient

Vincent Barletta

University of Chicago Press, 2010

Though Alexander the Great lived more than seventeen centuries before the onset of Iberian expansion into Muslim Africa and Asia, he loomed large in the literature of late medieval and early modern Portugal and Spain. Exploring little-studied chronicles, chivalric romances, novels, travelogues, and crypto-Muslim texts, Vincent Barletta shows that the story of Alexander not only sowed the seeds of Iberian empire but foreshadowed the decline of Portuguese and Spanish influence in the centuries to come.

Death in Babylon depicts Alexander as a complex symbol of Western domination, immortality, dissolution, heroism, villainy, and death. But Barletta also shows that texts ostensibly celebrating the conqueror were haunted by failure. Examining literary and historical works in Aljamiado, Castilian, Catalan, Greek, Latin, and Portuguese, Death in Babylon develops a view of empire and modernity informed by the ethical metaphysics of French phenomenologist Emmanuel Levinas. A novel contribution to the literature of empire building, Death in Babylon provides a frame for the deep mortal anxiety that has infused and given shape to the spread of imperial Europe from its very beginning.

[more]

Deeds of the Saxons

Catholic University of America Press, 2014

PleWidukind, a monk at the prominent monastery of Corvey in Saxony during the middle third of the tenth century, is known to posterity through his Res gestae Saxonicae, an exceptionally rich account of the Saxon people and the reigns of the first two rulers of the Ottonian dynasty, Henry I (919-936) and Otto I (936-973). Widukind, likely of noble birth, received a thorough education in both biblical and classical texts. When writing the Gestae, Widukind also had available the extensive library at Corvey, with its large collection of ancient texts as well as numerous works from the eighth and ninth centuries. Widukind drew on these, and even more contemporary written sources to complement and inform orally transmitted information that he received from many sources including people closely associated with the Ottonian royal court. Widukind wrote the Res gestae from the 950s to the 970s, incorporating additional material as he obtained further information and as major new events took place in the German kingdom and beyond. After providing a historical background for the Saxon people Widukind devotes most of his attention to the political and military affairs of the German kingdom, concentrating heavily on affairs of the royal court. Widukind provides information that can be found in no other source. His close relationship with the royal court enabled him to provide an "insider's" view of the people and events that shaped the political and military history of the most powerful kingdom in Europe. As a consequence, the Res gestae is an indispensable account for the history of the German kingdom during the tenth century. Bernard S. Bachrach and David S. Bachrach provide an introduction to the text that contextualizes the author, his historical methods, and the information that he provides. They draw on a large number of other written sources of information, including both narrative works and the political, economic, social, and military affairs of the day, and provide an extensive apparatus of notes. ase fill in marketing copy

[more]

Defining Dominion

The Discourses of Magic and Witchcraft in Early Modern France and Germany

Gerhild Scholz Williams

University of Michigan Press, 1999

In this intriguing volume, Gerhild Scholz Williams explores the roles of magic and demonology in France and Germany in the fifteenth and sixteenth centuries. She guides the reader through a variety of texts--many of them popular and influential in their day--to illuminate how magic came to shape people's perceptions of a changing world. This comprehensive study looks at magic as an intellectual and cultural language, as an attempt to explain the world, and as a means to control and confine women, whose propensity for satanic dalliance threatened not just their own souls but the health of the larger society.
". . . Williams has done an exemplary job of analyzing the intersection of the discourses of magic (as related to women and witchcraft), discovery, and religious diversity/dissidence to explain how the confluence of these discourses eventually 'determined who occupied society's center and who was forced to move to, or remain at, its margins.' . . . Gerhild Scholz Williams is no dilettante grazing in the greener pastures of other disciplines. She has been laboring assiduously in these neighboring fields for years now, and it is breathtaking to see how all of her disparate projects have come together so elegantly articulated in this one volume." --Susan L. Cocalis, German Studies Review
Gerhild Scholz Williams is Professor of German and Comparative Literature, Washington University, St. Louis.

[more]

Defining Nature's Limits

The Roman Inquisition and the Boundaries of Science

Neil Tarrant

University of Chicago Press, 2022

A look at the history of censorship, science, and magic from the Middle Ages to the post-Reformation era.

Neil Tarrant challenges conventional thinking by looking at the longer history of censorship, considering a five-hundred-year continuity of goals and methods stretching from the late eleventh century to well into the sixteenth.

Unlike earlier studies, Defining Nature’s Limits engages the history of both learned and popular magic. Tarrant explains how the church developed a program that sought to codify what was proper belief through confession, inquisition, and punishment and prosecuted what they considered superstition or heresy that stretched beyond the boundaries of religion. These efforts were continued by the Roman Inquisition, established in 1542. Although it was designed primarily to combat Protestantism, from the outset the new institution investigated both practitioners of “illicit” magic and inquiries into natural philosophy, delegitimizing certain practices and thus shaping the development of early modern science. Describing the dynamics of censorship that continued well into the post-Reformation era, Defining Nature's Limits is revisionist history that will interest scholars of the history science, the history of magic, and the history of the church alike.

[more]

Deprived of Sense and Intellect

Insanity, Possession, and Diagnosis in Medieval Europe

Leigh Ann Craig

University of Michigan Press, 2026

Medieval saints were thought to be able to provide miraculous cures for a wide variety of illnesses, and about one tenth of their miracles involved the restoration of sanity to those who had lost their minds. Deprived of Sense and Intellect explores 460 of these stories written across Latin Christendom between 1240 and 1500. The study uses the lens of critical disability studies to bridge the gap between discussions of demonic possession and naturally arising somatic conditions, treating all these narratives about disability and miraculous healing not as documentation of changes to the function of an individual person, but instead as evidence of substantial and intrusive interpersonal tensions in medieval communities.

While medieval communities assigned these tensions to a malfunction of consciousness in a single person, medieval miracle texts also reveal how the function and malfunction of consciousness was named and classified. In studying these texts, Leigh Ann Craig explores the terminology and rhetoric used to diagnose a loss of mind as either from natural causes or as an effect of demonic predation, tracing the use of Latin vocabulary in medical compendia, law, and theology. Deprived of Sense and Intellect finds that since diagnoses were difficult and frequently subject to doubt, they varied based on regional cultures of disability in northern and southern Europe, the influences on the development of community consensus in Latin Europe in the Middle Ages, and assumptions based on gender, material evidence, and self-diagnosis.

[more]

Designing English

Early Literature on the Page

Daniel Wakelin

Bodleian Library Publishing, 2017

Early manuscripts in the English language included religious works, plays, romances, poetry, and songs, as well as charms, notebooks, and scientific documents. Given this vast array, how did scribes choose to arrange the words and images on the page, and what visual guides did they give early readers to help them use and understand each manuscript?

Working beyond the traditions established for Latin, scribes of English needed to be more inventive, using each book as an opportunity to redesign. Surveying eight centuries of graphic design in manuscripts and inscriptions, Designing English focuses on the craft, agency, and intentions of scribes, painters, and engravers from the Anglo-Saxon to the early Tudor periods. The book examines format, layout, and decoration, as well as bilingual manuscripts and oral recitations, weighing the balance of ingenuity and copying, imagination and practicality, behind early English book design. With over ninety illustrations, drawn especially from the holdings of the Bodleian Library, Designing English gives a comprehensive overview of English books and other material texts across the Middle Ages.

[more]

Desire in the Canterbury Tales

Elizabeth Scala

The Ohio State University Press, 2015

Chaucer’s Canterbury Tales is a discourse of desire. Beyond the many pilgrims’ stories taking desire as their topic, Elizabeth Scala argues that desire operates in structurally significant ways found in the signifying chains that link the tales to each other.

Desire in the Canterbury Tales coordinates the compulsions of desire with the act of misreading to define the driving force of Chaucer’s story collection. With Chaucer’s competitive pilgrimage as an important point of departure, this study examines the collection’s manner of generating stories out of division, difference, and contestation. It argues that Chaucer’s tales are produced as misreadings and misrecognitions of each other. Looking to the main predicate of the General Prologue’s famous opening sentence (“longen”) as well as the thematic concerns of a number of tale-tellers, and working with a theoretical model that exposes language as the product of such longing, Scala posits desire as the very subject of the Canterbury Tales and misrecognition as its productive effect. In chapters focusing on both the well-discussed tales of fragment 1 and the marriage group as well as the more recalcitrant religious stories, Desire in the Canterbury Tales offers a comprehensive means of accounting for Chaucer’s poem.

[more]

Development of Southern French and Catalan Society, 718-1050

By Archibald R. Lewis

University of Texas Press, 1965

Early in the eighth century, the current of the Muslim movement that inundated northern Spain crept over the Pyrenees to spread across a portion of the French Midi. From the north the tide of Carolingian conquest forced the Muslims back and took in these same southern French and northern Spanish provinces. During the same era the Vikings raided intermittently and with varying degrees of intensity along the seacoasts and up the inland waterways, sometimes controlling considerable areas for extended periods.

These raids and conquests inevitably affected the way of life of the people of southern France and Catalonia. Contemporary travelers and later scholars have noted that the feudal traditions and obligations that were so strong in the north seemed very weak or nonexistent in the south. They found that the land seemed to be held largely as allods, not as feudal fiefs; they saw that women held positions of surprising power, that throughout the area there was great emphasis on money, and that the traditions of Roman and Visigothic law still survived.

Although scholars have noted these differences, no one has made a comprehensive study of southern French and Catalan society as a whole. It is to fill this void that Archibald Lewis provides this volume. In a detailed and scholarly study, based largely upon original records and chronicles, he examines the familial, social, economic, governmental, military, and religious life of the area from 718 to 1050 A.D.

Lewis gives as comprehensive a picture as the records will permit of the society that existed in the early eighth century, describes and discusses the major changes which took place during the next three centuries, and analyzes their causes and effects. This study, which includes careful and detailed notes and an extensive bibliography, provides a reliable and long-needed reference tool.

[more]

Diagramming Devotion

Berthold of Nuremberg’s Transformation of Hrabanus Maurus’s Poems in Praise of the Cross

Jeffrey F. Hamburger

University of Chicago Press, 2020

During the European Middle Ages, diagrams provided a critical tool of analysis in cosmological and theological debates. In addition to drawing relationships among diverse areas of human knowledge and experience, diagrams themselves generated such knowledge in the first place. In Diagramming Devotion, Jeffrey F. Hamburger examines two monumental works that are diagrammatic to their core: a famous set of picture poems of unrivaled complexity by the Carolingian monk Hrabanus Maurus, devoted to the praise of the cross, and a virtually unknown commentary on Hrabanus’s work composed almost five hundred years later by the Dominican friar Berthold of Nuremberg. Berthold’s profusely illustrated elaboration of Hrabnus translated his predecessor’s poems into a series of almost one hundred diagrams. By examining Berthold of Nuremberg’s transformation of a Carolingian classic, Hamburger brings modern and medieval visual culture into dialogue, traces important changes in medieval visual culture, and introduces new ways of thinking about diagrams as an enduring visual and conceptual model.

[more]

Digenis Akritas

The Two-Blood Border Lord—The Grottaferrata Version

Denison B. Hull

Ohio University Press, 1986

Before The Song of Roland, before El Cid, and centuries before today's fascination with warrior legends and frontier worlds, there was Digenis Akritas: the great epic of Byzantium and one of the earliest masterpieces of medieval Greek literature. Rooted in the turbulent borderlands between the Byzantine Empire and the Arab world, this remarkable poem brings to life a society where cultures met, clashed, and transformed one another. Based on traditions that emerged from the Byzantine eastern frontier and preserved in medieval manuscripts, Digenis Akritas remains the most celebrated surviving heroic epic of the Byzantine world.

At its center stands Basil, known as Digenis Akritas, the “two-blood border lord.” Born of a union between an Arab emir and a Byzantine noblewoman, he embodies the complex cultural landscape of the medieval eastern Mediterranean. Gifted with extraordinary strength and courage, Digenis grows into an unparalleled warrior, defending the empire's frontier against raiders, outlaws, and rival champions while forging his own legend along the banks of the Euphrates.

Blending action, romance, folklore, and faith, the poem follows Digenis through daring adventures, dramatic combats, encounters with marvels, and a passionate love story. Yet beyond its heroic exploits lies a vivid portrait of frontier life in the medieval Byzantine world, where Christian and Muslim, Greek and Arab, imperial power and local tradition intersected in unexpected ways. The result is an epic that is at once a thrilling tale of adventure and a window into a fascinating civilization.

This acclaimed English verse translation restores a foundational work of medieval literature for modern readers. Supported by scholarly commentary, a bibliography, and maps, it offers an accessible introduction to one of history's great heroic traditions and to the legendary figure who became the archetypal hero of Byzantine folklore.

[more]