5159 books match the query 'Biography' and 171 start with h

cover of Hot Fudge Sundae in a White Paper Cup: A Spirited Black Woman in a White World

Hot Fudge Sundae in a White Paper Cup

A Spirited Black Woman in a White World

Gwendolyn Calvert Baker

University of Michigan Press, 2014

Gwendolyn Calvert Baker has had an extraordinary career and has witnessed a dramatic change in the ways that U.S. schools provide education to and about our multiethnic, multicultural society. But Baker hasn’t just lived through the progression of multicultural considerations—she has been singularly instrumental in the creation and acceptance of multicultural education. In Hot Fudge Sundae in a White Paper Cup, she shares her memories and experience of a lifetime spent serving and leading the causes for multicultural education.
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cover of House Hold: A Memoir of Place

House Hold

A Memoir of Place

Ann Peters

University of Wisconsin Press, 2013

Like the house built by Ann Peters’s father on a hill in eastern Wisconsin, House Hold offers many views: cornfields and glacial lakes, fast food parking lots and rural highways, Manhattan apartments and Brooklyn brownstones. Peters revisits the modern split-level where she grew up in Wisconsin, remembering her architect father. Against the background of this formative space, she charts her roaming story through two decades of New York City apartments, before traveling to a cabin in the mountains of Colorado and finally purchasing an old farmhouse in upstate New York.

More than a memoir of remembered landscapes, House Hold is also an expansive contemplation of America, a meditation on place and property, and an exploration of how literature shapes our thinking about the places we live. A gifted prose stylist, Peters seamlessly combines her love of buildings with her love of books. She wanders through the rooms of her past but also through what Henry James called “the house of fiction,” interweaving personal narrative with musings on James, Willa Cather, William Dean Howells, Paule Marshall, William Maxwell, and others. Peters reflects on the romance of pastoral retreat, the hazards of nostalgia, America’s history of expansion and land ownership, and the conflicted desires to put down roots and to hit the road. Throughout House Hold, she asks how places make us who we are.
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cover of House Stories: The Meanings of Home in a New England Town

House Stories

The Meanings of Home in a New England Town

Beth Luey

University of Massachusetts Press, 2017

Historic houses adorned with plaques populate New England like nowhere else in the country. These plaques note the construction year and original owner of the house, but they tell nothing about the rich lives of the people who lived there. In House Stories, Beth Luey takes readers on a virtual walking tour of several historic houses in Fairhaven, Massachusetts, a small New England coastal town, inviting us in to learn each house's secrets.

Through letters and diaries, church and business records, newspaper accounts, legal documents, and the recollections of neighbors who knew them, Luey introduces the diverse cast of historical characters who lived in these houses at various times from 1800 to the 2000s, including a Japanese castaway and his rescuer, a self-made millionaire, a seagoing adventurer, a religious pioneer, and an entrepreneurial immigrant. All of the houses are still standing and all but a lighthouse are still called home. In House Stories, Luey asks readers to join her as she considers the multiple meanings of “home” for these people and their families.

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cover of House of Houses

House of Houses

Pat Mora

University of Arizona Press, 1997

Combining poetic language and the traditions of magic realism to paint a vivid portrait of her family, Pat Mora’s House of Houses is an unconventional memoir that reads as if every member, death notwithstanding, is in one room talking, laughing, and crying. In a salute to the Day of the Dead, the story begins with a visit to the cemetery in which all of her deceased relatives come alive to share stories of the family, literally bringing the food to their own funerals. From there the book covers a year in the life of her clan, revealing the personalities and events that Mora herself so desperately yearns to know and understand.
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cover of House of Mourning: A Biocultural History of the Mountain Meadows Massacre

House of Mourning

A Biocultural History of the Mountain Meadows Massacre

Shannon A Novak

University of Utah Press, 2008

On September 11, 1857, some 120 men, women, and children from the Arkansas hills were murdered in the remote desert valley of Mountain Meadows, Utah. This notorious massacre was, in fact, a mass execution: having surrendered their weapons, the victims were bludgeoned to death or shot at point-blank range. The perpetrators were local Mormon militiamen whose motives have been fiercely debated for 150 years.

In House of Mourning, Shannon A. Novak goes beyond the question of motive to the question of loss. Who were the victims at Mountain Meadows? How had they settled and raised their families in the American South, and why were they moving west once again? What were they hoping to find or make for themselves at the end of the trail? By integrating archival records and oral histories with the first analysis of skeletal remains from the massacre site, Novak offers a detailed and sensitive portrait of the victims as individuals, family members, cultural beings, and living bodies.

The history of the massacre has often been treated as a morality tale whose chief purpose was to vilify (or to glorify) some collective body. Resisting this tendency to oversimplify the past, Novak explores Mountain Meadows as a busy and dangerous intersection of cultural and material forces in antebellum America. House of Mourning is a bold experiment in a new kind of history, the biocultural analysis of complex events.

Winner of the Society for Historical Archaeology James Deetz Book Award. 
 

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cover of How Did You Get To Be Mexican

How Did You Get To Be Mexican

Kevin R. Johnson

Temple University Press, 1999

During an interview for a faculty position, a senior professor asked Kevin Johnson bluntly, "How  did you get to be a Mexican?" And, a young woman at a Harvard Law School dinner party inquired, "Are you one of those people whose high school friends are all dead from gangs and stuff?" The son of a Mexican American mother and an Anglo father, Professor Johnson has spent his life in the borderlands between racial identities. In this insightful book, he uses his experiences as  a mixed Latino Anglo to examine issues of diversity, assimilation, race relations, and affirmative action in the contemporary United States.

Johnson also grew up in the borderlands  between classes. He spent his childhood with his mother, first on welfare and  then with a racist working-class stepfather. As an adolescent, he moved to his father's home in a predominantly upper-middle-class suburb. His educational experiences too extend from a racially mixed elementary school to an all-white high school, and  from Berkeley to Harvard Law School. From this vantage point, he analyzes the intersection of race  and class in the United States.

This book looks not just at the question "Who is a Latino?" but also at the question of where persons of mixed Anglo-Latino heritage fit into the racial dynamics of the United States. Professor Johnson's mother was an ardent assimilationist who classified herself as "Spanish"; her failure to become a part o f middle America led her into depression and eventually mental illness. Her son has woven not just her experiences and his own, but also those of friends and relatives, into a complex and  moving story of one white/brown man's search for identity.
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cover of How I Escaped from Gilligan's Island: And Other Misadventures of a Hollywood Writer-Producer

How I Escaped from Gilligan's Island

And Other Misadventures of a Hollywood Writer-Producer

William Froug

University of Wisconsin Press, 2005

    In the early 1950s writers were leaving radio en masse to try their hand at another promising medium—television. William Froug was in the thick of that exodus, a young man full of ideas in a Hollywood bursting with opportunities. In his forty-year career Froug would write and/or produce many of the shows that America has grown up with. From the drama of Playhouse 90 and the mind-bending premises of The Twilight Zone to the escapist scenarios of Adventures in Paradise, Gilligan’s Island, Bewitched, and Charlie’s Angels, Froug played a role in shaping his trade. He crossed paths with some of the memorable personalities in the industry, including Jack Benny, Lucille Ball, Agnes Moorehead, Elizabeth Montgomery, Robert Blake, Rod Serling, Gene Roddenberry, Aaron Spelling, and Sherwood Schwartz.

    Froug reveals a post-WWII America giddy with the success of its newest medium—yet sobered at moments by strikes and union politics, McCarthyism and anti-Semitism. It was a world of hastily written scripts, sudden firings, thwarted creativity, and fickle tastes. And yet, while clearly exasperated with many aspects of Hollywood, Froug was a man utterly in his element, his frustration with the industry ultimately eclipsed by his dedication to his craft.

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cover of How I Got Over: Clara Ward and the World-Famous Ward Singers

How I Got Over

Clara Ward and the World-Famous Ward Singers

Willa Ward-Royster

Temple University Press, 2000

Lavishly illustrated with photographs from the author's collection, this book chronicles the world-famous Ward Singers' story from rural Anderson, South Carolina, to the streets of North Philadelphia and beyond. Told by Clara Ward's older sister, Willa, with the assistance of musician and writer Toni Rose, the Wards' story ranges over the joys and frustrations, triumphs and agonies of what it means to be simultaneously a family, an entertainment business enterprise, and a group with a mission to spread God's word.
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cover of How Slavoj Became Zizek: The Digital Making of a Public Intellectual

How Slavoj Became Zizek

The Digital Making of a Public Intellectual

Eliran Bar-El

University of Chicago Press, 2025

An engrossing account of the meteoric rise of contemporary philosophy’s most contentious and prolific intellectual.
 
 This revised edition corrects several erroneous and insufficient references in the first edition of this book.
  
Slovenian philosopher bad boy Slavoj Žižek is one of the most famous intellectuals of our time, publishing at a breakneck speed and lecturing around the world. With his unmistakable speaking style and set of mannerisms that have made him ripe material for internet humor and meme culture, he is recognizable to a wide spectrum of fans and detractors. But how did an intellectual from a small Eastern European country come to such popular notoriety? In How Slavoj Became Žižek, sociologist Eliran Bar-El plumbs the emergence, popularization, and development of the phenomenon called “Žižek.”

Beginning with Žižek’s early years as a thinker and political figure in Slovenian civil society, Bar-El traces Žižek’s rise from Marxist philosopher to political candidate to eventual intellectual celebrity, as Žižek perfected his unique performative style and a rhetorical arsenal of “Hegelacanese.” Following 9/11, Žižek’s career as a global op-ed writer and TV commentator married his rhetoric with global events such as the war on terror, the financial crisis of 2008, and the Arab Spring of 2011. Yet, at the same time, this mainstream popularity, as well as a series of politically incorrect views, almost entirely estranged the Slovenian from the normal workings of academia. Ultimately, this account shows how Žižek has harnessed the power of the digital era in his own self-fashioning as a public intellectual.
 
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cover of How Slavoj Became Žižek: The Digital Making of a Public Intellectual

How Slavoj Became Žižek

The Digital Making of a Public Intellectual

Eliran Bar-El

University of Chicago Press, 2023

An engrossing account of the meteoric rise of contemporary philosophy’s most contentious and prolific intellectual.
​

Slovenian philosopher bad boy Slavoj Žižek is one of the most famous intellectuals of our time, publishing at a breakneck speed and lecturing around the world. With his unmistakable speaking style and set of mannerisms that have made him ripe material for internet humor and meme culture, he is recognizable to a wide spectrum of fans and detractors. But how did an intellectual from a remote Eastern European country come to such popular notoriety? In How Slavoj Became Žižek, sociologist Eliran Bar-El plumbs the emergence, popularization, and development of this phenomenon called “Žižek.”

Beginning with Žižek’s early years as a thinker and political figure in Slovenian civil society, Bar-El traces Žižek’s rise from Marxist philosopher to a political candidate to eventual intellectual celebrity as Žižek perfects his unique performative style and a rhetorical arsenal of “Hegelacanese.” Following 9/11, Žižek’s career as a global op-ed writer and TV commentator married his rhetoric with global events such as the War on Terror, the financial crisis of 2008, and the Arab Spring of 2011. Yet, at the same time, this mainstream popularity, as well as a series of politically incorrect views, almost entirely estranged the Slovenian from the normal workings of academia. Ultimately, this account shows how Žižek harnessed the power of the digital era in his own self-fashioning as a public intellectual.
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cover of How You Played the Game: The Life of Grantland Rice

How You Played the Game

The Life of Grantland Rice

William Harper

University of Missouri Press, 1999

Centering around the life and times of the revered American sportswriter Grantland Rice (1880-1954), How You Played the Game takes us back to those magical days of sporting tales and mythic heroes. Through Rice's eyes we behold such sports as bicycle racing, boxing, golf, baseball, football, and tennis as they were played before 1950. We witness ups and downs in the careers of such legendary figures as Christy Mathewson, Jack Dempsey, Ty Cobb, Babe Ruth, Jim Thorpe, Red Grange, Bobby Jones, Bill Tilden, Notre Dame's Four Horsemen, Gene Tunney, and Babe Didrikson--all of whom Rice helped become household names.

Grantland Rice was a remarkably gifted and honorable sportswriter. From his early days in Nashville and Atlanta, to his famed years in New York, Rice was acknowledged by all for his uncanny grasp of the ins and outs of a dozen sports, as well as his personal friendship with hundreds of sportsmen and sportswomen. As a pioneer in American sportswriting, Rice helped establish and dignify the profession, sitting shoulder to shoulder in press boxes around the nation with the likes of Ring Lardner, Damon Runyon, Heywood Broun, and Red Smith.

Besides being a first-rate reporter, Rice was also a columnist, poet, magazine and book writer, film producer, family man, war veteran, fund-raiser, and skillful golfer. His personal accomplishments over a half century as an advocate for sports and good sportsmanship are astounding by any standard. What truly set Rice apart from so many of his peers, however, was the idea behind his sports reporting and writing. He believed that good sportsmanship was capable of lifting individuals, societies, and even nations to remarkable heights of moral and social action.

More than just a biography of Grantland Rice, How You Played the Game is about the rise of American sports and the early days of those who created the art and craft of sportswriting. Exploring the life of a man who perfectly blended journalism and sporting culture, this book is sure to appeal to all, sports lovers or not.

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cover of How to Be an Indian in the 21st Century

How to Be an Indian in the 21st Century

Louis V. Clark (Two Shoes)

Wisconsin Historical Society Press, 2017

In deceptively simple prose and verse, Louis V. "Two Shoes" Clark III shares his life story, from childhood on the Rez, through school and into the working world, and ultimately as an elder, grandfather, and published poet. How to Be an Indian in the 21st Century explores Clark’s deeply personal and profound take on a wide range of subjects, from schoolyard bullying to workplace racism to falling in love. Warm, plainspoken, and wryly funny, Clark’s is a unique voice talking frankly about a culture’s struggle to maintain its heritage. His poetic storytelling style matches the rhythm of the life he recounts, what he calls "the heartbeat of my nation."
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cover of How to Live: A memoir-in-essays

How to Live

A memoir-in-essays

Kelle Groom

Tupelo Press, 2023

“At its simplest, this is the story of a restless search for a place to be– a way to live– after a series of devastating events. But there’s nothing simple about it. Kelle Groom has created a marvel: a haunted, haunting, beautifully sustained dream of a book.”
—Joan Wickersham
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cover of How to Make It as a Woman: Collective Biographical History from Victoria to the Present

How to Make It as a Woman

Collective Biographical History from Victoria to the Present

Alison Booth

University of Chicago Press, 2004

How to Make It as a Woman outlines the history of prosopography or group biography, focusing on the all-female collections that took hold in nineteenth-century Britain and America. The queens, nurses, writers, reformers, adventurers, even assassins in these collective female biographies served as models to guide the moral development of young women. But often these famous historical women presented untrustworthy examples.

Beginning in the fifteenth century with Christine de Pizan, Alison Booth traces the long tradition of this genre, investigating the varied types and stories most often grouped together in illustrated books designed for entertainment and instruction. She claims that these group biographies have been instrumental in constructing modern subjectivities as well as relations among classes, races, and nations.

From Joan of Arc to Virginia Woolf, Booth examines a host of models of womanhood—both bad and good. Incorporating a bibliography that includes more than 900 all-female collections published in English between 1830 and 1940, Booth uses collective biographies to decode the varied advice on how to make it as a woman.
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cover of How to Make a Life: A Tibetan Refugee Family and the Midwestern Woman They Adopted

How to Make a Life

A Tibetan Refugee Family and the Midwestern Woman They Adopted

Madeline Uraneck

Wisconsin Historical Society Press, 2018

An immigration story of crossing cultural bridges and finding family.

When Madeline Uraneck said hello to the Tibetan woman cleaning her office cubicle, she never imagined the moment would change her life. After learning that Tenzin Kalsang had left her husband and four children behind in a Tibetan refugee settlement in India to try to forge a better life for them, Madeline took on the task of helping her apply for US visas. When the family reunited in their new Midwestern home, Madeline became swept up in their lives, from homework and soccer games to family dinners and shared holiday traditions. By reaching out, she found more than she bargained for—a family who welcomed her as their own and taught her more than she offered them.

An evocative blend of immersion journalism and memoir, How to Make a Life shares the immigration story of a Tibetan refugee family who crossed real and cultural bridges to make a life in Madison, Wisconsin, with the assistance of the Midwestern woman they befriended. From tales of escaping Tibet over the Himalayas, to striking a balance between old traditions with new, to bridging divides one friendly gesture at a time, readers will expand their understanding of family, culture, and belonging.
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cover of Howard Hughes: Power, Paranoia, and Palace Intrigue, Revised and Expanded

Howard Hughes

Power, Paranoia, and Palace Intrigue, Revised and Expanded

Geoff Schumacher

University of Nevada Press, 2020

This newly revised and expanded edition of Howard Hughes chronicles the life and legacies of one of the most intriguing and accomplished Americans of the twentieth century. Hughes, born into wealth thanks to his father’s innovative drill bit that transformed the oil industry, put his inheritance to work in multiple ways, from producing big-budget Hollywood movies to building the world’s fastest and largest airplanes. Hughes set air speed records and traveled around the world in record time, earning ticker-tape parades in three cities in 1938. Later, he moved to Las Vegas and invested heavily in casinos. He bought seven resorts, in each case helping to loosen organized crime’s grip on Nevada’s lifeblood industry.

Although the public viewed Hughes as a heroic and independent-minded trailblazer, behind closed doors he suffered from germophobia, obsessive-compulsive disorder, and an addiction to painkillers. He became paranoid and reclusive, surrounding himself with a small cadre of loyal caretakers. As executives battled each other over his empire, Hughes’ physical and mental health deteriorated to the point where he lost control of his business affairs.

This second edition includes more insider details on Hughes’ personal interactions with actresses, journalists, and employees. New chapters provide insights into Hughes’s involvement with the mob, his ownership and struggles as the majority shareholder of TWA and the wide-ranging activities of Hughes Aircraft Company, Hughes’s critical role in the Glomar Explorer CIA project (a deep-sea drillship platform built to recover the Soviet submarine K-129), and more. Based on in-depth interviews with individuals who knew and worked with Hughes, this fascinating biography provides a colorful and comprehensive look at Hughes—from his life and career to his final years and lasting influence.  This penetrating depiction of the man behind the curtain demonstrates Hughes’s legacy, and enduring impact on popular culture.
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cover of Huguccio: The Life, Works, and Thought of a Twelfth-Century Jurist

Huguccio

The Life, Works, and Thought of a Twelfth-Century Jurist

Wolfgang Muller

Catholic University of America Press, 1994

Huguccio was an important lawyer of the medieval church, bishop of Ferrara, and one of the greatest representatives of twelfth-century scholasticism. In this book-length study of this influential figure, Wolfgang P. Müller provides a critical account of the biographical information on the man and his writings. He discusses the various aspects of Huguccio's career and thought as well as the manuscript tradition of some of his works. The author's scholarship rests on direct consultation and painstaking analysis of enormous quantities of manuscript material.

This book provides the point of departure for anyone wishing to study Huguccio first-hand. It will be worthy reading for students of medieval canon law and an essential addition to all libraries supporting research in medieval studies.
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cover of Humbug: The Art of P. T. Barnum

Humbug

The Art of P. T. Barnum

Neil Harris

University of Chicago Press, 1981

This carefully researched study of America's greatest showman, huckster, and impresario is both an inclusive analysis of the historical and cultural forces that were the conditions of P. T. Barnum's success, and, as befits its subject, a richly entertaining presentation of the outrageous man and his exploits.
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cover of Hungry Hill: A Memoir

Hungry Hill

A Memoir

Carole O'Malley Gaunt

University of Massachusetts Press, 2007

On a sweltering June night in 1959, Betty O'Malley died from lymphatic cancer, leaving behind an alcoholic husband and eight shell-shocked children—seven sons and one daughter, ranging in age from two to fifteen years. The daughter, Carole, was thirteen at the time. In this poignant memoir, she recalls in vivid detail the chaotic course of her family life over the next four years. 

The setting for the story is Hungry Hill, an Irish-Catholic working-class neighborhood in Springfield, Massachusetts. The author recounts her sad and turbulent story with remarkable clarity, humor, and insight, punctuating the narrative with occasional fictional scenes that allow the adult Carole to comment on her teenage experiences and to probe the impact of her mother's death and her father's alcoholism.

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cover of Hurricane Pioneer: Memoirs of Bob Simpson

Hurricane Pioneer

Memoirs of Bob Simpson

Robert H. Simpson with Neal M. Dorst

American Meteorological Society, 2014

In 1951, Robert H. Simpson lifted off in a specially-equipped plane, flying directly into the path of a storm that would send most people running for cover. For more than four hours he observed Typhoon Marge from its eerily calm eye, later describing it in The Bulletin of the American Meteorological Society as “a coliseum of clouds whose walls on one side rose vertically and on the other were banked like the galleries in a great opera house.”

For Simpson this was just one of his many pioneering explorations of hurricanes and extreme storms. Over his decades-long career his research led to great leaps in our understanding of tropical meteorology and our approach to hurricane safety. He was the first director of the National Hurricane Research Project and the second director of the National Hurricane Center, though he may be best known as co-creator of the widely used Saffir-Simpson Hurricane Scale, familiar to anyone who has heard a reporter use the words “category five.”

Simpson’s memoirs take readers from his experience with the Corpus Christi hurricane of 1919 to his travels to study weather across the globe. Along the way he crosses paths with other weather greats, including his trailblazing wife, meteorologist Joanne Simpson. Hurricane Pioneer is a riveting first-hand account at a revolutionary time in meteorology.
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cover of Hurt, Baby, Hurt

Hurt, Baby, Hurt

William Walter Scott, III

University of Michigan Press, 2025

The 1967 Detroit Rebellion was the bloodiest of the urban riots in the United States during the “Long hot summer of 1967.” Hurt, Baby, Hurt takes a personal look at the Rebellion from the perspective of William Walter Scott, III. The Rebellion began when police raided an unlicensed drinking club owned by Scott’s father and continued for five days, resulting in forty-three deaths and even more injuries, fires, and arrests. Scott, who was just 19 at the time and working as a doorman at his father’s club, is widely recognized as the man who started the Rebellion by throwing a bottle at one of the police officers. 

This memoir recounts Scott’s life from his birth up through the Rebellion. It tells the story of how the Rebellion started and provides an on-the-ground account of the Rebellion and its immediate aftermath, including the police detainment of the people involved. Now with a new foreword by Austin McCoy that considers the lasting impact of the rebellion, Hurt, Baby, Hurt offers valuable insight into an important part of Detroit history.
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