18284 books match the query 'United States' and 949 start with m

cover of Mothers On The Job: Maternity Policy in the U.S. Workplace

Mothers On The Job

Maternity Policy in the U.S. Workplace

Vogel, Lise

Rutgers University Press, 1993

Women's increasing demands for protection and benefits in the workplace, especially with regard to maternity leave, have sparked more than a century of controversy among feminists on how best to serve the needs of working women. This debate continues to divide the feminist community. One side believes women are better served by emphasizing equality with men--pregnancy should be treated like any other "disability." The other side wants to recognize difference--special provisions should apply only to pregnant women. Lise Vogel examines the evolution of this debate on pregnant women in the workplace, looking at theoretical as well as practical implications.

Vogel begins by assessing the history of the contemporary debate on pregnancy policy in the U.S. Since the middle of the nineteenth-century, American women have been torn by the contradictory demands of motherhood and the workplace. Pregnancy was grounds for dismissal from work and few employers took action to protect pregnant workers. To counter this, early twentieth-century feminists and reformers emphasized female specificity and women's special role.

In the 1960s activists adopted a strategy framed on equality, which moved away from the earlier emphasis on differences. The use of equality strategies to cover the female-specific phenomenon of pregnancy turned out to have problems. Now women's special needs were denied and ignored. These difficulties and a series of court cases in the 1980s triggered debates in the feminist legal community. Vogel looks at the litigation and debates, which pitted advocates of gender-neutral strategies against critics who called for female-specific policies.

Vogel argues that, in terms of practical benefits, women will be served best by a gender-neutral approach to pregnancy policy. She encourages equality advocates to recognize the inherent diversity of individuals, and points out the need to be sensitive to individual factors of race and class, as well as sex.

[more]
cover of Mothers On The Job: Maternity Policy in the U.S. Workplace

Mothers On The Job

Maternity Policy in the U.S. Workplace

Vogel, Lise

Rutgers University Press, 1993

Women's increasing demands for protection and benefits in the workplace, especially with regard to maternity leave, have sparked more than a century of controversy among feminists on how best to serve the needs of working women. This debate continues to divide the feminist community. One side believes women are better served by emphasizing equality with men--pregnancy should be treated like any other "disability." The other side wants to recognize difference--special provisions should apply only to pregnant women. Lise Vogel examines the evolution of this debate on pregnant women in the workplace, looking at theoretical as well as practical implications.

Vogel begins by assessing the history of the contemporary debate on pregnancy policy in the U.S. Since the middle of the nineteenth-century, American women have been torn by the contradictory demands of motherhood and the workplace. Pregnancy was grounds for dismissal from work and few employers took action to protect pregnant workers. To counter this, early twentieth-century feminists and reformers emphasized female specificity and women's special role.

In the 1960s activists adopted a strategy framed on equality, which moved away from the earlier emphasis on differences. The use of equality strategies to cover the female-specific phenomenon of pregnancy turned out to have problems. Now women's special needs were denied and ignored. These difficulties and a series of court cases in the 1980s triggered debates in the feminist legal community. Vogel looks at the litigation and debates, which pitted advocates of gender-neutral strategies against critics who called for female-specific policies.

Vogel argues that, in terms of practical benefits, women will be served best by a gender-neutral approach to pregnancy policy. She encourages equality advocates to recognize the inherent diversity of individuals, and points out the need to be sensitive to individual factors of race and class, as well as sex.

[more]
cover of Mothers and Medicine: A Social History of Infant Feeding, 1890–1950

Mothers and Medicine

A Social History of Infant Feeding, 1890–1950

Rima D. Apple

University of Wisconsin Press, 1987

In the nineteenth century, infants were commonly breast-fed; by the middle of the twentieth century, women typically bottle-fed their babies on the advice of their doctors.  In this book, Rima D. Apple discloses and analyzes the complex interactions of science, medicine, economics, and culture that underlie this dramatic shift in infant-care practices and women’s lives.
    As infant feeding became the keystone of the emerging specialty of pediatrics in the twentieth century, the manufacture of infant food became a lucrative industry.  More and more mothers reported difficulty in nursing their babies.  While physicians were establishing themselves and the scientific experts and the infant-food industry was hawking the scientific bases of their products, women embraced “scientific motherhood,” believing that science could shape child care practices.  The commercialization and medicalization of infant care established an environment that made bottle feeding not only less feared by many mothers, but indeed “natural” and “necessary.”  Focusing on the history of infant feeding, this book clarifies the major elements involved in the complex and sometimes contradictory interaction between women and the medical profession, revealing much about the changing roles of mothers and physicians in American society.

“The strength of Apple’s book is her ability to indicate how the mutual interests of mothers, doctors, and manufacturers led to the transformation of infant feeding. . . . Historians of science will be impressed with the way she probes the connections between the medical profession and the manufacturers and with her ability to demonstrate how medical theories were translated into medical practice.”—Janet Golden, Isis
 

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cover of Mothers, Daughters, and Political Socialization: Two Generations at an American Women's College

Mothers, Daughters, and Political Socialization

Two Generations at an American Women's College

Krista Jenkins

Temple University Press, 2013

Using a unique data set comparing mothers and daughters who attended Douglass College—the women's college of Rutgers University—twenty-five years apart, Krista Jenkins perceptively observes the changes in how women acquire their attitudes toward gender roles and behaviors in the post-women's movement years.

Mothers, Daughters, and Political Socialization
 examines the role of intergenerational transmission—the maternal influences on younger women—while also looking at differences among women in attitudes and behaviors relative to gender roles that might be attributed to the nature of the times during their formative years. How do daughters coming of age in an era when the women's movement is far less visible deal with gendered expectations compared to their mothers? Do they accept the contemporary status quo their feminist mothers fought so hard to achieve? Or, do they press forward with new goals?

Jenkins shows how contemporary women are socialized to accept or reject traditional gender roles that serve to undermine their equality.

[more]
cover of Mothers, Sisters, Resisters: Oral Histories of Women Who Survived the Holocaust

Mothers, Sisters, Resisters

Oral Histories of Women Who Survived the Holocaust

Brana Gurewitsch

University of Alabama Press, 1999

Powerful oral histories revealing the unique experiences of women during the Holocaust.

In Mothers, Sisters, Resisters, 25 survivors of the Holocaust furnish compelling and historically vital testimony that illuminates and explores Jewish women's experiences during that terrible period. In entries that preserve each voice, personality, and style, survivors describe their efforts to evade Nazi laws and subsequent dehumanization, protect their children and siblings, and maintain their Jewish identity.

Throughout each narrative, from Brandla Small's description of having her child dragged from her arms at Auschwitz, to Eva Schonbrun's remembrances of her sister who refused to leave her siblings and save herself, to Emilie Schindler's account of rescuing Jews left abandoned on a cattle car, we become intimately involved with each woman's struggle and eventual survival. We also gain a new appreciation and understanding of the Holocaust experiences unique to women.


 

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cover of Mothership Connected: The Women of Parliament-Funkadelic

Mothership Connected

The Women of Parliament-Funkadelic

Seth Neblett

University of Texas Press, 2025

An oral history with the women of Parliament-Funkadelic, from forming the band to landing the mothership.

Parliament-Funkadelic is perhaps the greatest funk band ever assembled. Yet at the time of the group’s induction into the Rock & Roll Hall of Fame, none of the women who helped create the sound and performed in P-Funk were invited to the ceremony and their contributions have been largely overlooked.

Mothership Connected tells the story of Mallia Franklin, Lynn Mabry, Dawn Silva, Debbie Wright, and Shirley Hayden, all of whom were instrumental in making Parliament-Funkadelic, as well as the spin-off groups Parlet and the Brides of Funkenstein, into the legends they are today. Assembled by Seth Neblett, son of the “Queen of Funk” Mallia Franklin, and filled with the voices of funk icons like George Clinton, Sly Stone, Bootsy Collins, and the women themselves, this oral history makes clear why these “architects” at the “core” of P-Funk were both essential—and erased. From Franklin introducing Bootsy Collins to Clinton, to the Brides’ top-10 hit “Disco to Go,” to the drugs that helped destroy the group, this book reveals the hidden lives and uncomfortable truths of life in P-Funk. More than sex, drugs, and rock and roll, Mothership Connected is about Black women navigating a tumultuous era and industry to become musical pioneers. Now, after decades in the shadows, these genre-defining women are finally telling their story.

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cover of Motivating Students on a Time Budget: Pedagogical Frames and Lesson Plans for In-Person and Online Information Literacy Instruction

Motivating Students on a Time Budget

Pedagogical Frames and Lesson Plans for In-Person and Online Information Literacy Instruction

Sarah Steiner

Assoc of College & Research Libraries, 2019

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cover of Motorcycling Alabama: 50 Ride Loops through the Heart of Dixie

Motorcycling Alabama

50 Ride Loops through the Heart of Dixie

David Haynes

University of Alabama Press, 2011

A much-needed guidebook for one of the most beautiful states to explore on two wheels. 

David Haynes offers fifty ride loops of between 75 and 150 miles in length throughout every region of the state. The start and stop points for each ride are identical and easy to locate. This handy guide, which is designed to fit in a tank bag, features both streetbike and dual-sport rides. Also included are detailed, color-coded maps of the routes and turn-by-turn directions. Stunning full-color photographs accompany each ride description, highlighting scenes and points of interest along the way. There are introductory chapters on motorcycle safety, gear, and the use of global positioning devices, as well as pointers on motorcycle camping. 

Motorcycle touring is one of the fastest-growing outdoor recreational pursuits in the country. For both the in-state and out-of-state motorcycle enthusiast, Motorcycling Alabama is a valuable and complete guide to a state rich in diverse types of scenery and with many unsung treasures yet to be discovered. 

Published in cooperation with the Barber Vintage Motorsports Museum, Birmingham.

[more]
cover of Mound City: The Place of the Indigenous Past and Present in St. Louis

Mound City

The Place of the Indigenous Past and Present in St. Louis

Patricia Cleary

University of Missouri Press, 2025

Winner of the 2025 Midland Authors Award in the History category 

Nearly one thousand years ago, Native peoples built a satellite suburb of America's great metropolis on the site that later became St. Louis. At its height, as many as 30,000 people lived in and around present-day Cahokia, Illinois. While the mounds around Cahokia survive today (as part of a state historic site and UNESCO world heritage site), the monumental earthworks that stood on the western shore of the Mississippi were razed in the 1800s. But before and after they fell, the mounds held an important place in St. Louis history, earning it the nickname “Mound City.” For decades, the city had an Indigenous reputation. Tourists came to marvel at the mounds and to see tribal delegations in town for trade and diplomacy. As the city grew, St. Louisans repurposed the mounds—for a reservoir, a restaurant, and railroad landfill—in the process destroying cultural artifacts and sacred burial sites. Despite evidence to the contrary, some white Americans declared the mounds natural features, not built ones, and cheered their leveling. Others espoused far-fetched theories about a lost race of Mound Builders killed by the ancestors of contemporary tribes. Ignoring Indigenous people's connections to the mounds, white Americans positioned themselves as the legitimate inheritors of the land and asserted that modern Native peoples were destined to vanish. Such views underpinned coerced treaties and forced removals, and—when Indigenous peoples resisted—military action. The idea of the “Vanishing Indian” also fueled the erasure of Indigenous peoples’ histories, a practice that continued in the 1900s in civic celebrations that featured white St. Louisans “playing Indian” and heritage groups claiming the mounds as part of their own history. Yet Native peoples endured and in recent years, have successfully begun to reclaim the sole monumental mound remaining within city limits.

Drawing on a wide range of sources, Patricia Cleary explores the layers of St. Louis’s Indigenous history. Along with the first in-depth overview of the life, death, and afterlife of the mounds, Mound City offers a gripping account of how Indigenous histories have shaped the city’s growth, landscape, and civic culture.

 
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cover of Moundville

Moundville

John H. Blitz

University of Alabama Press, 2008

Exploring the legacy of America’s great mound builders.

In the 13th century, Moundville was one of the largest Native American settlements north of Mexico. Spread over 325 acres were 29 earthen mounds arranged around a great plaza, a mile-long stockade, and dozens of dwellings for thousands of people. Moundville, in size and complexity second only to the Cahokia site in Illinois, was a heavily populated town, as well as a political and religious center.

Moundville was sustained by tribute of food and labor provided by the people who lived in the nearby floodplain as well as other smaller mound centers. The immediate area appears to have been thickly populated, but by about A.D. 1350, Moundville retained only ceremonial and political functions. A decline ensued, and by the 1500s the area was abandoned. By the time the first Europeans reached the Southeast in the 1540s, the precise links between Moundville's inhabitants and what became the historic Native American tribes had become a mystery.

Illustrated with 50 color photos, maps, and figures, Moundville tells the story of the ancient people who lived there, the modern struggle to save the site from destruction, and the scientific saga of the archaeologists who brought the story to life. Moundville is the book to read before, during, or after a visit to Alabama’s prehistoric metropolis.

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cover of Mountain Feds: Arkansas Unionists and the Peace Society

Mountain Feds

Arkansas Unionists and the Peace Society

James J. Johnston

Butler Center for Arkansas Studies, 2018

This is the fascinating story of the farmers and hill people from northern Arkansas, where slavery was not a big part of the local economy, who opposed the state’s secession from the Union.

In resistance to secession and to fighting for the Confederacy, they formed secret organizations—known commonly as the Arkansas Peace Society—and inaugurated their own leaders. Increased pressure from Richmond in the fall of 1861 for the Arkansas government to provide more soldiers pressed Arkansas’s yeomen farmers to enlist but only provided more incentive for the men to join the Arkansas Peace Society (later known as the Union League).
Many Arkansas communities forged home protective units or vigilance committees to protect themselves from slave uprisings and what they saw as federal invasion. Unionist mountaineers did the same, but their home protection organizations were secret because they were seeking protection from their secessionist neighbors and the state’s Confederate government.

In November 1861, the Arkansas Peace Society was first discovered in Clinton, Van Buren County, by the secessionist element, which rapidly formed vigilante committees to arrest and interrogate the suspects. The news and subsequent arrests spread to adjoining counties from the Arkansas River to the Missouri border. In most cases, the local militia was called out to handle the arrests and put down the rumored uprising.

While some Peace Society members fled to Missouri or hid in the woods, others were arrested and marched to Little Rock, where they were forced to join the Confederate army. Leaders who were prominent in the Peace Society recruited and led companies in Arkansas and Missouri Unionist regiments, returning to their homes to bring out loyalist refugees or to suppress Confederate guerrillas. A few of these home-grown leaders assumed leadership positions in civil government in the last months of the war, with the effects of their actions lingering for years to come.
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cover of Mountain People in a Flat Land: A Popular History of Appalachian Migration to Northeast Ohio, 1940–1965

Mountain People in a Flat Land

A Popular History of Appalachian Migration to Northeast Ohio, 1940–1965

Carl E. Feather

Ohio University Press, 1998

In the early 1940s, $10 bought a bus ticket from Appalachia to a better job and promise of prosperity in the flatlands of northeast Ohio. A mountaineer with a strong back and will to work could find a job within twenty-four hours of arrival.

But the cost of a bus ticket was more than a week's wages in a lumber camp, and the mountaineer paid dearly in loss of kin, culture, homeplace, and freedom.

Numerous scholarly works have addressed this migration that brought more than one million mountaineers to Ohio alone. But Mountain People in a Flat Land is the first popular history of Appalachian migration to one community — Ashtabula County, an industrial center in the fabled “best location in the nation.”

These migrants share their stories of life in Appalachia before coming north. There are tales of making moonshine, colorful family members, home remedies harvested from the wild, and life in coal company towns and lumber camps.

The mountaineers explain why, despite the beauty of the mountains and the deep kinship roots, they had to leave Appalachia.

Stories of their hardships, cultural clashes, assimilation, and ultimate successes in the flatland provide a moving look at an often stereotyped people.
[more]
cover of Mountaineers Are Always Free: Heritage, Dissent, and a West Virginia Icon

Mountaineers Are Always Free

Heritage, Dissent, and a West Virginia Icon

Rosemary V. Hathaway

West Virginia University Press, 2020

The West Virginia University Mountaineer is not just a mascot: it is a symbol of West Virginia history and identity embraced throughout the state. In this deeply informed but accessible study, folklorist Rosemary Hathaway explores the figure’s early history as a backwoods trickster, its deployment in emerging mass media, and finally its long and sometimes conflicted career—beginning officially in 1937—as the symbol of West Virginia University.

Alternately a rabble-rouser and a romantic embodiment of the state’s history, the Mountaineer has been subject to ongoing reinterpretation while consistently conveying the value of independence. Hathaway’s account draws on multiple sources, including archival research, personal history, and interviews with former students who have portrayed the mascot, to explore the complex forces and tensions animating the Mountaineer figure. Often serving as a focus for white, masculinist, and Appalachian identities in particular, the Mountaineer that emerges from this study is something distinct from the hillbilly. Frontiersman and rebel both, the Mountaineer figure traditionally and energetically resists attempts (even those by the university) to tame or contain it.

[more]
cover of Mountains Without Handrails: Reflections on the National Parks

Mountains Without Handrails

Reflections on the National Parks

Joseph L. Sax

University of Michigan Press, 1980

Focusing on the long-standing and bitter battles over recreational use of our national parklands, Joseph L. Sax proposes a novel scheme for the protection and management of America's national parks. Drawing upon the most controversial disputes of recent years---Yosemite National Park, the Colorado River in the Grand Canyon, and the Disney plan for California's Mineral King Valley---Sax boldly unites the rich and diverse tradition of nature writing into a coherent thesis that speaks directly to the dilemma of the parks.

[more]
cover of Mountains Without Handrails: Reflections on the National Parks

Mountains Without Handrails

Reflections on the National Parks

Joseph L. Sax

University of Michigan Press, 2018

Beloved by academic and general readers alike, Mountains Without Handrails, Joseph L. Sax’s thought-provoking treatise on America’s national parks, remains as relevant today as when first published in 1980. Focusing on the long-standing and bitter battles over recreational use of our parklands, Sax proposes a novel scheme for the protection and management of America's national parks. Drawing upon still controversial disputes—Yosemite National Park, the Colorado River in the Grand Canyon, and the Disney plan for California's Mineral King Valley—Sax boldly unites the rich and diverse tradition of nature writing into a coherent thesis that speaks directly to the dilemma of the parks.

In a new foreword, environmental law scholar Holly Doremus articulates this book’s enduring importance and reflects on what Sax, her former teacher, might have thought about the encroachment of technology into natural spaces, the impact of social media, and growing threats from climate change. At this moment of great uncertainty for the national parks, Mountains Without Handrails should be read (and re-read) by anyone with a stake in America’s natural spaces.

[more]
cover of Mountains of Injustice: Social and Environmental Justice in Appalachia

Mountains of Injustice

Social and Environmental Justice in Appalachia

Michele Morrone

Ohio University Press, 2011

Research in environmental justice reveals that low-income and minority neighborhoods in our nation’s cities are often the preferred sites for landfills, power plants, and polluting factories. Those who live in these sacrifice zones are forced to shoulder the burden of harmful environmental effects so that others can prosper. Mountains of Injustice broadens the discussion from the city to the country by focusing on the legacy of disproportionate environmental health impacts on communities in the Appalachian region, where the costs of cheap energy and cheap goods are actually quite high.

Through compelling stories and interviews with people who are fighting for environmental justice, Mountains of Injustice contributes to the ongoing debate over how to equitably distribute the long-term environmental costs and consequences of economic development.

Contributors:
Laura Allen, Brian Black, Geoffrey L. Buckley, Donald Edward Davis, Wren Kruse, Nancy Irwin Maxwell, Chad Montrie, Michele Morrone, Kathryn Newfont, John Nolt, Jedediah S. Purdy, and Stephen J. Scanlan.

[more]
cover of Mounting Frustration: The Art Museum in the Age of Black Power

Mounting Frustration

The Art Museum in the Age of Black Power

Susan E. Cahan

Duke University Press, 2015

In Mounting Frustration Susan E. Cahan uncovers the moment when the civil rights movement reached New York City's elite art galleries. Focusing on three controversial exhibitions that integrated African American culture and art, Cahan shows how the art world's racial politics is far more complicated than overcoming past exclusions.
[more]
cover of Mourner's Bench: A Novel

Mourner's Bench

A Novel

Sanderia Faye

University of Arkansas Press, 2015

At the First Baptist Church of Maeby, Arkansas, the sins of the child belonged to the parents until the child turned thirteen. Sarah Jones was only eight years old in the summer of 1964, but with her mother Esther Mae on eight prayer lists and flipping around town with the generally mistrusted civil rights organizers, Sarah believed it was time to get baptized and take responsibility for her own sins. That would mean sitting on the mourner’s bench come revival, waiting for her sign, and then testifying in front of the whole church.

But first, Sarah would need to navigate the growing tensions of small-town Arkansas in the 1960s. Both smarter and more serious than her years (a “fifty-year-old mind in an eight-year-old body,” according to Esther), Sarah was torn between the traditions, religion, and work ethic of her community and the progressive civil rights and feminist politics of her mother, who had recently returned from art school in Chicago. When organizers from the Student Non-Violent Coordinating Committee (SNCC) came to town just as the revival was beginning, Sarah couldn’t help but be caught up in the turmoil. Most folks just wanted to keep the peace, and Reverend Jefferson called the SNCC organizers “the evil among us.” But her mother, along with local civil rights activist Carrie Dilworth, the SNCC organizers, Daisy Bates, attorney John Walker, and indeed most of the country, seemed determined to push Maeby toward integration.

With characters as vibrant and evocative as their setting, Mourner’s Bench is the story of a young girl coming to terms with religion, racism, and feminism while also navigating the terrain of early adolescence and trying to settle into her place in her family and community.
[more]
cover of Mouse Morality: The Rhetoric of Disney Animated Film

Mouse Morality

The Rhetoric of Disney Animated Film

By Annalee R. Ward

University of Texas Press, 2002

2004 – Clifford G. Christians Ethics Research Award — The Carl Couch Center for Social and Internet Research

Kids around the world love Disney animated films, and many of their parents trust the Disney corporation to provide wholesome, moral entertainment for their children. Yet frequent protests and even boycotts of Disney products and practices reveal a widespread unease with the sometimes mixed and inconsistent moral values espoused in Disney films as the company attempts to appeal to the largest possible audience.

In this book, Annalee R. Ward uses a variety of analytical tools based in rhetorical criticism to examine the moral messages taught in five recent Disney animated films—The Lion King, Pocahontas, The Hunchback of Notre Dame, Hercules, and Mulan. Taking the films on their own terms, she uncovers the many mixed messages they purvey: for example, females can be leaders—but male leadership ought to be the norm; stereotyping is wrong—but black means evil; historical truth is valued—but only tell what one can sell, etc. Adding these messages together, Ward raises important questions about the moral ambiguity of Disney's overall worldview and demonstrates the need for parents to be discerning in letting their children learn moral values and life lessons from Disney films.

[more]
cover of Move On Up: Chicago Soul Music and Black Cultural Power

Move On Up

Chicago Soul Music and Black Cultural Power

Aaron Cohen

University of Chicago Press, 2019

A Chicago Tribune Book of 2019, Notable Chicago Reads

A Booklist Top 10 Arts Book of 2019

A No Depression Top Music Book of 2019


Curtis Mayfield. The Chi-Lites. Chaka Khan. Chicago’s place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America’s future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like “We’re a Winner” and “I Plan to Stay a Believer.” Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness. Soul music also accompanied the rise of African American advertisers and the campaign of Chicago’s first black mayor, Harold Washington, in 1983. This empowerment was set in stark relief by the social unrest roiling in Chicago and across the nation: as Chicago’s homegrown record labels produced rising stars singing songs of progress and freedom, Chicago’s black middle class faced limited economic opportunities and deep-seated segregation, all against a backdrop of nationwide deindustrialization.

Drawing on more than one hundred interviews and a music critic’s passion for the unmistakable Chicago soul sound, Cohen shows us how soul music became the voice of inspiration and change for a city in turmoil.
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cover of Move, Play, Learn: Interactive Storytimes With Music, Movement, And More

Move, Play, Learn

Interactive Storytimes With Music, Movement, And More

Alyssa Jewell

American Library Association, 2020

Foreword by Jamie Campbell Naidoo

Get ready to break out of your storytime routine by encouraging children’s natural instincts to move, sing, and play! Unlike traditional storytimes, where children are expected to sit quietly and just watch, music and movement storytimes encourage children to learn by getting inside stories while interacting with others. Research shows that this kind of play stimulates the senses, provides connections to all four lobes of the brain, touches on a variety of intelligences, and heightens social and emotional awareness—all while extending the early literacy practices of Every Child Ready to Read® and preparing children for school. And because there are no crafts to cut out, no snacks to pack, no scripts to memorize, and no story kits to make, it’s one of the simplest, most cost-effective storytime models to implement. Jewell’s complete guide shows the way, offering

  • 20 ready-to-use storytime plans tailored to specific age groups, including babies, toddlers, preschool and all-ages programs, a real time-saver for storytime organizers and presenters;
  • advice and best practices gleaned from interviews with professionals who specialize in storytimes, music making with children and families, yoga storytime, and drama education; and
  • lists of recommended resources, from interactive print books to children’s music and videos available digitally, with tips on choosing the best materials.
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cover of Movie Mavens: US Newspaper Women Take On the Movies, 1914-1923

Movie Mavens

US Newspaper Women Take On the Movies, 1914-1923

Edited by Richard Abel

University of Illinois Press, 2021

During the early era of cinema, moviegoers turned to women editors and writers for the latest on everyone's favorite stars, films, and filmmakers. Richard Abel returns these women to film history with an anthology of reviews, articles, and other works. Drawn from newspapers of the time, the selections show how columnists like Kitty Kelly, Mae Tinee, Louella Parsons, and Genevieve Harris wrote directly to female readers. They also profiled women working in jobs like scenario writer and film editor and noted the industry's willingness to hire women. Sharp wit and frank opinions entertained and informed a wide readership hungry for news about the movies but also about women on both sides of the camera. Abel supplements the texts with hard-to-find biographical information and provides context on the newspapers and silent-era movie industry as well as on the professionals and films highlighted by these writers. 

An invaluable collection of rare archival sources, Movie Mavens reveals women's essential contribution to the creation of American film culture.

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cover of Movie-Made Jews: An American Tradition

Movie-Made Jews

An American Tradition

Helene Meyers

Rutgers University Press, 2021

Movie-Made Jews focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly-written book demonstrates that a Jewish movie is neither just a movie nor for Jews only.
 
With incisive analysis, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews. 
 
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cover of Movies & Mass Culture

Movies & Mass Culture

Belton, John

Rutgers University Press, 1995

Movies and Mass Culture looks at the ways in which American identity shapes and is shaped by motion pictures. Movies serve not only as texts that document who we think we are or were, but they also reflect changes in our self-image, tracing the transformation from one kind of America to another. They assist audiences in negotiating major changes in identity, carrying them across difficult periods of cultural transition so that a more or less coherent national identity again emerges. Films thus help their viewers to span the gaps and fissures that cultural changes cause, allowing passage over any disjointedness that in some way might disrupt our sense of what we believe in as a nation. This volume examines this process, illustrating the ways in which films aided America's transition from an agrarian to an industrial economy; from a nation of producers to one of consumers; and from a community of individuals to a mass society.
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cover of Movies under the Influence

Movies under the Influence

Jocelyn Szczepaniak-Gillece

University of Minnesota Press, 2024

A cultural history of the enduring relationship between film spectatorship and intoxicating substances

 

Movies under the Influence charts the entangled histories of moviegoing and mind-altering substances from early cinema through the psychedelic 1970s. Jocelyn Szczepaniak-Gillece examines how the parallel trajectories of these two enduring  aspects of American culture, linked by their ability to influence individual and collective consciousness, resulted in them being treated and regulated in similar ways. Rather than looking at representations of drug use within film, she regards cinema and intoxicants as kindred experiences of immersion that have been subject to corresponding forces of ideology and power. 

 

Exploring the effects of intoxicants such as caffeine, nicotine, alcohol, marijuana, and psychedelics on film spectatorship, Szczepaniak-Gillece demonstrates how American movie theaters sought to cultivate a dual identity, presenting themselves as both a place of wholesome entertainment and a shadowy zone of illicit behavior. Movies under the Influence highlights the various legislative, legal, and corporate powers that held sway over the darkened anonymity of theaters, locating the convergence of moviegoing and drug use as a site of mediation and social control in America.

 

As much as substances and cinema are points where power intervenes, they are also settings of potential transcendence, and Movies under the Influence maintains this paradox as a necessary component of American film history. Recontextualizing a wide range of films, from Hollywood to the avant-garde, this book examines the implicit relationship intoxicants suggest between mass media, spectatorship, and governmental regulation and provides a new angle from which to understand cinema’s lasting role in evolving American culture.

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cover of Moving Against the System: The 1968 Congress of Black Writers and the Shaping of Global Black Consciousness

Moving Against the System

The 1968 Congress of Black Writers and the Shaping of Global Black Consciousness

Edited by David Austin

Pluto Press, 2018

In 1968, as protests shook France and war raged in Vietnam, the giants of black radical politics descended on Montreal to discuss the unique challenges and struggles facing their black comrades all over the world.

Against a backdrop of widespread racism in the West and ongoing colonialism and imperialism in the Global South, this group of activists, writers, and political figures gathered to discuss the history and struggles of people of African descent and the meaning of black power.

For the first time since 1968, David Austin brings alive the speeches and debates of the most important international gathering of black radicals of the era. With never-before-seen texts from Stokely Carmichael, Walter Rodney and C.L.R. James, these documents will prove invaluable to anyone interested in black radical thought and political activism of the 1960s.
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cover of Moving Beyond Academic Discourse: Composition Studies and the Public Sphere

Moving Beyond Academic Discourse

Composition Studies and the Public Sphere

Christian R. Weisser. Foreword by Gary A. Olson

Southern Illinois University Press, 2002

Moving student writing beyond academic discourse and into larger public spheres is a difficult task, but Christian R. Weisser’s study challenges composition instructors to do just that. This highly accessible book does what no other study has attempted to do: place the most current, cutting-edge theories and pedagogies in rhetoric and composition in their intellectual and historical contexts, while at the same time offering a unique, practical theory and pedagogy of public writing for use both inside and outside of the classroom.

By positing a theory of the public for composition studies, one which envisions the public sphere as a highly contested, historically textured, multilayered, and sometimes contradictory site, Weisser offers a new approach to the roles that compositionists might assume in their attempts to initiate progressive political and social change.

After first providing a historical context that situates composition’s recent interest in public writing, Weisser next examines recent theories in composition studies that consider writing an act of social engagement before outlining a more complex theory of the public based on the work of Jürgen Habermas. The resulting re-envisioning of the public sphere expands current conversations in rhetoric and composition concerning the public.

Weisser concludes with a holistic vision that places greater political and social import on addressing public issues and conversations in the composition classroom and that elucidates the role of the public intellectual as it relates specifically to compositionists in postmodern society.

[more]
cover of Moving Boarders: Skateboarding and the Changing Landscape of Urban Youth Sports

Moving Boarders

Skateboarding and the Changing Landscape of Urban Youth Sports

Matthew Atencio

University of Arkansas Press, 2018

Once considered a kind of delinquent activity, skateboarding is on track to join soccer, baseball, and basketball as an approved way for American children to pass the after-school hours. With family skateboarding in the San Francisco Bay Area as its focus, Moving Boarders explores this switch in stance, integrating first-person interviews and direct observations to provide a rich portrait of youth skateboarders, their parents, and the social and market forces that drive them toward the skate park.

This excellent treatise on the contemporary youth sports scene examines how modern families embrace skateboarding and the role commerce plays in this unexpected new parent culture, and highlights how private corporations, community leaders, parks and recreation departments, and nonprofits like the Tony Hawk Foundation have united to energize skate parks—like soccer fields before them—as platforms for community engagement and the creation of social and economic capital.

 
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cover of Moving Images: Photography and the Japanese American Incarceration

Moving Images

Photography and the Japanese American Incarceration

Jasmine Alinder

University of Illinois Press, 2011

When the American government began impounding Japanese American citizens after Pearl Harbor, photography became a battleground. The control of the means of representation affected nearly every aspect of the incarceration, from the mug shots criminalizing Japanese Americans to the prohibition of cameras in the hands of inmates. The government hired photographers to make an extensive record of the forced removal and incarceration but forbade Japanese Americans from photographically documenting the conditions of the camps or any aspect of their lives. In this insightful study, Jasmine Alinder explores the photographic record of the imprisonment in war relocation centers such as Manzanar, Tule Lake, Jerome, and others. She investigates why photographs were made, how they were meant to function, and how they have been reproduced and interpreted subsequently by the popular press and museums in constructing versions of public history.

Considering such factors as artistic intention, institutional deployment, critical interpretation, and popular reception, Alinder provides calibrated readings of the photographs from this period. She uncovers the tension between Dorothea Lange's moving and critical images of the camps and the War Relocation Authority's blindly positive captions. She also analyzes Ansel Adams's attempt to combat negative war propaganda through humanizing photographs of Japanese Americans and locates the limits of such a counternarrative in the midst of a national mobilization against Japan.

Moving Images examines the work of Japanese American photographers operating both during and after the incarceration, including Manzanar inmate Toyo Miyatake, who constructed his own camera to document the complicated realities of camp life for his fellow inmates. More recently, contemporary artists Patrick Nagatani and Masumi Hayashi have used photography to reckon with the legacy of incarceration by journeying to the camp sites and creating photographs that bridge the intergenerational divides between their parents, themselves, and their children.

Illustrated with more than forty photographs, Moving Images reveals the significance of the camera in the process of incarceration as well as the construction of race, citizenship, and patriotism in this complex historical moment.

[more]
cover of Moving Lessons: Margaret H'Doubler and the Beginning of Dance in American Education

Moving Lessons

Margaret H'Doubler and the Beginning of Dance in American Education

Janice Ross

University of Wisconsin Press, 2000

Moving Lessons is an insightful and sophisticated look at the origins and influence of dance in American universities, focusing on Margaret H'Doubler, who established the first university courses and the first degree program in dance (at the University of Wisconsin). Dance educator and historian Janice Ross shows that H'Doubler (1889–1982) was both emblematic of her time and an innovator who made deep imprints in American culture. An authentic "New Woman," H'Doubler emerged from a sheltered female Victorian world to take action in the public sphere. She changed the way Americans thought, not just about female physicality but also about higher education for women.
    Ross brings together many discourses—from dance history, pedagogical theory, women's history, feminist theory, American history, and the history of the body—in intelligent, exciting, and illuminating ways and adds a new chapter to each of them. She shows how H'Doubler, like Isadora Duncan and other modern dancers, helped to raise dance in the eyes of the middle class from its despised status as lower-class entertainment and "dangerous" social interaction to a serious enterprise. Taking a nuanced critical approach to the history of women's bodies and their representations, Moving Lessons fills a very large gap in the history of dance education.
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cover of Moving Materials

Moving Materials

Valerie American Library Association

American Library Association, 2009

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cover of Moving Performances: Divas, Iconicity, and Remembering the Modern Stage

Moving Performances

Divas, Iconicity, and Remembering the Modern Stage

Scheper, Jeanne

Rutgers University Press, 2017

Fabulous yet fierce, imperious yet impetuous, boss yet bitchy—divas are figures of paradox. Their place in culture is equally contradictory, as they are simultaneously venerated and marginalized, hailed as timeless but then frequently forgotten or exhumed as cult icons by future generations. 
 
Focusing on four early twentieth-century divas—Aida Overton Walker, Loïe Fuller, Libby Holman, and Josephine Baker—who were icons in their own time, Moving Performances considers what their past and current reception reveals about changing ideas of race and gender. Jeanne Scheper examines how iconicity can actually work to the diva’s detriment, reducing her to a fetish object, a grotesque, or a figure of nostalgia. Yet she also locates more productive modes of reception that reach to revive the diva’s moving performances, imbuing her with an affective afterlife.  
 
As it offers innovative theorizations of performance, reception, and affect, Moving Performances also introduces readers to four remarkable women who worked as both cultural producers and critics, deftly subverting the tropes of exoticism, orientalism, and primitivism commonly used to dismiss women of color. Rejecting iconic depictions of these divas as frozen in a past moment, Scheper vividly demonstrates how their performances continue to inspire ongoing movements. 
 
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cover of Moving Politics: Emotion and ACT UP's Fight against AIDS

Moving Politics

Emotion and ACT UP's Fight against AIDS

Deborah B. Gould

University of Chicago Press, 2009

In the late 1980s, after a decade spent engaged in more routine interest-group politics, thousands of lesbians and gay men responded to the AIDS crisis by defiantly and dramatically taking to the streets. But by the early 1990s, the organization they founded, ACT UP, was no more—even as the AIDS epidemic raged on. Weaving together interviews with activists, extensive research, and reflections on the author’s time as a member of the organization, Moving Politics is the first book to chronicle the rise and fall of ACT UP, highlighting a key factor in its trajectory: emotion.

Surprisingly overlooked by many scholars of social movements, emotion, Gould argues, plays a fundamental role in political activism. From anger to hope, pride to shame, and solidarity to despair, feelings played a significant part in ACT UP’s provocative style of protest, which included raucous demonstrations, die-ins, and other kinds of street theater. Detailing the movement’s public triumphs and private setbacks, Moving Politics is the definitive account of ACT UP’s origin, development, and decline as well as a searching look at the role of emotion in contentious politics.

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cover of Moving Up or Moving On: Who Gets Ahead in the Low-Wage Labor Market?

Moving Up or Moving On

Who Gets Ahead in the Low-Wage Labor Market?

Fredrik Andersson

Russell Sage Foundation, 2005

For over a decade, policy makers have emphasized work as the best means to escape poverty. However, millions of working Americans still fall below the poverty line. Though many of these "working poor" remain mired in poverty for long periods, some eventually climb their way up the earnings ladder. These success stories show that the low wage labor market is not necessarily a dead end, but little research to date has focused on how these upwardly mobile workers get ahead. In Moving Up or Moving On, Fredrik Andersson, Harry Holzer, and Julia Lane examine the characteristics of both employees and employers that lead to positive outcomes for workers. Using new Census data, Moving Up or Moving On follows a group of low earners over a nine-year period to analyze the behaviors and characteristics of individuals and employers that lead workers to successful career outcomes. The authors find that, in general, workers who "moved on" to different employers fared better than those who tried to "move up" within the same firm. While changing employers meant losing valuable job tenure and spending more time out of work than those who stayed put, workers who left their jobs in search of better opportunity elsewhere ended up with significantly higher earnings in the long term—in large part because they were able to find employers that paid better wages and offered more possibilities for promotion. Yet moving on to better jobs is difficult for many of the working poor because they lack access to good-paying firms. Andersson, Holzer, and Lane demonstrate that low-wage workers tend to live far from good paying employers, making an improved transportation infrastructure a vital component of any public policy to improve job prospects for the poor. Labor market intermediaries can also help improve access to good employers. The authors find that one such intermediary, temporary help agencies, improved long-term outcomes for low-wage earners by giving them exposure to better-paying firms and therefore the opportunity to obtain better jobs. Taken together, these findings suggest that public policy can best serve the working poor by expanding their access to good employers, assisting them with job training and placement, and helping them to prepare for careers that combine both mobility and job retention strategies. Moving Up or Moving On offers a compelling argument about how low-wage workers can achieve upward mobility, and how public policy can facilitate the process. Clearly written and based on an abundance of new data, this book provides concrete, practical answers to the large questions surrounding the low-wage labor market.
[more]
cover of Moving Your Library: Getting the Collection from Here to There

Moving Your Library

Getting the Collection from Here to There

Steven Carl Fortriede

American Library Association, 2010

[more]
cover of Moving the Mountain: The Women's Movement in America since 1960

Moving the Mountain

The Women's Movement in America since 1960

Flora Davis

University of Illinois Press, 1999

Moving the Mountain tells the story of the struggles and triumphs of thousands of activists who achieved "half a revolution" between 1960 and 1990. In this award-winning book, the most complete history of the women's movement to date, Flora Davis presents a grass-roots view of the small steps and giant leaps that have changed laws and institutions as well as the prejudices and unspoken rules governing a woman's place in American society. Looking at every major feminist issue from the point of view of the participants in the struggle, Moving the Mountain conveys the excitement, the frustration, and the creative chaos of feminism's Second Wave. A new afterword assesses the movement's progress in the 1990s and prospects for the new century.
 
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cover of Mr. All-Around: The Life of Tom Gola

Mr. All-Around

The Life of Tom Gola

David Grzybowski

Temple University Press, 2019

Tom Gola is a Philadelphia Big Five basketball icon. He led La Salle to the NIT championship in 1952 and the NCAA championship in 1954, and holds the NCAA record for most rebounds in a career. Gola also helped the Philadelphia Warriors win the NBA championship as a rookie in 1956 and was named an All-Star five times before retiring in 1966. But Gola also had many amazing achievements as a coach; his La Salle Explorer teams were a large part of the national basketball landscape. He was inducted into the Naismith Memorial Basketball Hall of Fame in 1976.

In Mr. All-Around, avid sports fan and reporter David Grzybowski provides a definitive biography of Gola. He uses exclusive interviews he conducted with Gola in 2013 and features anecdotes by many figures of Philadelphia and basketball history, including John Cheney, Fran Dunphy, and Lionel Simmons.

After the NBA, Gola transitioned to a second career as a politician, serving as Pennsylvania State Representative and Philadelphia City Controller. His dedication to public service involved joining politician Arlen Specter on a campaign that revolutionized political marketing within Philadelphia. Mr. All-Around is an affectionate testament to the life, career, and legacy of one of Philadelphia’s most beloved sports legends.

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cover of Mr. America: The Tragic History of a Bodybuilding Icon

Mr. America

The Tragic History of a Bodybuilding Icon

By John D. Fair

University of Texas Press, 2015

For most of the twentieth century, the “Mr. America” image epitomized muscular manhood. From humble beginnings in 1939 at a small gym in Schenectady, New York, the Mr. America Contest became the world’s premier bodybuilding event over the next thirty years. Rooted in ancient Greek virtues of health, fitness, beauty, and athleticism, it showcased some of the finest specimens of American masculinity. Interviewing nearly one hundred major figures in the physical culture movement (including twenty-five Mr. Americas) and incorporating copious printed and manuscript sources, John D. Fair has created the definitive study of this iconic phenomenon.

Revealing the ways in which the contest provided a model of functional and fit manhood, Mr. America captures the event’s path to idealism and its slow descent into obscurity. As the 1960s marked a turbulent transition in American society—from the civil rights movement to the rise of feminism and increasing acceptance of homosexuality—Mr. America changed as well. Exploring the influence of other bodily displays, such as the Mr. Universe and Mr. Olympia contests and the Miss America Pageant, Fair focuses on commercialism, size obsession, and drugs that corrupted the competition’s original intent. Accessible and engaging, Mr. America is a compelling portrayal of the glory days of American muscle.

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cover of Mr. Associated Press: Kent Cooper and the Twentieth-Century World of News

Mr. Associated Press

Kent Cooper and the Twentieth-Century World of News

Gene Allen

University of Illinois Press, 2023

Between 1925 and 1951, Kent Cooper transformed the Associated Press, making it the world’s dominant news agency while changing the kind of journalism that millions of readers in the United States and other countries relied on. Gene Allen’s biography is a globe-spanning account of how Cooper led and reshaped the most important institution in American--and eventually international--journalism in the mid-twentieth century.

Allen critically assesses the many new approaches and causes that Cooper championed: introducing celebrity news and colorful features to a service previously known for stodgy reliability, pushing through disruptive technological innovations like the instantaneous transmission of news photos, and leading a crusade to bring American-style press freedom--inseparable from private ownership, in Cooper’s view--to every country. His insistence on truthfulness and impartiality presents a sharp contrast to much of today’s fractured journalistic landscape.

Deeply researched and engagingly written, Mr. Associated Press traces Cooper’s career as he built a new foundation for the modern AP and shaped the twentieth-century world of news.

[more]
cover of Mr. Chairman: The Life and Legacy of Wilbur D. Mills

Mr. Chairman

The Life and Legacy of Wilbur D. Mills

Kay Collett Goss

Parkhurst Brothers, Inc., 2012

No-holds barred bio of national budget czar (during the 1950s and 1960s), Wilbur D. Mills, who was Chairman of the United States House of Representatives Committee on Ways and Means for nineteen years.  Mills tutuladge of young congressman, such as George H.W. Bush (the future president #41) and detailed knowledge of the United States Tax Code, as well as his behind-the-scenes network of information and the leanings of congressional members earned him high regard in the eyes of presidents Eisenhower, Kennedy, and Nixon.  Mills' career came to an abrupt end when he was found at the Tidal Basin with exotic dancer, Fanny Foxe.  The text describes both Mills the powerful politician and Mills' sometimes troubled personal life with clarity and in detail.
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cover of Mr. Democrat: Jim Farley, the New Deal and the Making of Modern American Politics

Mr. Democrat

Jim Farley, the New Deal and the Making of Modern American Politics

Daniel Scroop

University of Michigan Press, 2006


Mr. Democrat tells the story of Jim Farley, Franklin D. Roosevelt's campaign manager. As party boss, Farley experienced unprecedented success in the New Deal years. And like his modern counterpart Karl Rove, Farley enjoyed unparalleled access and power. Unlike Rove, however, Farley was instrumental in the creation of an overwhelming new majority in American politics, as the emergence of the New Deal transformed the political landscape of its time.

Mr. Democrat is timely and indispensable not just because Farley was a fascinating and unduly neglected figure, but also because an understanding of his career advances our knowledge of how and why he revolutionized the Democratic Party and American politics in the age of the New Deal.

Daniel Scroop is Lecturer in American History, University of Liverpool School of History.
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cover of Mr. Dooley in Peace and in War

Mr. Dooley in Peace and in War

Finley Peter Dunne

University of Illinois Press, 1988

Welcome to Mr. Dooley's place, a neighborhood saloon in the working-class community of Bridgeport, located on Chicago's near southwest side. Here matters of the gravest import are perused with homespun philosophy and good cheer. Covering the waterfront from Mack's (President McKinley's) foreign policies and political appointments to the Alaskan gold rush and juvenile delinquency, Martin T. Dooley holds forth from behind the bar, benevolently dispensing equal portions of wisdom and comical misunderstanding.

As Charlie McCarthy is to Edgar Bergen, so is Martin T. Dooley to newspaper humorist Finley Peter Dunne. Mr. Dooley in Peace and in War, originally published in 1898, collects brief, humorous pieces Dunne wrote for the Chicago Evening Post and the Chicago Journal. In an Irish-American dialect as thick as the foam on a pint of stout, Mr. Dooley and his friends discuss the military "sthrateejy" for American action in Cuba, "iliction" day shenanigans, Queen Victoria's jubilee, the "new woman," and the strange American sport of football, in which a player puts "a pair iv matthresses on his legs, a pillow behind, [and] a mask over his nose" and tries to kill his fellow men. Through his tall tales and speculations, Mr. Dooley reveals the pleasure and pain of being Irish in Chicago at the turn of the twentieth century.

Clothed in the charming hyperbole and mislocution of the unflappable Mr. Dooley, Dunne's incisive social criticism flies unerringly to the target, exposing prejudice, hypocrisy, insensitivity, and plain old-fashioned humbug.

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cover of Mr. Jefferson and the Giant Moose: Natural History in Early America

Mr. Jefferson and the Giant Moose

Natural History in Early America

Lee Alan Dugatkin

University of Chicago Press, 2009

In the years after the Revolutionary War, the fledgling republic of America was viewed by many Europeans as a degenerate backwater, populated by subspecies weak and feeble. Chief among these naysayers was the French Count and world-renowned naturalist Georges-Louis Leclerc de Buffon, who wrote that the flora and fauna of America (humans included) were inferior to European specimens.

Thomas Jefferson—author of the Declaration of Independence, U.S. president, and ardent naturalist—spent years countering the French conception of American degeneracy. His Notes on Virginia systematically and scientifically dismantled Buffon’s case through a series of tables and equally compelling writing on the nature of his home state. But the book did little to counter the arrogance of the French and hardly satisfied Jefferson’s quest to demonstrate that his young nation was every bit the equal of a well-established Europe. Enter the giant moose.

The American moose, which Jefferson claimed was so enormous a European reindeer could walk under it, became the cornerstone of his defense. Convinced that the sight of such a magnificent beast would cause Buffon to revise his claims, Jefferson had the remains of a seven-foot ungulate shipped first class from New Hampshire to Paris. Unfortunately, Buffon died before he could make any revisions to his Histoire Naturelle, but the legend of the moose makes for a fascinating tale about Jefferson’s passion to prove that American nature deserved prestige.

In Mr. Jefferson and the Giant Moose, Lee Alan Dugatkin vividly recreates the origin and evolution of the debates about natural history in America and, in so doing, returns the prize moose to its rightful place in American history.

[more]
cover of Mr. Justice Black and His Critics

Mr. Justice Black and His Critics

Tinsley E. Yarbrough

Duke University Press, 1988

Many jurists give lip service to the idea that judicial interpretation of constitutional provisions should be based on the intent of the framers. Few, if any, have been as faithful to that conception as Hugo Black. As U.S. senator from Alabama, Black was a vigorous critic of the Supreme Court's use of the Constitution as a weapon against the Roosevelt New Deal. Once on the court he played a leading role in overturning those decisions and in attempting to establish for freedom of speech and other guarantees the interpretation he (and others) believe was warranted by the language and intent of the framers.
Late in his career, however, Black's commitment to literalism and intent led him to assume apparently conservative positions in civil liberties cases. In an era characterized by growing acceptance of the belief that judges should adapt the Constitution to changing social and ethical perceptions, many came to regard Black's position as unrealistic and irrelevant.
Tinsley E. Yarbrough analyzes Black's judicial and constitutional philosophy, as well as his approach to specific cases, through the eyes of Black's critics (such as Justices Frankfurter and Harlan) and through an assessment of scholarly opinion of his jurisprudence. The result is a stimulating and provocative addition to the study of Justice Black and the Supreme Court.
[more]
cover of Mr. President: A Life of Benjamin Harrison

Mr. President

A Life of Benjamin Harrison

Ray E. Boomhower

Indiana Historical Society Press, 2018

Mr. President: A Life of Benjamin Harrison, the thirteenth volume in the Indiana Historical Society Press’s youth biography series, examines Harrison’s rise to political prominence after his service as a Union army general during the Civil War. Although he served only one term, defeated for re-election by Cleveland in 1892, Harrison had some impressive achievements during his four years in the White House. His administration worked to have Congress pass the Sherman Antitrust Act to limit business monopolies, fought to protect voting rights for African American citizens in the South, preserved millions of acres for forest reserves and national parks, modernized the American navy, and negotiated several successful trade agreements with other countries in the Western Hemisphere. After losing the White House, Harrison returned to Indianapolis, once again becoming one of the city’s leading citizens. He died from pneumonia on March 13, 1901, in his home on North Delaware Street, today open to the public as the Benjamin Harrison Presidential Site.
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cover of Mrs. Abraham Lincoln: A Study of Her Personality and Her Influence on Lincoln

Mrs. Abraham Lincoln

A Study of Her Personality and Her Influence on Lincoln

W.A. Evans, Foreword by Jason Emerson

Southern Illinois University Press, 1932

First published in 1932, this was the first thoroughly researched biography of Mary Lincoln ever written, and it remains the most balanced and complete work on this controversial First Lady. Author W. A. Evans challenges the disparaging views of Mary Lincoln that were generally accepted at the time, offering a comprehensive and informed look at a woman whose physical and mental health problems have often been misconstrued or overlooked by other biographers. Evans conducted extensive research, interviewing Mrs. Lincoln’s family members, seeking advice and assistance from numerous Lincoln scholars and historians, scouring thousands of pages of contemporary newspapers and primary resources, reviewing correspondence Mary wrote during her stay at Bellevue Place sanitarium, and consulting with several medical experts. The result of all this research is an objective and detailed portrait of Mrs. Lincoln and her influence on her husband that still has a great deal of historical value for readers today.

A new foreword by Jason Emerson, author of The Madness of Mary Lincoln, provides biographical information on Evans and background on the origins of the book and its reception and influence. Finally back in print, this classic biography is essential reading for all with an interest in the Lincoln family.

[more]
cover of Mrs. Goodfellow: The Story of America's First Cooking School

Mrs. Goodfellow

The Story of America's First Cooking School

Becky Libourel Diamond

Westholme Publishing, 2012

Recovering the Life and Influence of the “Mother of American Cooking,” the Woman Who Changed the Way We Learn How to Prepare Meals

In Philadelphia during the first decades of the nineteenth century, a widow, Mrs. Elizabeth Goodfellow, ran a popular bakery and sweet shop. In addition to catering to Philadelphia’s wealthy families and a reputation of having the finest desserts and sweet dishes in the young country, her business stood out from every other establishment in another way: she ran a small school to learn the art of cooking, the first of its kind in America. Despite her fame—references to her cooking as a benchmark abound in the literature of the period—we know very little about who she was. Since she did not keep a journal and never published any of her recipes, we have to rely on her students, most notably Eliza Leslie, who fortunately recorded many of Goodfellow’s creations and techniques. Goodfellow is known to have made the first lemon meringue pie and for popularizing regional foods, such as Indian (corn) meal. Her students also recall that Mrs. Goodfellow stressed using simple wholesome ingredients that were locally grown, presaging modern culinary fashion.

By assembling the many parts of this puzzle from old recipe books, advertisements, letters, diaries, genealogical records, and other primary sources, researcher and writer Becky Diamond has been able to provide a more complete portrait of this influential figure in cooking history. Mrs. Goodfellow: The Story of America’s First Cooking School begins with what we know about Elizabeth Goodfellow—where she was born, her husbands, her children, where her shop was located. We then travel back in time to discover the kinds of foods that would have been available to Goodfellow and how she may have used them. The book next turns to the rise of both commercial eating establishements and books of recipes. From here, the author explains the rapid expansion of cooking schools, such as the New York Cooking Academy and the Boston Cooking School, made famous through its association with Fannie Farmer, and ends with a discussion of the role of celebrity chefs. Thoroughly researched and including a range of authentic recipes, Mrs. Goodfellow is a delicious exploration of the life and legacy of one of America’s most influential cooks.

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cover of Mrs. Shipley's Ghost: The Right to Travel and Terrorist Watchlists

Mrs. Shipley's Ghost

The Right to Travel and Terrorist Watchlists

Jeffrey Kahn

University of Michigan Press, 2014

Today, when a single person can turn an airplane into a guided missile, no one objects to rigorous security before flying. But can the state simply declare some people too dangerous to travel, ever and anywhere? Does the Constitution protect a fundamental right to travel? Should the mode of travel (car, plane, or boat) or itinerary (domestic or international) make a constitutional difference? This book explores the legal and policy questions raised by government travel restrictions, from passports and rubber stamps to computerized terrorist watchlists.

In tracing the history and scope of U.S. travel regulations, Jeffrey Kahn begins with the fascinating story of Mrs. Ruth Shipley, a federal employee who almost single-handedly controlled access to passports during the Cold War. Kahn questions how far national security policies should go and whether the government should be able to declare some individuals simply too dangerous to travel. An expert on constitutional law, Kahn argues that U.S. citizens’ freedom to leave the country and return is a fundamental right, protected by the Constitution.

[more]
cover of Mu, 49 Marks of Abolition

Mu, 49 Marks of Abolition

Sora Y. Han

Duke University Press, 2024

In March 2020, Sora Y. Han learned her father was dying of cancer just as the COVID-19 pandemic arrived on California's shores. These two events led Han to introspection: “Who have I been writing to?” and “Who have I been writing for?” In her observance of the 49 days of mourning in Buddhist tradition, answers come in the form of mu – no thing, nothingness. Han’s poetic meditations on freedom struggle come alive in the empty spaces between words, letters, and pictograms spanning her many languages—English, Korean, Chinese, jazz, law, and poetry. Transliterating and dystranslating the writings of Fred Moten, Theresa Hak Kyung Cha, Jacques Lacan, Frantz Fanon, and others through the Korean alphabet, Han weaves the DMZ, Betty’s Case, the Thirteenth Amendment, Afro-pessimism, and psychoanalytic desire together into the open field of Bay Area radicalism. Mu is both a loving homage to and a playful subversion of political inheritances and the unsayable beyond law.
[more]
cover of Much Ado about Culture: North American Trade Disputes

Much Ado about Culture

North American Trade Disputes

Keith Acheson and Christopher Maule

University of Michigan Press, 2001

In Canada, the audio-visual and print industries are referred to as the cultural industries, whereas the United States calls them the entertainment industries. These language distinctions are accompanied by different domestic policies and political discourses. The United States has relatively open policies toward these activities, while Canada has adopted an inward-looking approach. Failure to integrate cultural industries into NAFTA and WTO has led to trade disputes between Canada and the United States over copyrights, television licensing, violence in media, and discriminatory magazine policy, indicating the need for an agreed-upon process for settling cultural trade disputes.
Much Ado about Culture explores the differing sets of policies--cultural nationalism versus the open option--and the resulting conflicts in the context of technological developments as well as international agreements dealing with trade, investment, copyright, and labor movements. The Canadian cultural industries are examined, from film and television production and distribution to broadcasting, publishing, and sound recording. Several areas of recent conflict, such as Sports Illustrated, Country Music Television, and Borders Books, highlight the types of policies disputed, the process followed, and the conclusions reached. Finally, the authors propose an alternative approach to constraining national cultural policies by international agreement that would allow the gains from openness to be realized while serving legitimate cultural concerns.
Authored by the acknowledged experts on trade disputes in the cultural arena, this book will be essential reading for international economists, policymakers, and lawyers interested in the cultural industries.
Keith Acheson and Christopher Maule are Professors of Economics, Carleton University, Ontario.
[more]