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Complex, controversial, and prolific, Howard Barnstone was a central figure in the world of twentieth-century modern architecture. Recognized as Houston’s foremost modern architect in the 1950s, Barnstone came to prominence for his designs with partner Preston M. Bolton, which transposed the rigorous and austere architectural practices of Ludwig Mies van der Rohe to the hot, steamy coastal plain of Texas. Barnstone was a man of contradictions—charming and witty but also self-centered, caustic, and abusive—who shaped new settings that were imbued, at once, with spatial calm and emotional intensity.

Making Houston Modern explores the provocative architect’s life and work, not only through the lens of his architectural practice but also by delving into his personal life, class identity, and connections to the artists, critics, collectors, and museum directors who forged Houston’s distinctive culture in the postwar era. Edited by three renowned voices in the architecture world, this volume situates Barnstone within the contexts of American architecture, modernism, and Jewish culture to unravel the legacy of a charismatic personality whose imaginative work as an architect, author, teacher, and civic commentator helped redefine architecture in Texas.

“The translation of these essays by Gumbrecht on literary theory and history marks the appearance in English of one of Europe’s most learned, productive, and inventive scholars. Their range is extraordinary. They show that Gumbrecht is not only a sophisticated theorist and historian of literature, but a master practitioner of cultural studies.” --Hayden White, University of California, Santa Cruz

Awarded the Nobel Prize in 2010 at the age of seventy-four, Peruvian writer Mario Vargas Llosa has held pivotal roles in the evolution and revolutions of modern Latin American literature. Perhaps surprisingly, no complete history of Vargas Llosa’s works, placed in biographical and historical context, has been published—until now. A masterwork from one of America’s most revered scholars of Latin American fiction, Mario Vargas Llosa: A Life of Writing provides a critical overview of Vargas Llosa’s numerous novels while reinvigorating debates regarding conventional interpretations of the work.

Weaving analysis with discussions of the writer’s political commentary, Raymond Leslie Williams traces the author’s youthful identity as a leftist student of the 1960s to a repudiation of some of his earlier ideas beginning in the 1980s. Providing a unique perspective on the complexity, nuance, and scope of Vargas Llosa’s lauded early novels and on his passionate support of indigenous populations in his homeland, Williams then turns his eye to the recent works, which serve as a bridge between the legacies of the Boom and the diverse array of contemporary Latin American fiction writers at work today. In addition, Williams provides a detailed description of Vargas Llosa’s traumatic childhood and its impact on him—seen particularly in his lifelong disdain for authority figures—as well as of the authors who influenced his approach, from Faulkner to Flaubert. Culminating in reflections drawn from Williams’s formal interviews and casual conversations with the author at key phases of both men’s careers, this is a landmark publication that will spark new lines of inquiry into an intricate body of work.

Many biographies of Mark Twain cover his entire life, while others focus on specific periods, especially his later years. In this innovative new work, John Bird takes an entirely different approach. Mark Twain’s 1884: A Pivotal Year in the Life is a “micro-biography” that homes in on a single—and pivotal—year. 

In 1884, Twain stood at the height of his powers as a writer and enjoyed one of the happiest years in his domestic family life. During the course of the year he was readying his greatest work, Adventures of Huckleberry Finn, for publication, which occurred in England near the end of the year; he was launching his own publishing house, Charles L. Webster and Company, after becoming disillusioned with his previous publishers; and he publicly embroiled himself in presidential politics in a way that presaged his later involvement with American and international politics. Finally, Twain’s 1884 ended with a great deal more public exposure thanks to an extensive multi-city lecture tour he undertook with George Washington Cable, as well as the beginnings of his ultimately successful attempt to secure publishing rights for Ulysses S. Grant’s memoirs.

The level of detail provided by a day-to-day narrative gives the reader a chance to imaginatively live that year in Twain’s life: his work, his family life, his correspondence, his business dealings, his travels, his recreational pursuits, and his political involvement. Bird enlarges upon a great many moments in and aspects of Twain’s life that other biographies barely touch on or ignore completely. 

In this new approach to biography, Bird gives readers a broader appreciation not only of Mark Twain the author but of Mark Twain the husband, father, uncle, and friend, and national celebrity and persona.
 

A thoughtful examination of dignity at the end of life and the ethical limits of choice in modern medicine.

For most of human history, death was shaped by circumstance, custom, and human presence. Today, it is increasingly mediated by medicine, law, and the language of choice. Our expanding capacity to prolong life and manage dying has outstripped the moral habits that once helped us make sense of such moments. What confronts us now is not only the question of what may be done, or what is permitted, but also how moral responsibility is borne when knowledge is partial and responsibility is dispersed.

Resisting moral certainty and procedural comfort, Stephanie O’Connor considers what is revealed and obscured when complex situations are reduced to questions of choice or rights alone. Considering dignity as a guiding moral concern at the limits of life, and drawing on healthcare ethics, case law, and contemporary debates—including those surrounding assisted dying and artificial intelligence—this book examines how decisions made under conditions of vulnerability are shaped not only by autonomy and consent, but also by dependence, unequal power, and institutional practice. Acutely attentive to the tensions that exist between compassion and restraint, as well as personal agency and shared responsibility, O’Connor does not propose solutions or offer moral closure. Instead, she asks what is owed: to those whose lives are ending, to those who care for them, and to the fragile shared moral life that binds personal decisions to their public consequences.

An intellectual biography that reassesses one of the premier Jewish humanists of the mid-twentieth century

In Maurice Samuel: Life and Letters of a Secular Jewish Contrarian, Alan T. Levenson captures the life, works, and milieu of the Romanian-born, English-educated, American belletrist Maurice Samuel. A diaspora intellectual—or a rooted cosmopolitan, as Levenson describes him—Samuel made an indelible mark on many features of contemporary Jewish thought and culture. A generalist in an age of experts, an independent scholar in an age of rabbis and professors, Samuel was one of the most productive and visible members of the group dubbed the “other” New York Jewish intellectuals.

His fame as a public intellectual and popular speaker were well warranted: no mere popularizer, Samuel contributed significantly to four seemingly unrelated but critical areas of modern Jewish thought. Samuel is characterized by some as principally a Zionist, by others as an accomplished translator and many Americans’ first entrée into the world of Yiddish literature, by still others as a polemicist and campaigner against anti-Semitism, and finally as a media-savvy Biblical critic, essayist, and radio personality. But he was all of these things, since Samuel succeeded in an era when it was possible to be a public intellectual without being an expert.

Drawing on Samuel’s vast literary opus, as well as previously unexplored archival material from three continents, this study writes Samuel back into the history of mid-twentieth-century American letters. Levenson argues that Samuel’s varied and substantive contributions demand reconsideration of our assumptions about the means and ends of cultural transmission, and merit him a place as one of twentieth-century American Jewry’s most significant cultural and intellectual voices.

 

Memoirs of an Early Arab Feminist is the first English translation of the memoirs of Anbara Salam Khalidi, the iconic Arab feminist. At a time when women are playing a leading role in the Arab Spring, this book brings to life an earlier period of social turmoil and women's activism through one remarkable life.

Anbara Salam was born in 1897 to a notable Sunni Muslim family of Beirut. She grew up in 'Greater Syria', in which unhindered travel between Beirut, Jerusalem and Damascus was possible, and wrote a series of newspaper articles calling on women to fight for their rights within the Ottoman Empire. In 1927 she caused a public scandal by removing her veil during a lecture at the American University of Beirut.

Later she translated Homer and Virgil into Arabic and fled from Jerusalem to Beirut following the establishment of Israel in 1948. She died in Beirut in 1986. These memoirs have long been acclaimed by Middle East historians as an essential resource for the social history of Beirut and the larger Arab world in the 19th and 20th centuries.

Winner of the 2021 Minnesota Book Award for Minnesota Nonfiction

The story of the scientist who first mapped Minnesota’s geology, set against the backdrop of early scientific inquiry in the state

At twenty, Newton Horace Winchell declared, “I know nothing about rocks.” At twenty-five, he decided to make them his life’s work. As a young geologist tasked with heading the Minnesota Geological and Natural History Survey, Winchell (1839–1914) charted the prehistory of the region, its era of inland seas, its volcanic activity, and its several ice ages—laying the foundation for the monumental five-volume Geology of Minnesota. Tracing Winchell’s remarkable path from impoverished fifteen-year-old schoolteacher to a leading light of an emerging scientific field, Minnesota’s Geologist also recreates the heady early days of scientific inquiry in Minnesota, a time when one man’s determination and passion for learning could unlock the secrets of the state’s distant past and present landscape.

Traveling by horse and cart, by sailboat and birchbark canoe, Winchell and his group surveyed rock outcrops, river valleys, basalt formations on Lake Superior, and the vast Red River Valley. He studied petrology at the Sorbonne in Paris, bringing cutting-edge knowledge to bear on the volcanic rocks of the Arrowhead region. As a founder of the American Geological Society and founding editor of American Geologist, the first journal for professional geologists, Winchell was the driving force behind scientific endeavor in early state history, serving as mentor to many young scientists and presiding over a household—the Winchell House, located on the University of Minnesota’s present-day mall—that was a nexus of intellectual ferment. His life story, told here for the first time, draws an intimate picture of this influential scientist, set against a backdrop of Minnesota’s geological complexity and splendor.

In a career that took him from the cotton fields of East Texas to the concert stage at Carnegie Hall and beyond, Lightnin’ Hopkins became one of America’s greatest bluesmen, renowned for songs whose topics effortlessly ranged from his African American roots to space exploration, the Vietnam War, and lesbianism, performed in a unique, eccentric, and spontaneous style of guitar playing that inspired a whole generation of rock guitarists. Hopkins’s music directly and indirectly influenced an amazing range of artists, including Jimi Hendrix, Stevie Ray Vaughan, Miles Davis, John Coltrane, Tom Waits, and Bob Dylan, as well as bands such as the Grateful Dead, Jefferson Airplane, and ZZ Top, with whom Hopkins performed.

Mojo Hand follows Lightin’ Hopkins’s life and music from the acoustic country blues that he began performing in childhood, through the rise of 1950s rock ’n’ roll, which nearly derailed his career, to his reinvention and international success as a pioneer of electric folk blues from the 1960s to the 1980s. The authors draw on 130 vivid oral histories, as well as extensive archival and secondary sources, to provide the fullest account available of the development of Hopkins’s music; his idiosyncratic business practices, such as shunning professional bookers, managers, and publicists; and his durable and indelible influence on modern roots, blues, rock ’n’ roll, singer-songwriter, and folk music. Mojo Hand celebrates the spirit and style, intelligence and wit, and confounding musical mystique of a bluesman who shaped modern American music like no one else.

Available for the first time in English, Hungarian writer Edina Szvoren's short story collection gives voice to lives shaped by repression, cruelty, and silence.

Moments from the Life of a Hedgehog and Other Stories introduces English-language readers to the unsettling, exacting fiction of Hungarian author Edina Szvoren. Disturbing yet deliberately modest, these stories evoke a claustrophobic world of compromise and quiet desperation: fractured families warped by history and habit, boarding schools and workplaces ruled by cruelty, and domestic interiors heavy with unspoken dread. Set in the final decades of Hungarian socialism and its immediate aftermath, Szvoren’s sharply observed miniatures are animated by ever-shifting perspectives—outsiders, misfits, refusers—struggling to make sense of lives largely beyond their control. Grotesque without excess, absurd without relief, Szvoren’s narrative voices overlap and collide in ways that recall Franz Kafka and István Örkény. Yet her work remains firmly grounded in the body: queasy, intimate, and insistently physical, with a feminist and existential charge. Among polyester ornaments and unbearable family encounters, these stories offer a powerful, understated testimony to the unheard—and the nearly unhearable.

Montana has been the "last best place" for so many people. A century ago, Native Americans gathered here to perform the Ghost Dance—a last, doomed attempt to make white settlers vanish and bring back the old ways of life. Today, people are still pouring into Montana, looking for the pristine wilderness they saw in A River Runs through It.

The reality of Montana—indeed, of all the West—has never matched the myths, but this book eloquently explores how the search for a perfect place is driving growth, development, and resource exploitation in Big Sky country. In ten personal essays, John Wright looks at such things as Montana myths; old-timers; immigrants; elk; ways of seeing the landscape; land conservation and land trusts; the fate of the Blackfoot, Bitterroot, and Paradise valleys; and some means of preserving the last, best places.

These reflections offer a way of understanding Montana that goes far beyond the headlines about militia groups and celebrities' ranches. Montana never was or will be a pristine wilderness, but Wright believes that much can be saved if natives and newcomers alike see what stands to be lost. His book is a wake-up call, not a ghost dance.