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From Jail to Jail  is the political autobiography of Sutan Ibrahim gelar Tan Malaka, an enigmatic and colorful political thinker of twentieth-century Asia, who was one of the most influential figures of the Indonesian Revolution. Variously labeled a communist, Trotskyite, and nationalist, Tan Malaka managed to run afoul of nearly every political group and faction involved in the Indonesian struggle for independence. During his decades of political activity, he spent periods of exile and hiding in nearly every country in Southeast Asia. As a Marxist who was expelled from and became a bitter enemy of his country’s Communist Party and as a nationalist who was imprisoned and murdered by his own government’s forces as a danger to its anticolonial struggle, Tan Malaka was and continues to be soaked in contradiction and controversy.

The American people overwhelmingly supported the nation's entry into the Spanish-American War of 1898, which led to U.S. imperial expansion into the Caribbean and Pacific. In this book, Bonnie M. Miller explores the basis of that support, showing how the nation's leading media makers—editorialists, cartoonists, filmmakers, photographers, and stage performers—captured the public's interest in the Cuban crisis with heart-rending depictions of Cuban civilians, particularly women, brutalized by bloodthirsty Spanish pirates.

Although media campaigns initially advocated for the United States to step in to rescue Cuba from the horrors of colonial oppression, the war ended just months later with the U.S. acquisition of Spain's remaining empire, including Cuba, Puerto Rico, Guam, and the Philippines. President William McKinley heeded the call for war, with the American people behind him, and then proceeded to use the conflict to further his foreign policy agenda of expanding U.S. interests in the Caribbean and Far East.

Miller examines the shifting media portrayals of U.S. actions for the duration of the conflict, from liberation to conquest. She shows how the media capitalized on the public's thirst for drama, action, and spectacle and adapted to emerging imperial possibilities. Growing resistance to American imperialism by the war's end unraveled the consensus in support of U.S policy abroad and produced a rich debate that found expression in American visual and popular culture.

At the nation's founding, the fundamental principle underlying American government was liberty, and the nation's new government was designed to protect the rights of individuals. The American founders intended to design a government that would protect the rights of its citizens, and at that time the most serious threat to people's rights was government. Thus, the United States government was designed with a constitutionally limited scope to preserve the rights of individuals and limit the powers of government.
The government's activities during two world wars and the Great Depression greatly increased its involvement in people's economic affairs, and by the time of Lyndon Johnson's Great Society, the transformation was complete. By the end of the twentieth century, the fundamental principle underlying American government had been transformed to democracy, and public policy was designed to further the will of the majority. The result has been a government that is larger and broader in scope.
From Liberty to Democracy examines American political history using the framework of public choice theory to show how American government grew more democratic, and how this resulted in an increase in the size and scope of government. It should appeal to historians, political scientists, and economists who are interested in the evolution of American government but does not assume any specialized training and can be read by anyone interested in American political history.
Randall G. Holcombe is DeVoe Moore Professor of Economics, Florida State University

From Madness to Mental Health neither glorifies nor denigrates the contributions of psychiatry, clinical psychology, and psychotherapy, but rather considers how mental disorders have historically challenged the ways in which human beings have understood and valued their bodies, minds, and souls.

Greg Eghigian has compiled a unique anthology of readings, from ancient times to the present, that includes Hippocrates; Julian of Norwich's Revelations of Divine Love, penned in the 1390s; Dorothea Dix; Aaron T. Beck; Carl Rogers; and others, culled from religious texts, clinical case studies, memoirs, academic lectures, hospital and government records, legal and medical treatises, and art collections. Incorporating historical experiences of medical practitioners and those deemed mentally ill, From Madness to Mental Health also includes an updated bibliography of first-person narratives on mental illness compiled by Gail A. Hornstein.

Epic poets of the Renaissance looked to emulate the poems of Greco-Roman antiquity, but doing so presented a dilemma: what to do about the gods? Divine intervention plays a major part in the epics of Homer and Virgil—indeed, quarrels within the family of Olympian gods are essential to the narrative structure of those poems—yet poets of the Renaissance recognized that the cantankerous Olympians could not be imitated too closely. The divine action of their classical models had to be transformed to accord with contemporary tastes and Christian belief.

From Many Gods to One offers the first comparative study of poetic approaches to the problem of epic divine action. Through readings of Petrarch, Vida, Ariosto, Tasso, and Milton, Tobias Gregorydescribes the narrative and ideological consequences of the epic’s turn from pagan to Christian. Drawing on scholarship in several disciplines—religious studies, classics, history, and philosophy, as well as literature—From Many Gods to One sheds new light on two subjects of enduring importance in Renaissance studies: the precarious balance between classical literary models and Christian religious norms and the role of religion in drawing lines between allies and others.

In this highly original empirical study, Winifred Barr Rothenberg documents the emergence of a market economy in rural Massachusetts between 1785 and 1800—decades before America's first industrial revolution. Drawing the data from exhaustive research in farm account books, probate documents, and town tax valuations the author makes a significant contribution to the long-standing and vigorous debate about the pace, pattern, and genesis of growth in the early American economy.

Rothenberg forcefully disputes recent historical interpretations of the preindustrial New England village as a so-called moral economy, insulated from the exigencies of the market. She discovers the simultaneous emergence of markets for farm produce, farm labor, and rural capital. Then, linking market integration to labor productivity growth and agricultural improvement, she confirms that market-led growth in Massachusetts agriculture lay at the origins of the American industrial revolution.

Mihir Bose was born in January 1947. Eight months later, India became a modern, free nation. The country he knew growing up in the 1960s has undergone vast and radical change. India today exports food, sends space probes to Mars, and, all too often, Indian businesses rescue their ailing competitors in the West.
In From Midnight to Glorious Morning?, Bose travels the length and breadth of India to explore how a country that many doubted would survive has been transformed into one capable of rivaling China as the world’s preeminent economic superpower. Multifarious challenges still continue to plague the country: although inequality and corruption are issues not unique to India, such a rapid ascent to global prominence creates a precarious position. However, as Bose outlines, this rapid ascent provides evidence that India is ever capable of making great strides in the face of great adversity.
Bose’s penetrating analysis of the last seventy years asks what is yet to be done for India in order to fulfill the destiny with which it has been imbued. The predictions of doom in August 1947 have proved to be unfounded; the growth of the nation in population and capital has been exponential, and there is much to celebrate. But Bose’s nuanced, personal, and trenchant book shows that it is naïve to pretend the hoped-for bright morning has yet dawned.
 

"A fine treatment of this critical time in geology's history. Although it goes against our standard histories of the field, Laudan defends her views convincingly. Her style is direct, with carefully reasoned personal opinions and interpretations clearly defined."—Jere H. Lipps, The Scientist

Brilliant and charismatic, David Hyrum Smith was a poet, painter, singer, philosopher, naturalist, and highly effective missionary for the Reorganized Church of Jesus Christ of Latter Day Saints. In this richly detailed biography, Valeen Tippetts Avery chronicles the life of the last son of Joseph Smith and his first wife, Emma. Avery draws on a large body of correspondence for details of David's life and on his poetry to reveal his personality and emotional struggles. She tells of his mental deterioration, starting with a probable breakdown early in 1870 and ending with his death in 1904 in the Northern Illinois Hospital and Asylum for the Insane in Elgin, where he had been confined for twenty-seven years.

"This is an astonishing accomplishment which not only tells the reader about a neglected historical figure, but about myriad neglected dimensions of both Mormon history and the history of religion in general." -- Jan Shipps, author of Mormonism: The Story of a New Religious Tradition
"This will stand alone as a biography of David H. Smith. . . . But it is also an insightful look at the times and environment from which the Smith family, and its ideas, emerged." -- Paul M. Edwards, author of Our Legacy of Faith: A Brief History of the Reorganized Church
 

After years of subjecting the editors of St. Louis newspapers to eloquent letters on subjects as diverse as floods, tariffs, and mules, Thad Snow published his memoir From Missouri in his mid-seventies in 1954. He was barely retired from farming for more than half a century, mostly in the Missouri Bootheel, or “Swampeast Missouri,” as he called it. Now back in print with a new introduction by historian Bonnie Stepenoff, these sketches of a life, a region, and an era will delight readers new to this distinctive American voice as well as readers already familiar with this masterpiece of the American Midwest.

Snow purchased a thousand acres of southeast Missouri swampland in 1910, cleared it, drained it, and eventually planted it in cotton. Although he employed sharecroppers, he grew to become a bitter critic of the labor system after a massive flood and the Great Depression worsened conditions for these already-burdened workers. Shocking his fellow landowners, Snow invited the Southern Tenant Farmers Union to organize the workers on his land. He was even once accused of fomenting a strike and publicly threatened with horsewhipping.

Snow’s admiration for Owen Whitfield, the African American leader of the Sharecroppers’ Roadside Demonstration, convinced him that nonviolent resistance could defeat injustice. Snow embraced pacifism wholeheartedly and denounced all war as evil even as America mobilized for World War II after the attack on Pearl Harbor. In the late 1940s and early 1950s, he became involved with creating Missouri’s conservation movement. Near the end of his life, he found a retreat in the Missouri Ozarks, where he wrote this recollection of his life.

This unique and honest series of personal essays expresses the thoughts of a farmer, a hunter, a husband, a father and grandfather, a man with a soft spot for mules and dogs and all kinds of people. Snow’s prose reveals much about a way of life in the region during the first half of the twentieth century, as well as the social and political events that affected the entire nation. Whether arguing that a good stock dog should be left alone to do its work, explaining the process of making swampland suitable for agriculture, or putting forth his case for world peace, Snow’s ideas have a special authenticity because they did not come from an ivory tower or a think tank—they came From Missouri.

In this vivid ethnography, Paige West tracks coffee as it moves from producers in Papua New Guinea to consumers around the world. She illuminates the social lives of the people who produce coffee, and those who process, distribute, market, and consume it. The Gimi peoples, who grow coffee in Papua New Guinea's highlands, are eager to expand their business and social relationships with the buyers who come to their highland villages, as well as with the people working in Goroka, where much of Papua New Guinea's coffee is processed; at the port of Lae, where it is exported; and in Hamburg, Sydney, and London, where it is distributed and consumed. This rich social world is disrupted by neoliberal development strategies, which impose prescriptive regimes of governmentality that are often at odds with Melanesian ways of being in, and relating to, the world. The Gimi are misrepresented in the specialty coffee market, which relies on images of primitivity and poverty to sell coffee. By implying that the "backwardness" of Papua New Guineans impedes economic development, these images obscure the structural relations and global political economy that actually cause poverty in Papua New Guinea.

NASCAR Winston Cup stock car racing is America’s fastest growing and most popular spectator sport. This book is a cultural and social reading of Winston Cup racing, the people who made the sport what it is today, and the corporations who sponsor the participants during their thirty-two race, ten-month quest for the national championship.

Among the best-known and most prolific French women writers of the sixteenth century, Madeleine (1520–87) and Catherine (1542–87) des Roches were celebrated not only for their uncommonly strong mother-daughter bond but also for their bold assertion of poetic authority for women in the realm of belles lettres. The Dames des Roches excelled in a variety of genres, including poetry, Latin and Italian translations, correspondence, prose dialogues, pastoral drama, and tragicomedy; collected in From Mother and Daughter are selections from their celebrated oeuvre, suffused with an engaging and enduring feminist consciousness.
 
Madeleine and Catherine spent their entire lives in civil war–torn Poitiers, where a siege of the city, vandalism, and desecration of churches fueled their political and religious commentary. Members of an elite literary circle that would inspire salon culture during the next century, the Dames des Roches addressed the issues of the day, including the ravages of religious civil wars, the weak monarchy, education for women, marriage and the family, violence against women, and the status of women intellectuals. Through their collaborative engagement in shared public discourse, both mother and daughter were models of moral, political, and literary agency.

The American Southwest is characterized by environmentally and culturally diverse landscapes, which include the northern Rio Grande valley as it cuts through north-central New Mexico from Taos to Albuquerque. The region has a long and rich history of anthropological research primarily focused on the archaeological remains found along this valley corridor. Only recently has research involving large-scale surveys and excavations been conducted on the nearby mesas and mountains that form the rugged margins of the river valley. From Mountain Top to Valley Bottom incorporates this new research into a perspective that links the ever-changing and complementary nature of lowland and upland land use.

The essays in this collection are unified by three specific themes: landscape, movement, and technology. Landscape involves the ecological backdrop of the northern Rio Grande valley, including past and present environments. Movement refers to the positioning of people across the landscape along with the dynamic and fluid nature with which people—past and present—view their relationship with the “above” and “below.” Technology not only refers to the tools and facilities that past people may have used but to the organization of labor needed to cooperatively exploit a variety of subsistence resources and the exchange of products across the region. This volume provides both a cross section of current research from expert scholars and a broad perspective that seeks to integrate new data from lowland and upland contexts. From Mountain Top to Valley Bottom will appeal to those interested in obsidian source studies, geoarchaeology, past climatic regimes, foraging societies, early agriculture, ceramic technology, subsistence, early village formation, ethnogenesis, and historic multiethnic economies.

In this work the distinguished religious historian Georges Dumézil considers how the early mythology of a people can be creatively transposed into the epic of their origin or the "history" of their kings, or the source of their fiction. The Saga of Hadingus, written by a twelfth-century Danish "historian," Saxo-Grammaticus, provides an extraordinarily interesting instance of this kind of transposition. By comparing this work to a myth as it was handed down to Saxo, Professor Dumézil demonstrates how the saga can be seen as a literary structure derived from the religious structure of the myth.

As Professor Dumézil and others have shown, some Indo-European peoples, after their conversion to Christianity, have reordered an earlier mythology to constitute the epic of their origins. For instance, Celtic mythology became history in one case and a source of fiction in another; and from the two texts, Welsh and Irish, by comparison one can reconstruct the original myth.

The Scandinavian nations provide a unique case, for here the pre-Christian texts are still read and have preserved much of the area's mythology in its original form. In addition, we have the work of Saxo and other known writers who composed and signed human transpositions of this mythology purporting to be history. This permits Professor Dumézil to make observations of a rare kind, for knowing something of the author's personality facilitates an understanding of the process of transposition itself.

Professor Dumézil shows how Saxo began by wanting only to tell the story of Denmark and its rulers as nobly as he could—and then later on to extend that narrative back in time. This led him to the only extant Scandinavian literature—that centered on Iceland—that he reordered and reinterpreted to the greater glory of Denmark.

In order to provide a content for the reign of the third king of the Danish Skoldunger dynasty, Hadingus, Saxo simply reworked a Scandinavian account of the career of the god Njördr. In this light Professor Dumézil reads The Saga of Hadingus as a fascinating substitution of a psychological and completely personal narrative for a story of purely social value.

This book contains six appendixes including two that consider the relationship between myth and folklore. They complement Professor Dumézil's careful exegeses and imaginative scholarship to make this the most important, specialized work on Scandinavian mythology available in English.

During the nineteenth century, much of the modern scientific enterprise took shape: scientific disciplines were formed, institutions and communities were founded, and unprecedented applications to and interactions with other aspects of society and culture occurred.

In this book, eleven leading historians of science assess what their field has taught us about this exciting time and identify issues that remain unexamined or require reconsideration. They treat both scientific disciplines—biology, physics, chemistry, the earth sciences, mathematics, and the social sciences—in their specific intellectual and sociocultural contexts as well as the broader topics of science and medicine; science and religion; scientific institutions and communities; and science, technology, and industry.

Providing a much-needed overview and analysis of a rapidly expanding field, From Natural Philosophy to the Sciences will be essential for historians of science, but also of great interest to scholars of all aspects of nineteenth-century life and culture.

Contributors:
Bernadette Bensaude-Vincent, Jed Z. Buchwald, David Cahan, Joseph Dauben, Frederick Gregory, Michael Hagner, Sungook Hong, David R. Oldroyd, Theodore M. Porter, Robert J. Richards, Ulrich Wengenroth

From Noose to Needle contributes a new perspective on the controversial topic of capital punishment by asking how the conduct of state killing reveals broader contradictions in the contemporary liberal state, especially, but not exclusively, in the United States. Moving beyond more familiar legal and sociological approaches to this matter, Timothy V. Kaufman-Osborn asks several questions. Why do executions no longer take the form of public spectacles? Why are certain methods of execution considered barbaric? Why must the liberal state strictly segregate the imposition of a death sentence, whether by judge or jury, from its actual infliction, whether by a state official or an ordinary citizen? Why are women so infrequently sentenced to death and executed? How does the state seek to hide the suffering inflicted by capital punishment through its endorsement of a bio-medical conception of pain? How does the nearly-universal shift to lethal injection pose problems for the late liberal state by confusing its punitive and welfare responsibilities?

Drawing on a wide range of theoretical sources, including John Locke, Max Weber, Nicos Poulantzas, Friedrich Nietzsche, J. L. Austin, Michel Foucault, Judith Butler, Pierre Bourdieu, Elaine Scarry, and others, Kaufman-Osborn grounds his appropriation of these authors in analyses of specific recent executions, including that of Wesley Allan Dodd and Charles Campbell in Washington, Karla Faye Tucker in Texas, and Allen Lee Davis in Florida.

From Noose to Needle will be of interest to students of law, political theory, and sociology as well as more general readers interested in the troublesome issue of capital punishment.

Timothy V. Kaufman-Osborn is Baker Ferguson Professor of Politics and Leadership, Whitman College.

On December 4, 1865, members of the 39th United States Congress walked into the Capitol Building to begin their first session after the end of the Civil War. They understood their responsibility to put the nation back on the path established by the American Founding Fathers. The moment when the Republicans in the Reconstruction Congress remade the nation and renewed the law is in a class of rare events. The Civil War should be seen in this light.

In From Oligarchy to Republicanism: The Great Task of Reconstruction, Forrest A. Nabors shows that the ultimate goal of the Republican Party, the war, and Reconstruction was the same. This goal was to preserve and advance republicanism as the American founders understood it, against its natural, existential enemy: oligarchy. The principle of natural equality justified American republicanism and required abolition and equal citizenship. Likewise, slavery and discrimination on the basis of color stand on the competing moral foundation of oligarchy, the principle of natural inequality, which requires ranks.

The effect of slavery and the division of the nation into two “opposite systems of civilization” are causally linked. Charles Devens, a lawyer who served as a general in the Union Army, and his contemporaries understood that slavery’s existence transformed the character of political society.

One of those dramatic effects was the increased power of slaveowners over those who did not have slaves. When the slave state constitutions enumerated slaves in apportioning representation using the federal three-fifths ratio or by other formulae, intra-state sections where slaves were concentrated would receive a substantial grant of political power for slave ownership. In contrast, low slave-owning sections of the state would lose political representation and political influence over the state. This contributed to the non-slaveholders’ loss of political liberty in the slave states and provided a direct means by which the slaveholders acquired and maintained their rule over non-slaveholders.

This book presents a shared analysis of the slave South, synthesized from the writings and speeches of the Republicans who served in the Thirty-Eighth, Thirty-Ninth or Fortieth Congress from 1863-1869. The account draws from their writings and speeches dated before, during, and after their service in Congress. Nabors shows how the Republican majority, charged with the responsibility of reconstructing the South, understood the South.

Republicans in Congress were generally united around the fundamental problem and goal of Reconstruction. They regarded their work in the same way as they regarded the work of the American founders. Both they and the founders were engaged in regime change, from monarchy in the one case, and from oligarchy in the other, to republicanism. The insurrectionary states’ governments had to be reconstructed at their foundations, from oligarchic to republican. The sharp differences within Congress pertained to how to achieve that higher goal.

The Association of the Bar of the City of New York (ABCNY) is no ordinary professional organization. Formed in 1870 and housed in an imposing mid-town edifice, it was the first modern bar association, nationally known for its eminent membership, its reformist stance—and its intimidating selectivity. During much of its history, the ABCNY appeared to be more an upper-class, WASP legal club than an open, collegial association. How did such an organization fare in the face of post-war pressures for inclusiveness? From Patrician to Professional Elite offers a rare view of the internal dynamics of an institution adapting to a changed environment. The ABCNY maintained its elite identity by adopting a meritocratic organizational model in place of a class-based model. By shedding its overt exclusivity, the ABCNY asserted its legitimacy; by embracing an "open elite" or meritocratic model, the associate retained its high standing and relative homogeneity. In fact, the ABCNY today is dominated by the same functional group of lawyers as before, the corporate legal elite. This fascinating study of organizational change prompts a re-examination of fundamental questions about the class basis of modern professionalism and the dominance of elites within professions, in addition to illuminating the larger question of the role of elite institutions in democratic societies.

From the early 1980s, the U.S. environmental breast cancer movement has championed the goal of eradicating the disease by emphasizing the importance of reducing—even eliminating exposure to chemicals and toxins. From Pink to Green chronicles the movement's disease prevention philosophy from the beginning.

Challenging the broader cultural milieu of pink ribbon symbolism and breast cancer "awareness" campaigns, this movement has grown from a handful of community-based organizations into a national entity, shaping the cultural, political, and public health landscape. Much of the activists' everyday work revolves around describing how the so called "cancer industry" downplays possible environmental links to protect their political and economic interests and they demand that the public play a role in scientific, policy, and public health decision-making to build a new framework of breast cancer prevention.

From Pink to Green successfully explores the intersection between breast cancer activism and the environmental health sciences, incorporating public and scientific debates as well as policy implications to public health and environmental agendas.

In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre–French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers’s book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, décor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of créole texts and white actors/singers à visage noirs (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of “patriotic theatres,” and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States.

In this fiercely ambitious study, Meredith Anne Hoy seeks to reestablish the very definitions of digital art and aesthetics in art history. She begins by problematizing the notion of digital aesthetics, tracing the nineteenth- and twentieth-century movements that sought to break art down into its constituent elements, which in many ways predicted and paved the way for our acceptance of digital art. Through a series of case studies, Hoy questions the separation between analog and digital art and finds that while there may be sensual and experiential differences, they fall within the same technological categories. She also discusses computational art, in which the sole act of creation is the building of a self-generating algorithm. The medium isn’t the message—what really matters is the degree to which the viewer can sense a creative hand in the art.

From Popular Medicine to Medical Populism presents the history of medical practice in Costa Rica from the late colonial era—when none of the fifty thousand inhabitants had access to a titled physician, pharmacist, or midwife—to the 1940s, when the figure of the qualified medical doctor was part of everyday life for many of Costa Rica’s nearly one million citizens. It is the first book to chronicle the history of all healers, both professional and popular, in a Latin American country during the national period.
Steven Palmer breaks with the view of popular and professional medicine as polar opposites—where popular medicine is seen as representative of the authentic local community and as synonymous with oral tradition and religious and magical beliefs and professional medicine as advancing neocolonial interests through the work of secular, trained academicians. Arguing that there was significant and formative overlap between these two forms of medicine, Palmer shows that the relationship between practitioners of each was marked by coexistence, complementarity, and dialogue as often as it was by rivalry. Palmer explains that while the professionalization of medical practice was intricately connected to the nation-building process, the Costa Rican state never consistently displayed an interest in suppressing the practice of popular medicine. In fact, it persistently found both tacit and explicit ways to allow untitled healers to practice. Using empirical and archival research to bring people (such as the famous healer or curandero Professor Carlos Carbell), events, and institutions (including the Rockefeller Foundation) to life, From Popular Medicine to Medical Populism demonstrates that it was through everyday acts of negotiation among agents of the state, medical professionals, and popular practitioners that the contours of Costa Rica’s modern, heterogeneous health care system were established.

A trove of primary source materials, From Postwar to Postmodern, Art in Japan 1945–1989 is an invaluable scholarly resource for readers who wish to explore the fascinating subject of avant-garde art in postwar Japan. In this comprehensive anthology, an array of key documents, artist manifestos, critical essays, and roundtable discussions are translated into English for the first time. The pieces cover a broad range of artistic mediums—including photography, film, performance, architecture, and design—and illuminate their various points of convergence in the Japanese context.

The collection is organized chronologically and thematically to highlight significant movements, works, and artistic phenomena, such as the pioneering artist collectives Gutai and Hi Red Center, the influential photography periodical Provoke, and the emergence of video art in the 1980s. Interspersed throughout the volume are more than twenty newly commissioned texts by contemporary scholars. Including Bert Winther-Tamaki on art and the Occupation and Reiko Tomii on the Yomiuri Independent Exhibition, these pieces supplement and provide a historical framework for the primary source materials. From Postwar to Postmodern, Art in Japan 1945–1989 offers an unprecedented look at over four decades of Japanese art—both as it unfolded and as it is seen from the perspective of the present day.

Publication of The Museum of Modern Art

Americans believe strongly in the socially transformative power of education, and the idea that we can challenge racial injustice by reducing white prejudice has long been a core component of this faith. How did we get here? In this first-rate intellectual history, Leah N. Gordon jumps into this and other big questions about race, power, and social justice.
            To answer these questions, From Power to Prejudice examines American academia—both black and white—in the 1940s and ’50s. Gordon presents four competing visions of  “the race problem” and documents how an individualistic paradigm, which presented white attitudes as the source of racial injustice, gained traction. A number of factors, Gordon shows, explain racial individualism’s postwar influence: individuals were easier to measure than social forces; psychology was well funded; studying political economy was difficult amid McCarthyism; and individualism was useful in legal attacks on segregation. Highlighting vigorous midcentury debate over the meanings of racial justice and equality, From Power to Prejudice reveals how one particular vision of social justice won out among many contenders.

A collaborative life history of Priscilla Freeman Jacobs, From Princess to Chief tells the story of the first female chief (from 1986 to 2005) of the state-recognized Waccamaw Siouan Indian Tribe of North Carolina. 

 

In From Princess to Chief, Priscilla Freeman Jacobs and Patricia Barker Lerch detail Jacobs’s birth and childhood, coming of age, education, young adulthood, marriage and family, Indian activism, and spiritual life. Jacobs is descended from a family of Indian leaders whose activism dates back to the early twentieth century. Her ancestors pressured the local county and state governments to fund their Indian schools, led the drive for the Waccamaw Sioux to be recognized as Indians in state and federal legislation, and finally succeeded in opening the long-awaited Indian schools in the 1930s. 

 

Jacobs’s lasting legacies to her community include the many initiatives on which she collaborated with her father, Clifton Freeman, including the acquisition of common land for the tribe, initiation of a tribal board of directors, incorporation of a development association, and the establishment of a day care and many other social and educational programs. In the 1970s Jacobs served on the North Carolina Commission of Indian Affairs and was active in the Coalition of Eastern Native Americans.

 

Introducing the powwow as a way for young people to learn about the traditions of Indian people throughout the state of North Carolina, Jacobs taught many children how to dance and wear Indian regalia with pride and dignity. Throughout her life, Jacobs has worked hard to preserve the traditional customs of her people and to teach others about the folk culture that shaped and molded her as a person.

 

Told from the point of view of an eyewitness to the community’s effort to win federal recognition in 1950 and their lives since, From Princess to Chief helps preserve the story of Jacobs’s Indian community.

"We were poor but we had everything we needed," reminisces Dona Epifania. Nonetheless, when a man she knew told her about a job in Philadelphia, she grasped the opportunity to leave Coamas. "He went to Puerto Rico and told me there were beans to cook. I came here and cooked for fourteen workers." In San Lorenzo, Dona Carmen and her husband made the same decision: "We didn't want to, nobody wanted to leave....There wasn't any alternative." Don Florencio recalls that in Salinas work had gotten scarce, "especially for the youth, the young men....The farmworker that was used to cutting cane, already the sugar cane was disappearing," and government licensing regulations made fishing "more difficult for the poor."

Puerto Rican migration to the mainland following World War II took place for a range of reasons -- globalization of the economy, the colonial relationship between the United States and Puerto Rico, state policies, changes in regional and  local economies, social networks, and, not least, the decisions made by individual immigrants. In this wide-ranging book, Carmen Whalen weaves them all into a tapestry of Puerto Rican immigration to Philadelphia.

Like African Americans and Mexicans, Puerto Ricans were recruited for low-wage jobs, only to confront racial discrimination as well as economic restructuring. As Whalen shows, they were part of that wave of newcomers who came from areas in the Caribbean, Latin America, and Asia characterized by  a heavy U.S. military and economic presence, especially export processing zones looking for a new life in depressed urban environments already populated by earlier labor migrants. But Puerto Rican in-migration was also unique, especially in its regional and gender dimensions. Many migrants came as part of contract labor programs shaped by competing agendas.

By the 1990s, economic conditions, government policies, and racial ideologies had transformed Puerto Rican labor migrants into what has been called "the other underclass." The author analyzes this continuation of "culture and poverty" interpretations and contrasts it with the efforts of Philadelphia's Puerto Ricans to recreate their communities and deal with the impact of  economic restructuring and residential segregation in the City of Brotherly Love.

In paperback for the first time, From Racism to Genocide is an explosive, richly detailed account of how Nazi anthropologists justified racism, developed practical applications of racist theory, and eventually participated in every phase of the Holocaust. 

Using original sources and previously unpublished documentation, Gretchen E. Schafft shows the total range of anti-human activity from within the confines of a particular discipline. Based on seven years of archival research in the United States and abroad, the work includes many original photos and documents, most of which have never before been published. It uses primary data and original texts whenever possible, including correspondence written by perpetrators. The book also reveals that the United States was not merely a bystander in this research, but instead contributed professional and financial support to early racial research that continued through the first five years of Hitler’s regime.

From Rebellion to Riots is a critical analysis of the roots of contemporary violence in one of Indonesia’s most ethnically heterogeneous provinces, West Kalimantan. Since the late 1960s, this province has suffered periodic outbreaks of ethnic violence among its Dayak, Malay, Madurese, and ethnic Chinese populations. Citing evidence from his research, internal military documents, and ethnographic accounts, Jamie S. Davidson refutes popular explanations for these flare-ups. The recurrent violence has less to do with a clash of cultures, the ills of New Order-led development, or indigenous marginalization than with the ongoing politicization of ethnic and indigenous identity in the region.

            Looking at key historical moments, markedly different in their particulars, Davidson reveals the important links between ethnic violence and subnational politics. In one case, army officers in Soeharto’s recently established New Order regime encouraged anti-Chinese sentiments. To move against communist-inspired rebellion, they recruited indigenous Dayaks to expunge tens of thousands of ethnic Chinese from interior towns and villages. This counter-insurgent bloodshed inadvertently initiated a series of clashes between Dayaks and Madurese, another migrant community. Driven by an indigenous empowerment movement and efforts by local elites to control benefits provided by decentralization and democratization, these low-intensity riots rose to immense proportions in the late 1990s. From Rebellion to Riots demonstrates that the endemic violence in this vast region is not the inevitable outcome of its ethnic diversity, and reveals that the initial impetus for collective bloodshed is not necessarily the same as the forces that sustain it.

“A comprehensive case study . . . . Essential reading for students of the West Kalimantan violence.”—Dave McRae, Indonesia