2335 books match the query 'Modern' and 147 start with m

cover of Media and the Mind: Art, Science, and Notebooks as Paper Machines,  1700-1830

Media and the Mind

Art, Science, and Notebooks as Paper Machines, 1700-1830

Matthew Daniel Eddy

University of Chicago Press, 2022

A beautifully illustrated argument that reveals notebooks as extraordinary paper machines that transformed knowledge on the page and in the mind.

We often think of reason as a fixed entity, as a definitive body of facts that do not change over time. But during the Enlightenment, reason also was seen as a process, as a set of skills enacted on a daily basis. How, why, and where were these skills learned? Concentrating on Scottish students living during the long eighteenth century, this book argues that notebooks were paper machines and that notekeeping was a capability-building exercise that enabled young notekeepers to mobilize everyday handwritten and printed forms of material and visual media in a way that empowered them to judge and enact the enlightened principles they encountered in the classroom. Covering a rich selection of material ranging from simple scribbles to intricate watercolor diagrams, the book reinterprets John Locke’s comparison of the mind to a blank piece of paper, the tabula rasa. Although one of the most recognizable metaphors of the British Enlightenment, scholars seldom consider why it was so successful for those who used it. Each chapter uses one core notekeeping skill to reveal the fascinating world of material culture that enabled students in the arts, sciences, and humanities to transform the tabula rasa metaphor into a dynamic cognitive model. Starting in the home, moving to schools, and ending with universities, the book reconstructs the relationship between media and the mind from the bottom up. It reveals that the cognitive skills required to make and use notebooks were not simply aids to reason; rather, they were part of reason itself.
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cover of Mediating Culture in the Seventeenth-Century German Novel: Eberhard Werner Happel, 1647-1690

Mediating Culture in the Seventeenth-Century German Novel

Eberhard Werner Happel, 1647-1690

Gerhild Scholz Williams

University of Michigan Press, 2014

Eberhard Happel, German Baroque author of an extensive body of work of fiction and nonfiction, has for many years been categorized as a “courtly-gallant” novelist. In Mediating Culture in the Seventeenth-Century German Novel, author Gerhild Scholz Williams argues that categorizing him thus is to seriously misread him and to miss out on a fascinating perspective on this dynamic period in German history.

Happel primarily lived and worked in the vigorous port city of Hamburg, which was a “media center” in terms of the access it offered to a wide library of books in public and private collections. Hamburg’s port status meant it buzzed with news and information, and Happel drew on this flow of data in his novels. His books deal with many topics of current interest—national identity formation, gender and sexualities, Western European encounters with neighbors to the East, confrontations with non-European and non-Western powers and cultures—and they feature multiple media, including news reports, news collections, and travel writings. As a result, Happel’s use of contemporary source material in his novels feeds our current interest in the impact of the production of knowledge on seventeenth-century narrative. Mediating Culture in the Seventeenth-Century German Novel explores the narrative wealth and multiversity of Happel’s work, examines Happel’s novels as illustrative of seventeenth-century novel writing in Germany, and investigates the synergistic relationship in Happel’s writings between the booming print media industry and the evolution of the German novel.

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cover of Medical Misinformation in Early Modern Germany

Medical Misinformation in Early Modern Germany

Christopher Hutchinson

University of Delaware Press, 2026

Medical Misinformation in Early Modern Germany examines how doctors, writers, and printers in sixteenth-century Germany responded to the rapid expansion of print and its implications for medical knowledge. The spread of printed texts generated widespread suspicion about print’s reliability as a conduit of information and led writers to reflect on questions of audience, vernacularity, and medical authority in their responses to disease. The book investigates literary texts alongside popular vernacular medical pamphlets on the major epidemic diseases of the period––plague, syphilis, and the English sweating sickness––to reveal a widespread concern with the impact of printed texts on public health. During the 1529 outbreak of the English sweating sickness, this concern culminated in writers’ use of a “rhetoric of virality,” explicitly comparing the circulation of texts to the spread of disease, as they confronted the parallel contagions of disease and information.

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cover of Medicine, Law, and the State in Imperial Russia

Medicine, Law, and the State in Imperial Russia

Elisa M. Becker

Central European University Press, 2011

Examines the theoretical and practical outlook of forensic physicians in Imperial Russia, from the 18th to the early 20th centuries, arguing that the interaction between state and these professionals shaped processes of reform in contemporary Russia. It demonstrates the ways in which the professional evolution of forensic psychiatry in Russia took a different turn from Western models, and how the process of professionalization in late imperial Russia became associated with liberal legal reform and led to the transformation of the autocratic state system.
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cover of Medieval Essays (The Works of Christopher Dawson)

Medieval Essays (The Works of Christopher Dawson)

Christopher Dawson

Catholic University of America Press, 2002

Medieval Essays is the mature reflection of one of the most gifted cultural historians of the twentieth century.
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cover of Meiji Graves in Happy Valley: Stories of Early Japanese Residents in Hong Kong

Meiji Graves in Happy Valley

Stories of Early Japanese Residents in Hong Kong

Yoshiko Nakano and Georgina Challen

Hong Kong University Press, 2024

Stories of Meiji-era Japanese residents and their final resting place in Hong Kong.

The Hong Kong Cemetery in Happy Valley is home to over 470 graves connected to the city’s Japanese population. Most of these graves belong to individuals who died during the Meiji era (1868–1912), a remarkable period of modernization and opening up of Japan that saw thousands of its inhabitants travel to other parts of the world to study, work, and settle. Who were these people? What were they doing in Hong Kong? And why were unbaptized Japanese buried in what was called at one time the "Protestant Cemetery"?

Hong Kong’s Meiji-era Japanese community was one of two halves. Company executives sat atop the social ladder and karayuki-san, or prostitutes, occupied the lower echelons, with tradespeople and professionals somewhere in between. By revealing the personal journeys of these mostly forgotten Japanese, the authors aim to add to transnational perspectives on Hong Kong and Japan during the late nineteenth and early twentieth centuries, as well as increase recognition of this fragmented community’s place in the development of this diverse city.
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cover of Memoir of Hungary: 1944-1948

Memoir of Hungary

1944-1948

Sándor Márai

Central European University Press, 1996

This scathing, at times humorous, and always insightful memoir by exiled Hungarian novelist Sándor Márai, provides one of the most poignant and human portraits of life in Hungary between the German occupation in 1944 and the solidification of communist power in 1948. Both a fervent anti-fascist and anti-communist, Márai draws a vivid portrait of the Hungarian peasantry and middle-class during this period, while delivering a telling indictment of the communist system from which he fled. Witty, aphoristic and psychologically clear-sighted, this memoir depicts the tragedy and pathos of a crucial period in the post-war history of a nation which has been 'central' to both the communists and the post-communist history of our times.

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cover of Memoir of My Youth in Cuba: A Soldier in the Spanish Army during the Separatist War, 1895–1898

Memoir of My Youth in Cuba

A Soldier in the Spanish Army during the Separatist War, 1895–1898

Dolores J. Walker

University of Alabama Press, 2017

A historically significant memoir offering a firsthand perspective on life, identity, and cultural transformation in nineteenth-century Cuba.

Memoir of My Youth in Cuba: A Soldier in the Spanish Army during the Separatist War, 1895–1898 is a translation of the memoir Memorias de mi juventud en Cuba: Un soldado del ejército español en la guerra separatista (1895–1898) by Josep Conangla. The English edition is based on the Spanish version edited by Joaquín Roy, who found the memoir and was given access to the Conangla family archives. Conangla’s memoir, now available in English, is an important addition to the accounts of Spanish and Cuban soldiers who served in Cuba’s second War of Independence.

Spaniard Josep Conangla was conscripted at the age of twenty and sent to Cuba. In the course of his time there, he reaffirmed his pacifism and support of Cuban independence. The young man was a believer who unfailingly connected his view of events to the Christian humanitarianism on which he prided himself. Conangla’s advanced education and the influence of well-placed friends facilitated his assignment to safe bureaucratic positions during the war, ensuring that he would not see combat. From his privileged position, he was a keen observer of his surroundings. He described some of the decisions he made—which at times put him at odds with the military bureaucracy he served—along with what he saw as the consequences of General Valeriano Weyler’s decree mandating the reconcentración, an early version of concentration camps. What Conangla saw fueled his revulsion at the collusion of the Spanish state and its state-sponsored religion in that policy. “Red Mass,” published six years after the War of Independence and included in his memoir, is a vivid expression in verse of his abhorrence.

Conangla’s recollections of the contacts between Spaniards and Cubans in the areas to which he was assigned reveal his ability to forge friendships even with Creole opponents of the insurrection. As an aspiring poet and writer, Conangla included material on fellow writers, Cuban and Spanish, who managed to meet and exchange ideas despite their circumstances. His accounts of the Spanish defeat, the scene in Havana around the end of the war, along with his return to Spain, are stirring.

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cover of Memoirs of the Count of Comminge and The Misfortunes of Love

Memoirs of the Count of Comminge and The Misfortunes of Love

Claudine-Alexandrine Guérin de Tencin

Iter Press, 2016

These translations from the French bring two of Claudine-Alexandrine de Tencin’s novels back to life: The Memoirs of the Count of Comminge (1735), presented as a much-needed new translation, and The Misfortunes of Love (1747), appearing here for the first time in English. Published more than half a century after Marie-Madeleine de Lafayette’s La Princesse de Clèves, they belonged less to Tencin’s time than to the tradition of the “feminine historical novel” inspired by Lafayette. Beautifully written in the spare but powerful prose characteristic of French classicism and widely read both in Tencin’s lifetime and beyond, the novels were forgotten in the mid-nineteenth century. Like the work of Abbé Prévost and Pierre de Marivaux, they were important contributions to the early sentimental novel. They also anticipated, surprisingly, the gothic novels of Ann Radcliffe which appeared later in the century.
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cover of Memory Battles of the Spanish Civil War: History, Fiction, Photography

Memory Battles of the Spanish Civil War

History, Fiction, Photography

Sebastiaan Faber

Vanderbilt University Press, 2017

The ability to forget the violent twentieth-century past was long seen as a virtue in Spain, even a duty. But the common wisdom has shifted as increasing numbers of Spaniards want to know what happened, who suffered, and who is to blame. Memory Battles of the Spanish Civil War shows how historiography, fiction, and photography have shaped our views of the 1936-39 war and its long, painful aftermath.

Faber traces the curious trajectories of iconic Spanish Civil War photographs by Robert Capa, Gerda Taro, and David Seymour; critically reads a dozen recent Spanish novels and essays; interrogates basic scholarly assumptions about history, memory, and literature; and interviews nine scholars, activists, and documentarians who in the past decade and a half have helped redefine Spain's relationship to its past. In this book Faber argues that recent political developments in Spain--from the grassroots call for the recovery of historical memory to the indignados movement and the foundation of Podemos--provide an opportunity for scholars in the humanities to engage in a more activist, public, and democratic practice.
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cover of Memory Passages: Holocaust Memorials in the United States and Germany

Memory Passages

Holocaust Memorials in the United States and Germany

Natasha Goldman

Temple University Press, 2020

For decades, artists and architects have struggled to relate to the Holocaust in visual form, resulting in memorials that feature a diversity of aesthetic strategies. In Memory Passages, Natasha Goldman analyzes both previously-overlooked and internationally-recognized Holocaust memorials in the United States and Germany from the postwar period to the present, drawing on many historical documents for the first time. From the perspectives of visual culture and art history, the book examines changing attitudes toward the Holocaust and the artistic choices that respond to it.

The book introduces lesser-known sculptures, such as Nathan Rapoport’s Monument to the Six Million Jewish Martyrs in Philadelphia, as well as internationally-acclaimed works, such as Peter Eisenman’s Memorial to the Murdered Jews of Europe in Berlin. Other artists examined include Will Lammert, Richard Serra, Joel Shapiro, Gerson Fehrenbach, Margit Kahl, and Andy Goldsworthy.Archival documents and interviews with commissioners, survivors, and artists reveal the conversations and decisions that have shaped Holocaust memorials.

Memory Passages suggests that memorial designers challenge visitors to navigate and activate spaces to engage with history and memory by virtue of walking or meandering. This book will be valuable for anyone teaching—or seeking to better understand—the Holocaust.

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cover of Memory: Fragments of a Modern History

Memory

Fragments of a Modern History

Alison Winter

University of Chicago Press, 2011

Picture your twenty-first birthday. Did you have a party? If so, do you remember who was there? Now step back: how clear are those memories? Should we trust them to be accurate, or is there a chance that you’re remembering incorrectly? And where have the many details you can no longer recall gone? Are they hidden somewhere in your brain, or are they gone forever?

Such questions have fascinated scientists for hundreds of years, and, as Alison Winter shows in Memory: Fragments of a Modern History, the answers have changed dramatically in just the past century. Tracing the cultural and scientific history of our understanding of memory, Winter explores early metaphors that likened memory to a filing cabinet; later, she shows, that cabinet was replaced by the image of a reel of film, ever available for playback. That model, too, was eventually superseded, replaced by the current understanding of memory as the result of an extremely complicated, brain-wide web of cells and systems that together assemble our pasts. Winter introduces us to innovative scientists and sensationalistic seekers, and, drawing on evidence ranging from scientific papers to diaries to movies, explores the way that new understandings from the laboratory have seeped out into psychiatrists' offices, courtrooms, and the culture at large. Along the way, she investigates the sensational battles over the validity of repressed memories that raged through the 1980s and shows us how changes in technology—such as the emergence of recording devices and computers—have again and again altered the way we conceptualize, and even try to study, the ways we remember.

Packed with fascinating details and curious episodes from the convoluted history of memory science, Memory is a book you'll remember long after you close its cover.

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cover of Menace of Our Time: The Long War Against American Communism

Menace of Our Time

The Long War Against American Communism

Aaron J. Leonard

Rutgers University Press, 2025

A survey of the far-reaching measures the U.S. government brought to bear against the CPUSA, from poison-pen letters to the Red Scare and beyond.
 

Beginning at the turn of the twentieth century and ending only with the Soviet Union’s collapse in 1991, the U.S. government and major elements in the wider society waged an unrelenting campaign to suppress and criminalize domestic communism. This long-overdue book details the longest and most extensive repressive operation ever undertaken by U.S. authorities against a domestic political organization that, however problematic, was largely operating within the scope of constitutionally mandated freedoms. Beyond that, this is the story of how systemic measures against U.S. communists—in contrast to the vaunted claims of American political freedom—defined the political landscape of the last century.

Menace of Our Time tracks the suppression efforts aimed at the group, including the state laws of the twenties that imprisoned the fledgling communist leadership; the tactics used by police and local authorities against communists as they fought for unions, racial equality, and the unemployed; the trials and imprisonment of communist leaders mid-century; the extra-legal efforts of the Counterintelligence Program (COINTELPRO) in the sixties; and the ongoing, relentless surveillance by the FBI that followed. In examining the far-reaching measures the government brought to bear against the Communist Party USA, Aaron J. Leonard provides a clearer picture of the mechanics of social and political repression that abound in the society we still inhabit. 

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cover of Merce Cunningham: After the Arbitrary

Merce Cunningham

After the Arbitrary

Carrie Noland

University of Chicago Press, 2019

One of the most influential choreographers of the twentieth century, Merce Cunningham is known for introducing chance to dance. Far too often, however, accounts of Cunningham’s work have neglected its full scope, focusing on his collaborations with the visionary composer John Cage or insisting that randomness was the singular goal of his choreography. In this book, the first dedicated to the complete arc of Cunningham’s career, Carrie Noland brings new insight to this transformative artist’s philosophy and work, providing a fresh perspective on his artistic process while exploring aspects of his choreographic practice never studied before.
Examining a rich and previously unseen archive that includes photographs, film footage, and unpublished writing by Cunningham, Noland counters prior understandings of Cunningham’s influential embrace of the unintended, demonstrating that Cunningham in fact set limits on the role chance played in his dances. Drawing on Cunningham’s written and performed work, Noland reveals that Cunningham introduced variables before the chance procedure was applied and later shaped and modified the chance results. Chapters explore his relation not only to Cage, but also Marcel Duchamp, Robert Rauschenberg, James Joyce, and Bill T. Jones. Ultimately, Noland shows that Cunningham approached movement as more than “movement in itself,” and that his work enacted archetypal human dramas. This remarkable book will forever change our appreciation of the choreographer’s work and legacy.
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cover of Mesmerized: Powers of Mind in Victorian Britain

Mesmerized

Powers of Mind in Victorian Britain

Alison Winter

University of Chicago Press, 1998

Across Victorian Britain, apparently reasonable people twisted into bizarre postures, called out in unknown languages, and placidly bore assaults that should have caused unbearable pain all while they were mesmerized. Alison Winter's fascinating cultural history traces the history of mesmerism in Victorian society. Mesmerized is both a social history of the age and a lively exploration of the contested territory between science and pseudo-science.

"Dazzling. . . . This splendid book . . . gives us a new form of historical understanding and a model for open and imaginative reading."—James R. Kinkaid, Boston Globe

"A landmark in the history of science scholarship."—John Sutherland, The Independent

"It is difficult to imagine the documentary side of the story being better done than by Winter's well-researched and generously illustrated study. . . . She is a lively and keen observer; and her book is a pleasure to read purely for its range of material and wealth of detail. . . . Fruitful and suggestive."—Daniel Karlin, Times Literary Supplement

"An ambitious, sweeping and fascinating historical study. . . . Beautifully written, thoroughly researched, and well-illustrated."—Bernard Lightman, Washington Times
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cover of Messengers of Disaster: Raphael Lemkin, Jan Karski, and Twentieth-Century Genocides

Messengers of Disaster

Raphael Lemkin, Jan Karski, and Twentieth-Century Genocides

Annette Becker, Translated by Käthe Roth

University of Wisconsin Press, 2021

Leading up to World War II, two Polish men witnessed the targeted extermination of Jews under Adolf Hitler and the German Reich before the reality of the Holocaust was widely known. Raphael Lemkin, a Jewish lawyer who coined the term "genocide," and Jan Karski, a Catholic member of the Polish resistance, independently shared this knowledge with Winston Churchill and Franklin D. Roosevelt. Having heard false rumors of wartime atrocities before, the leaders met the messengers with disbelief and inaction, leading to the eventual murder of more than six million people.

Messengers of Disaster draws upon little-known texts from an array of archives, including the International Committee of the Red Cross in Geneva and the International Tracing Service in Bad Arolsen. Carrying the knowledge of disaster took a toll on Lemkin and Karski, but their work prepared the way for the United Nations to unanimously adopt the first human rights convention in 1948 and influenced the language we use to talk about genocide today. Annette Becker's detailed study of these two important figures illuminates how distortions of fact can lead people to deny knowledge of what is happening in front of their own eyes.
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cover of Metamorphosis in Russian Modernism

Metamorphosis in Russian Modernism

Peter I. Barta

Central European University Press, 2000

Modern Russia has been shaped by Peter the Great's sudden attempt to transform it into a European country. Since shapeshifting and identity are so closely linked in Russian history, it is hardly surprising that metamorphosis is a prevalent - albeit hitherto neglected - theme in Russian literature. Metamorphoses in Russian Modernism provides the first detailed account of metamorphosis as a Russian theme, structuring principle, and source of artistic identity. Barta examines how the magical transformations depicted in the ancient classics and in the oral epic heritage resonate in Russian literature and film at the fin de siècle and the early decades of the twentieth century - a period of dynamic change in Russian culture. Two hundred years after Peter's forceful westernization and facing its second crucial transformation in 1917, Russia witnessed the decay of classic realism and positivism and the rise of irrational philosophies, psychoanalysis, artistic experimentation, Marxism, as well as the birth of the new genre of film. This in-depth volume examines metamorphosis in the works of prominent representatives of the divided Russian intelligentsia: the Symbolists; the most famous émigré writer, Nabokov; Olesha, the 'fellow traveller' attempting to find his place in the Soviet state; the enthusiastic poet of the Bolshevik movement, Maiakovskii; and finally, Russia's greatest film director, Sergei Eisenstein. The volume directs attention to the fact that Russia itself is a metamorph. The shapeshifter always retains features of previous identities and is sometimes capable of returning into previous forms; whether today's Russia will want to, or be able to do so, remains to be seen. It is futile to attempt to try to understand this civilisation - let alone predict its future - without considering the intellectual, social and emotional reasons why it is not at rest with itself. It is to this end that this volume hopes to make a contribution.
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cover of Metaphysical Disputation I: On the Nature of First Philosophy or Metaphysics

Metaphysical Disputation I

On the Nature of First Philosophy or Metaphysics

Francisco Suarez

Catholic University of America Press, 2021

Francisco Suárez (1548-1617) was one of the most important philosophers and theologians of Early Modern Scholasticism. Although Suárez spent most of his academic career as a professor of theology, he is better known today for his Metaphysical Disputations (Salamanca, 1597). The present volume contains a facing-page English translation of Metaphysical Disputation I, which is introductory and devoted to the nature of metaphysics itself. In it, Suárez first specifies this science’s object and nature (Sections 1 and 2) and then discusses its unity (Section 3), its end, utility and functions (Section 4), its status as the most perfect natural science and true wisdom (Section 5), and finally the thesis that it is the science most of all desired by means of a natural appetite (Section 6). Those interested in late scholastic conceptions of metaphysics and their influence on the better known metaphysical systems of the seventeenth century – e.g., Descartes’s – will find the volume especially useful. The Latin text contained in this volume introduces a significant number of corrections to the text of the Vivès edition, the one standardly used by scholars of Suárez, and thus more faithfully reproduces the text of the first edition. The volume also contains a lengthy introduction that provides a detailed survey of the disputation’s principal claims and arguments.
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cover of Metaphysical Disputation II: On the Essential Concept or Concept of Being

Metaphysical Disputation II

On the Essential Concept or Concept of Being

Francisco Suarez

Catholic University of America Press, 2022

Francisco Suárez (1548-1617) was one of the most important philosophers and theologians of early modern Aristotelian scholasticism. Although Suárez spent most of his academic career as a professor of theology, he is better known today for his Metaphysical Disputations (Salamanca, 1597). The present volume contains a facing-page English translation of Metaphysical Disputation II, which is devoted to the nature of real being, the subject of metaphysics. In it, Suárez is especially concerned, first, to argue there is a single nature of being common to all real beings, and second, to show what this nature consists in. The Latin text contained in this volume introduces a significant number of corrections to the text of the Vivès edition, the one standardly used by scholars of Suárez, and thus more faithfully reproduces the text of the first edition. The volume also contains a lengthy introduction that provides a detailed survey of the disputation’s principal claims and arguments.
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cover of Metaphysical Disputations III and IV: On Being's Passions in General and Its Principles and On Transcendental Unity in General

Metaphysical Disputations III and IV

On Being's Passions in General and Its Principles and On Transcendental Unity in General

Francisco Suarez

Catholic University of America Press, 2023

Francisco Suárez (1548-1617) was one of the most important philosophers and theologians of Early Modern Scholasticism. Although Suárez spent most of his academic career as a professor of theology, he is better known today for his Metaphysical Disputations (Salamanca, 1597). The present volume contains a facing-page English translation of Metaphysical Disputations III & IV. Metaphysical Disputation III offers a general treatment of the properties of being as such, while Metaphysical Disputation IV deals with one of these properties in particular, transcendental unity. The Latin text contained in this volume introduces a significant number of corrections to the text of the Vivès edition, the one standardly used by scholars of Suárez, and thus more faithfully reproduces the text of the first edition. The volume also contains a lengthy introduction that provides a detailed survey of the disputations’ principal claims and arguments.
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cover of Mexico's Merchant Elite, 1590-1660: Silver, State, and Society

Mexico's Merchant Elite, 1590-1660

Silver, State, and Society

Louisa Schell Hoberman

Duke University Press, 1991

Combining social, political, and economic history, Louisa Schell Hoberman examines a neglected period in Mexico’s colonial past, providing the first book-length study of the period’s merchant elite and its impact on the evolution of Mexico.
Through extensive archival research, Hoberman brings to light new data that illuminate the formation, behavior, and power of the merchant class in New Spain. She documents sources and uses of merchant wealth, tracing the relative importance of mining, agriculture, trade, and public office. By delving into biographical information on prominent families, Hoberman also reveals much about the longevity of the first generation’s social and economic achievements.
The author’s broad analysis situates her study in the overall environment in which the merchants thrived. Among the topics discussed are the mining and operation of the mint, Mexico’s political position vis-a-vis Spain, and the question of an economic depression in the seventeenth century.
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cover of Mexico's Once and Future Revolution: Social Upheaval and the Challenge of Rule since the Late Nineteenth Century

Mexico's Once and Future Revolution

Social Upheaval and the Challenge of Rule since the Late Nineteenth Century

Gilbert M. Joseph and Jürgen Buchenau

Duke University Press, 2013

In this concise historical analysis of the Mexican Revolution, Gilbert M. Joseph and Jürgen Buchenau explore the revolution's causes, dynamics, consequences, and legacies. They do so from varied perspectives, including those of campesinos and workers; politicians, artists, intellectuals, and students; women and men; the well-heeled, the dispossessed, and the multitude in the middle. In the process, they engage major questions about the revolution. How did the revolutionary process and its aftermath modernize the nation's economy and political system and transform the lives of ordinary Mexicans? Rather than conceiving the revolution as either the culminating popular struggle of Mexico's history or the triumph of a new (not so revolutionary) state over the people, Joseph and Buchenau examine the textured process through which state and society shaped each other. The result is a lively history of Mexico's "long twentieth century," from Porfirio Díaz's modernizing dictatorship to the neoliberalism of the present day.
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cover of Mexico, Interrupted: Labor, Idleness, and the Economic Imaginary of Independence

Mexico, Interrupted

Labor, Idleness, and the Economic Imaginary of Independence

Sergio Gutiérrez Negrón

Vanderbilt University Press, 2023

Honorable Mention, Premio al Mejor Libro en Humanidades, Latin American Studies Association–Mexico Section, 2024

Mexican independence was, in a sense, an economic event. Through economic concerns, elites created a common ground with non-elites in their demands against foreign domination, and independence was imagined by the lettered men of Mexico as a feat that would nationalize a rich and productive economic apparatus.
 
Mexico, Interrupted investigates these economic hopes during the difficult decades between 1821, the year of the country’s definite separation from Spain, and 1852, a period of political polarization after the US-Mexico War that led the country to the brink of another armed conflict. Drawing on political and popular media, this book studies the Mexican intelligentsia’s obsession with labor and idleness in their attempts to create a wealthy, independent nation.
 
Focusing on figures of work and its opposites, Mexico, Interrupted reconstructs these decades’ “economic imaginaries of independence”: the political and cultural discourses that structured understandings, beliefs, and fantasies of the relationship between “the economy” and the life of an independent polity. By bringing together intellectual history, critical theory, and cultural studies, Gutiérrez Negrón offers a new account of the Mexican nineteenth century and complicates the history of the “spirit of capitalism” in the Americas.
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cover of Michigan Salvage: The Fiction of Bonnie Jo Campbell

Michigan Salvage

The Fiction of Bonnie Jo Campbell

Lisa DuRose

Michigan State University Press, 2023

Michigan Salvage is the first scholarly collection on celebrated writer Bonnie Jo Campbell, the author of two novels and three short story collections, including National Book Award finalist American Salvage (2009). Her writing captures a diverse and bustling rural America, brimming with complex characters who struggle with addiction, poverty, and land degradation—issues that have become, undeniably, part of the southwestern Michigan landscape that she calls home. The essays in this volume demonstrate many rich ways to approach Campbell’s writing, from historical and cultural overviews to essays examining the class and gender implications of her stories and novels, to teaching essays highlighting how to use her work in the classroom and beyond. Along with each essay, Michigan Salvage also features lesson plans and writing prompts meant to spark discussion and encourage further investigation into these stories and novels. This essential and teachable collection makes plain Campbell’s contributions to contemporary American literature.
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cover of Mikhail Bakhtin: The Duvakin Interviews, 1973

Mikhail Bakhtin

The Duvakin Interviews, 1973

Slav N Gratchev

Bucknell University Press, 2019

Whenever Bakhtin, in his final decade, was queried about writing his memoirs, he shrugged it off. Unlike many of his Symbolist generation, Bakhtin was not fascinated by his own self-image. This reticence to tell his own story was the point of access for Viktor Duvakin, Mayakovsky scholar, fellow academic, and head of an oral history project, who in 1973 taped six interviews with Bakhtin over twelve hours. They remain our primary source of Bakhtin’s personal views:  on formative moments in his education and exile, his reaction to the Revolution, his impressions of political, intellectual, and theatrical figures during the first two decades of the twentieth century, and his non-conformist opinions on Russian and Soviet poets and musicians. Bakhtin's passion for poetic language and his insights into music also come as a surprise to readers of his essays on the novel. One remarkable thread running through the conversations is Bakhtin's love of poetry, masses of which he knew by heart in several languages. Mikhail Bakhtin: The Duvakin Interviews, 1973, translated and annotated here from the complete transcript of the tapes, offers a fuller, more flexible image of Bakhtin than we could have imagined beneath his now famous texts.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of Military Intervention after the Cold War: The Evolution of Theory and Practice

Military Intervention after the Cold War

The Evolution of Theory and Practice

Andrea Kathryn Talentino

Ohio University Press, 2005

For hundreds of years military intervention was considered taboo and prohibited by international law. Since 1992, intervention has often been described as an international responsibility and efforts have been made to give it legal justification. This represents an extraordinary change in perceptions, and one that has taken place in only the space of a decade.

Military Intervention After the Cold War explores how and why this change took place, looking at how both ideas and actions changed in the post-Cold War period to make military intervention a tool of international security and a defining characteristic of the international system. Although it is often touted as a strategy to rebuild collapsed states, the examples of success are few and far between. Andrea Kathryn Talentino argues that standards of human rights and responsible governance have become part of the definition of international security. She addresses questions that are vital in the post-9/11 world, where weak and collapsed states are recognized as permissive and at times supportive environments for criminal actors.

The specter of terrorism has placed even greater emphasis on the need to understand why military intervention happens and how it could be more effective. With the news full of stories on intervention and nation-building, scholars, graduate and undergraduate students, and readers interested in understanding global interdependence will find Military Intervention After the Cold War an indispensable book.Andrea Kathryn Talentino is an assistant professor of international relations at Tulane University, New Orleans.The author of numerous articles on military intervention and post- conflict rebuilding, she is currently focusing on the link between nation-building and political violence.
[more]
cover of Military Prisons of the Civil War: A Comparative Study

Military Prisons of the Civil War

A Comparative Study

David L. Keller

Westholme Publishing, 2021

A Fresh Analysis of the First Large-Scale Imprisonment of Soldiers in Wartime and Its Failures 
Over the course of the American Civil War, more than four hundred thousand prisoners were taken by the North and South combined—the largest number in any conflict up to that time, and nearly fifty-eight thousand of these men died while incarcerated or soon after being released. Neither side expected to take so many prisoners in the wake of battles and neither had any experience on how to deal with such large numbers. Prison camps were quickly established, and as the war progressed, reports of sickness, starvation, mistreatment by guards, and other horrors circulated in the press. After the war, recriminations were leveled on both sides, and much of the immediate ill-will between the North and South dealt with prisoners and their treatment. 
    In Military Prisons of the Civil War: A Comparative Analysis historic preservationist David L. Keller consulted official records, newspaper reports, first-person accounts from prisoners, and other primary source material in order to understand why imprisonment during the Civil War failed on both sides. His research identifies five factors shared among both Union and Confederate prisons that led to so many deaths, including the lack of a strategic plan on either side for handling prisoners, inadequate plans for holding prisoners for long periods of time, and poor selection and training of camp command and guards. 
[more]
cover of Millicent Garrett Fawcett: Selected Writings

Millicent Garrett Fawcett

Selected Writings

Edited by Melissa Terras and Elizabeth Crawford

University College London, 2022

The first scholarly appraisal of suffragette Dame Millicent Garrett Fawcett in more than 30 years.

“Courage calls to courage everywhere” is the best-known phrase associated with Millicent Garrett Fawcett (1847–1929), the leading UK suffragist and women’s rights campaigner of the late nineteenth and early twentieth centuries. But what is the source of her quote, and what is its context?

This book reproduces Fawcett’s essential speeches, pamphlets, and newspaper columns to tell the story of her dynamic contribution to public life. Thirty-five texts and twenty-two images are contextualized and linked to contemporary news coverage as well as to historical and literary references. These speeches, articles, artworks, and photographs cover both the advances and the defeats in the campaign for women’s votes. They also demonstrate a variety of the topics and causes Fawcett pursued: the provision of education for women, feminist history, a love of literature (and Fawcett’s own attempt at fiction), purity and temperance, the campaign against the employment of children, the British Army’s approach to the South African War, the Unionist cause against Home Rule for Ireland, and the role of suffrage organizations during World War I. This volume offers a rich, intertextual web of literary works, preferred reading material, organizations, contacts, friends, and sometimes enemies, that reveals Fawcett the individual throughout sixty-one years of campaigning.
[more]
cover of Millions of Gifts for the Gods: The Feather Distribution Project

Millions of Gifts for the Gods

The Feather Distribution Project

Jonathan Reyman

University Press of Colorado, 2025

In Millions of Gifts for the Gods, Jonathan E. Reyman chronicles a remarkable thirty-four-year applied anthropology initiative that bridged ancient traditions with contemporary conservation challenges. From 1982 to 2015 the Feather Distribution Project addressed the critical need for macaw, parrot, and wild turkey feathers essential to Pueblo religious practices, directly supporting their constitutional right to freedom of religion.

Grounded in Sol Tax’s concept of “action anthropology,” the project facilitated community-driven decision-making rather than imposing external solutions. This collaborative approach enabled Indigenous communities to maintain cultural practices that have persisted for over a millennium, dating back to the Ancestral Pueblo people and the Mogollon and Sinagua tribes, who viewed birds as sacred beings that helped humans emerge from the underworld. Yet the project’s impact extended far beyond cultural preservation. Over three decades, it distributed approximately 14.5 million feathers, valued at $20 million, to the Southwest Pueblos and other Indigenous Americans at no cost to them. Through partnerships with turkey hunters, zoos, bird clubs, the National Wild Turkey Federation, and dozens of volunteers, the initiative reduced illegal bird smuggling from Latin America, alleviated pressure on threatened bird populations, and eliminated harmful plucking practices.

Millions of Gifts for the Gods is an extended case study in applied anthropology, demonstrating how sustained collaboration between anthropologists and Indigenous communities can effectively address complex cultural, legal, and environmental challenges while preserving sacred traditions. This unique project is of special interest to anthropologists working in the American Southwest, as well as students and scholars of archaeology, ethnography, and ethnohistory.
 
[more]
cover of Milton’s Moving Bodies

Milton’s Moving Bodies

Marissa Greenberg and Rachel Trubowitz

Northwestern University Press, 2024

A collection of innovative examinations of embodiment in Milton’s oeuvre that challenge assumptions about disciplinary boundaries

This volume brings unprecedented focus to the forms, spaces, and implications of embodied motion in Milton’s writing and its afterlives to explore how and why he privileges the body—human and textual—as a site of dynamic movement. The contributors bring a variety of lenses to Milton’s moving bodies: political history, kinematics, mathematics, cosmology, translation, illustration, anatomies of racialized and disabled bodies, and twenty-first-century pedagogies. From these wide-ranging vantage points, they consider anew Milton’s contributions to the histories of scientific development, global exploration and imperial expansion, migration and diaspora, and translation and adaptation in England, Europe, and the Americas, from the early modern period to today. Milton’s Moving Bodies draws together established and emerging scholars, offering fresh analyses of the poet’s legacy for multiple traditions within and beyond Milton studies.

[more]
cover of Milwaukee in the 1930s: A Federal Writers Project City Guide

Milwaukee in the 1930s

A Federal Writers Project City Guide

John D. Buenker

Wisconsin Historical Society Press, 2016

What would it be like to take an intensive tour of Milwaukee as it was during the late 1930s—at the confluence of the Great Depression, the New Deal, and the run-up to World War II? That is precisely what the participants in the Federal Writers Project did while researching their Guide to Milwaukee. The fruits of their labors were ready for publication by 1940, but for a number of reasons the finished product never saw the light of day—until now.

Fortunately, the manuscript has been carefully preserved in the Wisconsin Historical Society Archives

. Seventy-five years after the work’s completion, the Wisconsin Historical Society Press and historian John D. Buenker present this guide—now serving as a time machine, ready to transport readers back to the Milwaukee of the 1930s, neighborhood by neighborhood, building by building. Much more than a nostalgic snapshot, the book examines Milwaukee’s history from its earliest days to 1940.

Buenker’s thoughtful introduction provides historical context, detailing the FWP’s development of this guide, as well as Milwaukee’s political climate leading up to, and during, the 1930s. Next, essays on thirteen "areas," ranging from Civic Center to Bay View, delve deeper into the geography, economy, and culture of old Milwaukee’s neighborhoods, and simulated auto tours take readers to locales still familiar today, exploring the city’s most celebrated landmarks and institutions. With a calendar of annual events and a list of public services and institutions, plus dozens of photographs from the era, Milwaukee in the 1930s provides a unique record of a pre–World War II American city.

[more]
cover of Mimetic Lives: Tolstoy, Dostoevsky, and Character in the Novel

Mimetic Lives

Tolstoy, Dostoevsky, and Character in the Novel

Chloë Kitzinger

Northwestern University Press, 2021

What makes some characters seem so real? Mimetic Lives: Tolstoy, Dostoevsky, and Character in the Novel explores this question through readings of major works by Leo Tolstoy and Fyodor Dostoevsky. Working at the height of the Russian realist tradition, Tolstoy and Dostoevsky each discovered unprecedented techniques for intensifying the aesthetic illusion that Chloë Kitzinger calls mimetic life—the reader’s sense of a character’s autonomous, embodied existence. At the same time, both authors tested the practical limits of that illusion by extending it toward the novel’s formal and generic bounds: philosophy, history, journalism, theology, myth.
 
Through new readings of War and Peace, Anna Karenina, The Brothers Karamazov, and other novels, Kitzinger traces a productive tension between mimetic characterization and the author’s ambition to transform the reader. She shows how Tolstoy and Dostoevsky create lifelike characters and why the dream of carrying the illusion of “life” beyond the novel consistently fails. Mimetic Lives challenges the contemporary truism that novels educate us by providing enduring models for the perspectives of others, with whom we can then better empathize. Seen close, the realist novel’s power to create a world of compelling fictional persons underscores its resources as a form for thought and its limits as a direct source of spiritual, social, or political change.
 
Drawing on scholarship in Russian literary studies as well as the theory of the novel, Kitzinger’s lucid work of criticism will intrigue and challenge scholars working in both fields. 
[more]
cover of Missing Measures: Modern Poetry and the Revolt Against Meter

Missing Measures

Modern Poetry and the Revolt Against Meter

Timothy Steele

University of Arkansas Press, 1990

By the close of the nineteenth century, many poets had abandoned rhyme and meter in favor of “free verse.” Nearly one hundred years later, a growing number of younger poets are reclaiming traditional conventions of prosody by composing rhymed and measured poetry.

Missing Measures is the first full articulation of the aesthetics of this new movement. Timothy Steele, one of the best of those poets who are sometimes called the “New Formalists,” treats his subject against a backdrop of the long history of ideas about poetry, formulated first by the ancients and re-examined and re-interpreted by subsequent writers.

Steele offers a new perspective on the wholesale departure from tradition proclaimed in modernist critical justifications. A rare marriage of clear writing, careful scholarship, and bold thinking, Missing Measures provides a vital new movement with a critical manifesto.

[more]
cover of Mobility and Migration: East Anglian Founders of New England, 1629-1640

Mobility and Migration

East Anglian Founders of New England, 1629-1640

Roger Thompson

University of Massachusetts Press, 1994

During the 1630s, more than 14,000 people sailed from Britain bound for New England, constituting what has come to be known as the Great Migration. This book offers the most extensive study of these emigrants ever undertaken. Focusing on 2,000 individuals who moved from the five counties of eastern England, it provides historians with important new findings on mobility, family life, kinship networks, and community cohesion. 

Roger Thompson reveals the personal experiences and ancestral histories of the emigrants. He follows them across the Atlantic and investigates their lives and achievements in the New World. Distinguising between such groups as gentry, entrepreneurs, artisans, farmers, and servants, he explores whether the migration tended to be a solitary uprooting from a stable and predictable world of familiar neighborhoods or simply a longer move among many relocations.

Thompson also sheds light on the issue of motivation: Were these settlers pulled by the hope of eventual enrichment or of founding a purified society, or were they pushed by intolerance and persecution at home? Did they see New England as a haven of escape or an opportunity to exploit? Did New Englanders seek to replicate “English ways,” preserving traditional culture and society, or did they embrace change and innovation? Mobility and Migration provides a wealth of new evidence for historians of both early modern England and colonial America.

[more]
cover of Modern Dance, Negro Dance: Race in Motion

Modern Dance, Negro Dance

Race in Motion

Susan Manning

University of Minnesota Press, 2006

At the New School for Social Research in 1931, the dance critic for the New York Times announced the arrival of modern dance, touting the “serious art” of such dancers as Mary Wigman, Martha Graham, and Doris Humphrey. Across town, Hemsley Winfield and Edna Guy were staging what they called “The First Negro Dance Recital in America,” which Dance Magazine proclaimed “the beginnings of great and important choreographic creations.” Yet never have the two parallel traditions converged in the annals of American dance in the twentieth century.Modern Dance, Negro Dance is the first book to bring together these two vibrant strains of American dance in the modern era. Susan Manning traces the paths of modern dance and Negro dance from their beginnings in the Depression to their ultimate transformations in the postwar years, from Helen Tamiris’s and Ted Shawn’s suites of Negro Spirituals to concerts sponsored by the Workers Dance League, from Graham’s American Document to the debuts of Katherine Dunham and Pearl Primus, from José Limón’s 1954 work The Traitor to Merce Cunningham’s 1958 dances Summerspace and Antic Meet, to Ailey’s 1960 masterpiece Revelations.Through photographs and reviews, documentary film and oral history, Manning intricately and inextricably links the two historically divided traditions. The result is a unique view of American dance history across the divisions of black and white, radical and liberal, gay and straight, performer and spectator, and into the multiple, interdependent meanings of bodies in motion. Susan Manning is associate professor of English, theater, and performance studies at Northwestern University. She is the author of Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman, winner of the 1994 de la Torre Bueno Prize for the year’s most important contribution to dance studies.
[more]
cover of Modern Enlightenment and the Rule of Reason

Modern Enlightenment and the Rule of Reason

John C. McCarthy

Catholic University of America Press, 2018

The essays in this volume pose the question common usage has obscured: was "the Enlightenment" truly enlightened or enlightening? Scholarly investigation has sometimes avoided the question by confining itself to historical particulars of 18th-century Euro
[more]
cover of Modern Japanese Literary Studies

Modern Japanese Literary Studies

Seth Jacobowitz and Jonathan E. Abel, Editors

University of Michigan Press, 2026

Explores new directions in modern Japanese literature
[more]
cover of Modern Odysseys: Cavafy, Woolf, Césaire, and a Poetics of Indirection

Modern Odysseys

Cavafy, Woolf, Césaire, and a Poetics of Indirection

Michelle Zerba

The Ohio State University Press, 2021

Michelle Zerba’s Modern Odysseys explores three major writers in global modernism from the Mediterranean, Anglo-European Britain, and the Caribbean whose groundbreaking literary works have never been studied together before. Using language as an instrument of revolution and social change, C. P. Cavafy, Virginia Woolf, and Aimé Césaire gave expression to the forms of human experience we now associate with modernity: homoeroticism, transsexuality, and racial consciousness. More specifically, Zerba argues that Odyssean tropes of diffusion, isolation, passage, and return give form to works by these writers but in ways that invite us to reconsider and revise the basic premises of reception studies and intellectual history.   Combining close readings of literary texts with the study of interviews, essays, diaries, and letters, Zerba advances a revisionary account of how to approach relationships between antiquity and modernity. Instead of frontal encounters with the Odyssey, Cavafy, Woolf, and Césaire indirectly—but no less significantly—engage with Homer’s epic poem. In demonstrating how such encounters operate, Modern Odysseys explores issues of race and sexuality that connect antiquity with the modern period.  
[more]
cover of Modern Philology, volume 119 number 2 (November 2021)

Modern Philology, volume 119 number 2 (November 2021)

The University of Chicago Press

University of Chicago Press Journals, 2021

This is volume 119 issue 2 of Modern Philology. Modern Philology (MP) publishes original work in literary criticism, literary history, and archival scholarship. The journal welcomes contributions on literature in all modern world languages and encourages productive comparisons of texts and traditions from any part of the world. It accepts essays that focus on earlier periods as well as the present. MP also aims to publish timely review articles, reviews of recent books, and research on archival documents.
[more]
cover of Modern Philology, volume 119 number 3 (February 2022)

Modern Philology, volume 119 number 3 (February 2022)

The University of Chicago Press

University of Chicago Press Journals, 2022

This is volume 119 issue 3 of Modern Philology. Modern Philology (MP) publishes original work in literary criticism, literary history, and archival scholarship. The journal welcomes contributions on literature in all modern world languages and encourages productive comparisons of texts and traditions from any part of the world. It accepts essays that focus on earlier periods as well as the present. MP also aims to publish timely review articles, reviews of recent books, and research on archival documents.
[more]
cover of Modern Philology, volume 119 number 4 (May 2022)

Modern Philology, volume 119 number 4 (May 2022)

The University of Chicago Press

University of Chicago Press Journals, 2022

This is volume 119 issue 4 of Modern Philology. Modern Philology (MP) publishes original work in literary criticism, literary history, and archival scholarship. The journal welcomes contributions on literature in all modern world languages and encourages productive comparisons of texts and traditions from any part of the world. It accepts essays that focus on earlier periods as well as the present. MP also aims to publish timely review articles, reviews of recent books, and research on archival documents.
[more]
cover of Modern Philology, volume 120 number 1 (August 2022)

Modern Philology, volume 120 number 1 (August 2022)

The University of Chicago Press

University of Chicago Press Journals, 2022

This is volume 120 issue 1 of Modern Philology. Modern Philology (MP) publishes original work in literary criticism, literary history, and archival scholarship. The journal welcomes contributions on literature in all modern world languages and encourages productive comparisons of texts and traditions from any part of the world. It accepts essays that focus on earlier periods as well as the present. MP also aims to publish timely review articles, reviews of recent books, and research on archival documents.
[more]
cover of Modern Philology, volume 120 number 2 (November 2022)

Modern Philology, volume 120 number 2 (November 2022)

The University of Chicago Press

University of Chicago Press Journals, 2022

This is volume 120 issue 2 of Modern Philology. Modern Philology (MP) publishes original work in literary criticism, literary history, and archival scholarship. The journal welcomes contributions on literature in all modern world languages and encourages productive comparisons of texts and traditions from any part of the world. It accepts essays that focus on earlier periods as well as the present. MP also aims to publish timely review articles, reviews of recent books, and research on archival documents.
[more]
cover of Modern Philology, volume 120 number 3 (February 2023)

Modern Philology, volume 120 number 3 (February 2023)

The University of Chicago Press

University of Chicago Press Journals, 2023

This is volume 120 issue 3 of Modern Philology. Modern Philology (MP) publishes original work in literary criticism, literary history, and archival scholarship. The journal welcomes contributions on literature in all modern world languages and encourages productive comparisons of texts and traditions from any part of the world. It accepts essays that focus on earlier periods as well as the present. MP also aims to publish timely review articles, reviews of recent books, and research on archival documents.
[more]
cover of Modern Philology, volume 120 number 4 (May 2023)

Modern Philology, volume 120 number 4 (May 2023)

The University of Chicago Press

University of Chicago Press Journals, 2023

This is volume 120 issue 4 of Modern Philology. Modern Philology (MP) publishes original work in literary criticism, literary history, and archival scholarship. The journal welcomes contributions on literature in all modern world languages and encourages productive comparisons of texts and traditions from any part of the world. It accepts essays that focus on earlier periods as well as the present. MP also aims to publish timely review articles, reviews of recent books, and research on archival documents.
[more]
cover of Modern Philology, volume 121 number 1 (August 2023)

Modern Philology, volume 121 number 1 (August 2023)

The University of Chicago Press

University of Chicago Press Journals, 2023

This is volume 121 issue 1 of Modern Philology. Modern Philology (MP) publishes original work in literary criticism, literary history, and archival scholarship. The journal welcomes contributions on literature in all modern world languages and encourages productive comparisons of texts and traditions from any part of the world. It accepts essays that focus on earlier periods as well as the present. MP also aims to publish timely review articles, reviews of recent books, and research on archival documents.
[more]
cover of Modern Philology, volume 121 number 2 (November 2023)

Modern Philology, volume 121 number 2 (November 2023)

The University of Chicago Press

University of Chicago Press Journals, 2023

This is volume 121 issue 2 of Modern Philology. Modern Philology (MP) publishes original work in literary criticism, literary history, and archival scholarship. The journal welcomes contributions on literature in all modern world languages and encourages productive comparisons of texts and traditions from any part of the world. It accepts essays that focus on earlier periods as well as the present. MP also aims to publish timely review articles, reviews of recent books, and research on archival documents.
[more]
cover of Modern Philology, volume 121 number 3 (February 2024)

Modern Philology, volume 121 number 3 (February 2024)

The University of Chicago Press

University of Chicago Press Journals, 2024

This is volume 121 issue 3 of Modern Philology. Modern Philology (MP) publishes original work in literary criticism, literary history, and archival scholarship. The journal welcomes contributions on literature in all modern world languages and encourages productive comparisons of texts and traditions from any part of the world. It accepts essays that focus on earlier periods as well as the present. MP also aims to publish timely review articles, reviews of recent books, and research on archival documents.
[more]
cover of Modern Philology, volume 121 number 4 (May 2024)

Modern Philology, volume 121 number 4 (May 2024)

The University of Chicago Press

University of Chicago Press Journals, 2024

This is volume 121 issue 4 of Modern Philology. Modern Philology (MP) publishes original work in literary criticism, literary history, and archival scholarship. The journal welcomes contributions on literature in all modern world languages and encourages productive comparisons of texts and traditions from any part of the world. It accepts essays that focus on earlier periods as well as the present. MP also aims to publish timely review articles, reviews of recent books, and research on archival documents.
[more]
cover of Modern Philology, volume 122 number 1 (August 2024)

Modern Philology, volume 122 number 1 (August 2024)

The University of Chicago Press

University of Chicago Press Journals, 2024

This is volume 122 issue 1 of Modern Philology. Modern Philology (MP) publishes original work in literary criticism, literary history, and archival scholarship. The journal welcomes contributions on literature in all modern world languages and encourages productive comparisons of texts and traditions from any part of the world. It accepts essays that focus on earlier periods as well as the present. MP also aims to publish timely review articles, reviews of recent books, and research on archival documents.
[more]