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Well known for its world-renowned art museums—from the Clark Art Institute in Williamstown to the Museum of Fine Arts in Boston—Massachusetts is also home to numerous institutions with more eclectic collections and, oftentimes, lower profiles. These include Mansfield's National Black Doll Museum of History and Culture, Watertown's Plumbing Museum, and Granville's Noble and Cooley Center for Historic Preservation.

In Massachusetts Treasures, Chuck D'Imperio explores more than forty museums scattered throughout the Bay State, from Cape Cod to the Berkshires. Many—but not all—might be considered “offbeat,” and each and every one is enchanting. Through personal visits and interviews with founders and directors, D'Imperio offers an inside glimpse into some of the Commonwealth's most unique museums, providing a valuable guide for road warriors and history buffs discovering Massachusetts either for the first or the tenth time.

All states are not created equal, at least not when it comes to their influence on American history. That assumption underlies Massachusetts and the Civil War. The volume's ten essays coalesce around the national significance of Massachusetts through the Civil War era, the ways in which the commonwealth reflected and even modeled the Union's precarious but real wartime unification, and the Bay State's postwar return to the schisms that predated the war. Rather than attempting to summarize every aspect of the state's contribution to the wartime Union, the collection focuses on what was distinctive about its influence during the great crisis of national unity.

In the first section, “The Opposition to Slavery,” essays by John Stauffer, Dean Grodzins, Peter Wirzbicki, and Richard S. Newman demonstrate the central role Massachusetts played in the rise of both the antislavery movement and abolitionism. They show how slavery's foes united, planned, and understood their cause, and how they envisioned a postwar nation free of servitude. In the second section, “The War Years,” Matthew Mason, Carol Bundy, and Ronald J. Zboray and Mary Saracino Zboray investigate how the exigencies of war unified the commonwealth across party lines and over the distance between home and the front. In the final section, “Reconciliation,” Sarah J. Purcell, Amy Morsman, and Kanisorn Wongsrichanalai probe postwar efforts to recover from the war's profound disruptions.

From the moment the first English colonists landed on the shores of Plymouth Bay, the experiences of the people of Massachusetts have been emblematic of larger themes in American history. The story of the first Pilgrim thanksgiving is commemorated as a national holiday, while the Boston Tea Party and Paul Revere's ride have passed into the national mythology. Even the grimmer aspects of the American experience—Indian warfare and the conquest of an ever expanding frontier—were part of the early history of Massachusetts. In this book, Richard D. Brown and Jack Tager survey the rich heritage of this distinctive, and distinctly American, place, showing how it has long exerted an influence disproportionate to its size. 

A seedbed of revolt against British colonial rule, Massachusetts has supplied the nation with a long line of political leaders—from Samuel and John Adams to William Lloyd Garrison and Lucy Stone to John, Robert, and Edward Kennedy. Its early textile mills helped shape the industrial revolution, while its experiences with urbanization, immigration, ethnic conflict, and labor strife reflected the growth of the national economy. In the twentieth century, the state continued to lead the country through a series of wrenching economic changes as it moved from the production of goods to the provision of services, eventually becoming a center of the high-tech revolution in telecommunications. If there is one common theme in the Bay State's history, Brown and Tager make clear, it is the capacity to adapt to change. In part this trait can be attributed to the state's unique blend of resources, including its many distinguished colleges and universities. But it can also be credited to the people themselves, who have created a singular sense of place by reconciling claims of tradition with the possibilities of innovation. This book tells their story.

In 1887, more than 30 Chinese gold miners were massacred on the Oregon side of Hells Canyon, the deepest canyon in North America. Massacred for Gold, the first authoritative account of the unsolved crime—one of the worst of the many crimes committed by whites against Chinese laborers in the American West—unearths the evidence that points to an improbable gang of rustlers and schoolboys, one only 15, as the killers.

The crime was discovered weeks after it happened, but no charges were brought for nearly a year, when gang member Frank Vaughan, son of a well-known settler family, confessed and turned state’s evidence. Six men and boys, all from northeastern Oregon’s remote Wallowa country, were charged—but three fled, and the others were found innocent by a jury that a witness admitted had little interest in convicting anyone. A cover-up followed, and the crime was all but forgotten for the next 100 years, until a county clerk found hidden records in an unused safe.

In bringing this story out of the shadows, Nokes examines the once-substantial presence of Chinese laborers in the interior Pacific Northwest, describing why they came, how their efforts contributed to the region’s development, and how too often mistreatment and abuse were their only reward.

From the earliest depictions of Benjamin Franklin and his kite experiment to 21st-century renderings of mad scientists, representations of American scientists in the popular media reveal a great deal about our cultural hopes and fears. In an entertaining and insightful survey of popular media over three hundred years of American history—religious tracts, political cartoons, literature, theater, advertising, art, comic books, radio, music, television, and film—Glen Scott Allen examines the stereotypes assigned to scientists for what they tell us about America's pride in its technological achievements as well as our prejudices about certain “suspect” kinds of scientific investigation. 

Working in the tradition of cultural studies, Allen offers an analysis that is historically comprehensive and critically specific. Integrating both “high” literature and “low” comedy, he delves into the assumptions about scientists—good, bad, and mad—that have been shaped by and have in turn shaped American cultural forces. Throughout the book, his focus is on why certain kinds of scientists have been lionized as American heroes, while others have been demonized as anti-American villains. 

Allen demonstrates that there is a continuous thread running from the seminal mad scientists of Hawthorne's nineteenth-century fiction to modern megalomaniacs like Dr. Strangelove; that marketing was as important to the reputation of the great independent inventors as technological prowess was; and that cultural prejudices which can be traced all the way back to Puritan ideology are at work in modern scientific controversies over cloning and evolution. 

The periods and movements examined are remarkably far-ranging: the literature and philosophy of the Romantics; the technology fairs and utopian fiction of the nineteenth century; political movements of the 1930s and 1940s; the science fiction boom of the 1950s; the space and arms races of the 1960s and 1970s; the resurgence of pseudo-sciences in the 1980s and 1990s. This book will be of interest not just to teachers and students of cultural studies and the history of science and technology but to anyone interested in American culture and how it shapes our experience and defines our horizons.

An intervention in World War I historiography that foregrounds personal accounts of the conflict from its non-European participants and witnesses.

Accounts of World War I tend to focus on Europe, the epicenter of this conflict, and find in its battlefields the later death of empires, spreading revolution, and eventual decolonization. However, the war was also global, drawing in people from all over the world while rapidly circulating ideas and innovations far beyond Europe.

Almost two million non-Europeans participated in the war as soldiers, workers, and professionals, including Asians in particular. They could be found in the battlefields of France, behind the lines in munitions factories and military hospitals, in the frozen construction sites of the Murmansk Railway, and in Mesopotamia’s burning deserts. The voices of these volunteers and conscripts are rarely heard; the war’s narratives are mainly European. And yet, here and there, lone voices pierce the silence.

In a compelling intervention in World War I historiography, Masters of Their Own Destiny offers a history from below, demonstrating how rare personal accounts may illuminate broader historical forces. Alongside the story of Nguyen Xuan Mai, a Vietnamese military doctor whose pursuit of professional recognition ended in disillusionment with colonial promises, this study draws on a wealth of material like Indian soldiers’ letters, Vietnamese workers’ censored correspondence, and records of Chinese laborers who witnessed revolution in Russia. It gives voice to hitherto ignored wartime experiences that later transformed the expectations of millions of colonial subjects and seeded the anticolonial movements that followed.

This seminal scholarly work examines T. S. Eliot's literary development and philosophical outlook through the lens of modernist dialectics, exploring the tension between mastery and escape as central to understanding both his poetry and critical thought. Edited and written by acclaimed Eliot scholar Jewel Spears Brooker, this volume presents expert studies of key intellectual influences on Eliot's modernism—particularly Stéphane Mallarmé, Sir James George Frazer, F. H. Bradley, and T. E. Hulme—yielding fresh and original insights into how these thinkers shaped the poet's artistic vision.

Through careful textual analysis and intellectual history, Brooker investigates how Eliot grappled with fundamental modernist anxieties: the desire for artistic mastery and transcendence alongside the simultaneous impulse toward escape from the constraints of tradition, rationality, and conventional form. She demonstrates how Eliot's poetry and prose reflect a dialectical movement, a constant interplay between opposing forces, that defines both his modernist aesthetics and his philosophical positions.

 An essential resource for scholars seeking comprehensive understanding of modernism's philosophical foundations and poetic achievements, Brooker is devoted to tracing both dialectical movements and biographical developments in Eliot's career.

This exciting new study draws on objects excavated or discovered in the late nineteenth or early twentieth century at three Mediterranean sites. Through the three case studies, Materia Magica identifies specific forms of magic that may be otherwise unknown. It isolates the practitioners of magic and examines whether magic could be used as a form of countercultural resistance. Andrew T. Wilburn discovers magic in the objects of ancient daily life, suggesting that individuals frequently turned to magic, particularly in crises. Local forms of magic may have differed, and Wilburn proposes that the only way we can find small-town sorcerers is through careful examination of the archaeological evidence.

Studying the remains of spells enacted by practitioners, Wilburn's work unites the analysis of the words written on artifacts and the physical form of these objects. He situates these items within their contexts, to study how and why they were used. Materia Magica approaches magic as a material endeavor, in which spoken spells, ritual actions, and physical objects all played vital roles in the performance of a rite.

Materia Magica develops a new method for identifying and interpreting the material remains of magical practice by assessing artifacts within their archaeological contexts. Wilburn suggests that excavations undertaken in recent centuries can yield important lessons about the past, and he articulates the ways in which we can approach problematic data.

An interdisciplinary excavation of colonoware as a material archive of African, Indigenous, and colonial entanglements across the early American South.

In Materializing Colonial Identities in Clay, Jon Bernard Marcoux, Corey A. H. Sattes, and contributors examine colonoware to explore the active roles that African Americans and Indigenous people played in constructing southern colonial culture and part of their shared history with Europeans.

Colonoware was most likely produced by African and Indigenous potters and used by all colonial groups for cooking, serving, and storing food. It formed the foundation of colonial foodways in many settlements across the southeastern United States. Even so, compared with other ceramics from this period, less has been understood about its production and use because of the lack of documentation. This collection of essays fills this gap with valuable, recent archaeological data from which much may be surmised about the interaction among Europeans, Indigenous, and Africans, especially within the contexts of the African and Indigenous slave trade and plantation systems.

The chapters represent the full range of colonoware research: from the beginning to the end of its production, from urban to rural contexts, and from its intraregional variation in the Lowcountry to the broad patterns of colonialism across the early American Southeast. The book summarizes current approaches in colonoware research and how these may bridge the gaps between broader colonial American studies, Indigenous studies, and African Diaspora studies.

A concluding discussion contextualizes the chapters through the perspectives of intersectionality and Black feminist theory, drawing attention to the gendered and racialized meanings embodied in colonoware, and considering how colonialism and slavery have shaped these cultural dimensions and archaeologists’ study of them.
 

It is often assumed that natural philosophy was the forerunner of early modern natural sciences. But where did these sciences’ systematic observation and experimentation get their starts? In Materials and Expertise in Early Modern Europe, the laboratories, workshops, and marketplaces emerge as arenas where hands-on experience united with higher learning. In an age when chemistry, mineralogy, geology, and botany intersected with mining, metallurgy, pharmacy, and gardening, materials were objects that crossed disciplines.

Here, the contributors tell the stories of metals, clay, gunpowder, pigments, and foods, and thereby demonstrate the innovative practices of technical experts, the development of the consumer market, and the formation of the observational and experimental sciences in the early modern period. Materials and Expertise in Early Modern Europe showcases a broad variety of forms of knowledge, from ineffable bodily skills and technical competence to articulated know-how and connoisseurship, from methods of measuring, data gathering, and classification to analytical and theoretical knowledge. By exploring the hybrid expertise involved in the making, consumption, and promotion of various materials, and the fluid boundaries they traversed, the book offers an original perspective on important issues in the history of science, medicine, and technology.