Results by title

The Trial is actually closer to reality than fantasy as far as the client’s perception of the system. It’s supposed to be a fantastic allegory, but it’s reality. It’s very important that lawyers read it and understand this.” Justice Anthony Kennedy famously offered this assessment of the Kafkaesque character of the American criminal justice system in 1993. While Kafka’s vision of the “Law” in The Trial appears at first glance to be the antithesis of modern American legal practice, might the characteristics of this strange and arbitrary system allow us to identify features of our own system that show signs of becoming similarly nightmarish?
           
With Kafka’s Law, Robert P. Burns shows how The Trial provides an uncanny lens through which to consider flaws in the American criminal justice system today. Burns begins with the story, at once funny and grim, of Josef K., caught in the Law’s grip and then crushed by it. Laying out the features of the Law that eventually destroy K., Burns argues that the American criminal justice system has taken on many of these same features. In the overwhelming majority of contemporary cases, police interrogation is followed by a plea bargain, in which the court’s only function is to set a largely predetermined sentence for an individual already presumed guilty. Like Kafka’s nightmarish vision, much of American criminal law and procedure has become unknowable, ubiquitous, and bureaucratic. It, too, has come to rely on deception in dealing with suspects and jurors, to limit the role of defense, and to increasingly dispense justice without the protection of formal procedures. But, while Kennedy may be correct in his grim assessment, a remedy is available in the tradition of trial by jury, and Burns concludes by convincingly arguing for its return to a more central place in American criminal justice.

In 2005 Margaret Jones Bolsterli learned that her great-great-grandfather was a free mulatto named Jordan Chavis, who owned an antebellum plantation near Vicksburg, Mississippi. The news was a shock; Bolsterli had heard about the plantation in family stories told during her Arkansas Delta childhood, but Chavis’s name and race had never been mentioned. With further exploration Bolsterli found that when Chavis’s children crossed the Mississippi River between 1859 and 1875 for exile in Arkansas, they passed into the white world, leaving the family’s racial history completely behind.

Kaleidoscope is the story of this discovery, and it is the story, too, of the rise and fall of the Chavis fortunes in Mississippi, from the family’s first appearance on a frontier farm in 1829 to ownership of over a thousand acres and the slaves to work them by 1860. Bolsterli learns that in the 1850s, when all free colored people were ordered to leave Mississippi or be enslaved, Jordan Chavis’s white neighbors successfully petitioned the legislature to allow him to remain, unmolested, even as three of his sons and a daughter moved to Arkansas and Illinois. She learns about the agility with which the old man balanced on a tightrope over chaos to survive the war and then take advantage of the opportunities of newly awarded citizenship during Reconstruction. The story ends with the family’s loss of everything in the 1870s, after one of the exiled sons returns to Mississippi to serve in the Reconstruction legislature and a grandson attempts unsuccessfully to retain possession of the land. In Kaleidoscope, long-silenced truths are revealed, inviting questions about how attitudes toward race might have been different in the family and in America if the truth about this situation and thousands of others like it could have been told before.

Dorothy Mary Kamenshek was born to immigrant parents in Norwood, Ohio. As a young girl, she played pickup games of sandlot baseball with neighborhood children; no one, however, would have suspected that at the age of seventeen she would become a star athlete at the national level.

The outbreak of World War II and the ensuing draft of able-bodied young men severely depleted the ranks of professional baseball players. In 1943, Philip K. Wrigley, owner of the Chicago Cubs, led the initiative to establish a new league—a women’s league—to fill the ballparks while the war ground on in Europe and the Pacific. Kamenshek was selected and assigned to the Rockford Peaches in their inaugural season and played first base for a total of ten years, becoming a seven-time All-Star and holder of two league batting titles. When injuries finally put an end to her playing days, she went on to a successful and much quieter career in physical therapy. Fame came again in 1992, when Geena Davis portrayed a player loosely based on Kamenshek in the hit movie A League of Their Own.

Kammie on First is a real-life tale that will entertain and inspire young readers, both girls and boys. It is the first book in a new series, Biographies for Young Readers, from Ohio University Press.

A driving ambition linked Oakland and Kansas City in the 1960s. Each city sought the national attention and civic glory that came with being home to professional sports teams. Their successful campaigns to lure pro franchises ignited mutual rivalries in football and baseball that thrilled hometown fans. But even Super Bowl victories and World Series triumphs proved to be no defense against urban problems in the tumultuous 1960s and 1970s. Matthew C. Ehrlich tells the fascinating history of these iconic sports towns. From early American Football League battles to Oakland's deft poaching of baseball's Kansas City Athletics, the cities emerged as fierce opponents from Day One. Ehrlich weaves a saga of athletic stars and folk heroes like Len Dawson, Al Davis, George Brett, and Reggie Jackson with a chronicle of two cities forced to confront the wrenching racial turmoil, labor conflict, and economic crises that arise when soaring aspirations collide with harsh realities.Colorful and thought-provoking, Kansas City vs. Oakland breaks down who won and who lost when big-time sports came to town.

    No part of the United States escaped the ravages of the Great Depression, but some coped with it better than others. This book examines New Deal relief programs in Kansas throughout the Depression, focusing on the relationship between the state and the federal government to show how their successful operation depended on the effectiveness of that partnership.

            Ranging widely over all of Kansas’s 105 counties, Peter Fearon provides a detailed analysis of the key relief programs for both urban and rural areas and shows that the state’s Republican administration—led by FDR’s later presidential opponent Governor Alf Landon—effectively ran New Deal welfare policies. As early as 1933, federal officials reported the Kansas central relief administration to be one of the most efficient in the country, and funding for farm policies was generous enough to keep many Kansas farm families off the relief rolls. Indeed, historically high levels of social spending ensured that New Deal initiatives were radical for their day, but Fearon shows that, especially in Kansas, fears of the debilitating effects of the dole and the insistence on means testing and work relief served as conservative balances to the threat of a dependency culture.

Drawing on extensive research at the county level, Fearon examines relief problems from the perspective of recipients, social workers, and poor commissioners, all of whom had to cope with inadequate and fluctuating funding. He plumbs the sometimes volatile relationships between social workers and their clients to illustrate the formidable difficulties faced by the former and explain reasons for—and effects of—strikes and riots by the latter. He also investigates the operation of work relief, considers the treatment of women and blacks in the distribution of welfare resources, and assesses the effects of the WPA on employment—showing that the majority of those eligible were unable to secure positions and were forced to fall back on county relief.

            Kansas in the Great Depression is an insightful look at how federal, state, and local authorities worked together to deal with a national emergency, revealing the complexities of policy initiatives not generally brought to light in studies at the national level while establishing important links between pre-Roosevelt policies and the New Deal. It reaffirms the virtues of government programs run by dedicated public officials as it opens a new window on Americans helping Americans in their darkest hours.

When the Civil War broke out in April 1861, Kansas was in a unique position. It had been a state for mere weeks, and already its residents were intimately acquainted with civil strife. Since its organization as a territory in 1854, Kansas had been the focus of a national debate over the place of slavery in the Republic. By 1856, the ideological conflict developed into actual violence, earning the territory the sobriquet “Bleeding Kansas.” Because of this steady escalation in violence, the state’s transition from peace to war was not as abrupt as that of other states.

Kansas’s War illuminates the new state’s main preoccupations: the internal struggle for control of policy and patronage; border security; and issues of race—especially efforts to come to terms with the burgeoning African American population and Native Americans’ coninuing claims to nearly one-fifth of the state’s land. These documents demonstrate how politicians, soldiers, and ordinary Kansans were transformed by the war.

Throughout the better part of the twentieth century, and in performance halls, classrooms, and communities throughout the world, the wellspring of Katherine Dunham's remarkable career can be traced to the intersection of dance, culture, and society. More than a recounting of Dunham's accomplishments as a dancer and choreographer, this biography is the first to thoroughly examine her pioneering contributions to dance anthropology and her commitment to humanizing society through the arts.
Founder of the first self-supporting African American dance company, Dunham relied on her fieldwork as an anthropologist to fundamentally change modern dance. She shaped new dance techniques and introduced other cultures to U.S. and European audiences by fusing Caribbean and African-based movement with ballet and modern dance. Her revolutionary approaches to dance and its greater connection to the world have influenced a generation of dancers, theatrical performers, and scholars. She believes that dance involves the development of an entire person and the rituals and traditions of dance are integral to the study of culture. Throughout her career she has been a living model of the socially responsible artist working to whet cultural appetites and combat social injustice.
Joyce Aschenbrenner's multifaceted portrait blends personal observations based on her own interactions with Dunham, archival documents, and interviews with Dunham's colleagues, students, and members of the Katherine Dunham Dance Company.
Integrating these sources, Aschenbrenner characterizes the social, familial, and cultural environment of Dunham's upbringing and the intellectual and artistic community she embraced at the University of Chicago that laid the groundwork for her development as a dancer, anthropologist, and humanitarian. The book vividly depicts Dunham's and her dancers' touring experiences and includes detailed descriptions of her community cultural and educational programs in East St. Louis.
 

Katrina's Imprint highlights the power of this sentinel American event and its continuing reverberations in contemporary politics, culture, and public policy. Published on the fifth anniversary of Hurricane Katrina, the multidisciplinary volume reflects on how history, location, access to transportation, health care, and social position feed resilience, recovery, and prospects for the future of New Orleans and the Gulf region. Essays examine the intersecting vulnerabilities that gave rise to the disaster, explore the cultural and psychic legacies of the storm, reveal how the process of rebuilding and starting over replicates past vulnerabilities, and analyze Katrina's imprint alongside American's myths of self-sufficiency. A case study of new weaknesses that have emerged in our era, this book offers an argument for why we cannot wait for the next disaster before we apply the lessons that should be learned from Katrina.

Marian Alexander Spencer was born in 1920 in the Ohio River town of Gallipolis, Ohio, one year after the “Red Summer” of 1919 that saw an upsurge in race riots and lynchings. Following the example of her grandfather, an ex-slave and community leader, Marian joined the NAACP at thirteen and grew up to achieve not only a number of civic leadership firsts in her adopted home city of Cincinnati, but a legacy of lasting civil rights victories.

Of these, the best known is the desegregation of Cincinnati’s Coney Island amusement park. She also fought to desegregate Cincinnati schools and to stop the introduction of observers in black voting precincts in Ohio. Her campaign to raise awareness of industrial toxic-waste practices in minority neighborhoods was later adapted into national Superfund legislation.

In 2012, Marian’s friend and colleague Dot Christenson sat down with her to record her memories. The resulting biography not only gives us the life story of remarkable leader but encapsulates many of the twentieth century’s greatest struggles and advances. Spencer’s story will prove inspirational and instructive to citizens and students alike.

Before World War I, the government reaction to labor dissent had been local, ad hoc, and quasi-military. Sheriffs, mayors, or governors would deputize strikebreakers or call out the state militia, usually at the bidding of employers. When the United States entered the conflict in 1917, government and industry feared that strikes would endanger war production; a more coordinated, national strategy would be necessary. To prevent stoppages, the Department of Justice embarked on a sweeping new effort—replacing gunmen with lawyers. The department systematically targeted the nation’s most radical and innovative union, the Industrial Workers of the World, also known as the Wobblies, resulting in the largest mass trial in U.S. history.
In the first legal history of this federal trial, Dean Strang shows how the case laid the groundwork for a fundamentally different strategy to stifle radical threats, and had a major role in shaping the modern Justice Department. As the trial unfolded, it became an exercise of raw force, raising serious questions about its legitimacy and revealing the fragility of a criminal justice system under great external pressure.

NFL Films changed the way Americans view football. Keepers of the Flame: NFL Films and the Rise of Sports Media traces the subsidiary's development from a small independent film production company to the marketing machine that Sports Illustrated named "perhaps the most effective propaganda organ in the history of corporate America."
 
Drawing on research at the NFL Films Archive and the Pro Football Hall of Fame and interviews with media pioneer Steve Sabol and others, Travis Vogan shows how NFL Films has constructed a consistent, romanticized, and remarkably visible mythology for the National Football League. The company packages football as a visceral and dramatic sequence of violent, beautiful, graceful, and heroic gridiron battles. Historically proven formulas for presentation--such as the dramatic voiceovers once provided by John Facenda's baritone, the soaring scores of Sam Spence's rousing background music, and the epic poetry found in Steve Sabol's scripts--are still used today.
 
From the Vincent Price-narrated Strange but True Football Stories to the currently running series Hard Knocks, NFL Films distinguishes the NFL from other sports organizations and from other media and entertainment. Vogan tells the larger story of the company's relationship with and vast influence on our culture's representations of sport, the expansion of sports television beyond live game broadcasts, and the emergence of cable television and Internet sports media.
 
Keepers of the Flame: NFL Films and the Rise of Sports Media presents sports media as an integral facet of American popular culture and NFL Films as key to the transformation of professional football into the national obsession commonly known as America's Game.

“After saying our good-byes to friends and neighbors, we all got in the cars and headed up the hill and down the road toward a future in Ohio that we hoped would be brighter,” Otis Trotter writes in his affecting memoir, Keeping Heart: A Memoir of Family Struggle, Race, and Medicine.

Organized around the life histories, medical struggles, and recollections of Trotter and his thirteen siblings, the story begins in 1914 with his parents, Joe William Trotter Sr. and Thelma Odell Foster Trotter, in rural Alabama. By telling his story alongside the experiences of his parents as well as his siblings, Otis reveals cohesion and tensions in twentieth-century African American family and community life in Alabama, West Virginia, and Ohio.

This engaging chronicle illuminates the journeys not only of a black man born with heart disease in the southern Appalachian coalfields, but of his family and community. It fills an important gap in the literature on an underexamined aspect of American experience: the lives of blacks in rural Appalachia and in the nonurban endpoints of the Great Migration. Its emotional power is a testament to the importance of ordinary lives.

Keeping Oregon Green is a new history of the signature accomplishments of Oregon’s environmental era: the revitalization of the polluted Willamette River, the Beach Bill that preserved public access to the entire coastline, the Bottle Bill that set the national standard for reducing roadside litter, and the nation’s first comprehensive land use zoning law, colloquially known as LDCD. To these case studies is added the largely forgotten tale of what would have been Oregon’s second National Park, intended to preserve the Oregon Dunes as one of the country’s first National Seashores.

 Through the detailed study of the historical, political, and cultural contexts of these environmental conflicts the author uncovers new dimensions in familiar stories linked to the concepts of “livability” and environmental stewardship. Linking events in Oregon to the national environmental awakening of the 1960s-1970s, the innovative environmental policies that carried Oregon to a position of national leadership are shown to be products of place and culture as much as politics. While political leaders played critical roles in framing new laws, the advocacy of ordinary citizens-- farmers, students, business leaders, and factory workers --drove a movement that crossed partisan, geographic, and class lines to make Oregon the nation’s environmental showplace of the 1970s.

 Drawing on extensive archival research, source materials ranging from poetry to congressional hearings, and firmly rooted in the cultural, economic, and political history of the Pacific Northwest, Keeping Oregon Green argues that the state’s environmental legacy is not just the product of visionary leadership, but rather a complex confluence of events, trends, and personalities that could only have happened when and where it did. The linked concepts of livability and stewardship behind Oregon’s success were not transferrable to other places or times, dooming efforts to repeat the state’s signature achievements elsewhere to failure.

Most nineteenth and early-twentieth-century European immigrants arrived in the United States with barely more than the clothes on their backs. They performed menial jobs, spoke little English, and often faced a hostile reception. But two or more generations later, the overwhelming majority of their descendants had successfully integrated into American society. Today's immigrants face many of the same challenges, but some experts worry that their integration, especially among Latinos, will not be as successful as their European counterparts. Keeping the Immigrant Bargain examines the journey of Dominican and Colombian newcomers whose children have achieved academic success one generation after the arrival of their parents. Sociologist Vivian Louie provides a much-needed comparison of how both parents and children understand the immigrant journey toward education, mobility, and assimilation. Based on Louie's own survey and interview study, Keeping the Immigrant Bargain examines the lives of thirty-seven foreign-born Dominican and Colombian parents and their seventy-six young adult offspring—the majority of whom were enrolled in or had graduated from college. The book shows how they are adapting to American schools, jobs, neighborhoods, and culture. Louie discovers that before coming to the United States, some of these parents had already achieved higher levels of education than the average foreign-born Dominican or Colombian, and after arrival many owned their own homes. Significantly, most parents in each group expressed optimism about their potential to succeed in the United States, while also expressing pessimism about whether they would ever be accepted as Americans. In contrast to the social exclusion experienced by their parents, most of the young adults had assimilated linguistically and believed themselves to be full participants in American society. Keeping the Immigrant Bargain shows that the offspring of these largely working-class immigrants had several factors in common that aided their mobility. Their parents were highly engaged in their lives and educational progress, although not always in ways expected by schools or their children, and the children possessed a strong degree of self-motivation. Equally important was the availability of key institutional networks of support, including teachers, peers, afterschool and other enrichment programs, and informal mentors outside of the classroom. These institutional networks gave the children the guidance they needed to succeed in school, offering information the parents often did not know themselves. While not all immigrants achieve such rapid success, this engrossing study shows how powerful the combination of self-motivation, engaged families, and strong institutional support can be. Keeping the Immigrant Bargain makes the case that institutional relationships—such as teachers and principals who are trained to accommodate cultural difference and community organizations that help parents and children learn how to navigate the system—can bear significantly on immigrant educational success.

Michael Blake's Dances with Wolves transformed denigrating Indian sterotypes and created widespread interest in Native American culture. The subsequent popularity of books on this topic underscores the power of a tale well told. While Blake's story relates the early chapters of Native Americans' survival struggles, later accounts of this struggle remain untold.
The Indians of Hungry Hollow authentically presents these later chapters. The days of Hungry Hollow have long passed, but the opportunity to capture its lessons of community, strong values, and an urge to thrive in matters of the heart and soul are still very much with us.
These are stories of survival, community, sharing, and caring. The situations are often dire: winter in the middle of the Depression; an Indian settlement illegally taken from its inhabitants and set on fire; boaters stranded by bad weather and threatened with death. But if the situations are extreme, the telling of the stories is consistently optimistic yet completely without self-pity or sentimentality, and the characters always find a way through the darkness.
Dunlop's unique style of storytelling is compelling and informative, and these historically significant stories help to elucidate the transition of the American Indian culture from post-tribal days to the present.
Bill Dunlop is a respected Ottawa elder and storyteller. Marcia Fountain-Blacklidge is a professional writer, counselor, and consultant.

The Inspiring True Story of One of the Most Successful and Beloved Thoroughbreds in Racing History

Praise for Kelso: The Horse of Gold:
“Ms. Kennedy has captured the grandeur of the horse in a simple, straightforward way that will charm and excite those who saw Kelso run and remember his stirring deeds. . . . Kelso's racing record through eight seasons is simply breathtaking.”—Wall Street Journal
“In this concise, entertaining account, Kennedy tells the story of Kelso, a scrawny ungainly gelding who just happened to be one of the greatest Thoroughbreds that ever lived.”—Publishers Weekly
“An excellent portrayal... so intense that one has the sensation of being right there with the crowd and cheering Kelso on.”—Tom Trotter, Former New York Racing Secretary
“He was the greatest horse I ever rode.”—Eddie Arcaro, rider of Triple Crown champions Whirlaway, Assault, and Citation

At his three-year debut in June 1960, no one could know that Mrs. Allaire DuPont’s small, deerlike gelding named Kelso would come to dominate American racing like no other horse before or since. For five unprecedented years, he would reign as Horse of the Year, setting records and endearing himself to millions of fans. Always considered among the top four horses of all time—with Man O' War, Secretariat, and Citation—for many, Kelso is the greatest racehorse, since he won at sprints and endurance races, won on turf and dirt, carried unprecedented handicap weights, and raced both foreign and national thoroughbreds. Kelso was crowned champion of the Jockey Gold Cup, one of the most prestigious racing events, an astounding five straight times. Like Seabiscuit, Kelso was not earmarked as a contender and missed the Triple Crown races. But Kelso's greatness was decisive: he regularly defeated Triple Crown race winners. In Kelso: The Horse of Gold, Linda Kennedy tells the remarkable story of one of the greatest athletes of the ages, recreating the excitement of "Kelly's" unique and brilliant career while placing his unparalleled achievements in the context of racing history.

Dramatism provides us with a seemingly endless array of stages from which to perform our analysis of human action. By enlarging or reducing the scope of our endeavors, as has been done throughout the present work, we can use the Dramatism method to reveal almost any sort of relationship.

Winner of the 2018 Early Career Gender Scholar Award from the Sociologists for Women in Society-South

Girls and young women participate in soccer at record levels and the Women’s National Team regularly draws media, corporate, and popular attention. Yet despite increased representation and visibility, gender disparities in opportunity, compensation, training resources, and media airtime persist in soccer, and two professional leagues for women have failed since 2000. 

In Kicking Center, Rachel Allison investigates a women’s soccer league seeking to break into the male-dominated center of U.S. professional sport. Through an examination of the challenges and opportunities identified by those working for and with this league, she demonstrates how gender inequality is both constructed and contested in professional sport. Allison details the complex constructions of race, class, gender, and sexuality in the selling and marketing of women’s soccer in a half-changed sports landscape characterized by both progress and backlash, and where professional sports are still understood to be men’s territory. 

As the role and influence of professional sports has increased in American life, so has the relationship between the U.S. Congress and the professional sports world. Since WW II, Congress has held dozens of investigations and debated hundreds of bills on subjects such as organized baseball’s antitrust exemption, the NFL’s television blackout policy, the role of organized crime in professional boxing, the league mergers in professional football and basketball, and franchise relocations.
    Lowe provides concise, interpretive narrative of Congress’s involvement in professional sports. Testimony is included from such colorful figures as Jackie Robinson, Casey Stengel, Pete Rozelle, Muhammad Ali, Sonny Liston, and Don King. Leading congressmen and senators are also included.

In the early morning hours of July 26, 1953, several hundred Arizona state officials and police officers moved into the polygamist community of Short Creek, Arizona, to serve warrants on thirty-six men and eighty-six women. Officials staging the raid believed they were rescuing the community’s 263 children from a life of bondage and immorality.

Kidnapped from that Land is the first book to bring together the story of the 1953 raid and two previous raids in 1935 and 1944. Martha Bradley tells the story with insight and compassion for the families that were fragmented by the arrests. She also deals with the complex legal issues that persist in both Arizona and Utah, where the practice of polygamy is a felony that is no longer prosecuted.

Kidnapped from that Land will appeal to those interested in the study of Mormon history, of polygamy, and of western regional and American social history.
 

On the night of December 12, 1776, while on a reconnaissance mission in New Jersey, Lieutenant Colonel William Harcourt and Cornet Banastre Tarleton of the British dragoons learned from Loyalist informers that Major General Charles Lee, the second-in-command in the Continental army behind only George Washington, was staying at a tavern at nearby Basking Ridge. Gaining valuable information as they rode, by threatening captured American soldiers with death if Lee’s whereabouts was not revealed, Harcourt and Tarleton, surrounded the tavern, and after a short but violent struggle, captured him. The dragoons returned through a hostile country by a different route, arriving safely at their British post at New Brunswick with their quarry in hand. With Lee’s capture, the British were confident the rebellion would soon be over.

Stung by Lee’s kidnapping, the Americans decided to respond with their own special operation, perhaps the most outstanding one of the war. On the dark night of July 10, 1777, Lieutenant Colonel William Barton led a handpicked party in whaleboats across Narragansett Bay—carefully avoiding British navy ships—to Newport, Rhode Island. Although the town was occupied by more than 3,000 enemy soldiers, after landing Barton led his men up a hidden path and stealthily hurried to a farmhouse where General Richard Prescott had taken to spending nights. Surrounding the house, they forced open the doors and seized the sleeping Prescott, as well as his aidede- camp and a sentry, and then quickly returned to their waiting boats. Despite British artillerymen firing rockets and cannon to alert the British vessels in the bay, the bold band of Americans reached the mainland safely. Not only had Barton kidnapped a British major general who could be exchanged for Lee, he had removed from action a man who had gained a reputation for his harsh treatment of American Patriots.

In Kidnapping the Enemy: The Special Operations to Capture Generals Charles Lee and Richard Prescott, Christian M. McBurney relates the full story of each of these remarkable raids, the subsequent exchange of the two generals, and the impact of these kidnappings on the Revolutionary War. He then follows the subsequent careers of the major players, including Lee, Barton, Prescott, and Tarleton. The author completes his narrative with descriptions of other attempts to kidnap high-ranking military officers and government officials during the war, including ones organized by and against George Washington. The low success rate of these operations makes the raids that captured Lee and Prescott even more impressive.

You can open up a world of imagination and learning for children when you encourage the expression of ideas through writing. Kids Have All the Write Stuff: Revised and Updated for a Digital Age shows you how to support children's development as confident writers and communicators, offering hundreds of creative ways to integrate writing into the lives of toddlers, preschoolers, and elementary school students—whether at home or at school.

You'll discover:
· how to implement writing as a part of daily life with family and friends;
· processes and invitations fit for young writers;
· strategies for connecting writing to math and coding;
· writing materials and technologies; and
· creative and practical writing ideas, from fiction, nonfiction, and videos to blogs and emails.

In order to connect writing to today's digital revolution, veteran educators Sharon A. Edwards, Robert W. Maloy, and Torrey Trust reveal how digital tools can inspire children to write, and a helpful companion website brings together a range of resources and technologies. This essential book offers enjoyment and inspiration to young writers!

In Kids Rule! Sarah Banet-Weiser examines the cable network Nickelodeon in order to rethink the relationship between children, media, citizenship, and consumerism. Nickelodeon is arguably the most commercially successful cable network ever. Broadcasting original programs such as Dora the Explorer, SpongeBob SquarePants, and Rugrats (and producing related movies, Web sites, and merchandise), Nickelodeon has worked aggressively to claim and maintain its position as the preeminent creator and distributor of television programs for America’s young children, tweens, and teens. Banet-Weiser argues that a key to its success is its construction of children as citizens within a commercial context. The network’s self-conscious engagement with kids—its creation of a “Nickelodeon Nation” offering choices and empowerment within a world structured by rigid adult rules—combines an appeal to kids’ formidable purchasing power with assertions of their political and cultural power.

Banet-Weiser draws on interviews with nearly fifty children as well as with network professionals; coverage of Nickelodeon in both trade and mass media publications; and analysis of the network’s programs. She provides an overview of the media industry within which Nickelodeon emerged in the early 1980s as well as a detailed investigation of its brand-development strategies. She also explores Nickelodeon’s commitment to “girl power,” its ambivalent stance on multiculturalism and diversity, and its oft-remarked appeal to adult viewers. Banet-Weiser does not condemn commercial culture nor dismiss the opportunities for community and belonging it can facilitate. Rather she contends that in the contemporary media environment, the discourses of political citizenship and commercial citizenship so thoroughly inform one another that they must be analyzed in tandem. Together they play a fundamental role in structuring children’s interactions with television.

Complicating the common view that immigrant incorporation is a top-down process, determined largely by parents, Vikki Katz explores how children actively broker connections that enable their families to become woven into the fabric of American life. Children’s immersion in the U.S. school system and contact with mainstream popular culture enables them more quickly to become fluent in English and familiar with the conventions of everyday life in the United States. These skills become an important factor in how families interact with their local environments. Kids in the Middle explores children’s contributions to the family strategies that improve communication between their parents and U.S. schools, healthcare facilities, and social services, from the perspectives of children, parents, and the English-speaking service providers that interact with these families via children’s assistance. Katz also considers how children’s brokering affects their developmental trajectories. While their help is critical to addressing short-term family needs, children’s responsibilities can constrain their access to educational resources and have consequences for their long-term goals. Kids in the Middle explores the complicated interweaving of family responsibility and individual attainment in these immigrant families.

Through a unique interdisciplinary approach that combines elements of sociology and communication approaches, Katz investigates not only how immigrant children connect their families with local institutional networks, but also how they engage different media forms to bridge gaps between their homes and mainstream American culture. Drawing from extensive firsthand research, Katz takes us inside an urban community in Southern California and the experiences of a specific community of Latino immigrant families there. In addition to documenting the often-overlooked contributions that children of immigrants make to their families’ community encounters, the book provides a critical set of recommendations for how service providers and local institutions might better assist these children in fulfilling their family responsibilities. The story told in Kids in the Middle reveals an essential part of the immigrant experience that transcends both geographic and ethnic boundaries.

Television shows, comic strips, video games, and other forms of media directed at children are the subject of frequent and rancorous debate. In Kids’ Media Culture some of the most prominent cultural theorists of children’s media join forces with exciting new voices in the field to consider the production and consumption of media aimed at children. What’s good for kids and what’s merely exploitive? Are shows that attempt to level the socioeconomic playing field by educating children effective? The essays in this anthology tackle these questions and pose provocative new questions of their own.
As part of their argument that children’s reactions to mass media are far more complex and dynamic than previously thought, contributors examine the rise of mass media in postwar America. They explore how books, cartoons, and television shows of the 1950s and 1960s—such as Lassie and Dennis the Menace—helped redefine American identity and export an image of a particularly American optimism and innocence worldwide. Other essays take up the controversies surrounding such shows as Sesame Street, My So-Called Life, and Mighty Morphin Power Rangers. After discussing the differences in how children and adults react to such programs, the collection focuses on television in schools and the ways that mass media convey messages about gender and socialization.
Kids’ Media Culture makes clear that children are active, engaged participants in the media culture surrounding them. This volume will be compelling reading for those interested in television and cultural studies as well as anyone interested in children’s education and welfare.

Contributors. Heather Gilmour, Sean Griffin, Heather Hendershot, Henry Jenkins, Yasmin B. Kafai, Jyotsna Kapur, Marsha Kinder, Susan Murray, Elissa Rashkin, Ellen Seiter, Lynn Spigel, Karen Orr Vered

A woman living and communicating in multiple lands, Susana Chávez-Silverman conveys her cultural and linguistic displacement in humorous, bittersweet, and even tangible ways in this truly bilingual literary work. These meditative and lyrical pieces combine poignant personal confession, detailed daily observation, and a memorializing drive that shifts across time and among geocultural spaces. The author’s inventive and flamboyant use of Spanglish, a hybrid English-Spanish idiom, and her adaptation of the confessional "crónica" make this memoir compelling and powerful. Killer Crónicas confirms that there is no Latina voice quite like that of Susana Chávez-Silverman.

Includes a chapter that was awarded first prize in El Andar magazine’s Chicano Literary Excellence Contest in the category of personal memoir.

In the past decade, obesity has emerged as a major public health concern in the United States  and abroad. At the federal, state, and local level, policy makers have begun drafting a range of policies to fight a war against fat, including body-mass index (BMI) report cards, “snack taxes,” and laws to control how fast food companies market to children. As an epidemic, obesity threatens to weaken the health, economy, and might of the most powerful nation in the world.

In Killer Fat, Natalie Boero examines how and why obesity emerged as a major public health concern and national obsession in recent years. Using primary sources and in-depth interviews, Boero enters the world of bariatric surgeries, Weight Watchers, and Overeaters Anonymous to show how common expectations of what bodies are supposed to look like help to determine what sorts of interventions and policies are considered urgent in containing this new kind of disease.

Boero argues that obesity, like the traditional epidemics of biological contagion and mass death, now incites panic, a doomsday scenario that must be confronted in a struggle for social stability. The “war” on obesity, she concludes, is a form of social control. Killer Fat ultimately offers an alternate framing of the nation’s obesity problem based on the insights of the “Health at Every Size” movement.

On February 20, 2003, the deadliest rock concert in U.S. history took place at a roadhouse called The Station in West Warwick, Rhode Island. That night, in the few minutes it takes to play a hard-rock standard, the fate of many of the unsuspecting nightclub patrons was determined with awful certainty. The blaze was ignited when pyrotechnics set off by Great White, a 1980s heavy-metal band, lit flammable polyurethane “egg crate” foam sound insulation on the club’s walls. In less than 10 minutes, 96 people were dead and 200 more were injured, many catastrophically. The final death toll topped out, three months later, at the eerily unlikely round number of 100. The story of the fire, its causes, and its legal and human aftermath is one of lives put at risk by petty economic decisions—by a band, club owners, promoters, building inspectors, and product manufacturers. Any one of those decisions, made differently, might have averted the tragedy. Together, however, they reached a fatal critical mass. Killer Show is the first comprehensive exploration of the chain of events leading up to the fire, the conflagration itself, and the painstaking search for evidence to hold the guilty to account and obtain justice for the victims. Anyone who has entered an entertainment venue and wondered, “Could I get out of here in a hurry?” will identify with concertgoers at The Station. Fans of disaster nonfiction and forensic thrillers will find ample elements of both genres in Killer Show.