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This first volume of Male Fantasies centers on the fantasies that preoccupied a group of men who played a crucial role in the rise of Nazism. These men were officers in the Freikorps--private, volunteer armies that roamed Germany, serving the cause of domestic repression in the aftermath of World War I. Klaus Theweleit draws upon the novels, letters, and autobiographies of these proto-fascists and their contemporaries, as well as cartoons, advertisements, engravings, and posters. He explores these sources, not to discover what their creators thought about fighting or the fatherland, but to seek out and reconstruct their images of women. He shows that the Freikorps male identity was shaped by the dread and revulsion that characterized their relations with women (real or imagined) and that this dread was, in turn, linked to the aggressive racism and anticommunism at the heart of most fascist movements.

Theweleit’s second volume, Male Bodies: Psychoanalyzing the White Terror, carries Male Fantasies from the female image to the self-image of manhood and its ritualized forms of mass behavior, culminating in warfare. It also is available from the University of Minnesota Press.

Theweleit’s project in Male Fantasies is to discover the emotional core of fascism as it was revealed in the novels and memoirs of the Freikorps, mercenary bands that fought Germany’s border disputes and put down worker revolts in the aftermath of World War I. His excavation of Freikorps literary remains (and the writings of some of their protofascist contemporaries) enabled Theweleit to reconstruct the mythical content of the fascist imagination. An integral part of Male Fantasies is Theweleit’s choice of illustrations--cartoons, advertisements, engravings, posters--that serve as an ironic commentary on the text and extend its meaning in time and space.

In this second volume of the two-volume work Theweleit discovers how the repudiation of one’s own body--and of femininity--became a psychic compulsion associating masculinity with hardness, self-denial, and destruction. We are shown how the body becomes a mechanism for eluding the dreaded liquid--the “Red Flood,” lava, mud--and the “feminine” emotions associated with it. Armored, organized by mental and physical procedures like the military drill, the male body is transformed into a “man of steel.” As Theweleit shows, only in war does this body find redemption from constraint.

The first volume of Male Fantasies, also available from the University of Minnesota Press, deals primarily with the image of women in the collective unconscious of the fascist warrior that threatens to engulf the male ego.

A historically significant memoir offering a firsthand perspective on life, identity, and cultural transformation in nineteenth-century Cuba.

Memoir of My Youth in Cuba: A Soldier in the Spanish Army during the Separatist War, 1895–1898 is a translation of the memoir Memorias de mi juventud en Cuba: Un soldado del ejército español en la guerra separatista (1895–1898) by Josep Conangla. The English edition is based on the Spanish version edited by Joaquín Roy, who found the memoir and was given access to the Conangla family archives. Conangla’s memoir, now available in English, is an important addition to the accounts of Spanish and Cuban soldiers who served in Cuba’s second War of Independence.

Spaniard Josep Conangla was conscripted at the age of twenty and sent to Cuba. In the course of his time there, he reaffirmed his pacifism and support of Cuban independence. The young man was a believer who unfailingly connected his view of events to the Christian humanitarianism on which he prided himself. Conangla’s advanced education and the influence of well-placed friends facilitated his assignment to safe bureaucratic positions during the war, ensuring that he would not see combat. From his privileged position, he was a keen observer of his surroundings. He described some of the decisions he made—which at times put him at odds with the military bureaucracy he served—along with what he saw as the consequences of General Valeriano Weyler’s decree mandating the reconcentración, an early version of concentration camps. What Conangla saw fueled his revulsion at the collusion of the Spanish state and its state-sponsored religion in that policy. “Red Mass,” published six years after the War of Independence and included in his memoir, is a vivid expression in verse of his abhorrence.

Conangla’s recollections of the contacts between Spaniards and Cubans in the areas to which he was assigned reveal his ability to forge friendships even with Creole opponents of the insurrection. As an aspiring poet and writer, Conangla included material on fellow writers, Cuban and Spanish, who managed to meet and exchange ideas despite their circumstances. His accounts of the Spanish defeat, the scene in Havana around the end of the war, along with his return to Spain, are stirring.

Guy R. Hasegawa presents the first volume to explore the wartime provisions made for amputees in need of artificial limbs—programs that were the forebears of modern governmental efforts to assist in the rehabilitation of wounded service members. Hasegawa offers a comprehensive look at the artificial-limb industry, including detailed descriptions of the ingenious designs employed by manufacturers; illustrations and photographs of period prosthetics; accounts of the rapid advancement of medical technology during the Civil War; and in-depth examinations of the companies that manufactured limbs for soldiers and bid for contracts, including at least one still in existence today. An intriguing account of innovation, determination, humanitarianism, and the devastating toll of battle, Mending Broken Soldiers provides a fascinating glimpse into groundbreaking military health programs during the most tumultuous years in American history.