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A legend in his own lifetime, John Hance (1837–1919) was synonymous with early Grand Canyon tourism. Between the late 1880s and early 1900s, to say “John Hance” was to say “Grand Canyon.” Hance was well known to travelers and visiting dignitaries alike, men such as William “Buffalo Bill” Cody and Theodore Roosevelt, the president who affectionately referred to him as “the greatest liar on earth.” It was said that Hance tried to jump the canyon on his horse Darby only to turn back when he was halfway over and realized he would never make it across.

The truth behind Hance’s life is remarkable even without embellishment. In this book, Shane Murphy chronicles Hance’s childhood in Tennessee and Missouri, his service in the Confederacy during the Civil War, his time in Union prisons as a POW, and his later adventures with the Hickok brothers crossing the plains. Settling in Arizona’s fruitful Verde Valley, Hance farmed and filled military contracts before taking up residence as Grand Canyon’s first permanent Euro-American settler, trail builder, guide, and renowned storyteller.

Hance left no correspondence, personal memoirs, or other writings. Only informal portraits from magazines and newspaper accounts remain. Murphy investigated assessors’ rolls, rare mercantile ledgers, and mining claims to create a full and compelling narrative of a man who was once an icon of the American West and should be remembered as the founding father of Grand Canyon tourism.

John Henry Livingston (1746-1825) was from a prominent New York family of merchants, lawyers and statesmen but chose to become a minister in the Dutch Reformed Church. In his twenties he studied in the Netherlands, absorbing ideas that upheld simultaneously the authority of the individual conscience and the traditional Reformed beliefs rooted in the authority of a state-supported church. Returning to New York City he served as a pastor, as his denomination’s professor charged with educating students for ministry, and eventually, president of the American Dutch church’s college, then called Queens (but later called Rutgers). Throughout his career he articulated, and defended what he saw as the harmony between the traditional body of Reformed belief and the ideals of the American state.

Richard Neupert explores Lasseter's signature aesthetic and storytelling strategies and details how he became the architect of Pixar's studio style. Neupert contends that Lasseter's accomplishments emerged from a unique blend of technical skill and artistic vision, as well as a passion for working with collaborators. In addition, Neupert traces the director's career arc from the time Lasseter joined Pixar in 1984. As Neupert shows, Lasseter's ability to keep a foot in both animation and CGI allowed him to thrive in an unconventional corporate culture that valued creative interaction between colleagues. The ideas that emerged built an animation studio that updated and refined classical Hollywood storytelling practices--and changed commercial animation forever.

Candidly, with a mixture of joy, poignancy, and gratitude, the chairman and president of the John Templeton Foundation reflects on the learning and growing he has experienced and the perspectives he has gained throughout his life. In so doing, he continues the legacy of his father, Sir John Templeton, who has used stories from his life to provide instruction for his children, grandchildren, and other future descendants, just as he has drawn on those stories in his many books of inspiration and guidance for the general public.

Dr. Templeton shares stories about his personal life, his career in medicine, his early involvement with philanthropy, and his commitment to the John Templeton Foundation and its mission. Events and circumstances in his youth opened him to spirituality, taught him about altruistic love, and introduced him to values he would cultivate throughout his life: thrift, saving, hard work, creativity, and responsibility.

His journey takes him from his early life in Winchester, Tennessee, to New Jersey, Yale University, medical school, the Navy, the Children's Hospital of Philadelphia, and the John Templeton Foundation. Along the way, there were lessons learned from his disruptive behavior in elementary school; the deaths of his grandmother and mother; travel to Europe, Africa, and throughout the U.S.; marriage and fatherhood; his growing commitment as a Christian; and his family's experience with an armed robbery. It continues with his experiences in pediatric surgery at the Children's Hospital of Philadelphia, including work with conjoined twins; experience with the mutual fund industry and a role with the Templeton Growth Fund; an intensely rewarding medical specialty in trauma; philanthropy and fund-raising efforts, including a sad experience with fraud; the pride of professorship; and serving as chairman and president of the John Templeton Foundation.

With gratitude he credits his many mentors for the wisdom they passed on to him. Among them are John Galbraith, Dr. C. Everett Koop, Dr. Albert Schweitzer, and, of course, always and above all, his father. With appreciation, he recounts the blessings of a full and productive life that continue today as he provides leadership to the diverse programs and initiatives of the John Templeton Foundation.

A Southern voice on a national bench—McKinley’s legacy in antebellum law.

John McKinley and the Antebellum Supreme Court offers the first comprehensive biography of Justice John McKinley (1780–1852), a largely forgotten figure in American legal history who played a pivotal role during a formative period of the U.S. Supreme Court. Steven P. Brown rescues McKinley from historical obscurity, presenting a compelling portrait of a man deeply embedded in the political, legal, and financial life of the early 19th-century South.

Born in Kentucky and later settling in northern Alabama, McKinley served in both the U.S. Senate and House of Representatives before being appointed to the Supreme Court by President Martin Van Buren in 1837. His tenure on the bench coincided with the creation of the Ninth Circuit, a vast and challenging judicial territory encompassing Alabama, Arkansas, Louisiana, and Mississippi. Brown details McKinley’s arduous circuit-riding duties, which required extensive travel and exposed him to the legal complexities of a rapidly expanding frontier.

More than a biography, the book provides a penetrating analysis of antebellum legal culture, Alabama state politics, and the internal workings of the Supreme Court during a time of national transformation. Brown challenges the prevailing view of McKinley as a mediocre jurist, arguing instead that his contributions—particularly his dissents defending states’ rights—deserve renewed scholarly attention. With rich historical context and meticulous research, John McKinley and the Antebellum Supreme Court sheds light on the burdens of justice in a divided nation and the legacy of a justice whose career mirrored the tensions of his time.
 

Although Langston, who died in 1897, was a black Politician, orator, lawyer, intellectual, diplomat, and congressman, he has never before been accorded fullscale biographical treatment. Born free on a Virginia plantation, Langston graduated from Oberlin College in 1849, gained admission to the Ohio bar, and by the age of twenty-five, became the first black American to hold elective office. Still in the years of his political apprenticeship, he promoted black civil rights, helped shape the nascent Republican party, aided in the Oberlin-Wellington Rescue and John Brown's raid, and recruited black soldier for the Union cause. In 1864 he became the first president of the National Equal Rights League.

From an extensive search of primary sources, the authors construct a richly textured picture of the beginnings of Langston's career as a national black leader. More than a biography, the work also incorporates social and political history. Embedded firmly in a study of northern black community life and activism, it reveals the degree to which Langston and his cohorts set the terms of the fight for freedom and citizenship.

Otfried Hans Freiherr von Meusebach chose a life of hardship and freedom in Texas rather than a life of comfort and influence in his native Germany, where he had lived his formative years within a framework of unconstitutional government.

In 1845 the young liberal relinquished his hereditary German title, left behind his close family ties and his various intellectual and political associations, and arrived in Texas as John O. Meusebach, commissioner-general for the Society for the Protection of German Immigrants. His background enabled him to assume an enlightened leadership of fellow immigrants who were pouring in from Germany. Lacking adequate financial backing, he nevertheless led the settling of some five thousand people in a land that was largely occupied by Indians.

Irene Marschall King presents the full sweep of Meusebach's vigorous life: Meusebach as the young liberal in Germany, as the colonizer in the 1840s, as a Texas senator and, later, an observer of the Civil War, and as a Texan who devoted his later years to bringing the Texas soil to fruition—all set against a background of the immigration movement and frontier life.

"Freedom is not free; it is costly," Meusebach believed. In Texas he found for himself and others freedom worth the price he paid.

Rich in historic detail, King's story recounts the founding of Fredericksburg, the crippling effect of the Mexican War upon the mass of immigrants huddled in illness on the coast, the signing of the Indian Treaty, which opened to settlement over three million acres of land, and the final collapse of the Society for the Protection of German Immigrants. Also depicted is the colonists' influence on the land—the gardens and orchards of south central Texas, the "Easter Fires" that blaze on the hills surrounding Fredericksburg, the mixture of German custom with American necessity that created a unique culture. Throughout the narrative Mrs. King presents a fascinating cast of characters: the noble Prince Solms, who tries to establish a German military outpost in Texas; Henry Fisher, who attempts by devious methods to control the colonists and their land and finally incites a mob which tries to hang Meusebach; Philip Cappes, a special commissioner and Meusebach's assistant, who plots through intriguing correspondence with Count Castell, the executive secretary in Germany, to overthrow Meusebach; and the colorful and courageous Indian fighter and Texas Ranger, Colonel Jack Hays.

Primarily, however, this is the story of a man who found strength in his family's motto, "Perseverance in Purpose," and gave of his energies to build Texas.

With a range that spans the lyrical, heartfelt songs “Angel from Montgomery,” “Sam Stone,” and “Paradise” to the classic country music parody “You Never Even Called Me by My Name,” John Prine is a songwriter’s songwriter. Across five decades, Prine has created critically acclaimed albums—John Prine (one of Rolling Stone’s 500 Greatest Albums of All Time), Bruised Orange, and The Missing Years—and earned many honors, including two Grammy Awards, a Lifetime Achievement Award for Songwriting from the Americana Music Association, and induction into the Nashville Songwriters Hall of Fame. His songs have been covered by scores of artists, from Johnny Cash and Miranda Lambert to Bette Midler and 10,000 Maniacs, and have influenced everyone from Roger McGuinn to Kacey Musgraves. Hailed in his early years as the “new Dylan,” Prine still counts Bob Dylan among his most enthusiastic fans.

In John Prine, Eddie Huffman traces the long arc of Prine’s musical career, beginning with his early, seemingly effortless successes, which led paradoxically not to stardom but to a rich and varied career writing songs that other people have made famous. He recounts the stories, many of them humorous, behind Prine’s best-known songs and discusses all of Prine’s albums as he explores the brilliant records and the ill-advised side trips, the underappreciated gems and the hard-earned comebacks that led Prine to found his own successful record label, Oh Boy Records. This thorough, entertaining treatment gives John Prine his due as one of the most influential songwriters of his generation.

With a range that spans the lyrical, heartfelt songs “Angel from Montgomery,” “Sam Stone,” and “Paradise” to the classic country music parody “You Never Even Called Me by My Name,” John Prine is a songwriter’s songwriter. Across five decades, Prine has created critically acclaimed albums—John Prine (one of Rolling Stone’s 500 Greatest Albums of All Time), Bruised Orange, and The Missing Years—and earned many honors, including two Grammy Awards, a Lifetime Achievement Award for Songwriting from the Americana Music Association, and induction into the Nashville Songwriters Hall of Fame. His songs have been covered by scores of artists, from Johnny Cash and Miranda Lambert to Bette Midler and 10,000 Maniacs, and have influenced everyone from Roger McGuinn to Kacey Musgraves. Hailed in his early years as the “new Dylan,” Prine still counts Bob Dylan among his most enthusiastic fans.

In John Prine, Eddie Huffman traces the long arc of Prine’s musical career, beginning with his early, seemingly effortless successes, which led paradoxically not to stardom but to a rich and varied career writing songs that other people have made famous. He recounts the stories, many of them humorous, behind Prine’s best-known songs and discusses all of Prine’s albums as he explores the brilliant records and the ill-advised side trips, the underappreciated gems and the hard-earned comebacks that led Prine to found his own successful record label, Oh Boy Records. This thorough, entertaining treatment gives John Prine his due as one of the most influential songwriters of his generation.

Jonathan Edwards has long epitomized the Puritan preacher as fiery scold, fixated on the inner struggle of the soul and the eternal flames of hell. In this book, Ronald Story offers a fundamentally different view of Edwards, revealing a profoundly social minister who preached a gospel of charity and community bound by love.

The first chapters trace Edwards's life and impact, examine his reputation as an intellectual, Calvinist, and revivalist, and highlight the importance for him of the gentler, more compassionate concepts of light, harmony, beauty, and sweetness. Story then explains what Edwards means by the “Gospel of Love”—a Christian faith that is less individual than interpersonal, and whose central feature is the practice of charity to the poor and the quest for loving community in this world, the chief signs of true salvation. As Edwards preached in his sermon “Heaven Is a World of Love,” the afterlife itself is social in nature because love is social.

Drawing on Edwards's own sermons and notebooks, Story reveals the minister's belief that divine love expressed in the human family should take us beyond tribalism, sectarianism, provincialism, and nationality. Edwards offers hope, in the manner of Walter Rauschenbusch, Karl Barth, Martin Luther King Jr., and other great “improvers,” for the coming of a world without want and war. Gracefully and compellingly written, this book represents a new departure in Edwards studies, revising the long-standing yet misleading stereotype of a man whose lessons of charity, community, and love we need now more than ever.

Jonathan Swift: Irish Blow-in covers the arc of the first half of Jonathan Swift’s life, offering fresh details of the contentment and exuberance of his childhood, of the support he received from his grandmother, of his striking affection for Esther Johnson from the time she was ten years old (his pet name for her in her twenties was “saucebox”), of his precocious entry into English politics with his Contests and Dissensions pamphlet, of his brilliant and much misunderstood Tale of a Tub, and of his naive determination to do well both as a vicar of the small parish of Laracor in Ireland and as a writer for the Tory administration trying to pull England out of debt by ending the war England was engaged in with France.

I do not share with past biographers the sense that Swift had a deprived childhood. I do not share the suspicion that most of Swift’s enmities were politically motivated. I do not feel critical of him because he was often fastidious with his money. I do not think he was insincere about his religious faith. His pride, his sexual interests, his often shocking or uninhibited language, his instinct for revenge – emphasized by many previous biographers – were all fundamental elements of his being, but elements that he either used for rhetorical effect, or that he tried to keep in check, and that he felt that religion helped him to keep in check. Swift had as firm a conviction as did Freud that we are born with wayward tendencies; unlike Freud, though, he saw both religion and civil society as necessary and helpful checks on those wayward tendencies, and he (frequently, but certainly not always) acknowledged that he shared those tendencies with the rest of us.

This biography, in two books, Jonathan Swift: Irish Blow-in and Jonathan Swift: Our Dean, will differ from most literary biographies in that it does not aim to show how Swift’s life illuminates his writings, but rather how and why Swift wrote in order to live the life he wanted to live. I have liberally quoted Swift’s own words in this biography because his inventive expression of ideas, both in his public works and in his private letters, was what has made him a unique and compelling figure in the history of literature. I hope in these two books to come closer than past biographies to capturing how it felt to Swift himself to live his life.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 

Jonathan Swift: Our Dean details the political climax of his remarkable career—his writing and publication of The Drapier’s Letters (1724), Gulliver’s Travels (1726), and A Modest Proposal (1729)—stressing the relentless political opposition he faced and the numerous ways, including through his sermons, that he worked from his political base as Dean of St. Patrick’s Cathedral, psychologically as well as physically just outside the Dublin city walls, to attempt to rouse the Irish people to awareness of the ways that England was abusing them.

This book faces squarely the likelihood that Swift had a physical affair with Esther Vanhomrigh between 1719 and 1723, and reassesses in the light of that likelihood his conflicting relations with Esther Vanhomrigh and Esther Johnson. It traces the many loving friendships with both men and women in Ireland that sustained Swift during the years when his health gradually failed him, enabling him to continue indefatiguably, both through his writings and his authority as Dean of St. Patrick’s, to contribute to the public welfare in the face of relentless British attempts to squeeze greater and greater profits out of their Irish colony. Finally, it traces how Swift’s political indignation led to his treating many people, friends and enemies, cruelly during the 1730s, even while his humor and his ability to make and attract new friends sustained themselves until his memory finally failed him in 1742.

This biography, in two books, Jonathan Swift: Irish Blow-in and Jonathan Swift:Our Dean, comes closer than past biographies to capturing how it felt to Swift himself to live his life.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 

Two lives, two names, two perspectives on Soviet communism and its postwar expansion into Eastern Europe.

In the 1930s, Guttmann was a leader of the Communist Party of Czechoslovakia before he broke with the party over the Comintern's strategy of helping Hitler to power. A harsh critic of Stalin's dictatorship and foreign policy, Guttmann became a prominent leftist opponent, outcast by the Party. To escape nazism, he exiled and settled in New York, where he worked under a pseudonym as a leading expert on events in the Soviet bloc and a critic of totalitarianism. Featured in this book are his Czech texts from the 1930s as well as studies and essays he later wrote on the nature of communist regimes, genocide, and anti-Semitism.

Incisive and illuminating, Joseph Fielding Smith examines the worldview and development of an influential theologian and his place in American religious and intellectual history.