28167 books match the query 'History' and 1092 start with f

cover of Feminists Who Changed America, 1963-1975

Feminists Who Changed America, 1963-1975

Edited by Barbara J. Love: Foreword by Nancy F. Cott

University of Illinois Press, 2006

Documenting key feminists who ignited the second wave women's movement

Barbara J. Love’s Feminists Who Changed America, 1963-1975 will be the first comprehensive directory to document many of the founders and leaders (including both well-known and grassroots organizers) of the second wave women's movement.  It tells the stories of more than two thousand individual women and a few notable men who together reignited the women's movement and made permanent changes to entrenched customs and laws.

The biographical entries on these pioneering feminists represent their many factions, all parts of the country, all races and ethnic groups, and all political ideologies. Nancy Cott's foreword discusses the movement in relation to the earlier first wave and presents a brief overview of the second wave in the context of other contemporaneous social movements. 

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cover of Fermi Remembered

Fermi Remembered

Edited by James W. Cronin

University of Chicago Press, 2004

Nobel laureate and scientific luminary Enrico Fermi (1901-54) was a pioneering nuclear physicist whose contributions to the field were numerous, profound, and lasting. Best known for his involvement with the Manhattan Project and his work at Los Alamos that led to the first self-sustained nuclear reaction and ultimately to the production of electric power and plutonium for atomic weapons, Fermi's legacy continues to color the character of the sciences at the University of Chicago. During his tenure as professor of physics at the Institute for Nuclear Studies, Fermi attracted an extraordinary scientific faculty and many talented students—ten Nobel Prizes were awarded to faculty or students under his tutelage.

Born out of a symposium held to commemorate the hundredth anniversary of Fermi's birth, Fermi Remembered combines essays and newly commissioned reminiscences with private material from Fermi's research notebooks, correspondence, speech outlines, and teaching to document the profound and enduring significance of Fermi's life and labors. The volume also features extensives archival material—including correspondence between Fermi and biophysicist Leo Szilard and a letter from Harry Truman—with new introductions that provide context for both the history of physics and the academic tradition at the University of Chicago.

Edited by James W. Cronin, a University of Chicago physicist and Nobel laureate himself, Fermi Remembered is a tender tribute to one of the greatest scientists of the twentieth century.

Contributors:
Harold Agnew
Nina Byers
Owen Chamberlain
Geoffrey F. Chew
James W. Cronin
George W. Farwell
Jerome I. Friedman
Richard L. Garwin
Murray Gell-Mann
Maurice Glicksman
Marvin L. Goldberger
Uri Haber-Schaim
Roger Hildebrand
Tsung Dao Lee
Darragh Nagle
Jay Orear
Marshall N. Rosenbluth
Arthur Rosenfeld
Robert Schluter
Jack Steinberger
Valentine Telegdi
Al Wattenberg
Frank Wilczek
Lincoln Wolfenstein
Courtenay Wright
Chen Ning Yang
Gaurang Yodh
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cover of Fermilab: Physics, the Frontier, and Megascience

Fermilab

Physics, the Frontier, and Megascience

Lillian Hoddeson, Adrienne W. Kolb, and Catherine Westfall

University of Chicago Press, 2008

Fermi National Accelerator Laboratory, located in the western suburbs of Chicago, has stood at the frontier of high-energy physics for forty years. Fermilab is the first history of this laboratory and of its powerful accelerators told from the point of view of the people who built and used them for scientific discovery.


Focusing on the first two decades of research at Fermilab, during the tenure of the laboratory’s charismatic first two directors, Robert R. Wilson and Leon M. Lederman, the book traces the rise of what they call “megascience,” the collaborative struggle to conduct large-scale international experiments in a climate of limited federal funding. In the midst of this new climate, Fermilab illuminates the growth of the modern research laboratory during the Cold War and captures the drama of human exploration at the cutting edge of science.

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cover of Fernando de Alva Ixtlilxochitl and His Legacy

Fernando de Alva Ixtlilxochitl and His Legacy

Edited by Galen Brokaw and Jongsoo Lee

University of Arizona Press, 2016

Don Fernando de Alva Ixtlilxochitl is one of the most controversial and provocative Mexican chroniclers from the colonial period. A descendant of both the famous Prehispanic poet-king Nezahualcoyotl and Hernán Cortés’s ally Cortés Ixtlilxochitl, he penned chronicles that rewrote Prehispanic and colonial history. Traditionally known as a Europeanized historian of Tetzcoco, he wrote prolifically, producing documents covering various aspects of pre- and postconquest history, religion, and literature.

His seventeenth-century writings have had a lasting effect on the understanding of Mexican culture and history from the colonial period to the present. But because Alva Ixtlilxochitl frequently used Tetzcocan oral traditions and pictorial codices of his ancestors’ heroic achievements, scholars have long said that his writings exhibit a Tetzcocan bias that distorts representations and understandings of Prehispanic Mexican history and culture.

Fernando de Alva Ixtlilxochitl and His Legacy is a collection of essays providing deeper perspective on the life, work, and legacy of Alva Ixtlilxochitl. The contributors revise and broaden previous understandings of Alva Ixtlilxochitl’s racial and cultural identity, including his method of transcribing pictorial texts, his treatment of gender, and his influence on Mexican nationalism. Chapter authors coming from the fields of anthropology, history, linguistics, and literature offer valuable new perspectives on the complexities of Alva Ixtlilxochitl’s life and his contributions to the history and scholarship of Mexico.
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cover of Fernando: A Song by ABBA

Fernando

A Song by ABBA

Kay Dickinson

Duke University Press, 2025

Since its release in 1976, ABBA’s song “Fernando” has been loved by fans around the globe both for its sing-along chorus and its revolutionary spirit. In Fernando, Kay Dickinson takes readers from Sweden and Chile to Australia and Poland, tracing the complicated ways the song could express support with anticapitalist and Third World liberation struggles while remaining an unrepentant commodity. A song about freedom fighters was unlikely to become a pop mega-hit, yet as Dickinson demonstrates, ABBA’s lucrative, longstanding appeal rests on their ability to bridge contradictions within everyday life. Five decades later, “Fernando’s” rousing calls for freedom continue to resonate with gay liberation movements and other social struggles, demonstrating how a song can be both revolutionary and an envoy for global capital. 
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cover of Fernández de Oviedo's Chronicle of America: A New History for a New World

Fernández de Oviedo's Chronicle of America

A New History for a New World

By Kathleen Ann Myers

University of Texas Press, 2007

Gonzalo Fernández de Oviedo (1478-1557) wrote the first comprehensive history of Spanish America, the Historia general y natural de las Indias, a sprawling, constantly revised work in which Oviedo attempted nothing less than a complete account of the Spanish discovery, conquest, and colonization of the Americas from 1492 to 1547, along with descriptions of the land's flora, fauna, and indigenous peoples. His Historia, which grew to an astounding fifty volumes, includes numerous interviews with the Spanish and indigenous leaders who were literally making history, the first extensive field drawings of America rendered by a European, reports of exotic creatures, ethnographic descriptions of indigenous groups, and detailed reports about the conquest and colonization process.

Fernández de Oviedo's Chronicle of America explores how, in writing his Historia, Oviedo created a new historiographical model that reflected the vastness of the Americas and Spain's enterprise there. Kathleen Myers uses a series of case studies—focusing on Oviedo's self-portraits, drawings of American phenomena, approaches to myth, process of revision, and depictions of Native Americans—to analyze Oviedo's narrative and rhetorical strategies and show how they relate to the politics, history, and discursive practices of his time. Accompanying the case studies are all of Oviedo's extant field drawings and a wide selection of his text in English translation.

The first study to examine the entire Historia and its evolving rhetorical and historical context, this book confirms Oviedo's assertion that "the New World required a different kind of history" as it helps modern readers understand how the discovery of the Americas became a catalyst for European historiographical change.

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cover of Ferris Wheels: An Illustrated History

Ferris Wheels

An Illustrated History

Norman Anderson

University of Wisconsin Press, 1993

Norman Anderson has written a gripping story of one of the engineering marvels of both the nineteenth and the twentieth century, the ferris wheel. The idea of this contraption may be as old as the water wheel, and written descriptions and drawings of pleasure wheels go back at least four centuries. There have been dozens of experiments with design and construction—early portable wheels by Strobel, the Condermans, Sullivan and others; one-of-a-kind wheels like Schnitzler’s Asbury Park wheel with a tower and Stubb’s water-turned wheel at Electric Park in Waterloo, Iowa; giant wheels in London, Blackpool, Vienna, Paris and recently in Japan.
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cover of Fertile Matters: The Politics of Mexican-Origin Women's Reproduction

Fertile Matters

The Politics of Mexican-Origin Women's Reproduction

By Elena R. Gutiérrez

University of Texas Press, 2008

While the stereotype of the persistently pregnant Mexican-origin woman is longstanding, in the past fifteen years her reproduction has been targeted as a major social problem for the United States. Due to fear-fueled news reports and public perceptions about the changing composition of the nation's racial and ethnic makeup—the so-called Latinization of America—the reproduction of Mexican immigrant women has become a central theme in contemporary U. S. politics since the early 1990s.

In this exploration, Elena R. Gutiérrez considers these public stereotypes of Mexican American and Mexican immigrant women as "hyper-fertile baby machines" who "breed like rabbits." She draws on social constructionist perspectives to examine the historical and sociopolitical evolution of these racial ideologies, and the related beliefs that Mexican-origin families are unduly large and that Mexican American and Mexican immigrant women do not use birth control.

Using the coercive sterilization of Mexican-origin women in Los Angeles as a case study, Gutiérrez opens a dialogue on the racial politics of reproduction, and how they have developed for women of Mexican origin in the United States. She illustrates how the ways we talk and think about reproduction are part of a system of racial domination that shapes social policy and affects individual women's lives.

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cover of Festival of the Poor: Fertility Decline and the Ideology of Class

Festival of the Poor

Fertility Decline and the Ideology of Class

Jane C. Schneider

University of Arizona Press, 1996

The historical decline of fertility in Europe has occupied a central place in social history and demography over the past quarter-century. Most scholars credit Europeans with modulating sexual behavior, through either abstinence or the practice of coitus interruptus, as a rational choice made in the interest of personal economic comfort; yet peasant and working classes have typically lagged behind in birth control and have given rise to the adage that "sexual embrace is the festival of the poor." Scholarly analyses of "lag" often reinforce this stigmatizing view. Now this subject is given a fresh look through a case study in Sicily, one of the last outposts of Western Europe's demographic transition.

By examining population changes in a single community between 1860 and 1980, the authors offer an extended review and critique of existing models of fertility decline in Europe, proposing a new interpretation that emphasizes historical context and class relations. They show how the spread of capitalism in Sicily induced an unprecedented rate of population growth, with boom-and-bust cycles creating the class experiences in which "reputational networks" came to redefine family life; how Sicilians began to control their fertility in response to class-mediated ideas about gender relations and respectable family size; and how the town's gentry, artisan, and peasant classes adopted family planning methods at different times in response to different pressures.

Jane and Peter Schneider's anthropologically oriented political-economy perspective challenges the position of Western Europe as a model for fertility decline on which every other case should converge, looking instead at the diversity of cultural ideals and practices--such as those found in Sicily--that influence the spread and form of birth control. Combining anthropological, oral historical, and archival methods in new and insightful ways, the authors' synthesis of a particular case study with a broad historical and theoretical discussion will play a major role in the ongoing debates over the history of European fertility decline and point the way toward integrating the analysis of demographic upheaval with the study of class formation and ideology.
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cover of Festivals and the City: The Contested Geographies of Urban Events

Festivals and the City

The Contested Geographies of Urban Events

Andrew Smith, Guy Osborn, Bernadette Quinn, Andrew Smith, Guy Osborn and Bernadette Quinn

University of Westminster Press, 2022

This book explores how festivals and events affect urban places and public spaces, with a particular focus on their role in fostering inclusion. The ‘festivalisation’ of culture, politics and space in cities is often regarded as problematic, but this book examines the positive and negative ways that festivals affect cities by examining festive spaces as contested spaces. The book focuses on Western European cities, a particularly interesting context given the social and cultural pressures associated with high levels of in-migration and concerns over the commercialisation and privatisation of public spaces.

The key themes of this book are the quest for more inclusive urban spaces and the contested geographies of festival spaces and places. Festivals are often used by municipal authorities to break down symbolic barriers that restrict who uses public spaces and what those spaces are used for. However, the rise of commercial festivals and ticketed events means that they are also responsible for imposing physical and financial obstacles that reduce the accessibility of city parks, streets and squares.

Alongside addressing the contested effects of urban festivals on the character and inclusivity of public spaces, the book addresses more general themes including the role of festivals in culture-led regeneration. Several chapters analyse festivals and events as economic development tools, and the book also covers contested representations of festival cities and the ways related images and stories are used in place marketing.

A range of cases from Western Europe are used to explore these issues, including chapters on some of the world’s most significant and contested festival cities: Venice, Edinburgh, London and Barcelona. The book covers a wide range of festivals, including those dedicated to music and the arts, but also events celebrating particular histories, identities and pastimes. A series of fascinating cases are discussed - from the Venice Biennale and Dublin Festival of History, to Rotterdam’s music festivals and craft beer festivals in Manchester. The diverse and innovative qualities of the book are also evident in the range of urban spaces covered: obvious examples of public spaces – such as parks, streets, squares and piazzas – are addressed, but the book includes chapters on enclosed public spaces (e.g., libraries) and urban blue spaces (waterways) too. This reflects the interpretation of public spaces as socio-material entities: they are produced informally through their use (including for festivals and events), as well as through their formal design and management.

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cover of Festivals of Attica: An Archaeological Commentary

Festivals of Attica

An Archaeological Commentary

Erika Simon

University of Wisconsin Press, 2002

The festivals of the Athenian sacred calendar constitute a vital key to classical Greek culture and religion.  Erika Simon sets out here to explicate those complex and often obscure festivals.  By careful marshaling of a variety of proofs from literary, historical, and archaeological sources, she is able to justify some startling conclusions and achieve a comprehensive and truly original synthesis that clarifies, as never before, the probable origins and meanings of the Attic cults.

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cover of Festivals of Freedom: Memory and Meaning in African American Emancipation Celebrations, 1808-1915

Festivals of Freedom

Memory and Meaning in African American Emancipation Celebrations, 1808-1915

Mitch Kachun

University of Massachusetts Press, 2003

With the abolition of the transatlantic slave trade in 1808, many African Americans began calling for “a day of publick thanksgiving” to commemorate this important step toward freedom. During the ensuing century, black leaders built on this foundation and constructed a distinctive and vibrant tradition through their celebrations of the end of slavery in New York State, the British West Indies, and eventually the United States as a whole. In this revealing study, Mitch Kachun explores the multiple functions and contested meanings surrounding African American emancipation celebrations from the abolition of the slave trade to the fiftieth anniversary of U.S. emancipation. 

Excluded from July Fourth and other American nationalist rituals for most of this period, black activists used these festivals of freedom to encourage community building and race uplift. Kachun demonstrates that, even as these annual rituals helped define African Americans as a people by fostering a sense of shared history, heritage, and identity, they were also sites of ambiguity and conflict. Freedom celebrations served as occasions for debate over black representations in the public sphere, struggles for group leadership, and contests over collective memory and its meaning. 

Based on extensive research in African American newspapers and oration texts, this book retraces a vital if often overlooked tradition in African American political culture and addresses important issues about black participation in the public sphere. By illuminating the origins of black Americans' public commemorations, it also helps explain why there have been increasing calls in recent years to make the "Juneteenth" observance of emancipation an American—not just an African American—day of commemoration.

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cover of Fetch the Devil: The Sierra Diablo Murders and Nazi Espionage in America

Fetch the Devil

The Sierra Diablo Murders and Nazi Espionage in America

Clint Richmond

University Press of New England, 2014

In 1938, Hazel Frome, the wife of a powerful executive at Atlas Powder Company, a San Francisco explosives manufacturer, set out on a cross-country motor trip with her twenty-three-year-old daughter, Nancy. When their car broke down in El Paso, Texas, they made the most of being stranded by staying at a posh hotel and crossing the border to Juarez for shopping, dining, and drinking. A week later, their near-nude bodies were found in the Chihuahuan Desert. Though they had been seen on occasion with two mystery men, there were no clues as to why they had apparently been abducted, tortured for days, and shot execution style. El Paso sheriff Chris Fox, a lawman right out of central casting, engaged in a turf war with the Texas Rangers and local officials that hampered the investigation. But the victims’ detours had placed them in the path of a Nazi spy ring operating from the West Coast to Latin America through a deep-cover portal at El Paso. The sleeper cell was run by spymasters at the German consulate in San Francisco. In 1938, only the inner circle of the Roosevelt White House and a few FBI agents were aware of the extent to which German agents had infiltrated American industry. Fetch the Devil is the first narrative account of this still officially unsolved case. Based on long forgotten archives and recently declassified FBI files, Richmond paints a convincing portrait of a sheriff’s dogged investigation into a baffling murder, the international spy ring that orchestrated it, and America on the brink of another world war.
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cover of Fetter'd or Free?: British Women Novelists, 1670-1815

Fetter'd or Free?

British Women Novelists, 1670-1815

Mary Anne Schofield

Ohio University Press, 1986

Traditional literary theory holds that women writers of the Restoration and eighteenth century produced works of limited range and value: simple tales of domestic conflict, seduction, and romance. Bringing a broad range of methodologies (historical, textual, post-structuralist, psychological) to bear on the works of Eliza Haywood, Charlotte Smith, Sarah Fielding, Fanny Burney, Jane Austen, and others. Fetter'd or Free? encourages a re-evaluation of these elder sisters of the Brontes and Eliot. In addition to examining the relationship between the minor female writers and the acknowledged greats of the age, these twenty-three essays focus on such issues as politics and ideology in the novel; the social, cultural, and economic context of the female writer; female character types and iconography; fictional and rhetorical strategies; and the development of such recurrent themes as imprisonment and subversion. What emerges is a much clearer view than we have had of the predicament of the female writer in the eighteenth century, the constraints on her freedom and artistic integrity, and the means by which she recognized, expressed, and responded to the conditions of this turbulent age. The collection includes essays by Paula Backscheider, Patricia M. Spacks, Jerry C. Beasley, Margaret Anne Doody, Robert A. Day, and others. None of the essays has been previously published. In scope and variety, Fetter'd of Free? is unlike anything currently available. It will be of interest to both the specialist and the ambitious general reader and will initiate fresh dialogues among scholars of both eighteenth century literature and women's studies.
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cover of Feudal Society, Volume 1

Feudal Society, Volume 1

Marc Bloch

University of Chicago Press, 1964

"Few have set themselves to the formidable task of reconstructing and analyzing a whole human environment; fewer still have succeeded. Bloch dared to do this and was successful; therein lies the enduring achievement of Feudal Society."—Charles Garside, Yale Review
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cover of Feudal Society, Volume 2

Feudal Society, Volume 2

Marc Bloch

University of Chicago Press, 1964

"Few have set themselves to the formidable task of reconstructing and analyzing a whole human environment; fewer still have succeeded. Bloch dared to do this and was successful; therein lies the enduring achievement of Feudal Society."—Charles Garside, Yale Review
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cover of Fevered Measures: Public Health and Race at the Texas-Mexico Border, 1848–1942

Fevered Measures

Public Health and Race at the Texas-Mexico Border, 1848–1942

John Mckiernan-González

Duke University Press, 2012

In Fevered Measures, John Mckiernan-González examines public health campaigns along the Texas-Mexico border between 1848 and 1942 and reveals the changing medical and political frameworks U.S. health authorities used when facing the threat of epidemic disease. The medical borders created by these officials changed with each contagion and sometimes varied from the existing national borders. Federal officers sought to distinguish Mexican citizens from U.S. citizens, a process troubled by the deeply interconnected nature of border communities. Mckiernan-González uncovers forgotten or ignored cases in which Mexicans, Mexican Americans, African Americans, and other groups were subject to—and sometimes agents of—quarantines, inspections, detentions, and forced-treatment regimens. These cases illustrate the ways that medical encounters shaped border identities before and after the Mexican Revolution. Mckiernan-González also maintains that the threat of disease provided a venue to destabilize identity at the border, enacted processes of racialization, and re-legitimized the power of U.S. policymakers. He demonstrates how this complex history continues to shape and frame contemporary perceptions of the Latino body today.
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cover of Few Returned: Twenty-eight Days on the Russian Front, Winter 1942-1943

Few Returned

Twenty-eight Days on the Russian Front, Winter 1942-1943

Eugenio Corti, Translated by Peter Edward Levy, & Foreword by Carlo D'Este

University of Missouri Press, 1997

After World War II more than one hundred books appeared that dealt with the experience of the Italian army in Russia, and particularly the terrible winter retreat of 1942-1943. Few Returned (I piu' non ritornano) is the only one of these that is still regularly reissued in Italy.

Eugenio Corti, who was a twenty-one-year-old second lieutenant at the time, found himself, together with 30,000 Italians and a smaller contingent of Germans, encircled on the banks of the River Don by enemy forces who far outnumbered them. To break out of this encirclement, these men undertook a desperate march across the snow, with constant engagements and in temperatures ranging from -20 to -30 degrees Fahrenheit. Whereas supplies were air-dropped to the Germans, the predicament of the Italians was far more difficult: lacking gasoline, they were compelled to abandon their vehicles and to proceed without heavy arms, equipment, ammunition, or provisions. Even the wounded had to be abandoned, though it was well known that the soldiers of the Red Army"enraged by the brutality of the German invasion"killed all the enemy wounded who fell into their hands. After twenty-eight days of encirclement, only 4,000 of the 30,000 Italians made it out of the pocket.

Why is it that Corti's book, which was first published in 1947, continues after fifty years to be reprinted in Italy? Because, as Mario Apollonio of the University of Milan said, when the book first appeared: "It is a chronicle . . . but it is much more than that: behind the physical reality, there is the truth" about man at his most tragic hour. Apollonio adds: "The power of the writing immediately transforms the document into drama"; the result is a "novel-poem-drama-history." The philosopher Benedetto Croce found in Corti's book "the not infrequent gleam of human goodness and nobility." Few Returned is a classic of war literature that succeeds in bringing home the full hatefulness of war.

Eugenio Corti began writing his diary at a military hospital immediately after being repatriated from the Russian front. When in September 1943 Italy found itself cut in two by the Armistice, Corti, loyal to his officer's oath, joined up with what remained of the Italian army in the south and with those few troops participated in driving the Germans off Italian soil, fighting at the side of the British Eighth and the American Fifth Armies.

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cover of Fiat Flux: The Writings of Wilson R. Bachelor, Nineteenth-Century Country Doctor and Philosopher

Fiat Flux

The Writings of Wilson R. Bachelor, Nineteenth-Century Country Doctor and Philosopher

William D. Lindsey

University of Arkansas Press, 2013

Wilson R. Bachelor was a Tennessee native who moved with his family to Franklin County, Arkansas, in 1870. A country doctor and natural philosopher, Bachelor was impelled to chronicle his life from 1870 to 1902, documenting the family's move to Arkansas, their settling a farm in Franklin County, and Bachelor's medical practice. Bachelor was an avid reader with wide-ranging interests in literature, science, nature, politics, and religion, and he became a self-professed freethinker in the 1870s. He was driven by a concept he called "fiat flux," an awareness of the "rapid flight of time" that motivated him to treat the people around him and the world itself as precious and fleeting. He wrote occasional pieces for a local newspaper, bringing his unusually enlightened perspectives to the subjects of women's rights, capital punishment, the role of religion in politics, and the domination of the American political system by economic elite in the 1890s. These essays, along with family letters and the original diary entries, are included here for an uncommon glimpse into the life of a country doctor in nineteenth-century Arkansas.
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cover of Fiat G.91

Fiat G.91

Arno Landewers

Amsterdam University Press, 2023

The Fiat G.91 was an Italian jet fighter aircraft. It was the winner of the NATO competition in 1953 for a light fighter as standard equipment for Allied air forces. It entered in operational service with the Italian Air Force in 1961, with the West German Luftwaffe in 1962, and later with the Portuguese Air Force.

It was in production for nineteen years. 756 aircraft were completed, including the prototypes and pre-production models. The assembly lines were finally closed in 1977. The Fiat G.91 enjoyed a long service life that extended over 35 years. It was widely used by Portugal in the Portuguese Colonial War in Africa.
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cover of Fiction And Incarnation: Rhetoric, Theology, and Literature in the Middle Ages

Fiction And Incarnation

Rhetoric, Theology, and Literature in the Middle Ages

Alexandre Leupin

University of Minnesota Press, 2002

A fresh look at the relationship between theology and rhetoric.

Focusing on the Incarnation-the only dogma original to Christianity, in which God becomes man and history-this book offers a wide-ranging and theoretically sophisticated investigation of the relationship between Christian discourse and literature from Roman antiquity to the fourteenth century through a look at texts by Cicero, Quintilian, Martianus Capella, Tertullian, Saint Augustine, Alain of Lille, Guillaume de Machaut, and others.

Alexandre Leupin asks if it is possible to go beyond the dialectics of the Incarnated God and the Devil without harking back to the beautiful but partially obsolete truths of paganism and sophistry. Employing a method inspired by psychoanalysis, Leupin repudiates the sophistry and relativism of postmodern theory while calling into question old commonplaces that have been invalidated by modernity. He does so by attending to the larger and deeper structures hidden within the discourses of theology, rhetoric, literature, and psychoanalysis. The result is an innovative perspective on the Middle Ages, an original and promising view of the problems of Western literature in relation to theology and rhetoric. Alexandre Leupin is Gregorie Professor in French studies at Louisiana State University. He is the author of many books, including, in English translation, Barbarolexis: Medieval Literature and Sexuality (1989).David Laatsch is a Ph.D. candidate in the French department of Louisiana State University.
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cover of Fictions Inc.: The Corporation in Postmodern Fiction, Film, and Popular Culture

Fictions Inc.

The Corporation in Postmodern Fiction, Film, and Popular Culture

Clare, Ralph

Rutgers University Press, 2014

Fictions Inc. explores how depictions of the corporation in American literature, film, and popular culture have changed over time. Beginning with perhaps the most famous depiction of a corporation—Frank Norris’s The Octopus—Ralph Clare traces this figure as it shifts from monster to man, from force to “individual,” and from American industry to multinational “Other.” Clare examines a variety of texts that span the second half of the twentieth century and beyond, including novels by Thomas Pynchon, William Gaddis, Don DeLillo, Richard Powers, and Joshua Ferris; films such as Network, Ghostbusters, Gung Ho, Office Space, and Michael Clayton; and assorted artifacts of contemporary media such as television’s The Office and the comic strips Life Is Hell and Dilbert. 

Paying particular attention to the rise of neoliberalism, the emergence of biopolitics, and the legal status of “corporate bodies,” Fictions Inc. shows that representations of corporations have come to serve, whether directly or indirectly, as symbols for larger economic concerns often too vast or complex to comprehend. Whether demonized or lionized, the corporation embodies American anxieties about these current conditions and ongoing fears about the viability of a capitalist system. 
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cover of Fictions of Affliction: Physical Disability in Victorian Culture

Fictions of Affliction

Physical Disability in Victorian Culture

Martha Stoddard Holmes

University of Michigan Press, 2010

Tiny Tim, Clym Yeobright, Long John Silver---what underlies nineteenth-century British literature's fixation with disability? Melodramatic representations of disability pervaded not only novels by Dickens, but also doctors' treatises on blindness, educators' arguments for "special" education, and even the writing of disabled people themselves. Drawing on extensive primary research, Martha Stoddard Holmes introduces readers to popular literary and dramatic works that explored culturally risky questions like "can disabled men work?" and "should disabled women have babies?" and makes connections between literary plots and medical, social, and educational debates of the day. The first book of its kind, Fictions of Affliction contributes a new emphasis to Victorian literary and cultural studies and offers new readings of works by canonic and becoming-canonic writers like Dickens, Wilkie Collins, and others.
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cover of Fictions of Certitude: Science, Faith, and the Search for Meaning, 1840–1920

Fictions of Certitude

Science, Faith, and the Search for Meaning, 1840–1920

John S. Haller Jr.

University of Alabama Press, 2020

The search for belief and meaning among nineteenth-century intellectuals

The nineteenth century’s explosion of scientific theories and new technologies undermined many deep-seated beliefs that had long formed the basis of Western society, making it impossible for many to retain the unconditional faith of their forebears. A myriad of discoveries—including Faraday’s electromagnetic induction, Joule’s law of conservation of energy, Pasteur’s germ theory, Darwin’s and Wallace’s theories of evolution by natural selection, and Planck’s work on quantum theory—shattered conventional understandings of the world that had been dictated by traditional religious teachings and philosophical systems for centuries.

Fictions of Certitude: Science, Faith, and the Search for Meaning, 1840–1920 investigates the fin de siècle search for truth and meaning in a world that had been radically transformed. John S. Haller Jr. examines the moral and philosophical journeys of nine European and American intellectuals who sought deeper understanding amid such paradigmatic upheaval. Auguste Comte, John Henry Newman, Herbert Spencer, Alfred Russel Wallace, Thomas Henry Huxley, John Fiske, William James, Lester Frank Ward, and Paul Carus all belonged to an age in which one world was passing while another world that was both astounding and threatening was rising to take its place.

For Haller, what makes the work of these nine thinkers worthy of examination is how they strove in different ways to find certitude and belief in the face of an epochal sea change. Some found ways to reconceptualize a world in which God and nature coexist. For others, the challenge was to discern meaning in a world in which no higher power or purpose can be found. As explained by D. H. Meyer, “The later Victo­rians were perhaps the last generation among English-speaking intellectuals able to believe that man was capable of understanding his universe, just as they were the first generation collectively to suspect that he never would.”
 

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cover of Fictions of Consciousness: Mill, Newman, and the Reading of Victorian Prose

Fictions of Consciousness

Mill, Newman, and the Reading of Victorian Prose

Jonathan Loesberg

Rutgers University Press, 1986

Mill, Newman, and the Reading of Victorian Prose
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cover of Fictions of God: English Renaissance Literature and the Invention of the Biblical Narrator

Fictions of God

English Renaissance Literature and the Invention of the Biblical Narrator

Raphael Magarik

University of Chicago Press, 2025

A new history of literary narration rooted in the turmoil of the Protestant Reformation.
 
We often identify secularization's characteristic literary form as the modern novel: out with divine scripture, in with human fictions. In Fictions of God, Raphael Magarik argues that this story overlooks the cultural upheavals of the Protestant Reformation. Early reformers imagined a Bible that was neither infallible nor inerrant but fictional, composed by a divine counterfactual: God crafted the text, they said, as if it had been written by the prophets. Early modern Protestants now found in their Bibles not a source of foundational truths but a model for unreliable narration, even fiction.

Fictions of God traces how this approach to literature passed from biblical commentators to poets like Abraham Cowley, John Milton, and Lucy Hutchinson amid the violent emergence of a new religious and political order—long before the eighteenth-century rise of the English novel. The result is a transformative account of the Reformation’s effect on imaginative literature and the secularization of the Bible itself.
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cover of Fictions of Land and Flesh: Blackness, Indigeneity, Speculation

Fictions of Land and Flesh

Blackness, Indigeneity, Speculation

Mark Rifkin

Duke University Press, 2019

In Fictions of Land and Flesh Mark Rifkin explores the impasses that arise in seeking to connect Black and Indigenous movements, turning to speculative fiction to understand those difficulties and envision productive ways of addressing them. Against efforts to subsume varied forms of resistance into a single framework in the name of solidarity, Rifkin argues that Black and Indigenous political struggles are oriented in distinct ways, following their own lines of development and contestation. Rifkin suggests how movement between the two can be approached as something of a speculative leap in which the terms and dynamics of one are disoriented in the encounter with the other. Futurist fiction provides a compelling site for exploring such disjunctions. Through analyses of works by Octavia Butler, Walter Mosley, Nalo Hopkinson, Melissa Tantaquidgeon Zobel, and others, the book illustrates how ideas about fungibility, fugitivity, carcerality, marronage, sovereignty, placemaking, and governance shape the ways Black and Indigenous intellectuals narrate the past, present, and future. In turning to speculative fiction, Rifkin illustrates how speculation as a process provides conceptual and ethical resources for recognizing difference while engaging across it.
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cover of Fictions of the Bad Life: The Naturalist Prostitute and Her Avatars in Latin American Literature, 1880–2010

Fictions of the Bad Life

The Naturalist Prostitute and Her Avatars in Latin American Literature, 1880–2010

Claire Thora Solomon

The Ohio State University Press, 2014

The first comprehensive and interdisciplinary study of the prostitute in Latin American literature, Claire Thora Solomon’s book The Naturalist Prostitute and Her Avatars in Latin American Literature, 1880–2010 shows the gender, ethnic, and racial identities that emerge in the literary figure of the prostitute during the consolidation of modern Latin American states in the late nineteenth century in the literary genre of Naturalism. Solomon first examines how legal, medical, and philosophical thought converged in Naturalist literature of prostitution. She then traces the persistence of these styles, themes, and stereotypes about women, sex, ethnicity, and race in the twentieth and twenty-first century literature with a particular emphasis on the historical fiction of prostitution and its selective reconstruction of the past.
 
Fictions of the Bad Life illustrates how at very different moments—the turn of the twentieth century, the 1920s–30s, and finally the turn of the twenty-first century—the past is rewritten to accommodate contemporary desires for historical belonging and national identity, even as these efforts inevitably re-inscribe the repressed colonial history they wish to change.
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cover of Fictions of the Cosmos: Science and Literature in the Seventeenth Century

Fictions of the Cosmos

Science and Literature in the Seventeenth Century

Frédérique Aït-Touati

University of Chicago Press, 2011

In today’s academe, the fields of science and literature are considered unconnected, one relying on raw data and fact, the other focusing on fiction. During the period between the Renaissance and the Enlightenment, however, the two fields were not so distinct. Just as the natural philosophers of the era were discovering in and adopting from literature new strategies and techniques for their discourse, so too were poets and storytellers finding inspiration in natural philosophy, particularly in astronomy.
           
A work that speaks to the history of science and literary studies, Fictions of the Cosmos explores the evolving relationship that ensued between fiction and astronomical authority. By examining writings of Kepler, Godwin, Hooke, Cyrano, Cavendish, Fontenelle, and others, Frédérique Aït-Touati shows that it was through the telling of stories—such as through accounts of celestial journeys—that the Copernican hypothesis, for example, found an ontological weight that its geometric models did not provide. Aït-Touati draws from both cosmological treatises and fictions of travel and knowledge, as well as personal correspondences, drawings, and instruments, to emphasize the multiple borrowings between scientific and literary discourses. This volume sheds new light on the practices of scientific invention, experimentation, and hypothesis formation by situating them according to their fictional or factual tendencies.
 
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cover of Fictive Kinship: Family Reunification and the Meaning of Race and Nation in American Immigration

Fictive Kinship

Family Reunification and the Meaning of Race and Nation in American Immigration

Catherine Lee

Russell Sage Foundation, 2013

Today, roughly 70 percent of all visas for legal immigration are reserved for family members of permanent residents or American citizens. Family reunification—policies that seek to preserve family unity during or following migration—is a central pillar of current immigration law, but it has existed in some form in American statutes since at least the mid-nineteenth century. In Fictive Kinship, sociologist Catherine Lee delves into the fascinating history of family reunification to examine how and why our conceptions of family have shaped immigration, the meaning of race, and the way we see ourselves as a country. Drawing from a rich set of archival sources, Fictive Kinship shows that even the most draconian anti-immigrant laws, such as the Chinese Exclusion Act of 1882, contained provisions for family unity, albeit for a limited class of immigrants. Arguments for uniting families separated by World War II and the Korean War also shaped immigration debates and the policies that led to the landmark 1965 Immigration Act. Lee argues that debating the contours of family offers a ready set of symbols and meanings to frame national identity and to define who counts as “one of us.” Talk about family, however, does not inevitably lead to more liberal immigration policies. Welfare reform in the 1990s, for example, placed limits on benefits for immigrant families, and recent debates over the children of undocumented immigrants fanned petitions to rescind birthright citizenship. Fictive Kinship shows that the centrality of family unity in the immigration discourse often limits the discussion about the goals, functions and roles of immigration and prevents a broader definition of American identity. Too often, studies of immigration policy focus on individuals or particular ethnic or racial groups. With its original and wide-ranging inquiry, Fictive Kinship shifts the analysis in immigration studies toward the family, a largely unrecognized but critical component in the regulation of immigrants’ experience in America.
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cover of Fidel between the Lines: Paranoia and Ambivalence in Late Socialist Cuban Cinema

Fidel between the Lines

Paranoia and Ambivalence in Late Socialist Cuban Cinema

Laura-Zoë Humphreys

Duke University Press, 2019

In Fidel between the Lines Laura-Zoë Humphreys traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet in the arts. Along with this shift, foreign funding and digital technologies gave filmmakers more freedom to criticize the state than ever before, yet these openings also exacerbated the political paranoia that has long shaped the Cuban public sphere. Drawing on ethnographic fieldwork, textual analysis, and archival research, Humphreys shows how Cuban filmmakers have historically turned to allegory to communicate an ambivalent relationship to the Revolution, and how such efforts came up against new forms of suspicion in the 1990s and the twenty-first century. Offering insights that extend beyond Cuba, Humphreys reveals what happens to public debate when freedom of expression can no longer be distinguished from complicity while demonstrating the ways in which combining anthropology with film studies can shed light on cinema's broader social and political import.
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cover of Field Artillery Weapons of the Civil War, revised edition

Field Artillery Weapons of the Civil War, revised edition

James C. Hazlett, Edwin Olmstead, and M. Hume Parks

University of Illinois Press, 1983

This is a detailed survey, replete with photographs and diagrams, of the field artillery used by both sides in the Civil War. In paperback for the first time, the book provides technical descriptions of the artillery (bore, weight, range, etc.), ordnance purchases, and inspection reports. Appendixes provide information on surviving artillery pieces and their current locations in museums and national parks.
 
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cover of Field Guide to New England Barns and Farm Buildings

Field Guide to New England Barns and Farm Buildings

Thomas Durant Visser

University Press of New England, 1997

The quintessential New England barn–photogenic, full of character, and framed by flaming autumn foliage–is an endangered species. Of some 30,000 barns in Vermont alone, nearly a thousand a year are lost to fire, collapse, or bulldozers. Thomas Durant Visser’s field guide to the barns, silos, sugar houses, granaries, tobacco barns, and potato houses of New England is an attempt to document not just their structure but their traditions and innovations before the surviving architectural evidence of this rich rural heritage is lost forever. A recognized authority on historic barn preservation, Visser has combed the six-state region for representative barns and outbuildings, and 200 of his photographs are reproduced here. The text, which includes accounts from 18th– and 19th–century observers, describes key architectural characteristics, historic uses, and geographic distribution as well as specific features like timbers and frames, sheathings, doors, and cupolas. From English barns to bank barns, from ice houses to outhouses, these irreplaceable assets, Visser writes, “linger as vulnerable survivors of the past. Yet before these buildings vanish, each has a story to tell.” Travelers, residents, and scholars alike will find Visser’s text invaluable in uncovering, understanding, and appreciating the stories inherent in these dwindling cultural artifacts.
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cover of Field Notes on the Visual Arts

Field Notes on the Visual Arts

Edited by Karen Lang

Intellect Books, 2019

What is the relation of art and history? What is art today? Why does art affect us?  In Field Notes on the Visual Arts, seventy-five scholars, curators, and artists traverse chronology and geography to reveal the meanings and dilemmas of art. Organized under seven major headings—anthropomorphism, appropriation, contingency, detail, materiality, time, and tradition—the contributions are written by historians of art, literature, culture, and science, as well as archaeologists, anthropologists, philosophers, curators, and artists. By bringing together voices that are generally separated both inside and outside the academy, Field Notes on the Visual Arts makes clear that the work of art is both meaningful and resistant to meaning.
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cover of Fields Of Protest: Women’s Movement in India

Fields Of Protest

Women’s Movement in India

Raka Ray

University of Minnesota Press, 1999

A comparative analysis of women’s struggle for change in India.

The women’s movement in India has a long and rich history in which millions of women live, work, and struggle to survive in order to remake their family, home, and social lives. Whether fighting for safe contraception, literacy, water, and electricity or resisting sexual harassment, they are participating in vibrant and active women’s movements that are thriving in many parts of India today.

Fields of Protest explores the political and cultural circumstances under which groups of women organize to fight for their rights and self-worth. Starting with Bombay and Calcutta, Raka Ray discusses the creation of “political fields”-structured, unequal, and socially constructed political environments within which organizations exist, flourish, or fail. Women’s organizations are not autonomous or free agents; rather, they inherit a “field” and its accompanying social relations, and when they act, they act in response to it and within it. Drawing on the literature of both social movements and feminism, Ray analyzes the striking differences between the movements in these two cities.Using an innovative and comparative perspective, Ray offers a unique look at Indian activist women and adds a new dimension to the study of women’s movements on a global level.
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cover of Fields White Unto Harvest: Charles F. Parham and the Missionary Origins of Pentecostalism

Fields White Unto Harvest

Charles F. Parham and the Missionary Origins of Pentecostalism

James Goff

University of Arkansas Press, 1988

With fifty-one million people worldwide actively worshiping in Pentecostal circles, Pentecostalism is not only the single largest movement in Protestantism, but is arguably the single most important religious movement in modern times. But where did these Pentecostals come from? And how did a movement that began obscurely in turn-of-the-century Kansas come to have so much meaning for so many millions of people?

This biographical study of Charles Fox Parham offers a fascinating account of this movement’s origins in the American Midwest and of the one man most responsible for giving that movement its identity. An inspired itinerant preacher from the Kansas prairies, Parham pieced together the unique Pentecostal theology and dedicated his short life to spreading his message of divine hope—a message that was to strike a responsive chord in the hearts of a hard-working people discouraged by frequent economic depression. His story is one of both triumph and defeat, the saga of a sickly farm boy who by the age of thirty-three had converted almost ten thousand followers and yet, less than five years later, had fallen into obscurity, his name besmirched by scandal and his leadership repudiated by the very movement he had struggled so tirelessly to inspire.

Exhaustively researched, Fields White Unto Harvest is an in-depth study of the sociological significance of the Pentecostal movement, its roots in the evangelical thought of the late nineteenth century, and the several directions of its growth in the twentieth. Through Parham’s story, woven into a fascinating narrative by James Goff, we achieve a new understanding of the man behind the movement that would eventually alter the landscape of American religious history.

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cover of Fields of Vision: Essays on the Travels of William Bartram

Fields of Vision

Essays on the Travels of William Bartram

Edited by Kathryn E. Holland Braund and Charlotte M. Porter

University of Alabama Press, 2010

 A classic work of history, ethnography, and botany, and an examination of the life and environs of the 18th-century south

William Bartram was a naturalist, artist, and author of Travels through North and South Carolina, Georgia, East and West Florida, the Cherokee Country, the ExtensiveTerritories of the Muscogulees, or Creek Confederacy, and the Country of the Choctaws. The book, based on his journey across the South, reflects a remarkable coming of age. In 1773, Bartram departed his family home near Philadelphia, Pennsylvania, as a British colonist; in 1777, he returned as a citizen of an emerging nation of the United States. The account of his journey, published in 1791, established a national benchmark for nature writing and remains a classic of American literature, scientific writing, and history. Brought up as a Quaker, Bartram portrayed nature through a poetic lens of experience as well as scientific observation, and his work provides a window on 18th-century southern landscapes. Particularly enlightening and appealing are Bartram’s detailed accounts of Seminole, Creek, and Cherokee peoples.
 
The Bartram Trail Conference fosters Bartram scholarship through biennial conferences held along the route of his travels. This richly illustrated volume of essays, a selection from recent conferences, brings together scholarly contributions from history, archaeology, and botany. The authors discuss the political and personal context of his travels; species of interest to Bartram; Creek architecture; foodways in the 18th-century south, particularly those of Indian groups that Bartram encountered; rediscovery of a lost Bartram manuscript; new techniques for charting Bartram’s trail and imaging his collections; and a fine analysis of Bartram’s place in contemporary environmental issues.
 
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cover of Fields of Wheat, Hills of Blood: Passages to Nationhood in Greek Macedonia, 1870-1990

Fields of Wheat, Hills of Blood

Passages to Nationhood in Greek Macedonia, 1870-1990

Anastasia N. Karakasidou

University of Chicago Press, 1997

Deftly combining archival sources with evocative life histories, Anastasia Karakasidou brings welcome clarity to the contentious debate over ethnic identities and nationalist ideologies in Greek Macedonia. Her vivid and detailed account demonstrates that contrary to official rhetoric, the current people of Greek Macedonia ultimately derive from profoundly diverse ethnic and cultural backgrounds. Throughout the last century, a succession of regional and world conflicts, economic migrations, and shifting state formations has engendered an intricate pattern of population movements and refugee resettlements across the region. Unraveling the complex social, political, and economic processes through which these disparate peoples have become culturally amalgamated within an overarchingly Greek national identity, this book provides an important corrective to the Macedonian picture and an insightful analysis of the often volatile conjunction of ethnicities and nationalisms in the twentieth century.

"Combining the thoughtful use of theory with a vivid historical ethnography, this is an important, courageous, and pioneering work which opens up the whole issue of nation-building in northern Greece."—Mark Mazower, University of Sussex
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cover of Fields of the Tzotzil: The Ecological Bases of Tradition in Highland Chiapas

Fields of the Tzotzil

The Ecological Bases of Tradition in Highland Chiapas

By George A. Collier

University of Texas Press, 1975

Fields of the Tzotzil is the first study of social processes in contemporary highland Maya communities to encompass a regional view of the highlands of Chiapas as a system. In viewing tradition, not as a survival of traits, but as a dynamic process of adaptation by local systems to their placement in larger social and economic systems, it lays to rest the theory that tribal peoples apparently are politically and economically isolated. In addition, its broad regional perspective sheds light on the problems of understanding the position of traditional ethnic groups in contemporary society.

The approach of the book is ecological in two senses. First, all the topics dealt with concern the traditional behavior of Indian groups as revealed in their relationship to the land. Second, the analysis seeks out factors that condition land use, not just locally, but as part of a larger system that includes influences of the market and the impact of nationalist agrarian policy. Thus, the author examines land inheritance patterns and food production, as well as the interethnic relations in the region in which Indians are subordinate to mestizos. He discusses in detail corn farming, craft specialization, wage labor, and Indian colonization efforts under the Mexican ejido—all factors that directly affect land use and are thus part of the environment in highland Chiapas.

The study is unique in its use of previously inaccessible historical source material and its use of novel methodological aids. Aerial photography was used in data collection, and the computer was used in ethnographic census analysis. The result is a book that reveals the Indian groups of Chiapas as apparent enclaves whose ethnicity is a dynamic, adaptive response to their position of marginal dependency. While their plight is extreme, it is nevertheless structurally similar to the position of ethnic groups in most large social systems.

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cover of Fieldworks: From Place to Site in Postwar Poetics

Fieldworks

From Place to Site in Postwar Poetics

Lytle Shaw

University of Alabama Press, 2013

Fieldworks offers a historical account of the social, rhetorical, and material attempts to ground art and poetry in the physicality of a site.

Arguing that place-oriented inquiries allowed poets and artists to develop new, experimental models of historiography and ethnography, Lytle Shaw draws out the shifting terms of this practice from World War II to the present through a series of illuminating case studies. Beginning with the alternate national genealogies unearthed by William Carlos Williams in Paterson and Charles Olson in Gloucester, Shaw demonstrates how subsequent poets sought to ground such inquiries in concrete social formations—to in effect live the poetics of place: Gary Snyder in his back-to-the-land familial compound, Kitkitdizze; Amiri Baraka in a black nationalist community in Newark; Robert Creeley and the poets of Bolinas, California, in the capacious “now” of their poet-run town. Turning to the work of Robert Smithson—who called one of his essays an “appendix to Paterson,” and who in turn has exerted a major influence on poets since the 1970s—Shaw then traces the emergence of site-specific art in relation both to the poetics of place and to the larger linguistic turn in the humanities, considering poets including Clark Coolidge, Bernadette Mayer, and Lisa Robertson.

By putting the poetics of place into dialog with site-specificity in art, Shaw demonstrates how poets and artists became experimental explicators not just of concrete locations and their histories, but of the discourses used to interpret sites more broadly. It is this dual sense of fieldwork that organizes Shaw’s groundbreaking history of site-specific poetry.

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cover of Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945

Fiery Cinema

The Emergence of an Affective Medium in China, 1915–1945

Weihong Bao

University of Minnesota Press, 2015

What was cinema in modern China? It was, this book tells us, a dynamic entity, not strictly tied to one media technology, one mode of operation, or one system of aesthetic code. It was, in Weihong Bao’s term, an affective medium, a distinct notion of the medium as mediating environment with the power to stir passions, frame perception, and mold experience. In Fiery Cinema, Bao traces the permutations of this affective medium from the early through the mid-twentieth century, exploring its role in aesthetics, politics, and social institutions.

Mapping the changing identity of cinema in China in relation to Republican-era print media, theatrical performance, radio broadcasting, television, and architecture, Bao has created an archaeology of Chinese media culture. Within this context, she grounds the question of spectatorial affect and media technology in China’s experience of mechanized warfare, colonial modernity, and the shaping of the public into consumers, national citizens, and a revolutionary collective subject. Carrying on a close conversation with transnational media theory and history, she teases out the tension and affinity between vernacular, political modernist, and propagandistic articulations of mass culture in China’s varied participation in modernity.

Fiery Cinema advances a radical rethinking of affect and medium as a key insight into the relationship of cinema to the public sphere and the making of the masses. By centering media politics in her inquiry of the forgotten future of cinema, Bao makes a major intervention into the theory and history of media.

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cover of Fiery Dragons: Banks, Moneylenders and Microfinance in Burma

Fiery Dragons

Banks, Moneylenders and Microfinance in Burma

Sean Turnell

National University of Singapore Press, 2009

This book tells the story of Burma's financial system - of its banks, moneylenders and 'microfinanciers' - from colonial times to the present day. It argues that Burma's financial system matters, and that the careful study of this system can tell us something more general about Burma - not least about how the richest country in Southeast Asia at the dawn of the twentieth century, became the poorest at the dawn of the twenty-first. While financial systems and institutions matter in all countries, Turnell argues that they especially count in Burma as events in the financial and monetary sphere have been unusually, spectacularly, prominent in Burma's turbulent modern history. The story of Burma's financial system and its players is one that has shaped the country. It is a dramatic story of interest beyond the confines of economics and development studies.
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cover of Fifties Television: THE INDUSTRY AND ITS CRITICS

Fifties Television

THE INDUSTRY AND ITS CRITICS

William Boddy

University of Illinois Press, 1990

William Boddy provides a wide-ranging, rigorous analysis of the fledging American television industry during the period of its greatest economic growth, programming changes, and critical controversy. He traces the medium's development from the experimental era through the regulatory battles of the 1940s and the network programming wars of the 1950s.
 
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cover of Fifty Fables of La Fontaine

Fifty Fables of La Fontaine

Jean de La Fontaine. Translated by Norman R. Shapiro. Illustrated by Alan James Robinson

University of Illinois Press, 1988

Finally available in paperback--the original collection of La Fontaine fables by the award-winning translator Norman Shapiro, working his alchemy by transforming the accompanying original French verses into equally valuable and brilliant English gold. These wonderfully wrought moral tales charm children with bright and basic truths as they delight adults with reflectively subtle, sophisticated facets of wit and wisdom.
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cover of Fifty Maps and the Stories they Tell

Fifty Maps and the Stories they Tell

Jerry Brotton and Nick Millea

Bodleian Library Publishing, 2019

The Bodleian Library’s map collection is a treasure trove of cartographic delights spanning more than a thousand years. This book features highlights from the collection together with rare artifacts and some stunning examples from twenty-first-century map-makers. Lavishly illustrated throughout, the book showcases a rich array: from military maps, digital cartograms, decorative portolan charts, and maps of heaven and hell; to a Siberian sealskin map and a twelfth-century Arabic map of the Mediterranean; to J. R. R. Tolkien’s cosmology of Middle-earth, C. S. Lewis’s map of Narnia, and a tapestry map by contemporary artist Grayson Perry. Each map is accompanied by a narrative revealing the story behind its creation and the significance of its design. The chronological arrangement highlights how the science and practice of cartography has changed over time and how this evolution reflects political and social transformations from century to century. 
 
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cover of Fifty Years of Exponent II

Fifty Years of Exponent II

Katie Ludlow Rich

Signature Books, 2024

On a sweltering day in June 1974, a group of housewives, graduate students, and young professionals gathered in the Boston suburbs. Their mission: to produce the first issue of Exponent II, a “humble yet sincere” newspaper “poised on the dual platforms of Mormonism and Feminism.” They viewed their work as an act of devotion, not rebellion, and were naïve of the cold reception they would soon receive from LDS Church leaders. Nevertheless, the paper became a national platform connecting Mormon feminists. It provided a vital space for them to question and integrate different aspects of their dual—and sometimes dueling—identities. From the Equal Rights Amendment to queer identity, Exponent II has hosted some of the most urgent conversations of its time while also embracing life’s dailiness.

This comprehensive history and anthology celebrate five decades of Exponent II. Through meticulous research and compelling storytelling, the authors chronicle the organization’s evolution from a kitchen-table-style newspaper to a quarterly magazine, blog, and annual retreat. Its transformative impact on the lives of its participants stands as a testament to the power of connection, resilience, and community over ideological purity.
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cover of Fifty-Eight Lonely Men: Southern Federal Judges and School Desegregation

Fifty-Eight Lonely Men

Southern Federal Judges and School Desegregation

J. W. Peltason

University of Illinois Press, 1971

Originally published in 1961, this still timely book illustrates the role of the judiciary in the solution of a social and political problem. It is unequaled in its description of the plight of federal judges who are charged with carrying out the decisions of the Supreme Court against segregation but who are under constant pressure--social, political, and personal--to speak for the white South. Some have been ostracized by their communities as traitors; others have joined their state legislatures and local school boards in developing elaborate delay strategy to circumvent the Supreme Court's decisions. In his introduction to the first edition former Senator Paul H. Douglas wrote: ". . . a clear and comprehensive account of the legal struggles in the federal courts over segregation and desegregation in the public schools of the nation. It gets behind the newspaper headlines and gives a play-by-play account. . . . This book is indeed full proof of the delays and difficulties of the law and the pressures of local public opinion."
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cover of Fight Like a Tiger: Conway Barbour and the Challenges of the Black Middle Class in Nineteenth-Century America

Fight Like a Tiger

Conway Barbour and the Challenges of the Black Middle Class in Nineteenth-Century America

Victoria L. Harrison

Southern Illinois University Press, 2018

Focusing on the life of ambitious former slave Conway Barbour, Victoria L. Harrison argues that the idea of a black middle class traced its origins to the free black population of the mid-nineteenth century and developed alongside the idea of a white middle class. Although slavery and racism meant that the definition of middle class was not identical for white people and free people of color, they shared similar desires for advancement.
 
Born a slave in western Virginia about 1815, Barbour was a free man by the late 1840s. His adventurous life took him through Lexington and Louisville, Kentucky; Cleveland, Ohio; Alton, Illinois; and Little Rock and Lake Village, Arkansas. In search of upward mobility, he worked as a steamboat steward, tried his hand at several commercial ventures, and entered politics. He sought, but was denied, a Civil War military appointment that would have provided financial stability. Blessed with intelligence, competence, and energy, Barbour was quick to identify opportunities as they appeared in personal relationships—he was simultaneously married to two women—business, and politics.
 
Despite an unconventional life, Barbour found in each place he lived that he was one of many free black people who fought to better themselves alongside their white countrymen. Harrison’s argument about black class formation reframes the customary narrative of downtrodden free African Americans in the mid-nineteenth century and engages current discussions of black inclusion, the concept of “otherness,” and the breaking down of societal barriers. Demonstrating that careful research can reveal the stories of people who have been invisible to history, Fight Like a Tiger complicates our understanding of the intersection of race and class in the Civil War era.
 
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cover of Fighter Aircraft Combat Debuts, 1915–1945: Innovation in Air Warfare Before the Jet Age

Fighter Aircraft Combat Debuts, 1915–1945

Innovation in Air Warfare Before the Jet Age

Jon Guttman

Westholme Publishing, 2014

An International History of the Development, Competition, and Deployment of High-Speed, Maneuverable, Fighter Aircraft During the Era of the World Wars
Of all military aircraft, fighter planes hold a mystique all their own. Perhaps it is because fighters can afford the least compromise: when the goal is to seize and maintain control of the air, the confrontation is direct. During World War I, the concept of air superiority took hold and in the ensuing decades the development of fighter aircraft became an ongoing back-and-forth battle, with adversaries trying to gain an upper hand through innovations in aerodynamics, powerplants, and armament. Fighter Aircraft Combat Debuts, 1915–1945: Innovation in Air Warfare Before the Jet Age by prominent aviation expert Jon Guttman explores the first combats for a variety of fighters of World War I, the conflicts of the so-called "interwar years," and World War II—a thirty-year period that saw the birth of the fighter concept and its maturity on the threshold of the Jet Age. Most of the aircraft described are fairly well known to aviation historians and a few names, such as Sopwith Camel, Fokker Triplane, Messerschmitt Me-109, Mitsubishi Zero, North American Mustang, and Supermarine Spitfire, are familiar even to the most nonaviation- minded persons. Not so well-known are the circumstances of their combat debuts, in which some, such as the Zero, made their mark almost from the outset, but in which others, like the British Bristol F.2A, showed rather less promise than they would ultimately realize. While a certain amount of space must be devoted to the technical development of these famous fighters, these studies of first combats serve as a reminder that it is the human factor, with all its special quirks, that inevitably came into play when these deadly flying machines first fired their guns. Profusely illustrated, Fighter Aircraft Combat Debuts is an authoritative history of one of the most enduring subjects in military aviation.
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cover of Fighter in Velvet Gloves: Alaska Civil Rights Hero Elizabeth Peratrovich

Fighter in Velvet Gloves

Alaska Civil Rights Hero Elizabeth Peratrovich

Annie Boochever with Roy Peratrovich Jr.

University of Alaska Press, 2019

“No Natives or Dogs Allowed,” blared the storefront sign at Elizabeth Peratrovich, then a young Alaska Native Tlingit. The sting of those words would stay with her all her life. Years later, after becoming a seasoned fighter for equality, she would deliver her own powerful message: one that helped change Alaska and the nation forever.

In 1945, Peratrovich stood before the Alaska Territorial Legislative Session and gave a powerful speech about her childhood and her experiences being treated as a second-class citizen. Her heartfelt testimony led to the passing of the landmark Alaska Anti-Discrimination Act, America’s first civil rights legislation. Today, Alaska celebrates Elizabeth Peratrovich Day every February 16, and she was honored on the gold one-dollar coin in 2020.

Annie Boochever worked with Elizabeth’s eldest son, Roy Peratrovich Jr., to bring Elizabeth’s story to life in the first book written for young teens on this remarkable Alaska Native woman.
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