5550 books match the query 'Biography & Autobiography' and 204 start with j
By Ramón Beteta
University of Texas Press, 1970
Ramón Beteta was an important figure in Mexican life: politician, Cabinet member, diplomat, economist, professor, journalist. The manuscript of Jarano was found among his papers after his death in 1965 and was published in Mexico in 1966. "Jarano," the kind of broad sombrero worn by charros, was the secret nickname—partly disrespectful, partly amused, partly affectionate—which Ramón and his brother gave to their father. Except for part of the last chapter, the book is about Ramón's childhood and youth: sketches of family life, school experiences, a trip to Veracruz, and incidents of the Revolution.
Beteta brought to these reminiscences the skills of the short story writer, making superb use of dialogue, descriptive details, characterization, and mood. For a small book, the range of emotions is unusually wide, from the comedy of an evening meal to which Jarano has come home drunk to the tragedy of the indio and his wife in the chapter entitled "San Vicente Chicoloapan"—a chapter that gives more of the "feel" of the Revolution than do many longer works.
E. Wayne Carp
University of Michigan Press, 2013
Jean Paton (1908–2002) fought tirelessly to reform American adoption and to overcome prejudice against adult adoptees and women who give birth out of wedlock. Paton wrote widely and passionately about the adoption experience, corresponded with policymakers as well as individual adoptees, promoted the psychological well-being of adoptees, and facilitated reunions between adoptees and their birth parents. E. Wayne Carp's masterful biography brings to light the accomplishments of this neglected civil-rights pioneer, who paved the way for the explosive emergence of the adoption reform movement in the 1970s. Her unflagging efforts over five decades helped reverse harmful policies, practices, and laws concerning adoption and closed records, struggles that continue to this day.

Clifford D. Conner
Pluto Press, 2012
Jean-Paul Marat’s role in the French Revolution has long been a matter of controversy among historians. Often he has been portrayed as a violent, sociopathic demagogue. This biography challenges that interpretation and argues that without Marat’s contributions as an agitator, tactician, and strategist, the pivotal social transformation that the Revolution accomplished might well not have occurred.
Clifford D. Conner argues that what was unique about Marat - which set him apart from all other major figures of the Revolution, including Danton and Robespierre - was his total identification with the struggle of the propertyless classes for social equality.
This is an essential book for anyone interested in the history of the revolutionary period and the personalities that led it.
By Charlotte Margolis Goodman
University of Texas Press, 1990
One of America's best short story writers and author of three fine novels, Boston Adventure (1944), The Mountain Lion (1947), and The Catherine Wheel (1952), Jean Stafford has been rediscovered by another generation of readers and scholars. Although her novels and her Pulitzer Prize–winning short stories were widely read in the 1940s and 1950s, her fiction has received less critical attention than that of other distinguished contemporary American women writers such as Carson McCullers, Flannery O'Connor, and Eudora Welty. In this literary biography, Charlotte M. Goodman traces the life of the brilliant yet troubled Jean Stafford and reassesses her importance.
Drawing on a wealth of original material, Goodman describes the vital connections between Stafford's life and her fiction. She discusses Stafford's difficult family relationships, her tempestuous first marriage to the poet Robert Lowell, her unresolved conflicts about gender roles, her alcoholism and bouts with depression—and her amazing ability to transform the chaotic details of her life into elegant works of fiction. These wonderfully crafted works offer insightful portraits of alienated and isolated characters, most of whom exemplify not only human estrangement in the modern world, but also the special difficulties of girls and women who refuse to play traditional roles.
Goodman locates Jean Stafford within the literary world of the 1940s and 1950s. In her own right, and through her marriages to Robert Lowell, Life magazine editor Oliver Jensen, and journalist A. J. Liebling, Stafford associated with many of the major literary figures of her day, including the Southern Fugitives, the New York intellectual coterie, and writers for the New Yorker, to which she regularly contributed short stories. Goodman also describes Stafford's sustaining friendships with other women writers, such as Evelyn Scott and Caroline Gordon, and with her New Yorker editor, Katharine S. White.
This highly readable biography will appeal to a wide audience interested in twentieth-century literature and the writing of women's lives.

Jean Starobinski
University of Chicago Press, 1988
Maurice Cranston
University of Chicago Press, 1991
Bert Rebhandl, translated by Edward Maltby
University of Wisconsin Press, 2023
Keith Michael Baker
University of Chicago Press, 2025

John Gerassi
University of Chicago Press, 1989
Joseph Mai
University of Illinois Press, 2010
For well over a decade, Jean-Pierre and Luc Dardenne have produced highly original and ethically charged films that immerse their audiences in an intense and embodied viewing experience. Their work has consistently attracted international recognition, including the rare feat of two Palmes d'Or at Cannes.
In this first book-length study of the Belgian brothers, Joseph Mai delivers sophisticated close analyses of their directorial style and explores the many philosophical issues dealt with in their films (especially the ethics of Emmanuel Levinas). Mai discusses the Dardennes' varied and searching career from its inception in the late 1970s, starting with the working-class political consciousness and lost utopias of their documentary period; passing through their transition toward fictional narrative, experimental techniques, and familial themes; and finishing with a series of in-depth and philosophically informed interpretations of the brothers' more recent work. In such highly influential films such as La promesse, Rosetta, The Son, and The Child, the brothers have recast filmmaking through what Mai calls a "sensuous realism"--realism capable of touching the audience with the most compelling problems and moral dilemmas of contemporary society. This volume also features an interview in which the Dardennes discuss their approach to film production and the direction of actors.
James J. Lopach
University Press of Colorado, 2015
Felicity Allen
University of Missouri Press, 2000
Preeminent Civil War historian Frank Vandiver always longed to see an interpretive biography of Jefferson Davis. Finally, more than twenty years after Vandiver expressed that wish, publication of Jefferson Davis, Unconquerable Heart makes such an interpretive biography available.
Felicity Allen begins this monumental work with Davis's political imprisonment at the end of the Civil War and masterfully flashes back to his earlier life, interweaving Davis's private life as a schoolboy, a Mississippi planter, a husband, a father, and a political leader. She follows him from West Point through army service on the frontier, his election to the U.S. House of Representatives, his regimental command in the Mexican War, his service as U.S. secretary of war and senator, and his term as president of the Confederate States of America.
Although Davis's family is the nexus of this biography, friends and enemies also play major roles. Among his friends intimately met in this book are such stellar figures as Andrew Jackson, John C. Calhoun, Zachary Taylor, Franklin Pierce, Albert Sidney Johnston, and Robert E. Lee.
With the use of contemporary accounts and Davis's own correspondence, Jefferson Davis, Unconquerable Heart casts new light upon this remarkable man, thawing the icy image of Davis in many previous accounts. Felicity Allen shows a strong, yet gentle man; a stern soldier who loved horses, guns, poetry, and children; a master of the English language, with a dry wit; a man of powerful feelings who held them in such tight control that he was considered cold; and a home-loving Mississippian who was drawn into a vortex of national events and eventual catastrophe. At all times, "duty, honor, country" ruled his mind. Davis's Christian view of life runs like a thread throughout the book, binding together his devotion to God, his family, and the land.
Jefferson Davis, Unconquerable Heart brings Davis to life in a way that has never been done before. The variety of his experience, the breadth of his learning, and the consistency of his beliefs make this historical figure eminently worth knowing.
Kevin J. Hayes
University of Iowa Press, 2012
Ronald L. Hatzenbuehler
Southern Illinois University Press, 2016

John C. Burnham
University of Chicago Press, 1983
William H. Tishler
University of Illinois Press, 2026
Walter M. Imahara
University of Arkansas Press, 2022
Alan Rosenthal
Southern Illinois University Press, 2000
Jerusalem, Take One! Memoirs of a Jewish Filmmaker is a behind-the-scenes look at the life of documentary filmmaker Alan Rosenthal, the maker of over sixty films including Day of Peace, Out of the Ashes, A Nation Is Born, and On the Brink of Peace. As a witness to so much recent Israeli history through a camera’s viewfinder, Rosenthal himself makes as much of an interesting subject as the events he documents.
Born in London in 1936, Rosenthal studied law at Oxford before beginning his work in television directing in Israel and the United States. By the 1960s he was an established young filmmaker who had participated in the filming of the Eichmann trial in Jerusalem in 1961. He returned in 1968, initially for just one year, as part of a team invited by the Israeli government to set up the first television network; that year turned into the thirty-plus years that inspired this book.
The Eichmann trial, the development of Israel Television, the Oslo agreement, the search for the menorah from the Second Temple, the history of Zionism on the television screen, and the Yom Kippur War and Project Renewal are but a few of the recent moments in Israeli history that Rosenthal and his camera have witnessed. As he recalls these events with humor and wit, Rosenthal’s words recapture the emotions and feel of those times as vividly as his lens recorded their passing.
This is a memoir, not a history textbook, and Rosenthal himself is the true subject of the book’s most intensely personal and introspective moments, stories of growth and learning, of England and family, of love and loss, of ideological disappointment and renewed hope. Rosenthal’s tale is one of progress toward the man he wishes to be, the films he feels he must make, and the cultural identity he seeks to develop for himself and all Jewish people.
William J. Baker
University of Illinois Press, 2006
Ilene Stone & Suzanna M. Grenz
University of Missouri Press, 2005
Juan A. Suarez
University of Illinois Press, 2006
At a time when gimmicky, action-driven blockbusters ruled Hollywood, Jim Jarmusch spearheaded a boom in independent cinema by making now-classic low-budget films like Stranger than Paradise, Down by Law, and Mystery Train. Jarmusch's films focused on intimacy, character, and new takes on classical narratives. His minimal form, peculiar pacing, wry humor, and blank affect have since been adopted by directors like Sofia Coppola, Hal Hartley, Richard Linklater, and Tsai Ming-liang.
Juan A. Suárez identifies and describes an abundance of aesthetic influences on Jarmusch, delving into the director's links to punk, Structural film, classic street photography, hip-hop, beat literature and art, and the New York pop vanguard of the late 1970s. At the same time, he analyzes Jarmusch's work from three mutually implicated perspectives: in relation to independent filmmaking from the 1980s to the present; as a form of cultural production that appropriates existing icons, genres, and motifs; and as an instance of postmodern politics.
A volume in the series Contemporary Film Directors, edited by James R. Naremore
Shonni Enelow
University of Illinois Press, 2024
Films like The Eternal Daughter and the diptych The Souvenir and The Souvenir Part II have cemented Joanna Hogg’s reputation as an original voice in contemporary cinema. Her rigorous and quiet style draws on the histories of film and art to tell stories that weave autobiography with studies in human opacity.
Shonni Enelow analyzes Hogg’s six feature films around the concepts of turning away, the reality effect, and the impossible encounter. Throughout, Enelow explores the tension between absorption, in which characters are immersed in a diegetic fiction, and self-reflexivity, as the filmmaker comments on her techniques of representation. An in-depth interview with Hogg delves into the director’s process, approach to creating character, and use of artistic and literary references.
Sophisticated and innovative, Joanna Hogg illuminates the work of one of today’s most original filmmakers.
Gwyneth Jones
University of Illinois Press, 2019
Chris Multerer
Wisconsin Historical Society Press, 2019
R. Barton Palmer
University of Illinois Press, 2004
R. Barton Palmer argues that the Coen oeuvre forms a central element in what might be called postmodernist filmmaking. Mixing high and low cultural sources and blurring genres like noir and comedy, the use of pastiche and anti-realist elements in films such as The Hudsucker Proxy and Barton Fink clearly fit the postmodernist paradigm. Palmer argues that for a full understanding of the Coen brothers' unique position within film culture, it is important to see how they have developed a new type of text within general postmodernist practice that Palmer terms commercial/independent. Analyzing their substantial body of work from this "generic" framework is the central focus of this book.
Tom Goyens
University of Illinois Press, 2025
Lynn Edwards Butler
University of Illinois Press, 2022
Drawing on extensive research and previously untapped archival materials, Lynn Edwards Butler explores Scheibe's professional relationships and the full range of his projects. These assignments included the three-manual organ for St. Paul’s Church, renovations of the organs in the important churches of St. Thomas and St. Nicholas, and the lone surviving example of Scheibe's craft, a small organ in the nearby village of Zschortau. Viewing Scheibe within the context of the era, Butler illuminates the music scene of Bach's time as she follows the life of a gifted craftsman and his essential work on an instrument that anchored religious musical practice and community.
Amy C. Beal
University of Illinois Press, 2015

Winifred G. Helmes
University of Minnesota Press, 1949
John A. Johnson was first published in 1949. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The first native-born governor of Minnesota, and the only Democrat to have been elected to that office three times, was also the first Minnesotan to have a presidential nomination within his grasp.
This study of a man who was, perhaps, the state's most beloved chief executive is a warm, fast-moving personal biography and an engrossing piece of political history.
The issues, personalities, shifting political currents, and party cleavages, state and national, of the early 1900s live again in the full recounting of the political campaigns of that era. One chapter is devoted to the 1908 Democratic National Convention at which Johnson's name was place in nomination for the presidency—the convention which chose William Jennings Bryan as its standard-bearer for the third and last time.
Johnson was a man of buoyant spirit and great personal charm, and the story of his life again dramatizes the American tradition that by force of character a man can lift himself from the humblest beginnings. At the time of his death in 1909 the warships in New York harbor dropped their flags to half-mast, and hundreds of memorial services were held throughout the nation. Many believed that, had he lived, Johnson would have won the presidential nomination and election in 1912.
James Pickett Jones
Southern Illinois University Press, 2001
Not available.
Alexander, Thomas G.
Signature Books, 2023
Born in Norway, John A. Widtsoe (1872–1952), was renowned for his expertise in irrigation and dry farming. His pioneering work pushed the boundaries of and contributed significantly to advancements in agricultural practices. Moreover, his forays into the field of biochemistry exemplified his relentless pursuit of scientific understanding.
Widtsoe’s journey came with challenges especially after he was called as an apostle in the Church of Jesus Christ of Latter-day Saints. As president of both Utah State Agricultural College (1907–16) and the University of Utah (1916–21), he faced controversies and obstacles head-on. Additionally, he played a significant role in overseeing the expansion of the LDS gospel in both Europe and the United States. He was highly esteemed within his church due to his ability to provide thorough and insightful explanations of various aspects of church doctrine and reconcile them with scientific truths. Throughout the early-to-mid-twentieth century, he symbolized to many members the successful integration of religious faith with secular knowledge, inspiring countless individuals to embrace both realms in harmony.
Janice Neri, Tara Nummedal, and John V. Calhoun
University of Alabama Press, 2019
Robert Saunders Jr.
University of Alabama Press, 1997
The first full biography of the southern U.S. Supreme Court justice who championed both the U.S. Constitution and states’ rights.
The life of John Archibald Campbell reflects nearly every major development of 19th-century American history. He participated either directly or indirectly in events ranging from the Indian removal process of the 1830s, to sectionalism and the Civil War, to Reconstruction and redemption. Although not a defender of slavery, he feared that abrupt abolition would produce severe economic and social dislocation. He urged southerners to reform their labor system and to prepare for the eventual abolition of slavery. In the early 1850s he proposed a series of reforms to strengthen slave families and to educate the slaves to prepare them for assimilation into society as productive citizens. These views distinguished him from many southerners who steadfastly maintained the sanctity of the peculiar institution.
Born and schooled in Georgia, Campbell moved to Montgomery, Alabama, in the early 1830s, where he joined a successful law practice. He served in the Alabama legislature for a brief period and then moved with his family to Mobile to establish a law practice. In 1853 Campbell was appointed an associate justice of the U.S. Supreme Court. His concurring opinion in the Dred Scott case in 1857 derived not from the standpoint of protecting slavery but from an attempt to return political power to the states. As the sectional crisis gathered heat, Campbell counseled moderation. He became widely detested in the North because of his defense of states’ rights, and he was distrusted in the South because of his moderate views on slavery and secession. In May 1861 Campbell resigned from the Court and later became the Confederacy's assistant secretary of war. After the war, Campbell moved his law practice to New Orleans. Upon his death in 1889, memorial speakers in Washington, D.C., and New Orleans recognized him as one of the nation's most gifted lawyers and praised his vast learning and mastery of both the common law and the civil law.
In this first full biography of Campbell, Robert Saunders, Jr., reveals the prevalence of anti-secession views prior to the Civil War and covers both the judicial aspects and the political history of this crucial period in southern history.
William Poole
Bodleian Library Publishing, 2010
John Aubrey (1626–97) was one of the best-connected scholars and antiquaries in the great decades of the British scientific revolution. He is remembered as a pioneer historian and the father of English life-writing, whose Brief Lives remains a lasting portrait of a generation of eminent thinkers and nobles. But Aubrey’s intellectual interests were much broader. He was one of the first Fellows of the Royal Society, and he was acquainted with leading scientists of the generation of Robert Hooke and Isaac Newton. Aubrey championed Hooke’s geological theories, radical for the time, that proposed the organic origin of fossils. In addition, Aubrey was a keen mathematician and an early donor to the Ashmolean Museum of Art and Archaeology and the Bodleian Library. Extensively illustrated, John Aubrey and the Advancement of Learning presents all of Aubrey’s varied interests and pursuits in their intellectual milieu. Published to celebrate the 350th anniversary of the Royal Society, this is the first accessible and illustrated guide to Aubrey’s many diverse achievements as a biographer, natural philosopher and scientist, and antiquary.
Timothy McGrath
Westholme Publishing, 2010
The Life of the First Captain of the United States Navy
Finalist for the Rear Admiral Samuel Eliot Morison Award for Excellence in Naval Literature
“Ashore as well as at sea, Tim McGrath paints an informative, engaging and highly entertaining portrait of this worthy but neglected hero of American independence. The author shows us a man who was a magnificent embodiment of common sense—and uncommon courage and dedication. That such a work is long overdue makes its achievement all the more pleasurable.”—Wall Street Journal
“Combining sophisticated use of sources with a pleasing writing style, McGrath masterfully rescues a father of the U.S. Navy from unmerited eclipse.”—Publishers Weekly
“A nearly indispensable addition to U.S. Navy collections.”—Booklist“McGrath employs exemplary narrative style in this work. . . . In John Barry, the author adroitly juxtaposes maritime history, narratives of naval combat, and early U.S. social history.”—New England Quarterly
“McGrath is a compelling and lucid writer. He brings Barry to life, makes battles understandable, and provides the clearest description of Barry's 1778 capture of the British transport ships Mermaid and Kitty that this reviewer has seen.”—Pennsylvania Magazine of History and Biography
“A great read and an absorbing account of a drama-filled life.”—Naval History
“Well researched, well written, and a pleasure to read, this book restores John Barry to the important place he once held as one of our nation’s great heroes. It is a tale of high adventure and personal courage and you will not want to put it down.” —JAMES L. NELSON, author of George Washington’s Secret Navy
“Readers of this vivid biography will imagine they smell the ocean’s salt air and the sulfurous fumes of gunpowder as they navigate these action-packed pages. Fans of Horatio Hornblower and Lucky Jack Aubrey will rejoice in discovering their real-life American counterpart.”—GREGORY J. URWIN, author of Facing Fearful Odds: The Siege of Wake Island
The man regarded as “the Father of the American Navy” returns to the quarterdeck in John Barry: An American Hero in the Age of Sail, the first comprehensive biography of this legendary officer in generations. Son of a hardscrabble Irish farmer from County Wexford, Barry was sent to sea as a child, arriving in Philadelphia during the restless decade before the American Revolution. Brave and ambitious, he ascended the ratlines to become a successful merchant captain at a young age, commanding the most prestigious ship in the colonies and recording the fastest known day of sail in the century.
Volunteering to fight for the Continental cause, Barry saw his star rise during the War for Independence. As captain of the Lexington, Raleigh, and Alliance, Barry faced down broadsides, mutinies, and even a fleet of icebergs. He captured the first enemy warship taken by a Continental vessel and fought the last battle of the American Revolution. His hard-won victory over two British warships simultaneously garnered him international notoriety, while his skill as a seafarer and cool temper established Barry as a worthy foe among British captains. Without a ship during the winter of 1776-77, the ever resourceful Barry lead a battery of naval artillery at the battle of Princeton. With peace came a historic voyage to China, where Barry helped open trade with that reclusive empire. In 1794, President Washington named Barry as the first commissioned officer in the new United States Navy. Given the title of commodore, Barry ended his career during America’s naval war with France, teaching the ropes to a new generation of officers, most notably Stephen Decatur.
Drawn from primary source documents from around the world, John Barry: An American Hero in the Age of Sail by Tim McGrath brings the story of this self-made American back to life in a major new biography.

Gerhard Joseph
University of Minnesota Press, 1970
John Barth - American Writers 91 was first published in 1970. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
J. David Hoeveler Jr.
University of Wisconsin Press, 2017

William J. Martz
University of Minnesota Press, 1969
John Berryman - American Writers 85 was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
W. E. B. Du Bois
Westholme Publishing, 2024
Jad Smith
University of Illinois Press, 2012
Edward M. Cifelli
University of Arkansas Press, 1997

John L. Stewart
University of Minnesota Press, 1962
John Crowe Ransom - American Writers 18 was first published in 1962. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
William H. Sherman
University of Massachusetts Press, 1995
John Dewey. Edited by D. Micah Hester, and Robert B. Talisse. Introduction by Tom Burke
Southern Illinois University Press, 2007
Offering a new edition of Dewey’s 1916 collection of essays
This critical edition of John Dewey’s 1916 collection of writings on logic, Essays in Experimental Logic—in which Dewey presents his concept of logic as the theory of inquiry and his unique and innovative development of the relationship of inquiry to experience—is the first scholarly reprint of the work in one volume since 1954. Essays in Experimental Logic, edited by D. Micah Hester and Robert B. Talisse, uses the authoritative texts from the Collected Works of John Dewey, 1882–1953 (published by Southern Illinois University Press) and includes as well articles from leading journals representing various contemporary schools of philosophy that criticized Dewey’s experimentalism.
Culling materials from six volumes of the chronologically arranged Collected Works, this single-volume edition of Essays marks a crucial point in Dewey’s intellectual development: one in which Dewey critically engages idealistic and intuitionist theorists and lays the groundwork for his mature theory of inquiry. The text includes a new introduction by renowned Dewey scholar Tom Burke that places Essays in philosophical and historical context. In addition to the original essays, Essays in Experimental Logic also features five critical essays by Dewey’s contemporaries, including Bertrand Russell, Wendell T. Bush, R. F. Alfred Hoernlé, H. T. Costello, and C. S. Peirce.
Charles F. Howlett and Audrey Cohan
Southern Illinois University Press, 2016
John Dooley
University of Alabama Press, 2005
One of the best primary accounts of the Civil War by a Confederate.
John Dooley was the youngest son of Irish immigrants to Richmond, Virginia, where his father prospered, and the family took a leading position among Richmond’s sizeable Irish community. Early in 1862, John left his studies at Georgetown University to serve in the First Virginia Infantry Regiment, in which his father John and brother James also served. John’s service took him to Second Manassas, South Mountain, Sharpsburg (Antietam), Fredericksburg, and Gettysburg; before that last battle, Dooley was elected a lieutenant. On the third day at Gettysburg, Dooley swept up the hill in Pickett’s charge, where he was shot through both legs and lay all night on the field, to be made a POW the next day. Held until February 27, 1865, Dooley made his way back south to arrive home very near the Confederacy’s final collapse.
Dooley’s account is valuable for the content of his service and because most of the material came from his diary, with some interpolations (which are indicated as such) that he made shortly after the war’s end when his memory was still fresh. Dooley’s health seems to have been permanently compromised by his wounds; he entered a Roman Catholic seminary after the war and died in 1873 several months before his ordination was to take place.

Robert Gorham Davis
University of Minnesota Press, 1962
John Dos Passos - American Writers 20 was first published in 1962. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Antoon Vos
Central European University Press, 2026
John M. Murphy
Michigan State University Press, 2019
Jack C. Ellis
Southern Illinois University Press, 2000
More than any other person, Jack C. Ellis notes, John Grierson, a Scot, was responsible for the documentary film as it has developed in English-speaking countries.
While in the United States in the 1920s, Grierson first applied the term documentary to Robert Flaherty's Moana. In 1927, Grierson returned to Britain, where he was hired to promote the marketing of products of the British Empire. The first practical application of Grierson’s theory of documentary film was Drifters, a 1929 short feature about herring fishing in the North Sea. That success led Grierson to establish the Empire Marketing Board Film Unit (later the General Post Office Film Unit).
In 1939, Grierson moved to Canada, leaving behind a legacy of some sixty British filmmakers who spread his ideas and techniques to other countries. In Canada, he progressed beyond national concerns to global problems. The National Film Board of Canada stands as the largest and most impressive monument to Grierson's concepts and actions in regard to the use of film by governments in communicating with citizens.
Ellis examines Grierson's accomplishments in detail, probing the complexities of Grierson's motivations and personality. His subject, a true titan in the world of documentary film, was the first filmmaker to use public and private institutional sponsorship—not the box office—to pay for his films. He also employed nontraditional distribution techniques, going outside the movie theaters to reach audiences in schools and factories, union halls, and church basements. Essentially, Grierson created documentary film and established an audience for it.