8113 books match the query 'Literary Criticism' and 255 start with l

cover of Literary Translation in Latin America in the Twenty-First Century: Bridging Experiences, Theories and Cultures

Literary Translation in Latin America in the Twenty-First Century

Bridging Experiences, Theories and Cultures

Edited by Dirce Waltrick do Amarante and Letícia Maria Vieira de Souza Goellner

University College London, 2026

Encompassing hegemonic, nonhegemonic, and pidgin languages, this compilation explores the state of literary translation studies in Latin America. 

Literary Translation in Latin America in the Twenty-First Century provides an in-depth exploration of the current landscape of literary translation studies and translation practices across Latin America. The unparalleled linguistic diversity of Latin America, with nearly five hundred languages spoken, makes translation a vital aspect of daily life. This volume aims to contribute to the analysis from a Latin American perspective, presenting a fresh reading of translation theories that originate in Latin America, as well as theoretical reflections and practical examples of literary translation by poets and artists situated in the continent. 

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cover of Literature Among Discourses: The Spanish Golden Age

Literature Among Discourses

The Spanish Golden Age

Wlad Godzich and Nicholas Spadaccini, EditorsIntroduction by Wlad Godzich and Nicholas Spadaccini

University of Minnesota Press, 1986

Literature Among Discourses was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Literature in the High Middle Ages referred to anything written. Those who institutionalized the study of literature in the eighteenth and nineteenth centuries ignored this medieval meaning, and literary history, especially in the hands of teachers, became what Wlad Godzich and Nicholas Spadaccini call a peregrination from one masterpiece to another. In Spanish literature, a cluster of such masterpieces came to be identified quite early, constituting a siglo de oro,a Golden Age. These outstanding works of the sixteenth and seventeenth centuries became a paradigm of achievement for the German romantics who formulated the project of literary history; for this reason, the authors of Literature among Discourses have chosen to begin their own exploratory voyage with the Spanish Golden Age.

Their intent is not simply to complete the historical record by studying "popular" texts alongside the canonical works, nor is it to establish these texts as a treasure trove of raw materials awaiting entry into and transformation by the masterpiece. They ask, rather, why the masterpiece came to occupy its place—how specific texts (or classes of texts) came to be differentiated from other discursive entities and labeled "literature." Taken together, their essays reveal an era in which literature is never a given, but is instead constantly being forged in a manner as complex as the social dynamic itself.

Contributors include: the editors, José Antonio Maravall, Michael Nerlich, Ronald Sousa, Constance Sullivan, Jenaro Talens, José Luís Canet, and Javier Herrero. Wlad Godzich is director of the Center for Humanistic Studies, and Nicholas Spadaccini, professor of Spanish and Portuguese, at the University of Minnesota.

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cover of Literature Incorporated: The Cultural Unconscious of the Business Corporation, 1650-1850

Literature Incorporated

The Cultural Unconscious of the Business Corporation, 1650-1850

John O'Brien

University of Chicago Press, 2015

Long before Citizens United and modern debates over corporations as people, such organizations already stood between the public and private as both vehicles for commerce and imaginative constructs based on groups of individuals. In this book, John O’Brien explores how this relationship played out in economics and literature, two fields that gained prominence in the same era.

Examining British and American essays, poems, novels, and stories from the seventeenth through the nineteenth centuries, O’Brien pursues the idea of incorporation as a trope discernible in a wide range of texts. Key authors include John Locke, Eliza Haywood, Harriet Martineau, and Edgar Allan Poe, and each chapter is oriented around a type of corporation reflected in their works, such as insurance companies or banks. In exploring issues such as whether sentimental interest is the same as economic interest, these works bear witness to capitalism’s effect on history and human labor, desire, and memory. This period’s imaginative writing, O’Brien argues, is where the unconscious of that process left its mark. By revealing the intricate ties between literary models and economic concepts, Literature Incorporated shows us how the business corporation has shaped our understanding of our social world and ourselves.
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cover of Literature Is a Voyage of Discovery: Tom Bishop in Conversation with Donatien Grau

Literature Is a Voyage of Discovery

Tom Bishop in Conversation with Donatien Grau

Tom Bishop and Donatien Grau

Diaphanes, 2021

A blend of theory and stories from an extraordinary life by a leading cultural figure.

Tom Bishop has, for over sixty years, helped shape the literary, philosophical, cultural, artistic, and political conversation between Paris and New York. As professor and director of the Center for French Civilization and Culture at New York University, he made the Washington Square institution one of the great bridges between French innovation and a New York scene in full transformation. Bishop was close to Beckett, championed Robbe-Grillet in the United States, befriended Marguerite Duras and Hélène Cixous, and organized historic public encounters—such as the one between James Baldwin and Toni Morrison. He was also a scholar, a recognized specialist in the avant-garde, notably the Nouveau Roman and the Nouveau Théâtre.
 
In 2012, Bishop invited Donatien Grau to give a talk at NYU. This invitation led to conversations—many of which are presented in this book—and a friendship. Literature Is a Voyage of Discovery gathers their dialogues, retracing Bishop’s career, his own history, his departure from Vienna, his studies, his meetings, his choices, his conception of literature and life, his relationship to the political and economic world, and the way he helped define the profession of “curator” as it is practiced today, offering a thought-provoking look into one of the leading minds of our time.
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cover of Literature after Feminism

Literature after Feminism

Rita Felski

University of Chicago Press, 2003

Recent commentators have portrayed feminist critics as grim-faced ideologues who are destroying the study of literature. Feminists, they claim, reduce art to politics and are hostile to any form of aesthetic pleasure. Literature after Feminism is the first work to comprehensively rebut such caricatures, while also offering a clear-eyed assessment of the relative merits of various feminist approaches to literature.

Spelling out her main arguments clearly and succinctly, Rita Felski explains how feminism has changed the ways people read and think about literature. She organizes her book around four key questions: Do women and men read differently? How have feminist critics imagined the female author? What does plot have to do with gender? And what do feminists have to say about the relationship between literary and political value? Interweaving incisive commentary with literary examples, Felski advocates a double critical vision that can do justice to the social and political meanings of literature without dismissing or scanting the aesthetic.

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cover of Literature after Feminism

Literature after Feminism

Rita Felski

University of Chicago Press, 2003

This is an auto-narrated audiobook version of this book. 

Recent commentators have portrayed feminist critics as grim-faced ideologues who are destroying the study of literature. Feminists, they claim, reduce art to politics and are hostile to any form of aesthetic pleasure. Literature after Feminism is the first work to comprehensively rebut such caricatures, while also offering a clear-eyed assessment of the relative merits of various feminist approaches to literature.

Spelling out her main arguments clearly and succinctly, Rita Felski explains how feminism has changed the ways people read and think about literature. She organizes her book around four key questions: Do women and men read differently? How have feminist critics imagined the female author? What does plot have to do with gender? And what do feminists have to say about the relationship between literary and political value? Interweaving incisive commentary with literary examples, Felski advocates a double critical vision that can do justice to the social and political meanings of literature without dismissing or scanting the aesthetic.
 
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cover of Literature and Criminal Justice in Antebellum America

Literature and Criminal Justice in Antebellum America

Carl Ostrowski

University of Massachusetts Press, 2016

The United States set about defining and reforming its criminal justice institutions during the antebellum years, just as an innovative, expanding print culture afforded authors and publishers unprecedented opportunities to reflect on these important social developments. Carl Ostrowski traces the impact of these related historical processes on American literature, identifying a set of culturally resonant narratives that emerged from criminal justice-related discourse to shape the period's national literary expression.

Drawing on an eclectic range of sources including newspaper arrest reports, prison reform periodicals, popular literary magazines, transatlantic travel narratives, popular crime novels, anthologies of prison poetry, and the memoirs of prison chaplains, Ostrowski analyzes how authors as canonical as Nathaniel Hawthorne and as obscure as counterfeiter/poet/prison inmate Christian Meadows adapted, manipulated, or rejected prevailing narratives about criminality to serve their artistic and rhetorical ends. These narratives led to the creation of new literary subgenres while also ushering in psychological interiority as an important criterion by which serious fiction was judged. Ostrowski joins and extends recent scholarly conversations on subjects including African American civic agency, literary sentimentalism, outsider authorship, and the racial politics of antebellum prison reform.
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cover of Literature and Human Equality

Literature and Human Equality

Stewart Justman

Northwestern University Press, 2006

When Achilles dons his armor, gods and readers alike know the outcome, as does the hero himself. But when the commoner becomes the hero, when, as Dr. Johnson remarked in 1750, the heroes of modern fiction are "leveled with the rest of the world"--now that's a different story. In this ambitious work, Stewart Justman ranges across Western literature from the Iliad and the Odyssey through Cervantes and Shakespeare to Dickens, Tolstoy, and Dostoevsky to show how such a leveling not only changed the appearance of literature, but made possible new ways of constructing a tale.

Only when influenced by the principle of equality does a narrative deliberately deny readers knowledge beyond those they are reading about--privileged knowledge. This book argues that such a turn, in the hands of masters of the novel, changed narrative itself into an exploration of the limits of knowledge; that the portrayal of persons unknown to history transformed the novel into an investigation of the unknown. If the novel is the literary form of limited knowledge, the fullest expression of that form is found in the great fictional experiments of the nineteenth century, the age when the social question--the question of human equality--broke upon the world. Justman looks into some of those experiments for their own sake, but also for the light they cast on the nature and history of the novel. Focusing on Great Expectations, War and Peace, The Death of Ivan Ilych, and The Brothers Karamazov, Justman explores what happens when we, as readers, are denied knowledge not only for the sake of suspense, but because ignorance belongs to what we have in common, the human condition.
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cover of Literature and Identity in The Golden Ass of Apuleius

Literature and Identity in The Golden Ass of Apuleius

Luca Graverini

The Ohio State University Press, 2012

Literature and Identity in The Golden Ass of Apuleius is the first English translation of a work published in 2007 as Le Metamorfosi di Apuleio: Letteratura e identità, by Luca Graverini. The second-century CE novel The Golden Ass, or Metamorphoses, has proven to be both captivating and highly entertaining to the modern reader, but the text also presents the critic with a vast array of interpretive possibilities. In fact, there is little consensus among scholars on the fundamental significance of Apuleius’ novel: is it simply a form of narrative entertainment, or does it represent some sort of religious or philosophical propaganda? Can it be interpreted as a satire of fatuous belief in otherworldly powers, or is it an utterly aporetic text?
 
Graverini begins by setting The Golden Ass in its ancient literary context. Apuleius’ playful defiance of generic conventions represents a substantial literary innovation, but he is also taking part in a tradition of narrative and satirical literature that typically featured experimentation with genre.
 
The interplay of generic elements found in The Golden Ass reflects the complexity of the author’s cultural identity: Apuleius was a Roman North African who had traveled widely throughout the Mediterranean and enjoyed an extensive education in both Greek and Latin. Graverini concludes with a study of the complex interaction of these three dimensions of Apuleius’ identity (African, Roman, and Greek), and investigates what the narrative can tell us about the culture of its readership. These cultural interactions affirm that The Golden Ass aims to delight its readers as well as to exhort them to religion and philosophy. Ben Lee’s superb new translation will make Graverini's groundbreaking study available to a much wider scholarly readership.
 
 
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cover of Literature and Liminality: Festive Readings in the Hispanic Tradition

Literature and Liminality

Festive Readings in the Hispanic Tradition

Gustavo Pérez Firmat

Duke University Press, 1986

Recent literary studies and related disciplines have given much attention to phenomena that seem to occupy more or less permanently eccentric positions in our experience.
Gustavo Perez Firmat examines three of these marginal or liminal phenomena—paying particular attention to the distinction between "center" and "periphery"—as they appear in Hispanic literature. Carnival (the traditional festival in which normal behavior is overturned), choteo (an insulting form of humor), and disease are three liminal entities discussed. Less an attempt to frame a general theory of such "liminalities" than an effort to demonstrate the interpretive power of the liminality concept, this work challenges conventional boundaries of critical sense and offers new insights into a variety of questions, among them the notion of convertability in psychoanalysis and the relation of New World culture to its European forebears.
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cover of Literature and Politics in the Central American Revolutions

Literature and Politics in the Central American Revolutions

By John Beverley and Marc Zimmerman

University of Texas Press, 1990

“This book began in what seemed like a counterfactual intuition . . . that what had been happening in Nicaraguan poetry was essential to the victory of the Nicaraguan Revolution,” write John Beverley and Marc Zimmerman. “In our own postmodern North American culture, we are long past thinking of literature as mattering much at all in the ‘real’ world, so how could this be?” This study sets out to answer that question by showing how literature has been an agent of the revolutionary process in Nicaragua, El Salvador, and Guatemala.

The book begins by discussing theory about the relationship between literature, ideology, and politics, and charts the development of a regional system of political poetry beginning in the late nineteenth century and culminating in late twentieth-century writers. In this context, Ernesto Cardenal of Nicaragua, Roque Dalton of El Salvador, and Otto René Castillo of Guatemala are among the poets who receive detailed attention.

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cover of Literature and Resistance in Guatemala: Textual Modes and Cultural Politics from El Señor Presidente to Rigoberta Menchú

Literature and Resistance in Guatemala

Textual Modes and Cultural Politics from El Señor Presidente to Rigoberta Menchú

Marc Zimmerman

Ohio University Press, 1994

What circumstances lead writers in a poor, multi-ethnic and largely illiterate country to produce a literature that both expresses and affects opposition to the regime? Who are these writers? This study examines these and other questions about the literature of resistance in Guatemala, from the days of Estrada Cabrera up to the events of May and June of 1993. Zimmerman provides the cultural context for the various modes of literary production and analysis, and identifies the currents of opposition in the nation’s fiction, poetry, and testimonial writing. He details the cultural politics involving Guatemalan writers and their organizations during their years of Cerezo and Serrano-Elías, paying particular attention to the role of women and indigenous groups, Rigoberta Menchú among them. These two volumes are companion texts to Guatemala: Voices from the Silence, an “epic-collage” of writings compiled by Zimmerman and Raúl Rojas.
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cover of Literature and Revolution: British Responses to the Paris Commune of 1871

Literature and Revolution

British Responses to the Paris Commune of 1871

Owen Holland

Rutgers University Press, 2022

Between March and May 1871, the Parisian Communards fought for a revolutionary alternative to the status quo grounded in a vision of internationalism, radical democracy and economic justice for the working masses that cut across national borders. The eventual defeat and bloody suppression of the Commune resonated far beyond Paris. In Britain, the Commune provoked widespread and fierce condemnation, while its defenders constituted a small, but vocal, minority. The Commune evoked long-standing fears about the continental ‘spectre’ of revolution, not least because the Communards’ seizure of power represented an embryonic alternative to the bourgeois social order.

This book examines how a heterogeneous group of authors in Britain responded to the Commune. In doing so, it provides the first full-length critical study of the reception and representation of the Commune in Britain during the closing decades of the nineteenth century, showing how discussions of the Commune functioned as a screen to project hope and fear, serving as a warning for some and an example to others. Writers considered in the book include John Ruskin, Edward Bulwer-Lytton, Eliza Lynn Linton, Mary Elizabeth Braddon, Anne Thackeray Ritchie, Margaret Oliphant, George Gissing, Henry James, William Morris, Alfred Austin and H.G. Wells. As the book shows, many, but not all, of these writers responded to the Commune with literary strategies that sought to stabilize bourgeois subjectivity in the wake of the traumatic shock of a revolutionary event. The book extends critical understanding of the Commune’s cultural afterlives and explores the relationship between literature and revolution.
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cover of Literature and Science: Cultural Forms, Conceptual Exchanges, Volume 74

Literature and Science

Cultural Forms, Conceptual Exchanges, Volume 74

Wai Chee Dimock and Priscilla Wald, eds.

Duke University Press, 0

The goal of this special issue of American Literature is to encourage scholars in both the sciences and the humanities to estrange themselves from their regular ways of thinking. Committed to understanding what each discipline has to teach the other, the contributors explore the changes in topics, approaches, and methodologies in the sciences, technology and the humanities that surface when scholars take seriously the mandate to consider the basic assumptions of each field from the other point of view.

The essays address the mutual impact of literature and science through a range of issues: “geek novels” as a subgenre of literature about science, the relationship of narrative form to risk analysis and ecological disaster, the impact of realism and contemporary developments in neurology and brain biology, and the use of technology in the humanities. The essays also examine how the humanities explore scientific issues such as in vitro fertilization and human existence, cloning and molecular biology, and the concept of time.

Contributors. Jay Clayton, Wai Chee Dimock, N. Katherine Hayles, Ursula Heise, Randall Knoper, Martha Nell Smith, Stephanie Turner, Priscilla Wald, Robyn Wiegman


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cover of Literature and Social Justice: Protest Novels, Cognitive Politics, and Schema Criticism

Literature and Social Justice

Protest Novels, Cognitive Politics, and Schema Criticism

By Mark Bracher

University of Texas Press, 2013

Can reading social protest novels actually produce a more just world? Literature and Social Justice offers a scientifically informed, evidence-based affirmative answer to that crucial question, arguing that literature has the potential—albeit largely unrealized—to produce lasting, socially transformative psychological changes in readers. Moving beyond traditional social criticism in its various forms, including feminist, gender, queer, and postcolonialist approaches, Mark Bracher uses new knowledge concerning the cognitive structures and processes that constitute the psychological roots of social injustice to develop a detailed, systematic critical strategy that he calls “schema criticism,” which can be applied to literature and other discourses to maximize and extend their potential for promoting social justice.

Bracher draws on studies in social cognition, social neuroscience, evolutionary psychology, political psychology, and psychoanalysis to uncover the root cognitive structures that cause misunderstandings among people and give rise to social injustice. Using the novels The Jungle, The Grapes of Wrath, and Native Son, he then demonstrates how schema criticism can correct these faulty cognitive structures and enable readers to develop more accurate and empathetic views of those they deem “Other,” as well as become more aware of their own cognitive processes. Calling the book “insightful, erudite, and humane,” Cognitive Approaches to Literature and Culture Series coeditor Patrick Colm Hogan says, “This inspiring book should be welcomed by literary critics, political activists, and anyone who cares about social justice.”

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cover of Literature and Social Practice

Literature and Social Practice

Edited by Philippe Desan, Priscilla Parkhurst Ferguson, and Wendy Griswold

University of Chicago Press, 1989

"The sociology of literature, in the first of many paradoxes, elicits negations before assertions," write the editors of this volume. "It is not an established field or academic discipline. . . . Yet none of these limitations affect the vitality and rigor of the larger enterprise."

Convinced that literature and society are essentially related to each other, the contributors to this collection attempt to define the various sociological practices of literature and to give expression to this enterprise and the commitments of its partisans. In various ways, the essays assembled here seek to integrate text, institution, and individual (both author and critic) as necessary parts of the analysis of literature. Diverse, sometimes contradictory approaches to literature (Marxism, publishing history, new historicism, and others) are utilized as the contributors explore such topics as text, author-function, and appropriation; the reality of representation; the sociology of exchange; the uses of "serious" fiction; poetry and politics; publishing history; and the literary field.
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cover of Literature and the Arts: Interdisciplinary Essays in Memory of James Anderson Winn

Literature and the Arts

Interdisciplinary Essays in Memory of James Anderson Winn

Anna Battigelli

University of Delaware Press, 2024

The ten essays in Literature and the Arts explore the intermedial plenitude of eighteenth-century English culture, honoring the memory of James Anderson Winn, whose work demonstrated how seeing that interplay of the arts and literature was essential to a full understanding of Restoration and eighteenth-century English culture. Scenery, machinery, music, dance, and texts transformed one another, both enriching and complicating generic distinctions. Artists were alive to the power of the arts to reflect and shape reality, and their audience was quick to turn to the arts as performative pleasures and critical lenses through which to understand a changing world. This collection's eminent authors discuss estate design, musicalized theater, the visual spectacle of musical performance, stage machinery and set designs, the social uses of painting and singing, drama’s reflection of a transformed military infrastructure, and the arts of memory and of laughter.
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cover of Literature and the Child: Romantic Continuations, Postmodern Contestations

Literature and the Child

Romantic Continuations, Postmodern Contestations

James Holt Mcgavran

University of Iowa Press, 1999

The Romantic myth of childhood as a transhistorical holy time of innocence and spirituality, uncorrupted by the adult world, has been subjected in recent years to increasingly serious interrogation. Was there ever really a time when mythic ideals were simple, pure, and uncomplicated? The contributors to this book contend—although in widely differing ways and not always approvingly—that our culture is indeed still pervaded, in this postmodern moment of the very late twentieth century, by the Romantic conception of childhood which first emerged two hundred years ago.
In the wake of the French Revolution and the Industrial Revolution, western Europe experienced another fin de siècle characterized by overwhelming material and institutional change and instability. By historicizing the specific political, social, and economic conflicts at work within the notion of Romantic childhood, the essayists in Literature and the Child show us how little these forces have changed over time and how enriching and empowering they can still be for children and their parents.
In the first section, “Romanticism Continued and Contested,” Alan Richardson and Mitzi Myers question the origins and ends of Romantic childhood. In “Romantic Ironies, Postmodern Texts,” Dieter Petzold, Richard Flynn, and James McGavran argue that postmodern texts for both children and adults perpetuate the Romantic complexities of childhood. Next, in “The Commerce of Children's Books,” Anne Lundin and Paula Connolly study the production and marketing of children's classics. Finally, in “Romantic Ideas in Cultural Confrontations,” William Scheick and Teya Rosenberg investigate interactions of Romantic myths with those of other cultural systems.
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cover of Literature and the Cognitive Revolution, Volume 23

Literature and the Cognitive Revolution, Volume 23

Alan Richardson and Francis F. Steen

Duke University Press, 0

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cover of Literature as Intervention: Challenging Normativity in the Writing of Elisabeth Reichert, Charlotte Roche and Elfriede Jelinek

Literature as Intervention

Challenging Normativity in the Writing of Elisabeth Reichert, Charlotte Roche and Elfriede Jelinek

Cornelia Wech

University of London Press, 2020

This study examines how the literary works of Elisabeth Reichart, Charlotte Roche, and Elfriede Jelinek challenge normativity both in their engagement with gender and sexuality and with aesthetic choices. The comparative analysis of texts published over a twenty year-period provides insights into the socio-political and cultural dynamics at the time of publication, and reveals the continuing relevance of feminist authorial voices to the present day, challenging the stable, normative understanding of feminism and feminist writing itself, and showing how literature can function as a form of intervention that provides a reflective space for readers to question norms in their own lives and to take the initiative to change these norms.
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cover of Literature at the Barricades: The American Writer in the 1930s

Literature at the Barricades

The American Writer in the 1930s

Edited by Ralph F. Bogardus and Fred Hobson

University of Alabama Press, 1982

 This collection captures the sense—at times the ordeal—of the 1930s literary experience in America. Fourteen essayists deal with the experience of being a writer in a time of overwhelming economic depression and political ferment, and thereby illuminate the social, political, intellectual, and aesthetic problems and pressures that characterized the experience of American writers and influenced their works.

The essays, as a group, constitute a reevaluation of the American literature of the 1930s. At the same time they support and reinforce certain assumptions about the decade of the Great Depression—that it was grim, desperate, a time when dreams died and poverty became something other than genteel—they challenge other assumptions, chief among them in the notion that 1930s literature was uniform in content, drab in style, anti-formalist, and always political or sociological in nature. They leave us with an impression that there was variety in American writing of the 1930s and a convincing argument that the decade was not a retreat from the modernism of the 1920s. Rather it was a transitional period in which literary modernism was very much an issue and a force that bore imaginative fruit.

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cover of Literature for Change: The Case for Literary Research Across Languages and Cultures

Literature for Change

The Case for Literary Research Across Languages and Cultures

Edited by Charles Burdett, Joseph Ford, Godela Weiss-Sussex, and Naomi Wells

University of London Press, 2026

Highlighting efforts to address today’s most pressing social challenges through the study of texts in languages other than English.

Literature for Change examines how the study, production, circulation, and reception of literary texts in languages other than English contribute to addressing contemporary social challenges. Through eleven case studies across diverse languages and cultures, it analyzes the real-world impact of literary research, showing its relevance to sectors such as museums and heritage, the environmental and medical humanities, and the digital sphere. Combining hermeneutic and aesthetic approaches, the chapters demonstrate the value of varied methods, including theoretically grounded creative inquiry, and the connections between literary studies and other disciplines. The book affirms the importance of the field of modern languages and the continuing role of literary texts in shaping social and cultural life.

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cover of Literature in Exile

Literature in Exile

John Glad, ed.

Duke University Press, 1990

In December 1987 a group of published novelists, poets, and journalists met in Vienna to participate in the Wheatland Conference on Literature. The writers presented papers addressing their common experience—that of being exiled. Each explored different facets of the condition of exile, providing answers to questions such as: What do exiled writers have in common? What is the exile’s obligation to colleagues and readers in the country of origin? Is the effect of changing languages one of enrichment or impoverishment? How does the new society treat the emigre? Following each essay is a peer discussion of the topic addressed.
The volume includes writers whose origins lie in Central Europe, South Africa, Israel, Cuba, Chile, Somalia, and Turkey. Through their testimony of the creative process in exile, we gain insight into the forces which affect the creative process as a whole.

Contributors. William Gass, Yury Miloslavsky, Jan Vladislav, Jiri Grusa, Guillermo Cabrera Infante, Horst Bienek, Edward Limonov, Nedim Gursel, Nuruddin Farah, Jaroslav Vejvoda, Anton Shammas, Joseph Brodsky, Wojciech Karpinski, Thomas Venclova, Yuri Druzhnikov

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cover of Literature, Analytically Speaking: Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution

Literature, Analytically Speaking

Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution

By Peter Swirski

University of Texas Press, 2010

In a new approach to interdisciplinary literary theory, Literature, Analytically Speaking integrates literary studies with analytic aesthetics, girded by neo-Darwinian evolution. Scrutinizing narrative fiction through a lens provided by analytic philosophy, revered literary theorist Peter Swirski puts new life into literary theory while fashioning a set of practical guidelines for critics in the interpretive trenches.

Dismissing critical inquirers who deny intention its key role in the study of literary reception, Swirski extends the defense of intentionality to art and to human behavior in general. In the process, Swirski takes stock of the recent work in evolutionary theory, arguing that the analysis of narrative truth may be grounded in the neo-Darwinian paradigm which forms the empirical backbone behind his analytic approach. Literature, Analytically Speaking provides a series of precepts designed to capture the ways in which we do interpret (and ought to interpret) works of literature. Reflecting a resounding shift from the poststructuralist paradigm, Swirski's lively and colorful presentation, backed up by a dazzling variety of examples and case studies, reconceptualizes the aesthetics of literature and literary studies.

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cover of Literature, Law, and Rhetorical Performance in the Anticolonial Atlantic

Literature, Law, and Rhetorical Performance in the Anticolonial Atlantic

Anne W. Gulick

The Ohio State University Press, 2016

The era of national liberation and decolonization may have come and gone, but postcolonialism remains a largely elusive ideal in the early twenty-first century. In Literature, Law, and Rhetorical Performance in the Anticolonial Atlantic, Anne W. Gulick uncovers a dynamic literary history of African and Caribbean critical engagements with First World law. This transatlantic archive attests to the continuing vitality of anticolonialism as a model for intellectual inquiry and political performance. Gulick argues that experimentation with declarative forms is a vital rhetorical strategy in the anticolonial Atlantic—one through which writers have asked: Who gets to “write” the law, and under what circumstances?
 
Responses to this question take shape across the black Atlantic from Haiti to South Africa, in texts ranging from Haiti’s Declaration of Independence and work by C. L. R. James to South Africa’s Freedom Charter, Aimé Césaire’s poem Notebook of a Return to the Native Land, and Ngugi wa Thiong’o’s A Grain of Wheat. These texts constitute a robust transatlantic tradition of challenging colonial and imperial authority through rhetorical performance. Drawing on the cosmopolitan aspirations and emancipatory energies of the political declaration, this tradition aims to radically reinvent the possibilities for law and political belonging in the postcolonial future.
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cover of Literatures of Liberation: Non-European Universalisms and Democratic Progress

Literatures of Liberation

Non-European Universalisms and Democratic Progress

Mukti Lakhi Mangharam

The Ohio State University Press, 2017

The postcolonial spread of democratic ideals such as freedom and equality has taken place all over the world despite the widespread cultural differences that would seem to inhibit such change. In her new book, Literatures of Liberation: Non-European Universalisms and Democratic Progress, Mukti Lakhi Mangharam questions how these “universalisms” came to be and suggests that these elements were not solely the result of Europe-based Enlightenment ideals. Instead, they also arose in context-specific forms throughout the world (particularly in the Global South), relatively independently from Enlightenment concepts. These translatable yet distinct cognitive frameworks, or “contextual universalisms,” as she argues, were central to the spread of modern democratic principles in response to the relentless expansion of capital.
  
In this way, she posits that these universalisms reconceptualize democratic ideals not as Western imports into precolonial societies but as regional phenomena tied to local relations of power and resistance. In charting these alternative democratic trajectories, Mangharam examines oft-overlooked regional and vernacular literary forms and provides a fresh approach to current theorizations of postcolonial and world literatures.
 
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cover of Little House, Long Shadow: Laura Ingalls Wilder's Impact on American Culture

Little House, Long Shadow

Laura Ingalls Wilder's Impact on American Culture

Anita Clair Fellman

University of Missouri Press, 2008

Beyond their status as classic children’s stories, Laura Ingalls Wilder’s Little House books play a significant role in American culture that most people cannot begin to appreciate. Millions of children have sampled the books in school; played out the roles of Laura and Mary; or visited Wilder homesites with their parents, who may be fans themselves. Yet, as Anita Clair Fellman shows, there is even more to this magical series with its clear emotional appeal: a covert political message that made many readers comfortable with the resurgence of conservatism in the Reagan years and beyond.

In Little House, Long Shadow, a leading Wilder scholar offers a fresh interpretation of the Little House books that examines how this beloved body of children’s literature found its way into many facets of our culture and consciousness—even influencing the responsiveness of Americans to particular political views. Because both Wilder and her daughter, Rose Wilder Lane, opposed the New Deal programs being implemented during the period in which they wrote, their books reflect their use of family history as an argument against the state’s protection of individuals from economic uncertainty. Their writing emphasized the isolation of the Ingalls family and the family’s resilience in the face of crises and consistently equated self-sufficiency with family acceptance, security, and warmth.

Fellman argues that the popularity of these books—abetted by Lane’s overtly libertarian views—helped lay the groundwork for a negative response to big government and a positive view of political individualism, contributing to the acceptance of contemporary conservatism while perpetuating a mythic West. Beyond tracing the emergence of this influence in the relationship between Wilder and her daughter, Fellman explores the continuing presence of the books—and their message—in modern cultural institutions from classrooms to tourism, newspaper editorials to Internet message boards.

Little House, Long Shadow shows how ostensibly apolitical artifacts of popular culture can help explain shifts in political assumptions. It is a pioneering look at the dissemination of books in our culture that expands the discussion of recent political transformations—and suggests that sources other than political rhetoric have contributed to Americans’ renewed appreciation of individualist ideals.

[more]
cover of Lives of the Great Languages: Arabic and Latin in the Medieval Mediterranean

Lives of the Great Languages

Arabic and Latin in the Medieval Mediterranean

Karla Mallette

University of Chicago Press, 2021

The story of how Latin and Arabic spread across the Mediterranean to create a cosmopolitan world of letters.
 
In this ambitious book, Karla Mallette studies the nature and behaviors of the medieval cosmopolitan languages of learning—classical Arabic and medieval Latin—as they crossed the Mediterranean. Through anecdotes of relationships among writers, compilers, translators, commentators, and copyists, Mallette tells a complex story about the transmission of knowledge in the period before the emergence of a national language system in the late Middle Ages and early modernity.

Mallette shows how the elite languages of learning and culture were only tenuously related to the languages of everyday life. These languages took years of study to master, marking the passage from intellectual childhood to maturity. In a coda to the book, Mallette speculates on the afterlife of cosmopolitan languages in the twenty-first century, the perils of monolingualism, and the ethics of language choice. The book offers insight for anyone interested in rethinking linguistic and literary tradition, the transmission of ideas, and cultural expression in an increasingly multilingual world.
 
[more]
cover of Living Cargo: How Black Britain Performs Its Past

Living Cargo

How Black Britain Performs Its Past

Steven Blevins

University of Minnesota Press, 2016

Offering a wide-ranging study of contemporary literature, film, visual art, and performance by writers and artists who live and work in the United Kingdom but also maintain strong ties to postcolonial Africa and the Caribbean, Living Cargo explores how contemporary black British culture makers have engaged with the institutional archives of colonialism and the Atlantic slave trade in order to reimagine blackness in British history and to make claims for social and political redress. 

Steven Blevins calls this reimagining “unhousing history”—an aesthetic and political practice that animates and improvises on the institutional archive, repurposing it toward different ends and new possibilities. He discusses the work of novelists, including Caryl Phillips, Fred D’Aguiar, David Dabydeen, and Bernardine Evaristo; filmmakers Isaac Julien and Inge Blackman; performance poet Dorothea Smartt; fashion designer Ozwald Boateng; artists Hew Locke and Yinka Shonibare; and the urban redevelopment of Bristol, England, which unfolded alongside the public demand to remember the city’s slave-trading past. 

Living Cargo argues that the colonial archive is neither static nor residual but emergent. By reassembling historical fragments and traces consolidated in the archive, these artists not only perform a kind of counter-historiography, they also imagine future worlds that might offer amends for the atrocities of the past.

[more]
cover of Living Labor: Fiction, Film, and Precarious Work

Living Labor

Fiction, Film, and Precarious Work

Joseph B. Entin

University of Michigan Press, 2023

For much of the twentieth century, the iconic figure of the U.S. working class was a white, male industrial worker. But in the contemporary age of capitalist globalization new stories about work and workers are emerging to refashion this image. Living Labor examines these narratives and, in the process, offers an innovative reading of American fiction and film through the lens of precarious work. It argues that since the 1980s, novelists and filmmakers—including Russell Banks, Helena Víramontes, Karen Tei Yamashita, Francisco Goldman, David Riker, Ramin Bahrani, Clint Eastwood, Courtney Hunt, and Ryan Coogler—have chronicled the demise of the industrial proletariat, and the tentative and unfinished emergence of a new, much more diverse and perilously positioned working class. In bringing together stories of work that are also stories of race, ethnicity, gender, and colonialism, Living Labor challenges the often-assumed division between class and identity politics. Through the concept of living labor and its discussion of solidarity, the book reframes traditional notions of class, helping us understand both the challenges working people face and the possibilities for collective consciousness and action in the global present.

Cover attribution: Allan Sekula, Shipwreck and worker, Istanbul, from TITANIC’s wake, 1998/2000. Courtesy of the Allan Sekula Studio.
[more]
cover of Living Liberalism: Practical Citizenship in Mid-Victorian Britain

Living Liberalism

Practical Citizenship in Mid-Victorian Britain

Elaine Hadley

University of Chicago Press, 2010

In the mid-Victorian era, liberalism was a practical politics: it had a party, it informed legislation, and it had adherents who identified with and expressed it as opinion. It was also the first British political movement to depend more on people than property, and on opinion rather than interest. But how would these subjects of liberal politics actually live liberalism?

To answer this question, Elaine Hadley focuses on the key concept of individuation—how it is embodied in politics and daily life and how it is expressed through opinion, discussion and sincerity.  These are concerns that have been absent from commentary on the liberal subject. Living Liberalism argues that the properties of liberalism—citizenship, the vote, the candidate, and reform, among others—were developed in response to a chaotic and antagonistic world. In exploring how political liberalism imagined its impact on Victorian society, Hadley reveals an entirely new and unexpected prehistory of our modern liberal politics. A major revisionist account that alters our sense of the trajectory of liberalism, Living Liberalism revises our understanding of the presumption of the liberal subject.

[more]
cover of Living Off the Country: Essays on Poetry and Place

Living Off the Country

Essays on Poetry and Place

John Haines

University of Michigan Press, 1981

When he was a homesteader in Alaska, poet John Haines moved away from language and institutions to an older and simpler existence. In solitude, listening to his own voice, the events of his life reached into the past and the future.
We live on the surface, he discovered. It is the land that makes people. If a poet will see, will feel, will interpret his place and then relate that experience to what he knows of the world at large, he will have a life in imagination, a vitality beyond appearances.
John Haines is author of At the End of Summer: Poems 1948-1954; Fables and Distances: New and Selected Essays; and The Owl in the Mask of the Dreamer. He received the Lenore Marshall Poetry Prize in 1991.
[more]
cover of Living On After Failure: Affective Structures of Modern Life

Living On After Failure

Affective Structures of Modern Life

Irving Goh

Duke University Press, 2025

In Living On After Failure, Irving Goh dwells with failure and all of its negative affects. Goh does not seek a theorization of failure as something to overcome or turn into a recuperative philosophy or progress narrative. Rather, he engages with the ontological condition of failure as a process of staying with the impasse that failure brings. Drawing on the thought of Berlant, Derrida, Foucault, and Nancy, Goh examines works by contemporary writers like Ottessa Moshfegh, Rachel Cusk, Édouard Levé, Yiyun Li, and Kate Zambreno. He guides readers through stages of reckoning with failure as an immersive impasse: flopping, drifting itself, a dark care of the self, melodrama, and postscripting. By unsettling the failure/success binary, Goh provides those who cannot shake off their sense of failure, or who refuse the narratives of progress or success and their ideologies of grit and resilience, with discursive and affective spaces in which to attend to their desire to be attached to their failures.
[more]
cover of Living Translation

Living Translation

Gayatri Chakravorty Spivak

Seagull Books, 2022

A collection that brings together Spivak’s wide-ranging writings on translation for the first time.

Living Translation offers a powerful perspective on the work of distinguished thinker and writer Gayatri Chakravorty Spivak, revealing how, throughout her long career, she has made translation a central concern of the comparative humanities.

Starting with her landmark “Translator’s Preface” to Jacques Derrida’s Of Grammatology in 1976, and continuing with her foreword to Mahasweta Devi’s Draupadi and afterword to Devi’s Chotti MundaandHis Arrow, Spivak has tackled questions of translatability. She has been interested in interrogating the act of translation from the ground up and at the political limit. She sees at play at border checkpoints, at sites of colonial pedagogy, in acts of resistance to monolingual regimes of national language, at the borders of minor literature and schizo-analysis, in the deficits of cultural debt and linguistic expropriation, and, more generally, at theory’s edge, which is to say, where practical criticism yields to theorizing in untranslatables. This volume also addresses how Spivak’s institution-building as director of comparative literature at the University of Iowa—and in her subsequent places of employment—began at the same time. From this perspective, Spivak takes her place within a distinguished line-up of translator-theorists who have been particularly attuned to the processes of cognizing in languages, all of them alive to the coproductivity of thinking, translating, writing.
 
[more]
cover of Living in the Future: Sovereignty and Internationalism in the Canterbury Tales

Living in the Future

Sovereignty and Internationalism in the Canterbury Tales

Susan Nakley

University of Michigan Press, 2017

Nationalism, like medieval romance literature, recasts history as a mythologized and seamless image of reality. Living in the Future analyzes how the anachronistic nationalist fantasies in Geoffrey Chaucer’s Canterbury Tales create a false sense of England’s historical continuity that in turn legitimized contemporary political ambitions. This book spells out the legacy of the Tales that still resonates throughout English literature, exploring the idea of England in the medieval literary imagination as well as critiquing more recent centuries’ conceptions of Chaucer’s nationalism.     
       
Chaucer uses two extant national ideals, sovereignty and domesticity, to introduce the concept of an English nation into the contemporary popular imagination and reinvent an idealized England as a hallowed homeland. For nationalist thinkers, sovereignty governs communities with linguistic, historical, cultural, and religious affinities. Chaucerian sovereignty appears primarily in romantic and household contexts that function as microcosms of the nation, reflecting a pseudo-familial love between sovereign and subjects and relying on a sense of shared ownership and judgment. This notion also has deep affinities with popular and political theories flourishing throughout Europe. Chaucer’s internationalism, matched with his artistic use of the vernacular and skillful distortions of both time and space, frames a discrete sovereign English nation within its diverse interconnected world.

As it opens up significant new points of resonance between postcolonial theories and medieval ideas of nationhood, Living in the Future marks an important contribution to medieval literary studies. It will be essential for scholars of Middle English literature, literary history, literary political and postcolonial theory, and literary transnationalism.
 
[more]
cover of Living on the Boott: Historical Archaeology at the Boott Mills Boardinghouses of Lowell, Massachusetts

Living on the Boott

Historical Archaeology at the Boott Mills Boardinghouses of Lowell, Massachusetts

Stephen A. Mrozowski

University of Massachusetts Press, 1996

Lowell, Massachusetts was the first fully planned industrial city in the United States, and the Boott Mill, established in the 1820s along the Merrimack River, stood at the center of this bold experiment in industrial capitalism. For decades, the company-owned boardinghouses that housed the mills' workers were as much a part of the Lowell system as the looms themselves: a managed, closely supervised domestic world where the rhythms of mill life extended from the factory floor into every corner of daily existence.

Living on the Boott brings this vanished world back to life through rigorous historical archaeology. Drawing on excavations conducted at the Boott Mills boardinghouse complex, Stephen A. Mrozowski, Grace H. Ziesing, and Mary C. Beaudry examine the material remains of the men and women who lived and worked in Lowell's textile industry from the early nineteenth century through its long decline. Through painstaking analysis of ceramics, faunal assemblages, tobacco-related artifacts, and other recovered objects, the authors reconstruct the daily lives, diets, domestic routines, and social relationships of successive generations of boardinghouse residents—from the young "mill girls" recruited from rural New England who made Lowell famous, to the Irish immigrant workers who increasingly replaced them as the century progressed.

The result is a richly documented social history written not from official records alone, but from the objects people actually used, discarded, and left behind. The book illuminates how class, gender, ethnicity, and labor intersected in the intimate spaces of the boardinghouse, and documents the profound changes in living conditions as the Lowell system evolved and the workforce transformed. A landmark contribution to historical archaeology, industrial archaeology, and the history of American labor, Living on the Boott demonstrates the unique power of archaeological evidence to recover the lives of those too often overlooked by conventional historical sources.

[more]
cover of Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930

Living with Lynching

African American Lynching Plays, Performance, and Citizenship, 1890-1930

Koritha Mitchell

University of Illinois Press, 2012

Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930 demonstrates that popular lynching plays were mechanisms through which African American communities survived actual and photographic mob violence. Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families. Koritha Mitchell shows that African Americans performed and read the scripts in community settings to certify to each other that lynching victims were not the isolated brutes that dominant discourses made them out to be. Instead, the play scripts often described victims as honorable heads of households being torn from model domestic units by white violence.

In closely analyzing the political and spiritual uses of black theatre during the Progressive Era, Mitchell demonstrates that audiences were shown affective ties in black families, a subject often erased in mainstream images of African Americans. Examining lynching plays as archival texts that embody and reflect broad networks of sociocultural activism and exchange in the lives of black Americans, Mitchell finds that audiences were rehearsing and improvising new ways of enduring in the face of widespread racial terrorism. Images of the black soldier, lawyer, mother, and wife helped readers assure each other that they were upstanding individuals who deserved the right to participate in national culture and politics. These powerful community coping efforts helped African Americans band together and withstand the nation's rejection of them as viable citizens.

The Left of Black interview with author Koritha Mitchell begins at 14:00.

An interview with Koritha Mitchell at The Ohio Channel.

[more]
cover of Living with Whales: Documents and Oral Histories of Native New England Whaling History

Living with Whales

Documents and Oral Histories of Native New England Whaling History

Nancy Shoemaker

University of Massachusetts Press, 2014

Native Americans along the coasts of southern New England and Long Island have had close ties to whales for thousands of years. They made a living from the sea and saw in the world's largest beings special power and meaning. After English settlement in the early seventeenth century, the region's natural bounty of these creatures drew Natives and colonists alike to develop whale hunting on an industrial scale. By the nineteenth century, New England dominated the world in whaling, and Native Americans contributed substantially to whaleship crews.

In Living with Whales, Nancy Shoemaker reconstructs the history of Native whaling in New England through a diversity of primary documents: explorers' descriptions of their “first encounters,” indentures, deeds, merchants' accounts, Indian overseer reports, crew lists, memoirs, obituaries, and excerpts from journals kept by Native whalemen on their voyages. These materials span the centuries-long rise and fall of the American whalefishery and give insight into the far-reaching impact of whaling on Native North American communities. One chapter even follows a Pequot Native to New Zealand, where many of his Maori descendants still reside today.

Whaling has left behind a legacy of ambivalent emotions. In oral histories included in this volume, descendants of Wampanoag and Shinnecock whalemen reflect on how whales, whaling, and the ocean were vital to the survival of coastal Native communities in the Northeast, but at great cost to human life, family life, whales, and the ocean environment.

[more]
cover of Local Transcendence: Essays on Postmodern Historicism and the Database

Local Transcendence

Essays on Postmodern Historicism and the Database

Alan Liu

University of Chicago Press, 2008

Driven by global economic forces to innovate, today’s society paradoxically looks forward to the future while staring only at the nearest, most local present—the most recent financial quarter, the latest artistic movement, the instant message or blog post at the top of the screen.  Postmodernity is lived, it seems, at the end of history.
            In the essays collected in Local Transcendence, Alan Liu takes the pulse of such postmodern historicism by tracking two leading indicators of its acceleration in the late twentieth and early twenty-first centuries: postmodern cultural criticism—including the new historicism, the new cultural history, cultural anthropology, the new pragmatism, and postmodern and postindustrial theory—and digital information technology. What is the relation between the new historicist anecdote and the database field, Liu asks, and can either have a critical function in the age of postmodern historicism? Local Transcendence includes two previously unpublished essays and a synthetic introduction in which Liu traverses from his earlier work on the theory of historicism to his recent studies of information culture to propose a theory of contingent method incorporating a special inflection of history: media history.
[more]
cover of Lofty Dogmas: Poets on Poetics

Lofty Dogmas

Poets on Poetics

Deborah Brown

University of Arkansas Press, 2005

Compiled by three noted poets, this is an eclectic, stimulating, and informed selection of poets' remarks on poetry spanning eras, ethnicities, and aesthetics. The 102 selections from nearly as many poets reach back to the Greeks and Romans, then draw on Chaucer, Shakespeare, Sidney, and Milton, on to Shelley, Keats, Coleridge, and Poe, then Hopkins, Yeats, Eliot, Rilke, and Pound, concluding with many of our contemporaries, including Hall, Clifton, Mackey, Kunitz, and Rukeyser. The book is divided into three sections. "Musing" concerns issues of inspiration, "Making," issues of craft, from diction to meter to persona and voice, and "Mapping," the role of poetry and the poet. Headnotes at the beginning of each selection provide background information about the poet and commentary on the significance of the selection. There is also a useful appendix with a listing of essays arranged according to more specific topics. As the poets write in their introduction: "This book was intended to deepen readers' understanding of age-old poetic ideas while at the same time pointing out new directions for thinking about poetry, juxtaposing the familiar and the strange, reconfiguring old boundaries, and shaking up stereotypes."
[more]
cover of Lois McMaster Bujold

Lois McMaster Bujold

Edward James

University of Illinois Press, 2015

Readers have awarded Lois McMaster Bujold four Hugo Awards for Best Novel, a number matched only by Robert Heinlein. Her Vorkosigan series redefined space opera with its emotional depth and explorations of themes such as bias against the disabled, economic exploitation, and the role of women in society.
 
Acclaimed science fiction scholar Edward James traces Bujold's career, showing how Bujold emerged from fanzine culture to win devoted male and female readers despite working in genres--military SF, space opera--perceived as solely by and for males. Devoted to old-school ideas such as faith in humanity and the desire to probe and do good in the universe, Bujold simultaneously subverted genre conventions and experimented with forms that led her in bold creative directions. As James shows, her iconic hero Miles Vorkosigan--unimposing, physically impaired, self-conscious to a fault--embodied Bujold's thematic concerns. The sheer humanity of her characters, meanwhile, gained her a legion of fans eager to provide her with feedback, expand her vision through fan fiction, and follow her into fantasy.
[more]
cover of London Fragments: A Literary Expedition

London Fragments

A Literary Expedition

Rüdiger Görner

Haus Publishing, 2007

Meet Shakespeare, Heine and Hogarth south of the river, find Virginia Woolf in Bloomsbury, discovers Blake and Trollope in Westminster, happen on the Carlyles in Chelsea, come across John Keats in beautiful Hampstead and search for Bacon and Hanif Kureishi in the London suburbs.
[more]
cover of London, Radical Culture, and the Making of the Dickensian Aesthetic

London, Radical Culture, and the Making of the Dickensian Aesthetic

Sambudha Sen

The Ohio State University Press, 2012

Just as his great contemporary William Makepeace Thackeray, Charles Dickens found his footing as a writer in the early-nineteenth-century market for popular print entertainment. However, even though Thackeray was a skilled caricaturist and a prolific producer of political squibs, burlesques, and ballads, he thought of novel writing as a serious literary pursuit that needed to be separated from mere “magazinery.” On the other hand, Dickens did not personally produce graphic caricatures or even the sort of squibs with which Thackeray flooded the pages of Punch, but these forms had a huge influence on his fiction.
 
In London, Radical Culture, and the Making of the Dickensian Aesthetic, Sambudha Sen argues that the popular novelistic aesthetic that underlay Dickens’s fiction was composed of, above all, the expressive resources that it absorbed from the nineteenth-century market for print and visual entertainment. Sen’s book aims to precisely chart the series of displacements and “reactivations” by which expressive strategies of these extraliterary discourses found their way into Dickens’s novels. Sen also examines the ways in which the expressive modes that Dickens absorbed from popular print and visual culture affected his novelistic techniques. Sen draws on some of Thackeray’s novels to illustrate how Dickens’s representation of “character” within the big city and his negotiations of the ceremonial discourses of power differ from Thackeray’s more properly literary representations.
 
London, Radical Culture, and the Making of the Dickensian Aesthetic breaks new ground in its elaboration of the symbiotic relationship between the Dickensian “popular novelistic aesthetic” and expressive resources that germinated in popular forms such as radical journalism, radical cartooning, city sketches, and panoramas. It is therefore likely to generate further research on the interanimation between canonical literature and popular forms.
[more]
cover of Long Shadows: The Second World War in British Fiction and Film

Long Shadows

The Second World War in British Fiction and Film

Edited by Petra Rau

Northwestern University Press, 2016

Few countries attribute as much importance to the Second World War and its memory as Britain; arguably nowhere else has this conflict developed such longevity in cultural memory and retained such presence in contemporary culture. Long Shadows is about how literature and film have helped shape this process in Britain. More precisely, the essays collected here suggest that this is a continuous work in progress, subject to transgenerational revisions, political expediencies, commercial considerations, and the vicissitudes of popular taste. It would indeed be more accurate to speak of the meanings (plural) that the war has been given at various moments in British cultural life. These semantic variations and fluctuations in cultural import are rooted in the specificity of the British war experience, in the political aftermath of the war in Europe, and in its significance for Britain’s postwar position on the global stage. In other words, the books and films discussed in these essays respond to how the war has been interpreted and remembered; what is at stake is the way in which the war has been emplotted as a hegemonic cultural narrative about Britain.
[more]
cover of Longfellow Redux

Longfellow Redux

Christoph Irmscher

University of Illinois Press, 2005

The time has come to take another look at Longfellow, America's most popular poet. Christoph Irmscher overturns the modern prejudice against Longfellow as the mere purveyor of literary comfort food. Examining his unpublished papers alongside letters written by his fans at home and abroad, Irmscher offers a fresh view of the poet's connection with his audience. Reviewing Longfellow's idea of authorship, his travels, and his translations, Irmscher demonstrates that Longfellow saw literature as a transnational conversation breaking down social and linguistic barriers. For Longfellow, the poet was less Emerson's "liberating god" than a distributor of cultural goods democratically shared by authors and readers alike. Longfellow Redux is the first book-length study of Longfellow's poetry since 1966 and contains numerous illustrations, including previously unpublished pencil sketches by Longfellow himself.
[more]
cover of Looking For Steinbeck's Ghost

Looking For Steinbeck's Ghost

Jackson J. Benson

University of Nevada Press, 2002

In 1968, Jackson J. Benson, then a naïve young literature professor, set out to write a critical appraisal of John Steinbeck, a writer who Benson thought was greatly undervalued by the scholarly establishment. To Benson's amazement, he shortly found his project turning into an authorized biography. Looking for Steinbeck's Ghost is Benson's engaging account of his experiences over the fifteen years he devoted to writing that biography. On one level, the book is a rich collection of anecdotes, character sketches, and memories of Steinbeck and the people with whom he shared his life—wives and children, siblings, friends. Benson interviewed scores of people who knew Steinbeck and read thousands of letters and other primary sources in the course of his research, and the fruits of this diligence offer rich insights into the personalities of Steinbeck—a fiercely private man—and of his closest associates. There is important new information here about Steinbeck's career, the inspiration for some of his characters and plot lines, and some of the people who, in various ways, influenced his writing and his personal life. On another level, Looking for Steinbeck's Ghost is a fascinating account of the biographer's task, with all its triumphs large and small and its numerous pitfalls and frustrations. We follow Benson as he struggles to master the skills of the biographer: locating sources of information, especially tracking down informants; learning to conduct interviews—and then to assess the veracity of his informants' memories; coping with the myriad frustrations inherent in the technologies of tape recording and photocopying; recognizing the pitfalls hidden in his own emotional biases and his tendency to identify with his subject; sifting through all the contradictions and prejudices, favorable and unfavorable, in his sources to find out just who John Steinbeck was. As such, Looking for Steinbeck's Ghost is a lively and completely engrossing case study of the biographer's demanding craft. First published in 1988 to enthusiastic reviews, and long out of print, Looking for Steinbeck's Ghost is available again in this new paperback edition.
[more]
cover of Looking Glasses and Neverlands: Lacan, Desire, and Subjectivity in Children's Literatue

Looking Glasses and Neverlands

Lacan, Desire, and Subjectivity in Children's Literatue

Karen Coats

University of Iowa Press, 2004

A “Choice” Outstanding Academic Title
This groundbreaking study introduces and explores Lacan’s complex theories of subjectivity and desire through close readings of canonical children’s books such as Charlotte’s Web, Stellaluna, Holes, Tangerine, and The Chocolate War, providing an introduction to an increasingly influential body of difficult work while making the claim that children’s textual encounters are as significant as their existential ones in constituting their subjectivities and giving shape to their desires.
[more]
cover of Looking for The Outsider: Albert Camus and the Life of a Literary Classic

Looking for The Outsider

Albert Camus and the Life of a Literary Classic

Alice Kaplan

University of Chicago Press, 2016

The Outsider is a rite of passage for readers around the world. Since its publication in France in 1942, Camus’s novel has been translated into sixty languages and sold more than six million copies. It’s the rare novel that’s as at likely to be found in a teen’s backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, The Outsider is it.
 
How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for “The Outsider”, Alice Kaplan tells that story. In the process, she reveals Camus’s achievement to have been even more impressive—and more unlikely—than even his most devoted readers knew.
 
Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of The Outsider. She follows Camus to France, and, making deft use of his diaries and letters, re-creates his lonely struggle with the novel in Montmartre, where he finally hit upon the unforgettable first-person voice that enabled him to break through and complete The Outsider.
 
Even then, the book’s publication was far from certain. France was straining under German occupation, Camus’s closest mentor was unsure of the book’s merit, and Camus himself was suffering from near-fatal tuberculosis. Yet the book did appear, thanks in part to a resourceful publisher, Gaston Gallimard, who was undeterred by paper shortages and Nazi censorship.  
 
The initial critical reception of The Outsider was mixed, and it wasn’t until after liberation that The Outsider began its meteoric rise. As France and the rest of the world began to move out of the shadow of war, Kaplan shows, Camus’s book— with the help of an aggressive marketing campaign by Knopf for their 1946 publication of the first English translation—became a critical and commercial success, and Camus found himself one of the most famous writers in the world. Suddenly, his seemingly modest tale of alienation was being seen for what it really was: a powerful parable of the absurd, an existentialist masterpiece.
 
Few books inspire devotion and excitement the way The Outsider does. And it couldn’t have a better biographer than Alice Kaplan, whose books about twentieth-century French culture and history have won her legions of fans. No reader of Camus will want to miss this brilliant exploration.
 
[more]
cover of Looking for The Stranger: Albert Camus and the Life of a Literary Classic

Looking for The Stranger

Albert Camus and the Life of a Literary Classic

Alice Kaplan

University of Chicago Press, 2016

The Stranger is a rite of passage for readers around the world. Since its publication in France in 1942, Camus’s novel has been translated into sixty languages and sold more than six million copies. It’s the rare novel that’s as at likely to be found in a teen’s backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, The Stranger is it.
 
How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for “The Stranger”, Alice Kaplan tells that story. In the process, she reveals Camus’s achievement to have been even more impressive—and more unlikely—than even his most devoted readers knew.
 
Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of The Stranger. She follows Camus to France, and, making deft use of his diaries and letters, re-creates his lonely struggle with the novel in Montmartre, where he finally hit upon the unforgettable first-person voice that enabled him to break through and complete The Stranger.
 
Even then, the book’s publication was far from certain. France was straining under German occupation, Camus’s closest mentor was unsure of the book’s merit, and Camus himself was suffering from near-fatal tuberculosis. Yet the book did appear, thanks in part to a resourceful publisher, Gaston Gallimard, who was undeterred by paper shortages and Nazi censorship.  
 
The initial critical reception of The Stranger was mixed, and it wasn’t until after liberation that The Stranger began its meteoric rise. As France and the rest of the world began to move out of the shadow of war, Kaplan shows, Camus’s book— with the help of an aggressive marketing campaign by Knopf for their 1946 publication of the first English translation—became a critical and commercial success, and Camus found himself one of the most famous writers in the world. Suddenly, his seemingly modest tale of alienation was being seen for what it really was: a powerful parable of the absurd, an existentialist masterpiece.
 
Few books inspire devotion and excitement the way The Stranger does. And it couldn’t have a better biographer than Alice Kaplan, whose books about twentieth-century French culture and history have won her legions of fans. No reader of Camus will want to miss this brilliant exploration.
 
[more]
cover of Loose Ends: Closure and Crisis in the American Social Text

Loose Ends

Closure and Crisis in the American Social Text

Russell Reising

Duke University Press, 1996

In this study of American cultural production from the colonial era to the present, Russell Reising takes up the loose ends of popular American narratives to craft a new theory of narrative closure. In the range of works examined here—from Phillis Wheatley’s poetry to Herman Melville’s Israel Potter , from Henry James’s "The Jolly Corner" to the Disney Studio’s Dumbo—Reising finds endings that violate all existing theories of closure and narratives that expose the the often unarticulated issues that inspired these texts.
Reising suggests that these "non-endings" entirely refocus the narrative structures they appear to conclude, accentuate the narrative stresses and ideological fissures that the texts seem to suppress, and reveal "shadow narratives" that trail alongside the dominant story line. He argues that unless the reader notices the ruptures in the closing moments of these works, the social and historical moments in which the narrative and the reader are embedded will be missed. This reading not only offers new interpretive possibilities, but also uncovers startling affinities between the poetry of Phillis Wheatley and the fiction of Henry James, between Charles Brockden Brown’s Wieland and Melville’s least-studied novel, and between Emily Dickinson’s poem "I Started Early—Took My Dog" and Disney’s animated classic.
Pursuing the implications of these failed moments of closure, Reising elaborates on topics ranging from the roots of domestic violence and mass murder in early American religious texts to the pornographic imperative of mid-century nature writing, and from James’s "descent" into naturalist and feminist fiction to Dumbo’s explosive projection of commercial, racial, and political agendas for postwar U. S. culture.
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