Results by title

Michelangelo, Raphael, Bramante—together these artists created some of the most glorious treasures of the Vatican, viewed daily by thousands of tourists. But how many visitors understand the way these artworks reflect the passions, dreams, and struggles of the popes who commissioned them? For anyone making an artistic pilgrimage to the High Renaissance splendors of the Vatican, George L. Hersey's book is the ideal guide.

Before starting the tour of individual works, Hersey describes how the treacherously shifting political and religious alliances of sixteenth-century Italy, France, and Spain played themselves out in the Eternal City. He offers vivid accounts of the lives and personalities of four popes, each a great patron of art and architecture: Julius II, Leo X, Clement VII, and Paul III. He also tells of the complicated rebuilding and expanding of St. Peter's, a project in which Bramante, Raphael, and Michelangelo all took part.

Having set the historical scene, Hersey then explores the Vatican's magnificent Renaissance art and architecture. In separate chapters, organized spatially, he leads the reader through the Cortile del Belvedere and Vatican Museums, with their impressive holdings of statuary and paintings; the richly decorated Stanze and Logge of Raphael; and Michelangelo's Last Judgment and newly cleaned Sistine Chapel ceiling. A fascinating final chapter entitled "The Tragedy of the Tomb" recounts the vicissitudes of Michelangelo's projected funeral monument to Julius II.

Hersey is never content to simply identify the subject of a painting or sculpture. He gives us the story behind the works, telling us what their particular themes signified at the time for the artist, the papacy, and the Church. He also indicates how the art was received by contemporaries and viewed by later generations.

Generously illustrated and complete with a useful chronology, High Renaissance Art in St. Peter's and the Vatican is a valuable reference for any traveler to Rome or lover of Italian art who has yearned for a single-volume work more informative and stimulating than ordinary guidebooks. At the same time, Hersey's many anecdotes and intriguing comparisons with works outside the Vatican will provide new insights even for specialists.

When he started taking paying passengers by boat through the rapids of the Colorado River's canyons, Norman Nevills invented whitewater tourism and the commercial river business. For twelve years, from 1938 until his death in a plane crash in 1949, he safely took, without a single life lost, friends, explorers, and customers down the Colorado, Green, San Juan, Salmon, and Snake Rivers in boats he designed. National media found him and his adventures irresistible and turned him into the personification of river running. Logging seven trips through the Grand Canyon when no one else had completed more than two, he was called the Fast Water Man. Boatmen he trained went on to found their own competing operations. Always controversial, Nevills had important critics and enemies as well as friends and supporters, but no one can dispute his tremendous impact on the history of western rivers and recreation.

Nevills's complete extant journals of those river expeditions are published for the first time in High, Wide, and Handsome. They contain vivid stories and images of still untamed-by-dams rivers and canyons in the Colorado River system and elsewhere, of wild rides in wooden boats, and of the few intrepid pioneers of adventure tourism who paid Nevills so they could experience it all. They have been transcribed and edited by river historian Roy Webb, author of If We Had a Boat: Green River Explorers, Adventurers, and Runners and Call of the
Colorado.

O. J. Simpson. The Central Park jogger. Bensonhurst. William Kennedy Smith. Rodney King. These are more than crimes and criminals, more than court cases. They are cultural events that, for better or worse, gave concrete expression to latent social conflicts in American society. In High-Profile Crimes, Lynn Chancer explores how these cases became conflated with larger social causes on a collective level and how this phenomenon has affected the law, the media, and social movements.

An astute and incisive chronicle of some of the most polarizing cases of the 1980s and 1990s, High-Profile Crimes shows that their landmark status results from the overlapping interaction of diverse participants. The merging of legal cases and social causes, Chancer argues, has wrought ambivalent effects on both social movements and the law. On the one hand, high-profile crimes offer important opportunities for emotional expression and raise awareness of social issues. But on the other hand, social problems cannot be resolved through the either/or determinations that are the goals of the legal system, creating frustration for those who look to the outcome of these cases for social progress. Guilt or innocence through the lens of the media leads to either defeat or victory for a social cause-a confounding situation that made the O. J. Simpson case, for example, unable to resolve the issues of domestic violence and police racism that it had come to symbolize.

Based on nearly two hundred interviews, Chancer's discussions of the infamous Central Park jogger and Bensonhurst cases-as well as the rape trials of William Kennedy Smith and Mike Tyson, the assault cases of Rodney King and Reginald Denny, and, finally, the O. J. Simpson murder trial-provide a convincing, multidimensional and innovative analysis of the most charged public dramas of the last two decades.

Many feminists love a utopia—the idea of restarting humanity from scratch or transforming human nature in order to achieve a prescribed future based on feminist visions. Some scholars argue that feminist utopian fiction can be used as a template for creating such a future. However, Sally L. Kitch argues that associating feminist thought with utopianism is a mistake.

Drawing on the history of utopian thought, as well as on her own research on utopian communities, Kitch defines utopian thinking, explores the pitfalls of pursuing social change based on utopian ideas, and argues for a "higher ground" —a contrasting approach she calls realism. Replacing utopianism with realism helps to eliminate self-defeating notions in feminist theory, such as false generalization, idealization, and unnecessary dichotomies. Realistic thought, however, allows feminist theory to respond to changing circumstances, acknowledge sameness as well as difference, value the past and the present, and respect ideological give-and-take.

An important critique of feminist thought, Kitch concludes with a clear, exciting vision for a feminist future without utopia.

During the long twentieth century, explorers went in unprecedented numbers to the hottest, coldest, and highest points on the globe. Taking us from the Himalaya to Antarctica and beyond, Higher and Colder presents the first history of extreme physiology, the study of the human body at its physical limits. Each chapter explores a seminal question in the history of science, while also showing how the apparently exotic locations and experiments contributed to broader political and social shifts in twentieth-century scientific thinking.
 
Unlike most books on modern biomedicine, Higher and Colder focuses on fieldwork, expeditions, and exploration, and in doing so provides a welcome alternative to laboratory-dominated accounts of the history of modern life sciences. Though centered on male-dominated practices—science and exploration—it recovers the stories of women’s contributions that were sometimes accidentally, and sometimes deliberately, erased. Engaging and provocative, this book is a history of the scientists and physiologists who face challenges that are physically demanding, frequently dangerous, and sometimes fatal, in the interest of advancing modern science and pushing the boundaries of human ability.

For more than a century, the world has recognized the extraordinary biological diversity of the forests of Tanzania’s Usambara Mountains. As international attention has focused on forest conservation, farmers, foresters, biologists, and the Tanzanian state have realized that only complex negotiations will save these treasured, but rapidly disappearing, landscapes. Highland Sanctuary unravels the complex interactions among agriculture, herding, forestry, the colonial state, and the landscape itself. In his examination of the region’s history of ecological transformation, Christopher Conte demonstrates how these forces have combined to create an ever-changing mosaic of forest and field. His study illuminates the debate over conservation, arguing that contingency and chance, the stuff of human history, have shaped forests in ways that rival the power of nature. In Highland Sanctuary, the forest becomes part of human history, rather than something outside of it. Highland Sanctuary cuts through a legacy of contention and ill will to inform contemporary conservation initiatives. Professor Conte explains how ecological changes take divergent paths in similar environments, in this case on mountains that harbor unique flora and fauna, and how these mountain environments achieve international importance as centers of biodiversity.

Highlights in the History of the American Press was first published in 1954. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The articles collected in this volume present a vivid panorama of American journalistic history from its antecedents in the English ballad singers to the press giants of modern times. Since there is probably no single force that has played a greater role in the history of America than its newspapers, the history of journalism tells, in large measure, the story of this country's political, social, and economic development. Therefore, this book of readings offers much to the students of the American scene, past and present, whether they are general readers or specialists in journalism, history, American studies, or any of the social sciences.

The 27 articles included here have been chosen particularly for their readability and authenticity. They are by many different writers and are from a wide variety of periodicals published over the past 100 years. They are arranged according to six historical periods, covering the rise of the English press, the Colonial press, the nationalistic press of Revolutionary times, the popular press of the Jacksonian democracy, the transition press following the Civil War, and the modern era of mass circulation. An introductory essay for each group of articles places the individual studies in historical perspective and examines briefly the journalistic events not covered in detail by the articles themselves. The article authors include such notable names in American letters as Gamaliel Bradford, Will Irwin, William Allen White, John Dos Passos, and Henry F. Pringle.

The coherent presentation of this diverse material should help anyone interested in the American newspaper get a better view of its broad scope, its lively color, and its profound influence on the course of history.

This is the first English translation of a controversial Japanese best seller that made the public aware of the social problem of hikikomori, or “withdrawal”—a phenomenon estimated by the author to involve as many as one million Japanese adolescents and young adults who have withdrawn from society, retreating to their rooms for months or years and severing almost all ties to the outside world. Saitō Tamaki’s work of popular psychology provoked a national debate about the causes and extent of the condition.

Since Hikikomori was published in Japan in 1998, the problem of social withdrawal has increasingly been recognized as an international one, and this translation promises to bring much-needed attention to the issue in the English-speaking world. According to the New York Times, “As a hikikomori ages, the odds that he’ll re-enter the world decline. Indeed, some experts predict that most hikikomori who are withdrawn for a year or more may never fully recover. That means that even if they emerge from their rooms, they either won’t get a full-time job or won’t be involved in a long-term relationship. And some will never leave home. In many cases, their parents are now approaching retirement, and once they die, the fate of the shut-ins—whose social and work skills, if they ever existed, will have atrophied—is an open question.”

Drawing on his own clinical experience with hikikomori patients, Saitō creates a working definition of social withdrawal and explains its development. He argues that hikikomori sufferers manifest a specific, interconnected series of symptoms that do not fit neatly with any single, easily identifiable mental condition, such as depression.

Rejecting the tendency to moralize or pathologize, Saitō sensitively describes how families and caregivers can support individuals in withdrawal and help them take steps toward recovery. At the same time, his perspective sparked contention over the contributions of cultural characteristics—including family structure, the education system, and gender relations—to the problem of social withdrawal in Japan and abroad.

In Hillary and Bill, William H. Chafe boldly argues that the trajectory of the Clintons' political lives can be understood only through the prism of their personal relationship. Inseparable from the day they first met, their personal dynamic has determined their political fates. Hillary was instrumental in Bill's triumphs as Arkansas's governor, and she saved his presidential candidacy in 1992 during the Gennifer Flowers sex scandal. He responded by delegating to her powers that no other First Lady had ever exercised. Chafe's penetrating insights—into subjects such as health care, Kenneth Starr, welfare reform, and the Lewinsky scandal—add texture and depth to our understanding of the Clintons' experience together. Hillary and Bill is the definitive account of the Clintons’ relationship and its far-reaching impact on American political life.

 

In this new edition, Chafe explores how Hillary adopted a new persona as a U.S. senator, returning to the consensus-oriented reformer she had been before she met Bill. Listening to her constituents and building bridges to Republicans in Congress, she left behind the us-against-them political personality of her White House years. She kept this persona as secretary of state, establishing personal ties with foreign leaders and reaching out to average citizens in the countries she visited. Still, she retained her obsession with her personal privacy and permitted the Clinton Foundation to create potential conflicts of interest with her government responsibilities. The key question, as she approached the 2016 presidential race, was which Hillary would be the presidential candidate—the person who reaches out to others and seeks collaborators or the Hillary who demonizes the opposition and fiercely protects her privacy and self-image.

 

A PopMatters Best Non-Fiction Book of 2020

From the 1930s to the 1960s, the booming popularity of country music threw a spotlight on a new generation of innovative women artists. These individuals blazed trails as singers, musicians, and performers even as the industry hemmed in their potential popularity with labels like woman hillbilly, singing cowgirl, and honky-tonk angel.

Stephanie Vander Wel looks at the careers of artists like Patsy Montana, Rose Maddox, and Kitty Wells against the backdrop of country music's golden age. Analyzing recordings and appearances on radio, film, and television, she connects performances to real and imagined places and examines how the music sparked new ways for women listeners to imagine the open range, the honky-tonk, and the home. The music also captured the tensions felt by women facing geographic disruption and economic uncertainty. While classic songs and heartfelt performances might ease anxieties, the subject matter underlined women's ambivalent relationships to industrialism, middle-class security, and established notions of femininity.

This book provides the very first in-depth analysis of the founding decades of a major Hillel chapter in the United States. Hillel at the University of Michigan was founded in 1926 as the fourth such chapter in the United States following its establishment at three other public universities in the Midwest: Illinois (1923); Wisconsin (1924); Ohio State (1925).
 
The study analyzes Hillel's challenges as a big-tent, catch-all institution trying to represent all Jewish students on campus regardless of their religious orientation, cultural preferences, and ideological predilections. It looks at Hillel's interactions with the then powerful Jewish fraternities and sororities that provided the main locus of Jewish life on campus at the time, as well as its relations with the University's leadership and many of its cultural and political constituencies. Most of these activities occurred at a time when anti-Semitism was rife in the United States, particularly in the larger Detroit area, home to Henry Ford and Father Charles Edward Coughlin.

West Virginia’s championship teams at WVU and Marshall and athletic superstars like Jerry West and Mary Lou Retton are familiar to all, but few know the untold story of sports in the Mountain State. Hillside Fields: A History of Sports in West Virginia chronicles the famous athletic triumphs and heart-breaking losses of local heroes and legendary teams, recording the titanic struggles of a small state competing alongside larger rivals.
Hillside Fields provides a broad view of the development of sports in West Virginia, from one of the first golf clubs in America at Oakhurst Links to the Greenbrier Classic; from the first girls basketball championship in 1919 to post Title IX; from racially segregated sports to integrated teams; and from the days when West Virginia Wesleyan and Davis & Elkins beat the big boys in football to the championship teams at WVU, Marshall, West Virginia State and West Liberty.
Hillside Fields explains how major national trends and events, as well as West Virginia’s economic, political, and demographic conditions, influenced the development of sports in the state. The story of the growth of sports in West Virginia is also a story of the tribulations, hopes, values and triumphs of a proud people.

The rural sector of agrarian societies has historically been viewed as composed of undifferentiated households primarily interested in self-sufficiency. In more recent times, households have been seen as more diverse than previously thought, both internal

Over the last forty years, the human landscape of the United States has been fundamentally transformed. The metamorphosis is partially visible in the ascendance of glittering, coastal hubs for finance, infotech, and the so-called creative class. But this is only the tip of an economic iceberg, the bulk of which lies in the darkness of the declining heartland or on the dimly lit fringe of sprawling cities. This is America’s hinterland, populated by towering grain threshers and hunched farmworkers, where laborers drawn from every corner of the world crowd into factories and “fulfillment centers” and where cold storage trailers are filled with fentanyl-bloated corpses when the morgues cannot contain the dead.

Urgent and unsparing, this book opens our eyes to America’s new heart of darkness. Driven by an ever-expanding socioeconomic crisis, America’s class structure is recomposing itself in new geographies of race, poverty, and production. The center has fallen. Riots ricochet from city to city led by no one in particular. Anarchists smash financial centers as a resurgent far right builds power in the countryside. Drawing on his direct experience of recent popular unrest, from the Occupy movement to the wave of riots and blockades that began in Ferguson, Missouri, Phil A. Neel provides a close-up view of this landscape in all its grim but captivating detail. Inaugurating the new Field Notes series, published in association with the Brooklyn Rail, Neel’s book tells the intimate story of a life lived within America’s hinterland.

This approachable book in the SAA Press Current Perspectives Series is a comprehensive synthesis of Northwest Mexico from the US border to the Mesoamerican frontier. Filling a vital gap in the regional literature, it serves as an essential reference not only for those interested in the specific history of this area of Mexico but western North America writ large. A period-by-period review of approximately 14,000 years reveals the dynamic connections that knitted together societies inhabiting the Sea of Cortez coast, the Sonoran and Chihuahuan Deserts, and the Sierra Madre Occidental. Networks of interaction spanned these diverse ecological, topographical, and cultural terrains in the millennia following the demise of the megafauna. The authors provide a fresh perspective that refutes depictions of the Northwest as a simple filter or conduit of happenings to the north or south, and they highlight the role local motivations and dynamics played in facilitating continental-scale processes.

Throughout Africa, artists use hip-hop both to describe their lives and to create shared spaces for uncensored social commentary, feminist challenges to patriarchy, and resistance against state institutions, while at the same time engaging with the global hip-hop community. In Hip-Hop in Africa, Msia Kibona Clark examines some of Africa’s biggest hip-hop scenes and shows how hip-hop helps us understand specifically African narratives of social, political, and economic realities.

Clark looks at the use of hip-hop in protest, both as a means of articulating social problems and as a tool for mobilizing listeners around those problems. She also details the spread of hip-hop culture in Africa following its emergence in the United States, assessing the impact of urbanization and demographics on the spread of hip-hop culture.

Hip-Hop in Africa is a tribute to a genre and its artists as well as a timely examination that pushes the study of music and diaspora in critical new directions. Accessibly written by one of the foremost experts on African hip-hop, this book will easily find its place in the classroom.

Counterculture flourished nationwide in the 1960s and 1970s, and while the hippies of Haight–Ashbury occupied the public eye, a faction of back to the landers were quietly creating their own haven off the beaten path in the Arkansas Ozarks. In Hipbillies, Jared Phillips combines oral histories and archival resources to weave the story of the Ozarks and its population of country beatniks into the national narrative, showing how the back to the landers engaged in “deep revolution” by sharing their ideas on rural development, small farm economy, and education with the locals—and how they became a fascinating part of a traditional region’s coming to terms with the modern world in the process.

It’s the 1960s. The Vietnam War is raging and protests are erupting across the United States. In many quarters, young people are dropping out of society, leaving their urban homes behind in an attempt to find a safe place to live on their own terms, to grow their own food, and to avoid a war they passionately decry. During this time, West Virginia becomes a haven for thousands of these homesteaders—or back-to-the-landers, as they are termed by some. Others call them hippies.

When the going got rough, many left. But a significant number remain to this day. Some were artisans when they arrived, while others adopted a craft that provided them with the cash necessary to survive. Hippie Homesteaders tells the story of this movement from the viewpoint of forty artisans and musicians who came to the state, lived on the land, and created successful careers with their craft. There’s the couple that made baskets coveted by the Smithsonian Institution’s Renwick Gallery. There’s the draft-dodger that fled to Canada and then became a premier furniture maker. There’s the Boston-born VISTA worker who started a quilting cooperative. And, there’s the immigrant Chinese potter who lived on a commune.

Along with these stories, Hippie Homesteaders examines the serendipitous timing of this influx and the community and economic support these crafters received from residents and state agencies in West Virginia. Without these young transplants, it’s possible there would be no Tamarack: The Best of West Virginia, the first statewide collection of fine arts and handcrafts in the nation, and no Mountain Stage, the weekly live musical program broadcast worldwide on National Public Radio since 1983. Forget what you know about West Virginia.

Hippie Homesteaders isn’t about coal or hillbillies or moonshine or poverty. It is the story of why West Virginia was—and still is—a kind of heaven to so many.

Just as mass-market magazines and cheap books have played important roles in the creation of an American identity, those skilled craftsmen (and women) whose careers are the subjects of Ronald Weber’s narrative profoundly influenced the outlook and strategies of the high-culture writers who are generally the focus of literary studies.

Hired Pens, a history of the writing profession in the United States, recognizes the place of independent writers who wrote for their livelihood from the 1830s and 1840s, with the first appearance of a broad-based print culture, to the 1960s.

Many realist authors began on this American Grub Street. Jack London turned out hackwork for any paying market he could find, while Scott Fitzgerald’s stories in slick magazines in the 1920s and early ’30s established his name as a writer.

From Edgar Allen Poe’s earliest forays into writing for pay to Sylvia Plath’s attempts to produce fiction for mass-circulation journals, Hired Pens documents without agenda the evolution of professional writing in all its permutations—travel accounts, sport, popular biography and history, genre and series fiction—and the culture it fed.

When President Harry Truman authorized the use of atomic weapons against Japan, he did so to end a bloody war that would have been bloodier still had the planned invasion of Japan proved necessary. Revisionists claim that Truman’s real interest was a power play with the Soviet Union and that the Japanese would have surrendered even earlier had the retention of their imperial system been assured. Truman wanted the war to continue, they insist, in order to show off America’s powerful new weapon.

This anthology exposes revisionist fallacies about Truman’s motives, the cost of an invasion, and the question of Japan’s surrender. Essays by prominent military and diplomatic historians reveal the hollowness of revisionist claims, exposing the degree to which these agenda-driven scholars have manipulated the historical record to support their contentions. They show that, although some Japanese businessmen and minor officials indicated a willingness to negotiate peace, no one in a governmental decision-making capacity even suggested surrender. And although casualty estimates for an invasion vary considerably, the more authoritative approximations point to the very bloodbath that Truman sought to avoid.

Volume editor Robert Maddox first examines the writings of revisionist Gar Alperovitz to expose the unscholarly methods Alperovitz employed to support his claims, then distinguished Japanese historian Sadao Asada reveals how difficult it was for his country’s peace faction to prevail even after the bombs had been dropped. Other contributors point to continuing Japanese military buildups, analyze the revisionists’ low casualty estimates for an invasion, reveal manipulations of the Strategic Bombing Survey of 1946, and show how even the exhibit commemorating the fiftieth anniversary of the bombing at the Smithsonian National Air and Space Museum hewed to the revisionist line. And a close reading of Tsuyoshi Hasegawa’s acclaimed Racing the Enemy exposes many grave discrepancies between that recent revisionist text and its sources.

The use of atomic bombs against Japan remains one of the most controversial issues in American history. Gathered in a single volume for the first time, these insightful readings take a major step toward settling that controversy by showing how insubstantial Hiroshima revisionism really is—and that sometimes history cannot proceed without decisive action, however regrettable.

The history of the American West has usually been seen from the perspective of American expansion. Drawing on previously unexplored primary sources, James E. Officer has now produced a major work that traces the Hispanic roots of southern Arizona and northern Sonora—one which presents the Spanish and Mexican rather than Anglo point of view. Officer records the Hispanic presence from the earliest efforts at colonization on Spain’s northwestern frontier through the Spanish and Mexican years of rule, thus providing a unique reference on Southwestern history.
 
The heart of the work centers on the early nineteenth century. It explores subjects such as the constant threat posed by hostile Apaches, government intrigue and revolution in Sonora and the provincias internas, and patterns of land ownership in villages such as Tucson and Tubac. Also covered are the origins of land grants in present-day southern Arizona and the invasion of southern Arizona by American “49ers” as seen from the Mexican point of view. Officer traces kinship ties of several elite families who ruled the frontier province over many generations—men and women whose descendants remain influential in Sonora and Arizona today.

In 1492 the island of Hispaniola was inhabited by the Taino, an Indian group whose ancestors had moved into the Caribbean archipelago from lowland South America more than 1,500 years before. They were organized politically into large cacicazgos, or chiefdoms, comprising 70 or more villages under the authority of a paramount cacique, or chief. From the first voyage on, Columbus made Hispaniola his primary base for operations in the New World. Over the subsequent decades, disease, warfare, famine, and enslavement brought about the destruction of the Taino chiefdoms and almost completely annihilated the aboriginal population of the island.
 

This book examines the early years of the contact period in the Caribbean and in narrative form reconstructs the social and political organization of the Taino. Wilson describes in detail the interactions between the Taino and the Spaniards, with special attention paid to the structure and functioning of the Taino chiefdoms. By providing additional information from archaeology and recent ethnography, he builds a rich context within which to understand the Taino and their responses to the Europeans.

The Taino are especially important in a New World context because they represent a society undergoing rapid sociopolitical change and becoming more complex through time. The early contact period on Hispaniola gives us a rich ethnohistorical glimpse of the political processes of a complex New World society before and during its destruction brought about by the arrival of the Europeans.


 

Historians Against History was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Professor Noble examines the basic philosophy and writing of six American historians, George Bancroft, Frederick Jackson, Charles A. Beard, Carl Becker, Vernon Louis Parrington, and Daniel J. Boorstin, and finds in them a common tradition which he calls anti-historical. He argues that this viewpoint is founded in the frontier interpretation of American history, that American historians have served as the chief political theorists and theologians of this country since 1830, and that their writings can be interpreted as Jeremiads designed to preserve a national covenant with nature.

Second edition. A comprehensive survey of historical literature produced in Italy during the Renaissance; a major contribution which discusses hundreds of authors who wrote in Latin or Italian in all parts of Italy during the fifteenth and sixteenth centuries. 

From lagging book sales and shrinking job prospects to concerns over the discipline's "narrowness," myriad factors have been cited by historians as evidence that their profession is in decline in America. Ian Tyrrell's Historians in Public shows that this perceived threat to history is recurrent, exaggerated, and often misunderstood. In fact, history has adapted to and influenced the American public more than people—and often historians—realize.

Tyrrell's elegant history of the practice of American history traces debates, beginning shortly after the profession's emergence in American academia, about history's role in school curricula. He also examines the use of historians in and by the government and whether historians should utilize mass media such as film and radio to influence the general public. As Historians in Public shows, the utility of history is a distinctive theme throughout the history of the discipline, as is the attempt to be responsive to public issues among pressure groups.

A superb examination of the practice of American history since the turn of the century, Historians in Public uncovers the often tangled ways history-makers make history-both as artisans and as actors.

America has gone Hamilton crazy. Lin-Manuel Miranda’s Tony-winning musical has spawned sold-out performances, a triple platinum cast album, and a score so catchy that it is being used to teach U.S. history in classrooms across the country. But just how historically accurate is Hamilton? And how is the show itself making history?

Historians on Hamilton brings together a collection of top scholars to explain the Hamilton phenomenon and explore what it might mean for our understanding of America’s history. The contributors examine what the musical got right, what it got wrong, and why it matters. Does Hamilton’s hip-hop take on the Founding Fathers misrepresent our nation’s past, or does it offer a bold positive vision for our nation’s future? Can a musical so unabashedly contemporary and deliberately anachronistic still communicate historical truths about American culture and politics? And is Hamilton as revolutionary as its creators and many commentators claim?

Perfect for students, teachers, theatre fans, hip-hop heads, and history buffs alike, these short and lively essays examine why Hamilton became an Obama-era sensation and consider its continued relevance in the age of Trump. Whether you are a fan or a skeptic, you will come away from this collection with a new appreciation for the meaning and importance of the Hamilton phenomenon.

Washington, D.C. has long been known as a frustrating and sometimes confusing city for its residents to call home. The monumental core of federal office buildings, museums, and the National Mall dominates the city’s surrounding neighborhoods and urban fabric. For much of the postwar era, Washingtonians battled to make the city their own, fighting the federal government over the basic question of home rule, the right of the city’s residents to govern their local affairs.  

In Historic Capital, urban historian Cameron Logan examines how the historic preservation movement played an integral role in Washingtonians’ claiming the city as their own. Going back to the earliest days of the local historic preservation movement in the 1920s, Logan shows how Washington, D.C.’s historic buildings and neighborhoods have been a site of contestation between local interests and the expansion of the federal government’s footprint. He carefully analyzes the long history of fights over the right to name and define historic districts in Georgetown, Dupont Circle, and Capitol Hill and documents a series of high-profile conflicts surrounding the fate of Lafayette Square, Rhodes Tavern, and Capitol Park, SW before discussing D.C. today.

Diving deep into the racial fault lines of D.C., Historic Capital also explores how the historic preservation movement affected poor and African American residents in Anacostia and the U Street and Shaw neighborhoods and changed the social and cultural fabric of the nation’s capital. Broadening his inquiry to the United States as a whole, Logan ultimately makes the provocative and compelling case that historic preservation has had as great an impact on the physical fabric of U.S. cities as any other private or public sector initiative in the twentieth century.

"A distinctive and skillful effort to bring facets of Illinois history to a popular as well as an academic audience."—John Hoffman, Illinois Historical Survey, University of Illinois Library