4531 books match the query 'Cultural & Ethnic Studies' and 116 start with h

cover of HEARING, MOTHER-FATHER DEAF: Hearing People in Deaf Families

HEARING, MOTHER-FATHER DEAF

Hearing People in Deaf Families

Michele Bishop

Gallaudet University Press, 2009

The 14th Volume in the Sociolinguistics in Deaf Communities Series

The newest entry in the Sociolinguistics in Deaf Communities series explores the richness and complexity of the lives of hearing people in deaf families. Along with their own contributions, volume editors Michele Bishop and Sherry L. Hicks present the work of an extraordinary cadre of deaf, hearing, and Coda (children of deaf adults) researchers: Susan Adams, Jean Andrews, Oya Ataman, Anne E. Baker, Beppie van den Bogaerde , Helsa B. Borinstein, Karen Emmorey, Tamar H. Gollan, Mara Lúcia Masutti, Susan Mather, Ronice Müller de Quadros, Jemina Napier, Paul Preston, Jennie E. Pyers, Robin Thompson, and Andrea Wilhelm. Their findings represent research in a number of countries, including Australia, Brazil, England, Germany, the Netherlands, and the United States.

Hearing, Mother^Father Deaf: Hearing People in Deaf Families includes a comprehensive description of the societal influences at work in the lives of deaf people and their hearing children, which serves as a backdrop for the essays. The topics range from bimodal bilingualism in adults to cultural and linguistic behaviors of hearing children from deaf families; sign and spoken language contact phenomena; and to issues of self-expression, identity, and experience. A blend of data-based research and personal writings, the articles in this sociolinguistic study provide a thorough understanding of the varied experiences of hearing people and their deaf families throughout the world.
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cover of Habeas Viscus: Racializing Assemblages, Biopolitics, and Black Feminist Theories of the Human

Habeas Viscus

Racializing Assemblages, Biopolitics, and Black Feminist Theories of the Human

Alexander G. Weheliye

Duke University Press, 2014

Habeas Viscus focuses attention on the centrality of race to notions of the human. Alexander G. Weheliye develops a theory of "racializing assemblages," taking race as a set of sociopolitical processes that discipline humanity into full humans, not-quite-humans, and nonhumans. This disciplining, while not biological per se, frequently depends on anchoring political hierarchies in human flesh. The work of the black feminist scholars Hortense Spillers and Sylvia Wynter is vital to Weheliye's argument. Particularly significant are their contributions to the intellectual project of black studies vis-à-vis racialization and the category of the human in western modernity. Wynter and Spillers configure black studies as an endeavor to disrupt the governing conception of humanity as synonymous with white, western man. Weheliye posits black feminist theories of modern humanity as useful correctives to the "bare life and biopolitics discourse" exemplified by the works of Giorgio Agamben and Michel Foucault, which, Weheliye contends, vastly underestimate the conceptual and political significance of race in constructions of the human. Habeas Viscus reveals the pressing need to make the insights of black studies and black feminism foundational to the study of modern humanity.
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cover of Habitus of the Hood

Habitus of the Hood

Edited by Chris Richardson and Hans A. Skott-Myhre

Intellect Books, 2012

Since the 1990s, popular culture the world over has frequently looked to the ’hood for inspiration, whether in music, film, or television. Habitus of the Hood explores the myriad ways in which the hood has been conceived—both within the lived experiences of its residents and in the many mediated representations found in popular culture. Using a variety of methodologies including autoethnography, textual studies, and critical discourse analysis, contributors analyze and connect these various conceptions.

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cover of Hair Raising: Beauty, Culture, and African American Women

Hair Raising

Beauty, Culture, and African American Women

Rooks, Noliwe M

Rutgers University Press, 1996

We all know there is a politics of skin color, but is there a politics of hair?In this book, Noliwe Rooks explores the history and politics of hair and beauty culture in African American communities from the nineteenth century to the 1990s. She discusses the ways in which African American women have located themselves in their own families, communities, and national culture through beauty advertisements, treatments, and styles. Bringing the story into today's beauty shop, listening to other women talk about braids, Afros, straighteners, and what they mean today to grandmothers, mothers, sisters, friends, and boyfriends, she also talks about her own family and has fun along the way. Hair Raising is that rare sort of book that manages both to entertain and to illuminate its subject.
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cover of Halfway to Freedom: The History of Black Washington, DC

Halfway to Freedom

The History of Black Washington, DC

Maurice Jackson. Foreword by Lonnie G. Bunch III.

Duke University Press, 2026

Halfway to Freedom is a social, political, intellectual, and cultural history of African Americans in Washington, DC, looking at the role that race, gender, color, culture, class, and power have played in the city and its relationship with the federal government, the nation, and the world.

For more than two hundred years, the history and culture of the District of Columbia have been in great part shaped by its Black residents. Several Black men were elected to political positions citywide only a handful of years after the end of the Civil War, and while the years after Reconstruction saw the region plagued with segregation and racial violence, the capital’s Black population continued to grow at all economic levels. Washington became the first major US city with a majority Black population in 1957, a status it held for almost seventy years as gentrification has led to the decline of Black political and economic power in DC in the twenty-first century. 
 
Halfway to Freedom is a social, political, intellectual, and cultural history of African Americans in Washington, DC; it explores the role that race, gender, color, class, and power have played in the city and its relationship with the federal government. Maurice Jackson explores the material conditions that shaped life for African Americans, free and enslaved, from the earliest moments of the District’s history to more contemporary times of organization and activism. Through an array of archival materials, especially firsthand accounts of Black residents in the area, Jackson critiques how and why DC exists as a haven within the Black American imaginary given the realities of conflict its Black residents have faced and continue to face today. In doing so, he highlights and honors the gains they have earned through the concerted struggles of labor organizations, women’s movements, sports, music, art, legal activism, and more.
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cover of Hapa Girl: A Memoir

Hapa Girl

A Memoir

May-lee Chai

Temple University Press, 2008

In the mid-1960s, Winberg Chai, a young academic and the son of Chinese immigrants, married an Irish-American artist. In Hapa Girl ("hapa" is Hawaiian for "mixed") their daughter tells the story of this loving family as they moved from Southern California to New York to a South Dakota farm by the 1980s. In their new Midwestern home, the family finds itself the object of unwelcome attention, which swiftly escalates to violence. The Chais are suddenly socially isolated and barely able to cope with the tension that arises from daily incidents of racial animosity, including random acts of cruelty.

May-lee Chai's memoir ends in China, where she arrives just in time to witness a riot and demonstrations. Here she realizes that the rural Americans' "fears of change, of economic uncertainty, of racial anxiety, of the unknowable future compared to the known past were the same as China's. And I realized finally that it had not been my fault."

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cover of Harambee City: The Congress of Racial Equality in Cleveland and the Rise of Black Power Populism

Harambee City

The Congress of Racial Equality in Cleveland and the Rise of Black Power Populism

Nishani Frazier

University of Arkansas Press, 2017

BLACK POWER!

It was a phrase that consumed the American imagination in the 1960s and 70s and inspired a new agenda for black freedom. Dynamic and transformational, the black power movement embodied more than media stereotypes of gun-toting, dashiki-wearing black radicals; the movement opened new paths to equality through political and economic empowerment.

In Harambee City, Nishani Frazier chronicles the rise and fall of black power within the Congress of Racial Equality (CORE) by exploring the powerful influence of the Cleveland CORE chapter. Frazier explores the ways that black Clevelanders began to espouse black power ideals including black institution building, self-help, and self-defense. These ideals challenged CORE’s philosophy of interracial brotherhood and nonviolent direct action, spawning ideological ambiguities in the Cleveland chapter. Later, as Cleveland CORE members rose to national prominence in the organization, they advocated an open embrace of black power and encouraged national CORE to develop a notion of black community uplift that emphasized economic populism over political engagement. Not surprisingly, these new empowerment strategies found acceptance in Cleveland.

By providing an understanding of the tensions between black power and the mainstream civil rights movement as they manifested themselves as  both local and national forces, Harambee City sheds new light on how CORE became one of the most dynamic civil rights organizations in the black power era.

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cover of Hard Road to Freedom: The Story of African America, The Civil War to the Millennium

Hard Road to Freedom

The Story of African America, The Civil War to the Millennium

Horton, Lois E

Rutgers University Press, 2002

Hard Road to Freedom tells the story of African America from its African roots to the political and social upheavals at the end of the twentieth century. It interweaves the experiences of individual black Americans with an analysis of the nation's pursuit of its fundamental principles, of freedom, and civil rights. The book begins with African cultures and the African people who withstood the horrors of the slave trade and slavery to help shape a new multiracial society in North America. The American Revolution brought freedom to some, but most remained in the grip of slavery. African Americans and their allies continually raised the cry for freedom, building determined black communities and dedicated antislavery organizations that contributed to the abolition of slavery. The precarious freedom after the Civil War brought new opportunities, but also new dangers and the limitations of Jim Crow. The wars and the depression in the early twentieth century found black Americans forging new alliances, creating a cultural renaissance, and fighting for democracy and freedom abroad. At home, they struggled against the denials of freedom and citizenship that still barred their full participation and that tarnished America's standing in the eyes of the international community. Throughout the social and political turmoil of the 1960s and 1970s and the political and cultural backlash that followed, African Americans continued to raise their voices in often eloquent and always insistent appeals that the nation live up to the promise of its principles. This book tells of America's unsteady advance along the road to freedom, the triumphs and hope, as well as the failures and despair, from the vantage point of the African Americans who resolutely played a critical role in that story.
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cover of Harlem vs. Columbia University: Black Student Power in the Late 1960s

Harlem vs. Columbia University

Black Student Power in the Late 1960s

Stefan M. Bradley

University of Illinois Press, 2012

In 1968–69, Columbia University became the site for a collision of American social movements. Black Power, student power, antiwar, New Left, and Civil Rights movements all clashed with local and state politics when an alliance of black students and residents of Harlem and Morningside Heights openly protested the school's ill-conceived plan to build a large, private gymnasium in the small green park that separates the elite university from Harlem. Railing against the university's expansion policy, protesters occupied administration buildings and met violent opposition from both fellow students and the police. In this dynamic book, Stefan M. Bradley describes the impact of Black Power ideology on the Students' Afro-American Society (SAS) at Columbia. While white students--led by Mark Rudd and Students for a Democratic Society (SDS)--sought to radicalize the student body and restructure the university, black students focused on stopping the construction of the gym in Morningside Park. Through separate, militant action, black students and the black community stood up to the power of an Ivy League institution and stopped it from trampling over its relatively poor and powerless neighbors. Comparing the events at Columbia with similar events at Harvard, Cornell, Yale, and the University of Pennsylvania, Bradley locates this dramatic story within the context of the Black Power movement and the heightened youth activism of the 1960s. Harnessing the Civil Rights movement's spirit of civil disobedience and the Black Power movement's rhetoric and methodology, African American students were able to establish an identity for themselves on campus while representing the surrounding black community of Harlem. In doing so, Columbia's black students influenced their white peers on campus, re-energized the community's protest efforts, and eventually forced the university to share its power.
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cover of Harlem's Theaters: A Staging Ground for Community, Class, and Contradiction, 1923-1939

Harlem's Theaters

A Staging Ground for Community, Class, and Contradiction, 1923-1939

Adrienne Macki Braconi

Northwestern University Press, 2015

Honorable Mention, 2016 Errol Hill Book Award for Outstanding Scholarship in African American Theater, Drama and/or Performance

Based on a vast amount of archival research, Adrienne Macki Braconi’s illuminating study of three important community-based theaters in Harlem shows how their work was essential to the formation of a public identity for African Americans and the articulation of their goals, laying the groundwork for the emergence of the Civil Rights movement. Macki Braconi uses textual analysis, performance reconstruction, and audience reception to examine the complex dynamics of productions by the Krigwa Players, the Harlem Experimental Theatre, and the Negro Theatre of the Federal Theatre Project. Even as these theaters demonstrated the extraordinary power of activist art, they also revealed its limits. The stage was a site in which ideological and class differences played out, theater being both a force for change and a collision of contradictory agendas. Macki Braconi’s book alters our understanding of the Harlem Renaissance, the roots of the Civil Rights movement, and the history of community theater in America.

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cover of Harlemworld: Doing Race and Class in Contemporary Black America

Harlemworld

Doing Race and Class in Contemporary Black America

John L. Jackson Jr.

University of Chicago Press, 2001

Harlem is one of the most famous neighborhoods in the world—a historic symbol of both black cultural achievement and of the rigid boundaries separating the rich from the poor. But as this book shows us, Harlem is far more culturally and economically diverse than its caricature suggests: through extensive fieldwork and interviews, John L. Jackson reveals a variety of social networks and class stratifications, and explores how African Americans interpret and perform different class identities in their everyday behavior.
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cover of Harriet Tubman: The Life and the Life Stories

Harriet Tubman

The Life and the Life Stories

Jean M. Humez

University of Wisconsin Press, 2005

    Harriet Tubman’s name is known world-wide and her exploits as a self-liberated Underground Railroad heroine are celebrated in children’s literature, film, and history books, yet no major biography of Tubman has appeared since 1943. Jean M. Humez’s comprehensive Harriet Tubman is both an important biographical overview based on extensive new research and a complete collection of the stories Tubman told about her life—a virtual autobiography culled by Humez from rare early publications and manuscript sources. This book will become a landmark resource for scholars, historians, and general readers interested in slavery, the Underground Railroad, the Civil War, and African American women.
    Born in slavery in Maryland in or around 1820, Tubman drew upon deep spiritual resources and covert antislavery networks when she escaped to the north in 1849. Vowing to liberate her entire family, she made repeated trips south during the 1850s and successfully guided dozens of fugitives to freedom. During the Civil War she was recruited to act as spy and scout with the Union Army. After the war she settled in Auburn, New York, where she worked to support an extended family and in her later years founded a home for the indigent aged. Celebrated by her primarily white antislavery associates in a variety of private and public documents from the 1850s through the 1870s, she was rediscovered as a race heroine by woman suffragists and the African American women’s club movement in the early twentieth century. Her story was used as a key symbolic resource in education, institutional fundraising, and debates about the meaning of "race" throughout the twentieth century.
    Humez includes an extended discussion of Tubman’s work as a public performer of her own life history during the nearly sixty years she lived in the north. Drawing upon historiographical and literary discussion of the complex hybrid authorship of slave narrative literature, Humez analyzes the interactive dynamic between Tubman and her interviewers. Humez illustrates how Tubman, though unable to write, made major unrecognized contributions to the shaping of her own heroic myth by early biographers like Sarah Bradford. Selections of key documents illustrate how Tubman appeared to her contemporaries, and a comprehensive list of primary sources represents an important resource for scholars.

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cover of Harry T. Burleigh: From the Spiritual to the Harlem Renaissance

Harry T. Burleigh

From the Spiritual to the Harlem Renaissance

Jean E. Snyder

University of Illinois Press, 2021

Harry T. Burleigh (1866-1949) played a leading role in American music and culture in the twentieth century. Celebrated for his arrangements of spirituals, Burleigh was also the first African American composer to create a significant body of art song. An international roster of opera and recital singers performed his works and praised them as among the best of their time. Jean E. Snyder traces Burleigh's life from his Pennsylvania childhood through his fifty-year tenure as soloist at St. George's Episcopal Church in Manhattan. As a composer, Burleigh's pioneering work preserved and transformed the African American spiritual; as a music editor, he facilitated the work of other black composers; as a role model, vocal coach, and mentor, he profoundly influenced American song; and in private life he was friends with Antonín Dvořák, Marian Anderson, Will Marion Cook, and other America luminaries. Snyder provides rich historical, social, and political contexts that explore Burleigh's professional and personal life within an era complicated by changes in race relations, class expectations, and musical tastes.
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cover of Harvesting Coffee, Bargaining Wages: Rural Labor Markets in Colombia, 1975-1990

Harvesting Coffee, Bargaining Wages

Rural Labor Markets in Colombia, 1975-1990

Sutti Ortiz

University of Michigan Press, 1999

Harvesting Coffee, Bargaining Wages offers an insightful scrutiny of rural market behavior and a convincing explanation of why farmers fail sometimes to manage their laborers in ways predicted by market models--and how power imbalances and social conditions can impair the ability of laborers to attain a fair market contract during lax labor market periods. This empirical study, based on interviews with both farmers and laborers, covers a fifteen-year period characterized by the modernization of production. Ortiz compares three localized coffee labor markets, expanding the analysis by contrasting the strategies used by the coffee farmers in her study areas with those that farmers in other parts of the world adopt in order to cope with similar problems. Her data challenge prevalent generalizations about the consequences of agricultural modernization on laboring families by showing that management practices and contractual arrangements are ultimately molded by local conditions--cultural perceptions of a fair exchange, familial obligations and roles, availability of housing, bargaining power in the home and in the market, kin networks, and information flows--in interaction with national and global influences. Harvesting Coffee, Bargaining Wages will be of primary interest to anthropologists and sociologists, geographers, political scientists interested in explicit and implicit contract formats, and economists intrigued by the possibility of integrating social variables as contextual aspects of management strategies. Sutti Ortiz is Associate Professor Emerita of Anthropology, Boston University.
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cover of Harvesting Haiti: Reflections on Unnatural Disasters

Harvesting Haiti

Reflections on Unnatural Disasters

Myriam J.A. Chancy

University of Texas Press, 2023

2024 Isis Duarte Book Prize, Haiti/ Dominican Republic Section, Latin American Studies Association
2024 Longlist, OCM Bocas Prize for Caribbean Literature, Bocas Lit Fest

This collection ponders the personal and political implications for Haitians at home and abroad resulting from the devastating 2010 earthquake.

The 7.0 magnitude earthquake that struck Haiti in January 2010 was a debilitating event that followed decades of political, social, and financial issues. Leaving over 250,000 people dead, 300,000 injured, and 1.5 million people homeless, the earthquake has had lasting repercussions on a struggling nation. As the post-earthquake political situation unfolded, Myriam Chancy worked to illuminate on-the-ground concerns, from the vulnerable position of Haitian women to the failures of international aid. Originally presented at invited campus talks, published as columns for a newspaper in Trinidad and Tobago, and circulated in other ways, her essays and creative responses preserve the reactions and urgencies of the years following the disaster.

In Harvesting Haiti, Chancy examines the structures that have resulted in Haiti's post-earthquake conditions and reflects at key points after the earthquake on its effects on vulnerable communities. Her essays make clear the importance of sustaining and supporting the dignity of Haitian lives and of creating a better, contextualized understanding of the issues that mark Haitians’ historical and present realities, from gender parity to the vexed relationship between Haiti and the Dominican Republic.

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cover of Harvesting the Clouds: Ecologies of Fog Capture in Coastal Peru

Harvesting the Clouds

Ecologies of Fog Capture in Coastal Peru

Chakad Ojani

University of Arizona Press, 2027

Vision limited, sounds muffled. Tiny water droplets reflect light back to its source and make it difficult to locate the origin of sounds: this is fog. In Chakad Ojani’s ethnography, this atmospheric phenomenon plays a pivotal role.

Drawing on long-term ethnographic research on engagements with fog in Lima and coastal Peru, Harvesting the Clouds examines how local NGO workers and fog oasis conservationists sought to utilize coastal fog as a water source. NGO workers installed fog catchers in informal or recently formalized neighborhoods where state infrastructure was absent, while conservationists harnessed ground-touching clouds in order to prevent informal urbanization. As they set out to capture ground-touching clouds to pursue their distinct goals, these collectives became entrapped by activities, demands, and expectations that they had not foreseen. The book frames these relationships as ecologies of capture: emergent webs of relationships held together by conflicting aims and expectations, the possibilities and limitations of fog capture, and the material qualities of fog itself. 

Harvesting the Clouds argues that capture is always only partially successful, but by virtue of this partiality, it becomes productive of social relations—an understanding that the author extends to anthropological inquiry itself as an exercise in the productive impossibility of ethnographic entrapment.

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cover of Haunted City: Three Centuries of Racial Impersonation in Philadelphia

Haunted City

Three Centuries of Racial Impersonation in Philadelphia

Christian DuComb

University of Michigan Press, 2017

Haunted City explores the history of racial impersonation in Philadelphia from the late eighteenth century through the present day. The book focuses on select historical moments, such as the advent of the minstrel show and the ban on blackface makeup in the Philadelphia Mummers Parade, when local performances of racial impersonation inflected regional, national, transnational, and global formations of race.

Mummers have long worn blackface makeup during winter holiday celebrations in Europe and North America; in Philadelphia, mummers’ blackface persisted from the colonial period well into the twentieth century. The first annual Mummers Parade, a publicly sanctioned procession from the working-class neighborhoods of South Philadelphia to the city center, occurred in 1901. Despite a ban on blackface in the Mummers Parade after civil rights protests in 1963–64, other forms of racial and ethnic impersonation in the parade have continued to flourish unchecked. Haunted City combines detailed historical research with the author’s own experiences performing in the Mummers Parade to create a lively and richly illustrated narrative. Through its interdisciplinary approach, Haunted City addresses not only theater history and performance studies but also folklore, American studies, critical race theory, and art history.  It also offers a fresh take on the historiography of the antebellum minstrel show.

 
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cover of Haunted Life: Visual Culture and Black Modernity

Haunted Life

Visual Culture and Black Modernity

Marriott, David

Rutgers University Press, 2007

In Haunted Life, David Marriott examines the complex interplay between racial fears and anxieties and the political-visual cultures of suspicion and state terror. He compels readers to consider how media technologies are "haunted" by the phantom of racial slavery. Through examples from film and television, modernist literature, and philosophy, he shows how the ideological image of a brutal African past is endlessly recycled and how this perpetuation of historical catastrophe stokes our nation's race-conscious paranoia.

Drawing on a range of comparative readings by writers, theorists, and filmmakers, including John Edgar Wideman, Frantz Fanon, Richard Wright, Issac Julien, Alain Locke, and Sidney Poitier, Haunted Life is a bold and original exploration of the legacies of black visual culture and the political, deeply sexualized violence that lies buried beneath it.

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cover of Haunting Biology: Science and Indigeneity in Australia

Haunting Biology

Science and Indigeneity in Australia

Emma Kowal

Duke University Press, 2023

In Haunting Biology Emma Kowal recounts the troubled history of Western biological studies of Indigenous Australians and asks how we now might see contemporary genomics, especially that conducted by Aboriginal and Torres Strait Islander scientists. Kowal illustrates how the material persistence of samples over decades and centuries folds together the fates of different scientific methodologies. Blood, bones, hair, comparative anatomy, human biology, physiology, and anthropological genetics all haunt each other across time and space, together with the many racial theories they produced and sustained. The stories Kowal tells feature a variety of ghostly presences: a dead anatomist, a fetishized piece of hair hidden away in a war trunk, and an elusive white Indigenous person. By linking this history to contemporary genomics and twenty-first-century Indigeneity, Kowal outlines the fraught complexities, perils, and potentials of studying Indigenous biological difference in the twenty-first century.
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cover of Haunting the Korean Diaspora: Shame, Secrecy, and the Forgotten War

Haunting the Korean Diaspora

Shame, Secrecy, and the Forgotten War

Grace M. Cho

University of Minnesota Press, 2008

Since the Korean War—the forgotten war—more than a million Korean women have acted as sex workers for U.S. servicemen. More than 100,000 women married GIs and moved to the United States. Through intellectual vigor and personal recollection, Haunting the Korean Diaspora explores the repressed history of emotional and physical violence between the United States and Korea and the unexamined reverberations of sexual relationships between Korean women and American soldiers. 

Grace M. Cho exposes how Koreans in the United States have been profoundly affected by the forgotten war and uncovers the silences and secrets that still surround it, arguing that trauma memories have been passed unconsciously through a process psychoanalysts call “transgenerational haunting.” Tracing how such secrets have turned into “ghosts,” Cho investigates the mythic figure of the yanggongju, literally the “Western princess,” who provides sexual favors to American military personnel. She reveals how this figure haunts both the intimate realm of memory and public discourse, in which narratives of U.S. benevolence abroad and assimilation of immigrants at home go unchallenged. Memories of U.S. violence, Cho writes, threaten to undo these narratives—and so they have been rendered unspeakable.

At once political and deeply personal, Cho’s wide-ranging and innovative analysis of U.S. neocolonialism and militarism under contemporary globalization brings forth a new way of understanding—and remembering—the impact of the Korean War.
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cover of Have You Got Good Religion?: Black Women's Faith, Courage, and Moral Leadership in the Civil Rights Movement

Have You Got Good Religion?

Black Women's Faith, Courage, and Moral Leadership in the Civil Rights Movement

AnneMarie Mingo

University of Illinois Press, 2024

What compels a person to risk her life to change deeply rooted systems of injustice in ways that may not benefit her? The thousands of Black Churchwomen who took part in civil rights protests drew on faith, courage, and moral imagination to acquire the lived experiences at the heart of the answers to that question. AnneMarie Mingo brings these forgotten witnesses into the historical narrative to explore the moral and ethical world of a generation of Black Churchwomen and the extraordinary liberation theology they created. These women acted out of belief that what they did was bigger than themselves. Taking as their goal nothing less than the moral transformation of American society, they joined the movement because it was something they had to do. Their personal accounts of a lived religion enacted in the world provide powerful insights into how faith steels human beings to face threats, jail, violence, and seemingly implacable hatred. Throughout, Mingo draws on their experiences to construct an ethical model meant to guide contemporary activists in the ongoing pursuit of justice.

A depiction of moral imagination that resonates today, Have You Got Good Religion? reveals how Black Churchwomen’s understanding of God became action and transformed a nation.

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cover of Hawai'i Is My Haven: Race and Indigeneity in the Black Pacific

Hawai'i Is My Haven

Race and Indigeneity in the Black Pacific

Nitasha Tamar Sharma

Duke University Press, 2021

Hawaiʻi Is My Haven maps the context and contours of Black life in the Hawaiian Islands. This ethnography emerges from a decade of fieldwork with both Hawaiʻi-raised Black locals and Black transplants who moved to the Islands from North America, Africa, and the Caribbean. Nitasha Tamar Sharma highlights the paradox of Hawaiʻi as a multiracial paradise and site of unacknowledged antiBlack racism. While Black culture is ubiquitous here, African-descended people seem invisible. In this formerly sovereign nation structured neither by the US Black/White binary nor the one-drop rule, nonWhite multiracials, including Black Hawaiians and Black Koreans, illustrate the coarticulation and limits of race and the native/settler divide. Despite erasure and racism, nonmilitary Black residents consider Hawaiʻi their haven, describing it as a place to “breathe” that offers the possibility of becoming local. Sharma's analysis of race, indigeneity, and Asian settler colonialism shifts North American debates in Black and Native studies to the Black Pacific. Hawaiʻi Is My Haven illustrates what the Pacific offers members of the African diaspora and how they in turn illuminate race and racism in “paradise.”
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cover of Healing Like Our Ancestors: The Nahua Tiçitl, Gender, and Settler Colonialism in Central Mexico, 1535–1660

Healing Like Our Ancestors

The Nahua Tiçitl, Gender, and Settler Colonialism in Central Mexico, 1535–1660

Edward Anthony Polanco

University of Arizona Press, 2024

Offering a provocative new perspective, Healing Like Our Ancestors examines sixteenth- and seventeenth-century Nahua healers in central Mexico and how their practices have been misconstrued and misunderstood in colonial records.

Early colonial Spanish settlers defined, assessed, and admonished Nahua titiçih (healing specialists) and tiçiyotl (healing knowledge) in the process of building a society in Mexico that mirrored Iberia. Nevertheless, Nahua survivance (intergenerational knowledge transfer) has allowed communities to heal like their ancestors through changes and adaptations. Edward Anthony Polanco draws from diverse colonial primary sources, largely in Spanish and Nahuatl (the Nahua ancestral language), to explore how Spanish settlers framed titiçih, their knowledge, and their practices within a Western complex. Polanco argues for the usage of Indigenous terms when discussing Indigenous concepts and arms the reader with the Nahuatl words to discuss central Mexican Nahua healing. In particular, this book emphasizes the importance of women as titiçih and highlights their work as creators and keepers of knowledge. These vital Nahua perspectives of healing—and how they differed from the settler narrative—will guide community members as well as scholars and students of the history of science, Latin America, and Indigenous studies.
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cover of Healing the Body Politic: El Salvador's Popular Struggle for Health Rights from Civil War to Neoliberal Peace

Healing the Body Politic

El Salvador's Popular Struggle for Health Rights from Civil War to Neoliberal Peace

Smith-Nonini, Sandy

Rutgers University Press, 2010

Incorporating investigative journalism and drawing on interviews with participants and leaders, Sandy Smith-Nonini examines the contested place of health and development in El Salvador over the last two decades. Healing the Body Politic recounts the dramatic story of radical health activism from its origins in liberation theology and guerrilla medicine during the third-world country's twelve-year civil war, through development of a remarkable "popular health system," administered by lay providers in a former war zone controlled by leftist rebels. This ethnography casts light on the conflicts between the conservative Ministry of Health and primary health advocates during the 1990s peace process--a time when the government sought to dismantle the effective peasant-run rural system. It offers a rare analysis of the White Marches of 2002û2003, when radicalized physicians rose to national leadership in a successful campaign against privatization of the social security health system. Healing the Body Politic contributes to the productive integration of medical and political anthropology by bringing the semiotics of health and the body to bear on cultural understandings of warfare, the state, and globalization.
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cover of Hear #MeToo in India: News, Social Media,  and Anti-Rape and Sexual Harassment Activism

Hear #MeToo in India

News, Social Media, and Anti-Rape and Sexual Harassment Activism

Pallavi Guha

Rutgers University Press, 2021

This book examines the role media platforms play in anti-rape and sexual harassment activism in India. Including 75 interviews with feminist activists and journalists working across India, it proposes a framework of agenda-building and establishes a theoretical framework to examine media coverage of issues in the digitally emerging Global South.
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cover of Hear Our Truths: The Creative Potential of Black Girlhood

Hear Our Truths

The Creative Potential of Black Girlhood

Ruth Nicole Brown

University of Illinois Press, 2013

This volume examines how Saving Our Lives Hear Our Truths, or SOLHOT, a radical youth intervention, provides a space for the creative performance and expression of Black girlhood and how this creativity informs other realizations about Black girlhood and womanhood. Founded in 2006 and co-organized by the author, SOLHOT is an intergenerational collective organizing effort that celebrates and recognizes Black girls as producers of culture and knowledge. Girls discuss diverse expressions of Black girlhood, critique the issues that are important to them, and create art that keeps their lived experiences at its center.
 
Drawing directly from her experiences in SOLHOT, Ruth Nicole Brown argues that when Black girls reflect on their own lives, they articulate radically unique ideas about their lived experiences. She documents the creative potential of Black girls and women who are working together to advance original theories, practices, and performances that affirm complexity, interrogate power, and produce humanizing representation of Black girls' lives. Emotionally and intellectually powerful, this book expands on the work of Black feminists and feminists of color and breaks intriguing new ground in Black feminist thought and methodology.

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cover of Heartbeat of Struggle: The Revolutionary Life of Yuri Kochiyama

Heartbeat of Struggle

The Revolutionary Life of Yuri Kochiyama

Diane C. Fujino

University of Minnesota Press, 2005

On February 12, 1965, in the Audubon Ballroom, Yuri Kochiyama cradled Malcolm X in her arms as he died, but her role as a public servant and activist began much earlier than this pivotal public moment. Heartbeat of Struggle is the first biography of this courageous woman, the most prominent Asian American activist to emerge during the 1960s. Based on extensive archival research and interviews with Kochiyama's family, friends, and the subject herself, Diane C. Fujino traces Kochiyama's life from an "all-American" childhood to her achievements as a tireless defender of - and fighter for - human rights. Raised by a Japanese immigrant family in California during the 1920s and 1930s, Kochiyama was active in sports, school, and church. She was both unquestioningly patriotic and largely unconscious of race and racism in the United States. After Pearl Harbor, however, Kochiyama's family was among the thousands of Japanese Americans forcibly removed to internment camps for the duration of the war, a traumatic experience that opened her eyes to the existence of social injustice. After the war, Kochiyama moved to New York. It was in the context of the vibrant Black movement in Harlem in the 1960s that she began her activist career. There, she met Malcolm X, who inspired her radical political development and the ensuing four decades of incessant work for Black liberation, Asian American equality, Puerto Rican independence, and political prisoner defense. Kochiyama is widely respected for her work in forging unity among diverse communities, especially between Asian and African Americans. Fujino, a scholar and activist, offers an in-depth examination of Kochiyama's political awakening, rich life, and impressive achievements with particular attention to how her public role so often defied gender, racial, and cultural norms. Heartbeat of Struggle is a source of inspiration and guidance for anyone committed to social change.
[more]
cover of Heartthrob: Del Balboa Cafe al Apartheid and Back

Heartthrob

Del Balboa Cafe al Apartheid and Back

Susana Chávez-Silverman

University of Wisconsin Press, 2019

On a wintry Thursday night in San Francisco, Susana Chávez-Silverman catches her first glimpse of a handsome stranger through the window as he passes the infamous Balboa Cafe. She knows immediately he is the man of her dreams. His eyes meet hers, he turns and enters the bar . . .
Their attraction was intense, but the social and political climate of South Africa, still in the grip of apartheid, threatened to tear them apart. Describing the vicissitudes of the Latina migratory experience, Chávez-Silverman struggles to overcome the hostility of a place that is so unwelcoming to nonwhite persons and outsiders.
Heartthrob, a love story for the ages, implores us to consider how things could have been. In these romantic crónicas based on detailed diary entries and confessional letters to family and friends, Chávez-Silverman weaves together English and Spanish to lay bare the raw intensity and true fragility of love. Anyone who has wondered about the-one-that-got-away or sought out the true meaning of happily-ever-after will be enraptured by this intimate exploration of love, loss, and regret.
[more]
cover of Hecho a Mano: The Traditional Arts of Tucson's Mexican American Community

Hecho a Mano

The Traditional Arts of Tucson's Mexican American Community

James S. Griffith; Foreword by Patricia Preciado Martin

University of Arizona Press, 2000

Arts as intimate as a piece of needlework or a home altar. Arts as visible as decorative iron, murals, and low riders. Through such arts, members of Tucson's Mexican American community contribute much of the cultural flavor that defines the city to its residents and to the outside world. Now Tucson folklorist Jim Griffith celebrates these public and private artistic expressions and invites us to meet the people who create them.

  • Josefina Lizárraga learned to make paper flowers as a girl in her native state of Nayarit, Mexico, and ensures that this delicate art is not lost.
  • Ornamental blacksmith William Flores runs the oldest blacksmithing business in town, a living link with an earlier Tucson.
  • Ramona Franco's family has maintained an elaborate altar to Our Lady of Guadalupe for three generations.
  • Signmaker Paul Lira, responsible for many of Tucson's most interesting signs, brings to his work a thoroughly mexicano sense of aesthetics and humor.
  • Muralists David Tineo and Luis Mena proclaim Mexican cultural identity in their work and carry on a tradition that has blossomed in the last twenty years.

Featuring a foreword by Tucson author Patricia Preciado Martin and a spectacular gallery of photographs, many by Pulitzer prize-winning photographer José Galvez, this remarkable book offers a close-up view of a community rich with tradition and diverse artistic expression. Hecho a Mano is a piñata bursting with unexpected treasures that will inspire and inform anyone with an interest in folk art or Mexican American culture.

[more]
cover of Hemispheric Blackface: Impersonation and Nationalist Fictions in the Americas

Hemispheric Blackface

Impersonation and Nationalist Fictions in the Americas

Danielle Roper

Duke University Press, 2025

In Hemispheric Blackface, Danielle Roper examines blackface performance and its relationship to twentieth- and twenty-first-century nationalist fictions of mestizaje, creole nationalism, and other versions of postracialism in the Americas. Challenging both the dominance of the US minstrel tradition and the focus on the nation in blackface studies, Roper maps a hemispheric network of racial impersonation in Peru, Bolivia, Colombia, Jamaica, Cuba, and Miami. She analyzes blackface performance in the aftermath of the turn to multiculturalism in Latin America, the emergence of modern blackness in Jamaica, and the rise of Barack Obama in the United States, showing how blackface remains embedded in cultural entertainment. Contending that the Americas are linked by repeating nationalist fictions of postracialism, colorblindness, and myths of racial democracy, Roper assesses how acts of impersonation mediate the ongoing power of these narratives and enable people to comprehend advancements and reversals in racial equality. Rather than simply framing blackface as liberatory or oppressive, Roper traces its emergence from a shared history of slavery and the varied politics of racial enjoyment throughout the hemisphere.
[more]
cover of Here to Stay: Uncovering South Asian American History

Here to Stay

Uncovering South Asian American History

Geetika Rudra

Rutgers University Press, 2022

Today, South Asians are a rapidly growing demographic in the United States, comprising nearly 2 percent of the population. But there was a time in the not-too-distant past when the United States was far less hospitable to South Asian immigrants. In fact, until 1952, only white immigrants could become naturalized American citizens. Yet in the first half of the twentieth century, many states still had thriving communities of South Asians. 
 
In Here to Stay, Geetika Rudra, a second-generation Indian immigrant and American history buff, takes readers on a journey across the country to unearth the little-known histories of earlier generations of South Asian Americans. She visits storied sites such as Oregon’s “Hindoo Alley,” home to many lumber workers at the turn of the century, and Angel Island, California’s immigration hub. She also introduces readers to such inspiring figures as Bhagat Singh Thind, an immigrant who had enlisted in the U.S. Army to serve his adopted country in World War I, but who was later denied citizenship and took his case all the way to the U.S. Supreme Court. In turns both serious and joyful, this book vividly reveals how South Asians have always been a vital part of the American tapestry.
[more]
cover of Heresy in the University: The Black Athena Controversy and the Responsibilities of American Intellectuals

Heresy in the University

The Black Athena Controversy and the Responsibilities of American Intellectuals

Jacques Berlinerblau

Rutgers University Press, 1999

One of the most controversial books to come out of the academy in the last fifteen years is Martin Bernal's Black Athena. It has been a true cause celebre. Afrocentrists have both praised the book and claimed that Bernal stole from the work of black scholars to create his study of the Afroasiastic roots of classical civilization. Classicists feel passionately about what they perceive as an attack from an outsider on the origins not only of ancient Greece but of their own discipline. It seems that everyone has something to say about the book; the question is how many really understand it. In Heresy in the University, Jacques Berlinerblau provides an exegesis of the contents of Black Athena, making it accessible to a wider audience. As he clarifies and restates Bernal's opus, Berlinerblau identifies Bernal's flaws in reasoning and gaps in evidence. He cuts to the heart of Bernal's prose, singling out the key points of Bernal's argument, explaining and arranging them in a cogent manner. Berlinerblau addresses the critics' really important objections, including his own, and links each of them to the appropriate substantive argument in Black Athena. He goes beyond simple summary and exposition to present the underlying --stated and unstated--agendas of Bernal and his critics. Ultimately, he exposes both sides and asks what the flawed reasoning from all concerned reveals about the stakes in this key academic dispute and what that, in turn, says about the modern academy. Jacques Berlinerblau is an assistant professor and director of Judaic studies at Hofstra University.
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cover of Hezbollah: The Political Economy of Lebanon's Party of God

Hezbollah

The Political Economy of Lebanon's Party of God

Joseph Daher

Pluto Press, 2016

Few political parties have been as misunderstood—or as roundly condemned—as Lebanon’s Hezbollah. With this book, Joseph Daher presents a new way of looking at Hezbollah: through the lens of political economy.
           
By discarding more common approaches to the party that focus on religious discourse or military questions, Daher is freed up to analyze what the party actually is: an organization that is operating within a specific political and socio-economic context, one that simultaneously offers it a rich ground of support and limits its range of action. Daher clearly and carefully positions Hezbollah within that context, focusing on its historic ties with its main sponsor, Iran, its media and cultural wings, its relationship with Western economic policies, and the impact of the Shi’a population on the sectarian politics of Lebanon. Offering additional attention to the party’s positions on worker’s rights and women’s issues, this fresh take on Hezbollah will be incredibly useful for understanding the world’s most tumultuous region.
 
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cover of Hidden Empire of Finance: How Wall Street Profits from Our Cities and Fuels Global Inequality

Hidden Empire of Finance

How Wall Street Profits from Our Cities and Fuels Global Inequality

Michael Goldman

Duke University Press, 2026

Hidden Empire of Finance follows the rise of new global cities, tracing their roots back to the 1970s proliferation of neoliberalism and following their fate in the wake of the 2008 financial collapse. As India, China, and other nations sought to develop urban infrastructures that could compete with western hubs like New York, Paris, and London, large-scale flows of capital intruded into national economies as speculative investment in the growing real estate market. A web of opaque financial products, such as collateralized debt and real estate investment trusts, became alternative vehicles for these investments, resulting in vast networks of public goods and services that are now owned and controlled by major financial firms located oceans away. Michael Goldman shows that speculative urbanism relies on dispossession and the racialization of institutional practices to fuel finance's insatiable appetite for capital, determining the ways cities across the global South and North are governed.
[more]
cover of Hidden Histories: Faith and Black Lesbian Leadership

Hidden Histories

Faith and Black Lesbian Leadership

Monique Moultrie

Duke University Press, 2023

In Hidden Histories, Monique Moultrie collects oral histories of Black lesbian religious leaders in the United States to show how their authenticity, social justice awareness, spirituality, and collaborative leadership make them models of womanist ethical leadership. By examining their life histories, Moultrie frames queer storytelling as an ethical act of resistance to the racism, sexism, and heterosexism these women experience. She outlines these women’s collaborative, intergenerational, and leadership styles, and their concerns for the greater good and holistic well-being of humanity and the earth. She also demonstrates how their ethos of social justice activism extends beyond LGBTQ and racialized communities and provides other models of religious and community leadership. Addressing the invisibility of Black lesbian religious leaders in scholarship and public discourse, Moultrie revises modern understandings of how race, gender, and sexual identities interact with religious practice and organization in the twenty-first century.
[more]
cover of Hidden in the Heartland: The New Wave of Immigrants and the Challenge to America

Hidden in the Heartland

The New Wave of Immigrants and the Challenge to America

Nancy Brown Diggs

Michigan State University Press, 2011

As other teens returned home from school, thirteen-year-old José Silva headed for work at a restaurant, where he would remain until 2:00 a.m. Francisca Herrera, a tomato picker, was exposed to pesticides while she was pregnant and gave birth to a baby without arms or legs. Silva and Herrera immigrated illegally to the United States, and their experiences are far from unique. In this comprehensive, balanced overview of the immigration crisis, Nancy Brown Diggs examines the abusive, unethical conditions under which many immigrants work, and explores how what was once a border problem now extends throughout the country. Drawing from a wide spectrum of sources, Hidden in the Heartland demonstrates how the current situation is untenable for both illegal immigrants and American citizens. A vivid portrait of the immigration crisis, the book makes a passionate case for confronting this major human rights issue—a threat to the very unity of the country.

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cover of Hidden in the Mix: The African American Presence in Country Music

Hidden in the Mix

The African American Presence in Country Music

Diane Pecknold, ed.

Duke University Press, 2013

Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners.

The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues."

Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever

[more]
cover of Hiding in Plain Sight: Black Women, the Law, and the Making of a White Argentine Republic

Hiding in Plain Sight

Black Women, the Law, and the Making of a White Argentine Republic

Erika Denise Edwards

University of Alabama Press, 2020

WINNER OF THE ASSOCIATION OF BLACK WOMEN HISTORIANS 2020 LETITIA WOODS-BROWN AWARD FOR THE BEST BOOK IN AFRICAN AMERICAN WOMEN'S HISTORY 

WINNER OF THE WESTERN ASSOCIATION OF WOMEN HISTORIAN'S BARBARA “PENNY” KANNER AWARD

2021 FINALIST FOR THE HARRIET TUBMAN BOOK PRIZE

2020 FINALIST BERSHIRE CONFERENCE OF WOMEN HISTORIANS BOOK PRIZE

Uncovering the Afro-Argentine women behind the myth of a white nation.

Argentina promotes itself as a country of European immigrants. This makes it an exception to other Latin American countries, which embrace a more mixed—African, Indian, European—heritage. Hiding in Plain Sight: Black Women, the Law, and the Making of a White Argentine Republic traces the origins of what some white Argentines mischaracterize as a “black disappearance” by delving into the intimate lives of black women and explaining how they contributed to the making of a “white” Argentina. Erika Denise Edwards has produced the first comprehensive study in English of the history of African descendants outside of Buenos Aires in the late colonial and early republican periods, with a focus on how these women sought whiteness to better their lives and that of their children.

Edwards argues that attempts by black women to escape the stigma of blackness by recategorizing themselves and their descendants as white began as early as the late eighteenth century, challenging scholars who assert that the black population drastically declined at the end of the nineteenth century because of the whitening or modernization process. She further contends that in Córdoba, Argentina, women of African descent (such as wives, mothers, daughters, and concubines) were instrumental in shaping their own racial reclassifications and destinies.

This volume makes use of a wealth of sources to relate these women’s choices. The sources consulted include city censuses and notarial and probate records that deal with free and enslaved African descendants; criminal, ecclesiastical, and civil court cases; marriages and baptisms records and newsletters. These varied sources provide information about the day-to-day activities of cordobés society and how women of African descent lived, formed relationships, thrived, and partook in the transformation of racial identities in Argentina.
 

[more]
cover of High Contrast: Race and Gender in Contemporary Hollywood Films

High Contrast

Race and Gender in Contemporary Hollywood Films

Sharon Willis

Duke University Press, 1997

In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on screen—most often with little apparent regard for the political context in which they operate—Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin Tarantino.
Capturing the political complexity of these films, Willis argues that race, gender, and sexuality, as they are figured in the fantasy of popular film, do not function separately, but rather inform and determine each other’s meaning. She demonstrates how collective anxieties regarding social difference are mapped onto big budget movies like the Die Hard and Lethal Weapon series, Basic Instinct, Fatal Attraction, Thelma and Louise, Terminator 2, and others. Analyzing the artistic styles of directors Lynch, Tarantino, and Lee, in such films as Wild at Heart, Pulp Fiction, and Do the Right Thing, she investigates how these interactions of difference are linked to the production of specific authorial styles, and how race functions for each of these directors, particularly in relation to gender identity, erotics, and fantasy.
[more]
cover of High-Risk Feminism in Colombia: Women's Mobilization in Violent Contexts

High-Risk Feminism in Colombia

Women's Mobilization in Violent Contexts

Julia Margaret Zulver

Rutgers University Press, 2022

High-Risk Feminism in Colombia documents the experiences of grassroots women’s organizations that united to demand gender justice during and in the aftermath of Colombia’s armed conflict. In doing so, it illustrates a little-studied phenomenon: women whose experiences with violence catalyze them to mobilize and resist as feminists, even in the face of grave danger. Despite a well-established tradition of studying women in war, we tend to focus on their roles as mothers or carers, as peacemakers, or sometimes as revolutionaries. This book explains the gendered underpinnings of why women engage in feminist mobilization, even when this takes place in a ‘domain of losses’ that exposes them to high levels of risk. It follows four women’s organizations who break with traditional gender norms and defy armed groups’ social and territorial control, exposing them to retributive punishment. It provides rich evidence to document how women are able to surmount the barriers to mobilization when they frame their actions in terms of resistance, rather than fear.

 
[more]
cover of Hindi Structures: Intermediate Level, with Drills, Exercises, and Key

Hindi Structures

Intermediate Level, with Drills, Exercises, and Key

Peter Edwin Hook

University of Michigan Press, 1979

An instructional book for learning Hindi-Urdu grammatical structures
[more]
cover of Hip Hop Desis: South Asian Americans, Blackness, and a Global Race Consciousness

Hip Hop Desis

South Asian Americans, Blackness, and a Global Race Consciousness

Nitasha Tamar Sharma

Duke University Press, 2010

Hip Hop Desis explores the aesthetics and politics of South Asian American (desi) hip hop artists. Nitasha Tamar Sharma argues that through their lives and lyrics, young “hip hop desis” express a global race consciousness that reflects both their sense of connection with Blacks as racialized minorities in the United States and their diasporic sensibility as part of a global community of South Asians. She emphasizes the role of appropriation and sampling in the ways that hip hop desis craft their identities, create art, and pursue social activism. Some desi artists produce what she calls “ethnic hip hop,” incorporating South Asian languages, instruments, and immigrant themes. Through ethnic hip hop, artists, including KB, Sammy, and Deejay Bella, express “alternative desiness,” challenging assumptions about their identities as South Asians, children of immigrants, minorities, and Americans. Hip hop desis also contest and seek to bridge perceived divisions between Blacks and South Asian Americans. By taking up themes considered irrelevant to many Asian Americans, desi performers, such as D’Lo, Chee Malabar of Himalayan Project, and Rawj of Feenom Circle, create a multiracial form of Black popular culture to fight racism and enact social change.
[more]
cover of Hip Hop Underground: The Integrity and Ethics of Racial Identification

Hip Hop Underground

The Integrity and Ethics of Racial Identification

Anthony Kwame Harrison

Temple University Press, 2009

Hip Hop Underground is a vivid ethnography of the author's observations and experiences in the multiracial world of the San Francisco underground hip hop scene. While Anthony Kwame Harrison interviewed area hip hop artists for this entertaining and informative book, he also performed as the emcee "Mad Squirrel." His immersion in the subculture provides him with unique insights into this dynamic and racially diverse but close-knit community.

Hip Hop Underground examines the changing nature of race among young Americans, and examines the issues of ethnic and racial identification, interaction, and understanding. Critiquing the notion that the Bay Area underground music scene is genuinely "colorblind," Harrison focuses on the issue of race to show how various ethnic groups engage hip hop in remarkably divergent ways—as a means to both claim subcultural legitimacy and establish their racial authenticity.

[more]
cover of Hispanic Nation: Culture, Politics, and the Constructing of Identity

Hispanic Nation

Culture, Politics, and the Constructing of Identity

Geoffrey Fox

University of Arizona Press, 1997

A new ethnic identity is being constructed in the United States: the Hispanic nation. Overcoming age-old racial, regional, and political differences, Americans of Mexican, Puerto Rican, Cuban, and other Spanish-language origins are beginning to imagine themselves as a single ethnic community-which by the turn of the century may become the United States' largest and most influential minority.
[more]
cover of Histories and Stories from Chiapas: Border Identities in Southern Mexico

Histories and Stories from Chiapas

Border Identities in Southern Mexico

By R. Aída Hernández Castillo

University of Texas Press, 2001

The 1994 Zapatista uprising of Chiapas' Maya peoples against the Mexican government shattered the state myth that indigenous groups have been successfully assimilated into the nation. In this wide-ranging study of identity formation in Chiapas, Aída Hernández delves into the experience of a Maya group, the Mam, to analyze how Chiapas' indigenous peoples have in fact rejected, accepted, or negotiated the official discourse on "being Mexican" and participating in the construction of a Mexican national identity.

Hernández traces the complex relations between the Mam and the national government from 1934 to the Zapatista rebellion. She investigates the many policies and modernization projects through which the state has attempted to impose a Mexican identity on the Mam and shows how this Maya group has resisted or accommodated these efforts. In particular, she explores how changing religious affiliation, women's and ecological movements, economic globalization, state policies, and the Zapatista movement have all given rise to various ways of "being Mam" and considers what these indigenous identities may mean for the future of the Mexican nation. The Spanish version of this book won the 1997 Fray Bernardino de Sahagún national prize for the best social anthropology research in Mexico.

[more]
cover of Histories of Global Health in Africa

Histories of Global Health in Africa

Melissa Graboyes and Jennifer Tappan

Ohio University Press, 0

Histories of Global Health in Africa offers a concise and compelling introduction to the development and practice of global health on the African continent over the past century. Rather than centering institutions, the book foregrounds the people whose lives and labor have shaped global health—including African communities receiving care and the practitioners and experts who have long driven biomedical work across the region. 

Drawing on cutting-edge scholarship, the book traces the colonial roots of global health and examines how these legacies continue to influence contemporary interventions, from vaccination campaigns and disease eradication efforts to epidemic responses. Its accessible thematic chapters explore key topics, including data collection, demography, ethics, and equity. 

Designed for classroom use and ideal for nonspecialists, Histories of Global Health in Africa provides a flexible structure and a rich suite of teaching materials, including online multimedia components. It is an essential resource for students and readers seeking to understand how global health has evolved—and why its future depends on confronting its past.

[more]
cover of Histories of the Present: People and Power in Ecuador

Histories of the Present

People and Power in Ecuador

Norman E. Whitten Jr. and Dorothea Scott Whitten

University of Illinois Press, 2011

The wellspring of critical analysis in this book emerges from Ecuador's major Indigenous Uprising of 1990 and its ongoing aftermath in which indigenous and Afro-Ecuadorian action transformed the nation-state and established new dimensions of human relationships. The authors weave anthropological theory with longitudinal Ecuadorian ethnography to produce a unique contribution to Latin American studies.
[more]
cover of History and Legend: Ideas and Images in the Ming Historical Novels

History and Legend

Ideas and Images in the Ming Historical Novels

Shelley Hsueh-lun Chang

University of Michigan Press, 1990

History, according to the Confucian tradition, was a “comprehensive mirror” for aid in government: it was part of the great Way (ta-tao), the tradition of the governing elite. Fiction, which was originally referred to as “the talk of the streets,” belonged to the small Way (hsia-tao), the tradition of the governed masses. In History and Legend: Ideas and Images in the Ming Historical Novels, Shelly Hsueh-Iun Chang maintains that the historical novels blended legends with historical fact, making them a medium of interplay between the elite and popular traditions.
 
This combination of influences in the historical novels was especially significant during the Ming dynasty because of the rise of both urban culture of great refinement and diversity and a popularizing vernacular designed to promote learning among all people. These two exuberant movements came together in the historical novel to propagate the difficult and complex Official Histories of the governing elite, as well as to adapt unofficial histories and fictitious narratives, thus opening the way to the influence of the common people in literature.
 
This book is the first study of the novels from a historical standpoint. Combining traditional historical research with new source material of the historical novels and with analytical strategies, Chang creates a three-dimensional picture of the “historical world” of the Ming people. Chang compares issues of the dynastic cycle and political legitimacy of a regime, human ambitions and immortality, ethics in the relations between historical personages and legendary heroes, ideals of government and grandiose imperial institutions, and supernatural power and the justice of history that emerged from the historical novels with those in the Official Histories and Confucian canon.
 
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cover of History of the Mosaic Templars of America: Its Founders and Officials

History of the Mosaic Templars of America

Its Founders and Officials

A.E. Bush

University of Arkansas Press, 2008

Originally published in 1924 and long out of print, this book tells the story of the Mosaic Templars of America (MTA), a famous Black fraternal organization that was founded by John E. Bush and Chester W. Keatts (both former slaves) in Little Rock, Arkansas, in the late-nineteenth century. The organization originally provided illness, death, and burial insurance during an era of segregation when few basic services were available to Black people, and grew to include an insurance company, a building and loan association, a publishing company, a business college, a nursing school, and a hospital.

By 1905 it had a number of lodges across the state of Arkansas with thousands of members. In 1913 a handsome new headquarters building opened and Booker T. Washington delivered the dedication speech. In the 1920s they claimed chapters in twenty-six states and six foreign countries, making it one of the largest Black organizations in the world. 

However, in the 1930s the MTA began to feel the effects of the Great Depression and eventually ceased operations except for a single chapter in Barbados. Tragically, the original Little Rock headquarters building burned down in 2005.

This replica edition of History of the Mosaic Templars of America, with a new introduction by John William Graves, was published to coincide with the grand opening in 2008 of a completely rebuilt structure that houses the new Mosaic Templars Cultural Center.

[more]
cover of History on the Run: Secrecy, Fugitivity, and Hmong Refugee Epistemologies

History on the Run

Secrecy, Fugitivity, and Hmong Refugee Epistemologies

Ma Vang

Duke University Press, 2021

During its secret war in Laos (1961–1975), the United States recruited proxy soldiers among the Hmong people. Following the war, many of these Hmong soldiers migrated to the United States with refugee status. In History on the Run Ma Vang examines the experiences of Hmong refugees in the United States to theorize refugee histories and secrecy, in particular those of the Hmong. Vang conceptualizes these histories as fugitive histories, as they move and are carried by people who move. Charting the incomplete archives of the war made secret through redacted US state documents, ethnography, film, and literature, Vang shows how Hmong refugees tell their stories in ways that exist separately from narratives of U.S. empire and that cannot be traditionally archived. In so doing, Vang outlines a methodology for writing histories that foreground refugee epistemologies despite systematic attempts to silence those histories.
[more]