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Kafū the Scribbler is neither pure biography nor pure criticism nor yet a pure anthology, but a blending of the three. It is an introduction to Nagai Kafū and his city, accompanied by a fairly generous sampling from his works. Marleigh Ryan writes:

“In this book Edward Seidensticker presents a unique combination of biography and literary criticism by skillfully interweaving details of the life of Nagai Kafū with studies of his writing. With quotations of from Kafū’s fiction and nonfiction alike, Seidensticker is able to reconstruct many incidents in the author’s life which had previously been little understood. The latter half of the book is given over to translations of short stories and to selections from two novels and a journal. Seidensticker has thoughtfully given cross references to the material in both parts of the book which enable the reader to handle this wealth of material with some dexterity.

“Seidensticker’s skill as a translator is so well established that it seems almost unnecessary to comment on it further here but one cannot help being impressed by his rendering of Kafū’s lyrical style. As we realize when reading the critical material, there is remarkably little plot or character development in Kafū’s fiction. His position as leading modern writer is dependent to a considerable degree upon the beauty and grace of his style, and we are fortunate indeed to have such masterful translations as these to convey that style.”*

*Ryan, Marleigh. Journal of the American Oriental Society 88, no. 3 (1968): 624. doi:10.2307/596924.

The tide is rising ahead of the early morning sun on the northeast coast of the Hawaiian island of Kaua‘i. Waves rush singing onto the outer reef where two throw net fishermen stalk the surge. An elderly woman with her silver hair in a kerchief makes her way toward shore, two octopuses tucked in her mesh bag. Within hours, two hundred tourists will snorkel, sunbathe, and teeter on the coral, few ever knowing that people fish here or that their catch sustains an entire kaiāulu (community) connected to this stretch of reef.

This coast is known as a playground for tourists and backdrop for Hollywood movies, but catch from small local reefs, and the sharing of this abundance, has sustained area families for centuries, helping them to thrive through tidal waves, hurricanes, an influx of new residents, and economic recessions. Yet fishing families are increasingly invisible and many have moved away, threatened by global commodification and loss of access to coastal lands that are now private retreats for star entertainers, investors, and dot-com millionaires.

Building on two decades of interviews with more than sixty Hawaiian elders, leaders, and fishermen and women, Kaiāulu shares their stories of enduring community efforts to perpetuate kuleana, often translated to mean “rights and responsibilities.” Community actions extend kuleana to include nurturing respectful relationships with resources, guarding and cultivating fishing spots, perpetuating collective harvests and sharing, maintaining connection to family lands, reasserting local governance rooted in ancestral values, and preparing future generations to carry on.

An important contribution to scholarship in the fields of natural resource management, geography, Indigenous Studies, and Hawaiian Studies, Kaiāulu is also a skillfully written and deeply personal tribute to a community based not on ownership, but reciprocity, responsibility, and caring for the places that shape and sustain us all.

This book is the first comprehensive study of the music and career of contemporary composer Kaija Saariaho. Born in Finland in 1952, Saariaho received her early musical training at the Sibelius Academy, where her close circle included composer and conductor Esa-Pekka Salonen. She has since become internationally known and recognized for her operas L'amour de loin and Adriana Mater and other works that involve electronic music. Her influences include the spectral analysis of timbre, especially string sounds, micropolyphonic techniques, as well as the visual and literary arts and sounds in the natural world. Pirkko Moisala approaches the unique characteristics of Saariaho's music through composition sketches, scores, critical reviews, and interviews with the composer and her trusted musicians.

This is a history of the early days of Uganda. The account has an African focus because it shows the British takeover through the experiences of an extraordinary leader.

“At this spot in the year 1901 the British flag was first hoisted by Semei Kakanguru, emissary and loyal servant of His Majesty the King. He built here a boma which was for a short time the headquarters of the district. From this beginning came the establishment of peace and the development of orderly progress in this part of Uganda.”

Michael Twaddle was shown this plaque in 1963 by a local government official who said “That man created the Uganda we Ugandans are fighting for today.” And yet the local people had had the plaque removed to a bicycle shed.

How do people regard an African who had an active role in the creation of the imperial state? Was this man “a hero,” “a collaborator,” “a warlord”? The reaction of colonial officials was mixed. One considered him “…in point of general intelligence, progressive ideas and charm of manner…far above all other natives in the Protectorate…” Another dismissed him, along with his companions, as “no better than Masai or Nandi cattle lifters.” And yet another viewed him as “undoubtedly…a partial religious maniac.”

The story of this man is an example of the dilemma for a whole generation of East Africans at the turn of the last century. This book has been compared in its importance to Shepperson’s and Price’s Independent African.

In a book now marked by both critical acclaim and cross-cultural controversy, Jeffrey J. Kripal explores the life and teachings of Ramakrishna Paramahamsa, a nineteenth-century Bengali saint who played a major role in the creation of modern Hinduism. Through extended textual and symbolic analyses of Ramakrishna's censored "secret talk," Kripal demonstrates that the saint's famous ecstatic and visionary experiences were driven by mystico-erotic energies that he neither fully accepted nor understood. The result is a striking new vision of Ramakrishna as a conflicted, homoerotic Tantric mystic that is as complex as it is clear and as sympathetic to the historical Ramakrishna as it is critical of his traditional portraits.

In a substantial new preface to this second edition, Kripal answers his critics, addresses the controversy the book has generated in India, and traces the genealogy of his work in the history of psychoanalytic discourse on mysticism, Hinduism, and Ramakrishna himself. Kali's Child has already proven to be provocative, groundbreaking, and immensely enjoyable.

"Only a few books make such a major contribution to their field that from the moment of publication things are never quite the same again. Kali's Child is such a book."—John Stratton Hawley, History of Religions

Winner of the American Academy of Religion's History of Religions Prize for the Best First Book of 1995

“We tried to live with 120 percent intensity, rather than waiting for death. We read and read, trying to understand why we had to die in our early twenties. We felt the clock ticking away towards our death, every sound of the clock shortening our lives.” So wrote Irokawa Daikichi, one of the many kamikaze pilots, or tokkotai, who faced almost certain death in the futile military operations conducted by Japan at the end of World War II. 

This moving history presents diaries and correspondence left by members of the tokkotai and other Japanese student soldiers who perished during the war. Outside of Japan, these kamikaze pilots were considered unbridled fanatics and chauvinists who willingly sacrificed their lives for the emperor. But the writings explored here by Emiko Ohnuki-Tierney clearly and eloquently speak otherwise. A significant number of the kamikaze were university students who were drafted and forced to volunteer for this desperate military operation. Such young men were the intellectual elite of modern Japan: steeped in the classics and major works of philosophy, they took Descartes’ “I think, therefore I am” as their motto. And in their diaries and correspondence, as Ohnuki-Tierney shows, these student soldiers wrote long and often heartbreaking soliloquies in which they poured out their anguish and fear, expressed profound ambivalence toward the war, and articulated thoughtful opposition to their nation’s imperialism. 

A salutary correction to the many caricatures of the kamikaze, this poignant work will be essential to anyone interested in the history of Japan and World War II.

Dorothy Mary Kamenshek was born to immigrant parents in Norwood, Ohio. As a young girl, she played pickup games of sandlot baseball with neighborhood children; no one, however, would have suspected that at the age of seventeen she would become a star athlete at the national level.

The outbreak of World War II and the ensuing draft of able-bodied young men severely depleted the ranks of professional baseball players. In 1943, Philip K. Wrigley, owner of the Chicago Cubs, led the initiative to establish a new league—a women’s league—to fill the ballparks while the war ground on in Europe and the Pacific. Kamenshek was selected and assigned to the Rockford Peaches in their inaugural season and played first base for a total of ten years, becoming a seven-time All-Star and holder of two league batting titles. When injuries finally put an end to her playing days, she went on to a successful and much quieter career in physical therapy. Fame came again in 1992, when Geena Davis portrayed a player loosely based on Kamenshek in the hit movie A League of Their Own.

Kammie on First is a real-life tale that will entertain and inspire young readers, both girls and boys. It is the first book in a new series, Biographies for Young Readers, from Ohio University Press.

The Socialist politician Karl Renner (1870-1950) was prime minister of the government that took power in Vienna after the collapse of the Austro-Hungarian Empire. He lead the delegation to Paris, which had to face the difficult issue of reparations and war guilt, for which the Allies held the successor states to the Empire responsible for. Fortunately, Renner was a likeable man and a realist, and the Austrian delegation became quite popular in Paris. The new Austrian state was in a perilous condition in 1919, on the brink of starvation and revolution, and facing territorial demands from both Italy, which had its eyes on the Tyrol, and the new Yugoslavia. Many in the German-speaking rump of the Empire sought union with Germany, Anschluss, but the Allied Powers vetoed it. Austria is often overlooked as one of the successor states to the Habsburg Empire, but it was no less important in the postwar settlement than Hungary, Czechoslovakia and the Balkan countries. Jamie Bulloch's account of Karl Renner's adroit handling of a difficult situation makes for fascinating reading.

White aster flowers, on sale on the streets of Budapest on the eve of All Souls' Day, are made the symbol of a revolution which brings Mihály Károlyi (1875-1955) to power at the head of a National Council. Károlyi concludes an armistice which leaves large areas of Hungarian territory under occupation by French, Romanian and Serbian forces. Following the King-Emperor's abdication in November 1918, Hungary is declared an independent republic with Károlyi as its President. He sets about meeting Hungary's most pressing social need, for land reform. But Károlyi's liberal regime is soon beset by strong opposition from the right and from the left. The Allies seal Károlyi's fate by refusing to end the economic blockade of Hungary and by imposing, even in advance of a peace settlement (Hungary is denied an invitation until the Conference is virtually over), even harsher armistice terms. Károlyi flinches from opposing these measures by force. The small socialist element in his government of well-meaning aristocrats defects and forms an alliance with Hungary's fledgling Communist Party. Károlyi resigns and chooses exile. The Communists, led by Bela Kun, take power. Kun raises a Red Army, which defeats a Czech invasion but fails to stem the Romanian advance, which enters Budapest in defiance of orders from Paris and engages in an orgy of pillage and destruction. The Peace Conference despatches a British diplomat, Sir George Clerk, to Budapest to broker a Romanian withdrawal. Clerk succeeds in forming a coalition government of right-wing parties, with token representation for the centre-left, which he recognises in the name of the Peace Conference and invites to send a delegation to Paris. It includes Counts István Bethlen (1874-1946) and Pál Teleki, both future prime ministers. The delegation is presented on arrival, on 6 January 1920, with the draft peace treaty for Hungary which the expert committees of the Conference have produced and which the Council has approved without amendment. The Hungarians are appalled to find that the treaty will deprive their country of two-thirds of her territory and over half of her population. The injustice of the Treaty will drive Hungary into the arms of Nazi Germany, a fatal alliance which will doom Hungary's Jews to annihilation and Hungary to defeat and destruction in the Second World War.

Katherine Anne Porter - American Writers 28 was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

One of the Lost Generation modernists who gathered in 1920s Paris, Kay Boyle published more than forty books, including fifteen novels, eleven collections of short fiction, eight volumes of poetry, three children's books, and various essays and translations. Yet her achievement can be even better appreciated through her letters to the literary and cultural titans of her time.

<p>Kay Boyle shared the first issue of <i>This Quarter</i> with Gertrude Stein and Ernest Hemingway, expressed her struggles with poetry to William Carlos Williams and voiced warm admiration to Katherine Anne Porter, fled WWII France with Max Ernst and Peggy Guggenheim, socialized with the likes of James Joyce, Marcel Duchamp, and Samuel Beckett, and went to jail with Joan Baez. The letters in this first-of-its-kind collection, authorized by Boyle herself, bear witness to a transformative era illuminated by genius and darkened by Nazism and the Red Scare. Yet they also serve as milestones on the journey of a woman who possessed a gift for intense and enduring friendship, a passion for social justice, and an artistic brilliance that earned her inclusion among the celebrated figures in her ever-expanding orbit.

Andrew Motion's dramatic narration of Keats's life is the first in a generation to take a fresh look at this great English Romantic poet. Unlike previous biographers, Motion pays close attention to the social and political worlds Keats inhabited. Making incisive use of the poet's inimitable letters, Motion presents a masterful account.

"Motion has given us a new Keats, one who is skinned alive, a genius who wrote in a single month all the poems we cherish, a victim who was tormented by the best doctors of the age. . . . This portrait, stripped of its layers of varnish and restored to glowing colours, should last us for another generation."—Edmund White, The Observer Review

"Keats's letters fairly leap off the page. . . . [Motion] listens for the 'freely associating inquiry and incomparable verve and dash,' the 'headlong charge,' of Keats's jazzlike improvisations, which give us, like no other writing in English, the actual rush of a man thinking, a mind hurtling forward unpredictably and sweeping us along."—Morris Dickstein, New York Times Book Review

"Scrupulous and eloquent."—Gregory Feeley, Philadelphia Inquirer

Marian Alexander Spencer was born in 1920 in the Ohio River town of Gallipolis, Ohio, one year after the “Red Summer” of 1919 that saw an upsurge in race riots and lynchings. Following the example of her grandfather, an ex-slave and community leader, Marian joined the NAACP at thirteen and grew up to achieve not only a number of civic leadership firsts in her adopted home city of Cincinnati, but a legacy of lasting civil rights victories.

Of these, the best known is the desegregation of Cincinnati’s Coney Island amusement park. She also fought to desegregate Cincinnati schools and to stop the introduction of observers in black voting precincts in Ohio. Her campaign to raise awareness of industrial toxic-waste practices in minority neighborhoods was later adapted into national Superfund legislation.

In 2012, Marian’s friend and colleague Dot Christenson sat down with her to record her memories. The resulting biography not only gives us the life story of remarkable leader but encapsulates many of the twentieth century’s greatest struggles and advances. Spencer’s story will prove inspirational and instructive to citizens and students alike.

During the 1980s, many of America’s most respected colleges and universities suffered financial crises, athletic scandals, a troubling upsurge of racial conflict, and the divisiveness of political correctness “wars.” Yet Duke University not only avoided these dangers but changed dramatically from a very good regional university to one of the nation’s top research institutions. Its undergraduate campus was hailed as a “hot college”; its Blue Devils basketball team was pronounced a model for student athletes; its graduate and professional schools gained new national prominence; and its scholars were quoted frequently in the popular press on both sides of the political correctness debates.
In Keeping an Open Door, Duke chancellor (1982-1985) and president (1985-1993) Keith Brodie and coauthor Leslie Banner recount what it was like to lead Duke during an era of change for research universities across the country: how Brodie reached some of his most controversial decisions, including the “Black Faculty Initiative”; his strategy for precluding abuse in Division I athletics at Duke; how his training as a psychiatrist shaped his leadership style and influenced how he dealt with trustees, deans, faculty, and students; and the avenues of power still open to today’s university presidents. The history and feeling of life on the Duke campus during the Brodie era are vividly evoked in photographs and key speeches introduced by the former president’s personal recollections.
Keeping an Open Door provides an insider’s view of issues critical to modern research universities and will interest anyone concerned with the history and future of higher education.

“After saying our good-byes to friends and neighbors, we all got in the cars and headed up the hill and down the road toward a future in Ohio that we hoped would be brighter,” Otis Trotter writes in his affecting memoir, Keeping Heart: A Memoir of Family Struggle, Race, and Medicine.

Organized around the life histories, medical struggles, and recollections of Trotter and his thirteen siblings, the story begins in 1914 with his parents, Joe William Trotter Sr. and Thelma Odell Foster Trotter, in rural Alabama. By telling his story alongside the experiences of his parents as well as his siblings, Otis reveals cohesion and tensions in twentieth-century African American family and community life in Alabama, West Virginia, and Ohio.

This engaging chronicle illuminates the journeys not only of a black man born with heart disease in the southern Appalachian coalfields, but of his family and community. It fills an important gap in the literature on an underexamined aspect of American experience: the lives of blacks in rural Appalachia and in the nonurban endpoints of the Great Migration. Its emotional power is a testament to the importance of ordinary lives.

Michael Blake's Dances with Wolves transformed denigrating Indian sterotypes and created widespread interest in Native American culture. The subsequent popularity of books on this topic underscores the power of a tale well told. While Blake's story relates the early chapters of Native Americans' survival struggles, later accounts of this struggle remain untold.
The Indians of Hungry Hollow authentically presents these later chapters. The days of Hungry Hollow have long passed, but the opportunity to capture its lessons of community, strong values, and an urge to thrive in matters of the heart and soul are still very much with us.
These are stories of survival, community, sharing, and caring. The situations are often dire: winter in the middle of the Depression; an Indian settlement illegally taken from its inhabitants and set on fire; boaters stranded by bad weather and threatened with death. But if the situations are extreme, the telling of the stories is consistently optimistic yet completely without self-pity or sentimentality, and the characters always find a way through the darkness.
Dunlop's unique style of storytelling is compelling and informative, and these historically significant stories help to elucidate the transition of the American Indian culture from post-tribal days to the present.
Bill Dunlop is a respected Ottawa elder and storyteller. Marcia Fountain-Blacklidge is a professional writer, counselor, and consultant.

Kelly Reichardt's 1994 debut River of Grass established her gift for a slow-paced realism that emphasizes the ongoing, everyday nature of emergency. Her work since then has communed with--yet remained apart from--postwar European realisms, the American avant-garde, independent film, and the emerging slow cinema movement. Katherine Fusco and Nicole Seymour read such Reichardt films as Wendy and Lucy and Night Moves to consider the root that emergency shares with emergence --the slowly unfolding or the barely perceptible. They see Reichardt as a filmmaker preoccupied with how environmental and economic crises affect those living on society's fringes. Her spare plots and slow editing reveal an artist who recognizes that disasters are gradual, with effects experienced through duration rather than sudden shock. Insightful and boldly argued, Kelly Reichardt is a long overdue portrait of a filmmaker who sees emergency not as a break from the everyday, but as a version of it.

The Inspiring True Story of One of the Most Successful and Beloved Thoroughbreds in Racing History

Praise for Kelso: The Horse of Gold:
“Ms. Kennedy has captured the grandeur of the horse in a simple, straightforward way that will charm and excite those who saw Kelso run and remember his stirring deeds. . . . Kelso's racing record through eight seasons is simply breathtaking.”—Wall Street Journal
“In this concise, entertaining account, Kennedy tells the story of Kelso, a scrawny ungainly gelding who just happened to be one of the greatest Thoroughbreds that ever lived.”—Publishers Weekly
“An excellent portrayal... so intense that one has the sensation of being right there with the crowd and cheering Kelso on.”—Tom Trotter, Former New York Racing Secretary
“He was the greatest horse I ever rode.”—Eddie Arcaro, rider of Triple Crown champions Whirlaway, Assault, and Citation

At his three-year debut in June 1960, no one could know that Mrs. Allaire DuPont’s small, deerlike gelding named Kelso would come to dominate American racing like no other horse before or since. For five unprecedented years, he would reign as Horse of the Year, setting records and endearing himself to millions of fans. Always considered among the top four horses of all time—with Man O' War, Secretariat, and Citation—for many, Kelso is the greatest racehorse, since he won at sprints and endurance races, won on turf and dirt, carried unprecedented handicap weights, and raced both foreign and national thoroughbreds. Kelso was crowned champion of the Jockey Gold Cup, one of the most prestigious racing events, an astounding five straight times. Like Seabiscuit, Kelso was not earmarked as a contender and missed the Triple Crown races. But Kelso's greatness was decisive: he regularly defeated Triple Crown race winners. In Kelso: The Horse of Gold, Linda Kennedy tells the remarkable story of one of the greatest athletes of the ages, recreating the excitement of "Kelly's" unique and brilliant career while placing his unparalleled achievements in the context of racing history.

Hanged by the Nigerian government on November 10, 1995, Ken Saro-Wiwa became a martyr for the Ogoni people and human rights activists, and a symbol of modern Africans’ struggle against military dictatorship, corporate power, and environmental exploitation. Though he is rightly known for his human rights and environmental activism, he wore many hats: writer, television producer, businessman, and civil servant, among others. While the book sheds light on his many legacies, it is above all about Saro-Wiwa the man, not just Saro-Wiwa the symbol.

Roy Doron and Toyin Falola portray a man who not only was formed by the complex forces of ethnicity, race, class, and politics in Nigeria, but who drove change in those same processes. Like others in the Ohio Short Histories of Africa series, Ken Saro-Wiwa is written to be accessible to the casual reader and student, yet indispensable to scholars.

Kenneth Burke - American Writers 75 was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Creative nonfiction writers wrestle constantly with the boundaries of creative license—what to reveal, when to reveal it, and how best to do it. While the truth may inspire us to make confident assertions, secrets, lies, and half-truths inspire us to delve further into our own writing to discover the heart of the story. The pieces in this collection feature essayists who do this type of detective work. Each essay contains a secret, lie, or half-truth—some of these are revealed by the author, but others remain buried. Ranging from the deep family secret to the little white lie, from the shocking to the humorous, and from the straightforward revelation to the slanted half-truth, these essays ask us to appreciate the magnitude of keeping a secret. They also ask us to consider the obstacles writers must overcome if they want to write about secrets in their own lives and the lives of others. In short interviews following each essay the contributors discuss craft, ethics, creativity, and how they eventually decided to reveal—or not reveal—a secret.
 

A woman living and communicating in multiple lands, Susana Chávez-Silverman conveys her cultural and linguistic displacement in humorous, bittersweet, and even tangible ways in this truly bilingual literary work. These meditative and lyrical pieces combine poignant personal confession, detailed daily observation, and a memorializing drive that shifts across time and among geocultural spaces. The author’s inventive and flamboyant use of Spanglish, a hybrid English-Spanish idiom, and her adaptation of the confessional "crónica" make this memoir compelling and powerful. Killer Crónicas confirms that there is no Latina voice quite like that of Susana Chávez-Silverman.

Includes a chapter that was awarded first prize in El Andar magazine’s Chicano Literary Excellence Contest in the category of personal memoir.

Killing Time is the story of Paul Feyerabend's life. Finished only weeks before his death in 1994, it is the self-portrait of one of this century's most original and influential intellectuals.

Trained in physics and astronomy, Feyerabend was best known as a philosopher of science. But he emphatically was not a builder of theories or a writer of rules. Rather, his fame was in powerful, plain-spoken critiques of "big" science and "big" philosophy. Feyerabend gave voice to a radically democratic "epistemological anarchism:" he argued forcefully that there is not one way to knowledge, but many principled paths; not one truth or one rationality but different, competing pictures of the workings of the world. "Anything goes," he said about the ways of science in his most famous book, Against Method. And he meant it.

Here, for the first time, Feyerabend traces the trajectory that led him from an isolated, lower-middle-class childhood in Vienna to the height of international academic success. He writes of his experience in the German army on the Russian front, where three bullets left him crippled, impotent, and in lifelong pain. He recalls his promising talent as an operatic tenor (a lifelong passion), his encounters with everyone from Martin Buber to Bertolt Brecht, innumerable love affairs, four marriages, and a career so rich he once held tenured positions at four universities at the same time.

Although not written as an intellectual autobiography, Killing Time sketches the people, ideas, and conflicts of sixty years. Feyerabend writes frankly of complicated relationships with his mentor Karl Popper and his friend and frequent opponent Imre Lakatos, and his reactions to a growing reputation as the "worst enemy of science."

Award-winning epics like the Mars Trilogy and groundbreaking alternative histories like The Days of Rice and Salt have brought Kim Stanley Robinson to the forefront of contemporary science fiction. Mixing subject matter from a dizzying number of fields with his own complex ecological and philosophical concerns, Robinson explores how humanity might pursue utopian social action as a strategy for its own survival. Robert Markley examines the works of an author engaged with the fundamental question of how we—as individuals, as a civilization, and as a species—might go forward. By building stories on huge time scales, Robinson lays out the scientific and human processes that fuel humanity's struggle toward a more just and environmentally stable world or system of worlds. His works invite readers to contemplate how to achieve, and live in, these numerous possible futures. They also challenge us to see that SF's literary, cultural, and philosophical significance have made it the preeminent literary genre for examining where we stand today in human and planetary history.

What can we know of the private lives of early British sovereigns? Through the unusually large number of letters that survive from King James VI of Scotland/James I of England (1566-1625), we can know a great deal. Using original letters, primarily from the British Library and the National Library of Scotland, David Bergeron creatively argues that James' correspondence with certain men in his court constitutes a gospel of homoerotic desire. Bergeron grounds his provocative study on an examination of the tradition of letter writing during the Renaissance and draws a connection between homosexual desire and letter writing during that historical period.

King James, commissioner of the Bible translation that bears his name, corresponded with three principal male favorites—Esmé Stuart (Lennox), Robert Carr (Somerset), and George Villiers (Buckingham). Esmé Stuart, James' older French cousin, arrived in Scotland in 1579 and became an intimate adviser and friend to the adolescent king. Though Esmé was eventually forced into exile by Scottish nobles, his letters to James survive, as does James' hauntingly allegorical poem Phoenix. The king's close relationship with Carr began in 1607. James' letters to Carr reveal remarkable outbursts of sexual frustration and passion.

A large collection of letters exchanged between James and Buckingham in the 1620s provides the clearest evidence for James' homoerotic desires. During a protracted separation in 1623, letters between the two raced back and forth. These artful, self-conscious letters explore themes of absence, the pleasure of letters, and a preoccupation with the body. Familial and sexual terms become wonderfully intertwined, as when James greets Buckingham as "my sweet child and wife."

King James and Letters of Homoerotic Desire presents a modern-spelling edition of seventy-five letters exchanged between Buckingham and James. Across the centuries, commentators have condemned the letters as indecent or repulsive. Bergeron argues that on the contrary they reveal an inward desire of king and subject in a mutual exchange of love.

Haile Selassie I, the last emperor of Ethiopia, was as brilliant as he was formidable. An early proponent of African unity and independence who claimed to be a descendant of King Solomon, he fought with the Allies against the Axis powers during World War II and was a messianic figure for the Jamaican Rastafarians. But the final years of his empire saw turmoil and revolution, and he was ultimately overthrown and assassinated in a communist coup.

Written by Asfa-Wossen Asserate, Haile Selassie’s grandnephew, this is the first major biography of this final “king of kings.” Asserate, who spent his childhood and adolescence in Ethiopia before fleeing the revolution of 1974, knew Selassie personally and gained intimate insights into life at the imperial court. Introducing him as a reformer and an autocrat whose personal history—with all of its upheavals, promises, and horrors—reflects in many ways the history of the twentieth century itself, Asserate uses his own experiences and painstaking research in family and public archives to achieve a colorful and even-handed portrait of the emperor.

Joseph Rudyard Kipling was the greatest writer in a Britain that ruled the largest empire the world has known, yet he was always a controversial figure, as deeply hated as he was loved. This accessible biography aims at an understanding of the man behind the image and gives an explanation of his enduring popularity

Daniel Czitrom learned early on that radical politics was a family affair that stretched across generations and was shared around the kitchen table. In this historical memoir, Czitrom explores how memories and political beliefs shaped his life and his identity as a historian.

Czitrom follows three generations of his family as they fled violence in Eastern Europe, built new lives in America, and committed themselves to radical political movements. Their works and trials included union organizing, volunteering to fight fascism in Spain and elsewhere, harassment by the FBI, and everyday acts of survival. Czitrom describes what he discovered in his years of historical detective work while pondering the still-unanswered questions wrapped in silence and pain. He also recounts his years-long journey to balance loyalty to his family’s values with a desire to succeed, question authority, and become his own person.

An engaging blend of memoir and history, Kitchen Table History is the chronicle of a family and a personal search for the meaning of the past.

Deep within New York's compelling, sprawling history lives an odd, ornery Manhattan native named Diedrich Knickerbocker. The name may be familiar today: his story gave rise to generations of popular tributes—from a beer brand to a basketball team and more—but Knickerbocker himself has been forgotten. In fact, he was New York's first truly homegrown chronicler, and as a descendant of the Dutch settlers, he singlehandedly tried to reclaim the city for the Dutch. Almost singlehandedly, that is. Diedrich Knickerbocker was created in 1809 by a young Washington Irving, who used the character to narrate his classic satire, A History of New York. According to Irving's partisan narrator, everything good and distinctive, proud and powerful, about New York City—from the doughnuts to the twisting streets of lower Manhattan—could be traced back to New Amsterdam. Terrific general interest, cultural history of a city with a rich and lively literary past. First-ever book on the eponymous myth that has informed New York City culture since the early 1800s. Coincides with the two-hundredth anniversary of Washington Irving's publication of A History of New York. Perfect gift book or addition to library collection of New York Cityùthemed books.

Includes a gallery of images that brings Diedrich Knickerbocker, his myth, time, and place to life Knickerbocker engagingly traces the creation, evolution, and prevalence of Irving's imaginary historian in New York literature and history, art and advertising, from the early nineteenth century to the present day. Who would imagine this satiric character, at once a snob and a champion of the people, would endure for two hundred years? In Elizabeth L. Bradley's words, "Whether you call it 'blood,' style, attitude, or moxie, the little Dutchman could deliver." And, from this engaging work, it is clear that he does.

Bradley's stunning volume offers a surprising and delightful glimpse behind the scenes of New York history, and invites readers into the world of Knickerbocker, the antihero who surprised everyone by becoming the standard-bearer for the city's exceptional sense of self, or what we now call a New York "attitude."

Winner, 2006 Illinois State Historical Society Book Award Certificate of Excellence
Recipient, 2007 Hyde Park Historical Society Paul Cornell Award

Sixty years ago, when Truman Gibson reported for duty at the War Department, Washington, D.C. was a southern city in its unbending segregation as well as in its steamy summers. Gibson had no illusions, but as someone who'd enjoyed the best of the vibrant black culture of prewar America, he was shocked to find the worst of the Jim Crow South in the nation's capital. What Gibson accomplished as an advocate for African American soldiers-first as a lawyer working for the Secretary of War, then as a member of President Truman's "Black Cabinet"--is a large part of the history of the struggle for civil rights in the American military; and it is a compelling part of the story that Gibson tells in this book, a memoir of a life spent making a difference in the world one step at a time.
A graduate of the University of Chicago Law School, Gibson took his fight for racial justice to the corridors of powers, arguing against restrictive real estate covenants before the U.S. Supreme Court, opposing such iconic figures as Generals Dwight Eisenhower and George C. Marshall in campaigning for the integration of the armed forces, and challenging white control of professional sports by creating a boxing promotion empire that made television history. A firsthand account of the nitty-gritty of twentieth-century race relations in the worlds of law, the military, sports, and entertainment, Gibson's memoir is also an engaging recollection of encounters with the likes of Thurgood Marshall, W. E. B. DuBois, Eleanor Roosevelt, George Patton, Jackie Robinson, and Joe Louis, among others. As a historical record and as an intimate look at a bygone era with all its charms and hardships, the book is an essential chapter in our nation's story.