3745 books match the query 'Europe' and 89 start with h

cover of Habitual Offenders: A True Tale of Nuns, Prostitutes, and Murderers in Seventeenth-Century Italy

Habitual Offenders

A True Tale of Nuns, Prostitutes, and Murderers in Seventeenth-Century Italy

Craig A. Monson

University of Chicago Press, 2016

In April 1644, two nuns fled Bologna’s convent for reformed prostitutes. A perfunctory archiepiscopal investigation went nowhere, and the nuns were quickly forgotten. By June of the next year, however, an overwhelming stench drew a woman to the wine cellar of her Bolognese townhouse, reopened after a two-year absence—where to her horror she discovered the eerily intact, garroted corpses of the two missing women.
           
Drawing on over four thousand pages of primary sources, the intrepid Craig A. Monson reconstructs this fascinating history of crime and punishment in seventeenth-century Italy. Along the way, he explores Italy’s back streets and back stairs, giving us access to voices we rarely encounter in conventional histories: prostitutes and maidservants, mercenaries and bandits, along with other “dubious” figures negotiating the boundaries of polite society. Painstakingly researched and breathlessly told, Habitual Offenders will delight historians and true-crime fans alike.
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cover of Habsburg Encounters with Native America: Familiar Strangers

Habsburg Encounters with Native America

Familiar Strangers

Jonathan Singerton

Central European University Press, 2025

The central European lands of the Habsburg monarchy have long shared an intertwined past with the Indigenous inhabitants of the Americas. This volume focuses on the process of encountering these peoples as a continual action across several centuries that has produced numerous and varied instances of cultural dialogues, perspectives, and understandings. Moreover, this central European element is something that has not been considered in its own right before now and has been overshadowed by the focus on a wider Germanic fascination for Indigenous cultures. Breaking away from this wider narrative allows us not only to recover a more distinct historical connection but also uncovers the particular dynamics of direct and indirect contact between Indigenous worlds and that of the Habsburg monarchy.
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cover of Haeckel's Embryos: Images, Evolution, and Fraud

Haeckel's Embryos

Images, Evolution, and Fraud

Nick Hopwood

University of Chicago Press, 2015

Pictures from the past powerfully shape current views of the world. In books, television programs, and websites, new images appear alongside others that have survived from decades ago. Among the most famous are drawings of embryos by the Darwinist Ernst Haeckel in which humans and other vertebrates begin identical, then diverge toward their adult forms. But these icons of evolution are notorious, too: soon after their publication in 1868, a colleague alleged fraud, and Haeckel’s many enemies have repeated the charge ever since. His embryos nevertheless became a textbook staple until, in 1997, a biologist accused him again, and creationist advocates of intelligent design forced his figures out. How could the most controversial pictures in the history of science have become some of the most widely seen?
           
In Haeckel’s Embryos, Nick Hopwood tells this extraordinary story in full for the first time. He tracks the drawings and the charges against them from their genesis in the nineteenth century to their continuing involvement in innovation in the present day, and from Germany to Britain and the United States. Emphasizing the changes worked by circulation and copying, interpretation and debate, Hopwood uses the case to explore how pictures succeed and fail, gain acceptance and spark controversy. Along the way, he reveals how embryonic development was made a process that we can see, compare, and discuss, and how copying—usually dismissed as unoriginal—can be creative, contested, and consequential.
           
With a wealth of expertly contextualized illustrations, Haeckel’s Embryos recaptures the shocking novelty of pictures that enthralled schoolchildren and outraged priests, and highlights the remarkable ways these images kept on shaping knowledge as they aged.
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cover of Hagia Sophia, 1850-1950: Holy Wisdom Modern Monument

Hagia Sophia, 1850-1950

Holy Wisdom Modern Monument

Robert S. Nelson

University of Chicago Press, 2004

Hagia Sophia, the Church of Holy Wisdom, sits majestically atop the plateau that commands the straits separating Europe and Asia. Located near the acropolis of the ancient city of Byzantium, this unparalleled structure has enjoyed an extensive and colorful history, as it has successively been transformed into a cathedral, mosque, monument, and museum. In Hagia Sophia, 1850-1950, Robert S. Nelson explores its many lives.

Built from 532 to 537 as the Cathedral of Constantinople, Hagia Sophia was little studied and seldom recognized as a great monument of world art until the nineteenth century, and Nelson examines the causes and consequences of the building's newly elevated status during that time. He chronicles the grand dome's modern history through a vibrant cast of characters—emperors, sultans, critics, poets, archaeologists, architects, philanthropists, and religious congregations—some of whom spent years studying it, others never visiting the building. But as Nelson shows, they all had a hand in the recreation of Hagia Sophia as a modern architectural icon. By many means and for its own purposes, the West has conceptually transformed Hagia Sophia into the international symbol that it is today.

While other books have covered the architectural history of the structure, this is the first study to address its status as a modern monument. With his narrative of the building's rebirth, Nelson captures its importance for the diverse communities that shape and find meaning in Hagia Sophia. His book will resonate with cultural, architectural, and art historians as well as with those seeking to acquaint themselves with the modern life of an inspired and inspiring building.
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cover of Hakon of Rogen's Saga

Hakon of Rogen's Saga

Erik Christian Haugaard

University of Minnesota Press, 2013

An American Library Association Notable Book and his first book for children, Erik Christian Haugaard’s Hakon of Rogen’s Saga is a remarkable novel that perfectly catches the mood of a harsh but heroic people. Set at the end of the Viking period, it tells of a young boy, Hakon, from the island of Rogen who, after his chieftain father is murdered, undertakes to reclaim his birthright from his treacherous uncle. The illustrations by renowned artists Leo and Diane Dillon make this captivating story come alive.

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cover of Haphazard Families: Romanticism, Nation, and the Prehistory of Modern Adoption

Haphazard Families

Romanticism, Nation, and the Prehistory of Modern Adoption

Eric C. Walker

The Ohio State University Press, 2024

There are no provisions for adoption in English common law, and adoption wasn't legally formalized in England and Wales until 1926. But a century earlier, untimely adoptions navigated the new exceptionalism of childhood in Romanticism. In Haphazard Families, Eric C. Walker explores the history of the adopted child in Romantic-era England. Taking up the stories of both fictional and historical adoptees, he demonstrates how these children, diminished to nonpersons, shouldered the burden of social constructs of nation, family, gender, and class. Walker further demonstrates how Rousseau’s infamous failure to follow his own ideals of parenthood shaped British reactions in famous texts such as Frankenstein and Emma. Incorporating perspectives from Romantic scholarship and critical adoption studies and examining the stories of adopted children associated with Queen Caroline, Anna Letitia Barbauld, Jane Austen, the Wordsworth siblings, Mary Shelley, Charles and Mary Lamb, Letitia Landon, and others, Haphazard Families considers how Romantic constructions of childhood supply foundational structures of modern adoptee subjectivity.

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cover of Happiness in the Nordic World

Happiness in the Nordic World

Christian Bjørnskov

University of Wisconsin Press, 2021

Denmark is consistently among the countries with the happiest and most satisfied populations, and it regularly places at the very top with the rest of the Nordic countries in international surveys. Why do the Nordic countries as a whole constitute the happiest region in the world? 

Many experts attribute the region's high levels of happiness to factors such as greater relative national wealth and well-functioning institutions. Yet, a number of other countries in Europe and parts of Asia share those qualities and rank far lower in life satisfaction. Others credit the region's high levels of happiness to its welfare state model, but these have changed considerably over time—and Iceland does not share this feature. 

Instead, economist Christian Bjørnskov argues that the most important factor to come out of international comparisons is the importance of social trust—the ability to trust other people one does not know personally. The populations in three of the five countries are also characterized by a very strong sense of personal freedom. These two key factors contribute to a fuller and richer life. Bjørnskov ends by discussing to what extent these factors can be exported to other parts of the world. 
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cover of Happy Times in Norway

Happy Times in Norway

Sigrid Undset

University of Minnesota Press, 2013


Happy Timesin Norway is a moving and delicately humorous picture of Undset’s own blissful home life before her nation fell to the Nazi occupation. Captured here is the excitement of a Norwegian Christmas, the Seventeenth of May, and summer in the idyllic mountains, as well as the chaotic adventure of raising two energetic boys. With vivid detail and illuminating descriptions of the landscape, Happy Times in Norway is infused with the wish that those cherished days could come again.

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cover of Harmful Eloquence: Ovid's Amores from Antiquity to Shakespeare

Harmful Eloquence

Ovid's Amores from Antiquity to Shakespeare

M. L. Stapleton

University of Michigan Press, 1996

M. L . Stapleton's Harmful Eloquence: Ovid's "Amores" from Antiquity to Shakespeare traces the influence of the early elegiac poetry of Ovid (43 b.c.e.-17 c.e.) on European literature from 500-1600 c.e. The Amores served as a classical model for love poetry in the Middle Ages and the Renaissance and were essential to the formation of fin' Amors, or "courtly love." Medieval Latin poets, the troubadours, Dante, Petrarch, and Shakespeare were all familiar with Ovid in his various forms, and all depended greatly upon his Amores in composing their cansos, canzoniere, and sonnets.
Harmful Eloquence begins with a detailed analysis of the Amores themselves and their artistic unity. It moves on to explain the fragmentary transmission of the Amores in the "Latin Anthology" and the cohesion of the fragments into the conventions of Medieval Latin and troubadour "courtly love" poetry. Two subsequent chapters explain the use of the Amores, their narrator, and the conventions of "courtly love" in the poetry of both Dante and Petrarch. The final chapter concentrates on Shakespeare's reprocessing and parody of this material in his sonnets.
Harmful Eloquence analyzes the intertextual transmission of the Amores in major medieval and Renaissance love poetry for the first time. No previous study has devoted itself exclusively to this Ovidian text in this particular way. The premise that Ovid consciously used the device of persona from the very beginning of his writing career is fully explored, as is the "Ovidian hypothesis" of Wilibald Schroetter. Connections between Dante's La vita nuova and the Amores are newly discovered; significant for Shakespeare studies, the use of Christopher Marlowe's translation of the Amores by Shakespeare in his "dark lady" sonnets is also carefully analyzed for the first time.
Medievalists, classicists, and scholars of Renaissance studies will find Harmful Eloquence particularly engaging and useful, as will all those interested in the process and methods of literary transmission.
M. L. Stapleton is Associate Professor of English, Stephen F. Austin University.
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cover of Hasidic Pilgrimages and Local Identity: Stories from Four Eastern European Towns

Hasidic Pilgrimages and Local Identity

Stories from Four Eastern European Towns

Alla Marchenko

Central European University Press, 2027

Hasidic Pilgrimages and Local Identity: Stories from Four European Towns offers a compelling account of how Jewish pilgrimage reshapes collective memory in contemporary Eastern Europe. Focusing on Uman and Belz in Ukraine, and Bobowa and Le.ajsk in Poland, the book traces how the return of Hasidic pilgrims transforms local landscapes, narratives, and identities.
Drawing on ethnographic fieldwork, media analysis, and memory studies, the author examines how pilgrims, local residents, and institutions engage with the Jewish past in ways that are often parallel, contested, or only partially connected. Rather than forming a shared framework, these encounters produce multiple, coexisting interpretations of place and history.
By tracing patterns of cooperation, tension, and selective inclusion, this book reveals how collective memory is continuously negotiated in post-socialist contexts, offering new insights into pilgrimage, heritage, and the politics of memory in a changing Europe.
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cover of Haskalah: The Romantic Movement in Judaism

Haskalah

The Romantic Movement in Judaism

Litvak, Olga

Rutgers University Press, 2012

Commonly translated as the “Jewish Enlightenment,” the Haskalah propelled Jews into modern life. Olga Litvak argues that the idea of a Jewish modernity, championed by adherents of this movement, did not originate in Western Europe’s age of reason. Litvak contends that the Haskalah spearheaded a Jewish religious revival, better understood against the background of Eastern European Romanticism.

Based on imaginative and historically grounded readings of primary sources, Litvak presents a compelling case for rethinking the relationship between the Haskalah and the experience of political and social emancipation. Most importantly, she challenges the prevailing view that the Haskalah provided the philosophical mainspring for Jewish liberalism.

In Litvak’s ambitious interpretation, nineteenth-century Eastern European intellectuals emerge as the authors of a Jewish Romantic revolution. Fueled by contradictory longings both for community and for personal freedom, the poets and scholars associated with the Haskalah questioned the moral costs of civic equality and the achievement of middle-class status. In the nineteenth century, their conservative approach to culture as the cure for the spiritual ills of the modern individual provided a powerful argument for the development of Jewish nationalism. Today, their ideas are equally resonant in contemporary debates about the ramifications of secularization for the future of Judaism.

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cover of He Words Me: Men Writing as Women in Early Modern England

He Words Me

Men Writing as Women in Early Modern England

Catherine Loomis

Arizona Center for Medieval and Renaissance Studies, 2026

A collection of works by early modern men writing in women’s voices.

This anthology gives students and scholars access to a body of texts that provide a clearer understanding of what life was like for early modern women by presenting hundreds of little-known primary texts that contain details about early modern women’s work, relationships, emotional and intellectual development, friendships, and daily struggles. He Words Me brings together work from a variety of genres in which male authors adopt the voice of a female narrator and use that voice to provide intimate details about the lives of women. 

These works introduce modern readers to less familiar genres, complement or contradict portrayals of women in canonical texts, and raise compelling questions about who speaks for women and when women can speak for themselves. Through these women’s voices, readers can encounter characters and experiences that will broaden their understanding of early modern English literature and culture, and of the history of women in the late sixteenth and early seventeenth centuries.
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cover of Healing and Society in Medieval England: A Middle English Translation of the Pharmaceutical Writings of Gilbertus Anglicus

Healing and Society in Medieval England

A Middle English Translation of the Pharmaceutical Writings of Gilbertus Anglicus

Faye M. Getz

University of Wisconsin Press, 1991

Originally composed in Latin by Gilbertus Anglicus (Gilbert the Englishman), his Compendium of Medicine was a primary text of the medical revolution in thirteenth-century Europe. Composed mainly of medicinal recipes, it offered advice on diagnosis, medicinal preparation, and prognosis. In the fifteenth-century it was translated into Middle English to accommodate a widening audience for learning and medical “secrets.”
    Faye Marie Getz provides a critical edition of the Middle English text, with an extensive introduction to the learned, practical, and social components of medieval medicine and a summary of the text in modern English. Getz also draws on both the Latin and Middle English texts to create an extensive glossary of little-known Middle English pharmaceutical and medical vocabulary.

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cover of Health and Efficiency: Fatigue, the Science of Work, and the Making of the Working-Class Body

Health and Efficiency

Fatigue, the Science of Work, and the Making of the Working-Class Body

Steffan Blayney

University of Massachusetts Press, 2022

A new model of health emerged in Britain between 1870 and 1939. Centered on the working body, organized around the concept of efficiency, and grounded in scientific understandings of human labor, scientists, politicians, and capitalists of the era believed that national economic productivity could be maximized by transforming the body of the worker into a machine. At the core of this approach was the conviction that worker productivity was intimately connected to worker health.

Under this new “science of work,” fatigue was seen as the ultimate pathology of the working-class body, reducing workers’ capacity to perform continued physical or mental labor. As Steffan Blayney shows, the equation between health and efficiency did not go unchallenged. While biomedical and psychological experts sought to render the body measurable, governable, and intelligible, ordinary men and women found ways to resist the logics of productivity and efficiency imposed on them, and to articulate alternative perspectives on work, health, and the body.

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cover of Healthcare in Ireland and Britain 1850-1970: Voluntary, regional and comparative perspectives

Healthcare in Ireland and Britain 1850-1970

Voluntary, regional and comparative perspectives

Edited by Donnacha Sean Lucey and Virginia Crossman

University of London Press, 2015

This volume explores developments in health and social care in Ireland and Britain during the nineteenth and twentieth centuries. The central objectives are to highlight the role of voluntarism in healthcare, to examine healthcare in local and regional contexts, and to provide comparative perspectives. The collection is based on two interconnected and overlapping research themes: voluntarism and healthcare, and regionalism/localism and healthcare. It includes two synoptic overviews by leading authorities in the field, and ten case studies focusing on particular aspects of voluntary and/or regional healthcare in Ireland and Britain.
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cover of Heidegger and the Myth of a Jewish World Conspiracy

Heidegger and the Myth of a Jewish World Conspiracy

Peter Trawny

University of Chicago Press, 2015

In 2014, the first three volumes of Heidegger’s Black Notebooks—the personal and philosophical notebooks that he kept during the war years—were published in Germany. These notebooks provide the first textual evidence of anti-Semitism in Heidegger’s philosophy, not simply in passing remarks, but as incorporated into his philosophical and political thinking itself. In Heidegger and the Myth of a Jewish World Conspiracy, Peter Trawny, the editor of those notebooks, offers the first evaluation of Heidegger’s philosophical project in light of the Black Notebooks.
           
While Heidegger’s affiliation with National Socialism is well known, the anti-Semitic dimension of that engagement could not be fully told until now. Trawny traces Heidegger’s development of a grand “narrative” of the history of being, the “being-historical thinking” at the center of Heidegger’s work after Being and Time. Two of the protagonists of this narrative are well known to Heidegger’s readers: the Greeks and the Germans. The world-historical antagonist of this narrative, however, has remained hitherto undisclosed: the Jews, or, more specifically, “world Judaism.” As Trawny shows, world Judaism emerges as a racialized, destructive, and technological threat to the German homeland, indeed, to any homeland whatsoever. Trawny pinpoints recurrent, anti-Semitic themes in the Notebooks, including Heidegger’s adoption of crude cultural stereotypes, his assigning of racial reasons to philosophical decisions (even undermining his Jewish teacher, Edmund Husserl), his endorsement of a Jewish “world conspiracy,” and his first published remarks on the extermination camps and gas chambers (under the troubling aegis of a Jewish “self-annihilation”). Trawny concludes with a thoughtful meditation on how Heidegger’s achievements might still be valued despite these horrifying facets. Unflinching and systematic, this is one of the most important assessments of one of the most important philosophers in our history.
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cover of Heidegger's Political Thinking

Heidegger's Political Thinking

James F. Ward

University of Massachusetts Press, 1995

In recent years there has been much controversy concerning Martin Heidegger’s politics, prompted by new research on the nature and extent of his engagement with National Socialism. Examining the political ideas embedded in Heidegger’s larger philosophical oeuvre, James F. Ward moves beyond the narrow preoccupation with Heidegger’s overtly pro-Nazi utterances and activities to show how the central theme of Heidegger’s philosophy—the question of Being—is itself inherently political. 

Ward builds his case on close readings of texts drawn from nearly all of the writings published during Heidegger’s lifetime as well as from lectures, course transcripts, and other materials that appeared posthumously. With subtlety and insight, he uncovers the political content of Heidegger’s thinking on such topics as the temporality of Being, the role of science in the crisis of the West, and the presumed special status and destiny of the German people. In an epilogue, Ward reflects on the implications of Heidegger’s political thinking for postmodern political theory.

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cover of Heimskringla: History of the Kings of Norway

Heimskringla

History of the Kings of Norway

By Snorri Sturluson

University of Texas Press, 1964

Beginning with the dim prehistory of the mythical gods and their descendants, Heimskringla recounts the history of the kings of Norway through the reign of Olaf Haraldsson, who became Norway's patron saint. Once found in most homes and schools and still regarded as a national treasure, Heimskringla influenced the thinking and literary style of Scandinavia over several centuries.

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cover of Heinrich Himmler's Cultural Commissions: Programmed Plunder in Italy and Yugoslavia

Heinrich Himmler's Cultural Commissions

Programmed Plunder in Italy and Yugoslavia

James R. Dow

University of Wisconsin Press, 2018

German scholars were early pioneers in folklore and historical linguistics. As the Nazis rose to power, however, these disciplines were distorted into racist pseudoscience. Under the direction of Heinrich Himmler's SS-Ahnenerbe (Ancestral Inheritance), folklore became a tool for constructing a unified German realm and a manufactured lineage from ancient and "pure" Germanic and Nordic blood.

Drawing on extensive research in public and private archives and interviews with family members of fieldworkers, James R. Dow uncovers both details of the SS cultural commissions' work and the continuing vestiges of the materials they assembled. Teams of poorly qualified and ideologically motivated collectors were sent to South Tyrol in Italy and Gottschee in Slovenian Yugoslavia, from which ethnically German communities were to be resettled in the German Reich. Although a mass of information on narratives, songs and dances, beliefs, customs, local clothing and architecture, and folk speech was collected, the research was deeply tainted and skewed by racialist and nationalist preconditions. Dow sharply critiques the continued use of these ersatz archives.
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cover of Helmholtz: A Life in Science

Helmholtz

A Life in Science

David Cahan

University of Chicago Press, 2018

Hermann von Helmholtz was a towering figure of nineteenth-century scientific and intellectual life. Best known for his achievements in physiology and physics, he also contributed to other disciplines such as ophthalmology, psychology, mathematics, chemical thermodynamics, and meteorology. With Helmholtz: A Life in Science, David Cahan has written a definitive biography, one that brings to light the dynamic relationship between Helmholtz’s private life, his professional pursuits, and the larger world in which he lived.
​
Utilizing all of Helmholtz’s scientific and philosophical writings, as well as previously unknown letters, this book reveals the forces that drove his life—a passion to unite the sciences, vigilant attention to the sources and methods of knowledge, and a deep appreciation of the ways in which the arts and sciences could benefit each other. By placing the overall structure and development of his scientific work and philosophy within the greater context of nineteenth-century Germany, Helmholtz also serves as cultural biography of the construction of the scientific community: its laboratories, institutes, journals, disciplinary organizations, and national and international meetings. Helmholtz’s life is a shining example of what can happen when the sciences and the humanities become interwoven in the life of one highly motivated, energetic, and gifted person.
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cover of Heloise and Abelard

Heloise and Abelard

Etienne Gilson

University of Michigan Press, 1960

Heloise and Abelard by Etienne Gilson explores the intense and tragic love affair between twelfth-century philosopher Peter Abelard and his brilliant student Heloise. Translated by L. K. Shook, the book delves into the intellectual and personal dynamics of their relationship, set against the backdrop of medieval philosophy and theology. Through a meticulous analysis of their correspondence and historical context, Gilson addresses the secrecy of their marriage, the ethical implications of their love, and Abelard's conversion to religious devotion. The narrative offers a nuanced understanding of their motivations and the societal conflicts they faced, supported by extensive scholarly research. This work provides a comprehensive examination of the intersection of love, philosophy, and theology in their compelling story.
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cover of Hemingway in Italy

Hemingway in Italy

Richard Owen

Haus Publishing, 2017

Ernest Hemingway is most often associated with Spain and Cuba, but Italy was equally important in his life and work. Hemingway in Italy, the first full-length book exploring Hemmingway’s penchant for Italy, offers a lively account of the many visits Hemingway made throughout his life to Italian locales, including Sicily, Genoa, Rapallo, Cortina, and Venice. 

In evocative prose, complemented by a rich selection of historical images, Richard Owen takes us on a tour through Hemingway’s Italy. He describes how Hemingway first visited the country of the Latins during World War I, an experience that set the scene for A Farewell to Arms. Then after World War II, it was in Italy that he found inspiration for Across the River and into the Trees. Again and again, the Italian landscape—from the Venetian lagoon to the Dolomites and beyond—deeply affected one of the greatest writers of the twentieth century. Hemingway in Italy demonstrates that Italy stands alongside Spain as a key influence on Hemingway’s work—and why the Italians themselves hold Hemingway and his writing close to their hearts.
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cover of Henpecked: Winston Churchill and Women's Suffrage

Henpecked

Winston Churchill and Women's Suffrage

Cheryl R. Jorgensen-Earp

Michigan State University Press, 2027

Henpecked: Winston Churchill and Women’s Suffrage explores the recurrent interactions between Winston Churchill and the women’s suffrage movement in Britain. Churchill purposely concealed, under a discursive veil, his complex and shifting perceptions of women’s competency to use the franchise. In balancing a public stance that vaguely favored the “principle” of women’s suffrage with his, often private, opposition to the movement’s legislative efforts, he employed every available rhetorical tool. This book presents a new understanding of his early Parliamentary career, his ability to manipulate public and private discourse, and his complicated stance on women’s right to vote. This rhetorical history challenges the view that Winston Churchill was only dissuaded in his support of women’s suffrage by the militancy of suffrage activists.

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cover of Henryk Grossman and the Recovery of Marxism

Henryk Grossman and the Recovery of Marxism

Rick Kuhn

University of Illinois Press, 2006

Rick Kuhn’s Henryk Grossman and the Recovery of Marxism is the definitive study of the life and work of this renowned economist, activist, and intellectual. As a young man, Grossman joined the socialist movement and participated in Jewish workers' strikes and demonstrations, as well as in boycotts against employers and the Austro-Hungarian state. He moved to Vienna, but was driven back to Poland by the Austrian state's racist citizenship policies. A member of the illegal Polish Communist Party, Grossman was frequently arrested and jailed, finally leaving Poland for a post at the Institute for Social Research in Frankfurt am Main, which gave rise to the famous 'Frankfurt School'. 

Grossman published his best known work in Frankfurt, including studies of Marx's method in Capital and theories of economic crisis that remain influential today. In tracing Grossman's experiences, from Kraków to New York, and offering a detailed account of his ideas, the biography provides an intimate account of key events in twentieth century history, including the politicization of east European Jewry, the World Wars, the rise of Stalinism and Nazism, and the cold war.

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cover of Heroic Chancellor: Winston Churchill and the University of Bristol, 1929 to 1965

Heroic Chancellor

Winston Churchill and the University of Bristol, 1929 to 1965

David Cannadine

University of London Press, 2016

"Not only was Churchill the most illustrious and the most distinguished Chancellor that the University of Bristol has ever had, but he was also in his prime, from the 1940s onwards, probably the most famous and the most distinguished chancellor of any university anywhere in the world." David Cannadine
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cover of Hersilia's Sisters: Jacques-Louis David, Women, and the Emergence of Civil Society in Post-Revolution France

Hersilia's Sisters

Jacques-Louis David, Women, and the Emergence of Civil Society in Post-Revolution France

Norman Bryson

J. Paul Getty Trust, The, 0

Political and cultural history and the arts combine in this engaging account of 1790s France.
 
In 1799, when the French artist Jacques-Louis David (1748–1825) exhibited his Intervention of the Sabines, a history painting featuring the ancient heroine Hersilia, he added portraits of two contemporary women on either side of her—Henriette de Verninac, daughter of Charles-François Delacroix, minister of foreign affairs, and Juliette Récamier, a well-known and admired socialite. Drawing on many disciplines, Norman Bryson explains how such a combination of paintings could reveal the underlying nature of the Directoire, the period between the vicious and near-dictatorial Reign of Terror (1793–94) and the coup in 1799 that brought Napoleon to power.
 
Hersilia’s Sisters illuminates ways that cultural life and civil society were rebuilt during these years through an extraordinary efflorescence of women pioneers in every cultural domain—literature, the stage, opera, moral philosophy, political theory, painting, popular journalism, and fashion. Through a close examination of David’s work between The Intervention of the Sabines (begun in 1796) and Bonaparte Crossing the Alps (begun in 1800), Bryson explores how the flowering of women’s culture under the Directoire became a decisive influence on David’s art. With more than 150 illustrations, this book provides new and brilliant insight into this period that will captivate readers.
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cover of Hesitant Comrades: The Irish Revolution and the British Labour Movement

Hesitant Comrades

The Irish Revolution and the British Labour Movement

Geoffrey Bell

Pluto Press, 2016

Geoffrey Bell's Hesitant Comrades is the first published history of the policies, actions and attitudes of the British working class towards the Irish national revolution of 1916-21.

Drawing principally on primary sources, Bell brings to light for the first time important incidents in British/Irish history, including how the leaders of British trade unions were complicit in Belfast loyalist sectarianism; the troubled nature of the Labour Party's relations with its Irish community; and how the Bolsheviks criticised British Marxists over their inaction on Ireland. The author also considers socialist debates on the compatibility of Irish nationalism with socialism, as well as the contentious 'Ulster question'. He examines prominent figures of the era, ranging from Ramsay MacDonald to Sylvia Pankhurst. With sources ranging from newly discovered writings to reports of police spies - Hesitant Comrades is a scholarly, provocative and groundbreaking perspective on the fragile relationship between the British left and the Irish revolution.
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cover of Hessians: Officer, Baroness, Chaplain—Three German Experiences in the American Revolution

Hessians

Officer, Baroness, Chaplain—Three German Experiences in the American Revolution

Brady J. Crytzer

Westholme Publishing, 2023

Three Stories. Two Worlds. One Revolution. Revealing the German Experience in the American Revolution through the Experiences of an Officer, a Baroness, and a Chaplain
In 1775 the British Empire was in crisis. While it was buried in debt from years of combat against the French, revolution was stirring in its wealthiest North American colonies. To allow the rebellion to fester would cost the British dearly, but to confront it would press their exhausted armed forces to a breaking point. Faced with a nearly impossible decision, the administrators of the world’s largest empire elected to employ the armies of the Holy Roman Empire to suppress the sedition of the American revolutionaries. By 1776 there would be 18,000 German soldiers marching through the wilds of North America, and by war’s end there would be over 30,000.
To the colonists these forces were “mercenaries,” and to the Germans the Americans were “rebels. ”While soldiers of fortune fight for mere profit, the soldiers of the Holy Roman Empire went to war in the name of their country, and were paid little for their services, while their respective kings made fortunes off of their blood and sacrifice among the British ranks. Labeled erroneously as “Hessians,” the armies of the Holy Roman Empire came from six separate German states, each struggling to retain relevance in a newly enlightened and ever-changing world.
In Hessians: Officer, Baroness, Chaplain—Three German Experiences in the American Revolution historian Brady J. Crytzer explores the German experience during the American Revolution through the lives of three individuals from vastly different walks of life, all thrust into the maelstrom of North American combat. Here are the stories of a dedicated career soldier, Johann Ewald, captain of a Field-Jäger Corps, who fought from New York to the final battles along the Potomac; Frederika Charlotte Louise von Massow, Baroness von Riedesel, who raced with her young children through the Canadian wilderness to reunite with her long-distant husband; and middle-aged chaplain Philipp Waldeck, who struggled to make sense of it all while accompanying his unit through the exotic yet brutal conditions of the Caribbean and British Florida. Beautifully written, Hessians offers a glimpse into the American Revolution as seen through the eyes of the German armies commanded to destroy it.
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cover of Heterosyncrasies: Female Sexuality When Normal Wasn’t

Heterosyncrasies

Female Sexuality When Normal Wasn’t

Karma Lochrie

University of Minnesota Press, 2005

In the early twentieth century, marriage manuals sought to link marital sex to the progress of civilization, searching for the history of what they considered to be normal sexuality. In Heterosyncrasies, Karma Lochrie looks to the foundation of modern society in the Middle Ages to undertake a profound questioning of the heterosexuality of that history. Lochrie begins this provocative rethinking of sexuality by dismantling the very idea of normal through a study of the development of statistics in the nineteenth century. She then intervenes in contemporary debates about queer versus ostensibly stable heterosexual social and sexual categories by exposing the "heterosyncratic" organization of sexuality in the Middle Ages and by clarifying the dubious contribution that the concept of normality has made to the construction of sexuality. In medieval texts from the letters of Heloise to Lollard heretical attacks on the Church, to Chaucer's Canterbury Tales, medical discourse surrounding the clitoris, and finally the Amazons of medieval myth, Lochrie focuses on female sexuality in the Middle Ages in an effort to discern a less binary, more diversified understanding of it. Lochrie demonstrates how the medieval categories of natural and unnatural were distinctly different from our modern categories of normal and abnormal. In her work we see how abandoning heteronormativity as a medieval organizer of sexualities profoundly changes the way we understand all sexualities - past, present, and possibly even future. Heterosyncrasies is a milestone in the study of sexual identity politics, revealing not only how presumptions of normality obscure our understanding of the past, but also how these beliefs affect our present-day laws, society, and daily life.
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cover of Hidden Histories of Unauthorized Migrations from Europe to the United States

Hidden Histories of Unauthorized Migrations from Europe to the United States

Edited by Danielle Battisti and S. Deborah Kang

University of Illinois Press, 2025

Often depicted as the nation’s iconic legal immigrant, unauthorized European migrants are often overlooked by scholars, policymakers, and the media. This volume tells the stories of European migrants who adopted irregular migration strategies to enter and remain in the United States throughout the twentieth century. Contributors explore facets of this history with essays on migration patterns from Russia, Italy, Ireland, the Ottoman Empire, and Poland. They also offer important arguments about the treatment of unauthorized European migrants by states and societies on both sides of the Atlantic and how the reception of undocumented immigrants has been and continues to be impacted by the dynamics of racial, class, and gender constructions in the United States and abroad. As the contributors show, the reception accorded unauthorized European migrants frequently obscured and even normalized their irregular migration strategies, easing their access to American citizenship.

Revealing and insightful, Hidden Histories of Unauthorized Migrations from Europe to the United States sheds new light our intertwined notions of race, legality, and immigration.

Contributors: Danielle Battisti, Ashley Johnson Bavery, Mary Patrice Erdmans, Polina Ermoshkina, Torsten Feys, Carly Goodman, S. Deborah Kang, E. Kyle Romero, Randa Tawil, and Joanna Wojdon

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cover of High Renaissance Art in St. Peter's and the Vatican: An Interpretive Guide

High Renaissance Art in St. Peter's and the Vatican

An Interpretive Guide

George L. Hersey

University of Chicago Press, 1993

Michelangelo, Raphael, Bramante—together these artists created some of the most glorious treasures of the Vatican, viewed daily by thousands of tourists. But how many visitors understand the way these artworks reflect the passions, dreams, and struggles of the popes who commissioned them? For anyone making an artistic pilgrimage to the High Renaissance splendors of the Vatican, George L. Hersey's book is the ideal guide.

Before starting the tour of individual works, Hersey describes how the treacherously shifting political and religious alliances of sixteenth-century Italy, France, and Spain played themselves out in the Eternal City. He offers vivid accounts of the lives and personalities of four popes, each a great patron of art and architecture: Julius II, Leo X, Clement VII, and Paul III. He also tells of the complicated rebuilding and expanding of St. Peter's, a project in which Bramante, Raphael, and Michelangelo all took part.

Having set the historical scene, Hersey then explores the Vatican's magnificent Renaissance art and architecture. In separate chapters, organized spatially, he leads the reader through the Cortile del Belvedere and Vatican Museums, with their impressive holdings of statuary and paintings; the richly decorated Stanze and Logge of Raphael; and Michelangelo's Last Judgment and newly cleaned Sistine Chapel ceiling. A fascinating final chapter entitled "The Tragedy of the Tomb" recounts the vicissitudes of Michelangelo's projected funeral monument to Julius II.

Hersey is never content to simply identify the subject of a painting or sculpture. He gives us the story behind the works, telling us what their particular themes signified at the time for the artist, the papacy, and the Church. He also indicates how the art was received by contemporaries and viewed by later generations.

Generously illustrated and complete with a useful chronology, High Renaissance Art in St. Peter's and the Vatican is a valuable reference for any traveler to Rome or lover of Italian art who has yearned for a single-volume work more informative and stimulating than ordinary guidebooks. At the same time, Hersey's many anecdotes and intriguing comparisons with works outside the Vatican will provide new insights even for specialists.
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Hills and the Sea

Hilaire Belloc

Northwestern University Press, 1996

Hills and the Sea, first published in 1906 to critical acclaim, collects thirty-eight of Hilaire Belloc's essays, spanning several periods of time and travel. The New York Times noted, "[This] book abounds in sweetness and light, and one must be something more than human or something less not to find therein some congenial and sympathetic message--possibly many."

Belloc captures the essence of each place he visits--whether on the gloomy English fens, or the sunny Provence and Languedoc regions of France, or navigating the North Sea in a leaky boat. Praised for his blend of wit and philosophy, Belloc also weaves together fantasy and fact, producing portraits that take on mythic proportions.
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cover of Historiae Britannicae Defensio / A Defence of the British History

Historiae Britannicae Defensio / A Defence of the British History

John Prise

Bodleian Library Publishing, 2015

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cover of Historians and Historiography in the Italian Renaissance

Historians and Historiography in the Italian Renaissance

Eric Cochrane

University of Chicago Press, 1981

Second edition. A comprehensive survey of historical literature produced in Italy during the Renaissance; a major contribution which discusses hundreds of authors who wrote in Latin or Italian in all parts of Italy during the fifteenth and sixteenth centuries. 
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cover of Historical Anthropology of the Middle Ages

Historical Anthropology of the Middle Ages

Aaron Gurevich

University of Chicago Press, 1992

Aaron Gurevich has long been considered one of the world's leading medievalists and a pioneer in the field of historical anthropology. This book brings together eleven of his most important essays—many difficult to find and some never before available in English.

Gurevich's writing, while informed by the history of mentalities as practiced by the French school of Le Goff and Duby, reflects a broader view of European culture outside France. He rejects reductionist concepts and operates with a total view of culture, using a wide range of sources—legal as well as ecclesiastical, popular as well as learned, oral and visual as well as literary.

This collection amply demonstrates this breadth of Gurevich's work and highlights his ability to synthesize historical, anthropological, and semiotic approaches to culture. Especially valuable are pieces such as Gurevich's essay Wealth and Gift-Bestowal Among the Ancient Scandinavians, about the importance of gift exchange in the medieval world. One of the first studies for this practice, this classic essay has for years been unavailable. Other pieces range from the deities and heroes of Germanic poetry to the image of the Beyond in the Middle Ages.
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cover of Historical Atlases: The First Three Hundred Years, 1570-1870

Historical Atlases

The First Three Hundred Years, 1570-1870

Walter Goffart

University of Chicago Press, 2003

Today we can walk into any well-stocked bookstore or library and find an array of historical atlases. The first thorough review of the source material, Historical Atlases traces how these collections of "maps for history"—maps whose sole purpose was to illustrate some historical moment or scene—came into being.

Beginning in the sixteenth century, and continuing down to the late nineteenth, Walter Goffart discusses milestones in the origins of historical atlases as well as individual maps illustrating historical events in alternating, paired chapters. He focuses on maps of the medieval period because the development of maps for history hinged particularly on portrayals of this segment of the postclassical, "modern" past. Goffart concludes the book with a detailed catalogue of more than 700 historical maps and atlases produced from 1570 to 1870.

Historical Atlases will immediately take its place as the single most important reference on its subject. Historians of cartography, medievalists, and anyone seriously interested in the role of maps in portraying history will find it invaluable.
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cover of Historical Milton: Manuscript, Print, and Political Culture in Revolutionary England

Historical Milton

Manuscript, Print, and Political Culture in Revolutionary England

Thomas Fulton

University of Massachusetts Press, 2010

John Milton's Commonplace Book is the only known political notebook of a radical polemicist writing during the English civil war, and the most extensive manuscript record of reading we have from any major English poet from this period. In this rethinking of a surprisingly neglected body of evidence, Thomas Fulton explores Milton's reading practices and the ways he used this reading in his writing. Fulton's close study of the Commonplace Book suggests that this reading record is far from the haphazard collection of notes that it first appears but is instead a program of research which had its own ideology that responded to the reading habits and practices of Milton's contemporaries. Created mostly in the late 1630s and during the overthrow of the Stuart government in the 1640s, Milton's reading notes yield a number of surprises, the most fundamental being a highly structured commitment to political history. Fulton explores the relationship between the manuscript author and his polemical persona, placing the Commonplace Book, the manuscript "Digression" to the History of Britain, and some wartime poems in revealing contrast to the printed political texts of this period.
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cover of Historicizing the Enlightenment, Volume 1: Politics, Religion, Economy, and Society in Britain

Historicizing the Enlightenment, Volume 1

Politics, Religion, Economy, and Society in Britain

Michael McKeon

Bucknell University Press, 2023

The Enlightenment has been blamed for some of the most deadly developments of modern life: racism and white supremacy, imperialist oppression, capitalist exploitation, neoliberal economics, scientific positivism, totalitarian rule. These developments are thought to have grown from principles that are rooted in the soil of the Enlightenment: abstraction, reduction, objectification, quantification, division, universalization. Michael McKeon’s new book corrects this defective view by historicizing the Enlightenment--by showing that the Enlightenment has been abstracted from its history. From its past: critics have ignored that Enlightenment thought is a reaction against deadly traditions that precede it. From its present: the Enlightenment extended its reactive analysis of the past to its own present through self-analysis and self-criticism. From its future: much of what’s been blamed amounts to the failure of its posterity to sustain Enlightenment principles. To historicize the Enlightenment requires that we conjure what it was like to live through the emergence of concepts and practices that are now commonplace—society, privacy, the public, the market, experiment, secularity, representative democracy, human rights, social class, sex and gender, fiction, the aesthetic attitude. McKeon’s book argues the continuity of Enlightenment thought, its consistency and integrity across this broad range of conceptual domains. It also shows how the Enlightenment has shaped our views of both tradition and modernity, and the revisionary work that needs to be done in order to understand our place in the future. In the process, Historicizing the Enlightenment exemplifies a distinctive historiography and historical method.
 
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of Historicizing the Enlightenment, Volume 2: Literature, the Arts, and the Aesthetic in Britain

Historicizing the Enlightenment, Volume 2

Literature, the Arts, and the Aesthetic in Britain

Michael McKeon

Bucknell University Press, 2023

Enlightenment critics from Dryden through Johnson and Wordsworth conceived the modern view that art and especially literature entails a double reflection: a reflection of the world, and a reflection on the process by which that reflection is accomplished. Instead “neoclassicism” and “Augustanism” have been falsely construed as involving a one-dimensional imitation of classical texts and an unselfconscious representation of the world. In fact these Enlightenment movements adopted an oblique perspective that registers the distance between past tradition and its present reenactment, between representation and presence. Two modern movements, Romanticism and modernism, have  appropriated as their own these innovations, which derive from Enlightenment thought. Both of these movements ground their error in a misreading of “imitation” as understood by Aristotle and his Enlightenment proponents. Rightly understood, neoclassical imitation, constitutively aware of the difference between what it knows and how it knows it, is an experimental inquiry that generates a range of prefixes—“counter-,” “mock-,” “anti-,” “neo-”—that mark formal degrees of its epistemological detachment. Romantic ideology has denied the role of the imagination in Enlightenment imitation, imposing on the eighteenth century a dichotomous periodization: duplication versus imagination, the mirror versus the lamp. Structuralist ideology has dichotomized narration and description, form and content, structure and history. Poststructuralist ideology has propounded for the novel a contradictory “novel tradition”—realism, modernism, postmodernism, postcolonialism—whose stages both constitute a sequence and collapse it, each stage claiming the innovation of the stage that precedes it.  

 
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of Histories of Infamy: Francisco López de Gómara and the Ethics of Spanish Imperialism

Histories of Infamy

Francisco López de Gómara and the Ethics of Spanish Imperialism

Cristián A. Roa-de-la-Carrera

University Press of Colorado, 2005

"Roa-de-la-Carrera convincingly shows that Gómara, as well as other historians in the period, cannot easily ignore nor erase the contradictions of the Spanish colonial project."
- Luis Fernando Restrepo, University of Arkansas

“In an eloquent and thorough exegesis, Roa-de-la-Carrera reveals how and why López de Gómara, having written the best of all possible books in exultation of Spanish imperialism, nevertheless failed to convince the readers of his time."
- Susan Schroeder, Tulane University

In Histories of Infamy, Cristián Roa-de-la-Carrera explores Francisco López de Gómara's (1511-ca.1559) attempt to ethically reconcile Spain's civilizing mission with the conquistadors' abuse and exploitation of Native peoples.

The most widely read account of the conquest in its time, Gómara's Historia general de las Indias y Conquista de México rationalized the conquistadors' crimes as unavoidable evils in the task of bringing "civilization" to the New World. Through an elaborate defense of Spanish imperialism, Gómara aimed to convince his readers of the merits of the conquest, regardless of the devastation it had wrought upon Spain's new subjects. Despite his efforts, Gómara's apologist text quickly fell into disrepute and became ammunition for Spain's critics. Evaluating the effectiveness of ideologies of colonization, Roa-de-la-Carrera's analysis will appeal to scholars in colonial studies and readers interested in the history of the Americas.

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cover of History Of Scandinavia: Norway, Sweden, Denmark, Finland, And Iceland

History Of Scandinavia

Norway, Sweden, Denmark, Finland, And Iceland

T.K. Derry

University of Minnesota Press, 2000

This concise account traces the history of the Scandinavian countries from earliest times to the present, emphasizing common features in their heritage and in their contribution to the modern world.  The author’s aim is to describe each country’s history, traditions, and way of life and to examine the political development of the five nations in the context of the whole Nordic region.

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cover of History Within: The Science, Culture, and Politics of Bones, Organisms, and Molecules

History Within

The Science, Culture, and Politics of Bones, Organisms, and Molecules

Marianne Sommer

University of Chicago Press, 2016

Personal genomics services such as 23andMe and Ancestry.com now offer what once was science fiction: the ability to sequence and analyze an individual’s entire genetic code—promising, in some cases, facts about that individual’s ancestry that may have remained otherwise lost. Such services draw on and contribute to the science of human population genetics that attempts to reconstruct the history of humankind, including the origin and movement of specific populations. Is it true, though, that who we are and where we come from is written into the sequence of our genomes? Are genes better documents for determining our histories and identities than fossils or other historical sources?
           
Our interpretation of gene sequences, like our interpretation of other historical evidence, inevitably tells a story laden with political and moral values. Focusing on the work of Henry Fairfield Osborn, Julian Sorell Huxley, and Luigi Luca Cavalli-Sforza in paleoanthropology, evolutionary biology, and human population genetics, History Within asks how the sciences of human origins, whether through the museum, the zoo, or the genetics lab, have shaped our idea of what it means to be human. How have these biologically based histories influenced our ideas about nature, society, and culture? As Marianne Sommer shows, the stories we tell about bones, organisms, and molecules often change the world.
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cover of History and Human Responsibility: The Unbearable Weight of Freedom in a Dystopian World

History and Human Responsibility

The Unbearable Weight of Freedom in a Dystopian World

Marcel van Herpen

St. Augustine's Press, 2023

"The present crisis is felt more acutely than previous crisis situations," observes Dutch security expert Marcel van Herpen, largely because human beings are now projecting responsibility into history on all fronts––past and future, in addition to the present. Learning from the past has become an imperative to safeguard the well-being of future generations by never repeating negative experiences, so much so that it demands an explanation of culpability into the past that burdens the present under a weight that does not properly belong to actors who did not commit the deeds of the past and have yet to decide their futures.

In a time of crisis we face the accusations of history, however distant, and are subjected to the sound of its echoing ahead of us. But, Van Herpen asks, to what exactly (or to what extent) should we listen as we strive to respond to the challenges of present day? "Is it true that history is a teacher for our lives? And has it ever been? In crisis periods this question becomes more urgent: old certainties disappear and––independently from our wishes––a new, unknown world is emerging, which seems to be at odds with our established ways of thinking and our existing value patterns."

Van Herpen scrutinizes modern European history and the post-modern man and offers the reader a compelling account of human freedom in politics, morality, and the ways in which history will or will not ever guide us into the future. He proves himself to be a very capable political scientist and sociologist, but more importantly he has now pronounced himself to be an optimistic (yet sober) observer of both human beings and history, willing to confront the present generation with possible future outcomes of contemporary crises.
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History and Myth in Romanian Consciousness

Lucian Boia

Central European University Press, 2001

There is a considerable difference between real history and discourse history - this book stems from this idea. The author points out that history is constantly reconstructed, adapted and sometimes mythified from the perspective of the present day, of present states of mind and ideologies. Boia closely examines the process of historical culture and conscience in nineteenth and twentieth century Romania, particularly concentrating on the impact of the national ideology on history. Based upon his findings, the author identifies several key mythical configurations and analyses the manner in which Romanians have reconstituted their own highly ideologized history over the last two centuries.

The strength of History and Myth in Romanian Consciousness lies in the author's ability to fully deconstruct the entire Romanian historiographic system and demonstrate the increasing acuteness of national problems in general, and in particular the exploitation of history to support national ideology.

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cover of History and Warfare in Renaissance Epic

History and Warfare in Renaissance Epic

Michael Murrin

University of Chicago Press, 1994

Although the Renaissance epic was the principal literary means of representing war in its time, modern readers of the epic often lack a basic understanding of the history of warfare. Michael Murrin here offers the first analysis to bring an understanding of both the history of literature and the history of warfare to the study of the epic.

Analyzing English, Italian, and Iberian epics published between 1483 and 1610, Murrin focuses on particular aspects of warfare (cavalry clashes, old and new style sieges, the tactical use of the gun, naval warfare) and the responses to them by authors from Malory to Milton. Throughout, Murrin traces a parallel development in the art of war and in the epic as it emerged from the romance.

Murrin demonstrates that with new technology and increasing levels of carnage, the practice of war gradually drifted from traditional epic modes. But before changes in warfare completely doomed the tradition in which the epic was rooted, this crisis provoked an unprecedented range of experiment which marks heroic narrative in the late Renaissance and ultimately led to the epic without war.

A much-needed introduction to the neglected subject of warfare in epic literature, this work is an uncommonly wide-ranging exercise in comparative criticism that will appeal to historians and students of literature alike.
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cover of History as a Kind of Writing: Textual Strategies in Contemporary French Historiography

History as a Kind of Writing

Textual Strategies in Contemporary French Historiography

Philippe Carrard

University of Chicago Press, 2017

In academia, the traditional role of the humanities is being questioned by the “posts”—postmodernism, poststructuralism, and postfeminism—which means that the project of writing history only grows more complex. In History as a Kind of Writing, scholar of French literature and culture Philippe Carrard speaks to this complexity by focusing the lens on the current state of French historiography.

Carrard’s work here is expansive—examining the conventions historians draw on to produce their texts and casting light on views put forward by literary theorists, theorists of history, and historians themselves. Ranging from discussions of lengthy dissertations on 1960s social and economic history to a more contemporary focus on events, actors, memory, and culture, the book digs deep into the how of history. How do historians arrange their data into narratives? What strategies do they employ to justify the validity of their descriptions? Are actors given their own voice? Along the way, Carrard also readdresses questions fundamental to the field, including its necessary membership in the narrative genre, the presumed objectivity of historiographic writing, and the place of history as a science, distinct from the natural and theoretical sciences.
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cover of History in My Life: A Memoir of Three Eras

History in My Life

A Memoir of Three Eras

Ivan T. Berend is Distinguished Research Professor at the History Department of the University of California Los Angeles.

Central European University Press, 2009

Ivan T. Berend is Distinguished Professor at the University of California Los Angeles, Director of the European Studies Program. He was one of the masterminds of regime change in Hungary. He made a career in Hungary as a university professor, Rector of the University of Economics (1973–79), and President of the Hungarian Academy of Sciences (1985–90). He was President of the International Committee of Historical Sciences (1995–2000), and Vice-President of the International Economic History Association (1986–1994). His research interests are the complex economic, social, ideological, and cultural history of Central and Eastern Europe in the 19th–20th century; economic modernization; problems of European backwardness; transition from state socialism to capitalism. He published and 26 books and more than 120 studies.

Before he became a professor at UCLA, Ivan Berend had survived five regime changes and two revolutions in Hungary, had been in prison and German concentration camp in 1944–45.

His memoir offers an interesting case study, a subjective addition to the “objective” historical works on Central and Eastern European state socialism. It describes the hard choices of intellectuals in a dictatorial state: 1. remain in isolation, concentrate on scholarly works, and exclude politics in your personal life; 2. be in opposition, criticize and unveil the regime, accept discrimination and exclusion; 3. remain within the establishment and work for reforming the country using legal possibilities to criticize the regime and to achieve changes from within.

Berend’s book raises basic historical questions and debates, compares East European and American higher education systems, and presents an eyewitness’ insights on life in the United States.

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cover of History of Old Age: From Antiquity to the Renaissance

History of Old Age

From Antiquity to the Renaissance

Georges Minois

University of Chicago Press, 1990

History of Old Age is the first major study of the ways in which old age has been perceived in western culture throughout history. Georges Minois paints a vast fresco, starting with the first old man to relate his own story—an Egyptian scribe some 4500 years ago—and ending with the deaths of Elizabeth I and Henry IV in the sixteenth century. Tracing the changing conceptions of the nature, value, and burden of the old, Minois argues that western history during this period is marked by great fluctuation in the social and political role of the aged.

Minois shows how, in ancient Greece, the cult of youth and beauty on the one hand, and the reverence for the figure of the Homeric sage, on the other, created an ambivalent attitude toward the aged. This ambiguity appears again in the contrast between the active role that older citizens played in Roman politics and their depiction in satirical literature of the period. Christian literature in the Middle Ages also played a large part in defining society's perception of the old, both in the image of the revered holy sage and in the total condemnation of the aged sinner.

Drawing on literary texts throughout, Minois considers the interrelation of literary, religious, medical, and political factors in determining the social fate of the elderly and their relationship to society. This book will be of great interest to social and cultural historians, as well as to general readers interested in the subject of the aged in society today.
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cover of History of Pedlars in Europe

History of Pedlars in Europe

Laurence Fontaine

Duke University Press, 1996

The profession of peddling has until now received only slight and fragmentary scholarly attention. Usually treated in an anecdotal fashion, the pedlar has generally been thought of as a marginal figure, closer in character to a vagabond than a trader. In this first sustained account of the profession in Europe, Laurence Fontaine argues that peddling, particularly as a means of distributing new commodities such as books, watches, and tobacco, played a crucial role in the formation of the modern European economy.
Focusing primarily on the fifteenth through eighteenth centuries, Fontaine traces the origins and development of peddling and the establishment of trading networks. She analyzes the changing social construction of the practice and the effect of encounters between traders of different regions. Following the pedlars’ trade routes across Europe from Spain to Sweden and Scotland to the upper Rhine, she examines their importance as channels of communication as well as of goods and raises such issues as the impact of pedlars on the values and cultural practices of the communities they visited and the ways in which being merchants changed the lives of these migrants.
History of Pedlars in Europe separates the mythology that surrounds peddling from the historically reliable and integrates existing studies with new archival research to illuminate one of the most remote areas of the social and economic history of early modern Europe. A means of trade based on mobility, uncertainty, and interdependence, peddling is rediscovered as a dynamic force involved in nothing less than the creation of a modern consumer society.
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cover of History of Western Civilization: A Handbook

History of Western Civilization

A Handbook

William H. McNeill

University of Chicago Press, 1986

A compact yet thorough one-volume narrative of the entire history of the development of Western civilization

With this book, renowned historian William H. McNeil provides a brilliant narrative chronology of the development of Western civilization, representing its sociopolitical as well as cultural aspects. Sweeping in its coverage but careful in its attention to detail, and up to date with the latest scholarship History of Western Civlization is the perfect introduction to the subject for general readers and students alike.
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