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Abducted at the age of eleven, Evelyn Amony spent nearly eleven years inside the Lord’s Resistance Army, becoming a forced wife to Joseph Kony and mother to his children. She takes the reader into the inner circles of LRA commanders and reveals unprecedented personal and domestic details about Joseph Kony. Her account unflinchingly conveys the moral difficulties of choosing survival in a situation fraught with violence, threat, and death.
            Amony was freed following her capture by the Ugandan military. Despite the trauma she endured with the LRA, Amony joined a Ugandan peace delegation to the LRA, trying to convince Kony to end the war that had lasted more than two decades. She recounts those experiences, as well as the stigma she and her children faced when she returned home as an adult.
            This extraordinary testimony shatters stereotypes of war-affected women, revealing the complex ways that Amony navigated life inside the LRA and her current work as a human rights advocate to make a better life for her children and other women affected by war.

Best books for public & secondary school libraries from university presses, American Library Association

Available for the first time in paperback, this book provides an intimate look at the troubles in Northern Ireland. In a moving collection of interviews with Irish women, Elizabeth Shannon reveals them to be as diverse, charming, maddening, and contradictory as the country itself. This new edition, expanded and updated, contains follow-up interviews with many of the same Catholic and Protestant women who were featured in the original edition, as well as an analysis of the new women's political movement in Northern Ireland.

"The most potent weapon in the hands of the oppressor is the mind of the oppressed." Like all of Steve Biko's writings, those words testify to the passion, courage, and keen insight that made him one of the most powerful figures in South Africa's struggle against apartheid. They also reflect his conviction that black people in South Africa could not be liberated until they united to break their chains of servitude, a key tenet of the Black Consciousness movement that he helped found.

I Write What I Like contains a selection of Biko's writings from 1969, when he became the president of the South African Students' Organization, to 1972, when he was prohibited from publishing. The collection also includes a preface by Archbishop Desmond Tutu; an introduction by Malusi and Thoko Mpumlwana, who were both involved with Biko in the Black Consciousness movement; a memoir of Biko by Father Aelred Stubbs, his longtime pastor and friend; and a new foreword by Professor Lewis Gordon.

Biko's writings will inspire and educate anyone concerned with issues of racism, postcolonialism, and black nationalism.

In Illegible Will Hershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive. Young argues for that will's illegibility, given the paucity of materials outlining the agency of black historical subjects. Drawing on court documents, novels, photographs, historical records, websites, and descriptions of music and dance, Young shows how black will can be conjured through critical imaginings done in concert with historical research. She critically imagines the will of familiar subjects such as Sarah Baartman and that of obscure figures such as the eighteenth-century slave Tryntjie of Madagascar, who was executed in 1713 for attempting to poison her mistress. She also investigates the presence of will in contemporary expressive culture, such as the Miss Landmine Angola beauty pageant, placing it in the long genealogy of the freak show. In these capacious case studies Young situates South African performance within African diasporic circuits of meaning throughout Africa, North America, and South Asia, demonstrating how performative engagement with archival absence can locate that which was never recorded.

Written from a digital humanities perspective, this book combines historical sources, maps, and a walking cartography to create new perspectives on the nineteenth-century history of Lagos, West Africa’s most populous city. What traces do people leave in the places where they live, and even where they die? This book addresses the spatial history of nineteenth-century Lagos, rebuilding its past as a series of encounters: between men and women, between past and present, between enslaved and free, between living and dead, and finally between land and lagoon. In Imagine Lagos, Ademide Adelusi-Adeluyi argues that the invention, destruction, and reinvention of spatial markers in Lagos—the streets, markets, roads, squares, palaces, and lagoons where these encounters occurred—was crucial to negotiations over identity, power, and freedom. Research for this book combines oral and archival sources from three countries with the experience of three summers of walking the streets of Lagos. Contrary to historical interpretations that render the physical city as a blank, featureless space in desperate need of constant repair, this book offers a variety of visual and textual narratives to push readers to imagine the old city. Throughout Imagine Lagos, historical maps join other texts—including colonial correspondence and reports, missionary letters, oríkì (Yoruba praise poetry), and newspaper articles—to create a complex collage of urban life in Lagos. Streets emerge as sites of historical memories, and Adelusi-Adeluyi’s maps of the mid-nineteenth-century city reveal and catalog layers of change. A focus on the city as a whole—as both a physical and social landscape—brings us closer than ever to understanding the lives of Lagosians between 1845 and 1872. In old Lagos, the streets keep their histories. The story maps and full-resolution maps for this book are available at https://newmapsoldlagos.com.

Many students come to African history with a host of stereotypes that are not always easy to dislodge. One of the most common is that of Africa as safari grounds—as the land of expansive, unpopulated game reserves untouched by civilization and preserved in their original pristine state by the tireless efforts of contemporary conservationists. With prose that is elegant in its simplicity and analysis that is forceful and compelling, Jan Bender Shetler brings the landscape memory of the Serengeti to life. She demonstrates how the social identities of western Serengeti peoples are embedded in specific spaces and in their collective memories of those spaces. Using a new methodology to analyze precolonial oral traditions, Shetler identifies core spatial images and reevaluates them in their historical context through the use of archaeological, linguistic, ethnographic, ecological, and archival evidence. Imagining Serengeti is a lively environmental history that will ensure that we never look at images of the African landscape in quite the same way.

Once the grain basket for South Africa, much of Lesotho has become a scarred and degraded landscape. The nation’s spectacular erosion and gullying have concerned environmentalists and conservationists for more than half a century. In Imperial Gullies: Soil Erosion and Conservation in Lesotho, Kate B. Showers documents the truth behind this devastation.

Showers reconstructs the history of the landscape, beginning with a history of the soil. She concludes that Lesotho’s distinctive erosion chasms, called dongas—often cited as an example of destructive land-use practices by African farmers—actually were caused by colonial and postcolonial interventions. The residents of Lesotho emerge as victims of a failed technology. Their efforts to mitigate or resist implementation of destructive soil conservation engineering works were thwarted, and they were blamed for the consequences of policies promoted by international soil conservationists since the 1930s.

Imperial Gullies calls for an observational, experimental, and, most important, a fully consultative and participatory approach to address Lesotho’s serious contemporary problems of soil erosion. The first book to bring to center stage the historical practice of colonial soil science—and a cautionary tale of western science in unfamiliar terrain—it will interest a broad, interdisciplinary audience in African and environmental studies, social sciences, and history.

In Improvising Medicine, Julie Livingston tells the story of Botswana's only dedicated cancer ward, located in its capital city of Gaborone. This affecting ethnography follows patients, their relatives, and ward staff as a cancer epidemic emerged in Botswana. The epidemic is part of an ongoing surge in cancers across the global south; the stories of Botswana's oncology ward dramatize the human stakes and intellectual and institutional challenges of an epidemic that will shape the future of global health. They convey the contingencies of high-tech medicine in a hospital where vital machines are often broken, drugs go in and out of stock, and bed-space is always at a premium. They also reveal cancer as something that happens between people. Serious illness, care, pain, disfigurement, and even death emerge as deeply social experiences. Livingston describes the cancer ward in terms of the bureaucracy, vulnerability, power, biomedical science, mortality, and hope that shape contemporary experience in southern Africa. Her ethnography is a profound reflection on the social orchestration of hope and futility in an African hospital, the politics and economics of healthcare in Africa, and palliation and disfigurement across the global south.

Finalist for the 2015 Aidoo-Snyder Prize

In Idi Amin’s Shadow is a rich social history examining Ugandan women’s complex and sometimes paradoxical relationship to Amin’s military state. Based on more than one hundred interviews with women who survived the regime, as well as a wide range of primary sources, this book reveals how the violence of Amin’s militarism resulted in both opportunities and challenges for women. Some assumed positions of political power or became successful entrepreneurs, while others endured sexual assault or experienced the trauma of watching their brothers, husbands, or sons “disappeared” by the state’s security forces. In Idi Amin’s Shadow considers the crucial ways that gender informed and was informed by the ideology and practice of militarism in this period. By exploring this relationship, Alicia C. Decker offers a nuanced interpretation of Amin’s Uganda and the lives of the women who experienced and survived its violence.

Each chapter begins with the story of one woman whose experience illuminates some larger theme of the book. In this way, it becomes clear that the politics of military rule were highly relevant to women and gender relations, just as the politics of gender were central to militarism. By drawing upon critical security studies, feminist studies, and violence studies, Decker demonstrates that Amin’s dictatorship was far more complex and his rule much more strategic than most observers have ever imagined.

During years of travelling through North Africa, author Barnaby Rogerson has encountered a handful of stories so complicated that he could not place them into neat, tidy narratives. These are stories of characters who were neither distinctly good nor noticeably bad, neither malicious nor noble. In Search of Ancient North Africa is a journey into the ruins of a landscape to make sense of these stories through the multilayered lives of six individuals. Rogerson digs into the lives of Queen Dido, who was a sacrificial refugee; King Juba II, a prisoner of war who became a compliant tool of the Roman Empire; Septimius Severus, an unpromising provincial who, as its leader, brought his empire to its dazzling apogee; St. Augustine, an intellectual careerist who became a bishop and a saint; Hannibal, the greatest general the world has ever known; and Masinissa, the man who eventually defeated him. Together these six lives, clouded with as much myth as fact, are characters that represent classical North Africa. Among these life stories, we explore ruins and monuments tell of their lives and see the multiple connections that bind the culture of this region with the wider world, particularly the spiritual traditions of the ancient Near East.

In Search of Ancient North Africa sheds new light on a time and place at the crossroads of numerous histories and cultures. It offers the first history of ancient North Africa told through the lives of North Africans themselves.

The tale of Paul Stoller's sojourn among sorcerors in the Republic of Niger is a story of growth and change, of mutual respect and understanding that will challenge all who read it to plunge deeply into an alien world.

The helmet-shaped mapiko masks of Mozam­bique have garnered admiration from African art scholars and collectors alike, due to their striking aesthetics and their grotesque allure. This book restores to mapiko its historic and artistic context, charting in detail the transformations of this masquerading tradition throughout the twentieth century.

Based on field research spanning seven years, this study shows how mapiko has undergone continuous reinvention by visionary individuals, has diversified into genres with broad generational appeal, and has enacted historical events and political engagements. This dense history of creativity and change has been sustained by a culture of competition deeply ingrained within the logic of ritual itself. The desire to outshine rivals on the dance ground drives performers to search for the new, the astonishing, and the topical. It is this spirit of rivalry and one-upmanship that keeps mapiko attuned to the times that it traverses.

In Step with the Times is illustrated with vibrant photographs of mapiko masks and performances. It marks the most radical attempt to date to historicize an African performative tradition.

Colin Turnbull made a name for himself with The Forest People, his acclaimed study of African Pygmies. His second book, however, The Mountain People, ignited a swirl of controversy within anthropology and tainted Turnbull's reputation as a respected anthropologist.

In this scrupulously researched biography, Roy Richard Grinker charts the rise and fall of this colorful and controversial man—from his Scottish family and British education to travels in Africa and his great love affair with Joe Towles. Grinker, noted for his own work on the Pygmies, herein gives readers a fascinating account of Turnbull's life and work.

Originally published by St. Martin's Press

After the 1925 discovery of diamonds in the semi-desert of the northwest coast of South Africa, De Beers Consolidated Mines Ltd. virtually proclaimed its dominion over the whole region. In the town of Kleinzee, the company owns all the real estate and infrastructure, and controls and administers both the town and the industry.

Peter Carstens’s In the Company of Diamonds draws a stark and startling portrait of this closed community, one that analyzes the power and hegemonic techniques used to acquire that power and maintain it.

As a prototypical company town, Kleinzee is subordinated to the industry and will of the owners. Employees and workers are variously differentiated and ordered according to occupation, ethnic variation, and other social criteria, a pattern reflected most markedly in the allocation of housing. Managers live in large, ranch-style houses, while contract workers are lodged in single-sex compounds.

As a community type, company towns like Kleinzee are not entirely unique, and Professor Carstens successfully draws a number of structural parallels with other closed and incomplete social formations such as Indian reservations, military bases, colleges, prisons, and mental hospitals.

Over the last fifty years, Roland Oliver has been both a witness to the post-colonial history of Africa and a preeminent scholar of the continent’s pre-colonial history. Oliver was a young Cambridge graduate in 1947 when he took a newly created position at the University of London to research, and eventually teach, the pre-colonial history of Africa. Seeking from the outset to establish a unified conception of African history free from European frameworks, Oliver and his colleague John Fage went on to write the influential A Short History of Africa, found the Journal of African History, and co-edit the eight-volume Cambridge History of Africa.
     In the Realms of Gold is Oliver’s account of his life and work. He writes in a deft and lively style about the circumstances of his early life that shaped his education and outlook: his childhood on a river houseboat in Kashmir, the influential teachers and friends met at Stowe and Cambridge, and his service in World War II as a cryptographer in British intelligence, where he met his first wife, Caroline Linehan. His interest in church history while at Cambridge led him to study the historical effects of Christian missionaries in Africa, and thus his career began.
     The core of the book is Oliver’s account of his research travels throughout tropical Africa from the 1940s to the 1980s; his efforts to train and foster African graduate students to teach in African universities; his role in establishing conferences and journals to bring together the work of historians and archaeologists from Europe and Africa; his encounters with political and religious leaders, scholars, soldiers, and storytellers; and the political and economic upheavals of the continent that he witnessed.

Anne Griffiths originally went to Botswana to establish a university course in family law. But independent fieldwork in Botswana convinced her of the central role of the traditional customary legal system that stands alongside the colonial common law of courts and magistrates she was examining in her course. In the first comparative work on these two systems, Griffiths shows how the structure of both legal institutions is based on power and gender relations that heavily favor males.

Griffiths's analysis is based on careful observation of how people actually experience the law as well as the more standard tools of statutes and cases familiar to Western legal scholars. She explains how women's access to law is determined by social relations over which they have little control. In this powerful feminist critique of law and anthropology, Griffiths shows how law and custom are inseparable for Kwena women. Both colonial common law and customary law pose comparable and constant challenges to Kwena women's attempts to improve their positions in society.

Indigenous knowledge has become a catchphrase in global struggles for environmental justice. Yet indigenous knowledges are often viewed, incorrectly, as pure and primordial cultural artifacts. This collection draws from African and North American cases to argue that the forms of knowledge identified as “indigenous” resulted from strategies to control environmental resources during and after colonial encounters.

At times indigenous knowledges represented a “middle ground” of intellectual exchanges between colonizers and colonized; elsewhere, indigenous knowledges were defined through conflict and struggle. The authors demonstrate how people claimed that their hybrid forms of knowledge were communal, religious, and traditional, as opposed to individualist, secular, and scientific, which they associated with European colonialism.

Indigenous Knowledge and the Environment offers comparative and transnational insights that disturb romantic views of unchanging indigenous knowledges in harmony with the environment. The result is a book that informs and complicates how indigenous knowledges can and should relate to environmental policy-making.

Contributors: David Bernstein, Derick Fay, Andrew H. Fisher, Karen Flint, David M. Gordon, Paul Kelton, Shepard Krech III, Joshua Reid, Parker Shipton, Lance van Sittert, Jacob Tropp, James L. A. Webb, Jr., Marsha Weisiger

In 1980 the ZANU/PF government of Robert Mugabe came to power after an extended war of liberation. They inherited a cluster of emergency laws similar to those available to the authorities in South Africa. It was also the beginning of the cynical South African state policy of destabilization of the frontline states. This led to a dangerous period of insurrection in Mashonaland and increased activity by Renamo.

Dr. Hatchard uses the case of Zimbabwe to ask questions about the use of authority in contemporary African states. He examines:
1. Whether and in what circumstances the declaration and retention of a state of emergency is justified;
2.The scope of emergency regulations and their impact on individual freedoms;
3.What safeguards are necessary in order to protect those freedoms during a state of emergency.

The relationship is studied from a political as well as a legal perspective. Dr. Hatchard examines the role law has played, is playing and may play. The author concludes that, even if the state of emergency is justified, this does not necessitate the curtailment of the exercise of individual freedoms.

There are many comparisons with the rest of Africa. The book is of practical importance for members of the judiciary, legal practitioners, politicians and human rights organizations. The difficult questions it poses make stimulating teaching material for students of the Third World who want to understand the reality of the exercise of power in fragile situations.

After the 1994 genocide in Rwanda, victims, perpetrators, and the country as a whole struggled to deal with the legacy of the mass violence. The government responded by creating a new version of a traditional grassroots justice system called gacaca. Bert Ingelaere, based on his observation of two thousand gacaca trials, offers a comprehensive assessment of what these courts set out to do, how they worked, what they achieved, what they did not achieve, and how they affected Rwandan society.

Weaving together vivid firsthand recollections, interviews, and trial testimony with systematic analysis, Ingelaere documents how the gacaca shifted over time from confession to accusation, from restoration to retribution. He precisely articulates the importance of popular conceptions of what is true and just. Marked by methodological sophistication, extraordinary evidence, and deep knowledge of Rwanda, this is an authoritative, nuanced, and bittersweet account of one of the most important experiments in transitional justice after mass violence.

As a young man in South Africa, Nelson Mandela aspired to be an interpreter or clerk, noting in his autobiography that “a career as a civil servant was a glittering prize for an African.” Africans in the lower echelons of colonial bureaucracy often held positions of little official authority, but in practice these positions were lynchpins of colonial rule. As the primary intermediaries among European colonial officials, African chiefs, and subject populations, these civil servants could manipulate the intersections of power, authority, and knowledge at the center of colonial society.
            By uncovering the role of such men (and a few women) in the construction, function, and legal apparatus of colonial states, the essays in this volume highlight a new perspective. They offer important insights on hegemony, collaboration, and resistance, structures and changes in colonial rule, the role of language and education, the production of knowledge and expertise in colonial settings, and the impact of colonization in dividing African societies by gender, race, status, and class.

In this ambitious new history of the antiapartheid struggle, Jon Soske places India and the Indian diaspora at the center of the African National Congress’s development of an inclusive philosophy of nationalism. In so doing, Soske combines intellectual, political, religious, urban, and gender history to tell a story that is global in reach while remaining grounded in the everyday materiality of life under apartheid.

Even as Indian independence provided black South African intellectuals with new models of conceptualizing sovereignty, debates over the place of the Indian diaspora in Africa (the “also-colonized other”) forced a reconsideration of the nation’s internal and external boundaries. In response to the traumas of Partition and the 1949 Durban Riots, a group of thinkers in the ANC, centered in the Indian Ocean city of Durban and led by ANC president and Nobel Peace Prize winner Albert Luthuli, developed a new philosophy of nationhood that affirmed South Africa’s simultaneously heterogeneous and fundamentally African character.

Internal Frontiers is a major contribution to postcolonial and Indian Ocean studies and charts new ways of writing about African nationalism.

Craig Packer takes us into Africa for a journey of fifty-two days in the fall of 1991. But this is more than a tour of magnificent animals in an exotic, faraway place. A field biologist since 1972, Packer began his work studying primates at Gombe and then the lions of the Serengeti and the Ngorongoro Crater with his wife and colleague Anne Pusey. Here, he introduces us to the real world of fieldwork—initiating assistants to lion research in the Serengeti, helping a doctoral student collect data, collaborating with Jane Goodall on primate research.

As in the works of George Schaller and Cynthia Moss, Packer transports us to life in the field. He is addicted to this land—to the beauty of a male lion striding across the Serengeti plains, to the calls of a baboon troop through the rain forests of Gombe—and to understanding the animals that inhabit it. Through his vivid narration, we feel the dust and the bumps of the Arusha Road, smell the rosemary in the air at lunchtime on a Serengeti verandah, and hear the lyrics of the Grateful Dead playing off bootlegged tapes.

Into Africa also explores the social lives of the animals and the threats to their survival. Packer grapples with questions he has passionately tried to answer for more than two decades. Why do female lions raise their young in crèches? Why do male baboons move from troop to troop while male chimps band together? How can humans and animals continue to coexist in a world of diminishing resources? Immediate demands—logistical nightmares, political upheavals, physical exhaustion—yield to the larger inescapable issues of the interdependence of the land, the animals, and the people who inhabit it.

Winner of the 2016 Lavinia Dock Award from the American Association for the History of Nursing

 Awarded first place in the 2016 American Journal of Nursing Book of the Year Award in the History and Public Policy category

The most dramatic growth of Christianity in the late twentieth century has occurred in Africa, where Catholic missions have played major roles. But these missions did more than simply convert Africans. Catholic sisters became heavily involved in the Church’s health services and eventually in relief and social justice efforts. In Into Africa, Barbra Mann Wall offers a transnational history that reveals how Catholic medical and nursing sisters established relationships between local and international groups, sparking an exchange of ideas that crossed national, religious, gender, and political boundaries.
 
Both a nurse and a historian, Wall explores this intersection of religion, medicine, gender, race, and politics in sub-Saharan Africa, focusing on the years following World War II, a period when European colonial rule was ending and Africans were building new governments, health care institutions, and education systems. She focuses specifically on hospitals, clinics, and schools of nursing in Ghana and Uganda run by the Medical Mission Sisters of Philadelphia; in Nigeria and Uganda by the Irish Medical Missionaries of Mary; in Tanzania by the Maryknoll Sisters of New York; and in Nigeria by a local Nigerian congregation. Wall shows how, although initially somewhat ethnocentric, the sisters gradually developed a deeper understanding of the diverse populations they served. In the process, their medical and nursing work intersected with critical social, political, and cultural debates that continue in Africa today: debates about the role of women in their local societies, the relationship of women to the nursing and medical professions and to the Catholic Church, the obligations countries have to provide care for their citizens, and the role of women in human rights.
 
A groundbreaking contribution to the study of globalization and medicine, Into Africa highlights the importance of transnational partnerships, using the stories of these nuns to enhance the understanding of medical mission work and global change.

Intonations tells the story of how Angola’s urban residents in the late colonial period (roughly 1945–74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format.

Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics. She argues that it was in and through popular urban music, produced mainly in the musseques (urban shantytowns) of the capital city, Luanda, that Angolans forged the nation and developed expectations about nationalism. Through careful archival work and extensive interviews with musicians and those who attended performances in bars, community centers, and cinemas, Moorman explores the ways in which the urban poor imagined the nation.

The spread of radio technology and the establishment of a recording industry in the early 1970s reterritorialized an urban-produced sound and cultural ethos by transporting music throughout the country. When the formerly exiled independent movements returned to Angola in 1975, they found a population receptive to their nationalist message but with different expectations about the promises of independence. In producing and consuming music, Angolans formed a new image of independence and nationalist politics.

Who invents masks, and why? Such questions have rarely been asked, due to stereotypes of anonymous African artists locked into the reproduction of "traditional" models of representation. Rather than accept this view of African art as timeless and unchanging, Z. S. Strother spent nearly three years in Zaire studying Pende sculpture. Her research reveals the rich history and lively contemporary practice of Central Pende masquerade. She describes the intensive collaboration among sculptors and dancers that is crucial to inventing masks. Sculptors revealed that a central theme in their work is the representation of perceived differences between men and women. Far from being unchanging, Pende masquerades promote unceasing innovation within genres and invention of new genres. Inventing Masks demonstrates, through first hand accounts and lavish illustrations, how Central Pende masquerading is a contemporary art form fully responsive to twentieth-century experience.

"Its presentation, its exceptionally lively style, the perfection of its illustrations make this a stunning book, perfectly fitting for the study of a performing art and its content is indeed seminal. . . . A breakthrough."—Jan Vansina, African Studies Review

Invisible Agents shows how personal and deeply felt spiritual beliefs can inspire social movements and influence historical change. Conventional historiography concentrates on the secular, materialist, or moral sources of political agency. Instead, David M. Gordon argues, when people perceive spirits as exerting power in the visible world, these beliefs form the basis for individual and collective actions. Focusing on the history of the south-central African country of Zambia during the nineteenth and twentieth centuries, his analysis invites reflection on political and religious realms of action in other parts of the world, and complicates the post-Enlightenment divide of sacred and profane.

The book combines theoretical insights with attention to local detail and remarkable historical sweep, from oral narratives communicated across slave-trading routes during the nineteenth century, through the violent conflicts inspired by Christian and nationalist prophets during colonial times, and ending with the spirits of Pentecostal rebirth during the neoliberal order of the late twentieth century. To gain access to the details of historical change and personal spiritual beliefs across this long historical period, Gordon employs all the tools of the African historian. His own interviews and extensive fieldwork experience in Zambia provide texture and understanding to the narrative. He also critically interprets a diverse range of other sources, including oral traditions, fieldnotes of anthropologists, missionary writings and correspondence, unpublished state records, vernacular publications, and Zambian newspapers.

Invisible Agents will challenge scholars and students alike to think in new ways about the political imagination and the invisible sources of human action and historical change.

Islam and Politics in East Africa was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Focusing on the interplay of religion, society, and politics, August Nimtz examines the role of sufi tariqas (brotherhoods) in Tanzania, where he observed an African Muslim society at first hand. Nimtz opens this book with a historical account of Islam in East Africa, and in subsequent chapters analyzes the role of tariqas in Tanzania and, more specifically, in the coastal city of Bagamoyo. Using a conceptual framework derived from contemporary political theories on social cleavages and individual interests. Nimtz explains why the tariqa is important in the process of political change.

The fundamental cleavage in Muslim East Africa, he notes, is that of "whites" versus blacks. Nimtz contends that the tariqus, in serving the interest of blacks (that is, Africans), became in turn vehicles for the mass mobilization of African Muslims during the anti-colonial struggle. In Bagamoyo he finds a similar process and, in addition, reveals that the tariqas have served African interests in opposition to those of "whites" because of the individual benefits they provide. At the same time, Nimtz concludes, the social structure of East African Muslim society has ensured that Africans would be particularly attracted to these benefits. This work will interest both observers of African political development and specialists in the Islamic studies.

Islamic Africa is a peer-reviewed, multidisciplinary, academic journal published by Northwestern University Press in collaboration with the Institute for the Study of Islamic Thought in Africa (ISITA), based at Northwestern University, Evanston. The journal incorporates Sudanic Africa, retaining its focus on historical sources, bibliographies, and methodologies.

Islamic Africa promotes interaction between scholars of Islam and Africa across all continents and across historical periods. We welcome papers on any aspect of Islam and Muslim life pertaining to Africa and/or Africans from the humanities and the social sciences, especially those originating from the African continent.

Islamic Africa is a peer-reviewed, multidisciplinary, academic journal published by Northwestern University Press in collaboration with the Institute for the Study of Islamic Thought in Africa (ISITA), based at Northwestern University, Evanston. The journal incorporates Sudanic Africa, retaining its focus on historical sources, bibliographies, and methodologies.

Islamic Africa promotes interaction between scholars of Islam and Africa across all continents and across historical periods. We welcome papers on any aspect of Islam and Muslim life pertaining to Africa and/or Africans from the humanities and the social sciences, especially those originating from the African continent.

Islamic Africa is a peer-reviewed, multidisciplinary, academic journal published by Northwestern University Press in collaboration with the Institute for the Study of Islamic Thought in Africa (ISITA), based at Northwestern University, Evanston. The journal incorporates Sudanic Africa, retaining its focus on historical sources, bibliographies, and methodologies.

Islamic Africa promotes interaction between scholars of Islam and Africa across all continents and across historical periods. We welcome papers on any aspect of Islam and Muslim life pertaining to Africa and/or Africans from the humanities and the social sciences, especially those originating from the African continent.

Islamic Africa is a peer-reviewed, multidisciplinary, academic journal published by Northwestern University Press in collaboration with the Institute for the Study of Islamic Thought in Africa (ISITA), based at Northwestern University, Evanston. The journal incorporates Sudanic Africa, retaining its focus on historical sources, bibliographies, and methodologies.

Islamic Africa promotes interaction between scholars of Islam and Africa across all continents and across historical periods. We welcome papers on any aspect of Islam and Muslim life pertaining to Africa and/or Africans from the humanities and the social sciences, especially those originating from the African continent.

Islamic Africa is a peer-reviewed, multidisciplinary, academic journal published by Northwestern University Press in collaboration with the Institute for the Study of Islamic Thought in Africa (ISITA), based at Northwestern University, Evanston. The journal incorporates Sudanic Africa, retaining its focus on historical sources, bibliographies, and methodologies.

Islamic Africa promotes interaction between scholars of Islam and Africa across all continents and across historical periods. We welcome papers on any aspect of Islam and Muslim life pertaining to Africa and/or Africans from the humanities and the social sciences, especially those originating from the African continent.

Islamic Africa Electronic Journal
Volume 4, Issue 1 Spring 2013

Islamic Africa is a peer-reviewed, multidisciplinary, academic journal published by Northwestern University Press in collaboration with the Institute for the Study of Islamic Thought in Africa (ISITA), based at Northwestern University, Evanston. The journal incorporates Sudanic Africa, retaining its focus on historical sources, bibliographies, and methodologies.

Islamic Africa promotes interaction between scholars of Islam and Africa across all continents and across historical periods. We welcome papers on any aspect of Islam and Muslim life pertaining to Africa and/or Africans from the humanities and the social sciences, especially those originating from the African continent.