754 books match the query 'Native American Studies' and 17 start with e
Edited by Jerry M. Williams and Robert E. Lewis
University of Arizona Press, 1993
Jessica L. Horton
Duke University Press, 2024
Waskar Ari
Duke University Press, 2014
Chadwick Allen
University of Minnesota Press, 2022
A necessary reexamination of Indigenous mounds, demonstrating their sustained vitality and vibrant futurity by centering Native voices
Typically represented as unsolved mysteries or ruins of a tragic past, Indigenous mounds have long been marginalized and misunderstood. In Earthworks Rising, Chadwick Allen issues a compelling corrective, revealing a countertradition based in Indigenous worldviews. Alongside twentieth- and twenty-first-century Native writers, artists, and intellectuals, Allen rebuts colonial discourses and examines the multiple ways these remarkable structures continue to hold ancient knowledge and make new meaning—in the present and for the future.
Earthworks Rising is organized to align with key functional categories for mounds (effigies, platforms, and burials) and with key concepts within mound-building cultures. From the Great Serpent Mound in Ohio to the mound metropolis Cahokia in Illinois to the generative Mother Mound in Mississippi, Allen takes readers deep into some of the most renowned earthworks. He draws on the insights of poets Allison Hedge Coke and Margaret Noodin, novelists LeAnne Howe and Phillip Carroll Morgan, and artists Monique Mojica and Alyssa Hinton, weaving in a personal history of earthwork encounters and productive conversation with fellow researchers.
Spanning literature, art, performance, and built environments, Earthworks Rising engages Indigenous mounds as forms of “land-writing” and as conduits for connections across worlds and generations. Clear and compelling, it provokes greater understanding of the remarkable accomplishments of North America’s diverse mound-building cultures over thousands of years and brings attention to new earthworks rising in the twenty-first century.
Heidi M. Altman
University of Alabama Press, 2006
Enrique Salmón
University of Arizona Press, 2012
"Eating is not only a political act, it is also a cultural act that reaffirms one’s identity and worldview," Enrique Salmón writes in Eating the Landscape. Traversing a range of cultures, including the Tohono O’odham of the Sonoran Desert and the Rarámuri of the Sierra Tarahumara, the book is an illuminating journey through the southwest United States and northern Mexico. Salmón weaves his historical and cultural knowledge as a renowned indigenous ethnobotanist with stories American Indian farmers have shared with him to illustrate how traditional indigenous foodways—from the cultivation of crops to the preparation of meals—are rooted in a time-honored understanding of environmental stewardship.
In this fascinating personal narrative, Salmón focuses on an array of indigenous farmers who uphold traditional agricultural practices in the face of modern changes to food systems such as extensive industrialization and the genetic modification of food crops. Despite the vast cultural and geographic diversity of the region he explores, Salmón reveals common themes: the importance of participation in a reciprocal relationship with the land, the connection between each group’s cultural identity and their ecosystems, and the indispensable correlation of land consciousness and food consciousness. Salmón shows that these collective philosophies provide the foundation for indigenous resilience as the farmers contend with global climate change and other disruptions to long-established foodways. This resilience, along with the rich stores of traditional ecological knowledge maintained by indigenous agriculturalists, Salmón explains, may be the key to sustaining food sources for humans in years to come.
As many of us begin to question the origins and collateral costs of the food we consume, Salmón’s call for a return to more traditional food practices in this wide-ranging and insightful book is especially timely. Eating the Landscape is an essential resource for ethnobotanists, food sovereignty proponents, and advocates of the local food and slow food movements.
Bill Anthes
Duke University Press, 2015
Edited and preface by Marvin D. Jeter
University of Alabama Press, 2010
"This thoroughly researched volume is highly recommended to anyone—at any level—who is interested in the archaeology of the Southeast." —CHOICE
During the 1880s a massive scientific effort was launched by the Smithsonian Institution to discover who had built the prehistoric burial mounds found throughout the United States. Arkansaw Mounds tells the story of this exploration and of Edward Palmer, one of the nineteenth century’s greatest natural historians and archaeologists, who was recruited to lead the research project. Arkansas was unusually rich in prehistoric remains, especially mounds, and became a major focus of the study. Palmer and his team of researchers discovered that the mounds had been built by the ancestors of the historic North American Indians, shattering the then-popular theory that a lost non-Indian race had built them.
Victor Montejo
University of Arizona Press, 2001
Edited by R. David Edmunds
University of Illinois Press, 2007
Enduring Nations documents how tribal peoples have adapted to cultural change while shaping midwestern history. Examining the transformation of Native American communities, which often occurred in response to shifting government policy, the contributors explore the role of women, controversial tribal enterprises and economies, social welfare practices, and native peoples' frequent displacement to locations such as reservations and urban centers. Central to both past and contemporary discussions of Native American cultural change is whether Native American identity should be determined by genetics, shared cultural values, or a combination of the two.
Contributors are Bradley J. Birzer, Brenda J. Child, Thomas Burnell Colbert, Gregory Evans Dowd, R. David Edmunds, Brian Hosmer, Rebecca Kugel, James B. LaGrand, Melissa L. Meyer, Lucy Eldersveld Murphy, Alan G. Shackelford, Susan Sleeper-Smith, and Stephen Warren.
Kelley A. Hays-Gilpin
University Press of Colorado, 2021
Gina Caison
Duke University Press, 2024
Mark Rifkin
University of Minnesota Press, 2012
In 1970 the Nixon administration inaugurated a new era in federal Indian policy. No more would the U.S. government seek to deny and displace Native peoples or dismantle Native governments; from now on federal policy would promote “the Indian’s sense of autonomy without threatening his sense of community.”
In The Erotics of Sovereignty, Mark Rifkin offers a telling perspective on what such a policy of self-determination has meant and looks at how contemporary queer Native writers use representations of sensation to challenge official U.S. accounts of Native identity. Rifkin focuses on four Native writers—Qwo-Li Driskill (Cherokee), Deborah Miranda (Esselen), Greg Sarris (Graton Rachería), and Chrystos (Menominee)—approaching their fiction and poetry as forms of political theory.
Rifkin shows how the work of these queer or two-spirit Native writers affirms the significance of the erotic as an exercise of individual and community sovereignty. In this way, we come to see how their work contests the homophobic, sexist, and exclusivist policies and attitudes of tribal communities as well as those of the nation-state.
Edited by Edward H. Spicer; (by) Eleanor Bauwens, Margarita Artschwager Kay, Mary Elizabeth Shutler, and Loudell F. Snow
University of Arizona Press, 1977
Carole McGranahan and John F. Collins, editors
Duke University Press, 2018
Adam King
University of Alabama Press, 2002
A Dan Josselyn Memorial Publication
Detailed reconstruction of the waxing and waning of political fortunes among the chiefly elites at an important center of the prehistoric world
At the time the first Europeans arrived in the New World, thousands of earthen platform mounds dotted the landscape of eastern North America. Only a few of the mound sites have survived the ravages of time and the devastation of pilferers; one of these valuable monuments is Etowah, located near Cartersville in northern Georgia. Over a period of more than 100 years, excavations of the site’s six mounds, and in particular Mound C, have yielded a wealth of artifacts, including marble statues, copper embossed plates, ceremonial items, and personal adornments. These objects indicate an extensive trading network between Mississippian centers and confirm contact with Spanish conquistadores near Etowah in the mid-1500s.
Adam King has analyzed the architecture and artifacts of Etowah and deduced its vital role in the prehistory of the area. He advances a plausible historical sequence and a model for the ancient town's complex political structure. The chiefdom society relied upon institutional social ranking, permanent political offices, religious ideology, a redistribution of goods and services, and the willing support of the constituent population. King reveals strategies used by the paramount chiefs to maintain their sources of power and to control changes in the social organization. Elite alliances did not necessarily involve the extreme asymmetry of political domination and tribute extraction. King's use of ceramic assemblages recovered from Etowah to determine the occupation history and the construction sequence of public facilities (mounds and plazas) at the center is significant.
This fresh interpretation of the Etowah site places it in a contemporary social and political context with other Mississippian cultures. It is a one-volume sourcebook for the Etowah polity and its neighbors and will, therefore, command an eager audience of scholars and generalists.
Paul Chaat Smith
University of Minnesota Press, 2009
Forceful and eloquent essays on the American Indian in culture and history
In this sweeping work of memoir and commentary, leading cultural critic Paul Chaat Smith illustrates with dry wit and brutal honesty the contradictions of life in “the Indian business.”
Raised in suburban Maryland and Oklahoma, Smith dove head first into the political radicalism of the 1970s, working with the American Indian Movement until it dissolved into dysfunction and infighting. Afterward he lived in New York, the city of choice for political exiles, and eventually arrived in Washington, D.C., at the newly minted National Museum of the American Indian (“a bad idea whose time has come”) as a curator. In his journey from fighting activist to federal employee, Smith tells us he has discovered at least two things: there is no one true representation of the American Indian experience, and even the best intentions sometimes result in catastrophe.
Everything You Know about Indians Is Wrong is a highly entertaining and, at times, searing critique of the deeply disputed role of American Indians in the United States. In “A Place Called Irony,” Smith whizzes through his early life, showing us the ironic pop culture signposts that marked this Native American’s coming of age in suburbia: “We would order Chinese food and slap a favorite video into the machine—the Grammy Awards or a Reagan press conference—and argue about Cyndi Lauper or who should coach the Knicks.” In “Lost in Translation,” Smith explores why American Indians are so often misunderstood and misrepresented in today’s media: “We’re lousy television.” In “Every Picture Tells a Story,” Smith remembers his Comanche grandfather as he muses on the images of American Indians as “a half-remembered presence, both comforting and dangerous, lurking just below the surface.”
Smith walks this tightrope between comforting and dangerous, offering unrepentant skepticism and, ultimately, empathy. “This book is called Everything You Know about Indians Is Wrong, but it’s a book title, folks, not to be taken literally. Of course I don’t mean everything, just most things. And ‘you’ really means we, as in all of us.”