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Death at Cross Plains follows the tragic life and career of William Luke, a white Canadian minister who became a teacher at the HBCU Talladega College in 1869. Later taking the position of schoolteacher to Black railroad workers near Talladega, Luke became caught up in a web of racial antagonisms, xenophobia, and partisan conflict rampant that characterized the Reconstruction-era South. 
 
Reconstruction in the South is a much studied and yet little understood period in the region’s history. In many areas it was marked by such violence as to have been guerrilla warfare in all but name. Death at Cross Plains is the gripping story of one local incident that illuminates the aftermath of the Civil War throughout the region. 
 

A trenchant examination of epic shifts in American thought by a major scholar in the field.

In the 1940s, American thought experienced a cataclysmic paradigm shift. Before then, national ideology was shaped by American exceptionalism and bourgeois nationalism: elites saw themselves as the children of a homogeneous nation standing outside the history and culture of the Old World. This view repressed the cultures of those who did not fit the elite vision: people of color, Catholics, Jews, and immigrants. David W. Noble, a preeminent figure in American studies, inherited this ideology. However, like many who entered the field in the 1940s, he rejected the ideals of his intellectual predecessors and sought a new, multicultural, postnational scholarship. Throughout his career, Noble has examined this rupture in American intellectual life. In Death of a Nation, he presents the culmination of decades of thought in a sweeping treatise on the shaping of contemporary American studies and an eloquent summation of his distinguished career.

Exploring the roots of American exceptionalism, Noble demonstrates that it was a doomed ideology. Capitalists who believed in a bounded nationalism also depended on a boundless, international marketplace. This contradiction was inherently unstable, and the belief in a unified national landscape exploded in World War II. The rupture provided an opening for alternative narratives as class, ethnicity, race, and region were reclaimed as part of the nation’s history. Noble traces the effects of this shift among scholars and artists, and shows how even today they struggle to imagine an alternative postnational narrative and seek the meaning of local and national cultures in an increasingly transnational world. While Noble illustrates the challenges that the paradigm shift created, he also suggests solutions that will help scholars avoid romanticized and reductive approaches toward the study of American culture in the future.

True maritime stories told in graphic-novel style 

This beautifully illustrated book for children ages 8–11 relates dramatic moments from Great Lakes maritime history in a graphic-novel style. The book’s five true stories span four centuries but take place in one location: a dangerous stretch of water near Lake Michigan’s western shore that is known as “Death’s Door.” 

Young readers will devour these tales of tragic accidents, mysterious disappearances, and heroic moments. The stories feature a 17th-century fur trading crew, an 18th-century Potawatomi trading party, a mail carrier and a shipbuilding family from the 19th century, and an early 20th-century basketball team. The narrator is Death’s Door itself, who wonders why people insist on crossing its treacherous waters, concluding it is “because they are human. Ambitious and restless…but loving too.” 

An informative afterword provides insight into the author’s sources and features archival images and additional historical details about each of the stories.

Silver winner of the 2023 Midwest Book Award for Graphic Novels 

 

"Davis writes with fervor, vision, and keen moral appreciation of our condition. He encourages us to see what we fear to see, to say what we fear to say. This book is illuminating, challenging, fierce." Michael Eigen, author of The Sensitive Self, Rage, Ecstasy, Toxic Nourishment, Damaged Bonds andThe Psychoanalytic Mystic

Why is fear a dominant emotion in contemporary society? Why are politicians using words like 'terror', 'evil' and 'fundamentalism', and what effect is it having on public consciousness?

Answering these questions, Walter A. Davis taps into the cultural psyche to explore the link between ideology and emotional and psychological manipulation. Starting with the three topics that have preoccupied social discourse since 9-11 -- terror, evil and fundamentalism -- he shows that the Bush administration has been hugely successful in controlling and developing a new political climate through the creation of an almost hypnotic mass consciousness.

Davis's findings take us to the heart of the ideological paralysis of the Left, while offering an innovative approach to understanding contemporary history.

Davis fuses a psychoanalytic and philosophical framework to explain the relation between culture and political events, from the sado-masochist hysteria of Mel Gibson's The Passion of the Christ' to the atrocities at Abu Ghraib prison; and from the genocidal use of depleted uranium in Iraq to the apocalyptic language driving the Christian Right's assault on basic human rights.

He exposes the motives and belief-systems of this new American psyche and shows how it sustains the Bush administration's agenda. Illuminating how psychological needs govern political action, Davis reveals why the relationship between politics and public consciousness has massive implications for all of us beyond America's borders.

Walter A. Davis is Professor Emeritus in the Department of English at Ohio State University. He is the author of six previous books, including Inwardness and Existence: Subjectivity in/and Hegel, Heidegger, Marx and Freud (University of Wisconsin Press, 1989) and Deracination: Historicity, Hiroshima, and the Tragic Imperative (SUNY Press, 2001).

In Death’s Futurity Sampada Aranke examines the importance of representations of death to Black liberation. Aranke analyzes posters, photographs, journalism, and films that focus on the murders of Black Panther Party members Lil’ Bobby Hutton, Fred Hampton, and George Jackson to construct a visual history of the 1960s and 1970s Black Power era. She shows how Black radicals used these murders to engage in political action that imagined Black futurity from the position of death. Photographs of Hutton that appeared on flyers and posters called attention to the condition of his death while the 1971 documentary The Murder of Fred Hampton enabled the consideration of Hampton’s afterlife through visual meditations on his murder. Printmaking and political posters surrounding Jackson’s murder marked the transition from Black Power to the prison abolition movement in ways that highlighted the relationship between surveillance, policing, incarceration, and anti-Black violence. By foregrounding the photographed, collaged, filmed, and drawn Black body, Aranke demonstrates that corporeality and corpses are crucial to the efforts to shape visions of a Black future free from white supremacy.

A polemical analysis of the ways Orientalism speaks through the texts of prominent Asian American writers.

Asian American resistance to Orientalism—the Western tradition dealing with the subject and subjugation of the East—is usually assumed. And yet, as this provocative work demonstrates, in order to refute racist stereotypes they must first be evoked, and in the process the two often become entangled. Sheng-mei Ma shows how the distinguished careers of post-1960s Asian American writers such as Maxine Hong Kingston, Amy Tan, Frank Chin, and David Henry Hwang reveal that while Asian American identity is constructed in reaction to Orientalism, the two cultural forces are not necessarily at odds. The vigor with which these Asian Americans revolt against Orientalism in fact tacitly acknowledges the family lineage of the two.

To identify the multitude of historical forms appropriated by the deathly embrace of Orientalism and Asian American ethnicity, Ma highlights four types of cultural encounters, embodied in four metaphors of physical states: the "clutch of rape" in imperialist adventure narratives of the 1930s and 1940s, as seen in comic strips of Flash Gordon and Terry and the Pirates and in the Disney film Swiss Family Robinson; the "clash of arms" or martial metaphors in the 1970s and beyond, embodied in Bruce Lee, Kingston’s The Woman Warrior, and the video game Mortal Kombat; U.S. multicultural "flaunting" of ethnicity in the work of Amy Tan and in Disney’s Mulan; and global postcolonial "masquerading" of ethnicity in the Anglo-Japanese novelist Kazuo Ishiguro.Broad in scope, penetrating in insight, Ma’s work exposes the myriad ways in which Orientalism, an integral part of American culture, speaks through the texts of Asian Americans and non–Asian Americans alike. The result is a startling lesson in the construction of cultural identity.

A gripping exposé of what lawyers face when they defend prisoners in capital cases.

Legal cases are stories, and some of the most compelling-and the most disturbing-are those that take place on death row: the innocent man executed, juveniles and the mentally ill condemned to die, a smoking electric chair, a napping defense attorney, a senile hit man. These are the stories in which Michael Mello, as a capital public defender, played a crucial role, and they are the cases that make up Deathwork, a moment-by-moment, behind-the-scenes look at the life and work of a death row lawyer and his clients.

Part memoir, part legal casebook, Deathwork offers a gritty, often anguishing picture of what Supreme Court Justice Harry Blackmun called the American legal "machinery of death." The stories Mello tells raise questions about legal issues-from prosecutorial misconduct to the racial inequities of sentencing, from the rules of evidence to the rights of the mentally ill-that here take on a life-and-death urgency. They describe in detail how constitutional issues are raised postconviction, and how those issues are adjudicated by the courts and in accordance with bizarre claims of objectivity. And they show, with a painful immediacy and authenticity, what it is like to live and work under an impending death sentence, the adrenaline rush of the stay or unexpected success, the inconsolable sadness upon the execution of the sick, the afflicted, the innocent.As DNA reversals, last-minute confessions, and revelations of corruption are bringing capital punishment to the forefront of public debate nationwide, this firsthand account of the legalities and realities of the death penalty is as relevant as it is enthralling, as edifying as it is impossible to ignore.

Faith in the American Dream—the idea that anyone who works hard can achieve success—has waned in the 21st century. Decreases in economic mobility, increases in the wealth gap, and other economic shifts have undoubtedly influenced this decline. Politics, however, are an overlooked contributor to confidence, or lack of confidence, in the American Dream. In Debating the American Dream, political scientist Elizabeth Suhay investigates how politics and political identity are intertwined with beliefs about the American Dream and the causes of inequality.
Drawing on public opinion surveys spanning more than four decades, Suhay finds that Americans’ belief in the American Dream is strongly related to their political party affiliation. Democratic Party leaders have increasingly questioned the fairness of the American economy, and, in effect, have called into question whether the American Dream is “real.” Republican Party leaders, by contrast, have consistently defended the fairness of the economy and the American Dream. While it is true that Americans have become more skeptical of the American Dream overall, Suhay finds this skepticism is concentrated among Democratic members of the public. Despite the increasingly working-class make-up of the Republican coalition, most Republican members of the public continue to believe the American Dream is reality.

Suhay finds that both Democrats and Republicans tend to adhere to their party’s economic narratives when identifying the causes of inequality between rich and poor, White and Black and Latino Americans, and men and women. Democrats and liberals often attribute inequality between these groups to societal causes, such as lack of access to education and jobs or discrimination. Republicans and conservatives, on the other hand, are more likely to blame individuals and lower income groups for their difficulties. However, Americans’ beliefs are less polarized when they consider socioeconomic inequalities rarely debated by politicians. For example, when asking Republicans and Democrats about the roots of rural-urban and White-Asian inequality, there is no clear unequal opportunity-individual responsibility partisan divide. Suhay argues that the availability of partisan “scripts” helps to explain differences in the public’s views on inequality between groups that have been politicized. These beliefs appear to bolster support for the two parties’ policy agendas among party supporters, driving a wedge between Democrats and Republicans in support for redistributive economic policy as well as the political candidates who support or oppose redistribution.

Debating the American Dream provides fascinating insights into politics’ role in Americans’ beliefs and attitudes concerning inequality.

This vital addition to carceral, prison, and disability studies draws important new links between deinstitutionalization and decarceration

 

Prison abolition and decarceration are increasingly debated, but it is often without taking into account the largest exodus of people from carceral facilities in the twentieth century: the closure of disability institutions and psychiatric hospitals. Decarcerating Disability provides a much-needed corrective, combining a genealogy of deinstitutionalization with critiques of the current prison system.

Liat Ben-Moshe provides groundbreaking case studies that show how abolition is not an unattainable goal but rather a reality, and how it plays out in different arenas of incarceration—antipsychiatry, the field of intellectual disabilities, and the fight against the prison-industrial complex. Ben-Moshe discusses a range of topics, including why deinstitutionalization is often wrongly blamed for the rise in incarceration; who resists decarceration and deinstitutionalization, and the coalitions opposing such resistance; and how understanding deinstitutionalization as a form of residential integration makes visible intersections with racial desegregation. By connecting deinstitutionalization with prison abolition, Decarcerating Disability also illuminates some of the limitations of disability rights and inclusion discourses, as well as tactics such as litigation, in securing freedom. 

Decarcerating Disability’s rich analysis of lived experience, history, and culture helps to chart a way out of a failing system of incarceration.

The Federal Reserve—the central bank of the United States—is the most powerful peacetime bureaucracy in the federal government. Under the chairmanship of Alan Greenspan (1987-2006), the Fed achieved near mythical status for its part in managing the economy, and Greenspan was lauded as a genius. Few seemed to notice or care that Fed officials operated secretly with almost no public accountability. There was a courageous exception to this lack of oversight, however: Henry B. Gonzalez (D-TX)—chairman of the U.S. House of Representatives Financial Services (banking) Committee.

In Deception and Abuse at the Fed, Robert Auerbach, a former banking committee investigator, recounts major instances of Fed mismanagement and abuse of power that were exposed by Rep. Gonzalez, including:

• Blocking Congress and the public from holding powerful Fed officials accountable by falsely declaring—for 17 years—it had no transcripts of its meetings;
• Manipulating the stock and bond markets in 1994 under cover of a preemptive strike against inflation;
• Allowing $5.5 billion to be sent to Saddam Hussein from a small Atlanta branch of a foreign bank—the result of faulty bank examination practices by the Fed;
• Stonewalling Congressional investigations and misleading the Washington Post about the $6,300 found on the Watergate burglars.

Auerbach provides documentation of these and other abuses at the Fed, which confirms Rep. Gonzalez's belief that no government agency should be allowed to operate with the secrecy and independence in which the Federal Reserve has shrouded itself. Auerbach concludes with recommendations for specific, broad-ranging reforms that will make the Fed accountable to the government and the people of the United States.

A detailed study of the turning point in one of the most important battles in American history
The Battle of Brandywine, fought on September 11, 1777, along its namesake creek in the bucolic Pennsylvania countryside, was one of the largest engagements of the Revolutionary War. To those who participated in this massive battle, spread out over ten square miles and lasting from late afternoon until dark, it was unforgettable. Soon after the action, Major Joseph Bloomfield of the 3rd New Jersey recorded that it was “the grandest scene I ever saw, a sight beyond description.” Brandywine was the first major battle for the recently reorganized Continental Army. Units had fought in small engagements, but not until Brandywine did the army fight as a whole against the British. As the two armies clashed, a ferocious and desperate action developed on a hill at the heart of the battlefield, and it was here where the battle’s outcome was determined.  
    Despite its size and significance—Brandywine was the third bloodiest engagement of the war, with 1,300 American and 581 British casualties—the battle has been the subject of very few studies. In Decision at Brandywine: The Battle on Birmingham Hill, historian Robert M. Dunkerly analyzes the fighting near the Birmingham Meeting House where the battle turned. By dissecting the struggle on Birmingham Hill in detail, he offers a case study in weapons, tactics, and terrain analysis critical to a holistic understanding of the entire battle and what it would mean for the future of the Continental Army. In the process he not only explains how the Continental Army’s lack of uniformed training and inexperience in large open-field battles played a major role in their defeat, but also provides important information about Revolutionary War combat in general. 

During the drafting of the Declaration of Independence in 1776, Thomas Jefferson and enslaved valet Robert Hemmings spent several months at 700 Market Street in Philadelphia. The editors and contributors to Declaration House reflect on the history of this site and illuminate the entangled legacy of freedom and enslavement at the core of our nation’s founding. They expand our history by revisiting and mapping this historic place in the city and nation, past and present, as a way to tend to our democracy today.

At the center of the book is artist Sonya Clark’s revelatory public artwork “The Descendants of Monticello,” a multichannel video installation created in collaboration with Hemmings’ collateral descendants and others who are related to the hundreds of people enslaved at Monticello. Interviews and essays about the project and the site consider history, memory, and the founding of our country. Like Clark’s project, Declaration House asks the timely question, "What does the Declaration of Independence mean to us today?"

Contributors: Niya Bates, Kerry Bickford, Paul Buchanan, Sonya Clark, Andrew M. Davenport, Kai Davis, Husnaa Haajarah Hashim, J. Calvin Jefferson Sr., Jabari Jefferson, Jane Kamensky, Matthew Kenyatta, Salamishah Tillet, Gayle Jessup White, Auriana Woods, and the editors

"This investigation tries to understand why many Evangelical pastors were blamed for endorsing Trump when, in fact, most did not. This book joins other attempts by scholars and journalists to analyze the relationship between Trump and Evangelicals. Recommended.” —CHOICE

Tracing the digital narratives that shaped evangelical identity in a pivotal political moment.

As a political constituency, white conservative evangelicals are generally portrayed as easy to dupe, disposed to vote against their own interests, and prone to intolerance and knee-jerk reactions. In Decoding the Digital Church: Evangelical Storytelling and the Election of Donald J. Trump, Stephanie A. Martin challenges this assumption and moves beyond these overused stereotypes to develop a refined explanation for this constituency’s voting behavior.

This volume offers a fresh perspective on the study of religion and politics and stems from the author’s personal interest in the ways her experiences with believers differ from how scholars often frame this group’s rationale and behaviors. To address this disparity, Martin examines sermons, drawing on her expertise in rhetoric and communication studies with the benefits of ethnographic research in an innovative hybrid approach she terms a “digital rhetorical ethnography.” Martin’s thorough research surveys more than 150 online sermons from America’s largest evangelical megachurches in 37 different states. Through listening closely to the words of the pastors who lead these conservative congregations, Martin describes a gentler discourse less obsessed with issues like abortion or marriage equality than stereotypes of evangelicals might suggest. Instead, the politicaleconomic sermons and stories from pastors encourage true believers
to remember the exceptional nature of the nation’s founding while also deemphasizing how much American citizenship really means.

Martin grapples with and pays serious, scholarly attention to a seeming contradiction: while the large majority of white conservative evangelicals voted in 2016 for Donald J. Trump, Martin shows that many of their pastors were deeply concerned about the candidate, the divisive nature of the campaign, and the potential effect of the race on their congregants’ devotion to democratic process itself. In-depth chapters provide a fuller analysis of our current political climate, recapping previous scholarship on the history of this growing divide and establishing the groundwork to set up the dissonance between the political commitments of evangelicals and their faith that the rhetorical ethnography addresses.

From the avant-garde design of the Islamic Cultural Center in New York City to the simplicity of the Dar al-Islam Mosque in Abiquiu, New Mexico, the American mosque takes many forms of visual and architectural expression. The absence of a single, authoritative model and the plurality of design nuances reflect the heterogeneity of the American Muslim community itself, which embodies a whole spectrum of ethnic origins, traditions, and religious practices.

In this book, Akel Ismail Kahera explores the history and theory of Muslim religious aesthetics in the United States since 1950. Using a notion of deconstruction based on the concepts of "jamal" (beauty), "subject," and "object" found in the writings of Ibn Arabi (d. 1240), he interprets the forms and meanings of several American mosques from across the country. His analysis contributes to three debates within the formulation of a Muslim aesthetics in North America—first, over the meaning, purpose, and function of visual religious expression; second, over the spatial and visual affinities between American and non-American mosques, including the Prophet's mosque at Madinah, Arabia; and third, over the relevance of culture, place, and identity to the making of contemporary religious expression in North America.

The basic story of the rise, reign, and fall of deconstruction as a literary and philosophical groundswell is well known among scholars. In this intellectual history, Gregory Jones-Katz aims to transform the broader understanding of a movement that has been frequently misunderstood, mischaracterized, and left for dead—even as its principles and influence transformed literary studies and a host of other fields in the humanities.
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Deconstruction begins well before Jacques Derrida’s initial American presentation of his deconstructive work in a famed lecture at Johns Hopkins University in 1966 and continues through several decades of theoretic growth and tumult. While much of the subsequent story remains focused, inevitably, on Yale University and the personalities and curriculum that came to be lumped under the “Yale school” umbrella, Deconstruction makes clear how crucial feminism, queer theory, and gender studies also were to the lifeblood of this mode of thought. Ultimately, Jones-Katz shows that deconstruction in the United States—so often caricatured as a French infection—was truly an American phenomenon, rooted in our preexisting political and intellectual tensions, that eventually came to influence unexpected corners of scholarship, politics, and culture.
 

What does it mean to be a Nashvillian? A Black Nashvillian? A white Nashvillian? What does it mean to be an organizer, an ally, an elected official, an agent for change? Deep Dish Conversations began as a running online interview series in which host Jerome Moore sits down over pizza with Nashville leaders and community members to talk about the past, present, and future of the city and what it means to live here. The result is honest conversation about racism, housing, policing, poverty, and more in a safe, brave, person-to-person environment that allows for disagreement.

This book is a curated collection of the most striking interviews from the first few seasons of the series, with a foreword by Dr. Sekou Franklin, an introduction by Moore, and contextual introductions to each interviewee. Figures like Judge Sheila Calloway, comedian Josh Black, anti-racism speaker Tim Wise, organizer Jorge Salles Diaz, and many more explore their wide-ranging perspectives on social change in a city in the midst of massive demographic and ideological shifts.

For anyone in any twenty-first-century city, Deep Dish Conversations offers a lot to think about—and a lot of ways to think about it.

WINNER OF THE GULF SOUTH HISTORICAL ASSOCIATION'S MICHAEL V. R. THOMASON BOOK AWARD

Family, influence, and the making of Southern power.

From Reconstruction through the end of World War II, the Bankheads served as the principal architects of the political, economic, and cultural framework of Alabama and the greater South. As a family, they were instrumental in fashioning the New South and the twentieth century American political economy, but now the Bankhead name is largely associated only with place names.

Deep South Dynasty: The Bankheads of Alabama is a deeply researched epic family biography that reflects the complicated and evolving world inhabited by three generations of the extremely accomplished—if problematic—Bankhead family of northwest Alabama. Kari Frederickson’s expertly crafted account traces the careers of five members of the family—John Hollis Bankhead; his sons, John Hollis Bankhead Jr. and William Brockman Bankhead; his daughter, Marie Bankhead Owen; and his granddaughter, Tallulah Brockman Bankhead.

A Confederate veteran and son of a slaveholder, John Hollis Bankhead held political office almost continuously from 1865 until his death in 1920, first in state-level positions and ultimately in Congress–in the House then in the Senate–for thirty-three years. Two of his three sons, John Jr. and William, followed in their father’s political footsteps. John Jr., a successful corporate attorney, was elected to the state legislature and then to the US Senate in 1930; William was elected to the House of Representatives in 1916 and chosen Speaker of the House in 1936. Together, father and sons played key roles in crafting and maintaining a conservative political culture, legal code, and economic system that facilitated economic opportunities for cotton farmers, coal barons, and emerging industries in Alabama and across the South while perpetuating White supremacy. 

Daughter Marie Bankhead Owen extended the family’s cultural power during her thirty-five-year tenure as director of the Alabama Department of Archives and History. From this position and through her work with groups like the United Daughters of the Confederacy, she embraced and disseminated a historical narrative steeped in Lost Cause mythology that validated the power and privilege of White elites and naturalized the second-class status of African Americans. William’s daughter, actress Tallulah Bankhead, benefited from her family’s rich political bloodlines and in turn lent them a touch of glamour and made the Bankheads modern. Frederickson’s meticulously researched examination of this once-powerful but now largely forgotten southern family is a sweeping and complex story of the region and its relationship with the wider world over the course of eight decades, from the wreckage of the Civil War to the dawn of the nuclear age.
 

Beyond the backwoods—uncovering the Civil War legacy of Alabama’s forgotten frontier.

Much of Alabama’s written history concentrates on the Tennessee Valley, the hill counties, and the Black Belt, while the piney woods of south central and southeastern Alabama, commonly known as the wiregrass region today, is one of the most understudied areas in Alabama history. Deep in the Piney Woods: Southeastern Alabama from Statehood to the Civil War, 1800–1865 offers a comprehensive and long overdue account of a historically rich region of the state, challenging many commonly held assumptions about the area’s formation and settlement, economy, politics, race relations, and its role in both the secession of the state and the Civil War.

Historians routinely depict this part of the state as an isolated, economically backward wilderness filled with poor whites who showed little interest in supporting the Confederacy once civil war erupted in 1861. Tommy Craig Brown challenges those traditional interpretations, arguing instead that many white Alabamians in this territory participated in the market economy, supported slavery, favored secession, and supported the Confederate war effort for the bulk of the conflict, sending thousands of soldiers to fight in some of the bloodiest campaigns of the war.

This thorough and expansive account of southeastern Alabama’s role in the Civil War also discusses its advocacy for state secession in January 1861; the effects of Confederate conscription on the home front; the economic devastation wrought on the area; and the participation of local military companies in key campaigns in both the eastern and western theaters, including Shiloh, the Peninsula Campaign, the Overland Campaign, Atlanta, and Franklin-Nashville. Brown argues that the lasting effects of the war on the region’s politics, identity, economy, and culture define it in ways that are still evident today.

In the spring and summer of 1927, the Mississippi River and its tributaries flooded from Cairo, Illinois to New Orleans, Louisiana, and the Gulf of Mexico, tearing through seven states, sometimes spreading out to nearly one hundred miles across. Pete Daniel’s Deep’n as It Come, available again in a new format, chronicles the worst flood in the history of the South and re-creates, with extraordinary immediacy, the Mississippi River’s devastating assault on property and lives.
 
Daniel weaves his narrative with newspaper and firsthand accounts, interviews and survivors, official reports, and over 140 contemporary photographs. The story of the common refugee who suffered most of the effects of the flood emerges alongside the details of the massive rescue and relief operation—one of the largest ever mounted in the United States. The title, Deep’n as It Come, is a phrase from Cora Lee Campbell’s early description of he approaching water, which, Daniel writes, “moved at a pace of some fourteen miles per day,” and in its movement and sound, “had the eeriness of a full eclipse of t he sun, unsettling, chilling.”
 
“The contradictions of sorrow and humor. . . death and salvation, despair and hope, calm and panic—all reveal the human dimension” in this compassionate and unforgettable portrait of common people confronting a great natural disaster.

Using the vision embedded in Israel's Declaration of Independence as a template, this anthology presents a unique and comprehensive dialogue between North American Jews and Israelis about the present and future of the State of Israel. With each essay published in both Hebrew and English, in one volume, Deepening the Dialogue is the first of its kind, outlining cultural barriers as well as the immediate need to come together in conversation around the vision of a democratic solution for our nation state.
 

The emotional, epic story of James “Cornbread” Harris—a self-proclaimed “blessed dude” and one of Minneapolis’s most influential musicians

From the heart of the Minnesota blues comes the story of James “Cornbread” Harris Jr., the songwriter, pianist, and consummate bluesman whose seventy years making music helped to shape the Minneapolis Sound. “I am a blessed dude,” Cornbread tells Andrea Swensson, taking us along on his musical journey from a first “gig” entertaining his fellow soldiers during World War II to his subsequent years playing music for audiences across Minnesota. Following Cornbread’s extraordinary life story, Deeper Blues is a unique history of Minnesota music that evolves into a heartfelt tale of reconciliation and forgiveness, all to the tune of the legendary musician’s signature sound.

Cornbread’s career started in the 1950s, when he played with the Augie Garcia Quintet and cowrote their hit “Hi Ho Silver.” A tireless entertainer, he has been performing live ever since, influencing an entire generation of musicians credited with putting Minneapolis on the map in the 1980s—including his long-estranged son, Grammy-winning Rock and Roll Hall of Famer James “Jimmy Jam” Harris III. Going beyond the music, Deeper Blues turns toward family, atonement, and peace when Cornbread reunites with Jimmy Jam after a five-decade separation and they perform together on stage.

Through conversations with Cornbread, Jimmy Jam, and many others, Swensson reveals a story of perseverance and unfailing grace, a firsthand account of making music in the face of racism and segregation, and a hard-won acceptance of the personal sacrifices that are often required when dedicating one’s life to making music. As the man himself says, “All of my hardships ended up to be blessings.”

A rich mix of present-day anecdotes and historical vignettes, animated by voices from Cornbread’s life and the Twin Cities music scene, underscored by the bluesman’s original lyrics of heartache and hope, and featuring never-before-seen photographs of Cornbread and Jimmy Jam, Deeper Blues tells a singular story—one imprinted on the history, heart, and soul of the Minneapolis Sound.