Results by title

Debitage, the by-product flakes and chips from stone tool production, is the most abundant artifact type in prehistoric archaeological sites. For much of the period in which archaeology has employed scientific methodology, debitage has been discarded or ignored as debris. Now archaeologists have begun to recognize its potential to provide information about the kinds of tools produced and the characteristics of the technology being employed. Debitage can even provide clues regarding human organizational systems such as settlement mobility and site functions.

This volume brings together some of the most recent research on debitage analysis and interpretation. It presents stone tool production experiments and offers detailed archaeological investigations for interpreting variability at the individual and collective levels. Although there are a number of volumes that focus on general analysis of lithic artifacts, this is the first volume to address debitage and should be of use to a wide range of archaeological researchers.

Lithic Technologies in SedentarySocieties examines lithic technology from ancient societies in Mesoamerica, the Near East, South Asia, and North America, showcasing the important contributions in-depth lithic analysis can make to the study of sedentary societies around the world. Using cutting-edge analytical techniques these case studies address difficult anthropological questions concerning economic, social, and political issues, as well as global trends in lithic production.
 
Lithic analysis focused on sedentary societies, especially in places like Mesoamerica, has previously been neglected mostly because of the high frequency of informal tools, but such bias limits the ways in which both lithic production and economic organization are investigated. Bringing the importance of studying such technologies to the fore and emphasizing the vital anthropological questions that lithics can answer, Lithic Technologies in Sedentary Societies is a valuable resource for scholars and students of lithic technology and sedentary, complex societies.
 
 Contributors: Fumi Arakawa, Mary A. Davis, James Enloe, Dan Healan, Francesca Manclossi, Theodore Marks, Jayur Madhusudan Mehta, Jason S. R. Paling, Steve Rosen, John Whittaker
 

In the early twentieth century—not long after 1898, when the United States claimed the Philippines as an American colony—Filipinas/os became a vital part of the agricultural economy of California's fertile San Joaquin Delta. In downtown Stockton, they created Little Manila, a vibrant community of hotels, pool halls, dance halls, restaurants, grocery stores, churches, union halls, and barbershops. Little Manila was home to the largest community of Filipinas/os outside of the Philippines until the neighborhood was decimated by urban redevelopment in the 1960s. Narrating a history spanning much of the twentieth century, Dawn Bohulano Mabalon traces the growth of Stockton's Filipina/o American community, the birth and eventual destruction of Little Manila, and recent efforts to remember and preserve it.

Mabalon draws on oral histories, newspapers, photographs, personal archives, and her own family's history in Stockton. She reveals how Filipina/o immigrants created a community and ethnic culture shaped by their identities as colonial subjects of the United States, their racialization in Stockton as brown people, and their collective experiences in the fields and in the Little Manila neighborhood. In the process, Mabalon places Filipinas/os at the center of the development of California agriculture and the urban West.

Alan Dundes continues his exploration of well-loved fairy tales with this casebook on one of the best-known of them all: Little Red Riding Hood.
Following versions of the tale by Perrault and the Brothers Grimm, the essays by an international group of scholars provide an impressive cross-section of theoretical approaches.

Karin Aguilar-San Juan examines the contradictions of Vietnamese American community and identity in two emblematic yet different locales: Little Saigon in suburban Orange County, California (widely described as the capital of Vietnamese America) and the urban "Vietnamese town" of Fields Corner in Boston, Massachusetts. Their distinctive qualities challenge assumptions about identity and space, growth amid globalization, and processes of Americanization.

With a comparative and race-cognizant approach, Aguilar-San Juan shows how places like Little Saigon and Fields Corner are sites for the simultaneous preservation and redefinition of Vietnamese identity. Intervening in debates about race, ethnicity, multiculturalism, and suburbanization as a form of assimilation, this work elaborates on the significance of place as an integral element of community building and its role in defining Vietnamese American-ness.

Staying Vietnamese, according to Aguilar-San Juan, is not about replicating life in Viet Nam. Rather, it involves moving toward a state of equilibrium that, though always in flux, allows refugees, immigrants, and their U.S.-born offspring to recalibrate their sense of self in order to become Vietnamese anew in places far from their presumed geographic home.

Ceramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. Live Form shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price.

Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism.

Belonging to a union can bring higher wages, fringe benefits, greater job security and, sometimes, training. But unions—still known as "brotherhoods"—often remain rigidly segregated by gender, despite the fact that sexual harassment and discrimination in employment are illegal. Live Wire is an in-depth case study of Local 3 of the International Brotherhood of Electrical Workers, arguably the most powerful and influential building trades local in the United States. Francine Moccio brings to life forty years of public policy failure that has resulted in restricted opportunities for women in skilled blue-collar jobs.

Live Wire is a unique foray into the gender dynamics of one trade and one union in historical depth, based on extensive primary, secondary, and archival research. It contributes much-needed research about sex segregation in blue-collar occupations, particularly in unions and fraternal organizations. And it provides important insights into complex interactions of work, union, and family life.

A great American institution; the bane of feminist ideology; a cornucopia of corn—few are neutral about the Miss America Pageant. Live from Atlantic City traces the pageant’s history from its birth as pseudo-event in 1920 through its emergence as American popular culture icon.
    A. R. Riverol takes the reader to times and places where no television camera has focused. Drawing upon (and sometimes debating with) primary and secondary sources, the author paints a vivid picture of life in Atlantic City during pageant week—whether that week be in 1944 or 1984. More than just chronicling events, the author also presents two opposing perspectives on the pageant: the pageant as celebration and idealization of American womanhood and the pageant as sexist, exploitative anachronism.

Lively Capital is an urgent and important collection of essays addressing the reconfigured relations between the life sciences and the market. Exploring the ground where social and cultural anthropology intersect with science and technology studies, prominent scholars investigate the relationship of biotechnology to ethics, governance, and markets, as well as the new legal, social, cultural, and institutional mechanisms emerging to regulate biotechnology. The contributors examine genomics, pharmaceutical marketing, intellectual property, environmental science, clinical trials, patient advocacy, and other such matters as they are playing out in North and South America, Europe, Africa, and Asia. Lively Capital is not only about the commercialization of the life sciences, but their institutional histories, epistemic formations, and systems of valuation. It is also about the lively affects—the emotions and desires—involved when technologies and research impinge on experiences of embodiment, kinship, identity, disability, citizenship, accumulation, and dispossession. At stake in the commodification of the life sciences are opportunities to intervene in and adjudicate matters of health, life, and death.

Contributors. Timothy Choy, Joseph Dumit, Michael M. J. Fischer, Kim Fortun, Mike Fortun, Donna Haraway, Sheila Jasanoff, Wen-Hua Kuo, Andrew Lakoff, Kristin Peterson, Chloe Silverman, Elta Smith, Kaushik Sunder Rajan, Travis J. Tanner

Lives in Two Languages explores identity and multiculturalism through readings that aim to help teachers-in-training gain better insight into their students' lives.
Lives in Two Languages focuses on the experience of multicultural authors--like Richard Rodriguez, Amy Tan, Eva Hoffman, Chang-rae Lee, and Julia Alvarez--whose experiences can be related to anyone who has moved from one culture or subculture to another. As such, this text is an excellent comprehensive introduction to the multicultural experience for teachers and educators in all disciplines, as well as of interest to anyone interested in language culture and psychological process of identity.

Along the coast of northwestern Mexico, "pink gold" may mean wealth for some, but the new global economy has imposed terrible burdens on many sectors of the population. State and regional economic development policies have supported the use of natural resources for commercial export, resulting in the rapid growth of agriculture and shrimp aquaculture. Environmental pressures have contributed to the degradation of marine ecosystems, and once self-reliant rural populations have been driven to wage and subsistence labor in order to survive. This book eloquently explains how contemporary rural communities in southern Sinaloa have responded to economic and ecological changes affecting the entire nation.

A political ecology of human survival in one of the most important ecological regions of Mexico, it describes how these communities contest environmental degradation and economic impoverishment arising from political and economic forces beyond their control. María Luz Cruz-Torres evokes the rich and varied experiences of the people who live in the villages of Celaya and El Cerro, showing how they invent and utilize their own social capital to emerge as whole persons in the face of globalization. She traces the histories of the two villages to illustrate the complex variation involved in community formation and to show how people respond to and utilize Mexican law and reform. Surrounded by limited resources, poverty, illness, sudden death, and daily oppression, these men and women create innovative social and cultural forms that mitigate these impacts.

Cruz-Torres reveals not only how they manage to survive in the midst of horrendous circumstances but also how they transcend those impediments with dignity. She details the participation of household members in the subsistence, formal, and informal sectors of the economy, and how women use a variety of resources to guarantee their families’ survival. A sometimes tragic but ultimately vibrant story of human resistance, Lives of Dust and Water offers an important look at a little-studied but dynamically developing region of Mexico. It contributes to a more precise understanding of how rural coastal communities in Mexico emerged and continue to develop and adjust to the uncertainties of the globalizing world.

Lives of Their Own depicts the strikingly different lives of black, Italian, and Polish immigrants in Pittsburgh. Within a comparative framework, the book focuses on the migration process itself, job procurement, and occupational mobility, family structure, home-ownership, and neighborhood institutions. By blending oral histories with quantitative data, the authors have created a convincing multilayered portrait of working-class life in one of our great industrial cities.
 

One out of five children, and one out of two single mothers, lives in destitution in America today. The feminization and "infantilization" of poverty have made the United States one of the most dangerous democracies for poor mothers and their children to inhabit. Why then, Valerie Polakow asks, is poverty seen as a private issue, and how can public policy fail to take responsibility for the consequences of our politics of distribution? Written by a committed child advocate, Lives on the Edge draws on social, historical, feminist, and public policy perspectives to develop an informed, wide-ranging critique of American educational and social policy. Stark, penetrating, and unflinching in its first-hand portraits of single mothers in America today, this work challenges basic myths about justice and democracy.

Straddling an international border, the twin cities of Nogales, Arizona, and Nogales, Sonora, are in many ways one community. For years the border was less distinct, with Mexicans crossing one way to visit family and friends and tourists crossing the other to roam the curio shops. But as times change, so do places like Nogales. The maquiladora industry has brought jobs, population growth, and environmental degradation to the Mexican side. A crackdown against undocumented immigrants has brought hundreds of Border Patrol agents and a 14-foot-tall steel wall to the U.S. side. Drug smuggling has brought violence to both sides. Neither Nogales will ever be the same.

In Lives on the Line, Miriam Davidson tells five true stories from these border cities to show the real-life effects that the maquiladora boom and the law enforcement crackdown have had on the people of "Ambos (Both) Nogales." Readers will meet Yolanda Sánchez, a single mother who came to work in the factories; Jimmy Teyechea, a cancer victim who became an outspoken environmental activist; Dario Miranda Valenzuela, an undocumented immigrant who was shot and killed by a U.S. Border Patrol agent; Cristina, a "tunnel kid" who aspired to flee the gang lifestyle; and Hope Torres and Tom Higgins, maquiladora managers who have made unique contributions to the community.

In sharing these stories of people transformed by love and faith, by pain and loss, Davidson relates their experiences to larger issues and shows that, although life on the border is tough, it is not without hope.

Lives on the Line is an impassioned look at the changes that have swept the U.S.-Mexico border: the rising tension concerning free trade and militarization, the growing disparity between the affluent and the impoverished. At the same time, the book highlights the positive aspects of change, revealing challenges and opportunities not only for the people who live on the border but for all Americans.

The connection between people and companion animals has received considerable attention from scholars. In her original and provocative ethnography Livestock/Deadstock, sociologist Rhoda Wilkie asks, how do the men and women who work on farms, in livestock auction markets, and slaughterhouses, interact with—or disengage from—the animals they encounter in their jobs?

Wilkie provides a nuanced appreciation of how those men and women who breed, rear, show, fatten, market, medically treat, and slaughter livestock, make sense of their interactions with the animals that constitute the focus of their work lives. Using a sociologically informed perspective, Wilkie explores their attitudes and behaviors to explain how agricultural workers think, feel, and relate to food animals.

Livestock/Deadstock looks at both people and animals in the division of labor and shows how commercial and hobby productive contexts provide male and female handlers with varying opportunities to bond with and/or distance themselves from livestock. Exploring the experiences of stockpeople, hobby farmers, auction workers, vets and slaughterers, she offers timely insight into the multifaceted, gendered, and contradictory nature of human roles in food animal production.  

Living Black breaks the stereotype of poor African American neighborhoods as dysfunctional ghettos of helpless and hopeless people. Despite real and enduring poverty, the community described here—the historic North End of Champaign, Illinois—has a vibrant social life and strong ties among generations. But it operates on its own nonjudgmental terms—teen moms aren’t derided, school dropouts aren’t ridiculed, and parolees and ex-cons aren’t scorned.
            Mark S. Fleisher offers a window into daily life in this neighborhood, particularly through the stories of Mo and Memphis Washington, who fight to sustain a stable home for their children, and of Burpee, a local man who has returned to the North End to rebuild his life after years of crime and punishment in Chicago.

“Outstanding” books for public & secondary school libraries from university presses, American Library Association

Offering a wide-ranging study of contemporary literature, film, visual art, and performance by writers and artists who live and work in the United Kingdom but also maintain strong ties to postcolonial Africa and the Caribbean, Living Cargo explores how contemporary black British culture makers have engaged with the institutional archives of colonialism and the Atlantic slave trade in order to reimagine blackness in British history and to make claims for social and political redress. 

Steven Blevins calls this reimagining “unhousing history”—an aesthetic and political practice that animates and improvises on the institutional archive, repurposing it toward different ends and new possibilities. He discusses the work of novelists, including Caryl Phillips, Fred D’Aguiar, David Dabydeen, and Bernardine Evaristo; filmmakers Isaac Julien and Inge Blackman; performance poet Dorothea Smartt; fashion designer Ozwald Boateng; artists Hew Locke and Yinka Shonibare; and the urban redevelopment of Bristol, England, which unfolded alongside the public demand to remember the city’s slave-trading past. 

Living Cargo argues that the colonial archive is neither static nor residual but emergent. By reassembling historical fragments and traces consolidated in the archive, these artists not only perform a kind of counter-historiography, they also imagine future worlds that might offer amends for the atrocities of the past.

Honorable mention, 2018 Ananda Kentish Coomaraswamy Book Prize from the South Asia Council of the Association for Asian Studies

Many Americans still envision India as rigidly caste-bound, locked in traditions that inhibit social mobility. In reality, class mobility has long been an ideal, and today globalization is radically transforming how India’s citizens perceive class. Living Class in Urban India examines a nation in flux, bombarded with media images of middle-class consumers, while navigating the currents of late capitalism and the surges of inequality they can produce. 

 

Anthropologist Sara Dickey puts a human face on the issue of class in India, introducing four people who live in the “second-tier” city of Madurai: an auto-rickshaw driver, a graphic designer, a teacher of high-status English, and a domestic worker. Drawing from over thirty years of fieldwork, she considers how class is determined by both subjective perceptions and objective conditions, documenting Madurai residents’ palpable day-to-day experiences of class while also tracking their long-term impacts. By analyzing the intertwined symbolic and economic importance of phenomena like wedding ceremonies, religious practices, philanthropy, and loan arrangements, Dickey’s study reveals the material consequences of local class identities. Simultaneously, this gracefully written book highlights the poignant drive for dignity in the face of moralizing class stereotypes.  

 

Through extensive interviews, Dickey scrutinizes the idioms and commonplaces used by residents to justify class inequality and, occasionally, to subvert it. Along the way, Living Class in Urban India reveals the myriad ways that class status is interpreted and performed, embedded in everything from cell phone usage to religious worship.  

This book is also freely available online as an open-access digital edition, published with the support of the National Endowment for the Humanities.

 

Recent media events like the confirmation hearings for Clarence Thomas, the beating of Rodney King and its aftermath, and the murder trial of O.J. Simpson have trained our collective eye on the televised spectacle of race. Living Color combines media studies, cultural studies, and critical race theory to investigate the representation of race on American TV.
Ranging across television genres, historical periods, and racial formations, Living Color—as it positions race as a key element of television’s cultural influence—moves the discussion out of a black-and-white binary and illustrates how class, gender, and sexuality interact with images of race. In addition to essays on representations of "Oriental" performers and African Americans in the early years of television, this collection also examines how the celebrity of the late MTV star Pedro Zamora countered racist and homophobic discourses; reveals how news coverage on drug use shifted from the white middle-class cocaine user in the early 1980s to the black "crack mother" of the 1990s; and takes on TV coverage of the Rodney King beating and the subsequent unrest in Los Angeles. Other essays consider O.J. Simpson’s murder trial, comparing television’s treatment of Simpson to that of Michael Jackson, Magic Johnson, Michael Jordan, and Clarence Thomas and look at the racism directed at Asian Americans by the recurring "Dancing Itos" on Jay Leno’s Tonight Show.

Scholars have made urban mothers living in poverty a focus of their research for decades. These women’s lives can be difficult as they go about searching for housing and decent jobs and struggling to care for their children while surviving on welfare or working at low-wage service jobs and sometimes facing physical or mental health problems. But until now little attention has been paid to an important force in these women’s lives: religion.

 

Based on in-depth interviews with women and pastors, Susan Crawford Sullivan presents poor mothers’ often overlooked views. Recruited from a variety of social service programs, most of the women do not attend religious services, due to logistical challenges or because they feel stigmatized and unwanted at church. Yet, she discovers, religious faith often plays a strong role in their lives as they contend with and try to make sense of the challenges they face. Supportive religious congregations prove important for women who are involved, she finds, but understanding everyday religion entails exploring beyond formal religious organizations.

 

Offering a sophisticated analysis of how faith both motivates and at times constrains poor mothers’ actions, Living Faith reveals the ways it serves as a lens through which many view and interpret their worlds.

Living Folklore is a comprehensive, straightforward introduction to folklore as it is lived, shared and practiced in contemporary settings. Drawing on examples from diverse American groups and experiences, this text gives the student a strong foundation—from the field's history and major terms to theories and interpretive approaches.

Living Folklore moves beyond genres and classifications, and encourages students who are new to the field to see the study of folklore as a unique approach to understanding people, communities, and day-to-day artistic communication.

Tracing Cuba’s ideological history, Gordy first looks at the ways in which the 19th century wars of independence and the 1959 revolution were used as the basis for both challenging and legitimizing Cuban socialism. Following the embrace of a pure socialist ideology in the 1960s, state policies of the 1970s became more accommodating of market imperatives, while still holding on to the principles articulated by Che Guevara and Karl Marx. In the 1990s, the Cuban people themselves pushed back against further economic reforms, reasserting the value of socioeconomic equality. Gordy also examines ideological debates among intellectuals, from the controversy sparked by Fidel Castro’s “Words to the Intellectuals” speech to the demand in the 1990s for a separation between academia and the state—not to safeguard academia from politics, but to ensure that academics as such could contribute to the political dialogue.

While much has been written on post-apartheid social movements in South Africa, most discussion centers on ideal forms of movements, disregarding the reality and agency of the activists themselves. In Living Politics, Kerry Ryan Chance radically flips the conversation by focusing on the actual language and humanity of post-apartheid activists rather than the external, idealistic commentary of old.
 
Tracking everyday practices and interactions between poor residents and state agents in South Africa’s shack settlements, Chance investigates the rise of nationwide protests since the late 1990s. Based on ethnography in Durban, Cape Town, and Johannesburg, the book analyzes the criminalization of popular forms of politics that were foundational to South Africa’s celebrated democratic transition. Chance argues that we can best grasp the increasingly murky line between “the criminal” and “the political” with a “politics of living” that casts slum and state in opposition to one another. Living Politics shows us how legitimate domains of politics are redefined, how state sovereignty is forcibly enacted, and how the production of new citizen identities crystallize at the intersections of race, gender, and class. 
 

In Taiwan, small-scale subcontracting factories of thirty employees or less make items for export, like the wooden jewelry boxes that Ping-Chun Hsiung made when she worked in six such factories. These factories are found in rice fields and urban areas, front yards and living rooms, mostly employing married women in line with the government slogan that promotes work in the home—"Living Rooms as Factories."

Hsiung studies the experiences of the married women who work in this satellite system of factories, and how their work and family lives have contributed to Taiwan's 9.1 percent GNP growth over the last three decades, the "economic miracle." This vivid portrayal of the dual lives of these women as wives, mothers, daughters-in-law and as manufacturing workers also provides sophisticated analyses of the links between class and gender stratification, family dynamics, state policy, and global restructuring within the process of industrialization.

Hsiung uses ethnographic data to illustrate how, in this system of intersecting capitalist logic and patriarchal practices, some Taiwanese women experience upward mobility by marrying into the owners' family, while others remain home and wage workers. Although women in both groups acknowledge gender inequality, this commonality does not bridge divergent class affiliations. Along with a detailed account of the oppressive labor practices, this book reveals how workers employ clandestine tactics to defy the owners' claims on their labor.

Navajo women’s lives reflect the numerous historical changes that have transformed “the Navajo way.” At the same time, in their behavior, beliefs, and values, women preserve the legacy of Navajo culture passed down through the generations. By comparing and contrasting three generations of Navajo women—grandmothers, mid-life mothers, and young mothers—similarities and differences emerge in patterns of education, work, family life, and childbearing. Women’s roles as mothers and grandmothers are central to their respected position in Navajo society. Mothers bestow membership in matrilineal clans at birth and follow the example of the beloved deity Changing Woman. As guardians of cultural traditions, grandmothers actively plan and participate in ceremonies such as the Kinaaldá, the puberty ceremony, for their granddaughters.

Drawing on ethnographic interviews with 77 women in Crownpoint, New Mexico, and surrounding chapters in the Eastern Navajo Agency, Joanne McCloskey examines the cultural traditions evident in Navajo women’s lives. Navajo women balance the demands of Western society with the desire to preserve Navajo culture for themselves and their families.

In Living Up to the Ads Simone Weil Davis examines commodity culture’s impact on popular notions of gender and identity during the 1920s. Arguing that the newly ascendant advertising industry introduced three new metaphors for personhood—the ad man, the female consumer, and the often female advertising model or spokesperson—Davis traces the emergence of the pervasive gendering of American consumerism.
Materials from advertising firms—including memos, manuals, meeting minutes, and newsletters—are considered alongside the fiction of Sinclair Lewis, Nella Larsen, Bruce Barton, F. Scott Fitzgerald, and Zelda Fitzgerald. Davis engages such books as Babbitt, Quicksand, and Save Me the Waltz in original and imaginative ways, asking each to participate in her discussion of commodity culture, gender, and identity. To illuminate the subjective, day-to-day experiences of 1920s consumerism in the United States, Davis juxtaposes print ads and industry manuals with works of fiction. Capturing the maverick voices of some of the decade’s most influential advertisers and writers, Davis reveals the lines that were drawn between truths and lies, seduction and selling, white and black, and men and women.
Davis’s methodology challenges disciplinary borders by employing historical, sociological, and literary practices to discuss the enduring links between commodity culture, gender, and identity construction. Living Up to the Ads will appeal to students and scholars of advertising, American studies, women’s studies, cultural studies, and early-twentieth-century American history.

In Walden Two, behavioral psychologist B. F. Skinner describes one of the most controversial fictional utopias of the twentieth century. During the 1960s and 70s, this novel went on to inspire approximately three dozen actual communities, which are entertainingly examined in Hilke Kuhlmann's Living Walden Two.
 
In the novel, behavioral engineers use positive reinforcement in organizing and "gently guiding" all aspects of society, leaving the rest of the citizens "free" to lead happy and carefree lives. Among the real-world communities, a recurrent problem in moving past the planning stages was the nearly ubiquitous desire among members to be gentle guides, coupled with strong resistance to being guided.
 
In an insightful and often hilarious narrative, Hilke Kuhlmann explores the dynamics of the communities, with an in-depth examination of the two surviving Skinnerian communities: Comunidad Los Horcones in Mexico, and Twin Oaks in Virginia. Drawing on extensive interviews with the founders and key players in the Walden Two communities, Kuhlmann redefines the criteria for their success by focusing on the tension between utopian blueprints for a new society and communal experiments' actual effects on individual lives.
 

In 1952, a young Belgian scholar of European medieval history traveled to the Belgian Congo (now Zaire) to live in a remote Kuba village. Armed with a smattering of training in African cultures and language, Jan Vansina was sent to do fieldwork for a Belgian cultural agency. As it turned out, he would help found the field of African history, with a handful of other European and African scholars.
    "I'm not an ethnologist, I'm a historian!" Vansina was to repeat again and again to those who assumed that people without written texts have no history. His discovery that he could analyze Kuba oral tradition using the same methods he had learned for interpreting medieval dirges was a historiographical breakthrough, and his first book, Oral Tradition as History, is considered the seminal work that gave the study of precolonial African history both the scholarly justification and the self-confidence it had been lacking.
    Living with Africa is a compelling memoir of Vansina's life and career on three continents, interwoven with the story of African history as a scholarly specialty. In the background of his narrative are the collapse of colonialism in Africa and the emergence of newly independent nations; in the foreground are the first conferences on African history, the founding of journals and departments, and the efforts of Africans to establish a history curriculum for the schools in their new nations.

In Living a Feminist Life Sara Ahmed shows how feminist theory is generated from everyday life and the ordinary experiences of being a feminist at home and at work. Building on legacies of feminist of color scholarship in particular, Ahmed offers a poetic and personal meditation on how feminists become estranged from worlds they critique—often by naming and calling attention to problems—and how feminists learn about worlds from their efforts to transform them. Ahmed also provides her most sustained commentary on the figure of the feminist killjoy introduced in her earlier work while showing how feminists create inventive solutions—such as forming support systems—to survive the shattering experiences of facing the walls of racism and sexism. The killjoy survival kit and killjoy manifesto, with which the book concludes, supply practical tools for how to live a feminist life, thereby strengthening the ties between the inventive creation of feminist theory and living a life that sustains it.

In 1935, in the midst of relentless drought, Aldo Leopold purchased an abandoned farm along the Wisconsin River near Baraboo, Wisconsin. An old chicken coop, later to become famous as the Leopold "Shack," was the property's only intact structure. The Leopold family embraced this spent farm as a new kind of laboratory—a place to experiment on restoring health to an ailing piece of land. Here, Leopold found inspiration for writing A Sand County Almanac, his influential book of essays on conservation and ethics.

Living a Land Ethic chronicles the formation of the 1,600-acre reserve surrounding the Shack. When the Leopold Memorial Reserve was founded in 1967, five neighboring families signed an innovative agreement to jointly care for their properties in ways that honored Aldo Leopold's legacy. In the ensuing years, the Reserve's Coleman and Leopold families formed the Sand County Foundation and the Aldo Leopold Foundation. These organizations have been the primary stewards of the Reserve, carrying on a tradition of ecological restoration and cooperative conservation. Author Stephen A. Laubach draws from the archives of both foundations, including articles of incorporation, correspondence, photos, managers' notes, and interviews to share with readers the Reserve's untold history and its important place in the American conservation movement.

The Mesa Verde migrations in the thirteenth century were an integral part of a transformative period that forever changed the course of Pueblo history. For more than seven hundred years, Pueblo people lived in the Northern San Juan region of the U.S. Southwest. Yet by the end of the 1200s, tens of thousands of Pueblo people had left the region. Understanding how it happened and where they went are enduring questions central to Southwestern archaeology.

Much of the focus on this topic has been directed at understanding the role of climate change, drought, violence, and population pressure. The role of social factors, particularly religious change and sociopolitical organization, are less well understood. Bringing together multiple lines of evidence, including settlement patterns, pottery exchange networks, and changes in ceremonial and civic architecture, this book takes a historical perspective that naturally forefronts the social factors underlying the depopulation of Mesa Verde.

Author Donna M. Glowacki shows how “living and leaving” were experienced across the region and what role differing stressors and enablers had in causing emigration. The author’s analysis explains how different histories and contingencies—which were shaped by deeply rooted eastern and western identities, a broad-reaching Aztec-Chaco ideology, and the McElmo Intensification—converged, prompting everyone to leave the region. This book will be of interest to southwestern specialists and anyone interested in societal collapse, transformation, and resilience.