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Praise for the Prison Creative Arts Project:

"I cannot overstate how profoundly my experience with the Prison Creative Arts Project has shaped my life. It began my engagement with prison issues, developed both my passion and my understanding of them, and I continue to draw on both as I seek to contribute to a more rational, humane and just criminal justice system. PCAP prepared me to adapt to any situation, to take risks, to collaborate with people very different from myself in a manner infused with total respect."
---Jesse Jannetta, researcher, Justice Policy Center, the Urban Institute

"PCAP provided me with an emotional education that I would not have received otherwise.  PCAP continually opens the doors to the stark reality of our criminal justice system as well as our society's ability to right the wrongs of that system and provide justice to millions of men, women, and children . . . PCAP showed me the power I, and the individuals around me, have to make a difference."
---Anne Bowles, Policy and Outreach Associate, Institute for Higher Education Policy

"PCAP looks beyond past mistakes and personal shortcomings to find the beauty and creative energies that help to heal the hurts we've done to others. They have not forgotten that we are human too! . . . Their program has given me a way to reach people that I would otherwise never reach. For that, I owe PCAP everything. They are my lifeline that I cling to."
---Bryan Picken, incarcerated artist

Prisons are an invisible, but dominant, part of American society: the United States incarcerates more people than any other nation in the world. In Michigan, the number of prisoners rose from 3,000 in 1970 to more than 50,000 by 2008, a shift that Buzz Alexander witnessed firsthand when he came to teach at the University of Michigan.

Is William Martinez Not Our Brother? describes the University of Michigan's Prison Creative Arts Project (PCAP), a pioneering program founded in 1990 that provides university courses, a nonprofit organization, and a national network for incarcerated youth and adults in Michigan juvenile facilities and prisons.

By giving incarcerated individuals an opportunity to participate in the arts, PCAP enables them to withstand and often overcome the conditions and culture of prison, the policies of an incarcerating state, and the consequences of mass incarceration.

Buzz Alexander is Arthur F. Thurnau Professor of English Language and Literature, College of Literature, Science, and the Arts, at the University of Michigan and was Carnegie National Professor of the Year in 2005.

Cover image: Overcrowded by Ronald Rohn

The visionary voice who helped shape American Judaism—and Charleston’s cultural soul.

Isaac Harby of Charleston, 1788–1828 is a richly detailed biography that brings to life one of early America’s most fascinating and underappreciated Jewish intellectuals. Gary Phillip Zola offers a compelling portrait of Harby—a playwright, newspaper editor, drama critic, educator, and religious reformer—who emerged as a central figure in Charleston’s vibrant cultural scene during the early 19th century. At a time when Charleston was experiencing both economic prosperity and cultural efflorescence, Harby stood at the crossroads of literary ambition and religious innovation.

A descendant of Sephardic Jews, Harby was deeply engaged in the intellectual and civic life of his city. He founded a literary journal at just eighteen, established a private academy, and wrote prolifically on politics, education, and religion. But his most enduring legacy lies in his role as a pioneer of Reform Judaism in America. As a founding member of the Reformed Society of Israelites in 1825, Harby advocated for a rational, modernized approach to Jewish worship—one that emphasized universal ethics and intellectual engagement over ritual formalism. His efforts, though controversial in his time, laid the groundwork for the broader Reform movement that would flourish later in the century.

Drawing on newly uncovered archival materials, including Harby’s personal library and writings, Zola’s biography not only illuminates Harby’s life and thought but also offers a window into the broader cultural, religious, and political transformations of the early American republic. This book is essential reading for anyone interested in American Jewish history, Southern intellectual life, and the roots of religious reform in the United States.

This volume offers a critical edition and annotated translation of twenty metrical homilies attributed to Isaac of Antioch, a late fifth-century CE Syriac poet. The works in this collection, the majority of which are examples of the Syriac rebuke genre, are aimed at the moral reformation of the Syrian Christian community. The introduction, which provides the first detailed study of the manuscript tradition of the corpus as a whole, identifies four different Isaacs whose writings were intermingled already in late antiquity and develops criteria for distinguishing among their works. Scholars and students of church history will find this a valuable resource for the study of Syriac poetry and homiletics, Christian ideas of moral reform, and late antique monastic and lay devotional culture.

"In Isadore's Secret, Mardi Link shines a journalist's lamp on this dark, quiet corner of Michigan's history, assuring that the tragic story of Sister Janina is not forgotten. Link's telling is fascinating and thorough, making a story you will not soon forget."
---Steve Lehto, author of Death's Door

A gripping account of the mysterious 1907 disappearance of a young nun in a northern Michigan town and the national controversy that followed when she turned up dead and buried in the basement of her own church.

Swinging planks of lantern light shine through the musty air and onto the dirt floor of the church basement. The oddly glowing rectangles syncopate over the damp ground and illuminate even the darkest, stooped-down corners of the space beyond. The only sound is the ragged breathing of two men, a young parish priest and a much older laborer. Aboveground these men belong completely to this place, in both body and soul. A glimpse of their faces anywhere in the sanctuary, the rectory, the school, the barn, or the gardens would be a welcome sight. But here below, these men of Isadore are interlopers. Only trespassers would sneak silently into the church's sloped underbelly without witness to carry out such a sinful and secret errand as this one. Despite their tools, and their lantern, and their resolve, neither is equipped for the task at hand or for what is to come.

Mardi Link, a former crime reporter, was named Antioch's Betty Crumrine Scholar for Creative Nonfiction in 2007. Her first book, When Evil Came to Good Hart, also published by the University of Michigan Press, spent four months on the Heartland Indie Bestseller List.

This true story was the basis for the Broadway play The Runner Stumbles and the film of the same name.

Front cover: Photograph of cemetery © John L. Russell, Great Lakes Images; image of face ©iStockphoto.com/duncan1890.

When Isaiah Rogers died in 1869, the Cincinnati Daily Times noted that “in his profession he was, perhaps, better known than any other person in the country.” Yet until now there has been no study that fully examines his remarkable, influential, and instructive career. Based largely on Rogers's own diary, this book tells his story and adds much to our understanding of architectural practice in the United States before the Civil War. 

In 1944 the distinguished historian Talbot Hamlin wrote of New York's Merchant Exchange (1836–42) that the building had “been so grandly conceived, so simply and directly planned, and so beautifully detailed . . . [that] the whole was welded inextricably into one powerful organic conception that shows Rogers as a great architect in the fullest sense of the word.” Rogers's Tremont House in Boston has been called the world's first modern hotel; it spawned many progeny, from his first Astor House in New York to his Burnet House in Cincinnati and beyond. 

Rogers designed buildings from Maine to Georgia and from Boston to Chicago to New Orleans, supervising their construction while traveling widely to procure materials and workmen for the job. He finished his career as Architect of the Treasury Department during the Civil War. In this richly illustrated volume, James F. O'Gorman offers a deft portrait of an energetic practitioner at a key time in architectural history, the period before the founding of the American Institute of Architects in 1857.

New perspectives on Christopher Isherwood as a searching and transnational writer

“Perhaps I had traveled too much, left my heart in too many places,” muses the narrator of Christopher Isherwood’s novel Prater Violet (1945), which he wrote in his adopted home of Los Angeles after years of dislocation and desperation. In Isherwood in Transit, James J.Berg and Chris Freeman bring together diverse Isherwood scholars to understand the challenges this writer faced as a consequence of his travel. 

Based on a conference at the Huntington Library, where Isherwood’s recently opened papers are held, Isherwood in Transit considers the writer not as an English, continental, or American writer but as a transnational one, whose identity, politics, and beliefs were constantly transformed by global connections and engagements arising from journeys to Germany, Japan, China, and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s.

Approaching Isherwood’s rootlessness and restlessness from various perspectives, these essays show that long after he made a new home in California and became an American citizen, Christopher Isherwood remained unsettled, although his wanderings became spiritual and personal rather than geographic.

Contributors: Barrie Jean Borich, DePaul U; Jamie Carr, Niagara U; Robert L. Caserio, Penn State U, University Park; Lisa Colletta, American U of Rome; Lois Cucullu, U of Minnesota; Jaime Harker, U of Mississippi; Carola M. Kaplan, California State U, Pomona; Calvin W. Keogh, Central European U, Budapest; Victor Marsh; Wendy Moffat, Dickinson College; Xenobe Purvis; Bidhan Roy, California State U, Los Angeles; Katharine Stevenson, U of Texas at Austin; Edmund White. 

This book gives a unique perspective on the interwar history of the Middle East. By telling the life story of one man, it illuminates the political and cultural struggles of an era. Shakib Arslan (1869–1946) was a leading member of the generation of Ottoman Arabs who came to professional maturity just before the final defeat of the Ottoman Empire. Born to a powerful Lebanese Druze family, Arslan grew up perfectly suited to his time and place in history. He was one of the leading writers of his day and a dexterous, ambitious politician. But, by the end of World War I, Arslan and others of his generation found themselves adrift in a world no longer of their choosing, as the once great Ottoman state lay broken before the West.

Rather than retreating from public life in those dark days, however, Arslan emerged militant in his opposition to Western encroachment on Islamic lands and tireless in his crusade to bring the organizing principles of a universalist Islam to the age of emerging nation-states. Organizer, pamphleteer, diplomat, spokesman, and symbol, Arslan became one of the dominant, and most controversial, Muslim political figures in the two decades between the wars. His involvements were so varied and intense that to study his life is to bring into focus all the major political issues and intellectual currents of the era. By the end of his career he was both praised and vilified, but he was arguably the most widely read Arab author of his day.

Curiously, Arslan has received relatively little attention in English-language research. This may well be due less to his contemporary importance than to the perspective from which Western scholarship has viewed Middle Eastern intellectual history. Arslan was not one of the winners. For many his evocation of the old imperial ideal and his insistence on the strategic importance of Islamic ideals seemed to be simply archaic protest in a secular age. But this impeccably researched and beautifully written biography demonstrates the power and importance of Arslan’s activist heritage, reinterpreting it for its own time and showing its importance for ours.

In the Middle Ages, Muslim travelers embarked on a rihla, or world tour, as surveyors, emissaries, and educators. On these journeys, voyagers not only interacted with foreign cultures—touring Greek civilization, exploring the Middle East and North Africa, and seeing parts of Europe—they also established both philosophical and geographic boundaries between the faithful and the heathen. These voyages thus gave the Islamic world, which at the time extended from the Maghreb to the Indus Valley, a coherent identity.

Islam and Travel in the Middle Ages assesses both the religious and philosophical aspects of travel, as well as the economic and cultural conditions that made the rihla possible. Houari Touati tracks the compilers of the hadith who culled oral traditions linked to the prophet, the linguists and lexicologists who journeyed to the desert to learn Bedouin Arabic, the geographers who mapped the Muslim world, and the students who ventured to study with holy men and scholars. Travel, with its costs, discomforts, and dangers, emerges in this study as both a means of spiritual growth and a metaphor for progress. Touati’s book will interest a broad range of scholars in history, literature, and anthropology.