Michele Bishop
Gallaudet University Press, 2009
Alexander G. Weheliye
Duke University Press, 2014

Edited by Chris Richardson and Hans A. Skott-Myhre
Intellect Books, 2012
Since the 1990s, popular culture the world over has frequently looked to the ’hood for inspiration, whether in music, film, or television. Habitus of the Hood explores the myriad ways in which the hood has been conceived—both within the lived experiences of its residents and in the many mediated representations found in popular culture. Using a variety of methodologies including autoethnography, textual studies, and critical discourse analysis, contributors analyze and connect these various conceptions.
Rooks, Noliwe M
Rutgers University Press, 1996
Maurice Jackson. Foreword by Lonnie G. Bunch III.
Duke University Press, 2026
May-lee Chai
Temple University Press, 2008
In the mid-1960s, Winberg Chai, a young academic and the son of Chinese immigrants, married an Irish-American artist. In Hapa Girl ("hapa" is Hawaiian for "mixed") their daughter tells the story of this loving family as they moved from Southern California to New York to a South Dakota farm by the 1980s. In their new Midwestern home, the family finds itself the object of unwelcome attention, which swiftly escalates to violence. The Chais are suddenly socially isolated and barely able to cope with the tension that arises from daily incidents of racial animosity, including random acts of cruelty.
May-lee Chai's memoir ends in China, where she arrives just in time to witness a riot and demonstrations. Here she realizes that the rural Americans' "fears of change, of economic uncertainty, of racial anxiety, of the unknowable future compared to the known past were the same as China's. And I realized finally that it had not been my fault."
Nishani Frazier
University of Arkansas Press, 2017
BLACK POWER!
It was a phrase that consumed the American imagination in the 1960s and 70s and inspired a new agenda for black freedom. Dynamic and transformational, the black power movement embodied more than media stereotypes of gun-toting, dashiki-wearing black radicals; the movement opened new paths to equality through political and economic empowerment.
In Harambee City, Nishani Frazier chronicles the rise and fall of black power within the Congress of Racial Equality (CORE) by exploring the powerful influence of the Cleveland CORE chapter. Frazier explores the ways that black Clevelanders began to espouse black power ideals including black institution building, self-help, and self-defense. These ideals challenged CORE’s philosophy of interracial brotherhood and nonviolent direct action, spawning ideological ambiguities in the Cleveland chapter. Later, as Cleveland CORE members rose to national prominence in the organization, they advocated an open embrace of black power and encouraged national CORE to develop a notion of black community uplift that emphasized economic populism over political engagement. Not surprisingly, these new empowerment strategies found acceptance in Cleveland.
By providing an understanding of the tensions between black power and the mainstream civil rights movement as they manifested themselves as both local and national forces, Harambee City sheds new light on how CORE became one of the most dynamic civil rights organizations in the black power era.
Horton, Lois E
Rutgers University Press, 2002
Stefan M. Bradley
University of Illinois Press, 2012
Adrienne Macki Braconi
Northwestern University Press, 2015
Honorable Mention, 2016 Errol Hill Book Award for Outstanding Scholarship in African American Theater, Drama and/or Performance
Based on a vast amount of archival research, Adrienne Macki Braconi’s illuminating study of three important community-based theaters in Harlem shows how their work was essential to the formation of a public identity for African Americans and the articulation of their goals, laying the groundwork for the emergence of the Civil Rights movement. Macki Braconi uses textual analysis, performance reconstruction, and audience reception to examine the complex dynamics of productions by the Krigwa Players, the Harlem Experimental Theatre, and the Negro Theatre of the Federal Theatre Project. Even as these theaters demonstrated the extraordinary power of activist art, they also revealed its limits. The stage was a site in which ideological and class differences played out, theater being both a force for change and a collision of contradictory agendas. Macki Braconi’s book alters our understanding of the Harlem Renaissance, the roots of the Civil Rights movement, and the history of community theater in America.
John L. Jackson Jr.
University of Chicago Press, 2001
Jean M. Humez
University of Wisconsin Press, 2005
Harriet Tubman’s name is known world-wide and her exploits as a self-liberated Underground Railroad heroine are celebrated in children’s literature, film, and history books, yet no major biography of Tubman has appeared since 1943. Jean M. Humez’s comprehensive Harriet Tubman is both an important biographical overview based on extensive new research and a complete collection of the stories Tubman told about her life—a virtual autobiography culled by Humez from rare early publications and manuscript sources. This book will become a landmark resource for scholars, historians, and general readers interested in slavery, the Underground Railroad, the Civil War, and African American women.
Born in slavery in Maryland in or around 1820, Tubman drew upon deep spiritual resources and covert antislavery networks when she escaped to the north in 1849. Vowing to liberate her entire family, she made repeated trips south during the 1850s and successfully guided dozens of fugitives to freedom. During the Civil War she was recruited to act as spy and scout with the Union Army. After the war she settled in Auburn, New York, where she worked to support an extended family and in her later years founded a home for the indigent aged. Celebrated by her primarily white antislavery associates in a variety of private and public documents from the 1850s through the 1870s, she was rediscovered as a race heroine by woman suffragists and the African American women’s club movement in the early twentieth century. Her story was used as a key symbolic resource in education, institutional fundraising, and debates about the meaning of "race" throughout the twentieth century.
Humez includes an extended discussion of Tubman’s work as a public performer of her own life history during the nearly sixty years she lived in the north. Drawing upon historiographical and literary discussion of the complex hybrid authorship of slave narrative literature, Humez analyzes the interactive dynamic between Tubman and her interviewers. Humez illustrates how Tubman, though unable to write, made major unrecognized contributions to the shaping of her own heroic myth by early biographers like Sarah Bradford. Selections of key documents illustrate how Tubman appeared to her contemporaries, and a comprehensive list of primary sources represents an important resource for scholars.
Jean E. Snyder
University of Illinois Press, 2021
Sutti Ortiz
University of Michigan Press, 1999
Myriam J.A. Chancy
University of Texas Press, 2023
2024 Isis Duarte Book Prize, Haiti/ Dominican Republic Section, Latin American Studies Association
2024 Longlist, OCM Bocas Prize for Caribbean Literature, Bocas Lit Fest
This collection ponders the personal and political implications for Haitians at home and abroad resulting from the devastating 2010 earthquake.
The 7.0 magnitude earthquake that struck Haiti in January 2010 was a debilitating event that followed decades of political, social, and financial issues. Leaving over 250,000 people dead, 300,000 injured, and 1.5 million people homeless, the earthquake has had lasting repercussions on a struggling nation. As the post-earthquake political situation unfolded, Myriam Chancy worked to illuminate on-the-ground concerns, from the vulnerable position of Haitian women to the failures of international aid. Originally presented at invited campus talks, published as columns for a newspaper in Trinidad and Tobago, and circulated in other ways, her essays and creative responses preserve the reactions and urgencies of the years following the disaster.
In Harvesting Haiti, Chancy examines the structures that have resulted in Haiti's post-earthquake conditions and reflects at key points after the earthquake on its effects on vulnerable communities. Her essays make clear the importance of sustaining and supporting the dignity of Haitian lives and of creating a better, contextualized understanding of the issues that mark Haitians’ historical and present realities, from gender parity to the vexed relationship between Haiti and the Dominican Republic.
Chakad Ojani
University of Arizona Press, 2027
Vision limited, sounds muffled. Tiny water droplets reflect light back to its source and make it difficult to locate the origin of sounds: this is fog. In Chakad Ojani’s ethnography, this atmospheric phenomenon plays a pivotal role.
Drawing on long-term ethnographic research on engagements with fog in Lima and coastal Peru, Harvesting the Clouds examines how local NGO workers and fog oasis conservationists sought to utilize coastal fog as a water source. NGO workers installed fog catchers in informal or recently formalized neighborhoods where state infrastructure was absent, while conservationists harnessed ground-touching clouds in order to prevent informal urbanization. As they set out to capture ground-touching clouds to pursue their distinct goals, these collectives became entrapped by activities, demands, and expectations that they had not foreseen. The book frames these relationships as ecologies of capture: emergent webs of relationships held together by conflicting aims and expectations, the possibilities and limitations of fog capture, and the material qualities of fog itself.
Harvesting the Clouds argues that capture is always only partially successful, but by virtue of this partiality, it becomes productive of social relations—an understanding that the author extends to anthropological inquiry itself as an exercise in the productive impossibility of ethnographic entrapment.
Christian DuComb
University of Michigan Press, 2017
Marriott, David
Rutgers University Press, 2007
Drawing on a range of comparative readings by writers, theorists, and filmmakers, including John Edgar Wideman, Frantz Fanon, Richard Wright, Issac Julien, Alain Locke, and Sidney Poitier, Haunted Life is a bold and original exploration of the legacies of black visual culture and the political, deeply sexualized violence that lies buried beneath it.
Emma Kowal
Duke University Press, 2023
Grace M. Cho
University of Minnesota Press, 2008
AnneMarie Mingo
University of Illinois Press, 2024
A depiction of moral imagination that resonates today, Have You Got Good Religion? reveals how Black Churchwomen’s understanding of God became action and transformed a nation.
Nitasha Tamar Sharma
Duke University Press, 2021
Edward Anthony Polanco
University of Arizona Press, 2024
Smith-Nonini, Sandy
Rutgers University Press, 2010
Pallavi Guha
Rutgers University Press, 2021
Ruth Nicole Brown
University of Illinois Press, 2013
Diane C. Fujino
University of Minnesota Press, 2005
Susana Chávez-Silverman
University of Wisconsin Press, 2019
James S. Griffith; Foreword by Patricia Preciado Martin
University of Arizona Press, 2000
Arts as intimate as a piece of needlework or a home altar. Arts as visible as decorative iron, murals, and low riders. Through such arts, members of Tucson's Mexican American community contribute much of the cultural flavor that defines the city to its residents and to the outside world. Now Tucson folklorist Jim Griffith celebrates these public and private artistic expressions and invites us to meet the people who create them.
Featuring a foreword by Tucson author Patricia Preciado Martin and a spectacular gallery of photographs, many by Pulitzer prize-winning photographer José Galvez, this remarkable book offers a close-up view of a community rich with tradition and diverse artistic expression. Hecho a Mano is a piñata bursting with unexpected treasures that will inspire and inform anyone with an interest in folk art or Mexican American culture.
Danielle Roper
Duke University Press, 2025
Geetika Rudra
Rutgers University Press, 2022
Jacques Berlinerblau
Rutgers University Press, 1999

Joseph Daher
Pluto Press, 2016
Michael Goldman
Duke University Press, 2026
Monique Moultrie
Duke University Press, 2023
Nancy Brown Diggs
Michigan State University Press, 2011
As other teens returned home from school, thirteen-year-old José Silva headed for work at a restaurant, where he would remain until 2:00 a.m. Francisca Herrera, a tomato picker, was exposed to pesticides while she was pregnant and gave birth to a baby without arms or legs. Silva and Herrera immigrated illegally to the United States, and their experiences are far from unique. In this comprehensive, balanced overview of the immigration crisis, Nancy Brown Diggs examines the abusive, unethical conditions under which many immigrants work, and explores how what was once a border problem now extends throughout the country. Drawing from a wide spectrum of sources, Hidden in the Heartland demonstrates how the current situation is untenable for both illegal immigrants and American citizens. A vivid portrait of the immigration crisis, the book makes a passionate case for confronting this major human rights issue—a threat to the very unity of the country.
Diane Pecknold, ed.
Duke University Press, 2013
The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues."
Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever
Erika Denise Edwards
University of Alabama Press, 2020
WINNER OF THE ASSOCIATION OF BLACK WOMEN HISTORIANS 2020 LETITIA WOODS-BROWN AWARD FOR THE BEST BOOK IN AFRICAN AMERICAN WOMEN'S HISTORY
WINNER OF THE WESTERN ASSOCIATION OF WOMEN HISTORIAN'S BARBARA “PENNY” KANNER AWARD
2021 FINALIST FOR THE HARRIET TUBMAN BOOK PRIZE
2020 FINALIST BERSHIRE CONFERENCE OF WOMEN HISTORIANS BOOK PRIZE
Uncovering the Afro-Argentine women behind the myth of a white nation.
Argentina promotes itself as a country of European immigrants. This makes it an exception to other Latin American countries, which embrace a more mixed—African, Indian, European—heritage. Hiding in Plain Sight: Black Women, the Law, and the Making of a White Argentine Republic traces the origins of what some white Argentines mischaracterize as a “black disappearance” by delving into the intimate lives of black women and explaining how they contributed to the making of a “white” Argentina. Erika Denise Edwards has produced the first comprehensive study in English of the history of African descendants outside of Buenos Aires in the late colonial and early republican periods, with a focus on how these women sought whiteness to better their lives and that of their children.
Edwards argues that attempts by black women to escape the stigma of blackness by recategorizing themselves and their descendants as white began as early as the late eighteenth century, challenging scholars who assert that the black population drastically declined at the end of the nineteenth century because of the whitening or modernization process. She further contends that in Córdoba, Argentina, women of African descent (such as wives, mothers, daughters, and concubines) were instrumental in shaping their own racial reclassifications and destinies.
This volume makes use of a wealth of sources to relate these women’s choices. The sources consulted include city censuses and notarial and probate records that deal with free and enslaved African descendants; criminal, ecclesiastical, and civil court cases; marriages and baptisms records and newsletters. These varied sources provide information about the day-to-day activities of cordobés society and how women of African descent lived, formed relationships, thrived, and partook in the transformation of racial identities in Argentina.
Sharon Willis
Duke University Press, 1997
Julia Margaret Zulver
Rutgers University Press, 2022
Peter Edwin Hook
University of Michigan Press, 1979
Nitasha Tamar Sharma
Duke University Press, 2010
Anthony Kwame Harrison
Temple University Press, 2009
Hip Hop Underground is a vivid ethnography of the author's observations and experiences in the multiracial world of the San Francisco underground hip hop scene. While Anthony Kwame Harrison interviewed area hip hop artists for this entertaining and informative book, he also performed as the emcee "Mad Squirrel." His immersion in the subculture provides him with unique insights into this dynamic and racially diverse but close-knit community.
Hip Hop Underground examines the changing nature of race among young Americans, and examines the issues of ethnic and racial identification, interaction, and understanding. Critiquing the notion that the Bay Area underground music scene is genuinely "colorblind," Harrison focuses on the issue of race to show how various ethnic groups engage hip hop in remarkably divergent ways—as a means to both claim subcultural legitimacy and establish their racial authenticity.
Geoffrey Fox
University of Arizona Press, 1997
By R. Aída Hernández Castillo
University of Texas Press, 2001
The 1994 Zapatista uprising of Chiapas' Maya peoples against the Mexican government shattered the state myth that indigenous groups have been successfully assimilated into the nation. In this wide-ranging study of identity formation in Chiapas, Aída Hernández delves into the experience of a Maya group, the Mam, to analyze how Chiapas' indigenous peoples have in fact rejected, accepted, or negotiated the official discourse on "being Mexican" and participating in the construction of a Mexican national identity.
Hernández traces the complex relations between the Mam and the national government from 1934 to the Zapatista rebellion. She investigates the many policies and modernization projects through which the state has attempted to impose a Mexican identity on the Mam and shows how this Maya group has resisted or accommodated these efforts. In particular, she explores how changing religious affiliation, women's and ecological movements, economic globalization, state policies, and the Zapatista movement have all given rise to various ways of "being Mam" and considers what these indigenous identities may mean for the future of the Mexican nation. The Spanish version of this book won the 1997 Fray Bernardino de Sahagún national prize for the best social anthropology research in Mexico.
Melissa Graboyes and Jennifer Tappan
Ohio University Press, 0
Histories of Global Health in Africa offers a concise and compelling introduction to the development and practice of global health on the African continent over the past century. Rather than centering institutions, the book foregrounds the people whose lives and labor have shaped global health—including African communities receiving care and the practitioners and experts who have long driven biomedical work across the region.
Drawing on cutting-edge scholarship, the book traces the colonial roots of global health and examines how these legacies continue to influence contemporary interventions, from vaccination campaigns and disease eradication efforts to epidemic responses. Its accessible thematic chapters explore key topics, including data collection, demography, ethics, and equity.
Designed for classroom use and ideal for nonspecialists, Histories of Global Health in Africa provides a flexible structure and a rich suite of teaching materials, including online multimedia components. It is an essential resource for students and readers seeking to understand how global health has evolved—and why its future depends on confronting its past.
Norman E. Whitten Jr. and Dorothea Scott Whitten
University of Illinois Press, 2011
Shelley Hsueh-lun Chang
University of Michigan Press, 1990
A.E. Bush
University of Arkansas Press, 2008
Originally published in 1924 and long out of print, this book tells the story of the Mosaic Templars of America (MTA), a famous Black fraternal organization that was founded by John E. Bush and Chester W. Keatts (both former slaves) in Little Rock, Arkansas, in the late-nineteenth century. The organization originally provided illness, death, and burial insurance during an era of segregation when few basic services were available to Black people, and grew to include an insurance company, a building and loan association, a publishing company, a business college, a nursing school, and a hospital.
By 1905 it had a number of lodges across the state of Arkansas with thousands of members. In 1913 a handsome new headquarters building opened and Booker T. Washington delivered the dedication speech. In the 1920s they claimed chapters in twenty-six states and six foreign countries, making it one of the largest Black organizations in the world.
However, in the 1930s the MTA began to feel the effects of the Great Depression and eventually ceased operations except for a single chapter in Barbados. Tragically, the original Little Rock headquarters building burned down in 2005.
This replica edition of History of the Mosaic Templars of America, with a new introduction by John William Graves, was published to coincide with the grand opening in 2008 of a completely rebuilt structure that houses the new Mosaic Templars Cultural Center.
Ma Vang
Duke University Press, 2021