2194 books match the query 'Women's Studies' and 97 start with d

cover of DES Daughters, Embodied Knowledge, and the Transformation of Women's Health Politics in the Late Twentieth Century

DES Daughters, Embodied Knowledge, and the Transformation of Women's Health Politics in the Late Twentieth Century

Susan E. Bell

Temple University Press, 2009

From the 1940s to the 1970s, millions of women were exposed prenatally to the synthetic estrogen DES, a “wonder drug” intended to prevent miscarriages. However, DES actually had damaging consequences for the women born from DES mothers. The “DES daughters” as they are known, were found to have a rare form of vaginal cancer or were infertile. They were also at risk for miscarriages, stillbirths, and ectopic pregnancies.

In DES Daughters, Susan Bell recounts the experiences of this generation of “victims.” In moving, heartfelt narratives, she presents the voices of those women who developed cancer, those who were cancer-free but have concerns about becoming pregnant, and those who suffered other medical and/or reproductive difficulties.

Bell examines the hierarchy of knowledge and power of scientists, doctors, and daughters, tracing the emergence of a feminist health movement. The “embodied knowledge” of these DES daughters prompted them to become advocates and form a social movement that challenged reproductive medical knowledge specifically, but also the politics of women’s health in general. Bell’s important book chronicles the history and future of these grassroots activists born out of illness, suffering, and uncertainty.
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cover of Dames in the Driver's Seat: Rereading Film Noir

Dames in the Driver's Seat

Rereading Film Noir

By Jans B. Wager

University of Texas Press, 2005

With its focus on dangerous, determined femmes fatales, hardboiled detectives, and crimes that almost-but-never-quite succeed, film noir has long been popular with moviegoers and film critics alike. Film noir was a staple of classical Hollywood filmmaking during the years 1941-1958 and has enjoyed a resurgence in popularity since the 1990s. Dames in the Driver's Seat offers new views of both classical-era and contemporary noirs through the lenses of gender, class, and race. Jans Wager analyzes how changes in film noir's representation of women's and men's roles, class status, and racial identities mirror changes in a culture that is now often referred to as postmodern and postfeminist.

Following introductory chapters that establish the theoretical basis of her arguments, Wager engages in close readings of the classic noirs The Killers, Out of the Past, and Kiss Me Deadly and the contemporary noirs L. A. Confidential, Mulholland Falls, Fight Club, Twilight, Fargo, and Jackie Brown. Wager divides recent films into retro-noirs (made in the present, but set in the 1940s and 1950s) and neo-noirs (made and set in the present but referring to classic noir narratively or stylistically). Going beyond previous studies of noir, her perceptive readings of these films reveal that retro-noirs fulfill a reactionary social function, looking back nostalgically to outdated gender roles and racial relations, while neo-noirs often offer more revisionary representations of women, though not necessarily of people of color.

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cover of Damsels and Divas: European Stardom in Silent Hollywood

Damsels and Divas

European Stardom in Silent Hollywood

Agata Frymus

Rutgers University Press, 2020

2020 Best Early Career Research Monograph, Monash University Malaysia

Damsels and Divas investigates the meanings of Europeanness in Hollywood during the 1920s by charting professional trajectories of three movie stars: Pola Negri, Vilma Bánky and Jetta Goudal. It combines the investigation of American fan magazines with the analysis of studio documents, and the examination of the narratives of their films, to develop a thorough understanding of the ways in which Negri, Bánky and Goudal were understood within the realm of their contemporary American culture. This discussion places their star personae in the context of whiteness, femininity and Americanization. Every age has its heroines, and they reveal a lot about prevailing attitudes towards women in their respective eras. In the United States, where the stories of rags-to-riches were especially potent, stars could offer models of successful cultural integration.
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cover of Dance Floor Democracy: The Social Geography of Memory at the Hollywood Canteen

Dance Floor Democracy

The Social Geography of Memory at the Hollywood Canteen

Sherrie Tucker

Duke University Press, 2014

Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the "Greatest Generation." Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the "Good War" in popular culture narratives. For Tucker, swing dancing's torque—bodies sharing weight, velocity, and turning power without guaranteed outcomes—is an apt metaphor for the jostling narratives, different perspectives, unsteady memories, and quotidian acts that comprise social history.
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cover of Dance and the Hollywood Latina: Race, Sex, and Stardom

Dance and the Hollywood Latina

Race, Sex, and Stardom

Ovalle, Priscilla P

Rutgers University Press, 2011

Dance and the Hollywood Latina asks why every Latina star in Hollywood history, from Dolores Del Rio in the 1920s to Jennifer Lopez in the 2000s, began as a dancer or danced onscreen. While cinematic depictions of women and minorities have seemingly improved, a century of representing brown women as natural dancers has popularized the notion that Latinas are inherently passionate and promiscuous. Yet some Latina actresses became stars by embracing and manipulating these stereotypical fantasies.

Introducing the concepts of "inbetween-ness" and "racial mobility" to further illuminate how racialized sexuality and the dancing female body operate in film, Priscilla Peña Ovalle focuses on the careers of Dolores Del Rio, Rita Hayworth, Carmen Miranda, Rita Moreno, and Jennifer Lopez. Dance and the Hollywood Latina helps readers better understand how the United States grapples with race, gender, and sexuality through dancing bodies on screen.
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cover of Dancing across the Page: Narrative and Embodied Ways of Knowing

Dancing across the Page

Narrative and Embodied Ways of Knowing

Karen Barbour

Intellect Books, 2011

An innovative exploration of understanding through dance, Dancing across the Page draws on the frameworks of phenomenology, feminism, and postmodernism to offer readers an understanding of performance studies that is grounded in personal narrative and lived experience. Through accounts of contemporary dance making, improvisation, and dance education, Karen Barbour explores a diversity of themes, including power; activism; and cultural, gendered, and personal identity. An intimate yet rigorous investigation of creativity in dance, Dancing across the Page emphasizes embodied knowledge and imagination as a basis for creative action in the world.

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cover of Dancing at the Devil's Party: Essays on Poetry, Politics, and the Erotic

Dancing at the Devil's Party

Essays on Poetry, Politics, and the Erotic

Alicia Suskin Ostriker

University of Michigan Press, 2000

This volume of essays celebrates poetry that aims to change the world, whether through engagement with political issues, reimagining the meanings of love, recasting our relationship with nature; or through new relationships with our spiritual traditions. Alicia Ostriker's opening essay, defining the difference between poetry and propaganda, surveys the artistic accomplishments of the women's poetry movement. Succeeding essays explore the meaning of politics, love, and the spiritual life in the work of Walt Whitman, Elizabeth Bishop, Sharon Olds, Maxine Kumin, Lucille Clifton, and Allen Ginsberg.
In her work, Ostriker can be controversial, as when she attacks the academic establishment for rejecting the erotic dimension of poetry, or when she meditates on the significance of the black poet Lucille Clifton to herself as a reader, or when she argues that Allen Ginsberg's "Howl"--famous as the primary poem of the Beat Generation--is also a profoundly Jewish poem. Yet her writing is always lively and readable, free of academic jargon, inviting the reader to enjoy a wide range of poetic styles and experiences.
Ostriker's criticism, like her poetry, is both feminist and deeply humane. These essays on American poetry will appeal to students of poetry, scholars of American literature, and anyone who enjoys the work of the poets discussed in the book.
Alicia Ostriker is the author of nine books of poetry, including The Imaginary Lover, which won the William Carlos Williams Award and The Crack in Everything, which was a National Book award finalist in 1996, and which received the Paterson Prize in 1997 and the San Fransisco State Poetry Center Award in 1998. She is Distinguished Professor of English at Rutgers University.
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cover of Dancing for Their Lives: The Pursuit of Meaningful Aging in Urban China

Dancing for Their Lives

The Pursuit of Meaningful Aging in Urban China

Claudia Huang

Rutgers University Press, 2025

Dancing for Their Lives explores the vibrant world of retired Chinese women known as "dancing grannies” who seek fulfillment and companionship amidst societal upheaval. These women, part of China’s “lost generation,” gather in parks and public squares to reclaim their lives through dance in the wake of Chinese economic and cultural transformations. The book challenges prevailing narratives of aging societies, portraying old age as a site of social innovation rather than decline. Based on ethnographic research conducted in Chengdu, China, Dancing for Their Lives reveals how retirees learn to navigate shifting social norms and values while actively creating new models for growing older. The book’s insights resonate beyond Chinese society, offering lessons on resilience and the pursuit of meaning in any aging population. Dancing for Their Lives underscores the human capacity to craft purposeful lives amid uncertainty, transcending geographical boundaries to illuminate the universal quest for fulfillment in later years.
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cover of Dangerous Dames: Women and Representation in Film Noir and the Weimar Street Film

Dangerous Dames

Women and Representation in Film Noir and the Weimar Street Film

Jans B. Wager

Ohio University Press, 1999

Both film noir and the Weimar street film hold a continuing fascination for film spectators and film theorists alike. The female characters, especially the alluring femmes fatales, remain a focus for critical and popular attention. In the tradition of such attention, Dangerous Dames focuses on the femme fatale and her antithesis, the femme attrapée.

Unlike most theorists, Jans Wager examines these archetypes from the perspective of the female spectator and rejects the persistence of vision that allows a reading of these female characters only as representations of unstable postwar masculinity. Professor Wager suggests that the woman in the audience has always seen and understood these characters as representations of a complex aspect of her existence.

Dangerous Dames looks at the Weimar street films The Street, Variety, Asphalt, and M and the film noir movies The Maltese Falcon, Gun Crazy, and The Big Heat. This book opens the doors to spectators and theorists alike, suggesting cinematic pleasures outside the bounds of accepted readings and beyond the narrow categorization of film noir and the Weimar street film as masculine forms.

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cover of Dangerous Frames: How Ideas about Race and Gender Shape Public Opinion

Dangerous Frames

How Ideas about Race and Gender Shape Public Opinion

Nicholas J. G. Winter

University of Chicago Press, 2008

In addition to their obvious roles in American politics, race and gender also work in hidden ways to profoundly influence the way we think—and vote—about a vast array of issues that don’t seem related to either category. As Nicholas Winter reveals in Dangerous Frames, politicians and leaders often frame these seemingly unrelated issues in ways that prime audiences to respond not to the policy at hand but instead to the way its presentation resonates with their deeply held beliefs about race and gender. Winter shows, for example, how official rhetoric about welfare and Social Security has tapped into white Americans’ racial biases to shape their opinions on both issues for the past two decades. Similarly, the way politicians presented health care reform in the 1990s divided Americans along the lines of their attitudes toward gender. Combining cognitive and political psychology with innovative empirical research, Dangerous Frames ultimatelyilluminates the emotional underpinnings of American politics. 
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cover of Daring to Care: American Nursing and Second-Wave Feminism

Daring to Care

American Nursing and Second-Wave Feminism

Susan Gelfand Malka

University of Illinois Press, 2007

Beginning in the 1960s, second-wave feminism inspired and influenced dramatic changes in the nursing profession. Susan Gelfand Malka argues that feminism helped end nursing's subordination to medicine and provided nurses with greater autonomy and professional status. She discusses two distinct eras in nursing history. The first extended from the mid-1960s to the mid-1980s, when feminism seemed to belittle the occupation in its analysis of gender subordination but also fueled nursing leaders' drive for greater authority and independence. The second era began in the mid-1980s, when feminism grounded in the ethics of care appealed to a much broader group of caregivers and was incorporated into nursing education. While nurses accepted aspects of feminism, they did not necessarily identify as feminists. Nonetheless, they used, passed on, and developed feminist ideas that brought about nursing school curricula changes and the increase in self-directed and specialized roles available to caregivers in the twenty-first century.
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cover of Dark Continent Of Our Bodies: Black Feminism & Politics Of Respectability

Dark Continent Of Our Bodies

Black Feminism & Politics Of Respectability

E. Frances White

Temple University Press, 2001

In this provocative book, a black lesbian feminist looks at black feminism -- its roots, its role, and its implications. From Charles Darwin and nineteenth-century racism to black nationalism and the Nation of Islam, from Baptist women's groups to James Baldwin, E. Frances White takes on one institution after another as she re-centers the role of black women in the United States' intellectual heritage. White presents identity politics as a complex activity, with entangled branches of race and gender, of invisibility and voyeurism, of defiance and passivity and conformism.

White's powerful introduction draws on oral narratives from her own family history to illuminate the nature of narrative, both what is said and what is left unsaid. She then sets the historical stage with a helpful history of the inception and development of black feminism and a critique of major black feminist writings. In the three chapters that follow, she addresses the obstacles black feminism has already surmounted and must continue to traverse. Confronting what White calls "the politics of respectability," these chapters move the reader from simplistic views of race and gender in the nineteenth century through black nationalism and the radical movements of the sixties, and their relationship to feminist thought, to the linkages between race, gender, and sexuality in the works of such giants as Toni Morrison and James Baldwin. No one who finishes Dark Continent of Our Bodies will look at race and gender in the same way again.
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cover of Dark Designs and Visual Culture

Dark Designs and Visual Culture

Michele Wallace

Duke University Press, 2004

Michele Wallace burst into public consciousness with the 1979 publication of Black Macho and the Myth of the Superwoman, a pioneering critique of the misogyny of the Black Power movement and the effects of racism and sexism on black women. Since then, Wallace has produced an extraordinary body of journalism and criticism engaging with popular culture and gender and racial politics. This collection brings together more than fifty of the articles she has written over the past fifteen years. Included alongside many of her best-known pieces are previously unpublished essays as well as interviews conducted with Wallace about her work. Dark Designs and Visual Culture charts the development of a singular, pathbreaking black feminist consciousness.

Beginning with a new introduction in which Wallace reflects on her life and career, this volume includes other autobiographical essays; articles focused on popular culture, the arts, and literary theory; and explorations of issues in black visual culture. Wallace discusses growing up in Harlem; how she dealt with the media attention and criticism she received for Black Macho and the Myth of the Superwoman, which was published when she was just twenty-seven years old; and her relationship with her family, especially her mother, the well-known artist Faith Ringgold. The many articles devoted to black visual culture range from the historical tragedy of the Hottentot Venus, an African woman displayed as a curiosity in nineteenth-century Europe, to films that sexualize the black body—such as Watermelon Woman, Gone with the Wind, and Paris Is Burning. Whether writing about the Anita Hill–Clarence Thomas hearings, rap music, the Million Man March, Toshi Reagon, multiculturalism, Marlon Riggs, or a nativity play in Bedford Stuyvesant, Wallace is a bold, incisive critic. Dark Designs and Visual Culture brings the scope of her career and thought into sharp focus.

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cover of Daughters of Decadence: Women Writers of the Fin de Siecle

Daughters of Decadence

Women Writers of the Fin de Siecle

Showalter, Elaine

Rutgers University Press, 1993

At the turn of the century, short stories by -- and often about -- "New Women" flooded the pages English and American magazines such as the Atlantic Monthly, Harpers, and the Yellow Book. This daring new fiction, often innovative in form and courageous in its candid representations of female sexuality, marital discontent, and feminist protest, shocked Victorian critics, who denounced the authors as "literary degenerates" or "erotomaniacs." This collection brings together twenty of the most original and important stories from this period. The writers included in this highly readable volume are Kate Chopin, Victoria Cross, George Egerton, Julia Constance Fletcher, Charlotte Perkins Gilman, Sarah Grand, Vernon Lee, Ada Leverson, Charlotte Mew, Olive Schreiner, Edith Wharton, Constance Fenimore Woolson, and Mabel E. Wotton. As Elaine Showalter shows in her introduction, the short fiction of the Fin-de-Siecle is the missing link between the Golden Age of Victorian women writers and the new era of feminist modernism.
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cover of Daughters of Independence

Daughters of Independence

Joanna Liddle

Rutgers University Press, 1989

Joanna Liddle and Rama Joshi explore the connection in India between gender and caste, and gender and class. They ask whether the subordination of women has diminished as India moves from a caste to a class structure, and what effect colonization had on the status of women in India. Focusing on educated, professional women, the authors look at the particular experiences of 120 women they interviewed, and also interpret the larger patterns of social relations that emerge from the interviews. These sensitive stories are told with an eloquence that is often moving and inspiring.

For thousands of years Indian women have had a cultural tradition of resisting male domination. At the same time, the control of female sexuality has always been central to social hierarchies in India. Women are constrained in both class and caste hierarchies, to help distinguish the men at the top of the hierarchy from men at the bottom, where women are less constrained. In class society the seclusion of women allowed men to have sexual control over women and to retain the property that was transferred in marriage.

In contemporary India, professional women have had success entering the professions as the social groups to which they belong move increasingly to class rather than caste structures. But men continue to control the type of education they receive and the type of employment open to them, and to participate in the sexual harassment of women in the workplace. The concept that women are inferior to men--a concept that is not part of the Indian cultural heritage--is growing. In a sense, working professional women strengthen male control. The class structure is no more egalitarian than the caste structure, as oppression simply takes other forms.

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cover of Daughters of Suburbia: Growing Up White, Middle Class, and Female

Daughters of Suburbia

Growing Up White, Middle Class, and Female

Edited by Lorraine Delia Kenny

Rutgers University Press, 2000

White middle-class suburbia represents all that is considered "normal" in the United States, especially to the people who live its privileged life. Part ethnography, part cultural study, Daughters of Suburbia focuses on the lives of teenage girls from this world--the world of the Long Island, New York, middle school that author Lorraine Kenny once attended--to examine how standards of normalcy define gender, exercise power, and reinforce the cultural practices of whiteness.

In order to move beyond characterizations of "the normal" (a loaded term that can obscure much of what actually defines this culture), Kenny highlights both the experiences of the middle-school students and the stories of three notoriously "bad" white middle-class teenage girls: Amy Fischer, the "Pistol-Packing Long Island Lolita," Cheryl Pierson, who hired a classmate to murder her father, and Emily Heinrichs, a former white supremacist and a teen mom. Arguing that middle-class whiteness thrives on its invisibility--on not being recognized as a cultural phenomenon--Kenny suggests that what the media identify as aberrant, as well as what they choose not to represent, are the keys to identifying the unspoken assumptions that constitute middle-class whiteness as a cultural norm. Daughters of Suburbia makes the familiar strange and gives substance to an otherwise intangible social position. Lorraine Kenny is the Public Education Coordinator for the American Civil Liberties Union's Reproductive Freedom Project. She has taught anthropology at Sarah Lawrence College.
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cover of Daughters of Time: Women in the Western Tradition

Daughters of Time

Women in the Western Tradition

Mary Kinnear

University of Michigan Press, 1982

Daughters of Time: Women in the Western Tradition by Mary Kinnear offers a sweeping and insightful exploration of women’s roles, identities, and achievements throughout the history of Western civilization. Spanning from ancient societies to the twentieth century, Kinnear draws on social, cultural, and intellectual history to illuminate both the well-known and hidden contributions of women in Europe and North America.Structured both chronologically and thematically, the book investigates key moments and turning points in women’s history—from the family structures and gender norms of ancient Greece and Rome, through the medieval period and the Renaissance, to the movements for reform, political rights, and social change in modern times. Kinnear foregrounds women's experiences in work, politics, religion, and domestic life while also examining the evolution of broader social attitudes and institutional barriers.Thoughtfully engaging with the insights of feminist scholarship, Daughters of Time challenges the traditional exclusion of women from major historical narratives, revealing how the conceptual frameworks of Western philosophy and culture have both shaped and limited women’s lives. Kinnear highlights the tensions, contradictions, and progress marking women’s status and rights, and provides keen analysis of how concepts like equality, reform, collective action, and family have shaped the possibilities for women across generations.Accessible, rigorously researched, and rich with examples, Daughters of Time is an essential resource for anyone seeking to understand the complexity and significance of women’s history in the West, as well as the ongoing debates about gender, power, and social change.
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cover of Daughters, Fathers, and the Novel: The Sentimental Romance of Heterosexuality

Daughters, Fathers, and the Novel

The Sentimental Romance of Heterosexuality

Lynda Zwinger

University of Wisconsin Press, 1991

Daughters, Fathers, and the Novel is a provocative study of the father-daughter story—a neglected dimension of the family romance.  It has important implications for the history of the novel, for our understanding of key texts in that history, and for theories concerning the representation of gender, family relations, and heterosexuality in Western culture.
    In the English and American novel, argues Lynda Zwinger, “the good woman”  .  .  .  is a father’s daughter,  .  .  .  constructed to the very particular specifications of an omnipresent and unvoiced paternal desire.”  Zwinger supports her case with an analysis of both “high-brow” and “low-brow” novels and with ingenious textual analyses of five novels:  Clarissa Harlowe, Dombey and Son, Little Women, The Golden Bowl, and The Story of O.
    In the dominant discourse of Anglo-American culture, the father’s daughter provides the cornerstone for the patriarchal edifice of domesticity and the alibi for patriarchal desire.  Zwinger’s analysis of the sexual politics embodied in the figure of this sentimental daughter raises compelling critical and cultural issues.  Zwinger shows how different readings of Clarissa’s story form a sentimental composite that  makes her available in perpetuity to heterosexual desire.  Dombey and Son  illuminates the erotic dimension of the sentimental, the titillation always inherent in the spectacle of virtue in distress.  Zwinger’s analysis of Little Women  in the context of Louisa May Alcott’s own life-text focuses upon the problems of a daughter trying to write the filial romance.  The Golden Bowl deploys the daughter of sentiment as a “cover story” for a feminine version of the Oedipal story, founded on the daughter who can’t say yes, but doesn’t say no.  The Story of O reveals the pornographic dimension in romantic and sentimental love.
    In her conclusion, Zwinger offers an overview of the nineteenth-century novel, asking what difference it makes when the writer is a daughter.  She shows how the daughter’s family romance pictures the father as inadequate, ironically requiring the sentimental daughter as a patriarchal prop.  She develops a useful concept of hysteria and argues that generic “disorder” and hysterical “intrusions” mark the family romance novels of Jane Austen, Emily and Charlotte Brontë, and George Eliot.  And finally, she makes the case that the daughter’s choice to stay home is not necessarily an act of simple complicity,  for by staying home she comes as close as she can to disrupting the father-daughter romance.

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cover of Deaf Women's Lives: Three Self-Portraits

Deaf Women's Lives

Three Self-Portraits

Bainy Cyrus

Gallaudet University Press, 2005

Three deaf women with widely varying stories share their experiences in this unique collection, revealing the vast differences in the circumstances of their lives, but also striking similarities. In Bainy Cyrus’s All Eyes, she vividly describes her life as a young child who was taught using the oral method at the Clarke School for the Deaf in Northampton, MA. Her account of the methods used (for example, repeating the same word over and over again, as many as 35 times), animates the extraordinary amount of work performed by deaf children to learn to read and speak. Cyrus also relates the importance of her lifelong friendships with two girls she met at Clarke, and how the different paths that they took influenced her as an adult.

     Eileen Katz’s story, as told to Celeste Cheyney, offers a glimpse into a deaf girl’s life a generation before Cyrus. In Making Sense of It All: The Battle of Britain Through a Jewish Deaf Girl’s Eyes, Katz juxtaposes the gradual learning of the words who, what, where, and why with the confusing events of 1938 to 1941. As she and her fellow students grasped the meanings of these questions, they also realized the threat from the Nazi air attacks upon England. Katz also understood the compound jeopardy that she and her classmates faced by being both deaf and Jewish.

     In contrast to the predominantly oral orientation of Cyrus and Katz, Frances M. Parsons writes of a year-long journey overseas in 1976 to lecture about Total Communication. Parsons traveled to Iran, India, Ceylon, Thailand, Malaysia, Singapore, Hong Kong, Taipei, the Philippines, Australia, and seven countries in Africa to teach administrators, teachers, and deaf students to communicate using sign, speechreading, writing, and any other means available. Her harrowing and fascinating anecdotes detail visits to ministries of education, schools, hospitals, clinics, palaces, hovels for the poorest of the poor, and all kinds of residential homes and apartments. Taken together, her travels testify to the aptness of her title I Dared!

     The combined effect of these three Deaf women’s stories, despite the variation in their experiences, reveals the common thread that weaves through the lives of all deaf individuals.

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cover of Dear Dr. Menninger: Women's Voices from the Thirties

Dear Dr. Menninger

Women's Voices from the Thirties

Howard J. Faulkner and Virginia D. Pruitt, eds.

University of Missouri Press, 1997

In 1930 Dr. Karl A. Menninger, one of America's most distinguished psychiatrists, was asked by the editor of Ladies' Home Journal to write a monthly column that would address mental health issues and answer questions from readers. The result was the widely popular column "Mental Hygiene in the Home," which ran for eighteen months at a time when the American public was just beginning to popularize the idea of mental hygiene and psychotherapy.

Of the thousands of letters Dr. Menninger received, only a small number were printed in the Journal. However, he wrote personal responses to all of them, over two thousand of which have been preserved. For this book, Howard J. Faulkner and Virginia D. Pruitt have selected more than eighty exchanges that provide intimate glimpses into the personal lives of women from across the country.

Most notable in this fascinating collection is the precision and clarity of the women's voices, as well as Dr. Menninger's incisive, analytical, and elegantly phrased replies. The topics that were of major concern to these women included their own sexuality, cheating husbands, problem children, and interfering in-lawsþin other words, the same issues that many women still face today. Although Dr. Menninger's advice may sometimes be questionable by modern standards, these letters provide a useful look at the social assumptions of the 1930s.

Included in the book is an excellent introduction by the editors that traces America's affection for advice columns, chronicles Dr. Menninger's life and work, and provides an overview of the development of psychotherapy. Entertaining as well as informative, these letters not only offer a valuable reflection of women's issues during the Depression era but also invite comparison and contrast with contemporary problems, attitudes, and values.

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cover of Dear Helen: Wartime Letters from a Londoner to Her American Pen Pal

Dear Helen

Wartime Letters from a Londoner to Her American Pen Pal

Edited by Russell M. Jones & John H. Swanson

University of Missouri Press, 2009

In 1937, Betty Swallow was a young London secretary enjoying the social whirl of the world’s most sophisticated metropolis. She came to know fellow movie buff Helen Bradley of Kansas City through a movie magazine, and their initially lighthearted correspondence about film stars came to encompass a world war—and reflect Betty’s unique view of it.
            Today there are countless descriptions of wartime Britain from historians and journalists; Dear Helen depicts World War II—from its buildup to its aftermath—from the perspective of an average London citizen, with details of daily life that few other documents provide. In letters written from 1937 to 1950 and now housed at the Winston Churchill Memorial and Library at Westminster College in Fulton, Missouri, Betty shares accounts of the Blitz and wartime deprivations, then of the postwar austerity programs, in passages that interweave daily terror with talk about theater, clothes, and family outings.
Betty is the epitome of English pluck: patriotic, practical, and romantic despite the bombs falling about her. She laments the lack of ingredients for a proper Christmas pudding, but Helen’s holiday package of candy, nylons, and cosmetics helps make up for the shortages. She shares graphic descriptions of the relentless attacks on London but tells also of how silk stockings or a trip to the cinema could take the edge off nights spent in an underground shelter—where “lying about on wet and cold stone floors, breathing bad air” took a toll on her health.
            These letters do more than document headlines and daily life: they candidly convey British attitudes toward American isolationism prior to Pearl Harbor and reveal how the English felt about taking on the Nazis alone. They also tell of the social changes that transformed English society—including Betty’s transformation from Tory to Socialist—and how the cold war had a different impact on British citizens than on Americans. Throughout the exchange, the haven that Betty and Helen shared in the world of movies becomes a frequent counterpoint to the stress of the war.
            Dear Helen is a book of rich personal drama that further attests to the British-American “special relationship.” Through this sustained correspondence spanning the war years, we meet a real person whose reflections shed light on British opinion during the harshest times and whose experiences give us new insight into the horror of the Blitz.
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cover of Dear Munificent Friends: Henry James's Letters to Four Women

Dear Munificent Friends

Henry James's Letters to Four Women

Susan E. Gunter, Editor

University of Michigan Press, 2000

Henry James was not only a prolific novelist but also a prolific letter writer. This edition of 150 previously unpublished letters to four of his female contemporaries reveals James to be a warm, witty, and astute commentator on a world now lost. The James revealed in these engaging letters is a vital, clever, and lively man with an intense interest in affairs of his day. The letters present a delightful picture of Victorian-Edwardian culture, including health cures (Fletcherizing and going to health spas), literary scandals (he feared writer Edith Wharton would be destroyed by her mad husband Teddy), domestic affairs (the marriage market, child rearing, antiquing, decorating, and gardening), and historical events (the Civil War, Queen Victoria's funeral, England's great Coal Strike, the Dreyfus case, and World War I).Susan Gunter has selected and annotated correspondence between James and four women in his social milieu: Alice Howe Gibbens James, wife of William James; Mary Cadwalader Jones, wife of Frederic Rhinelander Jones (New York socialite and Edith Wharton's brother); Mary Frances Prothero, wife of Cambridge academic Sir George Prothero; and Lady Louisa Wolseley, wife of Viscount Garnet Wolseley, commander-in-chief of the British Forces. Of the 10,000 extant letters by James, over two-thirds of them have never been published. The selection presented here is designed to reveal the writer's human side, his humorous and warm views of Anglo-American life over a fifty-year span, as well as his intimate participation in nineteenth-century women's daily lives. Editor Susan Gunter has provided an introduction that offers a helpful historical overview of nineteenth-century women's roles, a biographical register of people mentioned in the letters, a chronology, and brief biographies of the four women correspondents. Readers interested in gender studies, biography, intellectual and cultural history, and literary history will find this book fascinating.
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cover of Death by Fire: Sati, Dowry Death, and Female Infanticide in Modern India

Death by Fire

Sati, Dowry Death, and Female Infanticide in Modern India

Sen, Mala

Rutgers University Press, 2002

The Indian village of Deorala in Rajasthan, the northwestern Indian state that borders Pakistan, is neither remote nor feudal in the strictest sense. A tarmac road links the population of 10,000 to neighboring villages and towns, there is running water and electricity, and the villagers have had television for more than twenty years. On September 4, 1987, Deorala found itself in the center of a furor that awoke age-old conflicts in Indian society. Before a crowd of several thousand people, mostly men, a young woman dressed in her bridal finery was burned alive on her husband’s funeral pyre. The apparent revival of an ancient tradition opened old wounds in Indian society and focused world attention on the status and treatment of women in modern India.

The ancient practice of sati — the self-immolation of a woman on her husband’s funeral pyre — was outlawed by the British administration in India in 1829, and sati was widely believed to have died out. The fate of 18-year-old Roop Kanwar changed that perception. Mala Sen explores the reality of life and death for women in modern India in a study that is both illuminating and terrifying. The book is part journey through the India that the author knows and loves, and part exploration of the enigma that India still remains in the minds of many. Starting with Kanwar, Sen enters the worlds of three women: a goddess, a burned bride, and a woman accused of killing her daughter, and shows how, in this society in which ancient and modern apparently co-exist comfortably, there is increasingly cause for real alarm. She creates an image of a state in which political turmoil is constantly at the surface, and in which the role of women is constantly being redefined.

[more]
cover of Debate of the Romance of the Rose

Debate of the Romance of the Rose

Christine de Pizan

University of Chicago Press, 2010

In 1401, Christine de Pizan (1365–1430?), one of the most renowned and prolific woman writers of the Middle Ages, wrote a letter to the provost of Lille criticizing the highly popular and widely read Romance of the Rose for its blatant and unwarranted misogynistic depictions of women. The debate that ensued, over not only the merits of the treatise but also of the place of women in society, started Europe on the long path to gender parity. Pizan’s criticism sparked a continent-wide discussion of issues that is still alive today in disputes about art and morality, especially the civic responsibility of a writer or artist for the works he or she produces.


In Debate of the “Romance of the Rose,” David Hult collects, along with the debate documents themselves, letters, sermons, and excerpts from other works of Pizan, including one from City of Ladies—her major defense of women and their rights—that give context to this debate. Here, Pizan’s supporters and detractors are heard alongside her own formidable, protofeminist voice.  The resulting volume affords a rare look at the way people read and thought about literature in the period immediately preceding the era of print.

[more]
cover of Debating Women's Equality: Toward a Feminist Theory of Law from a European Perspective

Debating Women's Equality

Toward a Feminist Theory of Law from a European Perspective

Gerhard, Ute

Rutgers University Press, 2001

Ute Gerhard places women's rights at the center of legal philosophy and sees the struggle for equality as a driving force in the history of law. Focusing on Europe and taking the course of German feminism and law as primary examples, she incorporates the various social contexts in which questions of equality and gender difference have been raised into an analysis that challenges misconceptions about the principle of equality itself.

Gerhard reviews the history of women's movements in the nineteenth and twentieth centuries and traces the historical development of claims to gender equality as well as obstacles to these claims. Critically exploring the influence of philosophers such as Rousseau, Fichte, and Kant, Gerhard concludes that women need to be recognized as both equal and different-that claims to equality do not simply eliminate difference, but also articulate it. Mindful of the social and political contexts surrounding equality arguments, Gerhard probes three legal issues: women's rights in the public sphere, especially the right to vote; women's legal capacities in private law, or the legal doctrine of so-called gender tutelage; and women's human rights, a prominent concern in the current international women's movement.
[more]
cover of Debating Women: Gender, Education, and Spaces for Argument, 1835-1945

Debating Women

Gender, Education, and Spaces for Argument, 1835-1945

Carly S. Woods

Michigan State University Press, 2018

Spanning a historical period that begins with women’s exclusion from university debates and continues through their participation in coeducational intercollegiate competitions, Debating Women highlights the crucial role that debating organizations played as women sought to access the fruits of higher education in the United States and United Kingdom. Despite various obstacles, women transformed forests, parlors, dining rooms, ocean liners, classrooms, auditoriums, and prisons into vibrant spaces for ritual argument. There, they not only learned to speak eloquently and argue persuasively but also used debate to establish a legacy, explore difference, engage in intercultural encounter, and articulate themselves as citizens. These debaters engaged with the issues of the day, often performing, questioning, and occasionally refining norms of gender, race, class, and nation. In tracing their involvement in an activity at the heart of civic culture, Woods demonstrates that debating women have much to teach us about the ongoing potential for debate to move arguments, ideas, and people to new spaces.
 
[more]
cover of Debt to Society: Accounting for Life under Capitalism

Debt to Society

Accounting for Life under Capitalism

Miranda Joseph

University of Minnesota Press, 2014

It is commonplace to say that criminals pay their debt to society by spending time in prison, but what is a “debt to society”? How is crime understood as a debt? How has time become the equivalent for crime? And how does criminal debt relate to the kind of debt held by consumers and university students?

In Debt to Society, Miranda Joseph explores modes of accounting as they are used to create, sustain, or transform social relations. Envisioning accounting broadly to include financial accounting, managerial accounting of costs and performance, and the calculation of “debts to society” owed by criminals, Joseph argues that accounting technologies have a powerful effect on social dynamics by attributing credits and debts. From sovereign bonds and securitized credit card debt to student debt and mortgages, there is no doubt that debt and accounting structure our lives.

Exploring central components of neoliberalism (and neoliberalism in crisis) from incarceration to personal finance and university management, Debt to Society exposes the uneven distribution of accountability within our society. Joseph demonstrates how ubiquitous the forces of accounting have become in shaping all aspects of our lives, proposing that we appropriate accounting and offer alternative accounts to turn the present toward a more widely shared well-being.

[more]
cover of Declamation on the Nobility and Preeminence of the Female Sex

Declamation on the Nobility and Preeminence of the Female Sex

Henricus Cornelius Agrippa

University of Chicago Press, 1996

Originally published in 1529, the Declamation on the Preeminence and Nobility of the Female Sex argues that women are more than equal to men in all things that really matter, including the public spheres from which they had long been excluded.

Rather than directly refuting prevailing wisdom, Agrippa uses women's superiority as a rhetorical device and overturns the misogynistic interpretations of the female body in Greek medicine, in the Bible, in Roman and canon law, in theology and moral philosophy, and in politics. He raised the question of why women were excluded and provided answers based not on sex but on social conditioning, education, and the prejudices of their more powerful oppressors. His declamation, disseminated through the printing press, illustrated the power of that new medium, soon to be used to generate a larger reformation of religion.
[more]
cover of Decoding Abortion Rhetoric: Communicating Social Change

Decoding Abortion Rhetoric

Communicating Social Change

Celeste Michelle Condit

University of Illinois Press, 1990

Condit provides a close look at how pro-life and pro-choice arguments have helped shape the development of public policy and private practice. She offers readers an orderly way through the barrage of rhetoric and an opportunity to identify and clarify our own opinions on a very difficult subject.
[more]
cover of Defining Girlhood in India: A Transnational History of Sexual Maturity Laws

Defining Girlhood in India

A Transnational History of Sexual Maturity Laws

Ashwini Tambe

University of Illinois Press, 2019

At what age do girls gain the maturity to make sexual choices? This question provokes especially vexed debates in India, where early marriage is a widespread practice. India has served as a focal problem site in NGO campaigns and intergovernmental conferences setting age standards for sexual maturity. Over the last century, the country shifted the legal age of marriage from twelve, among the lowest in the world, to eighteen, at the high end of the global spectrum. Ashwini Tambe illuminates the ideas that shaped such shifts: how the concept of adolescence as a sheltered phase led to delaying both marriage and legal adulthood; how the imperative of population control influenced laws on marriage age; and how imperial moral hierarchies between nations provoked defensive postures within India. Tambe takes a transnational feminist approach to legal history, showing how intergovernmental debates influenced Indian laws and how expert discourses in India changed UN terminology about girls. Ultimately, Tambe argues, the well-meaning focus on child marriage has been tethered less to the interests of girls themselves and more to parents’ interests, achieving population control targets, and preserving national reputation.
[more]
cover of Degrees of Difference: Reflections of Women of Color on Graduate School

Degrees of Difference

Reflections of Women of Color on Graduate School

Edited by Kimberly D. McKee and Denise A. Delgado

University of Illinois Press, 2020

University commitments to diversity and inclusivity have yet to translate into support for women of color graduate students. Sexism, classism, homophobia, racial microaggressions, alienation, disillusionment, a lack of institutional and departmental support, limited help from family and partners, imposter syndrome, narrow reading lists—all remain commonplace. Indifference to the struggles of women of color in graduate school and widespread dismissal of their work further poisons an atmosphere that suffocates not only ambition but a person's quality of life.

In Degrees of Difference, women of color from diverse backgrounds give frank, unapologetic accounts of their battles—both internal and external—to navigate grad school and fulfill their ambitions. At the same time, the authors offer strategies for surviving the grind via stories of their own hard-won successes with self-care, building supportive communities, finding like-minded mentors, and resisting racism and unsupportive faculty and colleagues.

Contributors: Aeriel A. Ashlee, Denise A. Delgado, Nwadiogo I. Ejiogu, Delia Fernández, Regina Emily Idoate, Karen J. Leong, Kimberly D. McKee, Délice Mugabo, Carrie Sampson, Arianna Taboada, Jenny Heijun Wills, and Soha Youssef

[more]
cover of Degrees of Difficulty: How Women's Gymnastics Rose to Prominence and Fell from Grace

Degrees of Difficulty

How Women's Gymnastics Rose to Prominence and Fell from Grace

Georgia Cervin

University of Illinois Press, 2021

How the Cold War era changed the trajectory of women's gymnastics

Electrifying athletes like Olga Korbut and Nadia Comăneci helped make women’s artistic gymnastics one of the most popular events in the Olympic Games. But the transition of gymnastics from a women’s sport to a girl’s sport in the 1970s also laid the foundation for a system of emotional, physical, and sexual abuse of gymnasts around the world. Georgia Cervin offers a unique history of women's gymnastics, examining how the high-stakes diplomatic rivalry of the Cold War created a breeding ground for exploitation. Yet, a surprising spirit of international collaboration arose to decide the social values and image of femininity demonstrated by the sport. Cervin also charts the changes in style, equipment, training, and participants that transformed the sport, as explosive athleticism replaced balletic grace and gymnastics dominance shifted from East to West.

Sweeping and revelatory, Degrees of Difficulty tells a story of international friction, unexpected cooperation, and the legacy of abuse and betrayal created by the win-at-all-cost attitudes of the Cold War.

[more]
cover of Dehexing Sex: Russian Womanhood During and After Glasnost

Dehexing Sex

Russian Womanhood During and After Glasnost

Helena Goscilo

University of Michigan Press, 1996

Glasnost and the collapse of the Soviet Union revolutionized Russian society. What effects, however, did they have on the status, role, and image of women in Russian culture? Examining the past turbulent decade of transition to "democracy" and a market economy, Dehexing Sex traces the ways in which Russia's concept of womanhood both changed and remained the same, taking into account dominant ideologies and social philosophies, sociopolitical organizations, women's writings, literary criticism, film, and popular cultural forms such as pornography. The lively, engaging chapters of this book examine texts by contemporary women writers in the context of the political, social, economic, biological, psychological, and aesthetic transformations that helped define them. Goscilo reveals that the Russian cultural revolution has reshaped the female image in varied and often contradictory ways. While increased interaction with the West fostered gender awareness, it also introduced imported Western sexist practices--especially the exploitation of female bodies--formerly proscribed by a puritanical censorship. Popular magazines, newspapers, and television propagated the image of woman as mother, ornament, and sexual object, even as women's fiction conceived of womanhood in complex psychological terms that undermined the gender stereotypes which had ruled Soviet thinking for more than 70 years. With the aid of feminist and cultural theory, Dehexing Sex investigates the overt and internalized misogyny that combined with the genuinely liberalizing forces unleashed by Gorbachev's policy of glasnost and perestroika. It exposes Russia's repressive romance with womanhood as a metaphor for nationhood and explores Russian women's ironic recasting of national mythologies. "Impressive . . . an important contribution to Russian studies and to women's studies. The author is an outstanding scholar, an energetic and original thinker, and her writing sparkles with imagination and wit." --Stephanie Sandler, Amherst College Helena Goscilo is Associate Professor and Chair of Slavic Languages and Literatures, University of Pittsburgh.
[more]
cover of Delivering Health: Midwifery and Development in Mexico

Delivering Health

Midwifery and Development in Mexico

Lydia Z. Dixon

Vanderbilt University Press, 2020

Honorable Mention for the Association for Feminist Anthropology's Rosaldo Book Prize, 2021

Maternal health outcomes are a key focus of global health initiatives. In Delivering Health, author Lydia Z. Dixon uncovers the ways such outcomes have been shaped by broader historical, political, and social factors in Mexico, through the perspectives of those who are at the front lines fighting for change: midwives.

Midwives have long been marginalized in Mexico as remnants of the country's precolonial past, yet Dixon shows how they are now strategically positioning themselves as agents of modernity and development. Midwifery education programs have popped up across Mexico, each with their own critique of the health care system and vision for how midwifery can help. Delivering Health ethnographically examines three such schools with very different educational approaches and professional goals. From San Miguel de Allende to Oaxaca to Michoacán and points between, Dixon takes us into the classrooms, clinics, and conferences where questions of what it means to provide good reproductive health care are being taught, challenged, and implemented. Through interviews, observational data, and even student artwork, we are shown how underlying inequality manifests in poor care for many Mexican women. The midwives in this book argue that they can improve care while also addressing this inequality. Ultimately, Delivering Health asks us to consider the possibility that marginalized actors like midwives may hold the solution to widespread concerns in health.
[more]
cover of Demanding Child Care: Women's Activism and the Politics of Welfare, 1940-1971

Demanding Child Care

Women's Activism and the Politics of Welfare, 1940-1971

Natalie M. Fousekis

University of Illinois Press, 2013

During World War II, as women stepped in to fill jobs vacated by men in the armed services, the federal government established public child care centers in local communities for the first time. When the government announced plans to withdraw funding and terminate its child care services at the end of the war, women in California protested and lobbied to keep their centers open, even as these services rapidly vanished in other states.

Analyzing the informal networks of cross-class and cross-race reformers, policymakers, and educators, Demanding Child Care: Women's Activism and the Politics of Welfare, 1940–1971 traces the rapidly changing alliances among these groups. During the early stages of the childcare movement, feminists, Communists, and labor activists banded together, only to have these alliances dissolve by the 1950s as the movement welcomed new leadership composed of working-class mothers and early childhood educators. In the 1960s, when federal policymakers earmarked child care funds for children of women on welfare and children described as culturally deprived, it expanded child care services available to these groups but eventually eliminated public child care for the working poor.

Deftly exploring the possibilities for partnership as well as the limitations among these key parties, Fousekis helps to explain the barriers to a publically funded comprehensive child care program in the United States.

[more]
cover of Demanding Justice and Security: Indigenous Women and Legal Pluralities in Latin America

Demanding Justice and Security

Indigenous Women and Legal Pluralities in Latin America

Sieder, Rachel

Rutgers University Press, 2017

Across Latin America, indigenous women are organizing to challenge racial, gender, and class discrimination through the courts. Collectively, by engaging with various forms of law, they are forging new definitions of what justice and security mean within their own contexts and struggles. They have challenged racism and the exclusion of indigenous people in national reforms, but also have challenged ‘bad customs’ and gender ideologies that exclude women within their own communities.
 
Featuring chapters on Bolivia, Colombia, Ecuador, Guatemala, and Mexico, the contributors to Demanding Justice and Security include both leading researchers and community activists. From Kichwa women in Ecuador lobbying for the inclusion of specific clauses in the national constitution that guarantee their rights to equality and protection within indigenous community law, to Me’phaa women from Guerrero, Mexico, battling to secure justice within the Inter-American Court of Human Rights for violations committed in the context of militarizing their home state, this book is a must-have for anyone who wants to understand the struggle of indigenous women in Latin America.
 
[more]
cover of Democracy on the Wall: Street Art of the Post-Dictatorship Era in Chile

Democracy on the Wall

Street Art of the Post-Dictatorship Era in Chile

Guisela Latorre

The Ohio State University Press, 2019

Guisela Latorre’s Democracy on the Wall: Street Art of the Post-Dictatorship Era in Chile documents and critically deconstructs the explosion of street art that emerged in Chile after the dictatorship of Augusto Pinochet, providing the first broad analysis of the visual vocabulary of Chile’s murals and graffiti while addressing the historical, social, and political context for this public art in Chile post-1990.
 
Exploring the resurgence and impact of the muralist brigades, women graffiti artists, the phenomenon of “open-sky museums,” and the transnational impact on the development of Chilean street art, Latorre argues that mural and graffiti artists are enacting a “visual democracy,” a form of artistic praxis that seeks to create alternative images to those produced by institutions of power. Keenly aware of Latin America’s colonial legacy and deeply flawed democratic processes, and distrustful of hegemonic discourses promoted by government and corporate media, the artists in Democracy on the Wall utilize graffiti and muralism as an alternative means of public communication, one that does not serve capitalist or nationalist interests. Latorre posits that through these urban interventions that combine creativity with social action, Chilean street artists formulate visions of what a true democracy looks like.
[more]
cover of Demonic Grounds: Black Women And The Cartographies Of Struggle

Demonic Grounds

Black Women And The Cartographies Of Struggle

Katherine McKittrick

University of Minnesota Press, 2006

IIn a long overdue contribution to geography and social theory, Katherine McKittrick offers a new and powerful interpretation of black women’s geographic thought. In Canada, the Caribbean, and the United States, black women inhabit diasporic locations marked by the legacy of violence and slavery. Analyzing diverse literatures and material geographies, McKittrick reveals how human geographies are a result of racialized connections, and how spaces that are fraught with limitation are underacknowledged but meaningful sites of political opposition.

Demonic Grounds moves between past and present, archives and fiction, theory and everyday, to focus on places negotiated by black women during and after the transatlantic slave trade. Specifically, the author addresses the geographic implications of slave auction blocks, Harriet Jacobs’s attic, black Canada and New France, as well as the conceptual spaces of feminism and Sylvia Wynter’s philosophies.

Central to McKittrick’s argument are the ways in which black women are not passive recipients of their surroundings and how a sense of place relates to the struggle against domination. Ultimately, McKittrick argues, these complex black geographies are alterable and may provide the opportunity for social and cultural change.

Katherine McKittrick is assistant professor of women’s studies at Queen’s University.
[more]
cover of Denise Levertov: Selected Criticism

Denise Levertov

Selected Criticism

Edited with an Introduction by Albert Gelpi

University of Michigan Press, 1993

Illuminating reflections on the achievements of poet Denise Levertov
[more]
cover of Deregulating Desire: Flight Attendant Activism, Family Politics, and Workplace Justice

Deregulating Desire

Flight Attendant Activism, Family Politics, and Workplace Justice

Ryan Patrick Murphy

Temple University Press, 2016

In 1975, National Airlines was shut down for 127 days when flight attendants went on strike to protest long hours and low pay. Activists at National and many other U.S. airlines sought to win political power and material resources for people who live beyond the boundary of the traditional family. In Deregulating Desire, Ryan Patrick Murphy, a former flight attendant himself, chronicles the efforts of single women, unmarried parents, lesbians and gay men, as well as same-sex couples to make the airline industry a crucible for social change in the decades after 1970.

Murphy situates the flight attendant union movement in the history of debates about family and work. Each chapter offers an economic and a cultural analysis to show how the workplace has been the primary venue to enact feminist and LGBTQ politics.

From the political economic consequences of activism to the dynamics that facilitated the rise of what Murphy calls the “family values economy” to the Airline Deregulation Act of 1978, Deregulating Desire emphasizes the enduring importance of social justice for flight attendants in the twenty-first century.

[more]
cover of Deserving Desire: Women's Stories of Sexual Evolution

Deserving Desire

Women's Stories of Sexual Evolution

Montemurro, Beth

Rutgers University Press, 2015

Women experience considerable changes in their bodies, lives, and identity between the ages of twenty and seventy, including marriage, motherhood, the dissolution of relationships, and menopause, all of which often impact sexuality. In Deserving Desire, Beth Montemurro takes a wide-ranging look at the evolution of women’s sexuality over time, with a specific focus on the development of sexual subjectivity—that is sexual confidence, agency, and a sense of entitlement to sexual desire.

Detailed stories of the ninety-five women in this study explore how they become more comfortable with their bodies, when most begin to enjoy sex, feel confident and positive about engaging in it, and how they become sexual subjects in control of their bodies. Deserving Desire explores the complex multi-stage process in which sexual subjectivity evolves over a woman’s lifetime. As girls, they learn about sex and how those around them—parents, peers, religion and media—regard sex. Physical and emotional transitions such as having a baby or ending a relationship further affect women’s sexual confidence and desire. Montemurro emphasizes that sexual subjectivity is about feeling in control of sexual decision making and acting purposefully and confidently. 

Though adolescent sexuality has been a major focus of sociological research, few studies have examined, as Montemurro does here, the development of sexuality through women’s lives and the events that change the way women feel about themselves, their bodies, and their relationships.
[more]
cover of Designing the Teenage Girl: The Debut of a Popular Character

Designing the Teenage Girl

The Debut of a Popular Character

Mary Celeste Kearney

University of Texas Press, 2026

Explores the forgotten first wave of American teen-girl entertainment from the late 1920s through the early 1950s.

During the mid-twentieth century, American entertainment featuring teenage girls blossomed. From short stories to plays, films, comics, radio programs, and television shows, writers and other creative professionals developed a new character type that helped to define midcentury girlhood and teen culture. Designing the Teenage Girl uncovers the largely forgotten first wave of US teen-girl entertainment, tracing its emergence in the 1920s through a thirty-year production cycle that spanned all sectors of American popular culture.

Beginning with short stories such as Sally Benson’s Junior Miss and following their adaptations, Kearney reveals how teen-girl narratives circulated across industries. Drawing on archival research and analysis of visual, narrative, and sound design, Kearney situates these texts within the identity politics of the period. While midcentury teen-girl entertainment privileged white, middle-class femininity, it also contained alternative visions of girlhood that complicated heteronormative and patriarchal expectations. This study reframes the origins of teen-girl entertainment and demonstrates how its aesthetic strategies and industrial practices continue to shape representations of girlhood today.

[more]
cover of Desired States: Sex, Gender, and Political Culture in Chile

Desired States

Sex, Gender, and Political Culture in Chile

Lessie Jo Frazier

Rutgers University Press, 2020

Desired States challenges the notion that in some cultures, sex and sexuality have become privatized and located in individual subjectivity rather than in public political practices and institutions. Instead, the book contends that desire is a central aspect of political culture. Based on fieldwork and archival research, Frazier explores the gendered and sexualized dynamics of political culture in Chile, an imperialist context, asking how people connect with and become mobilized in political projects in some cases or, in others, become disaffected or are excluded to varying degrees. The book situates the state in a rich and changing context of transnational and localized movements, imperialist interests, geo-political conflicts, and market forces to explore the broader struggles of desiring subjects, especially in those dimensions of life that are explicitly sexual and amorous: free love movements, marriage, the sixties’ sexual revolution in Cold War contexts, prostitution policies, ideas about men’s gratification, the charisma of leaders, and sexual/domestic violence against women.
 
[more]
cover of Development Detoothed: Ugandan Girls and the Making and Unmaking of a Global NGO Campaign

Development Detoothed

Ugandan Girls and the Making and Unmaking of a Global NGO Campaign

Erin V. Moore

University of Chicago Press, 0

An in-depth examination and critique of girls’ empowerment campaigns in Uganda.

In Kampala, Uganda’s capital and largest city, to “detooth” is to take a man’s money with promises of sex and intimacy.  In this highly engaging book, anthropologist Erin V. Moore uses detoothing as a metaphor to capture the ways that many in Uganda, where unemployment rates are staggering, get access to resources from prosperous international NGOs. 

Based on over a decade of ethnographic research in Uganda, Canada, Ethiopia, Tanzania, the United Kingdom, the United States, and at the United Nations, Development Detoothed focuses on the world’s largest campaign to “empower” adolescent girls in the global south, which aimed to reach hundreds of millions of girls. Moore follows the campaign’s money and messages around the world, through what she calls the “development supply chain,” from NGO headquarters to staff training workshops, UN offices, government agencies, and community-based organizations.

From this uniquely multisited perspective, she explains how billions of aid dollars earmarked for girls ended up in the hands of men who ran these organizations. Rather than merely document ironic outcomes, however, Moore shows how people inventively navigated the development industry’s many injustices, arguing that as young Ugandan women pull development’s “teeth” they effectively challenge broader ideas about power, money, and masculinity.

[more]
cover of Deviant and Useful Citizens: The Cultural Production of the Female Body in Eighteenth-Century Peru

Deviant and Useful Citizens

The Cultural Production of the Female Body in Eighteenth-Century Peru

Mariselle Melendez

Vanderbilt University Press, 2011

Deviant and Useful Citizens explores the conditions of women and perceptions of the female body in the eighteenth century throughout the Viceroyalty of Peru, which until 1776 comprised modern-day Argentina, Bolivia, Chile, Paraguay, Peru, and Uruguay. Author Mariselle Meléndez introduces the reader to a female rebel, Micaela Bastidas, whose brutal punishment became a particularly harsh example of state response to women who challenged the system. She explores the cultural representation of women depicted as economically productive and vital to the health of the culture at large. The role of women in religious orders provides still another window into the vital need to sustain the image of women as loyal and devout—and to deal with women who refused to comply.

The book focuses on the different ways male authorities, as well as female subjects, conceived the female body as deeply connected to notions of what constituted a useful or deviant citizen within the Viceroyalty. Using eighteenth-century legal documents, illustrated chronicles, religious texts, and newspapers, Meléndez explores in depth the representation of the female body in periods of political, economic, and religious transformation to determine how it was conceived within certain contexts.

Deviant and Useful Citizens presents a highly complex society that relied on representations of utility and productivity to understand the female body, as it reveals the surprisingly large stake that colonial authorities had in defining the status of women during a crucial time in South American history.
[more]
cover of Devotion of These Women: Rhode Island in the Antislavery Network

Devotion of These Women

Rhode Island in the Antislavery Network

Deborah B. Van Broekhoven

University of Massachusetts Press, 2009

During the 1830s, the small state of Rhode Island flourished as a center of radical abolitionism. Inspired by William Lloyd Garrison's call for immediate emancipation, some twenty-five anti-slavery societies were formed under the leadership of the African American communities in Providence and Newport, several energetic Baptist and Congregational clergymen, and the wealthy elder statesman of the New England Friends, Moses Brown.

Despite the efforts of these groups, by 1842 the antislavery movement in Rhode Island was nearly moribund, the unified hopes of earlier years having fallen victim to political wrangling. A year later the largest auxiliary in the state, the Providence Antislavery Society, turned its funds over to Amarancy Paine, who in concert with other women not only revived the abolitionist movement in the state but kept it running for another ten years.

This detailed study explores how and why women like Paine emerged from the background to resuscitate and lead the antislavery cause in Rhode Island. It suggests that women more than men were accustomed to working behind the scenes, informally and without much public recognition.

The crumbling of the male-centered organization revealed a previously invisible female-based structure of personal ties on which leaders were able to build the Rhode Island State Anti-Slavery Society. Because these informal ties crossed traditional racial, geographic, and gender-role boundaries, they were often tenuous and fragile. Nevertheless, by developing this network among themselves and then extending it to national leaders, a few dedicated women managed to continue a program of antislavery petitioning, meetings, and literature circulation.
[more]
cover of Dharma's Daughters: Contemporary Indian Women and Hindu Culture

Dharma's Daughters

Contemporary Indian Women and Hindu Culture

Mitter, Sara S

Rutgers University Press, 1991

Women in India today are faced with a major conflict: how to adjust to rapid modernization and industrialization without abandoning traditional roles and customs. One of the assets of Hinduism has been its ability to incorporate seemingly unorthodox ideas, not fight against them. Contemporary Indian women today are trying to reconcile innovation with tradition as they assert that women are significant participants in the economy, that crimes against women should be investigated and prosecuted, and that a woman can divorce her husband. This is no easy task in light of the highly structured nature of Indian society. It is both hierarchical and patriarchal. Regardless of a family's economic position, women in the family are considered inferior. It is the woman's job, first and foremost, to be loyal to her husband and to be a good mother to her children.

Dharma's Daughters is divided into three sections. The first introduces us to women who live and work in Bombay, where the population is dense and the housing is inadequate. We meet manual laborers, members of construction crews, and illiterate domestic workers who live in shanties. Mitter paints a vivid picture of the harried lives of these women. In the second section Mitter describes Hindu mythology and the traditions that form the basis for women's lives. In the final section, Mitter tells of the increasing mobilization and resistance of Indian women since the 1970s.

[more]
cover of Diagnosing Desire: Biopolitics and Femininity into the Twenty-First Century

Diagnosing Desire

Biopolitics and Femininity into the Twenty-First Century

Alyson K. Spurgas

The Ohio State University Press, 2020

Winner, 2021 Cultural Studies Association First Book Prize

In Diagnosing Desire: Biopolitics and Femininity into the Twenty-First Century, Alyson K. Spurgas examines the “new science of female sexuality” from a critical, sociological perspective, considering how today’s feminist-identified sex researchers study and manage women with low desire. Diagnosing Desire investigates experimental sex research that measures the disconnect between subjective and genital female arousal, contemporary psychiatric diagnoses for low female desire, new models for understanding women’s sexual response, and cutting-edge treatments for low desire in women—including from the realms of mindfulness and alternative healing.
 
Spurgas makes the case that, together, all of these technologies create a “feminized responsive desire framework” for understanding women’s sexuality, and that this, in fact, produces women’s sexuality as a complex problem to be solved. The biggest problem, Spurgas argues, is that gendered and sexualized trauma—including as it is produced within technoscientific medicine itself—is too often ignored in contemporary renderings. Through incisive textual analysis and in-depth qualitative research based on interviews with women with low desire, Spurgas argues for a more radical and communal form of care for feminized—and traumatized—populations, in opposition to biopolitical mandates to individualize and neoliberalize forms of self-care. Ultimately, this is a book not just about a specific diagnosis or dysfunction but about the material-discursive regimes that produce and regulate femininity.

 
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cover of Dialogue on the Infinity of Love

Dialogue on the Infinity of Love

Tullia d'Aragona

University of Chicago Press, 1997

Celebrated as a courtesan and poet, and as a woman of great intelligence and wit, Tullia d'Aragona (1510–56) entered the debate about the morality of love that engaged the best and most famous male intellects of sixteenth-century Italy. First published in Venice in 1547, but never before published in English, Dialogue on the Infinity of Love casts a woman rather than a man as the main disputant on the ethics of love.

Sexually liberated and financially independent, Tullia d'Aragona dared to argue that the only moral form of love between woman and man is one that recognizes both the sensual and the spiritual needs of humankind. Declaring sexual drives to be fundamentally irrepressible and blameless, she challenged the Platonic and religious orthodoxy of her time, which condemned all forms of sensual experience, denied the rationality of women, and relegated femininity to the realm of physicality and sin. Human beings, she argued, consist of body and soul, sense and intellect, and honorable love must be based on this real nature.

By exposing the intrinsic misogyny of prevailing theories of love, Aragona vindicates all women, proposing a morality of love that restores them to intellectual and sexual parity with men. Through Aragona's sharp reasoning, her sense of irony and humor, and her renowned linguistic skill, a rare picture unfolds of an intelligent and thoughtful woman fighting sixteenth-century stereotypes of women and sexuality.
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cover of Dialogues and Addresses

Dialogues and Addresses

Madame de Maintenon

University of Chicago Press, 2004

Born Françoise d'Aubigné, a criminal's daughter reduced to street begging as a child, Madame de Maintenon (1653-1719) made an improbable rise from impoverished beginnings to the summit of power as the second, secret wife of Louis XIV. An educational reformer, Maintenon founded and directed the celebrated academy for aristocratic women at Saint-Cyr. This volume presents the dialogues and addresses in which Maintenon explains her controversial philosophy of education for women.

Denounced by her contemporaries as a political schemer and religious fanatic, Maintenon has long been criticized as an opponent of gender equality. The writings in this volume faithfully reflect Maintenon's respect for social hierarchy and her stoic call for women to accept the duties of their state in life. But the writings also echo Maintenon's more feminist concerns: the need to redefine the virtues in the light of women's experience, the importance of naming the constraints on women's freedom, and the urgent need to remedy the scandalous neglect of the education of women.

In her writings as well as in her own model school at Saint-Cyr, Maintenon embodies the demand for educational reform as the key to the empowerment of women at the dawn of modernity.
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