Results by title

Winner of the 2026 Outstanding Book Award in the Monograph category from the Conference on College Composition and Communication 

Insiders, Outliers invites readers into the lives of adult HBCU students for whom college is one meaningful activity among many. Although adults over the age of twenty-four comprise a quarter of all undergraduates, they are institutionally segregated and only partially served by a US higher education system that remains organized around traditional-aged learners. Even as such students are regarded as a market for postsecondary institutions, they are routinely marginalized by institutional barriers. Students’ stories of their personal, professional, community, and academic writing experiences illuminate a critical need for more age-inclusive practices across academia. Their cases also offer new conceptual models of writing as an ethical and emotional practice that fuels changes for individuals and the people and institutions that they care about—including higher education. What adult students reveal about writing across their life domains has powerful implications for conceptualizing writing as a complex form of agency and for teaching writing across the curriculum.
 

Institutional Repositories manage and preserve an institution’s own content. Since their introduction over 25 years ago, Institutional Repositories have been established in universities and institutions around the world. Yet many people, even within the scholarly world, are unaware of the work that repositories carry out, and the essential role they play. Institutional Repositories is a much-needed guide to repositories, past and present. Written by a repository manager and trainer, this fully peer-reviewed book assumes no prior knowledge, and guides the reader through all the activities carried out by the repository team, including (but not limited to) ensuring green Open Access, and ensuring maximum impact for the institution’s research output, as well as providing a collective memory for the organization, often capturing content that would otherwise be lost.

• Wide-ranging, from staffing and managing the repository, to accessibility, preservation, and metadata
• Includes practical guidance for the daily tasks carried out by repository staff
• Compares national repository strategies
• With glossary of repository-related terms

Cromwell achieves something rare: a book that is comprehensive, detailed, readable, and useful all at once. He understands the benefits and untapped potential of the global network of open-access repositories, and offers practical advice for taking full advantage of this community-led infrastructure. Recommended for all institutions hosting or planning to host a repository.

Peter Suber, Director of the Harvard Open Access Project

Instructor Guide for Speechcraft helps shoulder time-consuming, non-teaching tasks so that instructors can focus on working directly with their students. Four-part lesson plans are adaptable for instructors who want to insert critical pronunciation topics into a non-pronunciation ESL/EFL course. To aid in professional development, each lesson plan includes a commentary on the order of topics in the syllabus and common student questions. Appendices provide pre- and post-tests to make sure that instructors have the resources they need to teach confidently. In addition to the 232 audio recordings for the textbook, instructors can access 37 additional recordings that can be used for class preparation or for in-class progress checks. With the Instructor Guide for Speechcraft, teachers will be able to help their students achieve the clear, intelligible speech they need to pursue their studies in their chosen discipline, to serve as international teaching assistants, and to interact well in their chosen professions.

When someone faces a difficult intellectual freedom (IF) issue, they usually don’t have time to wade through dense text to find the answers they need. Designed as a real-world reference, OIF’s Intellectual Freedom Manual provides trusted, comprehensive guidance for every library worker, from the volunteer to the director, in plain language. Whether you’re developing or reviewing policies, on-boarding new staff or trustees, responding to challenges and controversies, or studying librarianship, you’ll find this a vital tool, with features such as

• contributions that center the voices of Black, Indigenous, and other People of Color (BIPOC) and LGBTQIA+ people, who are often targeted by censorship efforts;
• chapters that begin with an overview explaining the big ideas and offering reflection questions;
• an introduction to IF and why it matters, drawing on ALA's core IF documents and supported with adaptable policy worksheets;
• information and best practice guidance on key topics such as access, children and youth, censorship and internet filtering, collection development and management, copyright, meeting rooms and exhibit spaces, library programming, politics and religion, privacy, and visits and requests from law enforcement;
• stories from real people whose lives have been impacted by IF, showing how library policies shape culture, protect staff and users, and affect real people;
• concise breakdowns of IF issues from legal experts, helping you understand the laws and how they apply in real situations;
• practical advice on advocating for IF, getting help when challenges arise, lobbying, and working with your elected officials;
• a thorough index to help you quickly find the information you need; and
• a helpful glossary and selected bibliography of additional resources.

As the glittering skyline in Shanghai seemingly attests, China has quickly transformed itself from a place of stark poverty into a modern, urban, technologically savvy economic powerhouse. But as Scott Rozelle and Natalie Hell show in Invisible China, the truth is much more complicated and might be a serious cause for concern.

China’s growth has relied heavily on unskilled labor. Most of the workers who have fueled the country’s rise come from rural villages and have never been to high school. While this national growth strategy has been effective for three decades, the unskilled wage rate is finally rising, inducing companies inside China to automate at an unprecedented rate and triggering an exodus of companies seeking cheaper labor in other countries. Ten years ago, almost every product for sale in an American Walmart was made in China. Today, that is no longer the case. With the changing demand for labor, China seems to have no good back-up plan. For all of its investment in physical infrastructure, for decades China failed to invest enough in its people. Recent progress may come too late. Drawing on extensive surveys on the ground in China, Rozelle and Hell reveal that while China may be the second-largest economy in the world, its labor force has one of the lowest levels of education of any comparable country. Over half of China’s population—as well as a vast majority of its children—are from rural areas. Their low levels of basic education may leave many unable to find work in the formal workplace as China’s economy changes and manufacturing jobs move elsewhere.

In Invisible China, Rozelle and Hell speak not only to an urgent humanitarian concern but also a potential economic crisis that could upend economies and foreign relations around the globe. If too many are left structurally unemployable, the implications both inside and outside of China could be serious. Understanding the situation in China today is essential if we are to avoid a potential crisis of international proportions. This book is an urgent and timely call to action that should be read by economists, policymakers, the business community, and general readers alike.

Praise for the Prison Creative Arts Project:

"I cannot overstate how profoundly my experience with the Prison Creative Arts Project has shaped my life. It began my engagement with prison issues, developed both my passion and my understanding of them, and I continue to draw on both as I seek to contribute to a more rational, humane and just criminal justice system. PCAP prepared me to adapt to any situation, to take risks, to collaborate with people very different from myself in a manner infused with total respect."
---Jesse Jannetta, researcher, Justice Policy Center, the Urban Institute

"PCAP provided me with an emotional education that I would not have received otherwise.  PCAP continually opens the doors to the stark reality of our criminal justice system as well as our society's ability to right the wrongs of that system and provide justice to millions of men, women, and children . . . PCAP showed me the power I, and the individuals around me, have to make a difference."
---Anne Bowles, Policy and Outreach Associate, Institute for Higher Education Policy

"PCAP looks beyond past mistakes and personal shortcomings to find the beauty and creative energies that help to heal the hurts we've done to others. They have not forgotten that we are human too! . . . Their program has given me a way to reach people that I would otherwise never reach. For that, I owe PCAP everything. They are my lifeline that I cling to."
---Bryan Picken, incarcerated artist

Prisons are an invisible, but dominant, part of American society: the United States incarcerates more people than any other nation in the world. In Michigan, the number of prisoners rose from 3,000 in 1970 to more than 50,000 by 2008, a shift that Buzz Alexander witnessed firsthand when he came to teach at the University of Michigan.

Is William Martinez Not Our Brother? describes the University of Michigan's Prison Creative Arts Project (PCAP), a pioneering program founded in 1990 that provides university courses, a nonprofit organization, and a national network for incarcerated youth and adults in Michigan juvenile facilities and prisons.

By giving incarcerated individuals an opportunity to participate in the arts, PCAP enables them to withstand and often overcome the conditions and culture of prison, the policies of an incarcerating state, and the consequences of mass incarceration.

Buzz Alexander is Arthur F. Thurnau Professor of English Language and Literature, College of Literature, Science, and the Arts, at the University of Michigan and was Carnegie National Professor of the Year in 2005.

Cover image: Overcrowded by Ronald Rohn