28167 books match the query 'History' and 906 start with h

Brigham D. Madsen
University of Utah Press, 2027
Jonathan Arac
University of Wisconsin Press, 1997
If racially offensive epithets are banned on CNN air time and in the pages of USA Today, Jonathan Arac asks, shouldn’t a fair hearing be given to those who protest their use in an eighth-grade classroom? Placing Mark Twain’s comic masterpiece, Huckleberry Finn, in the context of long-standing American debates about race and culture, Jonathan Arac has written a work of scholarship in the service of citizenship.
Huckleberry Finn, Arac points out, is America’s most beloved book, assigned in schools more than any other work because it is considered both the “quintessential American novel” and “an important weapon against racism.” But when some parents, students, and teachers have condemned the book’s repeated use of the word “nigger,” their protests have been vehemently and often snidely countered by cultural authorities, whether in the universities or in the New York Times and the Washington Post. The paradoxical result, Arac contends, is to reinforce racist structures in our society and to make a sacred text of an important book that deserves thoughtful reading and criticism. Arac does not want to ban Huckleberry Finn, but to provide a context for fairer, fuller, and better-informed debates.
Arac shows how, as the Cold War began and the Civil Rights movement took hold, the American critics Lionel Trilling, Henry Nash Smith, and Leo Marx transformed the public image of Twain’s novel from a popular “boy’s book” to a central document of American culture. Huck’s feelings of brotherhood with the slave Jim, it was implied, represented all that was right and good in American culture and democracy. Drawing on writings by novelists, literary scholars, journalists, and historians, Arac revisits the era of the novel’s setting in the 1840s, the period in the 1880s when Twain wrote and published the book, and the post–World War II era, to refute many deeply entrenched assumptions about Huckleberry Finn and its place in cultural history, both nationally and globally. Encompassing discussion of Harriet Beecher Stowe, Frederick Douglass, Ralph Ellison, Archie Bunker, James Baldwin, Shelley Fisher Fishkin, and Mark Fuhrman, Arac’s book is trenchant, lucid, and timely.
Roberta M. Price
University of Massachusetts Press, 2004
In the late 1960s, new age communes began springing up in the American Southwest with names like Drop City, New Buffalo, Lama Foundation, Morning Star, Reality Construction Company, and the Hog Farm. In the summer of 1969, Roberta Price, a recent college graduate, secured a grant to visit these communities and photograph them. When she and her lover David arrived at Libre in the Huerfano Valley of southern Colorado, they were so taken with what they found that they wanted to participate instead of observe. The following spring they married, dropped out of graduate school in upstate New York, packed their belongings into a 1947 Chrysler Windsor Coupe, and moved to Libre, leaving family and academia behind.
Huerfano is Price's captivating memoir of the seven years she spent in the Huerfano ("Orphan") Valley when it was a petri dish of countercultural experiments. She and David joined with fellow baby boomers in learning to mix cement, strip logs, weave rugs, tan leather, grow marijuana, build houses, fix cars, give birth, and make cheese, beer, and furniture as well as poetry, art, music, and love. They built a house around a boulder high on a ridge overlooking the valley and made ends meet by growing their own food, selling homemade goods, and hiring themselves out as day laborers. Over time their collective ranks swelled to more than three hundred, only to diminish again as, for many participants, the dream of a life of unbridled possibility gradually yielded to the hard realities of a life of voluntary poverty.
Price tells her story with a clear, distinctive voice, documenting her experiences with photos as well as words. Placing her story in the larger context of the times, she describes her participation in the antiwar movement, the advent of the women's movement, and her encounters with such icons as Ken Kesey, Gary Snyder, Abbie Hoffman, Stewart Brand, Allen Ginsberg, and Baba Ram Dass.
At once comic, poignant, and above all honest, Huerfano recaptures the sense of affirmation and experimentation that fueled the counterculture without lapsing into nostalgic sentimentality on the one hand or cynicism on the other.
Weymouth T. Jordan
University of Alabama Press, 1948
Virginia Van Der Veer Hamilton
University of Alabama Press, 1982
The making of a Supreme Court justice in the crucible of Alabama politics.
Hugo Black: The Alabama Years by Virginia Van der Veer Hamilton is a richly researched political biography that explores the formative experiences of Hugo L. Black, one of the most influential justices in the history of the United States Supreme Court. Focusing on his early life and career in Alabama, Hamilton traces Black's journey from his rural upbringing and legal training to his emergence as a prominent attorney, politician, and United States senator. Through careful analysis of Alabama's social, economic, and political landscape, the book reveals the forces that shaped Black's ideas about government, democracy, and constitutional rights.
Hamilton examines Black's rise during a period of profound change in the South, highlighting the alliances, controversies, and challenges that defined his political career. The study places Black within the broader context of Progressive Era reform, the transformation of Southern politics, and the expanding role of the federal government in American life. At the same time, it provides a nuanced portrait of a complex public figure whose beliefs and actions continue to inspire debate among historians and legal scholars.
Essential reading for students of legal history, political science, Southern studies, and American government, this volume offers valuable insight into the Alabama roots of a justice who would profoundly influence modern constitutional interpretation and civil liberties jurisprudence.
Wolfgang Muller
Catholic University of America Press, 1994
Paul M. Liffman
University of Arizona Press, 2011
Nancy Gonlin
University Press of Colorado, 2016
This volume explores the dynamics of human adaptation to social, political, ideological, economic, and environmental factors in Mesoamerica and includes a wide array of topics, such as the hydrological engineering behind Teotihuacan’s layout, the complexities of agriculture and sustainability in the Maya lowlands, and the nuanced history of abandonment among different lineages and households in Maya centers.
The authors aptly demonstrate how culture is the mechanism that allows people to adapt to a changing world, and they address how ecological factors, particularly land and water, intersect with nonmaterial and material manifestations of cultural complexity. Contributors further illustrate the continuing utility of the cultural ecological perspective in framing research on adaptations of ancient civilizations.
This book celebrates the work of Dr. David Webster, an influential Penn State archaeologist and anthropologist of the Maya region, and highlights human adaptation in Mesoamerica through the scientific lenses of anthropological archaeology and cultural ecology.
Contributors include Elliot M. Abrams, Christopher J. Duffy, Susan Toby Evans, Kirk D. French, AnnCorinne Freter, Nancy Gonlin, George R. Milner, Zachary Nelson, Deborah L. Nichols, David M. Reed, Don S. Rice, Prudence M. Rice, Rebecca Storey, Kirk Damon Straight, David Webster, Stephen L. Whittington, Randolph J. Widmer, John D. Wingard, and W. Scott Zeleznik.
Edited by Leah Platt Boustan, Carola Frydman, and Robert A. Margo
University of Chicago Press, 2014
Charles L. Redman
University of Arizona Press, 1999
By Rodrigo Rey Rosa; translated by Eduardo Aparicio
University of Texas Press, 2019
More than a decade ago, novelist Rodrigo Rey Rosa made his first visit to the Historical Archive of the Guatemala National Police, where millions of previously hidden records were being cataloged, scanned, and eventually published online. Bringing to light detailed evidence of crimes against humanity, the Archive Recovery Project inspired Rey Rosa to craft a meta-novel that weaves the language of arrest records and surveillance reports with the contemporary journal entries of a novelist (named Rodrigo) who is attempting to synthesize the stories of political activists, indigenous people, and other women and men who became ensnared in a deadly web of state-sponsored terrorism.
When Rodrigo's access to the archive is suspended, he proceeds to the General Archives of Central America and the Library of Congress, also collaborating with the son of the Identification Bureau's former head in a relentless pursuit of understanding. Reminiscent of Roberto Bolaño's finely honed masterworks, Human Matter is both a tour de force of fiction and a sobering meditation on the realities of collective memory, raising timely questions about how our history is recorded and retold.
Originally published in Spanish in 2009, its success demanded a subsequent publication in June of 2017.

Robert Denoon Cumming
University of Chicago Press, 1969
Antonio S. Cua
Catholic University of America Press, 2005
Sylvanna M. Falcón
University of Illinois Press, 2024
Engaging and intimate, Human Rights Counterpublics in Perú illuminates the power of human rights and memory work.
Sharon Sliwinski
University of Chicago Press, 2011
From the fundamental rights proclaimed in the American and French declarations of independence to the 1948 Universal Declaration of Human Rights and Hannah Arendt’s furious critiques, the definition of what it means to be human has been hotly debated. But the history of human rights—and their abuses—is also a richly illustrated one. Following this picture trail, Human Rights In Camera takes an innovative approach by examining the visual images that have accompanied human rights struggles and the passionate responses people have had to them.
Edited by Jessica Stites Mor
University of Wisconsin Press, 2013
Pedro Pitarch, Shannon Speed, and Xochitl Leyva Solano, eds.
Duke University Press, 2008
The collection includes a reflection on the effects of truth-finding and documenting particular human rights abuses, a look at how Catholic social teaching validates the human rights claims advanced by indigenous members of a diocese in Chiapas, and several analyses of the limitations of human rights frameworks. A Mayan intellectual seeks to bring Mayan culture into dialogue with western feminist notions of women’s rights, while another contributor critiques the translation of the United Nations Declaration of Human Rights into Tzeltal, an indigenous language in Chiapas. Taken together, the essays reveal a broad array of rights-related practices and interpretations among the Mayan population, demonstrating that global-local-state interactions are complex and diverse even within a geographically limited area. So too are the goals of indigenous groups, which vary from social reconstruction and healing following years of violence to the creation of an indigenous autonomy that challenges the tenets of neoliberalism.
Contributors: Robert M. Carmack, Stener Ekern, Christine Kovic, Xochitl Leyva Solano, Julián López García, Irma Otzoy, Pedro Pitarch, Álvaro Reyes, Victoria Sanford, Rachel Sieder, Shannon Speed, Rodolfo Stavenhagen, David Stoll, Richard Ashby Wilson
Sophus Helle
University of Chicago Press, 2026
Courtney Baker
University of Illinois Press, 2017
David Cecchetto
University of Minnesota Press, 2013
Humanesis critically examines central strains of posthumanism, searching out biases in the ways that human–technology coupling is explained. Specifically, it interrogates three approaches taken by posthumanist discourse: scientific, humanist, and organismic. David Cecchetto’s investigations reveal how each perspective continues to hold on to elements of the humanist tradition that it is ostensibly mobilized against. His study frontally desublimates the previously unseen presumptions that underlie each of the three thought lines and offers incisive appraisals of the work of three prominent thinkers: Ollivier Dyens, Katherine Hayles, and Mark Hansen.
To materially ground the problematic of posthumanism, Humanesis interweaves its theoretical chapters with discussions of artworks. These highlight the topos of sound, demonstrating how aurality might produce new insights in a field that has been dominated by visualization. Cecchetto, a media artist, scrutinizes his own collaborative artistic practice in which he elucidates the variegated causal chains that compose human–technological coupling.
Humanesis advances the posthumanist conversation in several important ways. It proposes the term “technological posthumanism” to focus on the discourse as it relates to technology without neglecting its other disciplinary histories. It suggests that deconstruction remains relevant to the enterprise, especially with respect to the performative dimension of language. It analyzes artworks not yet considered in the light of posthumanism, with a particular emphasis on the role of aurality. And the form of the text introduces a reflexive component that exemplifies how the dialogue of posthumanism might progress without resorting to the types of unilateral narratives that the book critiques.
Edited by Roderick Floud, Santhi Hejeebu, and David Mitch
University of Chicago Press, 2016
Riccardo Fubini
Duke University Press, 2003
Mark Soileau
University of Utah Press, 2018
Arthur F. Kinney
University of Massachusetts Press, 1986
Schuller, Mark
Rutgers University Press, 2016
Neda Atanasoski
University of Minnesota Press, 2013
When is a war not a war? When it is undertaken in the name of democracy, against the forces of racism, sexism, and religious and political persecution? This is the new world of warfare that Neda Atanasoski observes in Humanitarian Violence, different in name from the old imperialism but not so different in kind. In particular, she considers U.S. militarism—humanitarian militarism—during the Vietnam War, the Soviet-Afghan War, and the 1990s wars of secession in the former Yugoslavia.
What this book brings to light—through novels, travel narratives, photojournalism, films, news media, and political rhetoric—is in fact a system of postsocialist imperialism based on humanitarian ethics. In the fiction of the United States as a multicultural haven, which morally underwrites the nation’s equally brutal waging of war and making of peace, parts of the world are subject to the violence of U.S. power because they are portrayed to be homogeneous and racially, religiously, and sexually intolerant—and thus permanently in need of reform. The entangled notions of humanity and atrocity that follow from such mediations of war and crisis have refigured conceptions of racial and religious freedom in the post–Cold War era. The resulting cultural narratives, Atanasoski suggests, tend to racialize ideological differences—whereas previous forms of imperialism racialized bodies. In place of the European racial imperialism, U.S. settler colonialism, and pre–civil rights racial constructions that associated racial difference with a devaluing of nonwhite bodies, Humanitarian Violence identifies an emerging discourse of race that focuses on ideological and cultural differences and makes postsocialist and Islamic nations the potential targets of U.S. disciplining violence.
Edited by Laura Bieger, Joshua Shannon, and Jason Weems
Terra Foundation for American Art, 2021
Ana Lucia Araujo
University of Chicago Press, 2024
Anath Ariel De Vidas
University Press of Colorado, 2025
Neil Harris
University of Chicago Press, 1981
Emma Warhover
University of Michigan Press, 2026
Gábor Vermes
Central European University Press, 2014
R. Chris Davis
University of Wisconsin Press, 2019
András Róna-Tas
Central European University Press, 1999

Éva H. Balázs
Central European University Press, 1997
László Borhi
Central European University Press, 2004
Carole O'Malley Gaunt
University of Massachusetts Press, 2007
On a sweltering June night in 1959, Betty O'Malley died from lymphatic cancer, leaving behind an alcoholic husband and eight shell-shocked children—seven sons and one daughter, ranging in age from two to fifteen years. The daughter, Carole, was thirteen at the time. In this poignant memoir, she recalls in vivid detail the chaotic course of her family life over the next four years.
The setting for the story is Hungry Hill, an Irish-Catholic working-class neighborhood in Springfield, Massachusetts. The author recounts her sad and turbulent story with remarkable clarity, humor, and insight, punctuating the narrative with occasional fictional scenes that allow the adult Carole to comment on her teenage experiences and to probe the impact of her mother's death and her father's alcoholism.
Carole O'Malley Gaunt
University of Massachusetts Press, 2007
On a sweltering June night in 1959, Betty O'Malley died from lymphatic cancer, leaving behind an alcoholic husband and eight shell-shocked children—seven sons and one daughter, ranging in age from two to fifteen years. The daughter, Carole, was thirteen at the time. In this poignant memoir, she recalls in vivid detail the chaotic course of her family life over the next four years.
The setting for the story is Hungry Hill, an Irish-Catholic working-class neighborhood in Springfield, Massachusetts. The author recounts her sad and turbulent story with remarkable clarity, humor, and insight, punctuating the narrative with occasional fictional scenes that allow the adult Carole to comment on her teenage experiences and to probe the impact of her mother's death and her father's alcoholism.
Robert L. Ivie and Oscar Giner
University of Alabama Press, 2015
Edited by Kenneth E. Sassaman and Donald H. Holly Jr.
University of Arizona Press, 2011
John Marvin Hanson
Wisconsin Historical Society Press, 2016
Meet the Jolly Boys—five men from northern Wisconsin who built a deer hunting shack in 1955 and established a tradition that has now lasted over six decades. Hunting Camp 52, affectionately known as Blue Heaven, is a place where every trail, rock, and ravine has its own nickname; every kill is recorded by hand on a window shade; every hunter happily croons along during evening songfests; and every rowdy poker game lasts late into the night. The outhouse is always cold, the porcupines are always a problem, and the vehicles are always getting stuck in the mud, but there’s nowhere else these men would rather be.
In Hunting Camp 52: Tales from a North Woods Deer Camp, John Marvin Hanson—the son of one of the original Jolly Boys—recounts the sidesplitting antics, the memorable hunts, and the profound camaraderie that has developed over almost sixty seasons at Blue Heaven. Hanson also includes more than twenty recipes for gourmet comfort foods prepared each year at camp, from pickled venison hearts to Norwegian meatballs to the treasured recipe for Reali Spaghetti. As the Jolly Boys age and younger generations take up the mantle of Blue Heaven, Hanson comes to appreciate that hunting camp is not about bagging a trophy buck as much as it is about spending time with the friends and family members who matter most.
Joseph Hellweg
University of Chicago Press, 2011
In the 1990s a nationwide crime wave overtook Côte d’Ivoire. The Ivoirian police failed to control the situation, so a group of poor, politically marginalized, and mostly Muslim men took on the role of the people’s protectors as part of a movement they called Benkadi. These men were dozos—hunters skilled in ritual sacrifice—and they applied their hunting and occult expertise, along with the ethical principles implicit in both forms of knowledge, to the tracking and capturing of thieves. Meanwhile, as Benkadi emerged, so too did the ethnic, regional, and religious divisions that would culminate in Côte d’Ivoire’s 2002–07 rebellion.
Hunting the Ethical State reveals how dozos worked beyond these divisions to derive their new roles as enforcers of security from their ritual hunting ethos. Much as they used sorcery to shape-shift and outwit game, they now transformed into unofficial police, and their ritual networks became police bureaucracies. Though these Muslim and northern-descended men would later resist the state, Joseph Hellweg demonstrates how they briefly succeeded at making a place for themselves within it. Ultimately, Hellweg interprets Benkadi as a flawed but ingenious and thoroughly modern attempt by non-state actors to reform an African state.
Edmund L. Drago
University of Arkansas Press, 1999
This post-revisionist study examines the motives and the concerns of the ex-slaves in South Carolina who supported a movement that eventually led to white supremacy.
Although most freedmen throughout the states of the former Confederacy were Republicans loyal to the party of the Federal government that had emancipated them, they were factions of African-American voters who aligned themselves with local white Democratic leaders. one such group of black conservatives joined the “Red Shirts,” white paramilitary clubs that attempted to restore antebellum values in electing former Confederate general Wade Hampton governor of South Carolina in 1876.
Drago’s fine analysis recovers and explains this lost aspect of Southern black history. Drawing on primary sources that include testimonies of several black Red Shirts before a Congressional investigation of the election and eleven slave narratives, he de-romanticizes the black experience by examining the relationship between black initiative and southern paternalism.
William Walter Scott, III
University of Michigan Press, 2025
Catherine Musemeche
Dartmouth College Press, 2016
William H. McNeill
University of Chicago Press, 1991
Matthew Stanley
University of Chicago Press, 2014
Vicki Hsueh
Duke University Press, 2010
Hsueh traces the historical development and theoretical implications of proprietary constitutionalism by examining the founding of the colonies of Maryland, Carolina, and Pennsylvania. She provides close readings of colonial proclamations, executive orders, and assembly statutes, as well as the charter granting Cecilius Calvert the colony of Maryland in 1632; the Fundamental Constitutions of Carolina, adopted in 1669; and the treaties brokered by William Penn and various Lenni Lenape and Susquehannock tribes during the 1680s and 1690s. These founding documents were shaped by ambition, contingency, and limited resources; they reflected an ambiguous and unwieldy colonialism rather than a purposeful, uniform march to modernity. Hsueh concludes by reflecting on hybridity as a rubric for analyzing the historical origins of colonialism and reconsidering contemporary indigenous claims in former settler colonies such as Australia, New Zealand, and the United States.
Nestor Garcia Canclini
University of Minnesota Press, 2005
Peter Burke
Central European University Press, 2016
Hybrid Renaissance introduces the idea that the Renaissance in Italy, elsewhere in Europe, and in the world beyond Europe is an example of cultural hybridization.
The two key concepts used in this book are “hybridization” and “Renaissance”. Roughly speaking, hybridity refers to something new that emerges from the combination of diverse older elements. (The term “hybridization” is preferable to “hybridity” because it refers to a process rather than to a state, and also because it encourages the writer and the readers alike to think in terms of degree: where there is more or less, rather than presence versus absence.)
The book begins with a discussion of the concept of cultural hybridization and a cluster of other concepts related to it. Then comes a geography of cultural hybridization focusing on three locales: courts, major cities (whether ports or capitals) and frontiers. The following seven chapters describe the hybridity of the Renaissance in different fields: architecture, painting and sculpture, languages, literature, music, philosophy and law and finally religion. The essay concludes with a brief account of attempts to resist hybridization or to purify cultures or domains from what was already hybridized.