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Since the beginning of the twentieth century, modern Chinese intellectuals, reformers, revolutionaries, leftist journalists, and idealistic youth had often crossed the increasing gap between the city and the countryside, which made the act of “going to the countryside” a distinctively modern experience and a continuous practice in China. Such a spatial crossing eventually culminated in the socialist state program of “down to the villages” movements during the 1960s and 1970s. What, then, was the special significance of “going to the countryside” before that era? Going to the Countryside deals with the cultural representations and practices of this practice between 1915 and 1965, focusing on individual homecoming, rural reconstruction, revolutionary journeys to Yan’an, the revolutionary “going down to the people” as well as going to the frontiers and rural hometowns for socialist construction. As part of the larger discourses of enlightenment, revolution, and socialist industrialization, “going to the countryside” entailed new ways of looking at the world and ordinary people, brought about new experiences of space and time, initiated new means of human communication and interaction, generated new forms of cultural production, revealed a fundamental epistemic shift in modern China, and ultimately created a new aesthetic, social, and political landscape.

As a critical response to the “urban turn” in the past few decades, this book brings the rural back to the central concern of Chinese cultural studies and aims to bridge the city and the countryside as two types of important geographical entities, which have often remained as disparate scholarly subjects of inquiry in the current state of China studies. Chinese modernity has been characterized by a dual process that created problems from the vast gap between the city and the countryside but simultaneously initiated constant efforts to cope with the gap personally, collectively, and institutionally. The process of “crossing” two distinct geographical spaces was often presented as continuous explorations of various ways of establishing the connectivity, interaction, and relationship of these two imagined geographical entities. Going to the Countryside argues that this new body of cultural productions did not merely turn the rural into a constantly changing representational space; most importantly, the rural has been constructed as a distinct modern experiential and aesthetic realm characterized by revolutionary changes in human conceptions and sentiments.

2025 Broadcast Historian Award, Library of American Broadcasting Foundation

How mid-century television anthologies reflected and shaped US values and identities.

From the late 1940s to the early 1960s, anthology dramas presented “quality” television programming in weekly stand-alone television plays meant to entertain and provide cultural uplift to American society. Programs such as Playhouse 90, Studio One, and The Twilight Zone became important emblems of American creative potential on television. But their propensity for addressing matters of major social concern also meant that they often courted controversy. Although the anthology’s tenure would be brief, its importance in the television landscape would be great, and the ways the format negotiated ideas about “Americanness” at midcentury would be a crucial facet of its significance.

In Gold Dust on the Air, Molly Schneider traces a cultural history of the “Golden Age” anthology, addressing topics such as the format’s association with Method acting and debates about “authentic” American experience, its engagement with ideas about “conformity” in the context of Cold War pressures, and its depictions of war in a medium sponsored by defense contractors. Drawing on archival research, deep textual examination, and scholarship on both television history and broader American culture, Schneider posits the anthology series as a site of struggle over national meaning.

The elegiac poet Propertius responds in his verse to the complex changes that Rome underwent in his period, taking on numerous topics including poetic and sexual rivalry, visual art, violence, inability to control the elusive mistress, imperialism, colonialism, civil war, the radical new shape of the Roman state under the new monarch Augustus, and more. These essays, by well-known scholars of Roman elegy, offer new ways of reading Propertius’ topics, attitudes, and poetics.

This book begins with two distinguished essays by the late Barbara Flaschenriem, whose work on Propertius remains influential. The other contributions, offered in honor of her, are by Diane Rayor, Andrew Feldherr, Ellen Greene, Lowell Bowditch, Alison Keith, and volume editor Sharon L. James. These essays explore topics including Propertian didacticism, dream interpretation, visual art and formalism, sex and violence, Roman imperialism and its connection to the elegiac puella, and Propertius’ engagement, in Book 4, with Vergil’s poetry.

Often seen as anti-egalitarian and elitist, the country club has provoked strong responses since its initial appearance in the late 1800s. Golf, another elitist identifier, was commonly dismissed as a pseudo-sport or even unmanly. Where and how had the country club and the game of golf taken root in the United States? How had the manicured order of the golf course become a cultural site that elicited both strong loyalties and harsh criticism? 

Richard J. Moss's cultural history explores the establishment of the country club as an American social institution and its inextricable connection to the ancient, imported game of golf. Moss traces the evolution of country clubs from informal groups of golf-playing friends to “country estates” in the suburbs and, eventually, into public and private daily fee courses, corporate country clubs, and gated golfing communities. As he shows, the development of these institutions reveals profound shifts in social dynamics, core American values, and attitudes toward health and sport.

To the Menominee people, the "good seeds” of life are the manomin, or wild rice, that also gives the tribe its name. In this unique food memoir, Tribal member Thomas Pecore Weso takes readers on a cook’s journey through Wisconsin’s North Woods tribal lands, connecting Menominee food—beaver, trout, blackberry, wild rice, maple sugar, partridge—to the colorful individuals who taught him Indigenous values and traditions. Featuring more than forty recipes, Good Seeds keeps those traditions alive for future generations.

With a rare perspective as a Native American anthropologist and artist, Weso mixes a poignant personal story with the seeds of Menominee cooking traditions. He tells of the foods and the people who helped shape the person he became. His grandfather Moon was a medicine man, whose morning prayers formed the foundation for all the day’s meals. His grandmother Jennie “made fire” each morning in a wood-burning stove and oversaw huge breakfasts of wild game, fish, and fruit pies. His uncles taught him to hunt bear, deer, squirrels, raccoons, and skunks for the daily larder. Along with authentic family recipes, Weso recalls favorite foods served at the Menominee fair and at local diners.

In Good Seeds, adventurous cooks will gain insight and inspiration from Weso’s recipes, and readers of all stripes will appreciate the often-humorous stories about reservation life during the mid-twentieth century.

An international collection of ecumenical, gender-sensitive interpretations

In this volume of the Bible and Women Series, contributors examine how biblical studies intersects with feminist interpretive methods with regard to the Gospels. Authors examine the lives of women in Roman Palestine, named and unnamed women in the Gospels, and the role of gender in the reception of the Hebrew scriptures in the New Testament.

Features:

• Essays by scholars from scholars from around the world
• An introduction and twenty essays focused on women and gender relations
• Coverage of power relations and ideologies within the texts and in current interpretations

This is an auto-narrated audiobook edition of this book.

J. Edgar Hoover, Joseph McCarthy, and Roy Cohn were titanic figures in midcentury America, wielding national power in government and the legal system through intimidation and insinuation. Hoover’s FBI thrived on secrecy, threats, and illegal surveillance, while McCarthy and Cohn will forever be associated with the infamous anticommunist smear campaign of the early 1950s, which culminated in McCarthy’s public disgrace during televised Senate hearings. In Gossip Men, Christopher M. Elias takes a probing look at these tarnished figures to reveal a host of startling new connections among gender, sexuality, and national security in twentieth-century American politics. Elias illustrates how these three men solidified their power through the skillful use of deliberately misleading techniques like implication, hyperbole, and photographic manipulation. Just as provocatively, he shows that the American people of the 1950s were particularly primed to accept these coded threats because they were already familiar with such tactics from widely popular gossip magazines.

By using gossip as a lens to examine profound issues of state security and institutional power, Elias thoroughly transforms our understanding of the development of modern American political culture.

The editors of and contributors to Governing Genealogies of International Film Education offer a critical historiographic understanding of governmentalized film education during the Cold War. Chapters examine the production of hygiene and cultural films in Travancore, India during the postcolonial period, and Michigan State University’s documentary collaboration with Iran during the 1970s, among other topics, elucidating cinema’s deployment as a state apparatus and its implications for global cultures, subject positions, and social relations.

Governing Genealogies of International Film Education investigates this distinct modality of cultural production and policy to shed necessary light on the ideological overdetermination of institutionalized film education as well as on audiovisual education as an international academic discipline. The contributors show how governmentalized film education has taught American exceptionalism, hegemony, and colonialism. They also theorize about and provide methodological examples of how film archives and film studies have framed prevailing understandings of cinema’s role in American and world history.

Contributors: Kaveh Askari, Zoë Druick, Bindu Menon Mannil, Wissam Mouawad, and the editors

This is an authoritative study of the administrative, social, and economic structure of Afghanistan during a decisive stage in its history. The period covered—the reign of the "Iron" Amir Rahman Khan—was in many ways the beginning of modern Afghanistan as a cohesive nation. Although Afghanistan had emerged as an entity in 1747, it was actually under the Amir that its borders were established, its internal unification completed, and the modern concept of nationhood implanted.

Kakar approaches this complex process by taking into consideration both the internal and the external forces that influenced its development. Thus, modernization, centralization, and nationalization are seen as both defensive reactions to European imperialism and necessary preconditions to capital formation and, consequently, industrialization.

The first part of the book covers the government of the Amir, from the personality of the ruler down to the operation of his new bureaucrats at the local level. Here Kakar presents a comprehensive treatment of the Afghan system of taxation and local government. The second part views these economic and social institutions from the perspective of the major segments of the populace—nomads, townsmen, tribes, women, slaves, landowners, mullahs, merchants, and so forth.

In 1947, Arabs made up two-thirds of the population of Palestine, and they owned most of its cultivable land. Why then, did they "lose" their homes and land to a relatively small Jewish community just emerging from the shocks of World War II? Did the Palestinians "lose" their homeland because they were backward, primitive, and reactionary? Or was Israel the product of persistent victimization of Palestinian Arabs by an imperialist power which supported Zionist colonization? Did the Palestinians sell each other out? Or were they helpless sufferers in the face of a sophisticated enemy with endless resources?

Too often discussions of Palestine are couched in such rhetorical language, based on the assumption that either Jews or Arabs are morally to blame for historical realities. This study seeks to go beyond attributions of responsibility to investigate the concrete conditions which determined and limited Palestinian Arab actions between 1920 and 1948. It was during that period, while Great Britain governed the area under a League of Nations mandate, that Palestine both emerged and disappeared as a modern political entity.

Many studies of Palestinian Arab nationalism have looked to Zionism as the primary agent of change in the region. Miller assumes the impact of Jewish settlement but goes beyond these earlier studies to explore the way in which policies of the Palestine government affected the daily lives of villagers—the majority of the population—and their understanding of the changes occurring around them. In this way, what emerges is a detailed analysis of the influence, for good or ill, that government policy had on village community life.

Based largely on archival sources never before used, this work allows the reader to gain a deeper appreciation of the internal life of the rural community, which had previously received relatively little attention. Understanding the experiences of Palestinians before 1948 helps us to comprehend immeasurably better the continuity of movements for Palestinian statehood as well as the continuing tensions and problems on the West Bank today.