4038 books match the query 'Social aspects' and 230 start with m

cover of MOOCs and Their Afterlives: Experiments in Scale and Access in Higher Education

MOOCs and Their Afterlives

Experiments in Scale and Access in Higher Education

Edited by Elizabeth Losh

University of Chicago Press, 2017

A trio of headlines in the Chronicle of Higher Education seem to say it all: in 2013, “A Bold Move Toward MOOCs Sends Shock Waves;” in 2014, “Doubts About MOOCs Continue to Rise,” and in 2015, “The MOOC Hype Fades.” At the beginning of the 2010s, MOOCs, or Massive Open Online Courses, seemed poised to completely revolutionize higher education. But now, just a few years into the revolution, educators’ enthusiasm seems to have cooled. As advocates and critics try to make sense of the rise and fall of these courses, both groups are united by one question: Where do we go from here?

Elizabeth Losh has gathered experts from across disciplines—education, rhetoric, philosophy, literary studies, history, computer science, and journalism—to tease out lessons and chart a course into the future of open, online education. Instructors talk about what worked and what didn’t. Students share their experiences as participants. And scholars consider the ethics of this education. The collection goes beyond MOOCs to cover variants such as hybrid or blended courses, SPOCs (Small Personalized Online Courses), and DOCCs (Distributed Open Collaborative Course). Together, these essays provide a unique, even-handed look at the MOOC movement and will serve as a thoughtful guide to those shaping the next steps for open education.
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cover of Machine

Machine

Thomas Pringle

University of Minnesota Press, 2018

On the social consequences of machines

Automation, animation, and ecosystems are terms of central media-philosophical concern in today’s society of humans and machines. This volume describes the social consequences of machines as a mediating concept for the animation of life and automation of technology. Bernard Stiegler’s automatic society illustrates how digital media networks establish a new proletariat of knowledge workers. Gertrud Koch offers the animation of the technical to account for the pathological relations that arise between people and their devices. And Thomas Pringle synthesizes how automation and animation explain the history of intellectual exchanges that led to the hybrid concept of the ecosystem, a term that blends computer and natural science. All three contributions analyse how categories of life and technology become mixed in governmental policies, economic exploitation and pathologies of everyday life thereby both curiously and critically advancing the term that underlies those new developments: ‘machine.’ 

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cover of Machine and Sovereignty: For a Planetary Thinking

Machine and Sovereignty

For a Planetary Thinking

yuk

University of Minnesota Press, 2024

Developing a new political thought to address today’s planetary crises

What is “planetary thinking” today? Arguing that a new approach is urgently needed, Yuk Hui develops a future-oriented mode of political thought that encompasses the unprecedented global challenges we are confronting: the rise of artificial intelligence, the ecological crisis, and intensifying geopolitical conflicts.

Machine and Sovereignty starts with three premises. The first affirms the necessity of developing a new language of coexistence that surpasses the limits of nation-states and their variations; the second recognizes that political forms, including the polis, empire, and the state, are technological phenomena, which Lewis Mumford terms “megamachines.” The third suggests that a particular political form is legitimated and rationalized by a corresponding political epistemology. The planetary thinking that this book sketches departs from the opposition between mechanism and organism, which characterized modern thought, to understand the epistemological foundations of Hegel’s political state and Schmitt’s Großraum and their particular ways of conceiving the question of sovereignty. Through this reconstruction, Hui exposes the limits of the state and reflects on a new theoretical matrix based on the interrelated concepts of biodiversity, noodiversity, and technodiversity.

Arguing that we are facing the limit of modernity, of the eschatological view of history, of globalization, and of the human, Hui conceives necessary new epistemological and technological frameworks for understanding and rising to the crises of our present and our future.

Retail e-book files for this title are screen-reader friendly.

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cover of Machines of Youth: America’s Car Obsession

Machines of Youth

America’s Car Obsession

Gary S. Cross

University of Chicago Press, 2018

For American teenagers, getting a driver’s license has long been a watershed moment, separating teens from their childish pasts as they accelerate toward the sweet, sweet freedom of their futures. With driver’s license in hand, teens are on the road to buying and driving(and maybe even crashing) their first car, a machine which is home to many a teenage ritual—being picked up for a first date, “parking” at a scenic overlook, or blasting the radio with a gaggle of friends in tow. So important is this car ride into adulthood that automobile culture has become a stand-in, a shortcut to what millions of Americans remember about their coming of age.

Machines of Youth traces the rise, and more recently the fall, of car culture among American teens. In this book, Gary S. Cross details how an automobile obsession drove teen peer culture from the 1920s to the 1980s, seducing budding adults with privacy, freedom, mobility, and spontaneity.   Cross shows how the automobile redefined relationships between parents and teenage children, becoming a rite of passage, producing new courtship rituals, and fueling the growth of numerous car subcultures. Yet for teenagers today the lure of the automobile as a transition to adulthood is in decline.Tinkerers are now sidelined by the advent of digital engine technology and premolded body construction, while the attention of teenagers has been captured by iPhones, video games, and other digital technology. And adults have become less tolerant of teens on the road, restricting both cruising and access to drivers’ licenses. 

Cars are certainly not going out of style, Cross acknowledges, but how upcoming generations use them may be changing. He finds that while vibrant enthusiasm for them lives on, cars may no longer be at the center of how American youth define themselves. But, for generations of Americans, the modern teen experience was inextricably linked to this particularly American icon.
 
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cover of Mad Men Unzipped: Fans on Sex, Love, and the Sixties on TV

Mad Men Unzipped

Fans on Sex, Love, and the Sixties on TV

Karen L. Dill-Shackleford, Cynthia Vinney, Jeri Lynn Hogg, Kristin Hopper-Losenicky

University of Iowa Press, 2015

This is the story of the Mad Men fan phenomenon: how the show and its fans distinguished themselves in a market where it’s hard to make an impression, not unlike the driven ad execs at the center of the show. In this book, four media psychologists who also just happen to be dedicated Mad Men fans explore how the show’s viewers make meaning from fictional drama. The authors also interviewed several contemporary advertising industry professionals, getting their inside view of the business in its modern guise and what they make of the show’s vision of their past. The result is cutting-edge psychological research that crunches and codes online fan commentary to understand the ways that people use the show to debate complex social issues, from sex and alcohol to gender roles, parenting, and advertising itself. What do the 1960s mean to us today, and how well does the twenty-first century measure up against that famously turbulent decade? Which characters do fans identify with—and which ones do they love to hate? How would fans unfurl the Mad Men storylines if they were in charge? What makes a good man, and has it changed over time? How should husbands and wives treat each other, and how should parents treat their children?

In answering these questions, the authors explore not just the online commentary but also Mad Men fans’ fan fiction, cosplay, cocktail making, and vintage furniture collecting. Whether tweeting as one of the main characters (or just a lowly mail clerk), setting Peggy up with the man who’ll treat her right, or figuring out just which “Mad Man” they are at heart, fans integrate the show into their lives and use it to make sense of their own choices in work, leisure, and love.
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cover of Mad Men, Mad World: Sex, Politics, Style, and the 1960s

Mad Men, Mad World

Sex, Politics, Style, and the 1960s

Lauren M. E. Goodlad, Lilya Kaganovsky, and Robert A. Rushing, eds.

Duke University Press, 2013

Since the show's debut in 2007, Mad Men has invited viewers to immerse themselves in the lush period settings, ruthless Madison Avenue advertising culture, and arresting characters at the center of its 1960s fictional world. Mad Men, Mad World is a comprehensive analysis of this groundbreaking TV series. Scholars from across the humanities consider the AMC drama from a fascinating array of perspectives, including fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format, as well as through theoretical frames such as critical race theory, gender, queer theory, global studies, and psychoanalysis.

In the introduction, the editors explore the show's popularity; its controversial representations of race, class, and gender; its powerful influence on aesthetics and style; and its unique use of period historicism and advertising as a way of speaking to our neoliberal moment. Mad Men, Mad World also includes an interview with Phil Abraham, an award-winning Mad Men director and cinematographer. Taken together, the essays demonstrate that understanding Mad Men means engaging the show not only as a reflection of the 1960s but also as a commentary on the present day.

Contributors. Michael Bérubé, Alexander Doty, Lauren M. E. Goodlad, Jim Hansen, Dianne Harris, Lynne Joyrich, Lilya Kaganovsky, Clarence Lang, Caroline Levine, Kent Ono, Dana Polan, Leslie Reagan, Mabel Rosenheck, Robert A. Rushing, Irene Small, Michael Szalay, Jeremy Varon

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cover of Made in Asia/America: Why Video Games Were Never (Really) about Us

Made in Asia/America

Why Video Games Were Never (Really) about Us

Christopher B. Patterson and Tara Fickle, editors

Duke University Press, 2024

Made in Asia/America explores the key role video games play within the race makings of Asia/America. Its fourteen critical essays on games, ranging from Death Stranding to Animal Crossing, and five roundtables with twenty Asian/American game makers examine the historical entanglements of games, Asia, and America, and reveal the ways games offer new modes of imagining imperial violence, racial difference, and coalition. Shifting away from Eurocentric, white, masculinist takes on gaming, the contributors focus on minority and queer experiences, practices, and innovative scholarly methods to better account for the imperial circulation of games. Encouraging ambiguous and contextual ways of understanding games, the editors offer an “interactive” editorial method, a genre-expanding approach that encourages hybrid works of autotheory, queer of color theory, and conversation among game makers and scholars to generate divergent meanings of games, play, and “Asian America.”

Contributors. Matthew Seiji Burns, Edmond Y. Chang, Naomi Clark, Miyoko Conley, Toby Đỗ, Anthony Dominguez, Tara Fickle, Sarah Christina Ganzon, Yuxin Gao, Domini Gee, Melos Han-Tani, Huan He, Matthew Jungsuk Howard, Rachael Hutchinson, Paraluman (Luna) Javier, Sisi Jiang, Marina Ayano Kittaka, Minh Le, Haneul Lee, Rachel Li, Christian Kealoha Miller, Patrick Miller, Keita C. Moore, Souvik Mukherjee, Christopher B. Patterson, Pamela (Pam) Punzalan, Takeo Rivera, Yasheng She, D. Squinkifer, Lien B. Tran, Prabhash Ranjan Tripathy, Emperatriz Ung, Gerald Voorhees, Yizhou (Joe) Xu, Robert Yang, Mike Ren Yi
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cover of Made in NuYoRico: Fania Records, Latin Music, and Salsa’s Nuyorican Meanings

Made in NuYoRico

Fania Records, Latin Music, and Salsa’s Nuyorican Meanings

Marisol Negrón

Duke University Press, 2024

In Made in NuYoRico, Marisol Negrón tells the cultural history of salsa, tracing the music’s Nuyorican meanings over a fifty-year period that begins with the establishment of Fania Records in 1964 and how it capitalized on salsa’s Nuyorican imaginary to cultivate a global audience. Drawing on interviews with fans, legendary musicians, and music industry figures as well as analyses of songs, albums, films, and archival documents, Negrón shows how Nuyorican cultural and social histories became embedded in and impacted salsa music's flows during its foundational period in the mid-1960s and its boom in the 1970s. Salsa’s Nuyorican aesthetics challenged mainstream notions of Americanness and Puerto Ricanness and produced an alternative public sphere through which New York’s poor and working-class Puerto Ricans could contest racialization and colonial power. By outlining salsa’s complicated musical, cultural, commercial, racial, gendered, legal, and political entanglements, Negrón demonstrates its centrality to Nuyorican identity and subjectivity.
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cover of Made to Hear: Cochlear Implants and Raising Deaf Children

Made to Hear

Cochlear Implants and Raising Deaf Children

Laura Mauldin

University of Minnesota Press, 2016

A mother whose child has had a cochlear implant tells Laura Mauldin why enrollment in the sign language program at her daughter’s school is plummeting: “The majority of parents want their kids to talk.” Some parents, however, feel very differently, because “curing” deafness with cochlear implants is uncertain, difficult, and freighted with judgment about what is normal, acceptable, and right. Made to Hear sensitively and thoroughly considers the structure and culture of the systems we have built to make deaf children hear.

Based on accounts of and interviews with families who adopt the cochlear implant for their deaf children, this book describes the experiences of mothers as they navigate the health care system, their interactions with the professionals who work with them, and the influence of neuroscience on the process. Though Mauldin explains the politics surrounding the issue, her focus is not on the controversy of whether to have a cochlear implant but on the long-term, multiyear undertaking of implantation. Her study provides a nuanced view of a social context in which science, technology, and medicine are trusted to vanquish disability—and in which mothers are expected to use these tools. Made to Hear reveals that implantation has the central goal of controlling the development of the deaf child’s brain by boosting synapses for spoken language and inhibiting those for sign language, placing the politics of neuroscience front and center.

Examining the consequences of cochlear implant technology for professionals and parents of deaf children, Made to Hear shows how certain neuroscientific claims about neuroplasticity, deafness, and language are deployed to encourage compliance with medical technology.


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cover of Madness, Language, Literature

Madness, Language, Literature

Michel Foucault

University of Chicago Press, 2023

Newly published lectures by Foucault on madness, literature, and structuralism.
 
Perceiving an enigmatic relationship between madness, language, and literature, French philosopher Michel Foucault developed ideas during the 1960s that are less explicit in his later, more well-known writings. Collected here, these previously unpublished texts reveal a Foucault who undertakes an analysis of language and experience detached from their historical constraints. Three issues predominate: the experience of madness across societies; madness and language in Artaud, Roussel, and Baroque theater; and structuralist literary criticism. Not only do these texts pursue concepts unique to this period such as the “extra-linguistic,” but they also reveal a far more complex relationship between structuralism and Foucault than has typically been acknowledged.
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cover of Magic's Reason: An Anthropology of Analogy

Magic's Reason

An Anthropology of Analogy

Graham M. Jones

University of Chicago Press, 2017

In Magic’s Reason, Graham M. Jones tells the entwined stories of anthropology and entertainment magic. The two pursuits are not as separate as they may seem at first. As Jones shows, they not only matured around the same time, but they also shared mutually reinforcing stances toward modernity and rationality. It is no historical accident, for example, that colonial ethnographers drew analogies between Western magicians and native ritual performers, who, in their view, hoodwinked gullible people into believing their sleight of hand was divine.

Using French magicians’ engagements with North African ritual performers as a case study, Jones shows how magic became enshrined in anthropological reasoning. Acknowledging the residue of magic’s colonial origins doesn’t require us to dispense with it. Rather, through this radical reassessment of classic anthropological ideas, Magic’s Reason develops a new perspective on the promise and peril of cross-cultural comparison. 
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cover of Magical Habits

Magical Habits

Monica Huerta

Duke University Press, 2021

In Magical Habits Monica Huerta draws on her experiences growing up in her family's Mexican restaurants and her life as a scholar of literature and culture to meditate on how relationships among self, place, race, and storytelling contend with both the afterlives of history and racial capitalism. Whether dwelling on mundane aspects of everyday life, such as the smell of old kitchen grease, or grappling with the thorny, unsatisfying question of authenticity, Huerta stages a dynamic conversation among genres, voices, and archives: personal and critical essays exist alongside a fairy tale; photographs and restaurant menus complement fictional monologues based on her family's history. Developing a new mode of criticism through storytelling, Huerta takes readers through Cook County courtrooms, the Cristero Rebellion (in which her great-grandfather was martyred by the Mexican government), Japanese baths in San Francisco—and a little bit about Chaucer too. Ultimately, Huerta sketches out habits of living while thinking that allow us to consider what it means to live with and try to peer beyond history even as we are caught up in the middle of it.
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cover of Mainstreaming Gays: Critical Convergences of Queer Media, Fan Cultures, and Commercial Television

Mainstreaming Gays

Critical Convergences of Queer Media, Fan Cultures, and Commercial Television

Eve Ng

Rutgers University Press, 2023

Mainstreaming Gays discusses a key transitional period linking the eras of legacy and streaming, analyzing how queer production and interaction that had earlier occurred outside the mainstream was transformed by multiple converging trends: the emergence of digital media, the rising influence of fan cultures, and increasing interest in LGBTQ content within commercial media. The U.S. networks Bravo and Logo broke new ground in the early 2000s and 2010s with their channel programming, as well as bringing in a new cohort of LGBTQ digital content creators, providing unprecedented opportunities for independent queer producers, and hosting distinctive spaces for queer interaction online centered on pop culture and politics rather than dating. These developments constituted the ground from which recent developments for LGBTQ content and queer sociality online have emerged. Mainstreaming Gays is critical reading for those interested in media production, fandom, subcultures, and LGBTQ digital media.
 
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cover of Maithil Women's Tales: Storytelling on the Nepal-India Border

Maithil Women's Tales

Storytelling on the Nepal-India Border

Coralynn V. Davis

University of Illinois Press, 2014

Constrained by traditions restricting their movements and speech, the Maithil women of Nepal and India have long explored individual and collective life experiences by sharing stories with one another. Sometimes fantastical, sometimes including a kind of magical realism, these tales allow women to build community through a deeply personal and always evolving storytelling form.
 
In Maithil Women’s Tales, Coralynn V. Davis examines how these storytellers weave together their own life experiences--the hardships and the pleasures--with age-old themes. In so doing, Davis demonstrates, they harness folk traditions to grapple personally as well as collectively with social values, behavioral mores, relationships, and cosmological questions.
 
Each chapter includes stories and excerpts that reveal Maithil women’s gift for rich language, layered plots, and stunning allegory. In addition, Davis provides ethnographic and personal information that reveal the complexity of women’s own lives, and includes works painted by Maithil storytellers to illustrate their tales. The result is a fascinating study of being and becoming that will resonate for readers in women’s and Hindu studies, folklore, and anthropology.
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cover of Make Waves: Water in Contemporary Literature and Film

Make Waves

Water in Contemporary Literature and Film

Paula Anca Farca

University of Nevada Press, 2019

Water is a symbol of life, wisdom, fertility, purity, and death. Water also sustains and nourishes, irrigates our crops, keeps us clean and healthy, and contributes to our energy needs. But a strain has been put on our water resources as increased energy demands combine with the effects of climate change to create a treacherous environment. Individuals and communities around the globe increasingly face droughts, floods, water pollution, water scarcity, and even water wars. We tend to address and solve these concerns through scientific and technological innovations, but social and cultural analyses and solutions are needed as well.

In this edited collection, contributors tackle current water issues in the era of climate change using a wide variety of recent literature and film. At its core, this collection demonstrates that water is an immense reservoir of artistic potential and an agent of historical and cultural exchange. Creating familiar and relatable contexts for water dilemmas, authors and directors of contemporary literary texts and films present compelling stories of our relationships to water, water health, ecosystems, and conservation. They also explore how global water problems affect local communities around the world and intersect with social and cultural aspects such as health, citizenship, class, gender, race, and ethnicity.

This transformative work highlights the cultural significance of water—the source of life and a powerful symbol in numerous cultures. It also raises awareness about global water debates and crises.

 
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cover of Makeover TV: Selfhood, Citizenship, and Celebrity

Makeover TV

Selfhood, Citizenship, and Celebrity

Brenda R. Weber

Duke University Press, 2009

In 2004, roughly 25 makeover-themed reality shows aired on U.S. television. By 2009, there were more than 250, from What Not to Wear and The Biggest Loser to Dog Whisperer and Pimp My Ride. In Makeover TV, Brenda R. Weber argues that whether depicting transformations of bodies, trucks, finances, relationships, kids, or homes, makeover shows posit a self achievable only in the transition from the “Before-body”—the overweight figure, the decrepit jalopy, the cluttered home—to the “After-body,” one filled with confidence, coded with celebrity, and imbued with a renewed faith in the powers of meritocracy. The rationales and tactics invoked to achieve the After-body vary widely, from the patriotic to the market-based, and from talk therapy to feminist empowerment. The genre is unified by its contradictions: to uncover your “true self,” you must be reinvented; to be empowered, you must surrender to experts; to be special, you must look and act like everyone else.

Based on her analysis of more than 2,500 hours of makeover TV, Weber argues that the much-desired After-body speaks to and makes legible broader cultural narratives about selfhood, citizenship, celebrity, and Americanness. Although makeovers are directed at both male and female viewers, their gendered logic requires that feminized subjects submit to the controlling expertise wielded by authorities. The genre does not tolerate ambiguity. Conventional (middle-class, white, ethnically anonymous, heterosexual) femininity is the goal of makeovers for women. When subjects are male, makeovers often compensate for perceived challenges to masculine independence by offering men narrative options for resistance or control. Foregoing a binary model of power and subjugation, Weber provides an account of makeover television that is as appreciative as it is critical. She reveals the makeover show as a rich and complicated text that expresses cultural desires and fears through narratives of selfhood.

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cover of Making Americans Healthier: Social and Economic Policy as Health Policy

Making Americans Healthier

Social and Economic Policy as Health Policy

Robert F. Schoeni

Russell Sage Foundation, 2008

The United States spends billions of dollars annually on social and economic policies aimed at improving the lives of its citizens, but the health consequences associated with these policies are rarely considered. In Making Americans Healthier, a group of multidisciplinary experts shows how social and economic policies seemingly unrelated to medical well-being have dramatic consequences for the health of the American people. Most previous research concerning problems with health and healthcare in the United States has focused narrowly on issues of medical care and insurance coverage, but Making Americans Healthier demonstrates the important health consequences that policymakers overlook in traditional cost-benefit evaluations of social policy. The contributors examine six critical policy areas: civil rights, education, income support, employment, welfare, and neighborhood and housing. Among the important findings in this book, David Cutler and Adriana Lleras-Muney document the robust relationship between educational attainment and health, and estimate that the health benefits of education may exceed even the well-documented financial returns of education. Pamela Herd, James House, and Robert Schoeni discover notable health benefits associated with the Supplemental Security Income Program, which provides financial support for elderly and disabled Americans. George Kaplan, Nalini Ranjit, and Sarah Burgard document a large and unanticipated improvement in the health of African-American women following the enactment of civil rights legislation in the 1960s. Making Americans Healthier presents ground-breaking evidence that the health impact of many social policies is substantial. The important findings in this book pave the way for promising new avenues for intervention and convincingly demonstrate that ultimately social and economic policy is health policy. A Volume in the National Poverty Center Series on Poverty and Public Policy
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cover of Making Gaybies: Queer Reproduction and Multiracial Feeling

Making Gaybies

Queer Reproduction and Multiracial Feeling

Jaya Keaney

Duke University Press, 2023

In Making Gaybies Jaya Keaney explores queer family making as a site of racialized intimacy. Drawing on interviews with queer families in Australia, Keaney traces the lived experiences of choice and constraint as these families seek to craft likeness with their future children and tell stories of chosen family made through love. Queer family building often involves multiracial and multicultural encounters, as intending parents take part in the global fertility industry. Keaney follows queer family making through reproductive technologies and highlights the confines of varied transnational reproductive markets and policies as well as changing formations of race, gender, sexuality, and kinship. Whether sharing the story of white gay men choosing Indian and Thai egg donors to make their surrogate-born children’s ethnicities visually distinct from their own or that of an Aboriginal lesbian and her white partner choosing a Cherokee donor from the United States to articulate a global Indigeneity, Keaney foregrounds the entwinement of reproduction, race, and affect. By focusing on queer family making, Keaney demonstrates how reproduction fosters a queer multiracial imaginary of kinship.
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cover of Making Human: World Order and the Global Governance of Human Dignity

Making Human

World Order and the Global Governance of Human Dignity

Matthew S. Weinert

University of Michigan Press, 2015

Differences between human beings have long been used to justify a range of degrading, exclusionary, and murderous practices that strip people of their humanity and dignity. While considerable scholarship has been devoted to such dehumanization, Matthew S. Weinert asks how we might conceive its reverse—humanization, or what it means to “make human.”

Weinert proposes an account of making human centered on five mechanisms: reflection, recognition, resistance, replication of dominant mores, and responsibility. Examining cases such as the UN Security Council’s engagements with crises and the International Court of Justice’s grappling with Kosovo’s unilateral declaration of independence, he illustrates the distinct and contingent ways these mechanisms have been deployed. Theoretically, the cases evince a complex, evolving relationship between state-centric and human-centric views of society, ultimately revealing the normative potentialities of both.

Though the case studies concern specific human relations issues on an international level, Weinert argues in favor of starting from the shared problem of being human and of living in a world in which the humanity of countless groups has been demeaned or denied. Working outward from that point, he proposes, we obtain a more pragmatically grounded understanding of the social construction of the human being.
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cover of Making Jazz French: Music and Modern Life in Interwar Paris

Making Jazz French

Music and Modern Life in Interwar Paris

Jeffrey H. Jackson

Duke University Press, 2003

Between the world wars, Paris welcomed not only a number of glamorous American expatriates, including Josephine Baker and F. Scott Fitzgerald, but also a dynamic musical style emerging in the United States: jazz. Roaring through cabarets, music halls, and dance clubs, the upbeat, syncopated rhythms of jazz soon added to the allure of Paris as a center of international nightlife and cutting-edge modern culture. In Making Jazz French, Jeffrey H. Jackson examines not only how and why jazz became so widely performed in Paris during the 1920s and 1930s but also why it was so controversial.

Drawing on memoirs, press accounts, and cultural criticism, Jackson uses the history of jazz in Paris to illuminate the challenges confounding French national identity during the interwar years. As he explains, many French people initially regarded jazz as alien because of its associations with America and Africa. Some reveled in its explosive energy and the exoticism of its racial connotations, while others saw it as a dangerous reversal of France’s most cherished notions of "civilization." At the same time, many French musicians, though not threatened by jazz as a musical style, feared their jobs would vanish with the arrival of American performers. By the 1930s, however, a core group of French fans, critics, and musicians had incorporated jazz into the French entertainment tradition. Today it is an integral part of Parisian musical performance. In showing how jazz became French, Jackson reveals some of the ways a musical form created in the United States became an international phenomenon and acquired new meanings unique to the places where it was heard and performed.

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cover of Making Levantine Cuisine: Modern Foodways of the Eastern Mediterranean

Making Levantine Cuisine

Modern Foodways of the Eastern Mediterranean

Edited by Anny Gaul, Graham Auman Pitts, and Vicki Valosik

University of Texas Press, 2021

Melding the rural and the urban with the local, regional, and global, Levantine cuisine is a mélange of ingredients, recipes, and modes of consumption rooted in the Eastern Mediterranean. Making Levantine Cuisine provides much-needed scholarly attention to the region’s culinary cultures while teasing apart the tangled histories and knotted migrations of food. Akin to the region itself, the culinary repertoires that constitute Levantine cuisine endure and transform—are unified but not uniform. This book delves into the production and circulation of sugar, olive oil, and pistachios; examines the social origins of kibbe, Adana kebab, shakshuka, falafel, and shawarma; and offers a sprinkling of family recipes along the way. The histories of these ingredients and dishes, now so emblematic of the Levant, reveal the processes that codified them as national foods, the faulty binaries of Arab or Jewish and traditional or modern, and the global nature of foodways. Making Levantine Cuisine draws from personal archives and public memory to illustrate the diverse past and persistent cultural unity of a politically divided region.

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cover of Making Local News

Making Local News

Phyllis Kaniss

University of Chicago Press, 1991

Why do crimes and accidents earn more news coverage than development and policy issues affecting thousands of people? Filled with revealing interviews with both journalists and city officials, Making Local News is the first comprehensive look at how the economic motives of media owners, professional motives of journalists, and the strategies of media-wise politicians shape the news we see and hear, thereby influencing urban policy.

"Making Local News by Phyllis Kaniss . . . is significant. . . . If we can continue to get smarter about that which journalism leaves out or distorts in its coverage of politics, we may eventually get smarter about politics itself."—Mitchell Stephens, The Philadelphia Inquirer View

"A convincing analysis of the factors and forces which color how and why local issues do, or do not, become newsworthy." —Michael H. Ebner, Journal of Interdisciplinary History

"This work serves as a reminder of the importance of a medium that is often overlooked until economic realities threaten its very existence." —Choice

"Kaniss is truly a pioneer in the study of local news."—Susan Herbst, Contemporary Sociology
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cover of Making Martial Races: Gender, Society, and Warfare in Africa

Making Martial Races

Gender, Society, and Warfare in Africa

Myles Osborne

Ohio University Press, 2024

European colonizers in Africa required the service of local soldiers and military auxiliaries to uphold their power. These African men were initially engaged by the expeditions of European surveyors and explorers during the late nineteenth century, then quickly pressed into service in the notorious campaigns of pacification. Two world wars further expanded both the numbers of African soldiers in European employ and the roles they played; many of these men would continue their jobs into the era of decolonization in the 1960s and 1970s. Colonial administrators and military planners often chose their recruits based on the notion of “martial race”—a label that denoted peoples supposedly possessing an inborn aptitude for warfare and fighting. But the notion always obscured more than it revealed: few Europeans could agree on which “races”—or ethnic groups—were “martial,” and in any case, the identities of those groups changed continuously. Nevertheless, this belief remained a fundamental, guiding principle of the European presence in colonial Africa. The concept of “martial race” remains an awkward and ill-fitting Eurocentric category until African contributions, perspectives, and agencies are considered. “Martial race” was never a label neatly affixed by European administrators; rather, African peoples both contested its terms and shaped its contours. This book therefore takes as its starting point the idea of martial race and recasts it as a zone in which African men and women negotiated with their European counterparts, as well as with one another. The contributors to this volume take a broad approach to the topic, one that minimizes divisions between the precolonial, colonial, and postcolonial eras, and thinks through how cultural practices and notions of warfare and martial traditions shifted and were transformed from one period into another. These scholars’ research touches on a wide variety of subjects, including -efforts to think about culture and martial race; -the intersection of ethnic identity and the creation of “tribes” with colonial martial race theory; -the connection between colonial ethnography and constructions of martial subjectivities; -the role of gender in shaping martial notions; -the contribution of women to creating or disputing martial identities; -the idea of martial race as it intersected with slavery; -warring traditions and economies of honor as avenues for staking claims to martial genealogies; and -claims to special status by veterans of anticolonial revolutionary wars.
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cover of Making Matters: Craft, Ethics, and New Materialist Rhetorics

Making Matters

Craft, Ethics, and New Materialist Rhetorics

Leigh Gruwell

Utah State University Press, 2022

Craft is a process-oriented practice that takes seriously the relationships between bodies—both human and nonhuman—and makes apparent how these relationships are mired in and informed by power structures. Making Matters introduces craft agency, a feminist vision of new materialist rhetorics that enables scholars to identify how power circulates and sometimes stagnates within assemblages of actors and provides tools to rectify that uneven distribution.
 
To recast new materialist rhetorics as inherently crafty, Leigh Gruwell historicizes and locates the concept of craft both within rhetorical history as well as in the disciplinary history of writing studies. Her investigation centers on three specific case studies: craftivism, the fibercraft website Ravelry, and the 2017 Women’s March. These instances all highlight how a material, ecological understanding of rhetorical agency can enact political change.
 
Craft agency models how we humans might work with and alongside things—nonhuman, sometimes digital, sometimes material—to create more equitable relationships. Making Matters argues that craft is a useful starting point for addressing criticisms of new materialist rhetorics not only because doing so places rhetorical action as a product of complex relationships between a network of human and nonhuman actors, but also because it does so with an explicitly activist agenda that positions the body itself as a material interface.
 
[more]
cover of Making Meaning: "Printers of the Mind" and Other Essays

Making Meaning

"Printers of the Mind" and Other Essays

D. F. McKenzie

University of Massachusetts Press, 2002

The greatest bibliographer of our time, was how historian Robert Darnton described D. F. McKenzie. Yet until now many of McKenzie's major essays, scattered in specialist journals and inaccessible publications, have circulated mainly in tattered photocopies. This volume, edited by two of McKenzie's former students, brings together for the first time a wide range of his writings on bibliography, the book trade, and the “sociology of texts.” Selected by the author himself before his sudden death in 1999, the essays range from the material transmission of Shakespeare's plays in the seventeenth century to the connections among oral, manuscript, and print cultures. 

Making Meaning reflects McKenzie's virtuosity as a traditional bibliographer and reveals how his thought-provoking scholarship made him a driving force in the genesis and development of the new interdisciplinary field of book history. His refusal to recognize the traditional boundary between bibliography and literary history re-energized the study of the social, political, economic, and cultural aspects of book production and reception. 

The editors' introduction and headnotes situate McKenzie's innovative and controversial thinking in the debates of his time.

[more]
cover of Making Movement Modern: Science, Politics, and the Body in Motion

Making Movement Modern

Science, Politics, and the Body in Motion

Whitney E. Laemmli

University of Chicago Press, 2026

Explores how researchers used systems for recording human movement to navigate the relationship between mind and body, freedom and control, and the individual and the state.
 
In the early twentieth century, human bodily movement garnered interest among researchers who were convinced that understanding and controlling it could help govern an increasingly frazzled, fragmented world. Making Movement Modern traces one movement visualization technique, Labanotation, from its origins in expressionist dance, Austro-Hungarian military discipline, and contemporary physiology to its employment in factories and offices a half-century later. Frustrated by societies that seemed plagued by regimentation and alienation, the users of Laban-inspired systems—from artists and scientists to factory owners, politicians, lawyers, anthropologists, psychiatrists, and computer scientists—hoped to provide opportunities for individual expression while simultaneously harnessing movement to serve the needs of larger communities, businesses, and states.  
 
Making Movement Modern reveals how Labanotation’s creator, choreographer Rudolf Laban, and his acolytes offered this system to a surprising variety of individuals and groups. It was a technique that promised liberation through expressive movement; it was also a means of organizing fascist displays of pure “Aryan” culture. The book explores these political ambiguities as Laban-based systems entered postwar society in the United States and the United Kingdom, where they were used to document disappearing folk cultures, treat Holocaust survivors, and make even the dullest, most repetitive work feel spiritually meaningful. Central to these efforts were vast programs to collect and store new kinds of personal movement data, and this history also has much to tell us about mass data collection today. This is a book for anyone interested in the relationship between art, science, data, and the human body across the tumultuous twentieth century.
[more]
cover of Making Myself at Home in a Nursing Home: Vanderbilt University Press

Making Myself at Home in a Nursing Home

Vanderbilt University Press

Sandra J. Gaffney

Vanderbilt University Press, 2012

Sandra Gaffney entered her first nursing home for long-term care at the unusually young age of fifty. Fourteen years earlier she had been diagnosed with amyotrophic lateral sclerosis (ALS), also known as Lou Gehrig's disease. Over the next sixteen years, Gaffney lived in nursing homes in Florida, Virginia, and Minnesota, as the ways she could be close to family changed.


She describes her situation in these words: "As a nursing home resident, I require total or maximum care. I have limited use of my hands and arms. With special splints, I am able to turn the pages of my books, use the telephone and TV/VCR/FM radio remote control. When my cup is positioned properly, I can drink independently. I am able to walk with a platform walker and the help of two nursing assistants. My walking is not functional; it is only for exercise. After I moved into my third nursing home, I learned to operate a power wheelchair by using an adaptive switch between my knees. ... All other areas of physical care have to be done for me. My speech is impaired. If people listen carefully, they can understand what I am saying. ... I am able to eat regular food and breathe on my own."


Gaffney became an acute observer and strategist about how to live in a nursing home. Her first-person account, dictated to family members and assistants, covers making the decision to enter a nursing home, choosing the right one, and understanding its culture. She talks about how to furnish your room and about all the issues that arise in a resident's typical day. She has much to say about communication with staff and family about "how to help others help me." Gaffney's daughters, Amy and Bridget, and her friend Ellen Potter provide additional perspectives on the caregiving experience.
[more]
cover of Making Of Asian America: Through Political Participation

Making Of Asian America

Through Political Participation

Pei-te Lien

Temple University Press, 2001

Asian Americans are widely believed to be passive and compliant participants in the U.S. political process—if they participate at all. In this ground-breaking book, Pei-te Lien maps the actions and strategies of Asian Americans as they negotiate a space in the American political arena.

Professor Lien looks at political participation by Asian Americans prior to 1965 and then examines, at both organizational and mass politics levels, how race, ethnicity, and transnationalism help to construct a complex American electorate. She looks not only at rates of participation among Asian Americans as compared with blacks, Latinos, American Indians, and non-Hispanic whites, but also among specific groups of Asian Americans—Chinese, Japanese, Filipinos, Koreans, Asian Indians, and Vietnamese. She also discusses how gender, socioeconomic class, and place of birth affect political participation.

With documentation ranging from historical narrative to opinion survey data, Professor Lien creates a picture of a diverse group of politically active people who are intent on carving out a place for themselves in American political life.
[more]
cover of Making Photography Matter: A Viewer's History from the Civil War to the Great Depression

Making Photography Matter

A Viewer's History from the Civil War to the Great Depression

Cara Finnegan

University of Illinois Press, 2017

Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship.
 
Cara A. Finnegan analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Lincoln to images of child laborers and Depression-era hardship, Finnegan treats the photograph as a locus for viewer engagement and constructs a history of photography's viewers that shows how Americans used words about images to participate in the politics of their day. As she shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life through not only persuasion but action, as well.
[more]
cover of Making Samba: A New History of Race and Music in Brazil

Making Samba

A New History of Race and Music in Brazil

Marc A. Hertzman

Duke University Press, 2013

In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act—claiming ownership of a musical composition—set in motion a series of events that would shake Brazil's cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music.

The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.

[more]
cover of Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali

Making Scenes

Reggae, Punk, and Death Metal in 1990s Bali

Emma Baulch

Duke University Press, 2007

In 1996, Emma Baulch went to live in Bali to do research on youth culture. Her chats with young people led her to an enormously popular regular outdoor show dominated by local reggae, punk, and death metal bands. In this rich ethnography, she takes readers inside each scene: hanging out in the death metal scene among unemployed university graduates clad in black T-shirts and ragged jeans; in the punk scene among young men sporting mohawks, leather jackets, and hefty jackboots; and among the remnants of the local reggae scene in Kuta Beach, the island’s most renowned tourist area. Baulch tracks how each music scene arrived and grew in Bali, looking at such influences as the global extreme metal underground, MTV Asia, and the internationalization of Indonesia’s music industry.

Making Scenes is an exploration of the subtle politics of identity that took place within and among these scenes throughout the course of the 1990s. Participants in the different scenes often explained their interest in death metal, punk, or reggae in relation to broader ideas about what it meant to be Balinese, which reflected views about Bali’s tourism industry and the cultural dominance of Jakarta, Indonesia’s capital and largest city. Through dance, dress, claims to public spaces, and onstage performances, participants and enthusiasts reworked “Balinese-ness” by synthesizing global media, ideas of national belonging, and local identity politics. Making Scenes chronicles the creation of subcultures at a historical moment when media globalization and the gradual demise of the authoritarian Suharto regime coincided with revitalized, essentialist formulations of the Balinese self.

[more]
cover of Making Senses of the Past: Toward a Sensory Archaeology

Making Senses of the Past

Toward a Sensory Archaeology

Edited by Jo Day

Southern Illinois University Press, 2013

Since the nineteenth century, museums have kept their artifacts in glass cases to better preserve them, and drawings and photographs have become standard ways of presenting the past. These practices have led to an archaeology dominated by visual description, even though human interaction with the surrounding world involves the whole body and all of its senses. In the past few years, sensory archaeology has become more prominent, and Making Senses of the Past is one of the first collected volumes on this subject. This book presents cutting-edge research on new theoretical issues. The essays presented here take readers on a multisensory journey around the world and across time.

In ancient Peru, a site provides sensory surprises as voices resound beneath the ground and hidden carvings slowly reveal their secrets. In Canada and New Zealand, the flicker of reflected light from a lake dances on the faces of painted rocks and may have influenced when and why the pigment was applied. In Mesopotamia, vessels for foodstuffs build a picture of a past cuisine that encompasses taste and social activity in the building of communities. While perfume and flowers are examined in various cultures, in the chamber tombs of ancient Roman Palestine, we are reminded that not all smells are pleasant. Making Senses of the Past explores alternative ways to perceive past societies and offers a new way of wiring archaeology that incorporates the senses.
[more]
cover of Making Things Perfectly Queer: Interpreting Mass Culture

Making Things Perfectly Queer

Interpreting Mass Culture

Alexander Doty

University of Minnesota Press, 1993

Doty argues that films, television, and other forms of mass culture consistently elicit a wide range of queer (sexually liminal) responses, and suggests an interpretive framework for understanding mass culture that stands as a corrective to many standard cultural approaches.

[more]
cover of Making Uncertainty: Tuberculosis, Substance Use, and Pathways to Health in South Africa

Making Uncertainty

Tuberculosis, Substance Use, and Pathways to Health in South Africa

Anna Versfeld

Rutgers University Press, 2023

In Cape Town, South Africa, many people with tuberculosis also use substances. This sets up a seemingly impossible problem: People who use substances are at increased risk of tuberculosis disease; and substance use seems to result in erratic behavior that makes successful treatment of people affected by tuberculosis extremely difficult. People affected don’t get healthy, healthcare providers are frustrated, and families seek to balance love and care for those who are ill with self-protection. How are we to understand this? Where does the responsibility for poor health and healing lie? What are the possibilities for an effective healthcare response? Through a close look at lives and care, Making Uncertainty: Tuberculosis, Substance Use, and Pathways to Health shows how patterns of substance use, tuberculosis disease, and their interaction are shaped by history, social context, and political economy. This, in turn, generates new perspectives on what makes poor health, and what good care might look like.
[more]
cover of Making Value: Music, Capital, and the Social

Making Value

Music, Capital, and the Social

Timothy D. Taylor

Duke University Press, 2024

In Making Value, Timothy D. Taylor examines how people’s conceptions of value inform and shape their production and consumption of music. Drawing on anthropological value theory, Taylor theorizes music’s economic and noneconomic forms of value both ethnographically and historically. He covers the creation and exchange of value in a wide range of contexts: indie rock scenes, an Irish traditional music session, the work of music managers, how supply chains function to create various forms of value, how trendspotters seek out and create value, and how musical performances act as media of value. Taylor shows that to focus on value is to attend to what is meaningful to people as they move through their worlds. Ultimately, Taylor demonstrates that theorizing value aids us in moving beyond the music itself toward understanding how musicians, workers in the music business, and audiences struggle to make and maintain what they value.
[more]
cover of Making Whole What Has Been Smashed: On Reparations Politics

Making Whole What Has Been Smashed

On Reparations Politics

Torpey, John

Rutgers University Press, 2017

Making Whole What Has Been Smashed explores the spread in recent years of political efforts to rectify injustices handed down from the past. Although it recognizes that campaigns for reparations may lead to an improvement in the well-being of victims of mistreatment by states and to reconciliation among former antagonists, this timely book, featuring a new and updated preface, examines the extent to which the concern with the past may represent a departure from the traditionally future-oriented stance of progressive politics. 

Viewing the search for “coming to terms with the past” as a form of politics, John Torpey argues that there are major differences between reparations for the living victims of past wrongdoing and reparations for the descendants of such victims. More fundamentally, he argues that claims for reparations comprise a relatively novel kind of politics that involves a quest for symbolic recognition and material compensation for those seeking them—through the idiom of the past rather than the present. This reissue is the first paperback edition and contains a new preface by the author.
 
[more]
cover of Making Women Pay: Microfinance in Urban India

Making Women Pay

Microfinance in Urban India

Smitha Radhakrishnan

Duke University Press, 2022

In Making Women Pay, Smitha Radhakrishnan explores India's microfinance industry, which in the past two decades has come to saturate the everyday lives of women in the name of state-led efforts to promote financial inclusion and women's empowerment. Despite this favorable language, Radhakrishnan argues, microfinance in India does not provide a market-oriented development intervention, even though it may appear to help women borrowers. Rather, this commercial industry seeks to extract the maximum value from its customers through exploitative relationships that benefit especially class-privileged men. Through ethnography, interviews, and historical analysis, Radhakrishnan demonstrates how the unpaid and underpaid labor of marginalized women borrowers ensures both profitability and symbolic legitimacy for microfinance institutions, their employees, and their leaders. In doing so, she centralizes gender in the study of microfinance, reveals why most microfinance programs target women, and explores the exploitative implications of this targeting.
[more]
cover of Making a Scene: Urban Landscapes, Gentrification, and Social Movements in Sweden

Making a Scene

Urban Landscapes, Gentrification, and Social Movements in Sweden

Kimberly A. Creasap

Temple University Press, 2022

In the three largest cities in Sweden, social movement “scenes”—networks of social movement actors and the places they inhabit—challenge threats such as gentrification. The geography of the built environment influences their ability to lay claim to urban space and to local political processes. In Making a Scene, Kimberly Creasap emphasizes that it is the centrality, concentration, and visibility of these scenes that make them most effective. Whereas some scenes become embedded as part of everyday life—as in Malmö—in contrast, scenes in Göteborg and Stockholm often fail to become part of the fabric of urban neighborhoods. 

Creasap investigates key spaces for scenes, from abandoned industrial areas and punk clubs to street festivals, bookstores, and social centers, to show how activists create sites and develop structures of resistance that are anti-capitalist, anti-fascist, anti-gentrification, queer, and feminist. She also charts the relationship between scenes and city spaces to show these autonomous social movements create their own cultural landscapes. Making a Scene encourages critical thinking about spatiality and place in the sociology of social movements and the role of social movements as important actors in urban development.

[more]
cover of Making and Breaking the Yugoslav Working Class: The Story of Two Self-Managed Factories

Making and Breaking the Yugoslav Working Class

The Story of Two Self-Managed Factories

Goran Music

Central European University Press, 2021

Workers' self-management was one of the unique features of communist Yugoslavia. Goran Musić has investigated the changing ways in which blue-collar workers perceived the recurring crises of the regime. Two self-managed metal enterprises, one in Serbia another in Slovenia, provide the frame of the analysis in the time span between 1945 and 1989. These two factories became famous for strikes in 1988 that evoked echoes in popular discourses in former Yugoslavia. Drawing on interviews, factory publications and other media, local archives, and secondary literature, Musić analyzes the two cases, going beyond the clichés of political manipulation from the top and workers' intrinsic attraction to nationalism.
The author explains how, in the later phase of communist Yugoslavia, growing social inequalities among the workers and undemocratic practices inside the self-managed enterprises facilitated the spread of a nationalist and pro-market ideology on the shop floors. Yet rather than being a mass taken advantage of by populist leaders, the working class Musić presents is one with agency and voice, a force that played an important role in shaping the fate of the country. The book thus seeks to open a debate on the social processes leading up to the dissolution of Yugoslavia.

[more]
cover of Making the American Team: Sport, Culture, and the Olympic Experience

Making the American Team

Sport, Culture, and the Olympic Experience

Mark Dyreson

University of Illinois Press, 1998

Sport dominates television and the mass media. Politics and business are a-bustle with sports metaphors. Endorsements by athletes sell us products. "Home run," "slam dunk," and the rest of the vocabulary of sport color daily conversation. Even in times of crisis and emergency, the media reports the scores and highlights. 

Marky Dyreson delves into how our obsession with sport came into being with a close look at coverage of the Olympic Games between 1896 and 1912. How people reported and consumed information on the Olympics offers insight into how sport entered the heart of American culture as part of an impetus for social reform. Political leaders came to believe in the power of sport to revitalize the "republican experiment." Sport could instill a new sense of national identity that would forge a new sense of community and a healthy political order while at the same time linking America's intellectual and power elite with the experiences of the masses.

[more]
cover of Maladies of Modernity: Scientism and the Deformation of Political Order

Maladies of Modernity

Scientism and the Deformation of Political Order

David N. Whitney

St. Augustine's Press, 2014

This work explores the complex relationship between science and politics. More specifically, it focuses on the problem of scientism. Scientism is a deformation of science, which unnecessarily restricts the scope of scientific inquiry by placing a dogmatic faith in the method of the natural sciences. Its adherents call for nothing less than a complete transformation of society. Science becomes the idol that can magically cure the perpetual maladies of modern society and of human nature itself. Whitney demonstrates that scientism is intellectually impoverishing and politically dangerous. Whitney surveys the development of scientism from early modernity to the present day, beginning with Francis Bacon, arguing that Bacon stands as the founder, not only of the experimental method, but also of scientism. This is most evident in his presentation of a scientific utopia in New Atlantis. After briefly noting the impact of Isaac Newton and the French Encylopedists, Whitney then moves on to the other great representative figure of scientism: Auguste Comte, who demonstrates the religious fervor that accompanies the scientistic attitude. Continuing on the path set forth by Bacon, Comte argues for a reorganization of society based on the precepts of positive science. The eugenics movements in 20th-century America and Germany is next, and the author argues that they reflect the new worldview that had emerged from Darwin’s evolutionary theory; a theory partially based on scientistic principles. The solution to scientism, Whitney advances, lies in a new (or revised) science of politics; the foundation of which is based on the Classical sources that were either discredited or banned outright by the proposals of Bacon and Comte. He concludes the work with contemporary examples of scientism, including the climate change debates, genetic engineering, and the New Atheism movement.

“Chief among the spiritually blighting tendencies of the age is materialist reductionism parading as scientific orthodoxy. David Whitney powerfully explores this movement and habit of mind as it takes its rise in the form of scientism, especially from Sir Francis Bacon’s NEW ATLANTIS in the 17th century and finds full fruition in the positivist teachings of August Comte in the 19th century—a preamble to the behavioralist dogmas of our own time. The openness to the facts of experience characteristic of all science as a search for the truth of reality in all its dimensions and diversity is thereby effectively abandoned in favor of an unrelenting insistence on a restrictive methodology ostensibly grounded in phenomenal reality that is perversely made the touchstone of all valid inquiry. The consequences are philosophically as well as politically disastrous, as Whitney brilliantly demonstrates in this path-breaking study.”

– Ellis Sandoz, Founder of the Eric Voegelin Institute for American Renaissance Studies

"David Whitney’s excellent critique of what he calls scientism, a dogmatic application of the methods of natural science to social science, provides a high-brow diagnosis of the modern maladies that result from the “rhetorical power of science.”

–– Scott Robinson, voegelinview
[more]
cover of Malady of Monoculture: Pellagra, Public Health, and the Pathologies of Cotton's Capitalism

Malady of Monoculture

Pellagra, Public Health, and the Pathologies of Cotton's Capitalism

Dana Landress

University of Chicago Press, 2027

How the cotton industry restricted sharecroppers’ access to nutritious food, a public health crisis that spurred a wave of influential and inspiring activism.

Pellagra, a nutritional deficiency disease, was once widespread in the southern United States, where it was concentrated in areas of high-yield cotton production. This wasn’t a coincidence. In the early twentieth century, pellagra was ubiquitous in regions where monocultural cotton production foreclosed cotton workers’ access to nutritious foods. Planters paid sharecroppers and millworkers in their own currency—tokens, coins, and other substitutes for money—and sold them unhealthy and overpriced food in company-owned stores. Employers kept workers poor through wage theft, predatory credit systems, and labor coercion, all of which maintained a system of food scarcity.

In Malady of Monoculture, Dana Landress reveals how the unrelenting demands of the cotton economy during the Jim Crow South created a public health crisis in the form of pellagra. She carefully details a “closed food system” that restricted workers’ diets through employer-generated currency; the use of food as an instrument of labor compulsion; manufactured debt structures; alliances between government and private industry; and restrictions on foraging, gardening, and land use. Though official public health programs framed pellagra in personal and behavioral terms, those afflicted with the illness actively challenged the closed food system through union organizing, community health care, freedom farms, and collective action lawsuits. Excavating the landmark contributions of Black nutritionists to the field of public health, Landress spotlights the many constituencies that worked tirelessly to combat hunger and foregrounds their creativity, resilience, and determination.

[more]
cover of Malaria on the Move: Rural Communities and Public Health in Zimbabwe, 1890-2015

Malaria on the Move

Rural Communities and Public Health in Zimbabwe, 1890-2015

Kundai Manamere

Ohio University Press, 2025

Malaria on the Move explores the socioeconomic aspects of endemic malaria in the southeastern lowveld of Zimbabwe. The book provides a historical analysis of malaria control and eradication programs in Rhodesia and independent Zimbabwe from the late nineteenth century to 2015. Kundai Manamere draws connections between malaria epidemiology and human mobility relating to large- and small-scale farming, labor migration, colonial displacement, war, and rural-to-urban movements. She examines how circular labor migration and rural travel influence the risk of malaria for individuals and communities and shows how migration and travel have spread the disease and impeded control efforts. More important, the book demonstrates that the need to travel for work is an indicator of a local hierarchy of priorities. It reaffirms the urgent need for partners in malaria control to consider local socioeconomic factors in their design and implementation of intervention programs. The inclusion of local contexts, perspectives, and voices in the formulation of national and global public health policies and interventions is critical to addressing public noncooperation. To date, biomedical studies of malaria have outnumbered socioeconomic and political studies of the disease. Manamere advocates for a multipronged approach that goes beyond standard scientific research methods. Such an approach incorporates an understanding of how socioeconomic considerations of recipient communities influence malaria epidemiology, local perceptions of the disease, and responses to interventions. This context is particularly important for understanding why malaria has remained a global health challenge and why so many interventions have failed. Scientifically, malaria is a disease of the landscape, and its ecological complexity poses challenges to its eradication. Yet, biological and ecological landscapes are not exclusive factors in the spread of disease; as Manamere demonstrates, the socioeconomic environment is equally important.
[more]
cover of Male Delivery: Reproduction, Effeminacy, and Pregnant Men in Early Modern Spain

Male Delivery

Reproduction, Effeminacy, and Pregnant Men in Early Modern Spain

Sherry Velasco

Vanderbilt University Press, 2006

Using the one-act comedy El parto de Juan Rana (John Frog Gives Birth) as a point of departure, Velasco argues that the figure of the pregnant man in early modern Spanish culture was not merely comic entertainment, but also served an important role as a physical representation of the anxieties about the changing roles of men and women at the time.



Men were increasingly taking over medical duties--especially surrounding childbirth--usually left to women and, as their medical knowledge increased, they became aware of bodies and behaviors--both male and female--that transgressed gender norms. The anxieties about men who acted in ways seen as increasingly womanly (from acting effeminately to participating in homosexual activity) played out in the character of pregnant Juan Rana.



Then, Velasco turns to Hollywood and asks if we might not use the lessons of Juan Rana to help explain why contemporary America is also fascinated by the idea of male pregnancy--think Arnold Schwarzenegger in Junior--and our increasing anxiety over the changing face of masculinity in our own culture.

[more]
cover of Mama's Gun: Black Maternal Figures and the Politics of Transgression

Mama's Gun

Black Maternal Figures and the Politics of Transgression

Marlo D. David

The Ohio State University Press, 2016

In Mama’s Gun: Black Maternal Figures and the Politics of Transgression, Marlo D. David identifies five bold, new archetypes of black motherhood for the post-civil rights generation in order to imagine new ways of thinking about pervasive maternal stereotypes of black women. Rather than avoiding “negative” images of black motherhood, such as welfare queens, teen mothers, and “baby mamas,” Mama’s Gun centralizes these dispossessed figures and renames them as the Young Mother, the Blues Mama, the Surrogate, Big Mama, and the Mothership.
 
Taking inspiration from African American fiction, historical accounts of black life, Afrofuturism, and black popular culture in music and on screen, David turns her attention to Sapphire’s Push, Octavia Butler’s Dawn, and Suzan-Lori Parks’s Getting Mother’s Body as well as the performance art of Erykah Badu and the films of Tyler Perry. She draws out the implications of black maternal figures in these texts who balk at tradition and are far from “ideal.” David’s study shows how representations of blackness are deeply embedded in the neoliberal language of contemporary American politics and how black writers and performers resist such mainstream ideologies with their own transgressive black maternal figures.
[more]
cover of Man, Play and Games

Man, Play and Games

Roger Caillois

University of Illinois Press, 1961

According to Roger Caillois, play is "an occasion of pure waste: waste of time, energy, ingenuity, skill, and often of money." In spite of this--or because of it--play constitutes an essential element of human social and spiritual development.
 
In this classic study, Caillois defines play as a free and voluntary activity that occurs in a pure space, isolated and protected from the rest of life. Play is uncertain, since the outcome may not be foreseen, and it is governed by rules that provide a level playing field for all participants. In its most basic form, play consists of finding a response to the opponent's action--or to the play situation--that is free within the limits set by the rules.
 
Caillois qualifies types of games-- according to whether competition, chance, simulation, or vertigo (being physically out of control) is dominant--and ways of playing, ranging from the unrestricted improvisation characteristic of children's play to the disciplined pursuit of solutions to gratuitously difficult puzzles. Caillois also examines the means by which games become part of daily life and ultimately contribute to various cultures their most characteristic customs and institutions.         
 
Presented here in Meyer Barash's superb English translation, Man, Play and Games is a companion volume to Caillois's Man and the Sacred.
 
[more]
cover of Managed Migrations: Growers, Farmworkers, and Border Enforcement in the Twentieth Century

Managed Migrations

Growers, Farmworkers, and Border Enforcement in the Twentieth Century

By Cristina Salinas

University of Texas Press, 2018

2020 National Association for Chicana and Chicano Studies (NACCS) Book Award Winner
Honorable Mention, Ramirez Family Award for Most Significant Scholarly Book, Texas Institute of Letters, 2019

Managed Migrations examines the concurrent development of a border agricultural industry and changing methods of border enforcement in the Rio Grande Valley of Texas during the past century.

Needed at one moment, scorned at others, Mexican agricultural workers have moved back and forth across the US–Mexico border for the past century. In South Texas, Anglo growers’ dreams of creating a modern agricultural empire depended on continuous access to Mexican workers. While this access was officially regulated by immigration laws and policy promulgated in Washington, DC, in practice the migration of Mexican labor involved daily, on-the-ground negotiations among growers, workers, and the US Border Patrol. In a very real sense, these groups set the parameters of border enforcement policy.

Managed Migrations examines the relationship between immigration laws and policy and the agricultural labor relations of growers and workers in South Texas and El Paso during the 1940s and 1950s. Cristina Salinas argues that immigration law was mainly enacted not in embassies or the halls of Congress but on the ground, as a result of daily decisions by the Border Patrol that growers and workers negotiated and contested. She describes how the INS devised techniques to facilitate high-volume yearly deportations and shows how the agency used these enforcement practices to manage the seasonal agricultural labor migration across the border. Her pioneering research reveals the great extent to which immigration policy was made at the local level, as well as the agency of Mexican farmworkers who managed to maintain their mobility and kinship networks despite the constraints of grower paternalism and enforcement actions by the Border Patrol.

[more]
cover of Managing "Modernity": Work, Community, and Authority in Late-Industrializing Japan and Russia

Managing "Modernity"

Work, Community, and Authority in Late-Industrializing Japan and Russia

Rudra Sil

University of Michigan Press, 2002

In Managing "Modernity," Rudra Sil examines how institution-builders respond to the competing influences of institutional models and inherited social legacies as they attempt to generate and sustain authority in late-industrializing societies. Through a historical and comparative study of large-scale enterprises in Japan and Russia, the book examines the impact of different institution-building strategies on managerial authority, invoking the experience of postwar Japan to highlight the benefits of a syncretic approach that selectively integrates adaptable features of borrowed institutions with portable norms inherited from preexisting communities.
Managing "Modernity" engages a variety of intellectual perspectives in the social sciences. The theoretical approach represents a conscious effort to overcome the contentious debates in political science and sociology among proponents of historical institutionalism, cultural analysis, and rational-choice theory. The substantive argument draws on, and partially integrates, concepts and findings from comparative politics, economic sociology, industrial relations, organization theory, business management, and the political economy of Japan and Russia.
In light of ongoing debates over the significance and impact of "globalization," the eclectic and integrative approach in Managing "Modernity" offers a fresh and provocative contribution that will interest scholars and graduate students across a variety of disciplines and subfields. It offers compelling insights to anyone generally concerned with the social forces that facilitate or hinder the diffusion of ideas and institutions across national boundaries.
Rudra Sil is Janice and Julian Bers Assistant Professor in the Social Sciences, Department of Political Science, University of Pennsylvania.
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cover of Managing Sickle Cell Disease: In Low-Income Families

Managing Sickle Cell Disease

In Low-Income Families

Shirley A. Hill

Temple University Press, 2003

As many as 30,000 African Americans have sickle cell disease (SCD). Though the political activism of the 1960s and a major 1970s health campaign spurred demands for testing, treatment, and education programs, little attention has been given to how families cope with SCD. This first study to give SCD a social, economic, and cultural context documents the daily lives of families living with this threatening illness. Specifically, Shirley A. Hill examines how low-income African American mothers with children suffering from this hereditary, incurable, and chronically painful disease, react to the diagnosis and manage their family's health care.The 23 mostly single mothers Hill studies survive in an inner-city world of social inequality. Despite limited means, they actively participate, create, and define the social world they live in, their reality shaped by day-to-day caregiving. These women overcome obstacles by utilizing such viable alternatives as sharing child care with relatives within established kinship networks.Highlighting the role of class, race, and gender in the illness experience, Hill interprets how these women reject, redefine, or modify the objective scientific facts about SCD. She acknowledges and explains the relevance of child-bearing and motherhood to African American women's identity, revealing how the revelation of the SCD trait or the diagnosis of one child often does not affect a woman's interpretation of her reproductive rights.
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cover of Managing the Infosphere: Governance, Technology, and Cultural Practice in Motion

Managing the Infosphere

Governance, Technology, and Cultural Practice in Motion

Stephen D. McDowell, Philip E. Steinberg and Tami K. Tomasello

Temple University Press, 2007

Managing the Infosphere examines the global world of communications as a mobile space that overlaps uneasily with the world of sovereign, territorial nation-states.  Drawing on their expertise in geography, political science, international relations, and communication studies, the authors investigate specific policy problems encountered when international organizations, corporations, and individual users try to "manage" a space that simultaneously contradicts and supports existing institutions and systems of governance, identity, and technology.

The authors argue that the roles of these systems in cyberspace cannot be fully understood unless they are seen as mutually constituting each other in specific historical structures, institutions, and practices.  With vision and insight, the authors look beyond the Internet to examine the entire networked world, from cell phones and satellites to global tourism and business travel.
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