Laurence Lampert
University of Chicago Press, 2010
Paul Erickson, Judy L. Klein, Lorraine Daston, Rebecca Lemov, Thomas Sturm, and Michael D. Gordin
University of Chicago Press, 2013
Joseph Rouse
University of Chicago Press, 2002
John Kekes
University of Chicago Press, 2014
Eliran Bar-El
University of Chicago Press, 2025
Eliran Bar-El
University of Chicago Press, 2023
Laurence Lampert
University of Chicago Press, 2021
Zbigniew Janowski
St. Augustine's Press, 2019
Pierpaolo Antonello
Michigan State University Press, 2015
Colin Koopman
University of Chicago Press, 2019
N. Katherine Hayles
University of Chicago Press, 1999
N. Katherine Hayles
University of Chicago Press, 2012
“How do we think?” N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis—the belief that humans and technics are coevolving—and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa.
Paula A. Treichler
Duke University Press, 1999

Ed White
Pluto Press, 2012
Roland Barthes remains one of the most influential cultural theorists of the postwar period and Image-Music-Text collects his most influential essays. Ed White provides students with a clear guide to this essential but difficult text.
As students are increasingly expected to write across a range of media, Barthes' work can be understood as an early mapping of what we now call interdisciplinary or multidisciplinary study. The book's detailed section-by-section readings makes Barthes' most important writings accessible to undergraduate readers.
This book is a perfect companion for teaching and learning Barthes' ideas in cultural studies and literary theory.
Shannon Hoff
University of Chicago Press, 2026
Jean-Pierre Dupuy
Michigan State University Press, 2022
Jeffrey J. Kripal
University of Chicago Press, 2024
Now in paperback, a mind-bending invitation to experience the impossible as fundamentally human.
From precognitive dreams and telepathic visions to near-death experiences, UFO encounters, and beyond, so-called impossible phenomena are not supposed to happen. But they do happen—all the time. Jeffrey J. Kripal asserts that the impossible is a function not of reality but of our everchanging assumptions about what is real. How to Think Impossibly invites us to think about these fantastic (yet commonplace) experiences as an essential part of being human, expressive of a deeply shared reality that is neither mental nor material but gives rise to both. Thinking with specific individuals and their extraordinary experiences in vulnerable, open, and often humorous ways, Kripal interweaves humanistic and scientific inquiry to foster an awareness that the fantastic is real, the supernatural is super natural, and the impossible is possible.
Julian Baggini
University of Chicago Press, 2023
Deirdre N. McCloskey
University of Michigan Press, 2000
By the Residents of Hull-House
University of Illinois Press, 2007
Inspired by their Progressive Era faith in social science solutions to society’s problems, the residents of Hull-House collaborated on this work of sociology based on their experiences as residents of Chicago’s Near West Side. The contributors to this book believed that an enlightened citizenry could be mobilized for reform, and that by publishing maps with explicit information about the wages and conditions of the working poor in Chicago’s Nineteenth Ward they would educate the public and inspire reforms.
In addition to Jane Addams’s own prefatory note and paper on the role of social settlements in the labor movement, contributors provided detailed, real-world analyses of the Chicago Jewish ghetto, garment workers and the sweatshops, child labor, immigrant neighborhoods in the vicinity of Hull-House, and local charities. This edition also contains eight color reproductions of the original Hull-House neighborhood maps. The year 2006 marks the one hundred and eleventh anniversary of the publication of Hull-House Maps and Papers, and the volume remains a dramatic statement about the residents’ shared values as well as a major influence on subsequent social surveys.
Kalpana Rahita Seshadri
University of Minnesota Press, 2012
HumAnimal explores the experience of dehumanization as the privation of speech. Taking up the figure of silence as the space between human and animal, it traces the potential for an alternate political and ethical way of life beyond law. Employing the resources offered by deconstruction as well as an ontological critique of biopower, Kalpana Rahita Seshadri suggests that humAnimal, as the site of impropriety opened by racism and manifested by silence, can be political and hazardous to power.
Through the lens of such works as Coetzee’s Foe, Chesnutt’s “The Dumb Witness,” Dr. Itard’s “wild child,” and aerialist Philippe Petit’s Man on Wire, Seshadri lucidly brings Derrida’s concept of the trace and his theory of sovereignty into conversation with Agamben’s investigation of the analytics of power. The task is twofold: on the one hand, to question the logocentric presumption that determines the separation between human and animal, and on the other to examine the conflation of this separation as an instrument of power in the practice of racism. Thus HumAnimal details the differences and intersections between Derrida and Agamben in their respective approaches to power, claiming that to think simultaneously within the registers of deconstruction (which conceives of power as a symptom of the metaphysics of presence) and biopolitics (which conceives of power as the operation of difference) entails a specification of the political and ethical consequences that attends the two perspectives.
When considered as the potential of language to refuse the law of signification and semantics, silence can neutralize the exercise of power through language, and Seshadri’s inquiry discloses a counterpower that does not so much oppose or destroy the politics of the subject but rather neutralizes it and renders it ineffective.
Thomas M. Osborne Jr.
Catholic University of America Press, 2014
Thomas Langan, Edited by Antonio Calcagno
University of Missouri Press, 2009
Edited by Barbara MacKinnon
University of Illinois Press, 2000
Samuel B. Condic
Catholic University of America Press, 2018
Dominic Pettman
University of Minnesota Press, 2010
Charles Sherover
Northwestern University Press, 2001
Hayden Kee
Ohio University Press, 0
Much recent research on human evolution emphasizes that social behavior and cognition are at the heart of everything that is distinctively human. This body of research generally understands sociality in terms of social reasoning and the brain that supports it. Human Flesh shifts the focus. What if human sociality is not primarily or exclusively located in the brain but rather is distributed throughout the body? What if the foundation of the human way of life lies in intercorporeity: the ways in which our affective, sensorimotor social bodies—our eyes, hands, voices, ears, and desires—open our bodies and minds up to one another?
Human Flesh develops a framework for exploring these questions based on Merleau-Ponty’s unfinished work on human evolution, combining it with contemporary research in phenomenology, embodied cognitive science, evolutionary anthropology, and primatology. It applies that framework to explore how the different senses and sensory organs take on their distinctively human variations to facilitate the intercorporeal, social human form of life. Along the way, the book interprets familiar facts about the human body in a new light and develops novel hypotheses concerning human evolution. In contrast to the widely discussed social brain hypothesis, its guiding premise is the social body hypothesis: the proposition that the human body has evolved in response to the challenges posed by the distinctively human social form of life.
Based on these concrete investigations into the human body, Human Flesh proposes a new way of thinking about familiar topics in the evolution of cognition literature, such as the emergence of higher orders of social cognition and the development of human symbolic and linguistic capacities. Ultimately, the book arrives at a new determination of human nature and the human form of life: To be human is to be Homo invisibilis, an animal obsessed with, adapted for, and dependent upon the invisible minds of other humans and the symbolic-cultural worlds opened up by their unique social bodies.
Tuan, Yi-Fu
University of Wisconsin Press, 2008
Yi-Fu Tuan
University of Wisconsin Press, 2008
In his many best-selling books, Yi-Fu Tuan seizes big, metaphysical issues and considers them in uniquely accessible ways. Human Goodness is evidence of this talent and is both as simple, and as epic, as it sounds.
Genuinely good people and their actions, Tuan contends, are far from boring, naive, and trite; they are complex, varied, and enormously exciting. In a refreshing antidote to skeptical times, he writes of ordinary human courtesies, as simple as busing your dishes after eating, that make society functional and livable. And he writes of extraordinary courage and inventiveness under the weight of adversity and evil. He considers the impact of communal goodness over time, and his sketches of six very different individuals—Confucius, Socrates, Wolfgang Amadeus Mozart, John Keats, Dr. Albert Schweitzer, and Simone Weil—confirm that there are human lives that can encourage and lead us to our better selves.
Claude Romano, Samuel R. Webb
Northwestern University Press, 2027
Examining philosophical views of human identity and calling for a shift in how we discuss this essential concept
The problem of identity is one of the most debated contemporary issues in philosophy and the social sciences. Human Identity does not approach this question from a sociological or political position but rather seeks to take a step away from the dominant approach in metaphysics and analytical philosophy, putting forward a dialogical concept of identity inspired mainly by the phenomenological-hermeneutic tradition. Claude Romano argues that the question of identity can only be satisfactorily formulated from the point of view of an intrinsically social understanding of the human being: The identity that matters in our lives is the one we can assume before others in truthful conduct and thus the one for which we can bear responsibility in the first person.
Romano carefully examines the full historical sweep of the philosophy of identity, referencing not only classic thinkers, including Descartes, Locke, Kant, and Husserl, but also contemporary interlocutors, such as Richard Moran and Charles Larmore. He engages in a sustained dialogue with these fellow philosophers, historical and current, while arguing for a complete paradigm shift in our approach to identity. Romano contends that we need to move on from the question Who?, as used by a prosecutor or judge to identify a guilty party, and instead look to the question used by Montaigne to define himself: Who am I?
Antonio S. Cua
Catholic University of America Press, 2005
Neil L. Whitehead
University Press of Colorado, 2012
John Kekes
University of Chicago Press, 2016
Sharon Sliwinski
University of Chicago Press, 2011
From the fundamental rights proclaimed in the American and French declarations of independence to the 1948 Universal Declaration of Human Rights and Hannah Arendt’s furious critiques, the definition of what it means to be human has been hotly debated. But the history of human rights—and their abuses—is also a richly illustrated one. Following this picture trail, Human Rights In Camera takes an innovative approach by examining the visual images that have accompanied human rights struggles and the passionate responses people have had to them.
Alexandre Lefebvre
Duke University Press, 2018

Richard A. Wilson
Pluto Press, 1998
David Cecchetto
University of Minnesota Press, 2013
Humanesis critically examines central strains of posthumanism, searching out biases in the ways that human–technology coupling is explained. Specifically, it interrogates three approaches taken by posthumanist discourse: scientific, humanist, and organismic. David Cecchetto’s investigations reveal how each perspective continues to hold on to elements of the humanist tradition that it is ostensibly mobilized against. His study frontally desublimates the previously unseen presumptions that underlie each of the three thought lines and offers incisive appraisals of the work of three prominent thinkers: Ollivier Dyens, Katherine Hayles, and Mark Hansen.
To materially ground the problematic of posthumanism, Humanesis interweaves its theoretical chapters with discussions of artworks. These highlight the topos of sound, demonstrating how aurality might produce new insights in a field that has been dominated by visualization. Cecchetto, a media artist, scrutinizes his own collaborative artistic practice in which he elucidates the variegated causal chains that compose human–technological coupling.
Humanesis advances the posthumanist conversation in several important ways. It proposes the term “technological posthumanism” to focus on the discourse as it relates to technology without neglecting its other disciplinary histories. It suggests that deconstruction remains relevant to the enterprise, especially with respect to the performative dimension of language. It analyzes artworks not yet considered in the light of posthumanism, with a particular emphasis on the role of aurality. And the form of the text introduces a reflexive component that exemplifies how the dialogue of posthumanism might progress without resorting to the types of unilateral narratives that the book critiques.
Edited by Roderick Floud, Santhi Hejeebu, and David Mitch
University of Chicago Press, 2016
Riccardo Fubini
Duke University Press, 2003
Lisa Fretschel
St. Augustine's Press, 2023
Emmanuel Levinas
University of Illinois Press, 2003
Edited by Kenneth E. Sassaman and Donald H. Holly Jr.
University of Arizona Press, 2011
Charles J. List
Oregon State University Press, 2013
Dan Zahavi
Ohio University Press, 2001
Timo Miettinen
Northwestern University Press, 2020
Husserl and the Idea of Europe argues that Edmund Husserl’s late reflections on Europe should not be read either as departures from his early transcendental phenomenology or as simple exercises of cultural criticism but rather as systematic phenomenological reflections on generativity and historicity. Timo Miettinen shows that Husserl’s deliberations on Europe contain his most compelling and radical interpretation of the intersubjective, communal, and historical dimensions of phenomenology.
Husserl and his generation worked in the aftermath of World War I, as Europe struggled to redefine itself, and he penned his late writings as the clouds of World War II gathered. Decades later, the fall of the Soviet Union again altered the continent’s identity and its political and economic divisions. Miettinen writes as a European involved in the question of Europe, and many of the recent authors and critics he addresses in this work—such as Michel Foucault, Jacques Derrida, and Giorgio Agamben—likewise deeply engaged with this new problem of European identity. The book illuminates the multifaceted problem of the idea of European rationality, and it defends novel conceptions of universalism and teleology as necessary components of radical philosophical reflection.
Maurice Merleau-Ponty
Northwestern University Press, 2002
Steven Galt Crowell
Northwestern University Press, 2001
Paul Ricoeur, Edward G. Ballard and Lester E. Embree; Foreword by David Carr
Northwestern University Press, 1967
Paul Ricoeur, Edward G. Ballard and Lester E. Embree; Foreword by David Carr
Northwestern University Press, 2007